TV-G | 30min | Comedy, Family, Music | Episode aired 24 February 1965
After the Lane family discovers that their home played a part in the American Revolution, they learn that the local historical society wants to take over their house.
Director: Don Weis
Writers: Arnold Horwitt, Sidney Sheldon, William Asher
Stars: Patty Duke, William Schallert, Jean Byron
After the Lane family discovers that their home played a part in the American Revolution, they learn that the local historical society wants to take over their house.
Director: Don Weis
Writers: Arnold Horwitt, Sidney Sheldon, William Asher
Stars: Patty Duke, William Schallert, Jean Byron
Category
🎥
Short filmTranscript
00:00Well, girls, I've had such a lovely tea.
00:06Another cup, Miss Townsend?
00:07Oh, thank you.
00:08No, Kathy, I've got to be getting home.
00:09I'll take that welfare package if it's ready.
00:10Oh, sure.
00:11I'll get it for you.
00:12Oh, my, this is such an attractive room.
00:18Oh, I just love these old houses out in Brooklyn Heights.
00:22Uncle Martin says this one dates way back.
00:24Oh, indeed, yes.
00:26They don't build fireplaces like this today.
00:38Why, bless my heart.
00:40What is it, Miss Townsend?
00:41This mattel.
00:42It's a solid mahogany.
00:45Is that good?
00:46Good.
00:47Why, it could very well mean that...
00:50Oh, Patty, I must take a look at your front door.
00:53The front door?
00:54What for?
00:55Well, I'd better not say till I've looked.
00:57Oh, my, this is so exciting.
01:02What was in that tea?
01:03I don't know.
01:04Miss Tansy is a bug about old houses.
01:07I believe she's the chairman of some historical society.
01:17I was right.
01:18Patty, this house is Georgian.
01:21Came from Georgia?
01:23Oh, no, Georgian.
01:25Referring to the style of architecture
01:27dating from the reign of the first four King Georges of England.
01:31Meaning this house is over 200 years old.
01:37How can you tell, Miss Tansy?
01:38Well, the mahogany mantel and the style of this door.
01:42Now, both are found only in houses built in the early 18th century.
01:48That means this house was built before the Revolution.
01:52Are you sure?
01:54My dear, I happen to be secretary
01:56of the Brooklyn Heights Historical Society.
01:59Oh, and I assure you,
02:01this house is a part of our country's historical heritage.
02:08Kind of gives me the shivers.
02:09What does?
02:11George Washington could have slept here.
02:43Where Kathy adores a minuet
02:46The ballet Russe and Crepe Suzette
02:49Our Patty loves to rock and roll
02:51A hot dog makes her lose control
02:53What a wild duet
02:55Still they're cousins
02:58Identical cousins and you'll find
03:02They laugh alike, they walk alike
03:04At times they even talk alike
03:06You can lose your mind
03:09When cousins are two of a kind
03:21And imagine, Poppa,
03:22our house was built by King George of England.
03:24Patty, Miss Tansy didn't say that.
03:26Well, anyway, during their reign over 200 years ago.
03:30No wonder it's so hard to heat.
03:32Aren't you thrilled?
03:34Well, it's nice to know we live in a landmark.
03:36But when that fuel bill comes,
03:37I sometimes wish we had a nice split level
03:39from the reign of Eisenhower.
03:41Yes, the house is getting a little creaky, isn't it?
03:43Well, it's been so long since we've really done anything.
03:49I didn't say that.
03:50Well, yes, you did, darling,
03:51and you are so right.
03:52It's time we had the house really done.
03:55Well, maybe a little paint here and there.
03:58Oh, Martin, that's just patching.
03:59The house needs to be done over top to bottom.
04:02I like it the way it is.
04:04Bless you, son.
04:05You said it yourself, Martin.
04:06It's been ages since we spent any money on the place.
04:09And I learned to read my newspaper at breakfast.
04:12Besides, Pop, well, after what Miss Tansy told us,
04:14isn't it like our patriotic duty
04:15to keep the house looking nice?
04:20All right.
04:22What did you have in mind?
04:24Well, Gwen Butler knows this interior decorator,
04:27Dennis Latouche.
04:28She says he's French and utterly brilliant
04:30and dirt cheap.
04:32I like the last part.
04:34Oh, yeah.
04:35Gwen says he'll come in
04:36and give us his advice absolutely free.
04:39Oh, sure.
04:40That's how designers make their living,
04:41by giving advice absolutely free.
04:44Oh, hello, Miss Tansy.
04:46Oh, yeah, of course.
04:47But couldn't you tell me over the phone?
04:49What now?
04:50Oh, okay.
04:51Kathy and I will see you
04:52as soon as we finish breakfast.
04:54Bye.
04:57Kathy, Miss Tansy wants to see us
04:58as soon as we're finished.
04:59What for?
05:00It's about the house.
05:01She says we'll be absolutely free.
05:02Let's hope she's found
05:03there's some gold in our cellar.
05:04I have a feeling I'll be needing it.
05:08This map confirms beyond a doubt
05:11that your house is the old Prescott place.
05:14Prescott?
05:15Who are they?
05:16Oh, the Prescott's,
05:17why, Patty, you're joking.
05:19Oh, yeah, of course.
05:20I thought maybe Kathy didn't know.
05:22I don't, peasant.
05:26The Prescott's were one of the first families
05:28to settle in Brooklyn, New York.
05:29Adam Prescott built your house
05:30in 1720.
05:32Kathy, did you hear that?
05:34Wait, wait.
05:35I'll say the best to last.
05:38In 1776, Adam Prescott's son, Jonathan,
05:41joined the Revolutionary Army
05:42of General Washington,
05:44leaving Prescott Manor.
05:46Prescott Manor?
05:48I live in Prescott Manor?
05:50In the care of his only daughter, Jane.
05:52Oh, that's right.
05:53Prescott Manor.
05:55Prescott Manor.
05:57Prescott Manor.
05:58Jane.
05:59Here's a picture of her.
06:01Oh, she's beautiful.
06:03Yes, indeed.
06:05Jane Prescott refused
06:07to be evacuated from her home
06:09even when the British forces
06:11under General Sir Alec Howell
06:13occupied Brooklyn Heights.
06:15She offered Prescott Manor
06:16to General Howell.
06:18Wait a minute.
06:19He was the enemy.
06:22Jane Prescott had encouraged
06:23the British commander's fondness
06:25for a pretty face
06:27and a shapely ankle.
06:31Forgive me, girls.
06:32This part's a little racy.
06:34Oh, that's okay. Go ahead.
06:35It's all history.
06:37Contrived to be introduced
06:39to General Howell,
06:40he accepted her offer
06:41of Prescott Manor.
06:43But why would she do a thing like that?
06:45And during the several days
06:46he resided there,
06:47was much occupied
06:48in paying court
06:49to the beauteous Jane Prescott.
06:51I... I...
06:53Despite the urgent pleas of his staff
06:55to continue in pursuit
06:56of American forces.
06:57As a result,
06:59General Washington
07:00had time to reassemble his troops
07:02as a fighting unit.
07:05Oh.
07:06You mean
07:07she just pretended
07:08to like the general
07:09in order to save the country.
07:10Exactly.
07:12Then
07:13the revolution
07:14was practically won or lost
07:15in our parlor.
07:17Yes, in a way.
07:19Thank the million, Miss Tansy.
07:20Come on, Kat.
07:21Come on, where?
07:22To tell Pablo the news
07:23and put it in the Chronicle.
07:26Oh, Patty,
07:27it is a very interesting story.
07:29But all this happened
07:30about 200 years ago.
07:32For Pete's sake,
07:33do you always have to be so technical?
07:34Come on,
07:35thank the million, Miss Tansy.
07:41Well, there's no question, Patty,
07:42that that is a fascinating
07:43historical footnote.
07:45Footnote, he calls it.
07:47Pablo, our house practically
07:48saved the Union.
07:49I believe
07:50that was Abraham Lincoln, honey.
07:52Anyway, what did you want me to do?
07:54Spread it all over the front page
07:55so everybody will know
07:56we live on hallowed ground.
07:58That's hallowed, Patty.
08:00And I don't really think
08:01anybody but us lanes
08:02would give a hoot.
08:03I disagree, Martin.
08:05It's a nice human interest feature.
08:07No, now, J.A.,
08:08you're a publisher.
08:09You know that a newspaper man
08:10isn't news unless
08:11he shoots somebody.
08:12I still say
08:13it rates a story.
08:15Well, you're the boss.
08:18Would you send Miller in, please?
08:20Hey, Will,
08:21the gang reads about this.
08:22Yes, it's rather a feather
08:23in the lane cap.
08:25You know something?
08:27From now on,
08:28when the kids come to our house,
08:29I'm gonna charge admission.
08:32Madame, you are so wise
08:33to call me in.
08:35Oh, yes.
08:36Well, the room
08:37does need something.
08:38It needs everything.
08:40Well, we find it
08:41quite comfortable.
08:43An old shoe
08:44is also comfortable.
08:45But does one wish
08:46to live in it?
08:48Very well put, no?
08:50Oui.
08:52Do you have any ideas,
08:53Mr. Latouche?
08:55Not so fast, Madame.
08:56First, I must immerse
08:57myself in your house.
08:59Well, I can show you
09:00the floor plan.
09:01I mean, psychically,
09:02spiritually.
09:04Hi, Bob.
09:06This is my son, Ross,
09:07Mr. Latouche.
09:08Hi.
09:09Mom, look.
09:10It's about how our house
09:11used to be Prescott Manor.
09:12Oh, isn't that nice?
09:13Don't you want to read it?
09:14Later, dear.
09:15We're disturbing, Mr. Latouche.
09:17I'm gonna find Patty.
09:18Yes, you do that, dear.
09:20You know, this may spark you,
09:21Mr. Latouche,
09:22but it seems that our house
09:23predates the American Revolution.
09:25I'm so glad.
09:26Do you think perhaps
09:27we should consider
09:28an early American decor?
09:29Surely you do not suggest
09:30we do this room
09:31a la Betsy Ross?
09:33No.
09:34I mean...
09:36Evans to Betsy.
09:38Very amusing.
09:42Oui.
09:43But why not?
09:44Sure, Madame.
09:45In decor,
09:46a period is either in or out.
09:48And early American is...
09:50Out.
09:51But alas, not way out.
09:53That would be better?
09:54Naturalement.
09:55Because then it would be in again.
09:57At the moment,
09:58it is, how you Americans say,
10:00nowheresville.
10:03I see.
10:05Uh,
10:06but you can advise me
10:07what to do with the room.
10:08Oui, oui.
10:09Oh, Mrs. Butler said
10:10that there would be
10:11no charge for advice?
10:13Certainly not.
10:15What do you suggest?
10:17I suggest that you engage me
10:18to suggest a suitable decor.
10:20Please do.
10:21I will.
10:22For this,
10:23my fee will be $500.
10:32A Japanese living room?
10:35Madame,
10:36it will be magnifique.
10:38Well, I think it's
10:39very striking
10:40and very original.
10:43But a Japanese living room
10:44in an old colonial home?
10:46Madame,
10:47last summer
10:48I turned a Pennsylvania Dutch barn
10:50into a Polynesian palace.
10:52It was the show place
10:53of Bucks County.
10:55Until some uncultured person
10:56burnt it to the ground.
11:00Well, I do like it,
11:02but I'm wondering
11:03if my husband will.
11:04You see, in some ways,
11:05Martinus is really
11:06rather old-fashioned.
11:07So is this decor,
11:08early 12th century.
11:10Hello, Martinus.
11:11Hello.
11:14Hello.
11:15Hi.
11:18Holy moly!
11:19What's that?
11:21Well, this is
11:22Mr. Latouche's idea
11:23for the living room, dear.
11:25This living room?
11:29I saw.
11:31Do you like it?
11:33Oh, it's a
11:36very interesting,
11:37I'll tell you.
11:38Yeah.
11:39Spooky.
11:41Oh, spooky.
11:42Nice, I mean.
11:43But is Papo's
11:44favorite chair
11:45going to fit in this?
11:46Buddha forbid.
11:48Oh.
11:49Well,
11:50it's a real diddy bop.
11:51Mom,
11:52Miss Tansy asked
11:53if some of the ladies
11:54could come over
11:55and see the house.
11:56Well, of course, dear.
11:57Oh, good.
11:58That's what I told her.
11:59Well, we're going upstairs.
12:00Goodbye.
12:01I mean, uh.
12:02Mama.
12:06Uh,
12:07Mr. Latouche,
12:08what about the patio?
12:13Voila!
12:15An authentic
12:16crunchy rock garden.
12:18Isn't it?
12:19Diddy bop.
12:23I'll get it, Ma.
12:26Oh, hi.
12:27Here we are, Patty.
12:28The girls couldn't wait
12:29to see the house.
12:30Oh, well, come right in.
12:31See?
12:32The original door.
12:34Beautiful.
12:36It's obvious
12:37these people care.
12:39How nice to see you,
12:40Miss Tansy.
12:41Do come in.
12:42Oh, thank you, Mrs. Lane.
12:43These ladies
12:44are from
12:45the Brooklyn Heights
12:46Historical Society.
12:47Our president,
12:48Mrs. Utherbridge.
12:49How do you do?
12:50You're all very welcome.
12:51This is Mr. Latouche.
12:53Charmed, ladies.
12:55We are very grateful
12:56for this chance
12:57to look over your
12:58lovely old...
13:01What on earth are these?
13:02These, madam,
13:03are sketches.
13:04Mr. Latouche
13:05is an interior decorator.
13:06He's going to do our house.
13:08To look like this?
13:11Prescott Manor?
13:12Yes.
13:13Effective,
13:14aren't they?
13:15Effective?
13:16Girls, girls.
13:18Come take a bead
13:19to the cellar.
13:20No, Agatha,
13:21not now.
13:22We shall be late
13:23for the meeting.
13:24What meeting?
13:25The emergency meeting
13:26to the clubhouse, ladies.
13:34And so,
13:35we urge every member
13:36of the community
13:37to support this drive
13:38to make historic
13:39old Prescott Manor
13:40into a national
13:41historic site.
13:42How about that?
13:43Great.
13:44Uh, Miss Tansy
13:45is sending over a petition
13:46for all of us to sign.
13:47And we will.
13:48And what's that phrase
13:49of Patrick Henry's?
13:50In letters large enough
13:51for George III
13:52to read
13:53without his glasses.
13:55Dad,
13:56exactly what will it mean
13:57being a historic site?
13:59Oh,
14:00they'll put up
14:01a bronze plaque
14:02outside the house
14:03telling what happened here.
14:05Papa,
14:06maybe we should set aside
14:07a special day
14:08so that people
14:09can come and visit.
14:10Like at Mount Vernon
14:11in Monticello.
14:12I don't think
14:13we're going to be
14:14quite that historic.
14:15In any case,
14:16we're not going to be
14:17waltzing through here
14:18all the time.
14:19Now, don't worry, Nat.
14:20Historic or not,
14:21this place is ours
14:22and nobody's going
14:23to take it away from us.
14:24This is our house.
14:25Our own
14:26sturdy little castle.
14:38Hear me,
14:39old Miss Prescott.
14:40I find you
14:41entrancing to gaze upon
14:42enemy of the crowd
14:43though your father be.
14:45General,
14:46I pray you,
14:47dally here no longer.
14:49Oh, boy.
14:50What's wrong, sis?
14:51It's a disaster.
14:53Nobody's going to believe
14:54that Cathy's a passionate
14:55British general
14:56although you're a
14:57hot-blooded lieutenant.
14:58I'm terribly sorry,
14:59Mr. DeMille,
15:01but putting on this play
15:02was your idea.
15:03Well, it's the least
15:04we can do to show
15:05our appreciation.
15:07Let's try it again, okay?
15:15Hear me,
15:16old Miss Prescott.
15:17I find you
15:18entrancing to gaze upon
15:19enemy of the crowd
15:20though your father be.
15:21General!
15:22Cathy,
15:23how can a brilliant girl
15:24like you
15:25who speaks eight languages
15:26be such a rank
15:27of an actress?
15:28Who says I am?
15:30No offense, Cathy,
15:31but Patty's right.
15:32I don't think
15:33you're, uh,
15:34projecting enough.
15:36Well, you're no better, Marlon.
15:37You come on
15:38like the Easter bunny.
15:39Now, wait a minute!
15:41Patty, it seems a shame
15:42considering
15:43the bundle of talent
15:44you've been blessed with
15:45that you can't play
15:46all the parts yourself.
15:48I bet I could.
15:55Hear me out,
15:56Miss Prescott.
15:57I find you
15:58entrancing to gaze upon
15:59enemy of the crowd
16:00though your father be.
16:02General, I pray you,
16:03dally here no longer.
16:05You were saying,
16:06General?
16:08Miss Prescott.
16:10Nay, Sir Alec.
16:11Pray.
16:12Call me Jane.
16:13General, a courier
16:14has just arrived
16:15with this message
16:16from the front.
16:17Excuse me.
16:19Zones!
16:20The Yanks have done it!
16:22And what, General?
16:24Escaped across the Hudson!
16:25The blasted rebels
16:26will live to fight
16:27another day!
16:29Yes, indeed they will,
16:30General,
16:31until the last
16:32vile redcoat
16:33is driven from our shores.
16:35What are you saying, Jane?
16:37Miss Prescott, to you?
16:39For like my gallant father,
16:40I too am an enemy
16:41of the crown.
16:43But dash it all!
16:45General.
16:46Be gone!
16:48Oh, I'm terribly sorry,
16:49Miss Tansy.
16:50I didn't hear you come in.
16:51Are you okay?
16:52The front door was open.
16:53I'm sorry.
16:54What are you children up to?
16:55Oh, we were just
16:56rehearsing a play.
16:57One I wrote.
16:58It's called
16:59Jane Prescott's Finest Hour.
17:00She means Patty Lane's.
17:03It's a surprise
17:04for the Ladies Historical Society
17:05to show how much
17:06we appreciate what they're
17:07trying to do for our house.
17:08That's very thoughtful.
17:10Patty, is your mother in?
17:11I must see her.
17:13Oh, yeah.
17:14She's in Papo's study.
17:15Is it about the house?
17:16Well, yes.
17:17In a way.
17:18Oh, come on.
17:19I'll show you.
17:20Did I hurt you?
17:22Tansy, right in here.
17:23Mom, Miss Tansy's here to see you.
17:24Well, hello, Miss Tansy.
17:26Well, I'd better get back
17:27to rehearsal.
17:28Boy, the crew
17:29needs a lot of work.
17:31Pardon me for dropping in
17:32like this.
17:33I'm delighted, Miss Tansy.
17:35I was just looking
17:36at these sketches.
17:37The sketches?
17:38Oh, oh, yes.
17:39The new decor
17:40for the living room.
17:41Striking, aren't they?
17:42Yes, indeed.
17:43But I don't see
17:44the fireplace.
17:46Well, Mr. Latouche
17:47feels that we should
17:48brick it over.
17:50Brick it over?
17:52But it's an heirloom.
17:53Well, Mr. Latouche
17:54says that it doesn't fit
17:55with the samurai motif.
17:57Oh, he does.
17:59Well, I'll be leaving
18:00now, Mrs. Lane.
18:02But I thought you wanted
18:03to talk to me.
18:04Well, I changed my mind.
18:05That is,
18:06it'll keep until the house is...
18:08Good day, Mrs. Lane.
18:09Good day.
18:12It is my pleasure now,
18:13ladies and gentlemen,
18:14to introduce to you
18:15our great and good friend,
18:16Chief of the Historic Sites
18:17Commission,
18:18the Honorable James Wiley.
18:20Members of the
18:21Brooklyn Heights
18:22Historical Society,
18:23ladies and gentlemen,
18:24we have considered
18:25your petition
18:26to approve
18:27the construction
18:28of a new building
18:29in the area
18:30of Brooklyn Heights,
18:31which will be
18:32the first building
18:33in the area
18:34of Brooklyn Heights,
18:35which will be
18:36the first building
18:37in the area
18:38of Brooklyn Heights,
18:39which will be
18:40the first building
18:41in the area
18:42of Brooklyn Heights,
18:43which will be
18:44the first building
18:45in the area
18:46of Brooklyn Heights.
18:47I am happy
18:48to announce
18:49that your petition
18:50to have Prescott Manor
18:51declared
18:52a National Historic Site.
18:53I am happy
18:54to announce
18:55that your request
18:56has been approved.
18:57Mr. Lane,
18:58will you come forward, please?
18:59Mr. Lane,
19:00I congratulate you
19:01on offering
19:02your house
19:03to the state.
19:04You're very welcome, sir.
19:05And I want you
19:06to know
19:07it marks you
19:08as a man
19:09of great honor.
19:10of patriotism, of great generosity.
19:13Well, I wouldn't go so far as to say that.
19:15Then I want you to know that we will be equally generous
19:18in fixing the compensation you will receive
19:21for your unselfish deed.
19:23Oh, well, I really don't expect any money, Mr. Wiley.
19:26And I assure you that as long as Prescott Manor stands,
19:31its doors will be open to you and your family
19:35to visit there free of charge.
19:38Well, that's...
19:41Visit? Free of charge?
19:44What are you talking about, Mr. Wiley?
19:46Ladies and gentlemen, America the Beautiful!
19:50O beautiful for gracious eyes,
19:55Her magical rose of grace,
19:59The pearl of mountain majesty,
20:04Of all the beautiful lady...
20:09Flummoxed.
20:11Sold down the river by a bunch of little old ladies in tennis shoes.
20:14Honey, I didn't see anyone wearing tennis shoes.
20:16Oh, never mind what they wore. Where are we going to live now?
20:19Papa, can't you tell them we refuse to give up the house?
20:22How can I? I signed that petition.
20:24I thought you said they were just going to put a plaque outside.
20:27Well, that's the way it usually works.
20:29Who knew those old hens were scheming to throw us into the gutter?
20:33Will you see who that is, Ross?
20:36It's probably some of the neighbors coming to congratulate us.
20:40Good evening, young man. Is your father home?
20:43Yes, sir. He's in the living room.
20:45Well, evening, folks.
20:47Good evening, Mr. Wiley.
20:48I brought the papers to sign.
20:50You people don't waste any time.
20:52You bet. Who knows? You folks might decide to change your mind.
20:56You mean we could?
20:58Well, now, nothing's official until you sign the papers.
21:02Now, here they are, Mr. Lane.
21:04This is the preliminary letter of agreement.
21:08A formal takeover comes later.
21:10I can't wait.
21:11We have great plans for this house, Mr. Lane.
21:14We're going to fix it up just the way it looked in Adam Prescott's day.
21:18That'll please him.
21:19Yes, ma'am.
21:20When our antiques team gets through,
21:22you'll find it hard to believe that you ever lived here.
21:26Your sign here now, Mr. Lane.
21:28Right on that. There we are.
21:45No.
21:48You can't have it.
21:49Why, Mr. Lane, what are you saying?
21:51I'm sorry, Mr. Wiley, but you can't have this house.
21:54But you folks signed the petition. You offered us the house.
21:58Okay, so I'm an Indian giver.
22:01Oh, Mr. Lane, I wish you'd reconsider.
22:04I already have, Mr. Wiley, and just in the nick of time.
22:07Oh, please, Mr. Lane, we are mighty anxious to acquire Prescott Manor.
22:12No, it was Prescott Manor, Mr. Wiley.
22:14It is now the Lane house.
22:16It's an historic site.
22:18Jane Prescott...
22:20I know all about Jane Prescott,
22:22but I'm much more interested in the Lane family history that was made here.
22:26You know, my kids grew up in this house, Mr. Wiley, Patty and Ross.
22:29They had the measles here and the mumps,
22:31and all their birthday parties.
22:34If I'm not mistaken, the first time that Patty was ever kissed by a boy,
22:37it happened right here in this living room.
22:39No, Papa, it was in the kitchen.
22:42Well, anyway, this is our home, Mr. Wiley.
22:45And when our grandchildren come to visit,
22:48I don't want them to have to ask for permission from some historical society.
22:53Martin, that's beautiful.
22:55Wish I'd said that.
22:57I appreciate your feelings, Mr. Lane, but I...
23:00Mr. Wiley, you can come and visit us any time you like.
23:02Free of charge.
23:05Yes.
23:06Well...
23:08Good night.
23:10Goodbye, Mr. Wiley.
23:11Goodbye, Mr. Wiley.
23:16Papa, you were brilliant!
23:17Yeah, you came on like a real tiger, Dad.
23:20I had to. I was defending our cave.
23:25You know, it's a pretty nice old cave, isn't it?
23:28It's lovely.
23:30I can't wait to see what it looks like Japanese.
23:40Yes, Mr. Latouche, I'm sure $12,000 is very reasonable,
23:44but we've decided to keep the house the way it is.
23:47Oh, yes, I understand early Japanese is in,
23:50but as far as we're concerned, it's out.
23:53Au revoir, Mr. Latouche.
23:55I mean, adieu.
23:58Sayonara, Japanese decor.
24:00Yes, darling.
24:02I think the Prescott's would approve.
24:04Yeah, well, I don't know about them, but I do.
24:06And so does my checkbook.
24:10Hey, if you kids want a ride, you better hurry up.
24:13I'm ready to leave.
24:14Be right down, Papa.
24:17Have a good day, dear.
24:19Don't worry, I will.
24:20Now that things are back to normal.
24:41You.
24:58Here's Kathy who's lived most everywhere
25:01from Zanzibar to Berkeley Square.
25:04But Patty's only seen the sights a girl can see from Brooklyn Heights.
25:08What a crazy pair.
25:10But they're cousins.
25:13Identical cousins.
25:15And you'll find
25:17they laugh alike.
25:18They walk alike.
25:19At times they even talk alike.
25:21You can't lose your mind
25:23when cousins
25:26are two of a kind.