"(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones, released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. Richards' guitar riff—intended to be replaced by horns—opens and drives the song. The lyrics refer to sexual frustration and commercialism.
The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive.[3] It later became the Rolling Stones' fourth number one in the United Kingdom.
Beverley Knight, MBE (born Beverley Anne Smith; 22 March 1973) is an English recording artist and musical theatre actress who released her debut album, The B-Funk, in 1995. Heavily influenced by American soul music icons such as Sam Cooke and Aretha Franklin, Knight has released eight studio albums to date. Widely labelled as one of Britain's greatest soul singers,[1] Knight is best known for her hit singles "Greatest Day", "Get Up!", "Shoulda Woulda Coulda" and "Come as You Are".
In 2005, Knight revisited her childhood when she hosted Beverley's Gospel Nights, a BBC Radio 2 series exploring gospel music. Featuring interviews with artists such as Shirley Caesar, Percy Sledge and Destiny's Child stars Kelly Rowland and Michelle Williams, the six-part series explored the roots of gospel music and the impact it had upon the black community. Such was the success of the show that a second six-part series was commissioned and began in March 2006 and featured new interviews with artists such as Candi Staton, David McAlmont and Marvin Winans. Knight's interview technique and her ability to get her guests to open up and discuss issues in their personal lives such as domestic violence and depression received favourable reviews and led the Radio Times to comment "Knight's passion for the music is obvious – but so is her warmth, which makes her a rarity among interviewers."[43]The first artist to make an impact upon Knight was one of the true founders of contemporary gospel and soul music, Sam Cooke. Despite his untimely death in 1964, his music endured and became a staple part of Knight's childhood:
My mother played Sam Cooke and he was the first voice I ever heard on record. His was the first voice that directly had a big impact on me, vocally. He still makes me cry. He'd take the very simple Bible stories that I grew up with and just make them into a two-and-a-half-minute song and yet with an intensity and a passion that the world had never heard before. He really was a major influence on my life.[44]
Indeed, the impact of Cooke can be seen throughout Knight's career as she has often performed and recorded Cooke classics, the most notable of wh
The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive.[3] It later became the Rolling Stones' fourth number one in the United Kingdom.
Beverley Knight, MBE (born Beverley Anne Smith; 22 March 1973) is an English recording artist and musical theatre actress who released her debut album, The B-Funk, in 1995. Heavily influenced by American soul music icons such as Sam Cooke and Aretha Franklin, Knight has released eight studio albums to date. Widely labelled as one of Britain's greatest soul singers,[1] Knight is best known for her hit singles "Greatest Day", "Get Up!", "Shoulda Woulda Coulda" and "Come as You Are".
In 2005, Knight revisited her childhood when she hosted Beverley's Gospel Nights, a BBC Radio 2 series exploring gospel music. Featuring interviews with artists such as Shirley Caesar, Percy Sledge and Destiny's Child stars Kelly Rowland and Michelle Williams, the six-part series explored the roots of gospel music and the impact it had upon the black community. Such was the success of the show that a second six-part series was commissioned and began in March 2006 and featured new interviews with artists such as Candi Staton, David McAlmont and Marvin Winans. Knight's interview technique and her ability to get her guests to open up and discuss issues in their personal lives such as domestic violence and depression received favourable reviews and led the Radio Times to comment "Knight's passion for the music is obvious – but so is her warmth, which makes her a rarity among interviewers."[43]The first artist to make an impact upon Knight was one of the true founders of contemporary gospel and soul music, Sam Cooke. Despite his untimely death in 1964, his music endured and became a staple part of Knight's childhood:
My mother played Sam Cooke and he was the first voice I ever heard on record. His was the first voice that directly had a big impact on me, vocally. He still makes me cry. He'd take the very simple Bible stories that I grew up with and just make them into a two-and-a-half-minute song and yet with an intensity and a passion that the world had never heard before. He really was a major influence on my life.[44]
Indeed, the impact of Cooke can be seen throughout Knight's career as she has often performed and recorded Cooke classics, the most notable of wh
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