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00:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
00:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
00:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
00:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
01:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
02:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
03:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
04:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
05:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
06:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:10This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:20This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:30This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:40This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
07:50This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
08:00This film was made with the support of the U.S. Embassy in New York and the Corporation for the Preservation of Human Rights in the United States of America.
08:10Stay high and lay low. All that for a beer.
08:30Thanks.
08:34You want to watch out for that amorous antique.
08:37Why don't you sit at our table?
08:50I'd go out of my way to be with so much youth and beauty.
08:54Drinks here.
08:56Or maybe cocktails for the ladies?
08:58No, thank you. The beer here is very good.
09:23Excuse me a moment.
09:54May I trouble you for a match?
09:56My troubles are not matches.
10:23The first thing we got on to was a nice slippery rock.
10:36So we dropped right down the hill, head over heels again.
10:39I'm afraid we used that water just because.
10:41Flag.
10:42Well, I gotta go.
10:45No, I mean home.
10:58That puppy over there gives me an idea.
11:01What do you say we have a weenie roast next Saturday?
11:03Yeah, but where?
11:04And if we can get the weenie?
11:06And if we can get the beer.
11:08Why not try my beach place? It's stocked with plenty of boats.
11:13What would the tariff be if we still decided?
11:17You'd be my guest, of course.
11:20Say, next Saturday night?
11:22That's certainly nice, eh, pal?
11:24As one gentleman to another, that's swell.
11:43Stop that, dear.
11:45I'm not doing anything. You like music, don't you?
11:48Yes, but you were tickling my knee.
11:50Oh, there's nothing wrong with that, is there?
11:52I mean music.
11:55Come on.
11:56Haven't you got a little lovin' for a poor fella?
11:58You won't always be poor.
12:00Now you're talking.
12:01I know, but you won't always be poor.
12:04Gee, I'm glad you feel that way.
12:10Dick, stop.
12:28But I'm not doing anything.
12:30Well, if a couple of drinks are going to make you answer the call awhile, I won't go with you anymore.
12:33You're stopping me in my favorite sin.
12:36You're my girlfriend, aren't you?
12:38Yes.
12:43But no honeymooning until after we're married.
13:02Oh, come on back, honey.
13:32I'll teach her a lesson.
13:45I'll just let her walk home.
14:02I'll just let her walk home.
14:17I'll just let her walk home.
14:43Are you over your savage peeve, honey?
15:03It's quite late, isn't it, dear?
15:23Maybe.
15:29Say, Mother.
15:30Yes, dear?
15:31All the other girls have evening gowns.
15:33Why can't I have one?
15:34Why, dear?
15:36I want one for Saturday night.
15:38An evening gown?
15:39Don't be silly.
15:41Oh, I never have anything.
15:43I'll fix over that blue silk dress that Elaine saw you.
15:46She never wears it anymore.
15:47It will look real pretty on you.
15:49Everything I have is Elaine's.
15:51Why can't I have something new of my very own?
15:53You know, Burma, we must sacrifice a little for Elaine.
15:57After she's married, your turn will come.
16:01Good night.
16:03Did you get all your homework done?
16:07Did you get all your lessons tonight?
16:09Yes, all of them.
16:14That's what Joanne always says.
16:16Well, I never know what to say when the teacher asks me.
16:19Hey, don't forget we're going to the beach tonight.
16:21I don't think I should, Dick.
16:22That homework alibi is wearing thin.
16:25Well, you got by with it the other night, didn't you?
16:27And besides, that fellow Tony seems like a pretty grand person to know.
16:30Aw, they're not going to miss you as long as your sister's around.
16:34Well, what kind of strategy would you suggest to spring me through the interference?
16:38Leave it to Joanne again.
16:39She'll turn you out a healthy alibi.
16:41Okay by me.
16:43So long.
16:44So long.
16:49I'll be around now.
16:59Remember, there's plenty of drinks here.
17:09Step up and take your choice.
17:10They're all alike.
17:18Where's my drink?
17:20Where's my drink?
17:23Coming right up.
17:24I hope not.
17:28Oh!
17:46Yeah, one for me.
17:49One for you.
18:16Where's my drink?
18:18Coming up.
18:37One for you.
18:38One for you.
18:47Hey, what is this, an arsenal?
18:50And for a minister of army, a shotgun.
18:55Married with that gun wouldn't be legal.
18:57Why not?
18:58It isn't loaded.
19:00Who said it wasn't loaded?
19:02This is going to be a slippery drink for sliding girls.
19:06Sliding is not for slippery girls.
19:08Drowning is a bar when we put out the sea.
19:26Is there anything here I haven't tried yet?
19:30The funniest cigarettes I ever saw.
19:41Funniest cigarettes I ever tasted.
19:43Here, Burma, try one of these on your algebra.
19:45What are they?
19:46I don't know.
19:48We try Tony's giggle water, let's try his giggle weed.
19:52Oh!
20:20You're acting like a fool, Burma, don't be silly.
20:34You're the one that's silly because you're not silly.
20:38You've got a laugh left in your larynx.
20:41Romeo, Romeo, wherefore art thou Romeo?
20:45One hot lover coming right up.
20:48A white peach coming right down.
20:53Oh, for a worm's eye view of that.
21:01How do you know there's no Saturday night?
21:30Where's Joanne?
21:58Oh, there's her dress.
22:11It is swinging.
22:14Oh, I've always wanted to go swimming in the moonlight.
22:16Oh, let's go.
22:18What are we going to do for bathing suits?
22:20Well, we won't wear any.
22:23What, no bathing suits?
22:25Oh, no bathing suits.
22:56Come on, you'd better ease up a little bit.
22:58What's wrong?
22:59Come on, I'll take you out on the beach and you can cool off.
23:02Oh, that's a good idea.
23:03There's too many people around.
23:05What?
23:06There's too many people looking at us.
23:09What?
23:10There's too many people looking at us.
23:38Oh, I love you.
24:00Oh, my God.
24:10Come on.
24:14Oh, my God.
24:42Then where are the girls?
24:52Too busy.
24:55I'm going to fill Lee's up.
24:57Oh, look what we're missing.
24:58Oh, yeah.
24:59Come on out here.
25:00Hey.
25:02This bunch sure uses up the joy we'd someday.
25:26Well, that's one way of saying it.
25:29Well, that's one way of creating business.
25:32When they're that age, they're not suspicious and easily hooked.
25:40Oh, Dick, I love you.
25:44Will you always be crazy about me, Dick?
25:46Why, of course I will, Burma. You know that.
25:51Promise me. Promise me.
25:53Why, sure. You know I love you, honey.
25:59You do love me, don't you?
26:08Of course I do, Burma. You know that.
26:10Now, come on. Come on. Let's get back inside.
26:22Hey, what's going on here?
26:25Where's Joanne?
26:27Joanne? Why, I...
26:29I haven't seen her.
26:31Why, the last I saw of her, she was going to swim out away.
26:40Joanne! Joanne!
26:44Joanne!
26:47Joanne!
26:50Joanne!
26:52Joanne!
27:10You kids are in a mess.
27:12This is what you've got to do.
27:15Under no circumstances are you to say you were in this house.
27:19The police will pass an innocent weenie roast on the beach.
27:22But should they know of your actions here,
27:24that there's been a drinking party, nude bathing,
27:27an investigation will surely take place.
27:30And that will mean you're becoming lords of the juvenile court.
27:50But it's always been that way, Mother.
27:52And I had no idea that you even mixed with such a crowd.
27:55Burma!
27:59Yes, Mother?
28:00You might have at least considered me, Burma.
28:02You know what this will mean to Morgan's family.
28:04Oh, sure. It's always you who's to be considered.
28:06My dear!
28:07And how do you suppose I feel about Joanne?
28:09Oh, my dear.
28:11It wasn't that Elaine gets all the sympathy and attention around this place.
28:14Maybe I wouldn't have to go to beer halls and beach parties.
28:16Maybe I wouldn't have even gotten into this trouble.
28:18All I ever hear around this place is Elaine, Elaine, Elaine.
28:21Perhaps there's some way we can still keep Burma's name out of this affair.
28:24Oh, you keep quiet.
28:26There must be some way we can keep her name out of it.
28:28I'll sacrifice everything.
28:30Every penny is necessary to protect our name.
28:32To keep you and Morgan from being broken up.
28:34It's Elaine again.
28:36I was sorry at first when I caused you this trouble,
28:38but now I don't care.
28:40I was sorry at first when I caused you this trouble,
28:42but now I don't care.
28:44Use your little money and keep my name out of the beach drowning,
28:46and by all means marry Elaine off.
28:48You don't ever have to do anything more for me.
28:50Either of you.
29:10I just had to see you, Dick.
29:36These last few months since the accident have been unbearable.
29:38Nothing but quarrels with Mother and Elaine.
29:40I've made up my mind I won't live with them anymore.
29:42Dick, we've just got to get married.
29:44Gee, Burma, you know how much I care for you,
29:46but I haven't any job.
29:48I couldn't support you.
29:50You can find work, Dick. Take anything.
29:52No, no, no. It's no use to even talk about it.
29:54Not until I can offer you some sort of security.
29:56I didn't want to tell you, Dick,
29:58but there's another reason.
30:01Now I know something else.
30:06Dick, you must marry me.
30:12Don't you worry, kid.
30:14I'll not let you down.
30:16We'll get married.
30:18I'll do anything.
30:20I'll see Tony.
30:22He'll make me a loan or give me a job.
30:42Go ahead and talk to him.
30:44What difference does it make?
30:58Are you here? Did you speak to him for me?
31:00Yes, sure, go ahead.
31:04So long, kid. I'll be seeing you.
31:18What's on your mind, kid?
31:20It was your beach party.
31:22Well, I got Burma in trouble.
31:24I want to marry her, but I haven't any money,
31:26haven't a job.
31:28That's why I came to see you.
31:30I've got to marry her.
31:32So, I'm elected to be the best man at your wedding.
31:34The kids didn't talk. It was all quieted down.
31:36All except Burma.
31:38I've got to marry her.
31:40I'm unable to spare any cash right now,
31:42but I might be able to put you in a way of making a little money for yourself.
31:44Tell me, I'll do anything.
31:46Of course, you've got to be a little careful.
31:48Sit down.
31:50I'll tell you about it.
32:04If anybody says anything, leave it to me.
32:06We are carrying tea.
32:08That's all?
32:40Good luck.
33:00Good luck.
33:28Good luck.
33:56Good luck.
34:24Good luck.
34:50Good luck.
35:00What are you going to do about Dick?
35:02Dick?
35:04He's being killed.
35:06I don't know what you're talking about.
35:08Oh, yes, you do.
35:10You knew it before I read it in the papers.
35:12He came to you for a job.
35:14I'm sure I can't tell you anything.
35:16You can tell me or explain it to the police.
35:18I'm being threatened?
35:20You're not going to smile your way out of this.
35:22You got out of it when Joanne was drowned,
35:24but I'm not keeping quiet about Dick.
35:26All right, go ahead and talk.
35:28Your name wasn't mentioned in that beach affair,
35:30but of course,
35:32if you want the newspapers to bring in the both of us.
35:34I don't care.
35:36I don't care who's brought in now.
35:38Dick's dead, and nothing else matters.
35:40In your grand and generous way,
35:42you took in a bunch of dumb kids,
35:44and one of them was drowned.
35:46If Dick came to you, you sent him out to be killed.
35:48Tony, I'm going to tell the police no matter what happens.
35:52Listen, you little fool.
35:54You don't care about yourself, do you?
35:56But while I'm rotting in jail,
35:58what are you going to do about your baby?
36:06Open that door.
36:08I suppose it's going to be just a sweet little love child,
36:10won't it?
36:12And you'll give birth to it in your mother's
36:14or your sister's, Mrs. Morgan Stewart's home.
36:44Try this.
36:46It'll quiet your nerves.
37:14This is the point.
37:16Right now, you're in an unpleasant situation,
37:18and I'm the fellow who can help you out.
37:20I know how you feel,
37:22and I'm going to send you away to have your baby.
37:44Elaine,
37:46we never gave her the sympathy
37:48and understanding she wanted.
37:50And now...
37:54I never realized, Mother.
37:56I'll do everything I can
37:58to find her and bring her home.
38:00I never realized, Mother.
38:02I'll do everything I can
38:04to find her and bring her home.
38:20Well, dear,
38:22we'll be leaving in a few minutes.
38:24Morgan, there's only one thing that mars my perfect happiness.
38:26We mustn't let anything spoil our honeymoon.
38:28And when we get back,
38:30I'm going to do everything to help you find Vermont.
38:46Hey.
38:48Bring it along.
38:50Okay.
38:58Hello, Burma.
39:00Gee, but I'm glad to see you.
39:02You're certainly looking fine.
39:04How do you feel now?
39:06Strong? Well?
39:08Oh, I guess I'm all right now.
39:10Soon I'll be able to leave here with my baby.
39:12You know, Burma,
39:14I don't think you should.
39:16I shouldn't what?
39:18Well, you become attached to it.
39:20Sure.
39:22You've got to think of your future, Burma.
39:24I mean, it's not going to be so easy.
39:26That is...
39:28That is for the kid to take care of.
39:30But my baby must have a home.
39:32Exactly.
39:34And very often, wealthy families are willing
39:36to adopt a baby like yours.
39:38Give it a fine home, education,
39:40and all the opportunities in life
39:42that you would never be able to.
39:44As a matter of fact, Tony just ran over
39:46a responsible couple who is willing to take your baby.
39:48But I want to keep...
39:50Would that be quite fair to the child?
39:52You've got to think of yourself, Burma.
39:54You've a chance to make something of yourself
39:56and get your share of things in life.
39:58You're smart, good-looking,
40:00and if you listen to me,
40:02you're going to make a lot of money.
40:04Sure.
40:14It's delicious,
40:16and I love it.
40:18And I love it.
40:24I'm glad of that, Burma.
40:30You're always going to have champagne.
40:34And you're going to have plenty.
40:36You're right.
40:38I was born for the good things
40:40just as well as that sister of mine.
40:44Take it from me, Tony.
40:46I'm going to get enough money
40:48to make that sister of mine look like a piker.
40:50Can I take it?
40:54You're doing all right, Blondie.
40:58The way your marijuana customers
41:00are hooked on the stronger stuff
41:02like H&C,
41:04you'll soon be
41:06ice queen of the snow peddlers.
41:10Blondie.
41:16Blondie.
41:24Calling all cars.
41:26Calling all cars.
41:46Calling all cars.
42:16Calling all cars.
42:28Oh, where is it?
42:30Oh, where is it?
42:32The money?
42:36All of it,
42:38except $5.
42:40To hide your low short $5,
42:42you can do without your heroin.
42:44Oh, yes.
42:46Oh, you can't leave me like this.
42:48And I came all this way.
42:50You know that torture's as strong as it suffers.
42:52And I have to do without it much longer.
42:54Oh, don't you see?
42:56My husband, he will discover everything.
42:58Why don't you make another connection?
43:04If you really want it,
43:06I might accept that ring for $5.
43:08But it was my engagement ring.
43:10You want this package or not?
43:14Yes.
43:26I'm the doll that should be sporting the rocks.
43:44Oh!
43:56Oh, Gloria.
43:58Here.
44:00You don't mind a little bump, do you?
44:02There, there you are.
44:04She's all right.
44:06Come on.
44:08She's all right.
44:09Come on now.
44:16She's doing all right, eh, Nick?
44:18I'll say she's the queen of the snore peddlers.
44:26Listen, you guys.
44:27Have I got a $50,000 idea.
44:30Hey, Tony, get her all these.
44:33Wait.
44:35I gotta take a pop on this.
44:39Yeah.
44:40Take another shot and it'll be a $100,000 idea.
44:45What is it?
44:49I'm making a connection.
44:51And who do you suppose I see but my charming sister.
44:55Mrs. Morgan Stewart, no less.
44:58Not only that, but what have she and her wealthy husband got but a kid.
45:03Does that give you an idea?
45:12Get it?
45:16You mean that the...
45:17That's just what I mean.
45:19When we snatch the kid, Elaine will suffer the torments of hell.
45:24Then after they dig up to get the kid back,
45:26we're in the $50,000, it's all over.
45:29But, Blondie, you know what the rap is for a snatch job?
45:33That's the beauty of it.
45:35There won't be any rap.
45:38Could a well-known society dame tell the world it's her own sister who stole her kid?
45:44There won't be any rap.
45:47Could a well-known society dame tell the world it's her own sister who stole her kid?
46:13Come on, you little bat, drink this.
46:15Oh, don't make her cry, Blondie.
46:35Come on, you little bat, drink this.
46:37Oh, don't make her cry, Blondie.
46:44She's too stubborn, even bald.
46:48Gee, how the little beast reminds me of my sister.
46:52It sure has a lot of spunk.
46:54She has it, that.
47:00Just like me when I was a kid.
47:05Blondie.
47:07You're making contact in a half an hour.
47:09Yeah, and you better get started, too.
47:11Huh.
47:13Now.
47:14Now you're going to bring this for Nicky, huh?
47:17Oh, come on.
47:19Helen, why haven't you been wearing your ring lately?
47:22Oh, my ring, yes.
47:25I hated to tell you.
47:27Tell me?
47:28Tell me what?
47:30Well, someone snatched it.
47:32I don't remember.
47:33It was one day when I was taking a nap.
47:36It couldn't have been one of our friends.
47:39That, uh, that blonde woman who visits you sometimes.
47:43Was she here?
47:47Don't ask me.
47:48I don't want to talk about it.
47:49I'm terribly disturbed.
47:51What's the matter?
48:09Shh.
48:10Shh.
48:11Shh.
48:12Shh.
48:13Shh.
48:14Shh.
48:15Shh.
48:16Shh.
48:17Shh.
48:18Shh.
48:19Shh.
48:20Shh.
48:21Shh.
48:22Shh.
48:23Shh.
48:24Shh.
48:25Shh.
48:26Shh.
48:27Shh.
48:28Shh.
48:29Shh.
48:30Shh.
48:31Shh.
48:32Shh.
48:33Shh.
48:34Shh.
48:35Shh.
48:36Shh.
48:37Shh.
48:38Shh.
48:39Shh.
48:40Shh.
48:41Shh.
48:42Shh.
48:43Shh.
48:44Shh.
48:45Shh.
48:46Shh.
48:47Shh.
48:48Shh.
48:49Shh.
48:50Shh.
48:51Shh.
48:52Shh.
48:53Shh.
48:54Lawrence, you better take Dean right out and see if you can locate Blondie.
49:01What is?
49:02Robert.
49:03What's this?
49:05Rabbit.
49:07And this?
49:09Nice horsey. Bad horsey.
49:11Bad horsey.
49:15And what's this now?
49:17Nice horsey.
49:19Right. Nice horsey.
49:21Show me some more.
49:23I suppose I have to.
49:29You're tickly.
49:31Where's the kitty?
49:33The kitty?
49:35Let me see. Must be someplace around here.
49:37Here he comes.
49:41Nice kitty.
49:43Nice kitty.
49:45Where's the kitty's tail?
49:47Where?
49:49Where is the kitty's tail?
49:51Let me see.
50:01Where's my mother?
50:03Listen, sugar.
50:09Is that my mother?
50:11We shall see. Sit down.
50:13He might be a very bad man.
50:15So close your eyes and keep quiet.
50:17Remember, he might be a bad man.
50:31He might be a bad man.
50:53Oh, Bobby.
51:01Yum, yum, yum, yum, yum, yum, yum, yum.
51:05Who's in this with you?
51:07Who's the other guy?
51:09Oh, you won't talk, eh?
51:11He'll do it.
51:31Come on.
51:43Look.
51:45Look at that.
51:47What a spook.
51:49We come up here to get a ring and run into a load of dope.
52:01Look.
52:03Stuart Child.
52:31Is that you, Mr. Stuart?
52:33Why, yes.
52:55Is that you, Mr. Stuart?
52:57Why, yes.
53:01Is that you, Mr. Stuart?
53:03Why, yes.
53:09Does that satisfy you?
53:11Yes.
53:15Give me the $50,000 and your child will be home in an hour.
53:25I'm not going to pay any rent.
53:27I'm going to get the baby back with a promise,
53:29not to cause you any trouble.
53:31You see, the child isn't really ours.
53:33What do you mean?
53:35It was born to my wife's sister
53:37three years ago when she disappeared.
53:39Wife's sister?
53:41Yes.
53:43We adopted it out of sentiment for her.
53:49Your child will be back
53:51tonight.
53:57All right.
54:27What?
54:29Why, you.
54:31You are right.
54:33They are not from the fire department.
54:41If you listen to me,
54:43you're going to make a lot of money.
54:45That's right, Burma.
54:51I'm going to get the baby.
54:53I'm going to get the baby.
54:55Tony, just learn
54:57a responsible couple
54:59is willing to adopt your baby.
55:01But my baby must have a home.
55:03But I want to keep my baby.
55:07Wife's sister.
55:09It's Elaine again.
55:11Elaine, Elaine, Elaine, Elaine, Elaine, Elaine!
55:25I'll need a heavy job
55:27to raise the game.
55:55I'll need a heavy job
55:57to raise the game.
56:25End