• 3 years ago

Category

😹
Fun
Transcript
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02:00Mother fell hard for this Matilda bog system,
02:03and has it furnished me aid and comfort.
02:05Take Rule 6, Chapter 3.
02:11Never discipline a child in anger.
02:13Always be to them a sweet example of self-control and loving guidance.
02:17This attitude on your part will not only arouse in the child a sense of shameful wrongdoing,
02:22it will also awaken in its little heart a desire to emulate these sterling qualities.
02:27Isn't that a honey?
02:28But even so, I've tottered on the ragged edge of disaster.
02:32There was a time Tommy Webster and I went scientific with our amateur moonshine still.
02:38♪
02:44Get the hose!
02:45♪
02:52♪
02:54Oh, June, you're the most impossible child I ever saw.
02:57Oh, it's all my fault, Mrs. Hollingsworth.
02:59Oh no, Tommy, I can't believe that.
03:00It's always been Joan who has led you into one disastrous escapade after another.
03:05You'd be fairly well behaved if it weren't for her influence,
03:08but you've always been putty in her hands.
03:10I can't understand why Joan is such a scatterbrain.
03:14That episode gave Love and Reason an awful wallop.
03:17Actually, there was a time you might have thought I was something the doctor left at the house by mistake.
03:21Trouble is, I was never allowed to grow up naturally.
03:24Mother had the quaint old-fashioned idea that the older sister was the first to be married.
03:29Hello, infant.
03:31Daydreaming?
03:32Yes, I was thinking how delightful it would be to bang that empty head of yours on the floor and watch it bounce.
03:37What a little savage you are.
03:40You bet I'm savage.
03:42I may be good at this child impersonation act, but I played my last encore.
03:47But I'm warning you, you'd better get busy and grab yourself a license to have a man around
03:51or you'll be left at the post.
03:53Girls, what is the meaning of this?
03:55Mother, where do you suppose Joan picked up such uncouth language?
03:59It may be uncouth, but I'm giving you the lowdown.
04:01Be smart or leave it lay. It's your funeral.
04:03Now, let's have no squabbling.
04:05Joan, you must not talk to your sister like that.
04:08Oh, Ethel, you look positively radiant.
04:11I'm sure Mr. Barnes will find you irresistible.
04:13I wouldn't lay much of a bet on that.
04:17Mother, are you going to let us stand there and watch?
04:21Mother, are you going to let her stand there and insult me that way?
04:24Was she insulting you?
04:26I was wondering what she was talking about.
04:29Joan, child, you are doing your best to provoke me.
04:32But Mother...
04:34Joan, what have you done to your dress?
04:37I was certainly not aware that you had such a low-cut bodice.
04:41I thought if I tucked it in just a little,
04:43people would stop patting me on the head and pulling some wheeze about Santa Claus.
04:46You know better than to do a thing like that without first consulting me.
04:50Oh, I am provoked with you, Joan.
04:53Well, there's no time now to repair the damage.
04:55You'll have to wear something else to dinner.
04:57I don't have any other decent-looking dress.
04:59That is something you brought upon yourself.
05:03Did Lambie Pie stick her neck out a little too far?
05:05Don't break him on, patting herself on the back.
05:07Lambie Pie is coming up fast on the outside.
05:10If Jane Waldo is the heartthrob they say is, I'll be in their pitching.
05:14Mother, now you see the reason for the altered dress.
05:17Did she explain something?
05:19She plans to throw herself at Mr. Barnes and do everything she can to embarrass me.
05:24I'm afraid you shall have to remain in your room
05:26while you're in such a disobedient state of mind.
05:28Yes, Mother.
05:34Joan is really becoming quite a problem.
05:36She must have inherited an incorrigible strain from her father's side of the family.
05:40At times I feel completely baffled.
05:43Well, I'd suggest solving the problem with a street jacket.
05:46Oh dear, no.
05:47Such barbaric discipline is utterly foreign to the science of child guidance.
05:52Although I will admit at times it would add greatly to my mental tranquility.
06:01I'll get nowhere stuck in my room.
06:03I'm crazy to see Jane Waldo.
06:05And when I'm crazy to do something, I'm crazy enough to do anything.
06:14Jane Waldo
06:40Good evening.
06:41Evening.
06:42Mr. Barnes, I believe Mrs. Hollingsworth is expecting me.
07:02Just a minute.
07:04Why not try sneaking up on it?
07:06Its master's voice might have a soothing effect.
07:08Haven't you a pet name for that brute?
07:10Well, I just bought it. I had no idea it was so wild.
07:12Then I'll tame it with my bare hands.
07:14Oh, no. Let me.
07:20Oh, I'm sorry. I was awfully clumsy.
07:23That's nothing of it. I'll want the chain.
07:24No, no. Let it stay where it is.
07:26I will not. I'll put that hat in its place or die in the attempt.
07:31I'm more than half expected it to snap at me.
07:41Oh, good evening, Mrs. Hollingsworth.
07:44We were having a little difficulty with my hat.
07:48Yes, that's easily understandable.
07:53I must apologize.
07:55Oh, no. Don't blame the young lady. It was all my fault.
07:57I gave her a nasty bump on the head.
08:06I feel stupid for having caused such a turmoil.
08:08Really, it was nothing at all. Don't give it a thought.
08:18Oh, Mr. Barnes. May I present my daughter, Ethel.
08:21Ethel, Mr. Barnes.
08:23Charmed.
08:24Delighted.
09:38That's the way I got it. Get over. I'll drive.
10:09I'll drive.
10:28From where I sat, it looked like a photograph finished between you and old man Trouble.
10:31That's nothing new in my life. How did you happen to be parked there?
10:34Oh, I just stopped here to think about this and that.
10:36Sometimes one thing or another.
10:38Is that fun?
10:39It could be.
10:40You and me might have something interesting to talk about.
10:43That's possible.
10:46That was a snappy getaway you made. How come?
10:48I take a little gallop like that once in a while. It's good for the figure.
10:51Yeah, I know. Exercise at the right time saves a lot of trouble.
10:55Why were you so anxious to get away with that Kelly?
10:58I happened to have it when I took off and forgot to let go. That's all.
11:01Oh, yeah?
11:04Did you think I hid the family jewels in there?
11:07Could be.
11:08Did you hange things up so bad you can't go back?
11:11Oh, no. I can go back after the blood pressure subsides.
11:13They're rather fond of me in a gruesome sort of way.
11:16That's great.
11:17Did Mrs. H wear her pearls tonight?
11:20You've gotten off the beam. We're not talking about pearls.
11:22We're talking about pearls. Did she wear them?
11:24Thanks for the lift. I'll manage to stagger along the rest of the way.
11:27Now, just relax. You're not walking off in this buggy ride.
11:30You work alone or you got a pal?
11:32I work by myself, and it's my own idea.
11:34Say, I hit the jackpot.
11:37You're not bad looking, and I think you got brains.
11:40It's nice of you to say so, but don't get carried away by your enthusiasm.
11:44Oh, now, just take it easy.
11:45I haven't got any ideas like you think I have. This is business.
11:48I've been working this Berg solitaire, and I've been doing pretty good for myself.
11:52But I haven't been able to knock over this Hollingsworth joint,
11:55and that's the prize plum in the basket.
11:57Now, we team up together.
11:59You get me inside, and the rest is a pushover.
12:02They don't make a safe that I can't open.
12:05A big clean up and a quick slide for both of us. Not bad, huh?
12:18Look out! Someone's in the road!
12:20Nah, he won't be there long.
12:22Ah!
12:30That was stupid. It makes the motor cop mad.
12:32Perhaps he'll try to run over him.
12:34I didn't want that cop to get nosy. I don't happen to own this car.
12:43Uh-oh, that motorcycle cop is with us.
12:47I'll take care of that.
12:59I'll take care of that.
13:19That's familiar, baby.
13:20If you're referring to the Undertaker, it certainly was.
13:23But if you're thinking about our little playmate, guess again.
13:29Oh, we're losing right now.
13:37Hang on.
13:38Here we go.
13:39Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:06no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:19no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:21no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:22no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:40no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:41no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:42no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:03no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:25no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
15:55Stop in the name of the Lord!
16:11What a silly thing to say. I'd better stop now.
16:25Jimmy, I've waited so long. You're not my Jimmy.
16:49No, I'm not your Jimmy, but you can call me Michael and we'll start from there.
16:54Martha, you come in the house.
16:56Yes, ma'am, in just a minute.
16:58You talk yourself in this house this instant.
17:00How many times have I told you I won't stand for any nighttime flannel around the back door?
17:04And as long as I'm housekeeper here, there'll be no girl working this house that can't behave themselves.
17:08Get in the house, no more back talk.
17:10Yes, ma'am.
17:11It's for you, you good-for-nothing scalawag.
17:13I'm sorry I forgot my glasses. I'd like to take a good look at you.
17:16It's the life of you, Lolly, hanging around back doors to lead young girls astray.
17:19I've got a good mind to turn you over to a policeman.
17:21Policeman? Lady, I am a policeman.
17:23I'm chasing a couple of burglars that just gave me the slip.
17:26I thought you was a boy scout.
17:28A boy...
17:37How can anyone in the house have so much furniture?
17:40Such goings-on is a disgrace to a respectable neighborhood.
17:44Mrs. Wiggins.
17:47What are you doing up so late?
17:48Well, I might as well stay up.
17:49A body can't sleep with all this shooting and shouting
17:51and all the running around that's been going on here tonight.
17:53Well, what's the trouble?
17:54Well, a policeman was chasing a gang of desperate criminals, a male and a female,
17:57and they dribbled right up here around the corner.
17:59And I thought I'd better get out of here.
18:01Well, what's the trouble?
18:02Well, a policeman was chasing a gang of desperate criminals, a male and a female,
18:05and they dribbled right up here around the corner.
18:07And I know I won't sleep a wink tonight, worry,
18:09and I'm going to write that newspaper the first thing in the morning.
18:11If they can't catch criminals without all this fuss and noise
18:13and disturbing honest folks that's trying to sleep,
18:15they ought to do it in the daytime.
18:16Maybe it's a good thing I did wake up,
18:18because I found that hubby Martha lollygagging out that back door,
18:21and she ran the house before I had a chance to tell her what I had in mind to tell her.
18:24Well, why don't you go up and tell her the rest of it now?
18:26Well, I might as well, because I won't sleep a wink all night
18:28if they're giving them desperate criminals a...
18:29Don't forget now, you are going to have a talk with Martha.
18:32Oh, I won't forget.
18:33When I get through telling her the rest of it,
18:35Oh, I won't forget.
18:36When I get through telling her what I got to tell her,
18:38she won't forget it in a hurry.
18:39I'll tell you that.
18:40The idea of her lollygagging out that back door
18:42and all them desperate criminals coming in here while I cut them out with
18:45respectable people here to keep them awake up all night
18:48and here to keep them sleeping their whole lives.
18:55Hello.
19:02Hello.
19:03Oh, hello.
19:05I'm a little absent-minded once in a while.
19:07I didn't bring you home with me by mistake, did I?
19:09Oh, no, it wasn't you.
19:10I was passing by and I stopped to return your hat.
19:14Oh, thanks very much.
19:16Is this all of it?
19:17It is a little dented, isn't it?
19:19Dented, yes.
19:22Don't lie to your own eyes.
19:23Not five minutes of lollygagging around that back door.
19:25Oh, you saw no such thing.
19:27You must be losing your mind.
19:28Listen, don't pull the wool over my eyes and don't talk back to me.
19:31I know what I'm talking about.
19:32I don't argue with you.
19:33You say you haven't heard.
19:34You're losing your mind.
19:35You've been walking around in your sleep.
19:47You were going to tell me how you happened to be behind this particular door.
19:51If there's any brand of bad luck that missed me tonight,
19:53it must be a very rare variety.
19:55Mrs. Hollingsworth seemed a bit disturbed tonight
19:57and I left the house somewhat of a panic.
19:59A man sitting in a car parked at the end of the driveway offered me a lift.
20:03I didn't know it was a burglar with a stolen car
20:05until a motorcycle cop started chasing us all over the countryside.
20:08And I do mean countryside.
20:10It was nip and tuck with nip not having a thing on tuck in the way of speed.
20:15I've been bruised, battered, and hounded over half the country
20:18through no fault of my own.
20:19It's a wonder I lived through it.
20:21Oh, that's marvelous.
20:22Who writes your material?
20:23Why, what do you mean?
20:24For extemporaneous, three-handed, artistic lying that's never been equaled.
20:28Don't you believe me?
20:30You didn't really expect me to believe you, did you?
20:32Of course I did.
20:33Why do you suppose I went to the trouble of telling you?
20:35I don't know.
20:36I was wondering why you did myself.
20:43If you believe I'm one of those desperate criminals
20:45that always drive up around the house,
20:46why don't you call the police?
20:48Well, I suppose as a good citizen I ought to,
20:50but why should I assume that responsibility?
20:53You've never been in jail, have you?
20:54No, I haven't.
20:55Well, there you are.
20:56You've never been in jail.
20:57Is that bad?
20:58Don't you see?
20:59As long as you've never been in jail,
21:00there's still a chance for you to get hold of yourself
21:02and start all over again.
21:03So why should I assume the responsibility
21:05of notifying the police?
21:06If you're asking me, I'm sure I don't know.
21:08No, and I don't know why this thing
21:10had to be dumped into my lap either.
21:14While you're thinking it over,
21:15could I have a few moments alone with your refrigerator?
21:18Refrigerator?
21:19Certainly.
21:20That heavenly place where people keep leftover foods.
21:22I could go for a handful of cold boiled potatoes.
21:24It would interest me a lot.
21:26Well, if you're that hungry, come on,
21:27if you don't mind serving yourself.
21:29Don't worry about the service.
21:30Just show me where the food is and step aside.
21:48That's funny.
21:49I thought I knocked over more furniture than this.
21:57There it is.
22:05Help yourself.
22:06Thanks.
22:27Good heavens, girl, can't you look ahead?
22:30Can't you see what's going to happen to you
22:32if you insist on hanging around with burglars?
22:35It wasn't from choice.
22:36It was forced upon me.
22:37Oh, now, that's a quitter's alibi.
22:39I'm not trying to preach to you.
22:40I'm just talking common sense.
22:42Ordinarily, I don't go around trying to reform people,
22:45but, well, I guess I'll have to.
22:49I'll have to.
22:50I'll have to.
22:51I'll have to.
22:52I'll have to.
22:53I'll have to.
22:54I'll have to.
22:55Well, there's something about you that's different.
23:00Anybody can see you're not completely bad.
23:07And another thing, I want to tell you,
23:09I don't have no good time with you losing your mind,
23:11and I'm sure you're all right.
23:12Oh, good night.
23:13No good night.
23:20Ah!
23:21Ah!
23:26Ah!
23:27Ah!
23:28Oh!
23:29What's the trouble?
23:30I just saw a horrible man's face looking at me
23:32through the window.
23:33On the second floor?
23:34That's impossible.
23:35Oh, I always said you had bats in your belfry,
23:37and now I know it.
23:38Oh, you shut up.
23:39I know a man's face.
23:40Oh, yes, that's much right.
23:41You're talking to me.
23:42You've been talking to me.
23:43You've been walking around in a bin.
23:44I don't believe you're a bad man.
23:45You've been walking around in a bin.
23:47I didn't have another thing to do.
23:48I didn't see you.
23:49Let me go back to my room.
23:50Be quiet.
23:51Mr. Barnes, just as sure as I'm alive,
23:53I saw a man's face looking at me through that window,
23:55and I won't sleep a wink all night.
23:56Oh, all right.
23:57If it leaves your mind any, I'll go upstairs and make
23:59a complete search of the house.
24:20Hello, baby.
24:21Surprise.
24:22Hello.
24:25Did you think I was one of those guys
24:26to take it on the lam and leave a pal on the lurch?
24:29Oh, not so.
24:30When that copper took out after you, I'd tell him.
24:32If he'd have nailed you, it would
24:33have been just too bad for him.
24:35That's me all the way.
24:36I stick to my friends.
24:38You know, it was smart the way you stood right
24:40out from that copper's nose.
24:41It began to look as if you were stuck in there
24:43and as if I was going to have to come in here and spring you.
24:45It would have been as easy as shooting fish
24:47if that animated comic strip hadn't flashed me
24:49while I was Jimmy in the window and let out that squawk.
24:52But here I am, and we better slide while the going's good.
24:55Take it easy.
24:56I spotted something in this house worth going after.
24:58Oh, Nix.
24:59Leave it laying until we wind up that other ball of yarn.
25:02One thing at a time is the way to keep
25:04active in this business, baby.
25:05Go ahead in the other shot.
25:06I'll handle this one.
25:07No dice.
25:08No that we stick together.
25:09Baby, I'm nuts about you.
25:12When you said you were nuts, you said it all.
25:14This is neither the time, place, or the girl
25:16for any woo-pitching.
25:17For a person who doesn't believe
25:18in combining business with pleasure,
25:19you allow yourself a lot of leeway.
25:21Aw, Nix, baby, let's not fight.
25:23On the level, I'm nuts about you.
25:24Come on.
25:28Hey, we got to get out of here.
25:29Go ahead and make another world tour if you like.
25:31I'll spit this one out.
25:32If that mupp comes in here, I'll blast him.
25:34Oh, no.
25:35Just a minute.
25:36He wants them.
25:41Oh, you tomatoes are wacky.
25:45Good heavens.
25:46Are you still eating?
25:47I'm just about finished.
25:51Did you find the man who frightened the old lady?
25:53No, but I found a free branch outside the window
25:55that a nearsighted, nervous old lady might think was a man.
25:58Oh.
26:05Oh.
26:06Oh.
26:07Oh.
26:08Oh.
26:09Oh.
26:10Oh.
26:11Oh.
26:12Oh.
26:14What's the matter?
26:15Something bit me.
26:16Something bit you?
26:17That's impossible.
26:18Things do bite people now and then.
26:20Oh, yes, of course.
26:21But I don't know what it could have been.
26:22Is that important?
26:23Personally, I'm willing to call it a close incident.
26:25Well, I'm not.
26:26I don't like things that bite people
26:28prowling around my house.
26:40I'm sorry.
26:41Oh, you're sorry.
26:43Well, I guess that makes everything all right.
26:46Let's not search anymore.
26:47I'll have Mrs. Wiggins take care of it in the morning.
26:49She understands things like this.
26:51Whatever you say.
26:52I'll carry on if you like.
26:53Oh, no, you go ahead.
26:54Finish eating.
26:55I've had plenty.
26:56Let's get out of here.
26:57Oh, all right.
27:04I'm a stranger here.
27:05You go first.
27:06Oh, yes, of course.
27:08Pardon me.
27:14Sit down.
27:17This can still turn out to be a red-letter night
27:19for my memory book.
27:20I've got his interest, but definitely.
27:22And if that rambling burglar will just realize
27:24that he's been given the brush and go burgle someplace else,
27:27I'll get results.
27:28Sister, I'm coming in on the Wiggins' prayer.
27:30Oh, yes.
27:31Oh, yes.
27:32Oh, yes.
27:33Oh, yes.
27:34Oh, yes.
27:35Oh, yes.
27:36Oh, yes.
27:37Oh, yes.
27:38Oh, yes.
27:39Oh, yes.
27:40Oh, yes.
27:41Oh, yes.
27:42Come in on the Wiggins' prayer.
27:44You know, you don't seem to realize what
27:45a serious situation you're in.
27:47Oh, yes, I do.
27:48But I feel so safe in leaving it all to you and so happy.
27:51It's just as if a heavy burden had
27:52been lifted from my shoulders.
27:53It was.
27:54It dumped right on my shoulders.
27:57Why did you have to pick up my house?
27:59It might have been faith.
28:01Faith?
28:02Nothing.
28:03It was just plain bad luck.
28:05For me.
28:12It's been an accident, no, they just tried to climb this tree and got discouraged, that's
28:26all.
28:27You're a funny guy.
28:28Yes, yes, I'm very funny.
28:31You should have my job.
28:32I can't help but feel I may be doing the wrong thing.
28:42Bringing you over to the police might be just what you need.
28:45You've done some sensing in any way, I hope.
29:12No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
29:42What was that?
29:54Hey, you're a pretty light sleeper, aren't you?
30:11Well, it doesn't seem to be out here.
30:13Yes, I guess that's right.
30:14May was in the kitchen.
30:15I just had a wonderful idea.
30:17About what?
30:18About you and me and everything.
30:20You seem to be in such a dither trying to make up your mind
30:22as to what you should do about me.
30:23Yeah, that's pulling it rather mildly.
30:25If you're really interested in saving me
30:27from a criminal career, why don't you put me on probation?
30:29I could report you two or three times a week,
30:31and it would be such a help and inspiration if I could
30:33bring my problems to you.
30:35Heaven forbid.
30:36I have no desire to do that.
30:37I'm not going to do it.
30:38I'm not going to do it.
30:39I'm not going to do it.
30:40Heaven forbid, I have no desire to compete with Mr. Anthony.
30:42Oh.
30:45Oh.
30:47Oh.
30:50Oh.
30:52Now, please don't cry.
30:54You make me feel like I've been going around
30:56beating babies or something.
30:57But I'm so unhappy.
30:59It's so depressing to realize I'm a total loss,
31:01not worth bothering about.
31:02Well, you're nothing of the kind.
31:04I'm sure you have many wonderful qualities.
31:06You're only saying that to try and make me feel better.
31:09No, I really mean it.
31:10You have a world of personality.
31:11I noticed that the first time I saw you.
31:13You've helped me so much.
31:15No one ever expressed faith in me before.
31:17They always expected the worst to happen.
31:19Well, I'm very happy if I've been
31:20any help in setting you right.
31:22Ah!
31:28Mr. Barnes, there's a man prowling about in this house.
31:31Mrs. Winkler, will you please go to bed and stay there?
31:33That's nothing but your imagination.
31:34I'm an upright woman, and my imagination
31:36never gets the best of me.
31:37I heard a bump in the linen closet
31:38when the door opens out in the hall.
31:40It ain't shut tight, and somebody said something
31:41that no lady would imagine.
31:43Is screeching going to keep up all night?
31:45I suppose you'd rather be murdered than dead.
31:47Well, if I'm not murdered, I'd like to get some sleep.
31:50Oh, I'm afraid you've aroused the whole neighborhood.
31:54Oh.
32:04Well, good evening, gentlemen.
32:06What do you want?
32:07We lost the burglar.
32:08Well, that's too bad, but I'm quite
32:10sure you didn't lose him here.
32:11We saw the officer chasing a burglar
32:13and his female accomplice, and they looked, uh, they,
32:17well, he lost them.
32:18We saw him running around in circles,
32:20and we decided to help him.
32:22Help him run around in circles?
32:23No, help him catch the burglar and his female accomplice.
32:27We heard someone.
32:28He yelled for help.
32:29Yes, that was my housekeeper, a very nervous old lady
32:31with a lively imagination.
32:32Oh, well, I'd like to talk to your housekeeper.
32:34Where is she?
32:35Officer, I strongly suggest that you live well enough alone.
32:38Don't interfere with the officer
32:39in his performance of duty.
32:42Very well.
32:42Follow me.
33:06Joe!
33:08Hello, Tommy.
33:09Isn't that a rather speedy crowd for you
33:10to be playing around with?
33:11Joan Hollingsworth, what's the meaning of this?
33:13It's a long and complicated story, Tommy.
33:15That's something I can dash off in a minute,
33:17and at the same time worry about that flock of burglar hounds.
33:19Let it lay until tomorrow.
33:21No matter what other people might say, Joan,
33:23no matter how black things appear to be, I believe in you.
33:27That's frightfully noble of you, Tommy.
33:29Counting myself, that's two believing in me.
33:31Quite a crowd.
33:33As you were.
33:35If there are any funny crafts to be made, I'll make them.
33:37You of all people ought to treat this matter seriously.
33:39Don't you realize how people might interpret your conduct?
33:42Alone in this house with a man at 3 o'clock in the morning.
33:442.30, and besides, we haven't been alone.
33:46There's been a disgusting amount of traffic
33:48through here all evening.
33:49Mrs. Wiggins, the housekeeper, and Martha, the maid,
33:51have been playing tag with the burglar ever since I arrived.
33:54Is there really a burglar?
33:55Sure there's a burglar.
33:56He brought me here and insists upon hanging around.
33:58Who brought you here?
33:59The burglar brought me here, and he jarred Mrs. Wiggins
34:01right out of her cubicle, but definitely.
34:03Don't hand me a flock of Alice in Wonderland alibis.
34:06Imagine asking anyone to believe that a burglar brought
34:08you to this house and then start playing
34:09tag with a housekeeper.
34:10You demanded this explanation, Tommy.
34:12I didn't try to force it upon you.
34:14And if it causes you so much mental anguish,
34:16you have no one to blame but yourself.
34:17That's just like a woman.
34:19You quibble, squirm, and evade.
34:20You haven't the courage to meet an issue fair and square,
34:22face to face.
34:30Oh.
34:31I thought I was walking into a room up there.
34:33I guess I must have been mistaken.
34:35I just.
34:37Oh, hello there.
34:40Could this be Jimmy, the lucky lad?
34:42No, this is Tommy.
34:43Oh, Tommy.
34:44You certainly get around, don't you?
34:45You know him?
34:46Just a passing acquaintance.
34:47Michael stopped by while chasing a burglar.
34:49Michael, huh?
34:51Seems to me he works faster when he stops
34:52than when he's chasing burglars.
34:54I must have made a faux pas.
34:56Well, I guess I'll be going back upstairs.
35:05And who is Jimmy?
35:07Is he the burglar?
35:08No, I don't know his name.
35:09Jimmy isn't anyone.
35:10I just had to pull a name out of the air
35:11to ease myself out of an embarrassing predicament.
35:14I didn't know you were capable of feeling embarrassed.
35:16I'll ignore that crack.
35:18Oh, come on, I'll take you home.
35:19Thanks awfully, Tommy.
35:20You run along.
35:21I'm not ready to leave yet.
35:22Joan Hollingsworth, you're coming home with me this minute,
35:24or I'll telephone your mother to come and get you.
35:26You can be so repulsive.
35:36I don't want you to touch me.
35:37It's not important what you want.
35:39I'm going to make certain you go home.
35:40Oh, I wish I could borrow Joe Lewis's left for a minute.
35:44I've got some talking to do to you,
35:45and I'd better like the answers.
35:46Come here.
35:49Well, I hope you're satisfied your mislaid burglar isn't here.
35:51Ah!
35:52Set up or I'll flatten you.
36:02There goes the burglar!
36:05Tommy, Tommy, speak to me.
36:07Tell me you're not dead.
36:09He's not dead.
36:10He's unconscious.
36:10What happened?
36:12That burglar hit him with something, and if he'd been
36:13killed, it would have been my fault.
36:14I never dreamed you'd pack such a wallop.
36:17Oh, Tommy, I'm so terribly sorry.
36:20That's all right.
36:21I guess I was obnoxious, but I was only trying to help.
36:24Ooh, what a head.
36:36Uh, I haven't been highly honest with you this evening.
37:02Is that right?
37:03Uh-huh.
37:04a little derelict on the verge of a criminal career
37:07who deserves a lot of help and sympathy.
37:09No.
37:10No, and I'm not a housemaid either.
37:12Oh, well, now you amaze me.
37:14No, I'm not a housemaid.
37:15I'm really Joan Hollingsworth.
37:17And I expect I'm quite a problem to my mother.
37:19I started something this evening that
37:21kept piling up like a snowball.
37:23I didn't know how to stop it.
37:24I see.
37:25Just a childish prank, huh?
37:27Well, it sort of started out that way.
37:29Well, I'm delighted to have been
37:30able to add to your amusement.
37:32It must have been a lot of fun making a fool out of me
37:33tonight.
37:34Ought to be quite a story to tell your friends.
37:36Oh, no, I swear.
37:37Do you think I'd believe anything
37:39you say, even under oath?
37:43Oh, now, don't start that act again.
37:45That's a little overworked, you know.
37:47What you need more than anything else in the world
37:48is a good sound spanking.
37:52Suppose you tell me what this is all about.
37:55I've known Joan for a long time, and I'm not
37:56going to stand by and see her get into a mess.
37:58Please, Tommy, don't ask any questions.
37:59Don't say anything.
38:00Just take me home.
38:01I think that's an excellent suggestion.
38:08Please believe me, I'm so sorry to have
38:10caused you so much trouble.
38:17That's a fine hobby.
38:18Do you think you'd have enough gumption
38:19to ask her some questions?
38:25Imagine your sleep will be undisturbed the rest
38:27of the evening, Mrs. Wiggins.
38:32Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:35no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:37no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:41no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:43no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:45no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:47no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:49no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:51no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:53no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:55no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
38:57no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
39:27Family by impersonating the maid was a tough hurdle for mother. She clung to the system and we weathered the storm
39:32Not that it matters to me now. I've got myself a heartache that blacks out everything else
39:48What's the matter with you Joanie you're not yourself at all anymore, what makes you think there's anything the matter with me
39:53Well, that's perfectly obvious. It's not like you to go dragging yourself around the house like a dying cow
39:59Love with whom might I ask what I'd be in love
40:03Heaven only knows almost anyone I've seen you travel the limit of possibility
40:08Put your boy to the good-looking young doctor when you had the measles remember
40:13I've I've grown that sort of thing
40:16You're not here. Are you John? No, I'm not ill. I wish you'd go play a kite and leave me alone
40:20I guess there's nothing seriously wrong with you organically anyway
40:29That mysterious burglar is still rumbling around Westport. I just heard that he broke into the Salisbury house last night
40:35Good heavens. That's right now neighborhood. It's getting to be a very serious matter a private night watchman attempted to capture the burglar and was injured
40:45Mother why don't you put your pearls in the safety deposit box and take them to the police?
40:50Until they catch this burglar perhaps I should but mother you promised me that I could wear them this evening
40:54It's foolish to take a chance and you couldn't get the first base at J Waldo if you were smothered in pearls
40:59Why you imbecile little brat now girls, please. Let's don't lose our tempers. Oh dear
41:04It's so annoying to have anyone like that burglar wandering around
41:08Westport has always been so delightfully excursion
41:20You
41:50You
42:20You
42:50You
43:03Matter didn't they invite Cinderella to their party?
43:10You know, I was disappointed I only came because I wanted to see you
43:13I want to apologize for the way I've talked to you the other night. You mean you really forgive me?
43:18You don't seem to understand I'm asking you to forgive me
43:24I do
43:25Tell her doesn't have any right to lose his sense of humor just because the jokes on him
43:29Say incidentally, you were very clever the way you put it over on me. I can't help being afraid of this is all a dream
43:35Are you absolutely certain you're here talking to me?
43:38absolutely
43:39They look here as long as they won't invite Cinderella to their party. What do you say? We promote one of our own?
43:43Fine, what do we do?
43:45Anything you say have nothing particular in mind. We could start out and cut a few capers
43:49Oh, I'm not familiar with the technique of caper cutting, but I'm willing to learn
43:53We could go to the bro where they have boats on the lake and funny and thrilling things to ride
43:57It's not very dignified, but it's lots of fun
43:59There's a dance hall and Cinderella can recall the story was entitled to one dance and I also recall that you were well worth dancing
44:06Okay, I'm so let's go
44:09No more burglary
44:13Mother Jones not in the room, and I know she's responsible for the disappearance of mr. Barnes. I shall give her a good scolding
44:19Golly tear a hair out. Oh, no. No, no, my dear. Now we mustn't lose our tempers
44:43I
45:13I
45:30Guess you'll have to get another shoulder. I have to take this one home
45:32Oh, well, you shouldn't have allowed me to flop all over you like this. How could you drive? Well, it was difficult, but I managed
45:39So
45:41This is why I got the brush off
45:43So you sneak off of this fella and I stayed around till you came back
45:46Oh, it's awfully nice of you Tommy, but not necessary. I can get in
45:49All right, don't hand me that girlish patter. I'm not gonna stay around. See you go off the deep end
45:53I'll take it easy Tommy. Let's not disturb the whole neighborhood you pipe down. I'll get around to you later
45:58You better go inside. Yes
46:00Hey, come back here. Wait a minute, Tommy. Let's listen. I've heard enough
46:03Take it easy. What do you want to do? Don't be a fool Tommy. Listen here
46:08Wait a minute
46:13Quiet one squawk out of you don't give you but good a little cross on me. Yeah
46:18Brown wiggle out of this
46:19Get me in this joint and leave me that safe and do it right now
46:22Do you get it and you'll keep your trap shut climb the tree? Come on get going
46:26Don't stand there arguing about it and if you make one sound
46:29Accidental or otherwise, I'll slam you so hard. You'll be lopsided the rest of your life. Come on get
46:38Oh
46:53Look here Tommy. I'm gonna lose my patience with you in a minute
47:08You
47:21Walk over by that door
47:28I'm gonna unlock this just in case I decide to leave in a hurry. I'll leave me that it's safe
47:38All right, where is it behind the picture
47:45In that chair and I don't make a move and don't even breathe heavy
48:08I
48:25Don't make a nuisance yourself. Can't you sit quiet for five minutes?
48:31I've got you all about this sort of thing. Can't you even open a safe without scratching off all the paint?
48:38I
49:09I'm gonna make a nervous wreck on me
49:13Why all the fuss over a bottle of hand lotion
49:18And lotion
49:19Can anybody be that dumb look for your information?
49:23This bottle is filled with soup night, but listen to you you drop it. We're spread all over the center town
49:30Come on. Hey boys break it up. This is no way to be spending an evening
49:34I'm just trying to explain something to this young idiot. Well, you got a funny way of explaining
49:44Now listen so far it's your turn now don't be a fool put that bottle down you make one pass at me
49:50I'll put it down. I'll put it down so hard. It will explode a loud noise and scatter us all over this end of town
49:55Oh pull only you don't dare drop it. No, you're so sure about that. Why don't you come over and take it?
50:00Come on, baby. Don't don't fool with that stuff. It's dangerous
50:04Of course it is if it weren't it come over here. Knock me lopsided. All right, I didn't mean that do I
50:09Wouldn't be rough with you. Loni as you remarked a moment ago. Come on on the level, honey
50:15Put that suit down before you stub your toe. Don't argue be careful
50:19You don't know how touchy that stuff is it might explode if you give it a nasty look
50:22I don't care
50:23You're tough in a big shot when you can talk about knocking women lopsided
50:26But you're not so tough when you're up against something with a wallop get in that hall
50:35Especially one that's gone nuts
50:42Take it easy you wouldn't do that to a pal keep moving get over by that closet door
50:46I'm gonna get even you for this. I want to make you so sorry. I wish they drowned you in a bubble bath
50:53Now's your chance make me sorry or shut up. Don't be a fool. You might drop that stuff
50:58You're going through that door make up your mind whether you want to open it first
51:04Oh
51:21It's you again, you sure get around don't you I reached the end of the line
51:27Might explode this I have it on good authority to give it a nasty look. It'll explode. What is it?
51:32Super I mean I could listen
51:34Well, you shouldn't play around with a thing like that. I won't ever again
51:48John John, what is the meaning of this commotion mother? I've captured the burglar the burglar
51:54That isn't a burglar. That's mr. Barnes. I know that the burglars in the closet John
51:59Don't you know better than to bring burglars into the house and put them in the closet
52:03Oh, dear, what will that child do next? What did you say about a burglar?
52:08I've locked the Westport burglar in the closet. You can have my don't want him anymore
52:12Do I want him? Well, I certainly do
52:19Come out with your hands up before I start blasting come on
52:30Come on
52:33You sure get around don't you come on
52:42By the way, mrs. Hollingsworth Joan made two captures tonight. I'm the other one
52:50Pardon me. I
52:55Think I'm gonna faint so am I but I'll do mine in private
52:59Oh
53:08That little book helped me get away with murder, but I don't play that system from this side of the line
53:12No little savage is gonna make a fool out of me