• last year
Transcript
00:00 (music)
00:12 Good evening, Luxbots.
00:13 The easiest way to understand this illusion is going to be from viewing it from the front.
00:16 I've already applied my eyeliner like I normally do, which is a cat eye type shape,
00:20 and I'm then smudging it out using the Madeyewlook angled brush.
00:22 I'm then using the small eyeshadow brush and light tan body paint to fill in the eyes.
00:26 And I'm ending the top of them pretty much right above my crease.
00:29 Remember, the entire time while your eyes are drying, you're not going to want to really open them.
00:33 So my suggestion is to keep the mirror below you so you're constantly looking down.
00:37 I'm then taking the detail brush and graphdobian propane in black
00:40 and just extending my eyeliner to the end of my new eyes as well as slightly lining the top of them.
00:45 As well as using an angled brush to blur that out a bit.
00:47 Be sure that you don't go underneath the line that you just made because that's going to be your actual eye.
00:52 (music)
00:54 I'm then going ahead and adding an olive green iris.
00:57 And I just did green eyes because I have green eyes.
00:59 But realistically, you guys can use whatever color you want.
01:02 I'm just mapping it out with an olive green eyeshadow from BH Cosmetics.
01:05 I'm then taking graphdobian propane in white and just mixing it in to give it a little bit of a highlight in the iris itself.
01:11 The body paint will blend with the eyeshadow when you put it on top of it.
01:14 (music)
01:16 The pupils are very tricky.
01:18 I'm using the lip brush and graphdobian propane in black.
01:20 And be sure you do not open your eyes when you are doing this because you will regret it so much.
01:25 Then using the Meiji Look Blending Brush, I'm using a light pink out of the Naked 3 palette.
01:29 I'm adding my eyeshadow.
01:31 To give it a little bit more of a doll effect, I'm going back in with graphdobian propane in white and heavily adding some shine into those irises.
01:38 I'm then very lightly going in with light gray eyeshadow in each corner of the eyes.
01:44 This is to make them look a little bit more rounded and not so almond shaped.
01:48 I'm using a detail brush and graphdobian propane in black and I'm just adding a lot of really long random eyelashes.
01:54 (music)
02:04 To make them look like they are coming from the eye a little bit more, I'm then going ahead and smudging my original eyeliner even more on top.
02:09 (music)
02:13 Add some of that pink eyeshadow underneath your eyes.
02:15 It's easiest to do this with your eyes closed so you can imagine your new eyes instead of your real eyes.
02:19 (music)
02:22 Using a blending brush and light brown eyeshadow, I'm then going ahead and contouring my nose.
02:27 Now what usually makes these dolls look a little bit weird is when people forget that you're actually shifting your entire face up.
02:32 Your eyes are a little bit higher than your natural eyes would be when they're open.
02:36 So for that reason, I'm extending my nose up onto my forehead and then curving it out a little bit as if my brow bone was more up there.
02:42 I'm using the medium NYX eyebrow marker to draw in my eyebrows.
02:45 You guys can give it whatever expression you would like.
02:48 Go ahead and connect your contouring to your eyebrows and give it that little bit of shading right underneath them on the inner corner.
02:53 Remember when filling in your cheeks with blush that you are shifting your entire face up.
02:57 This means that your contouring is going to be up a little bit higher than your natural cheekbones.
03:01 (music)
03:08 For the opening of my mouth, I'm using dark brown NYX eyebrow marker and blending that out.
03:12 (music)
03:15 Optional, you can go ahead and add lip gloss if you would like.
03:17 To separate my neck from my body as if it's kind of floating a little bit,
03:20 I'm starting off with a really light tan body paint and just drawing a big line across my neck.
03:25 I'm then going in with brown body paint.
03:27 Imagine that you are a mannequin and you are having your head separated from your body.
03:31 There's going to be kind of like that oval shape on the body.
03:34 (music)
03:43 I'm then blending the shading down by going back and forth underneath the neck to make the shadow that the head is casting on the body.
03:49 Once you have that, you can then go ahead and take black to make that shadow even stronger.
03:53 Also use this black to fill in the negative space that you don't actually want to see.
03:57 (music)
04:08 You can then use dark brown body paint to outline that whole section.
04:12 To start with the ball and socket joints, I'm using light brown eyeshadow to map out where the ball is going to go.
04:17 I'm then taking black craftopian pro paint and pretty much drawing an L on my shoulder.
04:21 As well as filling in the ball where the ball is going to go inside of the socket.
04:25 Fill in those areas with black that is not a part of the ball joint.
04:28 While the paint is still a smidgen wet, you can go ahead and drag that out.
04:31 This is just to create a shadow to make it appear that the ball is within the socket.
04:35 (music)
04:40 I'm then taking light brown body paint and drawing a circle around the entire ball joint.
04:44 (music)
04:49 Go ahead and also outline that in brown body paint.
04:52 This is giving it a little bit more depth that it is round.
04:55 Also go ahead and add a highlight with your finger if you want.
04:58 To shade my body, I'm going ahead and using bronzer and pretty much just outlining every shape that I just made.
05:03 (music)
05:05 As well as simply adding some highlights right above the edges of that using craftopian pro paint in white and just blending it out.
05:10 (music)