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00:00:00 [MUSIC PLAYING]
00:00:03 [CHATTER]
00:00:06 Three weeks ago, the people of Ukraine
00:00:15 sent to the world a desperate call for help.
00:00:18 Today, we're here to respond to that call.
00:00:22 In the coming weeks, the United States government
00:00:24 will be sending to Ukraine resources
00:00:26 like food, medicine, weapons, and with them
00:00:31 American soldiers to help protect the Ukrainian people
00:00:33 from Russian hostilities.
00:00:36 Furthermore, in accordance with the guidelines set forth
00:00:38 by the European Union, the United States
00:00:41 will legally acquire Ukraine's territory for a funding
00:00:45 donation of $2 billion.
00:00:46 [CHATTER]
00:00:49 We hope that the Ukrainian citizens understand
00:00:52 that right now, this is the best possible course of action
00:00:56 to maintain civilian safety and peace.
00:00:58 [CHATTER]
00:01:02 [MUSIC PLAYING]
00:01:22 Are we too late?
00:01:24 Yeah.
00:01:25 He's dead.
00:01:26 What then?
00:01:31 Right arm.
00:01:32 Do you see it?
00:01:37 Yeah.
00:01:38 It's there.
00:01:39 [MUSIC PLAYING]
00:01:42 [CHATTER]
00:01:46 [MUSIC PLAYING]
00:01:49 [MUSIC PLAYING]
00:01:53 [MUSIC PLAYING]
00:01:56 [MUSIC PLAYING]
00:02:08 [MUSIC PLAYING]
00:02:11 [SPEAKING RUSSIAN]
00:02:20 [SPEAKING RUSSIAN]
00:02:23 [MUSIC PLAYING]
00:02:27 [MUSIC PLAYING]
00:02:47 [MUSIC PLAYING]
00:02:50 [SPEAKING RUSSIAN]
00:03:08 [SPEAKING RUSSIAN]
00:03:20 Charges are set.
00:03:21 Three minutes to fireworks.
00:03:23 Copy that.
00:03:23 [SPEAKING RUSSIAN]
00:03:27 Listen, there's a prisoner here.
00:03:33 He's a European.
00:03:36 Shouldn't be a problem.
00:03:37 Just leave him.
00:03:40 You leave me here?
00:03:42 I die?
00:03:45 [THUNDER]
00:03:49 [MUSIC PLAYING]
00:03:52 [SINGING]
00:03:58 Make him stop.
00:03:58 [MUSIC PLAYING]
00:04:01 Be quiet.
00:04:02 If we can stop--
00:04:03 He's going to blow our covers.
00:04:05 Be quiet.
00:04:06 [MUSIC PLAYING]
00:04:09 [CRYING]
00:04:13 I'm sorry.
00:04:13 [MUSIC PLAYING]
00:04:17 [THUD]
00:04:18 [MUSIC PLAYING]
00:04:21 [THUD]
00:04:22 [MUSIC PLAYING]
00:04:25 [CLANGING]
00:04:27 [MUSIC PLAYING]
00:04:30 [CLANGING]
00:04:31 [MUSIC PLAYING]
00:04:33 I need an exit for two.
00:04:34 [MUSIC PLAYING]
00:04:37 [CLANGING]
00:04:39 [MUSIC PLAYING]
00:04:41 [BEEPING]
00:04:43 [CLANGING]
00:04:45 [MUSIC PLAYING]
00:04:48 [CLANGING]
00:04:49 [MUSIC PLAYING]
00:04:53 [CLANGING]
00:04:54 [MUSIC PLAYING]
00:04:58 [CLANGING]
00:04:59 [MUSIC PLAYING]
00:05:02 [CLANGING]
00:05:05 [MUSIC PLAYING]
00:05:08 [CRACKLING]
00:05:12 Hold on.
00:05:13 [MUSIC PLAYING]
00:05:16 [CRASHING]
00:05:17 [MUSIC PLAYING]
00:05:20 [CRASHING]
00:05:23 [MUSIC PLAYING]
00:05:27 [CRASHING]
00:05:30 [MUSIC PLAYING]
00:05:33 [CRACKLING]
00:05:35 [GROANING]
00:05:38 [CRACKLING]
00:05:41 So much for a quiet exit.
00:05:42 [MUSIC PLAYING]
00:05:45 Who's your friend?
00:05:46 [MUSIC PLAYING]
00:05:47 [CRYING]
00:05:48 Go, go, go, go, go.
00:05:49 [CRYING]
00:05:54 [THUD]
00:05:55 [MUSIC PLAYING]
00:05:58 [CRACKLING]
00:06:01 [MUSIC PLAYING]
00:06:04 [CRACKLING]
00:06:07 [MUSIC PLAYING]
00:06:10 [CRACKLING]
00:06:13 [MUSIC PLAYING]
00:06:16 [CRACKLING]
00:06:19 [MUSIC PLAYING]
00:06:22 [CRASHING]
00:06:23 Give me your glasses.
00:06:24 Huh?
00:06:25 Give me your glasses.
00:06:26 Uh, uh, I-- I cannot see.
00:06:30 Oh, say.
00:06:32 Can you see?
00:06:33 Say, can you see?
00:06:36 Is this really necessary?
00:06:37 Well, if he's going to come with us, then yes, it is necessary.
00:06:40 By the dawn--
00:06:41 Uh, uh--
00:06:42 Hey, Pavarotti, shut up and hold still.
00:06:46 You don't have a passport, do you?
00:06:48 No passport.
00:06:50 They take it.
00:06:52 Andrea Olivetti, Italian citizen, professor of linguistics
00:06:56 at Kiev National University.
00:06:57 Turn around.
00:06:58 Spread your leg.
00:06:59 You teach there?
00:07:00 I-- I-- I write.
00:07:01 I am a poet.
00:07:03 Oh, you're a poet?
00:07:04 Yeah.
00:07:05 I wrote a poem.
00:07:06 You want to hear it?
00:07:07 Let's see.
00:07:08 Roses are red.
00:07:10 Shut the fuck up.
00:07:13 It doesn't matter, right?
00:07:15 It's a nursery rhyme.
00:07:17 All right.
00:07:18 Face, this is Atlas.
00:07:19 Tell him the package is secure.
00:07:21 Yeah, and, uh, we're three, total.
00:07:25 Yep, three.
00:07:26 We're all clear.
00:07:50 Sit down.
00:07:51 OK.
00:07:53 She needs something.
00:07:55 Ah, grazie.
00:07:57 Uh--
00:07:59 Carter.
00:08:01 Grazie, Agent Carter.
00:08:04 That's Ross.
00:08:05 Uh, where are we going?
00:08:07 That's classified.
00:08:09 All right.
00:08:10 We're going to the closest US embassy.
00:08:13 Get underway.
00:08:14 You sure you still want him to come?
00:08:16 I-- I don't want to be inconvenience to your superiors.
00:08:20 No, trust me, you already are.
00:08:21 He won't be, as long as we deliver what they ask,
00:08:24 or they won't ask any questions.
00:08:26 I follow orders.
00:08:27 I stand by the laws of my country.
00:08:29 Sometimes it's not about the law.
00:08:31 It's about doing what's right.
00:08:33 Does your government stand by the ideals and values--
00:08:38 Hey, Papa John, I fight for my country because it pays well.
00:08:44 You're going to get the shit kicked.
00:08:47 [MUSIC PLAYING]
00:08:50 [MUSIC PLAYING]
00:08:53 [MUSIC PLAYING]
00:08:57 [MUSIC PLAYING]
00:09:00 [MUSIC PLAYING]
00:09:07 [MUSIC PLAYING]
00:09:19 [MUSIC PLAYING]
00:09:22 [MUSIC PLAYING]
00:09:33 [MUSIC PLAYING]
00:09:46 [MUSIC PLAYING]
00:09:49 Excuse me, Senator.
00:09:55 Mr. Williams, can you comment on the missing files?
00:09:57 [INTERPOSING VOICES]
00:09:58 Later, please.
00:09:59 [MUSIC PLAYING]
00:10:02 [MUSIC PLAYING]
00:10:05 [MUSIC PLAYING]
00:10:09 [MUSIC PLAYING]
00:10:12 [BELL RINGING]
00:10:34 [BELL RINGING]
00:10:37 Good luck, Sean.
00:10:50 Hm?
00:10:51 The coin.
00:10:53 You had it in the submarine.
00:10:56 Yeah, yeah.
00:10:58 Worth a lot?
00:11:02 Smart guy.
00:11:05 It's a dollar coin.
00:11:06 My father gave it to me.
00:11:08 That's nice.
00:11:10 He thought it was interesting.
00:11:11 It's a misprint.
00:11:14 I don't--
00:11:15 Here.
00:11:17 One wing is bigger than the other.
00:11:20 See, I would not notice.
00:11:24 That's the point.
00:11:29 Mr. Olivetti, I apologize for my delay.
00:11:34 On behalf of the United States, I'd
00:11:36 like to extend my sympathies for the unjust treatment
00:11:38 you've endured.
00:11:39 You're a powerful symbol of hope to many people.
00:11:42 Right now, the world could use that hope.
00:11:44 Please do us the honor of joining me for my speech
00:11:46 this evening.
00:11:47 I don't know what I can offer.
00:11:50 You're a hero, sir.
00:11:51 Heroes deserve a place in the spotlight.
00:11:54 The real heroes, Agent Carter, Agent Ross,
00:11:58 without them, I'd still be locked in a cage.
00:12:02 And I believe your story is a valuable one to tell.
00:12:05 Please join us.
00:12:08 OK.
00:12:09 All right.
00:12:11 How do you say, uh, molto bene?
00:12:14 How's my Italian?
00:12:16 Molto bene.
00:12:17 Bene.
00:12:18 Molto bene.
00:12:19 Si.
00:12:20 Diane will escort you to get ready.
00:12:26 Agent Carter.
00:12:28 Good luck.
00:12:29 I am poet, but I have no words.
00:12:34 You saved my life.
00:12:36 Just do other jobs.
00:12:37 No.
00:12:39 No, you do much more.
00:12:43 Agent Ross, you're not like me, but I thank you too.
00:12:55 This way, please.
00:12:56 I didn't know we liked Italians that much.
00:13:11 In fact, we don't.
00:13:12 But I'd be willing to like them just enough to get us out
00:13:14 of the shit we're currently standing in.
00:13:16 Sir?
00:13:18 Right now, we're standing on a fence between two groups
00:13:20 of people who want to eat each other.
00:13:22 As long as this deal goes through,
00:13:24 I think everything will be OK.
00:13:26 That's what we're here to assure them of.
00:13:28 Mr. Olivetti is a perfect reminder of our country's
00:13:31 vast importance, a reminder of all the good we can do.
00:13:36 Couldn't agree more, sir.
00:13:37 By the way, next time I ask you to do something quietly,
00:13:48 please do it quietly.
00:13:52 No, no.
00:13:54 I'll do that in my office.
00:13:56 Any interest in politics?
00:14:10 Just looking for the hottest book.
00:14:12 Drink?
00:14:15 Please.
00:14:18 Oh, no, I don't drink.
00:14:19 Oh, no, I don't drink on the job.
00:14:21 Always on duty, that's what I like about you.
00:14:26 So, what have you got for me?
00:14:48 Very good.
00:14:49 You boys have done a tremendous service for your country.
00:14:54 That'll be all.
00:14:59 Would you like our reports?
00:15:01 Actually, no.
00:15:02 We're not going to be submitting any official reports
00:15:04 on this operation.
00:15:05 All right.
00:15:07 May I ask why?
00:15:09 No.
00:15:11 You may not.
00:15:13 We're grateful for your service.
00:15:16 I'll see you back in Washington.
00:15:19 This way out, gentlemen.
00:15:20 Hey, Carter.
00:15:34 Yeah?
00:15:35 The orders, they're always dirty.
00:15:39 We just choose not to admit it.
00:15:41 [MUSIC PLAYING]
00:15:45 [MUSIC PLAYING]
00:16:13 [SPEAKING SPANISH]
00:16:16 [MUSIC PLAYING]
00:16:19 [MUSIC PLAYING]
00:16:23 [MUSIC PLAYING]
00:16:27 [MUSIC PLAYING]
00:16:30 [MUSIC PLAYING]
00:16:34 [MUSIC PLAYING]
00:16:37 [MUSIC PLAYING]
00:16:45 [MUSIC PLAYING]
00:16:58 [MUSIC PLAYING]
00:17:01 Do you have the speech?
00:17:13 Meet you in the car.
00:17:14 [MUSIC PLAYING]
00:17:17 [MUSIC PLAYING]
00:17:20 [GLASS BREAKING]
00:17:46 [MUSIC PLAYING]
00:17:49 Forgot something?
00:18:11 You had us steal $2 billion of public money.
00:18:14 And you just broke into my office.
00:18:16 You said we were here for protection.
00:18:17 And we are.
00:18:19 The protection of the American people.
00:18:20 We're taking the money back where it belongs.
00:18:22 But what about the Ukrainians?
00:18:23 They're dying over there.
00:18:24 The Ukrainians are already dead.
00:18:25 There's nothing we can do about that.
00:18:28 I don't believe you.
00:18:30 I always liked you, Mr. Carter.
00:18:33 You were always loyal.
00:18:34 And you never asked too many questions.
00:18:36 The Foreign Affairs Committee is going
00:18:38 to hear about this operation.
00:18:41 They already know.
00:18:42 They're the ones who issued the orders.
00:18:45 Is everything OK, sir?
00:18:47 No, Alexei.
00:18:48 Mr. Carter broke into my office and attempted
00:18:50 to steal private information.
00:18:52 Search him.
00:18:54 Sorry.
00:18:55 I'm afraid I'm going to need your phone.
00:19:01 And your gun.
00:19:09 And your badge, too.
00:19:10 Alexei, please escort Mr. Carter to the airport.
00:19:24 He's got a flight home to catch.
00:19:35 [MUSIC PLAYING]
00:19:38 Don't give us any problems.
00:20:01 [MUSIC PLAYING]
00:20:04 Have a team ready to take him out
00:20:20 as soon as he gets on the plane.
00:20:22 [TIRES SCREECHING]
00:20:25 [MUSIC PLAYING]
00:20:28 [FOOTSTEPS]
00:20:56 I'll call you up to the podium halfway through the ceremony.
00:20:59 I'll introduce you as the Italian refugee who
00:21:01 was rescued by two American--
00:21:02 Si.
00:21:03 --soldiers.
00:21:05 Can you look into the camera and keep it brief?
00:21:08 I-- I speak?
00:21:09 Matter of fact, you don't have to say anything.
00:21:12 Are you all right?
00:21:13 You look nervous.
00:21:14 I don't like big crowds.
00:21:17 Excusez-moi.
00:21:19 Bulletproof Kevlar vest, just a precaution.
00:21:22 Remember, you're a hero.
00:21:24 Do what they love best.
00:21:25 Relax and smile.
00:21:27 Smile.
00:21:28 [LAUGHS]
00:21:29 Ready?
00:21:30 Copy.
00:21:31 You ready?
00:21:32 Ready.
00:21:33 [LAUGHS]
00:21:34 --the President of the United States,
00:21:36 Senator George Hillary Clinton.
00:21:38 [APPLAUSE]
00:21:41 [APPLAUSE]
00:21:51 [APPLAUSE]
00:21:54 Three days ago, history was made with the United States
00:22:02 peaceful acquisition of Ukraine.
00:22:06 Less than 48 hours later, cyber terrorists
00:22:09 hacked the country's server and stole the money
00:22:11 belonging to the Ukrainian people.
00:22:15 Tonight, we're here to take a stand.
00:22:18 To the people of Ukraine, we say you are not alone.
00:22:21 [APPLAUSE]
00:22:24 The great president once said, generosity
00:22:31 is its own form of power.
00:22:35 We vow to use our power to create a brighter future.
00:22:39 [APPLAUSE]
00:22:42 The bullies of the world use fear
00:22:45 to intimidate weaker nations into submission.
00:22:48 But the United States, Italy, and the rest of Europe
00:22:55 will not stand for this injustice.
00:22:57 [APPLAUSE]
00:23:00 We show the people responsible for this theft
00:23:10 what courage looks like.
00:23:13 Not only through our words, but through our actions.
00:23:16 Italy and the rest of Europe are with you.
00:23:31 America is with you.
00:23:40 The world is with you.
00:23:43 It's time to take back your country.
00:23:46 [GUNSHOT]
00:23:50 [SCREAMING]
00:23:53 [GUNSHOT]
00:24:07 [SCREAMING]
00:24:09 [GUNSHOT]
00:24:10 [GUNSHOTS]
00:24:38 [GUNSHOTS]
00:24:40 Out of the way.
00:25:04 Out of the way.
00:25:05 [SCREAMING]
00:25:09 [SCREAMING]
00:25:12 [SCREAMING]
00:25:25 [SCREAMING]
00:25:28 [GUNSHOTS]
00:25:48 [GUNSHOTS]
00:25:51 Leave it.
00:25:59 [INAUDIBLE]
00:26:12 [ENGINE REVVING]
00:26:15 [GUNSHOT]
00:26:21 [SCREAMING]
00:26:24 [INAUDIBLE]
00:26:32 [ENGINE REVVING]
00:26:39 [ENGINE REVVING]
00:26:42 Hey.
00:26:53 Hey.
00:26:56 Where are they?
00:26:59 Where are they?
00:27:00 [SCREAMING]
00:27:03 [MUSIC PLAYING]
00:27:06 [GUNSHOTS]
00:27:12 [BEEPING]
00:27:24 [BEEPING]
00:27:29 [ENGINE REVVING]
00:27:33 [SPEAKING ITALIAN]
00:27:36 [GUNSHOTS]
00:27:44 [GUNSHOTS]
00:27:48 [GUNSHOTS]
00:27:54 [GUNSHOTS]
00:28:00 [SPEAKING ITALIAN]
00:28:03 [ENGINE REVVING]
00:28:07 [GUNSHOT]
00:28:27 [ENGINE REVVING]
00:28:30 [GUNSHOT]
00:28:34 [SCREAMING]
00:28:37 Oh, God.
00:28:55 [SIGHS]
00:28:58 [ENGINE REVVING]
00:29:13 [ENGINE REVVING]
00:29:16 [PHONE VIBRATING]
00:29:32 It's me.
00:29:35 The rider was a decoy.
00:29:36 They spotted the truck.
00:29:42 20 miles northeast.
00:29:43 Industrial complex.
00:29:48 I'm on my way.
00:29:52 [MUSIC PLAYING]
00:29:55 [GUN CLICKS]
00:30:08 [DOOR OPENS]
00:30:21 [DOG BARKING]
00:30:24 [MUSIC PLAYING]
00:30:39 [MUSIC PLAYING]
00:30:42 [MUSIC PLAYING]
00:30:46 [MUSIC PLAYING]
00:31:14 [MUSIC PLAYING]
00:31:18 [MUSIC PLAYING]
00:31:21 [MUSIC PLAYING]
00:31:36 [MUSIC PLAYING]
00:31:39 [MUSIC PLAYING]
00:31:52 [MUSIC PLAYING]
00:31:55 [MUSIC PLAYING]
00:32:06 [MUSIC PLAYING]
00:32:21 [MUSIC PLAYING]
00:32:24 [ENGINE REVVING]
00:32:30 [GUN CLICKS]
00:32:37 [MUSIC PLAYING]
00:32:40 [MUSIC PLAYING]
00:32:43 Is that you, Agent Carter?
00:32:59 I know you have many questions.
00:33:02 Put your gun down, and I will explain.
00:33:05 Huh?
00:33:06 [MUSIC PLAYING]
00:33:09 You think I am just a murderer?
00:33:16 If you give up now, I can help you survive this.
00:33:20 No, Carter.
00:33:23 I have come too far to survive.
00:33:26 [MUSIC PLAYING]
00:33:30 [MUSIC PLAYING]
00:33:33 [GUN CLICKS]
00:33:38 Once more, my life is in your hands.
00:33:43 [MUSIC PLAYING]
00:33:46 You're under arrest.
00:33:53 Give me the chips.
00:33:56 Yes.
00:33:58 Chips.
00:33:59 And who will you give these to, huh?
00:34:08 Face it, Carter.
00:34:09 You have no badge.
00:34:11 You have no idea who to trust.
00:34:14 You will be hunted down.
00:34:17 They will take these, and they will kill you,
00:34:20 no matter what you do or say.
00:34:22 [MUSIC PLAYING]
00:34:26 I know a good man when I see one.
00:34:30 You are a good man.
00:34:32 What makes you say that?
00:34:34 At least you haven't shot me yet.
00:34:38 Why don't you join me?
00:34:42 What?
00:34:43 [MUSIC PLAYING]
00:34:46 Come with me, and help me turn this money
00:34:54 towards rebuilding our homes.
00:34:57 I can't stop being who I am.
00:35:00 [GUN CLICKS]
00:35:03 Now it is time for Agent Carter to die.
00:35:08 Wait a minute.
00:35:09 [GUNSHOT]
00:35:12 [MUSIC PLAYING]
00:35:16 [GASPS]
00:35:44 [GUNSHOT]
00:35:47 [GUNSHOT]
00:35:50 [MUSIC PLAYING]
00:35:53 [FIRE CRACKLING]
00:35:56 [FIRE CRACKLING]
00:35:59 [FIRE CRACKLING]
00:36:02 [FIRE CRACKLING]
00:36:05 [FIRE CRACKLING]
00:36:18 [CLINK]
00:36:29 [THUD]
00:36:30 [CLINK]
00:36:32 [INHALES]
00:36:35 [SIGHS]
00:36:38 I'm sorry about your friend.
00:36:40 Help me understand what happened here tonight, Agent Ross.
00:36:47 Who is responsible for the senator's death?
00:36:50 And who killed Agent Carter?
00:36:56 That's classified.
00:36:58 [SIGHS]
00:37:01 Off the record, then, from one good guy to another, hm?
00:37:10 I have questions.
00:37:15 I need answers, too.
00:37:18 [KNOCKING]
00:37:21 [DOOR OPENS]
00:37:26 He's all yours.
00:37:29 [SIGHS]
00:37:32 [DOOR CLOSES]
00:37:33 [MUSIC PLAYING]
00:37:55 I know a good man when I see one.
00:37:58 You are a good man.
00:38:01 What makes you say that?
00:38:04 At least you haven't shot me yet.
00:38:08 Why don't you join me?
00:38:11 What?
00:38:12 Join you?
00:38:14 I have come a very long way to be here.
00:38:19 This is my chance.
00:38:22 My chance to make a difference.
00:38:26 A real difference.
00:38:29 Come with me and help me turn this money towards protecting our people.
00:38:40 I can't stop being who I am.
00:38:43 It's not too late, Agent Carter.
00:38:49 We still have a chance.
00:38:52 Your family.
00:38:58 Do they know you're still alive?
00:39:01 No.
00:39:07 Not yet.
00:39:10 [MUSIC PLAYING]
00:39:14 [MUSIC PLAYING]
00:39:17 If I do what you're asking me to,
00:39:26 I will be giving up my identity, my nation.
00:39:28 I will be completely lost.
00:39:30 You are not lost, my friend.
00:39:35 You have just not been home in a very long time.
00:39:42 Sometimes it's not about the law, Agent Carter.
00:39:52 It's about doing what's right.
00:39:55 [GUNSHOT]
00:39:57 [MUSIC PLAYING]
00:40:01 [MUSIC PLAYING]
00:40:04 [GUNSHOT]
00:40:29 [MUSIC PLAYING]
00:40:32 What did you do to him?
00:40:56 [MUSIC PLAYING]
00:40:59 I can't.
00:41:03 [MUSIC PLAYING]
00:41:06 [CHEERING]
00:41:11 Very good, Pippa.
00:41:14 Do you want to see?
00:41:16 Hey, look, you guys.
00:41:18 [CHEERING]
00:41:20 I want to be next.
00:41:22 Is it your turn, Donnie?
00:41:24 All right.
00:41:26 [MUSIC PLAYING]
00:41:29 Donnie?
00:41:34 Want one of these?
00:41:35 Yeah.
00:41:36 Lloyd Wishman's dead!
00:41:41 He's dead!
00:41:44 Mike, where's Mike Anderson?
00:41:45 Lloyd killed himself.
00:41:46 He chopped his face right in two with a knife.
00:41:48 God, it's awful.
00:41:49 There's blood everywhere.
00:41:50 Where's Mike?
00:41:51 Hatch, help me get him down.
00:41:53 I don't know if I can do that.
00:41:55 Hatch, you can.
00:41:58 Let me out, and I'll help you, Michael Anderson.
00:42:01 OK.
00:42:02 God, it's awful.
00:42:08 Lloyd, Robbie, Robbie, Robbie, Lloyd, Lloyd, he--
00:42:12 he knocked his own brains right out.
00:42:14 And he wrote something on the side of the pump.
00:42:16 Get a hold of yourself, bud.
00:42:17 Get a damn grip.
00:42:22 Why would Lloyd cut his head in two, Robbie?
00:42:27 He was going to get married come spring.
00:42:30 [SOBBING]
00:42:33 Right on time, by God.
00:42:58 One storm, and all storm.
00:43:01 Mike, who is that?
00:43:04 Peter Godsell.
00:43:05 I recognize the boots.
00:43:08 [RADIO CHATTER]
00:43:11 Ursula, say again.
00:43:15 Say again, please, and go slow.
00:43:17 The antenna snapped off.
00:43:19 I can barely pick you up.
00:43:20 Now, what's your emergency?
00:43:21 Over.
00:43:27 All right, Hatch, go out and see if you can raise her
00:43:29 on the island services CB.
00:43:30 Find out what her problem is, then come right back.
00:43:32 All right.
00:43:33 Hey, you sure you're going to be OK?
00:43:38 Locked up, isn't he?
00:43:39 Mike, do you have any idea what's going on here?
00:43:44 [MUSIC PLAYING]
00:43:47 What in God's name is happening?
00:44:02 I'll be damned if I know.
00:44:12 [MUSIC PLAYING]
00:44:15 Mike, are you there?
00:44:31 Can't you get him?
00:44:32 When's not the damned antenna's over?
00:44:36 Ursula, this is Hatch.
00:44:38 Do you read me?
00:44:39 Come back.
00:44:40 I'm here.
00:44:41 I read you.
00:44:42 Are you getting me, Alton Hatcher?
00:44:43 You're breaking up some, but it's better than it was before.
00:44:46 What's the problem?
00:44:48 Ferd Andrews says Lloyd Wishman has killed
00:44:51 himself over at the firehouse.
00:44:54 Oh, God.
00:44:57 It doesn't sound like any suicide I ever heard of.
00:45:00 Ferd says Lloyd cut his own head open with an ax.
00:45:03 And now Robbie Beals and Henry Bright have gone over there
00:45:06 to investigate, Robbie says.
00:45:08 God, what-- and you let them go there?
00:45:10 Come back.
00:45:12 There was no way to stop Robbie.
00:45:14 He practically shanghaied my husband.
00:45:15 And there could be somebody down there.
00:45:17 Where's Mike?
00:45:18 I want to talk to Mike.
00:45:20 Well, I'm calling from the truck.
00:45:22 Mike's inside with the man who--
00:45:26 well, with the prisoner.
00:45:27 Well, you just have to send him down there.
00:45:30 Well, we've got a little bit of a situation over here.
00:45:32 Come back.
00:45:34 Is Mike all right?
00:45:35 Hatch, you come back and you tell me.
00:45:37 He's fine, Mo.
00:45:38 That's a big 10-4.
00:45:40 I've got to go.
00:45:42 I'll pass on the message.
00:45:44 This is island service.
00:45:45 Out.
00:45:47 Oh, God.
00:45:49 [breathing heavily]
00:45:52 [water dripping]
00:45:54 [breathing heavily]
00:45:56 [wind blowing]
00:46:02 [birds chirping]
00:46:04 [wind blowing]
00:46:06 [birds chirping]
00:46:08 [wind blowing]
00:46:10 [birds chirping]
00:46:12 [wind blowing]
00:46:14 [birds chirping]
00:46:16 [wind blowing]
00:46:18 [wind blowing]
00:46:20 [birds chirping]
00:46:22 [wind blowing]
00:46:24 [birds chirping]
00:46:26 [wind blowing]
00:46:28 [birds chirping]
00:46:30 [wind blowing]
00:46:32 [birds chirping]
00:46:34 [wind blowing]
00:46:36 [birds chirping]
00:46:38 [wind blowing]
00:46:40 [birds chirping]
00:46:42 [wind blowing]
00:46:44 Look, I don't know about this, Robbie.
00:46:46 What, you want to wait for Anderson on a night like this?
00:46:48 He's got to take charge,
00:46:50 and we happen to be the ones on the scene now.
00:46:52 Come on.
00:46:54 [wind blowing]
00:46:56 [birds chirping]
00:46:58 [wind blowing]
00:47:00 [birds chirping]
00:47:02 [wind blowing]
00:47:04 [birds chirping]
00:47:06 [wind blowing]
00:47:08 [birds chirping]
00:47:10 [wind blowing]
00:47:12 [birds chirping]
00:47:14 [wind blowing]
00:47:16 [birds chirping]
00:47:18 [explosion]
00:47:20 [birds chirping]
00:47:22 [explosion]
00:47:24 [birds chirping]
00:47:26 [birds chirping]
00:47:28 [wind blowing]
00:47:30 [birds chirping]
00:47:32 [wind blowing]
00:47:34 [birds chirping]
00:47:36 [wind blowing]
00:47:38 [birds chirping]
00:47:40 [wind blowing]
00:47:42 [wind blowing]
00:47:44 [birds chirping]
00:47:46 [wind blowing]
00:47:48 Don't go over there.
00:47:50 [wind blowing]
00:47:52 [birds chirping]
00:47:54 [wind blowing]
00:47:56 [birds chirping]
00:47:58 [wind blowing]
00:48:00 [birds chirping]
00:48:02 [wind blowing]
00:48:04 [birds chirping]
00:48:06 [wind blowing]
00:48:08 [birds chirping]
00:48:10 [birds chirping]
00:48:12 [wind blowing]
00:48:14 [birds chirping]
00:48:16 [wind blowing]
00:48:18 [birds chirping]
00:48:20 [wind blowing]
00:48:22 [birds chirping]
00:48:24 [wind blowing]
00:48:26 [birds chirping]
00:48:28 [wind blowing]
00:48:30 [birds chirping]
00:48:32 [wind blowing]
00:48:34 [birds chirping]
00:48:36 [wind blowing]
00:48:38 [birds chirping]
00:48:40 [wind blowing]
00:48:42 [birds chirping]
00:48:44 [wind blowing]
00:48:46 [birds chirping]
00:48:48 [wind blowing]
00:48:50 [birds chirping]
00:48:52 [wind blowing]
00:48:54 [birds chirping]
00:48:56 [wind blowing]
00:48:58 [birds chirping]
00:49:00 [wind blowing]
00:49:02 [birds chirping]
00:49:04 [wind blowing]
00:49:06 [birds chirping]
00:49:08 [wind blowing]
00:49:10 [birds chirping]
00:49:12 [wind blowing]
00:49:14 [birds chirping]
00:49:16 [wind blowing]
00:49:18 [birds chirping]
00:49:20 [wind blowing]
00:49:22 [birds chirping]
00:49:24 [wind blowing]
00:49:26 [birds chirping]
00:49:28 [wind blowing]
00:49:30 [birds chirping]
00:49:32 [wind blowing]
00:49:34 [birds chirping]
00:49:36 [wind blowing]
00:49:38 [birds chirping]
00:49:40 [wind blowing]
00:49:42 [birds chirping]
00:49:44 [wind blowing]
00:49:46 [birds chirping]
00:49:48 [wind blowing]
00:49:50 [birds chirping]
00:49:52 [wind blowing]
00:49:54 [birds chirping]
00:49:56 [wind blowing]
00:49:58 [birds chirping]
00:50:00 [wind blowing]
00:50:02 [birds chirping]
00:50:04 [wind blowing]
00:50:06 [birds chirping]
00:50:08 [wind blowing]
00:50:10 [birds chirping]
00:50:12 [wind blowing]
00:50:14 [birds chirping]
00:50:16 [wind blowing]
00:50:18 There he is.
00:50:20 [wind blowing]
00:50:22 [birds chirping]
00:50:24 [wind blowing]
00:50:26 [birds chirping]
00:50:28 [wind blowing]
00:50:30 [birds chirping]
00:50:32 [wind blowing]
00:50:34 [birds chirping]
00:50:36 [wind blowing]
00:50:38 [wind blowing]
00:50:40 [wind blowing]
00:50:42 [wind blowing]
00:50:44 [wind blowing]
00:50:46 [wind blowing]
00:50:48 [wind blowing]
00:50:50 [wind blowing]
00:50:52 [wind blowing]
00:50:54 [wind blowing]
00:50:56 Get out of the way, Hatcher.
00:50:58 If you want to talk, follow us back to town hall.
00:51:00 Mike sent me.
00:51:02 He wants you down at the constable's.
00:51:04 Henry, you too.
00:51:06 No, we've got wives and children waiting for us at town hall.
00:51:08 If Michael Anderson wants either of us to take a watch later, fine.
00:51:12 But right now--
00:51:14 Roy Brishman's dead.
00:51:16 And there's something written on the side of one of the fire trucks.
00:51:18 If it's a suicide note, it's the weirdest one I ever heard of.
00:51:20 Come on, let's get going.
00:51:22 This no place for discussion.
00:51:24 I agree.
00:51:26 Let's have our discussion at the town hall
00:51:28 where we don't have to spray my hands off.
00:51:30 Peter Godsoe's dead.
00:51:32 Peter Godsoe?
00:51:34 Yeah, hung himself.
00:51:36 He also left a weird suicide note.
00:51:38 He also left a weird suicide note.
00:51:40 Mike told me to come and get you, Robbie Beals,
00:51:42 and that's what I've come to do.
00:51:44 Now you come on back and follow us to the stock.
00:51:46 I don't want to hear any more sass about it.
00:51:48 Peter Godsoe, my God in heaven, why?
00:51:50 I don't know, but Essela doesn't know anything about it.
00:51:52 We haven't been able to get through.
00:51:54 Now I can't make your pitch in and help if you don't want to.
00:51:56 But I can make sure when this is over that people know that you were asked and you said no.
00:51:58 I'll go, Hatch.
00:52:00 Thanks, Henry.
00:52:02 All right, let's go if we're going!
00:52:04 Did you lock up?
00:52:06 Of course I did.
00:52:08 What do you think I am, a damn fool?
00:52:10 Hatch?
00:52:16 Huh?
00:52:18 Can you raise the town hall?
00:52:20 I'm not going to.
00:52:22 I'm not going to.
00:52:24 Can you raise the town hall on the sea beach?
00:52:26 Tell Kyle and Sandy we're okay?
00:52:28 I'll try it again.
00:52:30 [Suspenseful music]
00:52:32 Essela?
00:52:58 Hey, this is Hatch. Come back.
00:53:00 Hey, everyone just step back off.
00:53:04 Give Ursula a little space here.
00:53:06 If we hear anything, we'll let you know.
00:53:08 Move back. Go on, move back.
00:53:10 You don't have anything else to do.
00:53:12 Go on downstairs and watch the storm on the weather network.
00:53:14 You're weak, but I've got you, Hatch.
00:53:16 Talk slow and loud.
00:53:18 Come back on.
00:53:20 Robbie and Henry are fine.
00:53:22 Just thought you might want to know that.
00:53:24 Is Lloyd Wishman really dead, Hatch?
00:53:26 Uh, Essela, I don't have all the details on that yet.
00:53:28 Just tell Sandy and Carla that their boys will be a while longer.
00:53:30 Might bus them over at the store for a little bit.
00:53:32 Come back.
00:53:34 Why the store?
00:53:36 Is that man locked up?
00:53:38 You boys be careful.
00:53:40 Uh, Essela, I can't hear you.
00:53:44 You're breaking up.
00:53:46 I'll have to try it back a little bit later.
00:53:48 This is Island Service. Out.
00:53:50 I'll have to try it back a little bit later.
00:53:52 This is Island Service. Out.
00:53:54 Hell, I don't know what to tell her.
00:54:00 I might tell her. That's his job.
00:54:04 That's what they pay him for.
00:54:06 Yeah.
00:54:08 Where's your cane?
00:54:12 You had a cane.
00:54:14 I know you do. Where is it?
00:54:18 Sir, how did you get to Little Tall Island?
00:54:20 Give me what I want,
00:54:28 and I'll go away.
00:54:30 I saw that.
00:54:34 At Martha Clarendon's house.
00:54:36 Did you write that?
00:54:40 You did, didn't you?
00:54:46 Just what is it you want, sir?
00:54:48 Andrea Lanoche.
00:54:54 I take it you're French.
00:54:56 Got a lot of people of French descent on the island.
00:54:58 What happened with Peter Godsoe?
00:55:04 You have something to do with that?
00:55:06 And how did you happen to know he was running pot out of his warehouse
00:55:08 always assuming he was?
00:55:10 I know a lot, constable.
00:55:12 I know, for instance,
00:55:14 that when you were at the University of Maine
00:55:16 and in danger of losing your scholarship
00:55:18 over a D in chemistry
00:55:20 during your sophomore year,
00:55:22 you cheated on the midterm exam.
00:55:24 Not even your wife knows that, does she?
00:55:26 I don't know where you get your information,
00:55:30 but you are dead wrong on that one.
00:55:32 I'm sure that over the years,
00:55:34 you've been trying to get your way
00:55:36 and you've been trying to get your way
00:55:38 on that one.
00:55:40 I'm sure that over the years,
00:55:42 you've convinced yourself that's the truth.
00:55:44 But right now, we both know better.
00:55:46 You ought to tell Ralphie sometime.
00:55:48 It would make a nice bedtime story, I think.
00:55:52 How Daddy Got Through College.
00:55:56 You never cheated on an exam in college, did you, Jack?
00:56:02 Never went to college.
00:56:06 Nobody bothers you for pulling D's in high school.
00:56:08 They still put you in jail for assault, though,
00:56:12 if you get caught.
00:56:14 You were lucky last year.
00:56:18 You and Lucien Fournier and Alex Haber.
00:56:20 Lucky boys.
00:56:24 Shut up.
00:56:26 That fella just rubbed you guys the wrong way, didn't he?
00:56:28 Had kind of a lisp, and that blonde hair,
00:56:30 curly like a girl's hair,
00:56:32 not to mention the way he walked, still,
00:56:34 like a kid in a pool cues.
00:56:36 Well, hardly sporting.
00:56:38 I'm warning you, mister.
00:56:40 The kid lost an eye. How about that, huh?
00:56:42 You can go and see for yourself.
00:56:44 He lives in Lewiston.
00:56:46 He wears a paisley eye patch his sister made him.
00:56:48 He lies awake at night
00:56:50 and listens to the cars on Lisbon Street
00:56:52 and the live bands from the bottle clubs
00:56:54 and prays to St. Andrew to bring back
00:56:56 the sight in his left eye.
00:56:58 Still,
00:57:00 he had that swishy way of walking
00:57:02 and that lisp.
00:57:04 And you guys kind of liked the way his hair
00:57:06 looked all around his face like it was.
00:57:08 Although you'd never say it
00:57:10 to each other, would you?
00:57:12 Kind of turned you on.
00:57:14 All right, that's enough.
00:57:16 Kind of made you wonder what it might feel like to run your hands through it.
00:57:18 You shut up, mister. I'll shut you up, I swear.
00:57:20 Take it easy. Take it easy.
00:57:22 There's another bedtime story for a stormy night.
00:57:24 I can see you in bed with your arm around your little boy
00:57:26 saying, "Buster, Daddy wants to tell you
00:57:28 how he put the nasty queer man's eye out
00:57:30 with the other eye."
00:57:32 Shut up!
00:57:34 Oh, my God.
00:57:56 Are you all right?
00:57:58 I'm sorry. I didn't mean it.
00:58:00 You were running a safe distance from him.
00:58:02 Didn't I tell you that?
00:58:04 Get off me, Jack.
00:58:06 Is it bad?
00:58:08 Barely clipped the skin.
00:58:12 It's lucky.
00:58:14 Six inches to the left, I'm dead.
00:58:16 He's laughing.
00:58:18 Here.
00:58:24 Mike?
00:58:26 Mike?
00:58:32 Mike?
00:58:34 Mike, no.
00:58:36 Mike?
00:58:38 Mike?
00:58:40 Mike?
00:58:42 Mike?
00:58:44 Mike?
00:58:46 Mike?
00:58:48 Mike?
00:58:50 Mike?
00:58:52 Mike?
00:59:20 You want insurance to cover that, Robbie?
00:59:22 Come on, let's get inside.
00:59:24 Mike, I'm really sorry.
00:59:28 Let's hatch.
00:59:30 Mike, about what that guy said.
00:59:34 It's all right.
00:59:36 I'll be direct.
00:59:38 All right, what's going on here?
00:59:40 Robbie,
00:59:42 I wish I knew.
00:59:44 I wish I knew.
00:59:46 [♪♪♪]
00:59:48 [♪♪♪]
00:59:50 [♪♪♪]
00:59:52 [♪♪♪]
00:59:54 (dramatic music)
00:59:56 (dramatic music)
00:59:59 (dramatic music)
01:00:02 (dramatic music)
01:00:05 (dramatic music)
01:00:07 (dramatic music)
01:00:10 (dramatic music)
01:00:13 (dramatic music)
01:00:16 (dramatic music)
01:00:18 - Mom, we'll wait, won't we?
01:00:40 Like the house of Storm and the house of Twigs?
01:00:43 - No, honey.
01:00:44 Storm can huff and puff all night long.
01:00:46 We'll still be safe down here in the basement.
01:00:48 - Is Daddy safe?
01:00:52 - Yeah.
01:00:53 Yeah, safe as can be.
01:00:56 - You won't let the bad men get out and hurt us, will you?
01:01:01 - No.
01:01:02 No, I promise.
01:01:05 - My daddy's looking for help.
01:01:08 - Not you!
01:01:09 - My daddy!
01:01:10 - Good night, sweetie.
01:01:11 - Not you!
01:01:12 - Leave me alone!
01:01:13 - Honey, honey.
01:01:14 - Leave me alone!
01:01:15 Stop it!
01:01:16 Leave me alone!
01:01:17 - Honey.
01:01:19 Donnie, come back here.
01:01:22 Hey, he's just a little scratchy.
01:01:24 - My daddy put me to bed, not you!
01:01:26 - Donnie.
01:01:27 - My daddy, not you!
01:01:28 - Hey, I want you to go upstairs right now
01:01:31 and you wait for your daddy.
01:01:33 Now.
01:01:34 - I'm sorry, Molly.
01:01:38 I guess I thought he was ready,
01:01:40 but he's used to having his dad tuck him in.
01:01:42 - No, it's fine.
01:01:43 It's probably better that he stays up.
01:01:45 I think Buster is still running around upstairs.
01:01:47 They can play tag and fall asleep in a corner somewhere.
01:01:51 - As long as he didn't disturb anybody.
01:01:52 - Nah, they're out like lights.
01:01:54 - I worry about Donnie sometimes.
01:01:57 I mean, I love him, but I worry about him, too.
01:02:01 - Sandy, they all go through stages.
01:02:04 I mean, Don may have his unlovely moments now,
01:02:08 but in the end, he'll be fine.
01:02:10 (Molly sighs)
01:02:13 - I'm gonna leave Robbie in the spring.
01:02:18 I'm gonna take Donnie and go back to my folks on Deer Isle.
01:02:22 (Molly chuckles)
01:02:26 I didn't think I'd made up my mind for sure,
01:02:28 but I guess I have.
01:02:29 - Oh, Sandy.
01:02:38 (door creaks)
01:02:40 - Going to help Billy?
01:02:41 - Yes, ma'am.
01:02:42 - See if there's any oatmeal on the very back shelf.
01:02:45 - And tell Billy to remember the juice.
01:02:46 - Oh, I imagine he don't have any problem in the juice.
01:02:50 - The problem, does he?
01:02:52 (eerie music)
01:02:56 (car engine rumbles)
01:02:59 - Hey, Billy.
01:03:21 Can I talk to you?
01:03:24 - Yeah, I guess, why not?
01:03:26 - Billy, I just-
01:03:28 - You're not sure what he said?
01:03:29 Let's talk about that.
01:03:32 Did you go up Derry and have an abortion?
01:03:37 I guess that's all the talk we need, isn't it?
01:03:48 I guess that says it all.
01:03:52 - Well, don't you wanna know why?
01:03:54 - Not particularly, no.
01:03:56 It was our baby and now it's dead, I guess.
01:04:00 Really, that's all I need to know.
01:04:01 - All right, so you asked me one.
01:04:07 Now I'll ask you one.
01:04:08 What about Jenna Freeman?
01:04:13 - What about Jenna Freeman?
01:04:17 Why do you ask about something
01:04:22 that you already know the answer to?
01:04:24 - I don't know.
01:04:25 - You don't know?
01:04:26 - No.
01:04:27 - Well, then, tell me.
01:04:28 - I don't know.
01:04:29 - Well, then, tell me.
01:04:29 - I don't know.
01:04:30 - Well, then, tell me.
01:04:31 - I don't know.
01:04:32 - Well, then, tell me.
01:04:33 - I don't know.
01:04:34 - Well, then, tell me.
01:04:34 - I don't know.
01:04:35 - Well, then, tell me.
01:04:36 - I don't know.
01:04:37 - Well, then, tell me.
01:04:38 - I don't know.
01:04:39 - Well, then, tell me.
01:04:39 - I don't know.
01:04:40 - Well, then, tell me.
01:04:41 - I don't know.
01:04:42 - Well, then, tell me.
01:04:43 - I don't know.
01:04:44 - Well, then, tell me.
01:04:45 - I don't know.
01:04:45 - I never told you no.
01:04:47 Never once did I tell you no, and still.
01:04:54 God, Billy, how many times a day do you itch?
01:04:57 - What about the baby?
01:04:59 The one I had to hear about from a complete stranger
01:05:03 and in front of half the town?
01:05:05 - I knew who you were running with, Billy.
01:05:07 Don't you get that?
01:05:08 I mean, how was I supposed to trust you
01:05:11 to do the right thing?
01:05:13 I mean, how was I supposed to trust you at all?
01:05:18 Do you know what it's like to find out
01:05:19 that you're pregnant one week
01:05:22 and that your boyfriend is spending his afternoons
01:05:25 with the town pomp the next?
01:05:27 - Hey, that baby was half mine,
01:05:29 and you decided to go up to Derry,
01:05:31 and you murdered it, and it was half mine, Kat.
01:05:33 - Yeah, sure.
01:05:34 Now that it's gone, it's half yours.
01:05:37 (somber music)
01:05:43 - Come back, bitch-ass, come back.
01:05:47 Mike.
01:05:48 - What is that supposed to mean?
01:05:53 - It means that I'm not stupid.
01:05:56 I mean, I know what you would have thought
01:05:59 if I had come to you while you're still chasing after Jenna.
01:06:02 Little bitch just got herself pregnant
01:06:04 so I wouldn't get away.
01:06:06 - So now you've done a whole lot
01:06:07 of my thinking for me too now, huh?
01:06:10 - You obviously haven't been doing much
01:06:11 for yourself these days.
01:06:13 - What about the baby, the one that you murdered?
01:06:16 How much thinking did you do for our baby, Kat?
01:06:20 Why don't you do us both a favor and get out of here?
01:06:24 Just go.
01:06:25 I'm really tired of listening to you.
01:06:28 - What's he doing?
01:06:31 (somber music)
01:06:39 - Oh, you know what, dear God?
01:06:42 You're unfaithful and that's bad.
01:06:46 But you're a coward and that's worse.
01:06:50 Too chicken to own up to the part of this
01:06:53 that belongs to you.
01:06:54 You know, I came in here because I thought
01:06:59 that maybe I could save us.
01:07:02 But there's nothing to save.
01:07:08 You're just a stupid kid after all.
01:07:11 (somber music)
01:07:19 - What are you doing, sir, you mind telling me?
01:07:25 (somber music)
01:07:28 (car beeping)
01:07:30 (somber music)
01:07:33 (car engine roaring)
01:07:36 (somber music)
01:07:43 (car engine roaring)
01:07:46 (car engine roaring)
01:08:02 (somber music)
01:08:13 (sobbing)
01:08:15 - She's right, you are a coward.
01:08:21 - What the hell are you doing?
01:08:22 - Shut up!
01:08:23 - By the step, by the step, by the back step.
01:08:29 (indistinct chatter)
01:08:32 (indistinct chatter)
01:08:36 (dramatic music)
01:08:55 (dramatic music)
01:08:58 - Take it.
01:09:07 - Stop it, Lanos.
01:09:08 (dramatic music)
01:09:11 (dramatic music)
01:09:13 (dramatic music)
01:09:16 (dramatic music)
01:09:19 - I wanted to show them.
01:09:44 (dramatic music)
01:09:47 (indistinct chatter)
01:09:58 - It's my son.
01:09:59 (indistinct chatter)
01:10:02 - Stop it, Lanos.
01:10:03 - You will not hear me, son.
01:10:05 (dramatic music)
01:10:08 (indistinct chatter)
01:10:11 (dramatic music)
01:10:14 (dramatic music)
01:10:25 (somber music)
01:10:31 (dramatic music)
01:10:34 (dramatic music)
01:10:37 (dramatic music)
01:10:39 (dramatic music)
01:10:57 (dramatic music)
01:11:00 - Do you want them back?
01:11:14 They were slipping off.
01:11:15 - No, thanks, Annie, you can keep them.
01:11:16 Those things always end up falling asleep.
01:11:18 Listen to Schubert on my fillings anyway.
01:11:20 Why don't you give Johnny a hand, Johnny?
01:11:22 (indistinct chatter)
01:11:25 (indistinct chatter)
01:11:28 - What are they saying?
01:11:46 - Howl and blast, followed by blast and howl.
01:11:49 Such conditions to continue through tomorrow
01:11:53 and into tomorrow night when finally
01:11:56 things are supposed to start quieting down.
01:11:58 Power's out from Kiddery to Millinocket.
01:12:02 Coastal communities are cut off.
01:12:05 Those island guys, forget it.
01:12:09 - So what's the matter?
01:12:15 - I don't know.
01:12:16 I just got a feeling.
01:12:19 Really bad one.
01:12:21 - Yeah, who doesn't?
01:12:24 Martha Clarendon's murdered, Lloyd Wishman kills himself.
01:12:27 Storm of the century right over our heads.
01:12:29 Who doesn't have a bad feeling?
01:12:31 I think it's more than that.
01:12:35 (dramatic music)
01:12:43 (woman screaming)
01:12:53 (woman screaming)
01:12:56 - Did you hear something?
01:13:04 - Just the wind.
01:13:05 - It sounded like a scream.
01:13:08 - That's what the wind sounds like tonight, dear.
01:13:12 - Cap didn't come back, did she?
01:13:16 - No, not this way.
01:13:19 - I imagine they had things to discuss.
01:13:23 - Joanna.
01:13:24 - My mother always used to say,
01:13:28 "Peep not at a keyhole, lest you be vexed."
01:13:32 - It sounded like a scream.
01:13:34 - Oh God, I find that ridiculous.
01:13:36 - Mother, shut up!
01:13:48 (radio chattering)
01:13:51 - When I get these feelings, I trust them.
01:13:54 Over the years, I've learned to trust them.
01:13:57 Molly, I think something's happened to Peter.
01:14:03 - Why, has someone come back from the store?
01:14:05 Has Mike--
01:14:06 - No, no, nobody's come in from that end of town
01:14:08 since eight o'clock, but Mike's all right.
01:14:12 There's nothing psychic about that part of it.
01:14:17 I picked up a couple of broken transmissions on the radio.
01:14:20 Once it was Hatch, and once I'm pretty sure it was Mike.
01:14:24 - Saying what, talking to who?
01:14:26 - With the antennas blown down, it's impossible to tell.
01:14:29 Base unit to base unit, it's just voices.
01:14:32 I imagine they're still trying to raise the status of Magius.
01:14:35 - So you haven't heard from Peter,
01:14:38 so you can't know what's going on.
01:14:40 - So now I do.
01:14:41 I do, I know it.
01:14:44 - There's a state of snow emergency.
01:14:47 - Molly, if I can get Lucian Foyer
01:14:49 to stop fiddling with that TV
01:14:51 and take me down to the constables on a snow machine,
01:14:53 can you mind things here?
01:14:55 Unless the roof falls in, all it amounts to
01:14:59 is saying that everything is fine,
01:15:00 and breakfast is at seven, we still need folks
01:15:03 on the serving crew in the clean-up after.
01:15:05 The work's mostly done for tonight, thank God.
01:15:10 People have already started going to bed.
01:15:12 Okay, all right, just,
01:15:15 just do me a favor, give a message to Mike.
01:15:19 Tell him to set a guard, there are plenty of men
01:15:22 who have nothing to do tonight.
01:15:23 Have him set a guard and get back here.
01:15:26 Tell him his wife wants to see him.
01:15:28 - I'll give him that message, I will.
01:15:32 - All right.
01:15:45 - Cat?
01:15:46 Cat?
01:16:03 What happened?
01:16:04 - I covered him up.
01:16:06 He wouldn't want people to see him like this,
01:16:12 so I covered him up.
01:16:15 - You all right there, Molly Ann?
01:16:17 - Fine.
01:16:18 - This is gonna be one to tell your grandchildren about.
01:16:23 - Already is.
01:16:24 I covered him up because I loved him.
01:16:30 I think it was the cane with the wolf's head
01:16:35 that made me do it.
01:16:36 I wouldn't touch it if I were you.
01:16:44 I loved him and now look, I went and killed him.
01:16:49 I'm a little teapot, short and stout.
01:16:57 Here is my handle, here is my spout.
01:17:03 Oh my God.
01:17:05 - Don't you dump me in the snow bank,
01:17:11 you shit palm, yeah?
01:17:12 - No, ma'am.
01:17:13 (dramatic music)
01:17:16 - What's wrong?
01:17:24 - That thing should just be a grumpy.
01:17:26 - Help, somebody, help!
01:17:29 - Joanna, what's wrong?
01:17:36 - Billy, Jess, back there, Katrina Wither has killed him.
01:17:41 - Cat?
01:17:42 - She's sitting in the corner.
01:17:44 I think she tried to tell me she hit him with a cane.
01:17:48 There's so much blood.
01:17:50 When I left, I think she was singing.
01:17:53 - Are you really saying Cat Wither's killed Billy's son?
01:17:55 Are you sure, Joanna, are you sure he's dead?
01:17:58 - She covered him with a tarp,
01:17:59 but I'm sure there's so much blood.
01:18:01 - We better go back and look.
01:18:03 - I can't go back there, she's in the corner.
01:18:07 If you could have seen the look on her face.
01:18:09 - Lucy, can I drive this thing?
01:18:11 - If you take it slow, sure.
01:18:13 - Yeah, I'll take it slow, believe me.
01:18:15 Joanna and I like to drive down the street,
01:18:17 talk to Mike Anderson, aren't we, Joe?
01:18:19 You've had the luck now.
01:18:20 Get a couple of guys and go out to the supply shed
01:18:24 and see what's what, okay?
01:18:26 But don't broadcast it, please, be careful.
01:18:29 - Ursula, what's going on here?
01:18:31 - I haven't a clue.
01:18:33 (engine revving)
01:18:39 (dramatic music)
01:18:42 - I've never seen anyone throw a fit like that in my life.
01:18:52 - No ID of any kind?
01:18:54 - No ID, no money, no wallet, no keys, no nothing,
01:18:58 just no clothing tags, not even on his blue jeans.
01:19:03 It's just, it's just here.
01:19:07 (dramatic music)
01:19:10 (soft music)