Django Kill (If You Live Shoot) (1967)
Category
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TVTranscript
00:00:00 [music]
00:00:07 [music]
00:00:14 [music]
00:00:21 [music]
00:00:28 [music]
00:00:35 [music]
00:00:42 [music]
00:00:49 Hey.
00:00:50 [music]
00:00:53 Look at this.
00:00:55 [music]
00:01:02 [music]
00:01:09 Hey.
00:01:11 Look.
00:01:12 [music]
00:01:16 [moaning]
00:01:23 It's the voice of the dead.
00:01:25 [music]
00:01:40 [applause]
00:01:45 [music]
00:01:55 [music]
00:02:05 [music]
00:02:15 [music]
00:02:27 This is gold.
00:02:32 Oh, sir.
00:02:33 You won't get away with this, Oaks.
00:02:36 [music]
00:02:57 Give me water.
00:03:02 [music]
00:03:18 [gunshots]
00:03:23 Gold.
00:03:24 There's gold for everyone.
00:03:27 Gold.
00:03:29 [music]
00:03:32 [music]
00:03:39 [music]
00:03:49 [chatter]
00:03:59 [chatter]
00:04:09 [chatter]
00:04:19 [chatter]
00:04:29 [chatter]
00:04:39 [chatter]
00:04:49 [chatter]
00:04:55 Better not waste time, boys.
00:04:57 Come on, give me a hand.
00:04:59 Let's get this down.
00:05:04 Sure is heavy.
00:05:11 Let's have a look.
00:05:20 [laughter]
00:05:27 Yahoo!
00:05:29 [laughter]
00:05:40 [laughter]
00:05:44 Yahoo!
00:05:46 [laughter]
00:05:55 [music]
00:06:02 This will make life a lot easier for all of us.
00:06:05 The answer to anyone's troubles is gold, and we got plenty of it.
00:06:16 The secret is knowing the right moment.
00:06:20 This time, we really hit the jackpot, huh?
00:06:24 Oaks, mind if I butt in on the conversation you're having with yourself?
00:06:30 Let me in on it.
00:06:31 I want to cross the border.
00:06:32 We've got to be in Mexico before dark.
00:06:35 I was talking to myself because I got a lot of gold to talk about.
00:06:38 We sure do.
00:06:39 We each got a good share of coming.
00:06:41 We worked hard for it.
00:06:42 What's more is pleasing work.
00:06:44 Lots of gold, lots of pleasure, but now it's time to divide it up.
00:06:48 Well, don't we?
00:06:52 I don't feel like dividing.
00:06:55 [laughter]
00:07:03 You hear that?
00:07:04 Says he don't feel like dividing.
00:07:07 I don't think I can believe my ears.
00:07:09 I'll say it again.
00:07:11 I don't feel like dividing.
00:07:13 I've come too far, done too much to let anyone else get their hands on this gold.
00:07:18 I've had to put up with the stink of your skins.
00:07:20 I don't divide my gold with no motherless Mexicans.
00:07:35 Que pasa?
00:07:43 Hands up, you two.
00:07:59 [shouting]
00:08:03 Don't let him get away!
00:08:04 Shoot him down!
00:08:12 [shouting]
00:08:22 [laughter]
00:08:28 Tough luck, half-breed.
00:08:31 Guns don't shoot with no bullets inside.
00:08:34 [laughter]
00:08:49 [music]
00:09:07 Dig it wide, dig it deep.
00:09:14 Hey, boys, that's a beautiful grave. Ain't seen one bigger.
00:09:19 You're gonna be real comfortable.
00:09:22 Ain't that right, boss?
00:09:27 We work for you, and now you are going to kill us without giving us one drop of tequila.
00:09:32 You'll be able to say your prayers in Spanish as you lie down to die.
00:09:44 How about your half-breed prayers, huh? In English or Spanish?
00:09:48 I don't have to pray for salvation once I've been killed.
00:09:51 You do.
00:09:53 You're a murderer.
00:09:58 I'm pleased to call you my friend, since you're gonna give me your gold.
00:10:20 Hey! Don't let him get away!
00:10:24 What's he doing?
00:10:26 Shoot him down!
00:10:29 Don't let him get away!
00:10:35 They can't leave without horses.
00:10:38 Jack! Montana! You gotta do something to stop him! Save the horses!
00:10:49 He won't be going no place without horses, folks.
00:10:59 You're scaring the horses away. Hold your fire!
00:11:09 I must say, you've done a brilliant job.
00:11:37 He won't get away!
00:12:06 He won't get away with this, folks!
00:12:13 Fire!
00:12:17 Fire!
00:12:20 Fire!
00:12:23 Fire!
00:12:26 (dramatic music)
00:12:28 (dramatic music)
00:12:31 (dramatic music)
00:12:34 (dramatic music)
00:12:37 (dramatic music)
00:12:39 (dramatic music)
00:12:42 (dramatic music)
00:12:45 (dramatic music)
00:12:50 (dramatic music)
00:12:52 (dramatic music)
00:12:55 (dramatic music)
00:12:58 (fire crackling)
00:13:01 (man moaning)
00:13:09 (fire crackling)
00:13:12 - With gold made bullets.
00:13:23 - It is your gold, the gold you died for.
00:13:28 - Gold bullets better than lead go deeper.
00:13:31 - For you who have seen the flame of death,
00:13:34 gold can be useful to fire at your killers.
00:13:36 We stay with you, be your companions,
00:13:39 but you tell us of happy hunting grounds you've seen.
00:13:42 Honor the side of river of life.
00:13:44 - You who have seen the land of the dead
00:13:46 must give us the wisdom you have learned
00:13:48 from the mouths of the great gods.
00:13:50 If you remember and tell us these things,
00:13:53 we will serve you and follow you.
00:13:55 (gentle music)
00:14:01 (gentle music)
00:14:04 - Give up, give up.
00:14:11 (gentle music)
00:14:15 (coughing)
00:14:23 Now please, Uncle Mac.
00:14:28 (gentle music)
00:14:31 No, don't, I'll bite you, I'll bite you.
00:14:40 (grunting)
00:14:42 (singing)
00:14:45 (dramatic music)
00:14:58 - Sure don't look like heaven.
00:15:01 It's better than a desert, though.
00:15:04 (dramatic music)
00:15:06 - You're not even to stay here.
00:15:13 Don't like the looks of it.
00:15:16 - And where do you suggest we go, colleagues?
00:15:19 It's hot out here, and I need a drink.
00:15:22 I'm hungry, fellas, and when I'm hungry,
00:15:25 like I'm hungry, I ain't afraid of a thing.
00:15:28 - You can bet your life I'm not.
00:15:29 - He's right, one town's the same as the next.
00:15:32 There's nothing to be afraid of, Collins.
00:15:34 - Who's afraid?
00:15:35 Nobody here's a coward.
00:15:37 I just said I don't fancy the looks of it.
00:15:41 - Why don't you shut up?
00:15:42 We ain't got no choice.
00:15:45 I'm hungry, too.
00:15:46 (gentle music)
00:15:50 (horses galloping)
00:15:53 - You stay here with the horses,
00:16:08 and I mean stay with 'em.
00:16:10 You go to the store.
00:16:12 You two come with me.
00:16:19 Make them horses drink slow, Charlie,
00:16:21 if you don't want 'em to bust.
00:16:22 - Good morning to all you gentlemen.
00:16:38 Great little town you got here.
00:16:40 First time in these parts.
00:16:42 - You can see right away it's real friendly here.
00:16:47 - Anyone of you interested in selling a few horses?
00:16:50 We're headed north.
00:16:51 There's work waiting for us up there,
00:16:52 but we can't walk all the way.
00:16:53 Most of our horses met with accidents.
00:16:56 (laughing)
00:16:58 Kept getting dizzy from the heat,
00:17:00 so I said call a halt.
00:17:01 So here we are.
00:17:16 (door slams)
00:17:17 - Stop throwing darts, Evan.
00:17:19 Ain't no lack of horse meat here.
00:17:26 Just that they cost money.
00:17:27 (laughing)
00:17:31 - No problem there, mister.
00:17:33 We earned ourselves a lot of money,
00:17:35 and we're prepared to pay.
00:17:36 Whiskey all round.
00:17:38 - You heard him.
00:17:40 - The best.
00:17:40 - From the look of you, you had yourself a long walk.
00:17:44 - It's worth the long walk to find yourself work to do,
00:17:47 if it pays well.
00:17:48 - It's real nice to meet some people
00:17:52 who work like you, mister.
00:17:54 It's enough to take one good look at you.
00:17:56 You can see from your expression
00:17:59 that you're hardworking and honest.
00:18:01 - You're all covered in white dust.
00:18:03 I guess you must have crossed the desert.
00:18:05 - You took the toughest way to get to my old hometown, huh?
00:18:09 - Best way for you, huh?
00:18:12 Now you can sell your horses.
00:18:14 (laughing)
00:18:15 - You talk like a businessman.
00:18:17 - Well, how about it?
00:18:22 We ain't got time to lose.
00:18:23 - I told you, horses cost money here.
00:18:25 - This is better than money.
00:18:36 That's how I'll pay you with.
00:18:37 - Well, how many horses do you have to have?
00:18:41 - Nine.
00:18:43 - You got more of those to pay for the rest?
00:18:46 - Sure.
00:18:46 (laughing)
00:18:49 - I'll do my best to get them for you.
00:18:51 - Hey, Richie, why don't you play some music
00:18:56 for our guests, huh?
00:18:58 Laurie, Laurie, what are you waiting for?
00:19:01 Come on down.
00:19:02 We got gentlemen here to be entertained.
00:19:05 Let 'em hear one of your songs.
00:19:07 ♪ My town is so nice ♪
00:19:10 ♪ So nice ♪
00:19:13 ♪ My town, my town ♪
00:19:17 ♪ There ain't no other ♪
00:19:20 ♪ I'm a man ♪
00:19:24 - How about that? - Pretty girl.
00:19:26 - Real pretty.
00:19:27 - A pretty voice, too.
00:19:28 ♪ I want to tell you, stranger ♪
00:19:36 ♪ Because you're new on the scene ♪
00:19:41 ♪ I want to tell you ♪
00:19:47 ♪ That this town is the best in the land ♪
00:19:52 ♪ My town is so nice ♪
00:19:57 ♪ My town is so nice ♪
00:20:00 ♪ And I can't wait to see you ♪
00:20:05 ♪ I want to tell you ♪
00:20:09 ♪ That you're the best in the land ♪
00:20:14 ♪ My town is so nice ♪
00:20:20 ♪ My town, my town ♪
00:20:26 (water splashing)
00:20:29 (water splashing)
00:20:32 (water splashing)
00:20:35 (water splashing)
00:20:37 (water splashing)
00:20:40 (water splashing)
00:20:44 (water splashing)
00:20:47 (water splashing)
00:20:57 (water splashing)
00:20:59 - Do you want anything else?
00:21:22 - No, no, that'll do.
00:21:23 - Now, let's just see what we got.
00:21:27 (door closing)
00:21:28 - It seems you want a lot of vittles.
00:21:30 - Yeah, we got a mighty long ride ahead of us.
00:21:32 We're making for the north to begin work there.
00:21:34 - Dried saw beef, sugar, beans, two cases of--
00:21:40 - And we're gonna need at least 10 boxes
00:21:42 of carbine cartridges.
00:21:44 - 10 boxes?
00:21:47 If you went hunting, you wouldn't find that much
00:21:49 to shoot in these parts.
00:21:50 - Please excuse me.
00:21:52 Won't be long.
00:21:54 (footsteps tapping)
00:21:56 - Hello, Ackerman.
00:21:57 - Have a good day.
00:21:58 - You should see the gold they got.
00:22:04 They're a bandit gang.
00:22:05 - Huh?
00:22:18 ♪ My town is so nice ♪
00:22:22 ♪ My town ♪
00:22:25 ♪ I know you'll be staying on forever ♪
00:22:30 ♪ Tell of your wants and remember ♪
00:22:37 ♪ That your time ♪
00:22:41 ♪ May be limited ♪
00:22:45 ♪ My town ♪
00:22:48 ♪ Is so nice ♪
00:22:52 ♪ My town ♪
00:22:55 ♪ My town ♪
00:22:58 - Don't you get the impression it's kind of black in here?
00:23:01 Sure don't seem natural.
00:23:03 - That's stupid.
00:23:04 It's just the desert.
00:23:06 We've become used to the sun.
00:23:08 (dramatic music)
00:23:14 (horse whinnying)
00:23:17 - Don't move, you are still weak.
00:23:28 - But I feel a lot better.
00:23:32 I'm stronger than I look.
00:23:35 Can't you make this horse get a move on?
00:23:39 - He moves more slowly now because he's old.
00:23:42 - How do you ever expect to get there?
00:23:44 - The men we follow have no meat or water
00:23:49 and few horses to carry them.
00:23:51 They will stop in small town over hill.
00:23:55 - How much further is it?
00:23:57 - Not far, it lies in next valley at edge of desert.
00:24:03 - But what's the name of it?
00:24:04 - I not know what white man call it.
00:24:09 The people of the Indian tribes call it the unhappy place.
00:24:12 (dramatic music)
00:24:16 - Hurry, this way, follow me.
00:24:21 - Come on, hurry.
00:24:22 (men shouting)
00:24:23 - Can't let him get away.
00:24:24 (men shouting)
00:24:26 - What are you waiting for?
00:24:28 (guns firing)
00:24:30 (men shouting)
00:24:33 - Get up there.
00:24:34 (men shouting)
00:24:37 - Get on it, put me on the side.
00:24:38 (men shouting)
00:24:41 (guns firing)
00:24:43 - Get him.
00:24:52 (men shouting)
00:24:55 (men shouting)
00:25:07 (guns firing)
00:25:10 (men shouting)
00:25:13 (guns firing)
00:25:15 (men shouting)
00:25:18 - Get down.
00:25:19 (men shouting)
00:25:22 (men shouting)
00:25:34 - Stop him, stop him.
00:25:43 (men shouting)
00:25:46 (guns firing)
00:25:50 (guns firing)
00:26:02 (men shouting)
00:26:05 - Well, I'll get this rope around his neck.
00:26:08 (men shouting)
00:26:10 - Get that rope around there, come on.
00:26:25 - Come on, get the move on.
00:26:26 - Let's go.
00:26:27 (men chattering)
00:26:29 - Mother of God, forgive you all.
00:26:34 Made to hang you for this.
00:26:36 - Help you.
00:26:36 (men chattering)
00:26:39 (men shouting)
00:26:43 - Come on up there.
00:26:44 (men chattering)
00:26:47 (men shouting)
00:26:50 - There's plenty of rope to spare in this town
00:27:01 and little else.
00:27:04 Now, you're supposed to be hanging these men,
00:27:06 so get on with it.
00:27:07 (men shouting)
00:27:10 - Thieves, murderers, there's no salvation for men like you.
00:27:31 Pray for forgiveness to almighty God.
00:27:34 (men laughing)
00:27:37 - Hey, there's one still alive.
00:27:43 - Well, what are you waiting for?
00:27:48 (men chattering)
00:27:52 - Go around there.
00:27:53 - Come on, guys, go.
00:27:55 - There he is.
00:27:56 - Come on, guys, go.
00:27:56 - This way.
00:27:57 - Careful there, careful.
00:27:58 (men chattering)
00:28:01 (guns firing)
00:28:03 - He's cornered.
00:28:28 (dramatic music)
00:28:31 - You'll never get out of that house alive, Oaks,
00:28:40 long as I'm here.
00:28:41 (guns firing)
00:28:43 (dramatic music)
00:28:46 (guns firing)
00:28:48 (guns firing)
00:28:51 (dramatic music)
00:29:16 (guns firing)
00:29:18 (guns firing)
00:29:29 (guns firing)
00:29:37 (dramatic music)
00:29:40 (guns firing)
00:29:49 (guns firing)
00:30:01 (dramatic music)
00:30:04 (guns firing)
00:30:15 - What's wrong with you?
00:30:17 Ain't there someone here with a bit of courage?
00:30:19 I'll offer $500 for the man who'll get him out.
00:30:22 (guns firing)
00:30:25 (dramatic music)
00:30:28 (guns firing)
00:30:31 (dramatic music)
00:30:48 (guns firing)
00:30:50 - My eyes must be playing tricks.
00:31:14 (dramatic music)
00:31:17 It isn't him.
00:31:22 It can't be.
00:31:23 (glass shattering)
00:31:43 Who is it?
00:31:44 Who is it?
00:31:46 (guns firing)
00:31:49 Who are you?
00:32:11 How have you got here?
00:32:12 I have to know.
00:32:13 You've come back from hell.
00:32:24 (guns firing)
00:32:27 Go on, fire.
00:32:35 You're all supposed to be dead.
00:32:38 (guns firing)
00:32:40 (guns firing)
00:33:06 (glass shattering)
00:33:09 Go on, fire.
00:33:28 Why don't you come on out from behind there?
00:33:31 (guns firing)
00:33:34 (glass shattering)
00:33:37 My leg, my leg.
00:33:44 (guns firing)
00:33:47 - Don't leave him there.
00:34:01 Strike him up with the rest of them.
00:34:05 - Wait, what's going on?
00:34:11 - It's Sorrow.
00:34:13 Wait, I said put him down.
00:34:15 You heard me.
00:34:16 This man interests me.
00:34:18 I want him alive.
00:34:19 He has some information I want.
00:34:23 There's plenty of time for hanging.
00:34:24 - Why wait, Mr. Sorrow?
00:34:25 You know darn well we're gonna hang the man anyway.
00:34:28 - Pancho!
00:34:29 - Yes, sir.
00:34:30 - What is it, Mr. Sorrow?
00:34:32 - Get those bullets out of him
00:34:33 and make sure you bring him to me alive.
00:34:35 - Come on, man, help me get him out of here.
00:34:39 I didn't know pity was part of your nature.
00:34:48 - You know better than that, alderman.
00:34:49 There are a few things I want to find out
00:34:51 concerning those men.
00:34:52 - They're a bunch of killers, murdering outlaws.
00:34:54 Had we done what we felt had to be done.
00:34:57 - But you don't know what it is I heard.
00:34:59 - They couldn't hide much from me, Mr. Sorrow.
00:35:00 - We just brought them to justice.
00:35:03 - By God, you can have all the justice you like.
00:35:09 I got an eye skin for something much more important.
00:35:11 Come on, Willie.
00:35:13 I got a little talking, then a little listening to do.
00:35:17 - Do as you choose, Mr. Sorrow.
00:35:18 - We can help. - That's wise of you.
00:35:19 Now let's see what miracles Pancho can perform.
00:35:23 (water splashing)
00:35:26 (water splashing)
00:35:29 (water splashing)
00:35:32 (water splashing)
00:35:39 (water splashing)
00:35:45 (water splashing)
00:35:54 (water splashing)
00:35:57 (water splashing)
00:36:03 (fire crackling)
00:36:12 (fire crackling)
00:36:15 (fire crackling)
00:36:18 (fire crackling)
00:36:21 (fire crackling)
00:36:32 (fire crackling)
00:36:35 (fire crackling)
00:36:55 (fire crackling)
00:36:58 - We want to know something.
00:37:05 Are you going to stay here or move on?
00:37:07 - I guess I'll stay.
00:37:10 - Here, you won't feel a thing.
00:37:19 (water splashing)
00:37:22 (Pancho screaming)
00:37:31 (Pancho screaming)
00:37:35 (speaking in foreign language)
00:37:44 (speaking in foreign language)
00:37:48 (speaking in foreign language)
00:37:52 (speaking in foreign language)
00:37:56 (Pancho screaming)
00:38:21 (Pancho screaming)
00:38:24 - Pancho, you idiot, you didn't have to kill him, did you?
00:38:45 - I'm sorry, sir, but all my life I've searched for gold
00:38:48 and this man is full of it.
00:38:50 (Pancho grunting)
00:38:53 - Ah, this bullet's solid gold.
00:38:56 - Yeah, they shot him full of gold, Mr. Sorrow.
00:38:59 - I don't like these kind of games you're playing.
00:39:01 - It's no game.
00:39:02 Gold is a sure way to kill a man.
00:39:08 - It's a game, all right.
00:39:11 And I'd say a very expensive one for a gunman.
00:39:15 - $30 a shot.
00:39:17 - Sure, it was an investment.
00:39:19 - You're gonna give me that $500, aren't you, mister?
00:39:22 - Since when did he get so generous?
00:39:26 You're gonna pay $500?
00:39:28 - It's not for me, Mr. Sorrow, but for the public good.
00:39:31 - Justice is worth paying any price for.
00:39:33 - I wouldn't count a lot on seeing that money,
00:39:36 stranger, if I were you.
00:39:37 - It's only gold, isn't it?
00:39:40 All right, stranger, here's your $500.
00:39:42 If that's what you came in here to collect.
00:39:48 - Well, right now what I need's a bed.
00:39:50 - Pay me tomorrow.
00:39:52 There's no hurry.
00:39:54 - You got a room for me, boy?
00:40:06 - Yes, sir, right away.
00:40:08 (footsteps tapping)
00:40:11 - Listen to me, Templer, nobody in this place
00:40:22 gives anything away for nothing, you can be sure of that.
00:40:25 You were in a little bit too much of a hurry
00:40:27 to hang those guys, and a young stranger helped you out.
00:40:31 Now this one's dead and no one can talk.
00:40:33 - Those outlaws were much too dangerous.
00:40:35 No point in waiting to be killed.
00:40:37 - I don't care about them gringos, only what they had.
00:40:41 A load of gold, that's what I'm talking about
00:40:44 and what I want, saddlebags full of gold,
00:40:47 not those gold bullets either.
00:40:49 Go get it and bring it to me.
00:40:51 - I don't know what they've been telling you,
00:40:56 but if there was any, someone has escaped with it.
00:40:59 - I'll keep my cowboys wide awake
00:41:02 and sister, you go and get the rest of the men.
00:41:04 - Cowboys wide awake, and since this is my own land,
00:41:06 nobody goes through it without my hearing about it.
00:41:09 - Alderman here's a witness, aren't you?
00:41:12 - It's not me that's the witness,
00:41:14 but the Lord in heaven who showed us the way.
00:41:16 (laughing)
00:41:17 - We'll find it, wherever it is, don't you worry about that.
00:41:20 Come on, boys, let's go.
00:41:22 Ha!
00:41:25 Ha!
00:41:27 (water dripping)
00:41:30 (dramatic music)
00:41:38 (water dripping)
00:41:41 (dramatic music)
00:41:51 (water dripping)
00:41:54 (dramatic music)
00:41:57 (dramatic music)
00:42:20 (water dripping)
00:42:23 (dramatic music)
00:42:26 (water dripping)
00:42:34 (dramatic music)
00:42:47 (dramatic music)
00:42:50 - Look, here he is, just like I said.
00:42:53 He signed his name with a cross.
00:42:55 Bill, I don't understand why you didn't give him the money.
00:42:59 - He didn't want it, just wanted to sleep here.
00:43:01 - Listen.
00:43:03 Not sleeping very good.
00:43:13 Well, he's not gonna get the chance to sleep late.
00:43:15 - Tomorrow he can take his dollars and get out.
00:43:18 - I knew it.
00:43:19 I suppose you're gonna give all the money we saved to him.
00:43:22 How about all those things we planned together?
00:43:24 - Don't you worry yourself about that.
00:43:26 - You mean you'll marry me?
00:43:28 I don't like being just your woman.
00:43:30 - Sure, Flory, I'll marry you.
00:43:32 (dramatic music)
00:43:36 (dramatic music)
00:43:39 - You mean it, Bill, don't you?
00:43:50 - Sure, you know I do.
00:43:52 As soon as we can.
00:43:54 Listen, that man stopped walking.
00:43:58 (Bill grunting)
00:44:05 - To be fair, I would have at least twice your cut.
00:44:08 - You must be crazy, Templer.
00:44:09 - Well, I was the one who found it.
00:44:11 - Uh-huh, how would you have hidden it if I hadn't helped you?
00:44:14 - I could have gotten someone else to do that.
00:44:16 - Is that so?
00:44:17 And who's lent you money all these years
00:44:18 that you never paid back?
00:44:20 - Listen, Alderman, I made investments
00:44:22 that could be useful to the whole community.
00:44:24 It's your money, but what did you do with it?
00:44:27 I spent it improving this town, making it prosper.
00:44:30 I paid you my interest and plenty of that.
00:44:33 No man can say I was anything but honest.
00:44:36 I've defended the morals of the folk here always.
00:44:39 I've never been afraid to teach the way of justice
00:44:42 in the fear of God.
00:44:44 I taught half of them to pray.
00:44:46 Now we must divide this gold, split it equally.
00:44:51 Or do you want to cause trouble
00:44:52 that will attract the attention of sorrow?
00:44:55 - Is that your kind of justice?
00:44:57 - That's just what I expected, you swindler.
00:45:00 - You can't fool me, you lowdown chiseler.
00:45:03 - Keep your voice down, Templer.
00:45:06 - It's not enough.
00:45:08 It's all you'll get.
00:45:09 This gold is going to be divided equally.
00:45:12 - We'll see about that.
00:45:14 - Are you threatening me?
00:45:15 - You're not going nowhere with that.
00:45:17 - I'm taking my share.
00:45:18 - We've decided what that is.
00:45:20 - Ah, that's what it is.
00:45:22 - Stay where you are.
00:45:25 - Get out of my way.
00:45:26 - It's mine.
00:45:28 - I warned you to leave it where it is.
00:45:30 - You can't stop me taking my share.
00:45:32 - Nothing, that's your share.
00:45:33 - My share is half.
00:45:35 Half, do you hear?
00:45:38 - Hmm?
00:45:39 (door creaks)
00:45:41 (suspenseful music)
00:45:44 (gun clicks)
00:46:03 (suspenseful music)
00:46:06 (gun clicks)
00:46:08 (gun clicks)
00:46:10 (gun clicks)
00:46:12 (gun clicks)
00:46:14 (gun clicks)
00:46:16 (gun clicks)
00:46:18 (gun clicks)
00:46:20 (gun clicks)
00:46:22 (gun clicks)
00:46:24 (gun clicks)
00:46:26 (gun clicks)
00:46:28 (suspenseful music)
00:46:31 - Hmm.
00:46:35 (suspenseful music)
00:46:38 (grunts)
00:46:40 (suspenseful music)
00:46:43 (thudding)
00:46:46 (suspenseful music)
00:46:49 (thudding)
00:46:54 (suspenseful music)
00:46:57 (thudding)
00:46:59 (suspenseful music)
00:47:02 (grunts)
00:47:04 (thudding)
00:47:07 - Hmm, hmm, hmm.
00:47:08 Who's there?
00:47:09 - Mind if I talk to you, sir?
00:47:13 - What do you want?
00:47:15 - I, I want to ask you a favor.
00:47:18 - You woke me up.
00:47:24 Is it very late?
00:47:26 - Yeah, it is, sir.
00:47:28 - Well, what do you want?
00:47:33 Come on, speak up.
00:47:35 - I wanted to ask you to take me with you, sir.
00:47:38 - With me?
00:47:40 Where to?
00:47:43 - Doesn't matter where.
00:47:45 - That reminds me, I've got to go somewhere too.
00:47:51 - You're a brave man, brave as anyone here.
00:48:01 Take me with you, sir.
00:48:03 - Being brave's not important.
00:48:05 - What makes you want to get out of here?
00:48:10 - It's awful being in this wicked town.
00:48:12 I won't spend another night here.
00:48:14 There must be someplace better in this world.
00:48:17 - I've seen better places, boy.
00:48:19 - Then it's all right?
00:48:20 You'll take me with you?
00:48:22 - I'm not leaving.
00:48:24 I'm staying right here.
00:48:25 You better make other plans.
00:48:27 - I'm sorry.
00:48:29 - What's your name, boy?
00:48:31 - Evan!
00:48:32 Evan!
00:48:34 Evan!
00:48:36 Evan!
00:48:42 Evan!
00:48:56 Evan!
00:48:57 Evan!
00:48:58 Evan!
00:48:59 - What's going on?
00:49:02 - Just look what Evan did to my beautiful clothes!
00:49:04 Your son just ruined all the beautiful things you got me in Denver!
00:49:07 Your son, he's a monster!
00:49:09 He'll end up hanging from a tree like those dead bandits out in front!
00:49:12 - Calm down.
00:49:13 I'll buy her lots of new clothes.
00:49:14 - No, even if you did, you know the same thing would happen.
00:49:17 - I wish you wouldn't blame Evan.
00:49:18 You know it isn't his fault.
00:49:20 - It's not his fault!
00:49:21 He hates me and I can't make you see it!
00:49:23 - Calm yourself.
00:49:24 I'll punish him for it.
00:49:25 Evan!
00:49:26 Evan!
00:49:27 Come here!
00:49:30 Come here!
00:49:54 Help me cut him down.
00:49:56 - We'll help you do your duty.
00:50:01 The spirits of these outlaws have to go free.
00:50:05 - They have waited all through the night.
00:50:09 The desert cools after sundown.
00:50:12 The nights are cold.
00:50:14 (dramatic music)
00:50:18 (dramatic music)
00:50:21 (dramatic music)
00:50:24 (dramatic music)
00:50:27 (suspenseful music)
00:50:30 (suspenseful music)
00:50:33 (suspenseful music)
00:50:36 (suspenseful music)
00:50:39 (suspenseful music)
00:50:42 (suspenseful music)
00:50:45 (suspenseful music)
00:50:48 (suspenseful music)
00:51:16 - How will you tell us?
00:51:18 - Tell you what?
00:51:20 - How is death?
00:51:22 We heard that there are a great many wild beasts to hunt.
00:51:26 - They tell us the pastures are full of buffalo
00:51:28 and the land is green and fertile.
00:51:31 - Hey you, who told you to cut those men down?
00:51:34 - Did you hear that?
00:51:36 We want those outlaw killers to hang there
00:51:41 as a reminder to strangers
00:51:43 not to try and disobey our orders.
00:51:46 You'll be warned by that.
00:51:49 - Did you hear that?
00:51:51 Better be careful and nothing will happen to you.
00:51:54 - Take his advice, stranger.
00:51:57 - Here's your $500, take it.
00:52:02 Now get out of town.
00:52:05 We don't like folks we don't know here.
00:52:07 Make things easy, stranger.
00:52:10 Go while the going's good.
00:52:12 (suspenseful music)
00:52:15 - Um, you see, we got problems, my friend.
00:52:29 Even up in heaven.
00:52:31 - So you are in need of a horse.
00:52:34 (suspenseful music)
00:52:40 (horses galloping)
00:52:43 - We've got the black one.
00:52:56 - No, no, no, the brown one.
00:52:59 (laughing)
00:53:06 (suspenseful music)
00:53:09 - Go when you can.
00:53:15 (laughing)
00:53:18 (suspenseful music)
00:53:21 (men shouting)
00:53:24 (suspenseful music)
00:53:27 (men shouting)
00:53:42 - No, no, let me go, please.
00:53:49 (men shouting)
00:53:52 No.
00:53:53 (men shouting)
00:53:56 (men shouting)
00:53:59 (men shouting)
00:54:02 (men shouting)
00:54:04 You're hurting me.
00:54:06 (men shouting)
00:54:08 (men shouting)
00:54:11 - Hey, you, stranger.
00:54:15 Come over here.
00:54:17 (suspenseful music)
00:54:20 You know, it's dangerous to stick your nose
00:54:21 in other people's business around here.
00:54:23 - But it looked like fun.
00:54:26 So I thought I'd join in.
00:54:28 - Fun's exactly what they were having.
00:54:30 They were just inviting him to a party.
00:54:32 He's guest of honor.
00:54:34 - He doesn't look anxious to go to your party.
00:54:40 (laughing)
00:54:42 - That's the reason we asked him to come to it.
00:54:44 Why don't you come too?
00:54:45 I admire you for your gun play.
00:54:47 Though it's a pity you waste all that gold
00:54:49 every time you shoot somebody.
00:54:50 (laughing)
00:54:52 - It's only on special occasions they use 'em.
00:54:54 - How about listen to a proposition I'll make you?
00:54:57 On my ranch, there's room for a man like you.
00:55:00 Do you wanna work for me?
00:55:02 - Maybe I do.
00:55:03 Depends what you want done.
00:55:06 - Tie him up tight.
00:55:09 There ain't no need to be afraid of hurting him, Max.
00:55:12 Pedro.
00:55:14 - Yeah, boss?
00:55:15 - Take one of my fastest horses.
00:55:17 Pay a visit to his father.
00:55:19 Tell that idiot we want all the gold they found
00:55:21 on those outlaws that they hanged.
00:55:23 I am bargaining for the life of his son.
00:55:26 And you can tell him, Pedro, I want it all soon.
00:55:30 I am anxious to make this deal.
00:55:32 - Sure thing, boss, right away.
00:55:34 - Boys, there'll be gold for all of us.
00:55:36 (cheering)
00:55:38 (laughing)
00:55:42 - What do you think, my friend?
00:55:44 I am a great believer in the affections of a father.
00:55:47 But while we're all waiting,
00:55:49 it'll be amusing to entertain our handsome young guest.
00:55:52 Juanito!
00:55:54 Johnny, we are waiting to begin the party!
00:55:58 - Yes, senor.
00:55:59 Bring your two beers, senor.
00:56:01 (chattering)
00:56:03 - Put it over here.
00:56:05 (chattering)
00:56:08 (chattering)
00:56:10 - Why not sit down?
00:56:13 Go on, sit there.
00:56:15 Make yourself at home next to me, won't you?
00:56:17 You see what a good time my boys have here?
00:56:21 Why don't you join them in their entertainment?
00:56:24 (chattering)
00:56:26 Come on, drink up, eat up.
00:56:36 Come on, drink up, eat something.
00:56:37 And before you know it, you'll feel you're one of us.
00:56:39 The pleasure of food and drink satisfy men's baser senses
00:56:42 and open the way to more refined sensation,
00:56:44 like crime, for instance.
00:56:46 - That doesn't seem right to me.
00:56:49 You're holding that kid here as a hostage?
00:56:52 - I never suspected you were a moralist.
00:56:56 You must have broken the law sometime.
00:56:59 You handle a gun too good, stranger.
00:57:02 (chattering)
00:57:06 - I had good reason to practice.
00:57:08 - It's most unlikely you got that kind of practice
00:57:11 being an honest, law-abiding man.
00:57:14 You'll have fun being a member of my gang.
00:57:17 It should be quite obvious.
00:57:19 Mira, amigo.
00:57:21 My muchachos are hardworking, yet look what I give them.
00:57:26 The best of everything, amigo.
00:57:28 You can see for yourself.
00:57:30 I taught them well to enjoy good things.
00:57:33 (laughing)
00:57:34 (upbeat music)
00:57:37 (chattering)
00:57:40 (upbeat music)
00:58:08 - If I have to pay the ransom for my son's life,
00:58:10 I think you should pay it too.
00:58:11 - What have I got to do with it?
00:58:13 He's your son.
00:58:14 You'll pay with your share of the gold.
00:58:17 - We're partners and it's sharing the same secret.
00:58:19 - You pay the ransom, not me.
00:58:21 - My share's not enough, they'll kill him.
00:58:23 - Don't you see?
00:58:24 They're determined to get all of it.
00:58:26 - Not my share of the gold.
00:58:28 That stays here.
00:58:29 The kid's not my responsibility.
00:58:32 - I thought you were my partner.
00:58:34 - I am your partner, Templer, but the boy is yours.
00:58:37 - My God, you're a rat.
00:58:38 You leave me be or I'll shoot you.
00:58:41 - I'll make you pay.
00:58:45 - Where are you?
00:58:51 Can't you make your minds up quick about the gold?
00:58:55 - Take it easy there, what's your big hurry?
00:58:59 Help yourself to as much as you want.
00:59:06 - You can tell them they got five minutes
00:59:09 to make their lousy minds up.
00:59:12 - Did he agree?
00:59:16 - No.
00:59:17 - Wouldn't he give it to you?
00:59:18 - I couldn't make him see reason.
00:59:19 - It was our chance to get our hands on all of it, Bill.
00:59:22 - You mean you'd let them kill the kid?
00:59:24 - Bill, can't you see it's only a trick, that's all?
00:59:26 They're just trying to scare you into giving in to them.
00:59:28 - I'm not going to risk that.
00:59:30 - The trouble with you is you're weak as water.
00:59:32 You're being fooled into telling them
00:59:33 you managed to find the gold.
00:59:35 Deny it, deny it.
00:59:36 Make them think you don't have it, Bill.
00:59:39 - Here's Pedro.
00:59:48 - It's no good, he says he doesn't have the gold.
00:59:57 He asked you to let the boy go.
01:00:00 - I have a job for you, stranger.
01:00:05 You can carry this kid's corpse back to his father.
01:00:08 Lex, you know what to do.
01:00:11 - Wait a minute.
01:00:15 I have an idea how he can be useful to us.
01:00:20 I'll get your gold.
01:00:23 - You want to save the boy, don't you?
01:00:26 - For the gold.
01:00:28 - All right.
01:00:32 But you gotta win it.
01:00:33 You must first shoot that rope there.
01:00:38 The one that ties him to the wall.
01:00:40 I know you are an excellent shot,
01:00:45 so it should be easy for you.
01:00:47 But not so easy after you have drunk
01:00:50 what's left of this whiskey, hmm?
01:00:52 What about it?
01:00:54 (light music)
01:00:56 (light music)
01:00:58 (laughing)
01:01:16 (laughing)
01:01:25 (light music)
01:01:27 (laughing)
01:01:32 (laughing)
01:01:44 (light music)
01:01:48 (light music)
01:01:50 - Now let's see, shall we?
01:01:58 Just what kind of man you are.
01:02:01 (laughing)
01:02:05 (light music)
01:02:08 (light music)
01:02:10 (dramatic music)
01:02:28 (dramatic music)
01:02:30 (gunshot)
01:02:47 - What did you do?
01:02:48 - I'll handle this.
01:02:50 Very smart.
01:02:55 You surprised me, amigo.
01:02:57 Very smart indeed.
01:02:58 But you certainly should know better.
01:03:01 The boy's still tied.
01:03:03 I'll give him to you anyway.
01:03:04 Cut that cord.
01:03:07 Cheer up, boy.
01:03:13 If you wanna please your father,
01:03:17 you should start playing at being dead.
01:03:19 Now your life is worth less
01:03:21 than the golden sand of the desert.
01:03:25 (laughing)
01:03:26 - Well, what is this?
01:03:27 A funeral?
01:03:28 Get out with the party.
01:03:29 (light music)
01:03:33 (dramatic music)
01:03:42 (light music)
01:03:44 (laughing)
01:03:59 (light music)
01:04:03 (laughing)
01:04:05 (light music)
01:04:08 (laughing)
01:04:20 (light music)
01:04:24 (laughing)
01:04:26 (light music)
01:04:29 (laughing)
01:04:38 (light music)
01:04:41 (laughing)
01:04:51 (light music)
01:04:53 (snoring)
01:05:10 (snoring)
01:05:39 (gun firing)
01:05:41 Evan.
01:06:06 Evan.
01:06:08 (light music)
01:06:10 Evan.
01:06:13 Who fired a gun?
01:06:15 On your feet.
01:06:18 He committed suicide.
01:06:25 'Cause there's no one standing guard.
01:06:27 They must have taken my gun.
01:06:28 Damn fool to do a thing like that.
01:06:32 I know how you must feel, stranger.
01:06:34 After you did your best to save his life.
01:06:36 He didn't wanna be a man.
01:06:37 What do you mean?
01:06:38 A man who can take on responsibilities.
01:06:41 A man who does what he must and accepts it.
01:06:43 I'd say he died a lot like a man.
01:06:47 My offer is still open to you if he'll accept it.
01:06:50 Take him into town and get that father of his
01:06:53 to give me all the gold he's got hidden.
01:06:55 If he won't, he'll have visitors.
01:06:57 I'll go, but I don't think it'll do any good anyway.
01:07:00 I think it will, it depends on you.
01:07:02 Pablo, saddle up a horse.
01:07:05 You see anyone?
01:07:07 Not yet.
01:07:08 Why don't they come?
01:07:11 (horse hooves clopping)
01:07:14 (horse hooves clopping)
01:07:25 (horse hooves clopping)
01:07:28 (horse hooves clopping)
01:07:31 (horse hooves clopping)
01:07:34 (horse hooves clopping)
01:07:37 - Well, what is it?
01:07:38 - Templer!
01:07:40 - Well, what is it?
01:07:41 - The stranger's bringing him in now.
01:07:44 - What happened, how is he?
01:07:46 - You better prepare yourself, Templer.
01:07:48 It doesn't look good.
01:07:49 - Flory.
01:07:50 - Here they are.
01:07:52 - My God.
01:07:59 (horses hooves clopping)
01:08:02 (sighing)
01:08:06 (horses hooves clopping)
01:08:09 - Here, come here.
01:08:25 (horses hooves clopping)
01:08:28 - Evan.
01:08:39 Take him.
01:08:44 Help me with him.
01:08:46 (horses hooves clopping)
01:08:50 (horses hooves clopping)
01:08:53 - Come on, move away from that table.
01:08:59 Evan, Evan.
01:09:04 (horses hooves clopping)
01:09:10 (horses hooves clopping)
01:09:13 - Oh, God.
01:09:22 My poor boy, what did they do to you?
01:09:25 (horses hooves clopping)
01:09:27 - What do you want?
01:09:28 - You mad?
01:09:29 - Get your hands off of me!
01:09:34 (horses hooves clopping)
01:09:38 (grunting)
01:09:40 - What's up with him?
01:09:50 - He must have gone out of his head
01:09:52 not to respect the feelings of a father for his son.
01:09:55 - We gotta kick him out of here once and for all.
01:09:57 (grunting)
01:10:06 (grunting)
01:10:08 - You've gotta get out that gold, Templer.
01:10:17 Or they'll come and get it.
01:10:34 - You're letting him just walk out of here?
01:10:36 - No, not now.
01:10:40 There are too many witnesses.
01:11:01 - They do not know that you still have many golden bullets
01:11:04 to shoot from your gun.
01:11:05 - Son, you must have much hate.
01:11:07 - When you have finished all your bullets,
01:11:09 you will leave here.
01:11:10 (dramatic music)
01:11:13 (dramatic music)
01:11:16 (dramatic music)
01:11:44 - We have an enemy in common, you and I.
01:11:46 You know who I mean.
01:11:49 Templer's a man to beware of.
01:11:56 Be careful.
01:11:57 He's already threatened me with violence.
01:12:00 Say, come into my house.
01:12:04 This is where I live.
01:12:06 - I didn't know there was a house in this town
01:12:10 where they welcomed guests.
01:12:12 - My house is different.
01:12:13 If a stranger comes by tired and hungry,
01:12:15 he's always welcome here.
01:12:17 Come on in, stranger.
01:12:20 - How come you're so generous?
01:12:25 - Because I'm scared.
01:12:29 I've been threatened.
01:12:31 You can protect us.
01:12:33 I must have protection.
01:12:35 I'll pay you.
01:12:37 (dramatic music)
01:12:40 (dramatic music)
01:12:43 (dramatic music)
01:12:46 (dramatic music)
01:12:49 (dramatic music)
01:12:52 (dramatic music)
01:12:55 (dramatic music)
01:12:58 (dramatic music)
01:13:01 (crying)
01:13:03 (crying)
01:13:05 (crying)
01:13:07 (crying)
01:13:09 (crying)
01:13:11 (dramatic music)
01:13:14 (dramatic music)
01:13:17 (dramatic music)
01:13:20 (dramatic music)
01:13:23 (dramatic music)
01:13:26 - I do everything myself.
01:13:27 I have no servants.
01:13:28 I don't trust them.
01:13:31 They steal things.
01:13:34 There's too many good things here.
01:13:35 Eat up.
01:13:38 I'm sure you're hungry.
01:13:39 I'll treat you special if you stay here.
01:13:44 You won't believe this,
01:13:46 but I treat everybody special.
01:13:48 - You appear to live alone.
01:13:54 - I feel like I do.
01:13:56 I've been unfortunate.
01:13:59 I almost wish I did.
01:14:01 - I've seen a woman at the upstairs window.
01:14:03 - You've seen her already?
01:14:04 She's my wife,
01:14:06 but she might as well not exist.
01:14:08 She's unbalanced.
01:14:11 You understand the girl is insane.
01:14:13 I've had to lock her in her room.
01:14:15 Poor creature.
01:14:17 She wouldn't harm anyone.
01:14:19 She has the mind of a child.
01:14:20 If anything should happen to me,
01:14:22 sorrows men might come around,
01:14:24 and they're dangerous.
01:14:26 And imagine if Templer were to come here.
01:14:29 He's a man with no religious principles.
01:14:32 A man without scruples or morals.
01:14:33 That's why the Lord struck down his son.
01:14:35 He lives with that woman openly,
01:14:37 and they're not married.
01:14:39 It's a scandal everyone talks about.
01:14:41 Please say you'll protect us.
01:14:48 Please say you'll protect us.
01:14:49 She's always like this.
01:15:12 There's nothing I can do.
01:15:16 There's nothing I can do.
01:15:17 We'd better find that stranger and have him killed,
01:15:33 and find him before dawn.
01:15:35 And see about those two Indian men.
01:15:37 We'll have to find a reason to beat them up.
01:15:39 Do whatever you want,
01:15:41 but I must be sure he's dead as a doornail by tomorrow.
01:15:44 All right, boss, leave it to me.
01:15:45 I'll do it.
01:15:47 It's a good bed, this.
01:15:49 But you're not to fall asleep.
01:15:55 What's that?
01:15:59 Light this.
01:16:06 Don't turn it out.
01:16:08 I want you to rest, but stay awake.
01:16:10 I'm exhausted.
01:16:13 You can't stop me from going to sleep.
01:16:14 I'm getting up early tomorrow morning and hitting the road.
01:16:22 Good night.
01:16:24 I said good night.
01:16:28 Good night.
01:16:30 (snoring)
01:16:32 (light music)
01:16:34 (light music)
01:16:35 (light music)
01:16:37 (light music)
01:16:38 (light music)
01:16:40 (light music)
01:16:42 (light music)
01:16:44 (light music)
01:16:46 (light music)
01:16:48 (light music)
01:16:50 (light music)
01:16:52 (light music)
01:16:54 (light music)
01:16:56 (light music)
01:16:58 (light music)
01:17:00 (light music)
01:17:02 (light music)
01:17:05 (dramatic music)
01:17:08 (dramatic music)
01:17:11 (dramatic music)
01:17:14 (dramatic music)
01:17:16 (dramatic music)
01:17:19 (dramatic music)
01:17:22 (dramatic music)
01:17:25 (dramatic music)
01:17:54 - I knew I'd find you in here.
01:17:57 I heard voices and someone moving about.
01:17:59 Don't you recognize me?
01:18:01 - Sure, I saw you at the window.
01:18:04 - You didn't understand the signs I made to you.
01:18:09 - What were you trying to tell me?
01:18:12 - To get out, you're in danger.
01:18:14 You don't know what the people are like here.
01:18:16 You're different from the others.
01:18:18 You mustn't stay here in this place.
01:18:20 I must try to save you.
01:18:23 - What makes you think I'm in danger?
01:18:25 - They'll try to murder you, I'm sure.
01:18:27 Life in this place is worth nothing.
01:18:30 Look at me.
01:18:31 - What's your name?
01:18:41 - Elizabeth.
01:18:43 - He says you're crazy.
01:18:51 - He's evil.
01:18:53 He wants me to think I'm mad.
01:18:56 And he's nearly succeeded.
01:18:57 - Why does he want to do that?
01:19:00 - Because I fell in love with someone fine.
01:19:08 And I've been locked away here ever since.
01:19:11 - Then you're not really mad.
01:19:14 - I don't know.
01:19:16 - What's the matter?
01:19:21 - It's just that I must have someone to love me.
01:19:24 - He left your door unlocked.
01:19:34 Why did he do that?
01:19:41 Seems odd.
01:19:44 - Because he wants me to make sure
01:19:46 you stay awake to defend his house.
01:19:48 - Where's he gone?
01:19:52 - He's gone to the hospital.
01:19:53 - Where?
01:19:54 - To the hospital.
01:19:55 - Where?
01:19:55 - To the hospital.
01:19:56 - Where?
01:19:57 - To the hospital.
01:19:58 - Where?
01:19:59 - To the hospital.
01:20:00 - Where?
01:20:00 - To the hospital.
01:20:01 - Where?
01:20:02 - To the hospital.
01:20:03 - Where?
01:20:04 - To the hospital.
01:20:05 - Where?
01:20:06 - To the hospital.
01:20:06 - Where?
01:20:07 - To the hospital.
01:20:08 - Where?
01:20:09 - To the hospital.
01:20:10 - Where?
01:20:11 - To the hospital.
01:20:11 - Where?
01:20:12 - To the hospital.
01:20:13 - Where?
01:20:14 - To the hospital.
01:20:15 - Where?
01:20:16 - To the hospital.
01:20:16 - Where?
01:20:17 - To the hospital.
01:20:18 - Where?
01:20:19 - To the hospital.
01:20:20 - To the hospital.
01:20:21 - Where?
01:20:21 - To the hospital.
01:20:22 - Where?
01:20:23 - To the hospital.
01:20:24 - Where?
01:20:25 - To the hospital.
01:20:26 - Where?
01:20:27 - To the hospital.
01:20:27 - Where?
01:20:28 - To the hospital.
01:20:29 - Where?
01:20:30 - To the hospital.
01:20:31 - Where?
01:20:32 - To the hospital.
01:20:32 - Where?
01:20:33 - To the hospital.
01:20:34 - Where?
01:20:35 - To the hospital.
01:20:36 - Where?
01:20:37 - To the hospital.
01:20:37 - Where?
01:20:38 - To the hospital.
01:20:39 - Where?
01:20:40 - To the hospital.
01:20:41 - Where?
01:20:42 - To the hospital.
01:20:42 - Where?
01:20:43 - To the hospital.
01:20:44 - Where?
01:20:45 - To the hospital.
01:20:46 - Where?
01:20:47 - To the hospital.
01:20:48 - Where?
01:20:48 - To the hospital.
01:20:49 - Where?
01:20:50 - To the hospital.
01:20:51 - Where?
01:20:52 - To the hospital.
01:20:53 - Where?
01:20:53 - To the hospital.
01:20:54 - Where?
01:20:55 - To the hospital.
01:20:56 - Where?
01:20:57 - To the hospital.
01:20:58 - Where?
01:20:58 - To the hospital.
01:20:59 - Where?
01:21:00 - To the hospital.
01:21:01 - Where?
01:21:02 - To the hospital.
01:21:03 - Where?
01:21:03 - To the hospital.
01:21:04 - Where?
01:21:05 - To the hospital.
01:21:06 - Where?
01:21:07 - To the hospital.
01:21:08 - Where?
01:21:09 - To the hospital.
01:21:09 - Where?
01:21:10 - To the hospital.
01:21:11 - Where?
01:21:12 - To the hospital.
01:21:13 - Where?
01:21:14 - To the hospital.
01:21:14 - Where?
01:21:15 - To the hospital.
01:21:16 - Where?
01:21:17 - To the hospital.
01:21:18 - Where?
01:21:19 - To the hospital.
01:21:19 - Where?
01:21:20 - To the hospital.
01:21:21 - Where?
01:21:22 - To the hospital.
01:21:23 - Where?
01:21:24 - To the hospital.
01:21:24 - Where?
01:21:25 - To the hospital.
01:21:26 - Where?
01:21:27 - To the hospital.
01:21:28 - Where?
01:21:29 - To the hospital.
01:21:29 - Where?
01:21:30 - To the hospital.
01:21:31 - Where?
01:21:32 - To the hospital.
01:21:33 - Where?
01:21:34 - To the hospital.
01:21:35 - Where?
01:21:35 - To the hospital.
01:21:36 - Where?
01:21:37 - To the hospital.
01:21:38 - Where?
01:21:39 - To the hospital.
01:21:40 - Where?
01:21:40 - To the hospital.
01:21:41 - Where?
01:21:42 - To the hospital.
01:21:43 - Where?
01:21:44 - To the hospital.
01:21:45 - Where?
01:21:45 - To the hospital.
01:21:46 - Where?
01:21:47 - To the hospital.
01:21:48 - Where?
01:21:49 - To the hospital.
01:21:50 - Where?
01:21:50 - To the hospital.
01:21:51 - Where?
01:21:52 - To the hospital.
01:21:53 - Where?
01:21:54 - To the hospital.
01:21:55 - Where?
01:21:56 - To the hospital.
01:21:56 - Where?
01:21:57 - To the hospital.
01:21:58 - Where?
01:21:59 - To the hospital.
01:22:00 - Where?
01:22:01 - To the hospital.
01:22:01 - Where?
01:22:02 - To the hospital.
01:22:03 - Where?
01:22:04 - To the hospital.
01:22:05 - Where?
01:22:06 - To the hospital.
01:22:06 - Where?
01:22:07 - To the hospital.
01:22:08 - Where?
01:22:09 - To the hospital.
01:22:10 - Where?
01:22:11 - To the hospital.
01:22:11 - Where?
01:22:12 - To the hospital.
01:22:13 - Where?
01:22:14 - To the hospital.
01:22:15 - Where?
01:22:16 - To the hospital.
01:22:17 - Where?
01:22:17 - To the hospital.
01:22:18 - We're coming in.
01:22:20 (grunting)
01:22:22 (dramatic music)
01:22:35 (dramatic music)
01:22:38 - Have you no respect for the dead?
01:22:58 The saloon is closed.
01:23:00 We're in mourning here.
01:23:04 (laughing)
01:23:06 - Listen to that.
01:23:07 Anybody'd think it was true.
01:23:09 You know what to do.
01:23:10 Search every corner of the house.
01:23:12 (dramatic music)
01:23:24 (dramatic music)
01:23:28 - All right, get over here.
01:23:30 - I heard you, but I didn't know it.
01:23:33 (dramatic music)
01:23:36 (dramatic music)
01:23:38 (dramatic music)
01:23:41 (dramatic music)
01:24:10 - Well, Templer, are you gonna tell us
01:24:13 where you've hidden it?
01:24:15 Or do we kid you?
01:24:16 - You're searching this place from top to bottom,
01:24:18 and you can see the gold just ain't here.
01:24:20 It's been taken away.
01:24:22 It's been taken away by that dirty rat Alderman.
01:24:25 You'll find it in his house.
01:24:27 - If you're lying, Templer, watch out.
01:24:29 - Quick, they're here.
01:24:32 Save me.
01:24:33 Look, there they are.
01:24:35 - Get away from the window.
01:24:36 - Do something.
01:24:39 That's why you're here.
01:24:40 To protect me.
01:24:41 - What am I supposed to protect?
01:24:47 Your house, your reputation, your poor wife.
01:24:51 Isn't there anything of greater value?
01:24:53 - That's the house, all right.
01:25:04 Alderman, we're coming for the gold.
01:25:06 Your friend Templer gave you away.
01:25:07 We know you've got it, so let's have it
01:25:09 before we burn your house down.
01:25:10 - Here it is, take it.
01:25:19 Give it to them, my love, before they harm you.
01:25:20 - You, get back here.
01:25:22 You're mad.
01:25:24 You're mad.
01:25:25 - Leave her alone.
01:25:27 Come on, Alderman.
01:25:32 We know you've got it in there.
01:25:34 Open up.
01:25:36 (dramatic music)
01:25:39 (laughing)
01:25:42 (glass shattering)
01:25:47 - We don't like waiting, Alderman.
01:25:50 Give us the gold.
01:25:52 It's the stranger.
01:25:55 Shoot him, go on, fire.
01:25:56 (guns firing)
01:25:59 Fire, fast, man, shoot him.
01:26:05 (guns firing)
01:26:07 Get to the horse, quick.
01:26:11 (guns firing)
01:26:14 Get on your horse.
01:26:15 (guns firing)
01:26:18 Get on the horse.
01:26:20 (guns firing)
01:26:23 (guns firing)
01:26:26 - Don't be afraid.
01:26:52 It's all over.
01:26:53 It's all right.
01:27:10 - She's betrayed me, a serpent in my house.
01:27:18 No better than that damned half-breed.
01:27:20 I'll throw them both out together.
01:27:24 Then they'll find out who I am.
01:27:26 (dramatic music)
01:27:29 (dramatic music)
01:27:32 (dramatic music)
01:27:34 (dramatic music)
01:27:37 (dramatic music)
01:27:40 (dramatic music)
01:27:43 (dramatic music)
01:27:46 (dramatic music)
01:27:48 (dramatic music)
01:28:15 (dramatic music)
01:28:18 (dramatic music)
01:28:20 (dramatic music)
01:28:23 (dramatic music)
01:28:26 (dramatic music)
01:28:29 (dramatic music)
01:28:31 - Can't I help you?
01:28:58 - You should try to forget it.
01:29:02 Don't be so sad.
01:29:03 You know I love you.
01:29:05 I'm sure I can help.
01:29:06 - Nobody can help me.
01:29:13 I've got to finish what I started.
01:29:19 - I know.
01:29:20 I've always known that it'd be your answer.
01:29:24 You leave me.
01:29:26 (dramatic music)
01:29:29 - Where's my gun?
01:29:30 (dramatic music)
01:29:33 - I have given you the power to walk upon serpents
01:29:47 and scorpions and to withstand the might
01:29:50 of your adversaries, whoever they may be.
01:29:52 Whosoever among you shall say I am great,
01:29:55 he shall be small.
01:29:57 And whosoever among you shall say I am the first,
01:30:00 he shall be the last.
01:30:02 For the son of God came among you not to be served,
01:30:05 but to serve you.
01:30:07 And he gave his life that you may live.
01:30:10 All right, lower the coffin.
01:30:13 (dramatic music)
01:30:15 (dramatic music)
01:30:18 (dramatic music)
01:30:21 (dramatic music)
01:30:24 (dramatic music)
01:30:26 (dramatic music)
01:30:39 (dramatic music)
01:30:42 (dramatic music)
01:30:57 (dramatic music)
01:31:00 (dramatic music)
01:31:08 (dramatic music)
01:31:19 (dramatic music)
01:31:22 (dramatic music)
01:31:25 (dramatic music)
01:31:36 (door clattering)
01:31:50 (dramatic music)
01:31:53 - What a day.
01:32:03 Give me a drink, huh?
01:32:09 It's so hot.
01:32:20 (guns firing)
01:32:22 Rotten thief.
01:32:49 Now you know what it costs to double cross me.
01:32:52 That'll fix you and him at the same time.
01:32:55 - He must have taken it while we were sleeping.
01:33:02 I wanna know why.
01:33:03 I've gotta go find him.
01:33:07 - What are you gonna do
01:33:07 if the others come back to get the gold?
01:33:10 - If you like, I'll stay.
01:33:15 - No, they'll kill you.
01:33:16 (dramatic music)
01:33:19 - Don't worry.
01:33:40 - Go, and one day come back for me.
01:33:46 If you don't, I shall die.
01:33:48 - Sure filled him full of holes.
01:33:54 - Did a good job.
01:33:55 - Strange he left his gun behind.
01:33:57 The chamber's empty.
01:34:01 - I know this gun, I'm sure I do.
01:34:02 Hey, wait a minute.
01:34:05 This bullet's solid gold.
01:34:08 - It's the stranger's.
01:34:14 He murdered Templer.
01:34:15 Go get him.
01:34:17 - Well, what are you waiting here for?
01:34:19 - Flory.
01:34:20 - Where the devil is Flory?
01:34:21 - Haven't seen her.
01:34:23 - She's always been a bad woman.
01:34:25 I'm sure she's got something to do with this.
01:34:27 Better get going and don't forget your guns.
01:34:29 - Yeah, let's go.
01:34:30 - Come on.
01:34:30 - Hey, mister.
01:34:43 Hey, mister.
01:34:44 Hey, you.
01:34:46 Come here.
01:34:47 Listen.
01:34:50 I'm terrified.
01:34:56 I want you to help me.
01:34:57 They're gonna try to kill me.
01:34:59 Alderman has killed Bill.
01:35:00 It was awful, but I managed to get away.
01:35:03 I saw him do it.
01:35:04 I saw him kill Bill Templer.
01:35:06 - Where'd he do it?
01:35:09 - In the saloon.
01:35:11 We'd just come back from the funeral.
01:35:12 Now he wants to kill me.
01:35:15 I'm in danger because I saw him do it.
01:35:17 I don't stand a chance in hell against Alderman.
01:35:20 He's a highly respected citizen.
01:35:22 He'll have me killed and make it seem legal.
01:35:25 Would you like to get rich?
01:35:31 - What do you mean by that?
01:35:40 - Just exactly what do you want me to do?
01:35:42 - I know where he hid the gold.
01:35:43 All, all of Templer's.
01:35:46 If you'll help me to get it, we can spread it.
01:35:48 - Where is it?
01:35:51 - At the cemetery, in Evan's coffin.
01:35:54 I haven't the courage to get it myself,
01:35:56 but there's enough gold in there to do things that--
01:36:00 - Listen here.
01:36:00 If anyone tries to open that boy's coffin,
01:36:03 I'll see they get shot.
01:36:04 Haven't you done enough?
01:36:09 That gold belongs to Evan.
01:36:11 - But we have to have it to leave this place.
01:36:13 And we gotta get out before they kill us.
01:36:16 Your life's in danger as well as mine.
01:36:18 (upbeat music)
01:36:23 - What do you think of this, baby?
01:36:37 - Not bad.
01:36:39 (men chattering)
01:36:41 - Looks like Ackerman's getting anxious.
01:36:45 - All right, if you're ready, let's go.
01:36:47 Come on.
01:36:48 Now we'll see some action.
01:36:52 - You heard him.
01:36:53 Get going.
01:36:54 - If you want to sleep safe in your beds, find those two.
01:36:58 And make sure they do no more harm in our town.
01:37:01 (men chattering)
01:37:03 (horse whinnies)
01:37:24 - Hey, there's a friend of his here.
01:37:29 - Who, the stranger?
01:37:30 - Oh, those Indians.
01:37:34 They always hang around with him.
01:37:36 - Hey, anyone knows where he is?
01:37:42 They ought to.
01:37:43 - Let's make him talk.
01:37:43 Come on, huh?
01:37:45 - Let me get my hands on him.
01:37:46 - Well, come on.
01:37:47 (upbeat music)
01:37:57 (men chattering)
01:38:00 (men laughing)
01:38:09 (upbeat music)
01:38:12 (men chattering)
01:38:15 (upbeat music)
01:38:17 (men chattering)
01:38:20 (upbeat music)
01:38:23 (men chattering)
01:38:45 (men laughing)
01:38:48 (upbeat music)
01:38:54 - They're coming to get you.
01:39:00 You must hide.
01:39:01 - How many of them?
01:39:02 - The whole town.
01:39:03 (upbeat music)
01:39:07 (men chattering)
01:39:10 - Give me that rifle.
01:39:19 (gun fires)
01:39:26 (woman screams)
01:39:29 (upbeat music)
01:39:31 (men chattering)
01:39:34 - Hold it, stranger.
01:39:38 You can't get away this time.
01:39:40 (men chattering)
01:39:43 (woman screams)
01:39:51 Now you'll have to answer to Mr. Sorrow.
01:39:53 (men laughing)
01:39:56 (men chattering)
01:39:59 (men chattering)
01:40:02 - Where is he?
01:40:16 What have you done?
01:40:17 - Your precious lover boy is dead.
01:40:19 Sorrow's men took him away and tortured him to death.
01:40:23 I thought you'd be pleased to hear that.
01:40:25 I'll deal with you later.
01:40:26 (woman screams)
01:40:29 - Get in.
01:40:33 You'll never get out of there alive.
01:40:37 - Hold it.
01:40:41 We don't want him unconscious.
01:40:44 (water splashes)
01:40:47 - I'm gonna tell you something.
01:40:57 You've been very stupid not to take advantage of my offer
01:41:00 to make you one of my muchachos.
01:41:02 We could have been amigos,
01:41:04 but you preferred to go your own way, didn't you?
01:41:08 You're gonna tell me where that gold's hidden.
01:41:10 You'll tell me if I have to tell you.
01:41:13 You'll tell me if I have to cut your tongue out.
01:41:15 You made a mistake.
01:41:16 How could you?
01:41:19 How could you make a mistake as elementary as all that?
01:41:24 Now you're gonna have to pay.
01:41:26 Mr. Sorrow doesn't like to be cheated.
01:41:29 Carlos, go prepare our persuasive little pets.
01:41:34 We have to get going, but you won't find it lonely.
01:41:40 I'm gonna make sure you have nice company.
01:41:43 What do you like?
01:41:45 The company of snakes or blood-sucking vampire bats?
01:41:49 Rats can also be good company.
01:41:52 You won't feel lonely.
01:41:54 Now I'll wish you good night.
01:41:57 Come on.
01:41:58 - It's useless, Sorrow.
01:42:05 You can't scare me.
01:42:07 You'll never get me to tell you.
01:42:10 - You don't know me.
01:42:11 - We'll see, we'll see.
01:42:14 I've made stronger men than you tell me everything.
01:42:18 You'll change your ideas soon.
01:42:21 Come on, Carlos, sleep easy.
01:42:23 (suspenseful music)
01:42:26 (laughing)
01:42:28 (suspenseful music)
01:42:47 (suspenseful music)
01:42:50 (suspenseful music)
01:42:53 (suspenseful music)
01:42:56 (suspenseful music)
01:42:59 (chiming)
01:43:01 (chiming)
01:43:03 (chiming)
01:43:05 (chiming)
01:43:08 (chiming)
01:43:11 (chiming)
01:43:14 (chiming)
01:43:16 (chiming)
01:43:19 (chiming)
01:43:21 (chiming)
01:43:23 (chiming)
01:43:40 (chiming)
01:43:48 (chiming)
01:43:50 - Carlos, Willie, Nico, Miguel.
01:44:04 You can get going.
01:44:06 We know now where the gold's been hidden.
01:44:09 Our prisoner has at last been persuaded to talk.
01:44:13 (suspenseful music)
01:44:16 (men shouting)
01:44:20 (suspenseful music)
01:44:36 (suspenseful music)
01:44:39 - The cemetery, the cemetery, the cemetery.
01:44:49 - Having a good time with your friends, amigo?
01:44:56 Interesting, ain't it?
01:44:57 It's better than any party.
01:45:00 - The cemetery, the cemetery.
01:45:04 (laughing)
01:45:07 - Don't you want a drink?
01:45:13 - Everything goes according to plan.
01:45:14 They'll be back before dawn.
01:45:16 (sword clanging)
01:45:23 (sword clanging)
01:45:27 (sword clanging)
01:45:30 (sword clanging)
01:45:47 (suspenseful music)
01:45:50 - How did you get in here?
01:46:00 - You don't think this is just for playing music?
01:46:02 - That's right, Corporal, go for the throat.
01:46:09 - Give me a drink!
01:46:11 (screaming)
01:46:14 A drink!
01:46:16 A drink!
01:46:17 (laughing)
01:46:21 - All right, you dirty old drunk.
01:46:33 (squawking)
01:46:34 It's a pity you don't understand
01:46:36 what my muchachos mean to me.
01:46:38 They make me so happy in their black uniforms.
01:46:45 (laughing)
01:46:47 - Drink, you feathered sponge.
01:46:53 You lie.
01:46:55 - No, I want more!
01:46:59 - Damn it, there's nothing in here.
01:47:04 We've been tricked, but it must be here.
01:47:07 We've got to find that gold.
01:47:08 Go on, what are you waiting for?
01:47:12 Open up every grave.
01:47:14 Get going, dig, damn it, dig!
01:47:16 We've got to find it.
01:47:18 We have to tear up every grave in the cemetery.
01:47:20 Dig, damn it!
01:47:22 Hurry up, find that gold!
01:47:24 Get your backs into it!
01:47:30 Hurry up!
01:47:31 Come on, let's go!
01:47:34 (dramatic music)
01:47:37 (guns firing)
01:47:39 (dramatic music)
01:47:42 (guns firing)
01:47:44 (dramatic music)
01:47:47 (dramatic music)
01:47:50 (dramatic music)
01:47:53 (dramatic music)
01:47:55 (dramatic music)
01:47:58 (dramatic music)
01:48:16 (dramatic music)
01:48:19 (gun firing)
01:48:42 (dramatic music)
01:48:45 (dramatic music)
01:48:47 - We need explosives.
01:48:53 Here, take as much as you can carry.
01:48:58 Come on, hurry up.
01:49:03 (dramatic music)
01:49:07 (dramatic music)
01:49:10 Here, take this, they're coming back.
01:49:17 Come on, let's go.
01:49:29 (dramatic music)
01:49:37 (dramatic music)
01:49:39 Here they come, go, go!
01:49:48 (dramatic music)
01:49:50 (men shouting)
01:49:53 (men shouting)
01:49:56 (men shouting)
01:50:21 - The time has come, Soro!
01:50:24 The time has come, Soro!
01:50:26 It's time, it's time!
01:50:30 The time has come!
01:50:39 (gun firing)
01:50:41 Too late, too late, too late!
01:50:44 - Damn you all.
01:50:51 (men shouting)
01:50:53 (gun firing)
01:51:03 (gun firing)
01:51:08 (dramatic music)
01:51:10 (dramatic music)
01:51:13 (dramatic music)
01:51:16 (dramatic music)
01:51:19 (dramatic music)
01:51:21 (dramatic music)
01:51:24 (dramatic music)
01:51:27 (dramatic music)
01:51:30 (dramatic music)
01:51:32 (dramatic music)
01:51:57 (dramatic music)
01:52:00 - Elizabeth!
01:52:11 Elizabeth!
01:52:16 (Elizabeth crying)
01:52:23 (Elizabeth crying)
01:52:25 (dramatic music)
01:52:28 - When did it start?
01:52:49 - Old Don Filton's place, huh?
01:52:53 - Oh, it's dark too far, we can't stop it now.
01:52:57 - I hope there's nowhere inside.
01:53:01 - If there is, we better get him out quick.
01:53:03 - Move yourselves, come on!
01:53:05 - We must pray.
01:53:09 Get down all of you and pray, can't you?
01:53:13 - What a shame, it was a beautiful place.
01:53:15 Proud of it, wasn't he?
01:53:17 - He sure was, but there ain't no point in having a house
01:53:20 that burned like this is.
01:53:22 I wouldn't give you two bits for it.
01:53:24 (men laughing)
01:53:27 (dramatic music)
01:53:29 (man screaming)
01:53:34 (dramatic music)
01:53:42 (men chattering)
01:53:45 (dramatic music)
01:53:47 (men chattering)
01:53:50 (dramatic music)
01:53:54 (men chattering)
01:53:57 - Look there, folks!
01:54:17 (men chattering)
01:54:20 (dramatic music)
01:54:24 (men chattering)
01:54:27 (dramatic music)
01:54:30 (dramatic music)
01:54:33 (dramatic music)
01:54:36 (dramatic music)
01:54:38 (footsteps thudding)
01:54:59 (dramatic music)
01:55:01 (man sighs)
01:55:11 - I'm uglier than you.
01:55:18 (man crying)
01:55:20 (man crying)
01:55:24 (man crying)
01:55:29 (dramatic music)
01:55:32 (dramatic music)
01:55:36 (dramatic music)
01:55:39 (dramatic music)
01:55:41 (dramatic music)
01:55:44 (dramatic music)
01:56:11 (dramatic music)
01:56:14 (dramatic music)
01:56:18 (dramatic music)
01:56:21 (dramatic music)
01:56:23 (dramatic music)
01:56:26 (dramatic music)
01:56:29 (dramatic music)
01:56:32 (dramatic music)
01:56:35 [BLANK_AUDIO]