The Phantom Of The Range
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FunTranscript
00:00 [Music]
00:07 [Music]
00:14 [Music]
00:21 [Music]
00:28 [Music]
00:35 [Music]
00:42 [Music]
00:49 [Music]
00:56 [Music]
01:08 [Footsteps]
01:10 What is that?
01:31 A ghost old Hiramore. Let's get out of here.
01:34 [Footsteps]
01:37 Any luck Brandon?
01:49 No. Tell the others to meet me at my place.
01:53 All right boys.
01:56 [Footsteps]
02:03 Chief says meet him at his place Anson.
02:05 All right. This is a waste of time.
02:07 [Footsteps]
02:12 Chief says call her tonight and come to his place.
02:14 You're staying out?
02:15 Yeah, and I'll scare the daylights out of any galoot that comes near the place.
02:19 [Footsteps]
02:23 Ben, we can't be wrong.
02:26 We all know that old Hiramore had a lot of money hidden away when he died.
02:30 And when he hid it, he must have made some sort of map or chart to mark the place.
02:35 Well if he did, it ain't in the house.
02:37 It's been over every foot of it. So it's every piece of furniture.
02:39 The place will be sold at auction in a couple of days.
02:42 If the price doesn't run too high, we'll bid it in.
02:45 And then we'll find the fortune if we have to tear the place to pieces.
02:49 As long as we keep our ghost riding the rain, nobody will bid much for the ranch.
02:52 I'll not appear at the sale. My foreman will represent me.
02:56 And remember, whoever buys the place, we split three ways on the treasure.
03:01 Agreed.
03:02 Cut the bet.
03:04 [Footsteps]
03:19 Water!
03:23 Water!
03:26 [Footsteps]
03:39 Water!
03:45 Water!
03:49 Water!
03:53 Water!
03:56 [Footsteps]
04:05 Here's water, miss. It's mighty precious stuff in the desert.
04:08 I'll say it is. Thanks.
04:11 [Footsteps]
04:25 Hey! Hey, I thought you were dying of thirst!
04:28 I am! But I can last until I get the water in the car tank.
04:32 [Footsteps]
05:01 [Cans clinking]
05:04 I'm sorry. It took the last drop.
05:09 Do you mind?
05:10 Not a bit. That happened along.
05:13 You must be a stranger around here.
05:15 There's a good auto road a mile south.
05:17 Yes, I know about that.
05:19 I came this way because I didn't want anyone...
05:21 That's all right, Miss Moore. Don't tell any secrets.
05:24 Who are you?
05:26 How do you know my name?
05:34 Oh, I see.
05:38 Too bad they don't put them on horses.
05:41 Um, well, thanks for the water. Goodbye.
05:44 Good luck.
05:47 [Door closes]
05:51 [Cans clinking]
05:57 [Footsteps]
06:23 [Horse whinnies]
06:27 My name is Jerry Lane. I am from up Pecos Way.
06:30 I sold my ranch in stock and thought I might buy something in this neighborhood.
06:34 That's fine. How big a place do you aim to buy?
06:38 Oh, big enough to run a few hundred head of steers.
06:40 But it's got to be a bargain. I'm buying for cash.
06:44 Great. I got just the place for you.
06:46 Good land, good buildings, and a good price.
06:49 Hey, Jensen, you going out to the auction?
06:51 No, I can't be bothered with that sort of thing.
06:54 Now, this place I was telling you about, Mr. Lane, is...
06:56 Yeah, what about the auction?
06:58 Why, that's old Hiram Moore's place.
07:00 He died about a year ago, and it's a sheriff's sale to pay off the debts and taxes.
07:04 What did you say his name was?
07:06 Moore. You wouldn't be interested. The place is all run down.
07:12 Say, didn't he have a granddaughter named Jean?
07:16 I don't know.
07:18 Well, I'll have a look at it anyway.
07:20 You better let me show you some real ranch land.
07:22 Sure, some other time.
07:24 The sale is to pay off the taxes, claims, and debts of the late Hiram Moore.
07:39 I'm going to sell off the furniture first, and then we'll put up the property.
07:42 Now, what have I offered for this elegant trap?
07:45 A genuine Grand Rapids antique.
07:48 Fifty cents.
07:51 Fifty cents?
07:53 Now, listen, Colonel, I don't want to have any trouble with you.
07:56 Now, here's a chair, folks, that anyone might be proud to own.
08:00 Look at this magnificent piece of furniture.
08:02 Do you mean to say you offered me fifty cents?
08:04 Yes, sir.
08:06 Fifty cents for this fine piece of furniture. Do I hear a dollar?
08:12 Sold to the Colonel for fifty cents.
08:14 Get his half-dollar, Jim, and I'll bet it's plump.
08:18 Now, ladies and gents, there's a painting of the old boy himself,
08:23 Hiram Moore, one of the real pioneers of this country.
08:27 Now, what have I offered for this?
08:28 How much have I bid?
08:29 You said you searched all that furniture.
08:31 How about that picture?
08:32 What do you mean?
08:34 If old man Moore had a paper to hide, that picture is a mighty likely place.
08:38 A genuine painting of the old boy himself.
08:41 How much for this fine painting of this fine gentleman?
08:44 How much have I bid?
08:45 Five dollars.
08:46 Five dollars?
08:48 Five dollars?
08:50 Friends, did you hear that?
08:52 Five dollars for this magnificent oil painting of this old gentleman?
08:55 Here's a picture of a car man that anybody would be proud to hang in his parlor, gentlemen.
09:00 Five dollars for a masterpiece.
09:02 I'm offering five dollars, five dollars for this beautiful picture.
09:07 Now, come on, let's shake it loose, friends.
09:09 Come on, shake it loose.
09:11 Let's hear some bids.
09:12 Five dollars.
09:13 Going for five dollars once.
09:16 Going for five--
09:17 Wait.
09:18 I'll bid ten dollars on that picture.
09:19 Ten dollars.
09:20 Now, there's a little lady that appreciates the beautiful in art.
09:23 You hear that?
09:24 Sounds right.
09:25 Fifteen dollars.
09:26 Do I hear twenty?
09:27 Twenty.
09:28 Twenty dollars.
09:29 Twenty dollars.
09:30 Thirty dollars.
09:31 Now, you're talking quotes.
09:32 Thirty dollars is bid.
09:33 Do I hear forty?
09:34 Fifty dollars.
09:35 Fifty dollars.
09:36 The young lady says fifty dollars for this elegant painting.
09:39 Fifty dollars, all done.
09:42 Sixty dollars.
09:43 Seventy.
09:44 One hundred dollars.
09:45 A hundred and ten.
09:47 Ten.
09:48 All done.
09:49 Going for a hundred and ten.
09:52 Going for a hundred and ten once.
09:55 Going for a hundred and ten twice.
09:59 Two hundred.
10:02 [slurping]
10:05 Where in the world did you come from?
10:11 What are you doing in this, stranger?
10:13 Why, I thought I'd like to buy the picture.
10:15 Any objections?
10:16 Where are the dollars?
10:18 Five hundred.
10:21 Sheriff, this man's making a lot of loose talk.
10:24 You'd better find out if he can back it up.
10:27 That's a fair question, stranger.
10:29 You mean, can I make good on my bids?
10:31 Yes.
10:32 Why, Sheriff, I'm surprised at you.
10:35 Go on with the sale, Robert.
10:44 Five hundred dollars.
10:45 Do I hear six?
10:46 Do I hear six?
10:47 Do I hear six?
10:49 All in.
10:51 Sold to this gentleman for five hundred dollars and not a cent too much.
10:54 Mister, you've got a fine eye for all.
10:59 If you're ready to put up the property,
11:01 I'd like to bid on the ranch and all that goes with it.
11:04 All right.
11:06 Folks, what do I bid?
11:08 For six hundred and forty acres of fine grazing land,
11:12 the house, the contents, and everything that goes with it.
11:15 Everything on the place.
11:16 What do I bid?
11:17 How much is against it?
11:18 Twelve hundred dollars.
11:20 Then I'll bid fifteen.
11:21 Two thousand.
11:22 Two thousand dollars.
11:24 Two thousand dollars for ten thousand dollars' worth of property.
11:28 Can I hear twenty-five hundred?
11:30 Twenty-five hundred?
11:31 Don't I hear another bid?
11:34 No bids.
11:36 Sold to Mr. Jerry Lane.
11:39 If you'll get the papers drawn up,
11:48 I'll come into town tomorrow and close this thing up.
11:50 That's fine.
11:51 I'll get somebody to move the furniture back in the house.
11:54 Thanks.
11:56 Just a minute, Miss Moore.
12:10 I guess this is what you came for.
12:15 But would you mind telling me why you were willing to pay seventy dollars for it?
12:19 Suppose you tell me why you paid five hundred for it.
12:23 Well, I sort of liked your looks and you seemed to want the picture, so I...
12:27 So you thought I looked like the kind of a girl that would let a stranger buy her five hundred dollar present?
12:33 If you don't want it, tell them the first that you come to.
12:40 When you get through, come down to the barn. I'll pay you for helping.
12:46 Very good, sir.
12:47 Wait a minute.
12:49 Where did you come from?
12:51 Originally from England, sir. A gentleman's gentleman, sir.
12:54 I see. Why'd you quit?
12:56 Well, sir, you see, it was a matter of ten pounds that was lost.
13:01 And they said you stole it?
13:03 Oh, no, sir. But they said they might have found it if I hadn't helped them look for it.
13:07 Oh, Mr. Lane.
13:16 Well?
13:17 I'm sorry I said that. I didn't mean it the way it sounded. I think you were splendid.
13:22 Forget it.
13:23 Oh, please, please don't go yet. I want to answer your question about that picture.
13:28 It's my grandfather.
13:30 Oh, so that's the answer. You like the old fellow.
13:34 No, it wasn't that I liked grandfather. I never saw him.
13:39 Oh, I see.
13:41 Well, then, we won't call it a present. But I'll loan it to you, and you can take it home with you.
13:45 And I can't take his picture home with me because I haven't any home.
13:50 Oh, so that's the answer.
13:52 Maybe I'd better tell you all about it.
13:54 That might help if you feel like confessing.
13:57 Mother often talked about grandfather. We wanted him to come and see us, but he just wouldn't leave the ranch.
14:03 The old gentleman would set ideas.
14:06 [A man enters the house.]
14:11 Nothing worth taking.
14:13 [The man leaves the house.]
14:20 [The man enters the house.]
14:26 [The man enters the house.]
14:31 [The man enters the house.]
14:45 I was grandfather's only heir, but the taxes and penalties on this place were more than I could cover, even though it was worth it.
14:53 So I just never came to look at it.
15:01 You think I got stuck with the place?
15:03 Oh, no.
15:10 [The man enters the house.]
15:21 Oh, please, sir, don't shoot again, sir. One shot was quite convincing.
15:24 I suppose you were going to help me to find my money.
15:27 Oh, no, sir. This time I wasn't earnest.
15:29 You see, I haven't been able to find me a job.
15:32 You've got a job now. Unsaddle my horse and put him in the barn.
15:36 Then you're not going to jail me, sir?
15:37 What do you think?
15:38 Oh, thank you, sir. Thank you. Thank you. Thank you, sir.
15:46 That was fine of you to give him another chance.
15:49 I need help if I'm going to run this place.
15:51 Oh, you were telling me why you wanted the picture.
15:54 People thought maybe he buried his money somewhere on the ranch.
15:57 Sounds reasonable, but I still don't see what this picture has to do with it.
16:01 Neither do I.
16:03 You see, I had a notice of this sale and thought I ought to come down here and see if anything could be salvaged.
16:08 Then when those men started bidding so high, I thought, sure, I ought to get it.
16:13 Same here. Those three birds know something about grandpa that you and I ought to find out.
16:18 I guess you'll have to do that, Mr. Lane.
16:21 You see, when I got the hunch to come down here, I drew out all my savings and gave up my job.
16:26 You've got a job. Since I'm going to have a gentleman's gentleman, I'd better have a secretary.
16:31 I'm sorry, Mr. Lane, but I couldn't...
16:33 Now, don't get me wrong again.
16:36 You're to go into town now and hire a sort of a combined cook and chaperone.
16:41 And then what?
16:42 Then we'll move in here and try and find out why grandpa's picture's worth so much money.
16:46 Is it a go, Jeanne?
16:48 It's a go, Jared.
16:50 I bid for Brandon because I thought that was my cue.
16:54 Severn had a hunch.
16:55 I was right.
16:56 If there's a track to old man Moore's money, that picture holds the secret.
17:00 This man Lane, the girl, whoever she is, knows it.
17:03 Well, if you're so sure about it, why didn't you outbid Lane?
17:06 Because I know a cheaper way to get that picture.
17:09 And the ranch, too, if we need it.
17:13 I'm sure you'll be satisfied with your housekeeper, miss.
17:16 She worked for us at the hotel.
17:18 She seems very capable.
17:19 Where's the sheriff's office?
17:21 Just a block down the street.
17:23 Thanks.
17:37 [Mumbling]
17:43 All fixed.
17:46 Miss Moore's hard for deeder, for a housekeeper.
17:49 Good.
17:50 That puts a friend inside the house.
17:52 Lane's over at the sheriff's office.
17:54 If he only knew what his game is.
17:56 I'll find out.
17:58 Or I'll persuade him to drop it.
18:00 You know what you're to do.
18:02 Sure.
18:03 Come with me.
18:05 Well, I'm glad that we got a good, substantial citizen on the Moore place.
18:10 Since the old man died, there's been a lot of queer stories about the ranch.
18:15 What kind of stories?
18:17 Well, now that I got your check, Lane, I'll tell you.
18:20 People say that the ranch is haunted.
18:23 Is that right?
18:25 Hmm.
18:26 Haunted?
18:28 What do you mean?
18:30 Just one of those stories that get around.
18:34 You see, old Hiram Moore was a miser.
18:36 No offense to you, Miss Moore.
18:38 And there's a lot of talk about buried treasure.
18:41 Some people say that the old man couldn't sleep easy in his grave.
18:45 I never saw his ghost.
18:47 I never talked to anybody that did.
18:50 But it won't do you any harm, except that you may have some trouble getting the boys to work the place.
18:55 Well, maybe.
18:57 Old Hiram Moore will quit haunting when he finds his granddaughter there.
19:00 Now, Mr. Lane, if you'll just put your John Hancock right there on the bottom line, everything will be all right.
19:11 Hello, Sheriff.
19:19 Oh, I didn't know you were busy.
19:21 I'll come back later.
19:22 No, no, no, Don.
19:23 Come in, come in.
19:24 I want you to meet some people.
19:27 This is Miss Moore, granddaughter of old Hiram Moore.
19:29 Delighted.
19:30 How do you do?
19:31 And this is Jerry Lane, who's going to be your neighbor.
19:33 He just bought the Moore place.
19:35 Mr. Brandon.
19:36 Glad to know you, Mr. Lane.
19:38 His place borders yours on the south.
19:40 Well, that's fine.
19:41 Mighty glad to have a neighbor, Mr. Lane.
19:43 Maybe with folks living in the Moore house, we'll hear less about old Hiram's ghost riding the rain.
19:49 What about this ghost, Mr. Brandon?
19:51 Did you ever see it?
19:54 Well, I don't believe in ghosts myself.
19:56 But several of my men claim to have seen it.
19:59 Men who are generally thought to be reliable.
20:02 But you still don't believe in ghosts.
20:05 Well, I'll put it this way.
20:07 I don't believe in a man who might walk after death.
20:10 He's the man.
20:12 Thanks, Mr. Brandon.
20:14 Don't forget to be neighborly.
20:16 You'll see a good deal of me, I expect.
20:18 Drop in some time.
20:19 I will.
20:33 Well, that's settled.
20:35 Did you get the chaperone?
20:37 I have freed woman.
20:38 Homely, but she seems capable.
20:41 Why homely?
20:42 You're not going to start by being jealous, I hope.
20:44 No.
20:46 I took what I could get.
20:47 The clerk at the hotel found her for me.
20:49 She'll be at the ranch tonight.
20:54 Oh, Judy.
20:55 How about me and you having a drink?
20:57 Jerry, be careful.
20:58 That's all I gave you.
20:59 Come on, old man.
21:00 You've had one too many.
21:01 Better go home and sleep it off.
21:03 You think I'm drunk, eh?
21:04 Well, what do you think?
21:05 Here's what I think.
21:10 I apologize.
21:12 You're not drunk.
21:15 [chatter]
21:19 [chatter]
21:23 [chatter]
21:27 [chatter]
21:31 [chatter]
21:35 [chatter]
21:39 [chatter]
21:43 [chatter]
21:46 [chatter]
21:50 [chatter]
21:54 [chatter]
21:58 [chatter]
22:02 [chatter]
22:06 [chatter]
22:11 [chatter]
22:14 [chatter]
22:18 [chatter]
22:22 I'm not looking for trouble, but keep out of my way.
22:26 Next time, you'll really get hurt.
22:30 I'm sorry this happened, folks.
22:32 The man's a stranger here.
22:34 I hope you won't hold it against the community.
22:37 Cowboys will get drunk.
22:39 Sure they will.
22:40 But he isn't a cowboy, and he wasn't drunk.
22:43 He's a professional pug if I ever saw one.
22:45 You want me to prefer charges against this man, Lane?
22:49 No, just keep him out of my way.
22:52 Well, you certainly know how to handle him, Lane.
22:55 Yes, and I'm pretty good on ghosts too, Mr. Brandon.
23:06 [music]
23:10 I say, what are you hiding?
23:27 Ah, so you won't talk, eh?
23:30 Well, you're up.
23:32 [music]
23:36 [knocking]
23:40 [knocking]
23:44 [knocking]
23:49 [knocking]
23:56 [knocking]
24:03 [knocking]
24:08 [knocking]
24:12 [knocking]
24:16 [music]
24:20 [music]
24:24 [music]
24:29 [music]
24:33 [music]
24:38 [music]
24:42 [music]
24:46 [music]
24:50 [music]
24:54 [music]
24:58 [music]
25:02 [music]
25:06 [music]
25:10 [music]
25:14 [music]
25:18 [music]
25:22 Lady! Lady Parson!
25:26 Your gentleman's gentleman seems to have other accomplishments.
25:30 Not too many.
25:34 I beg your pardon, sir. I failed to hear your arrival.
25:37 I didn't know you were a musician, Eddie.
25:39 Very kind of you to take notice, miss.
25:41 I'm a bit out of practice, but I find my fingers retain their nimble touch.
25:45 I've noticed that.
25:48 Oh, thank you, sir.
25:51 I did a bit as a seeing waiter in a big London restaurant.
25:53 It paid rather well.
25:55 I'd imagine you make it pay pretty well.
25:57 Thank you, sir.
25:59 Take care of my horse. There'll be more in the morning.
26:01 More horses, sir?
26:02 Yes.
26:04 More horses.
26:06 Well, what do we do now?
26:16 Give grandfather the third degree.
26:19 [door slams]
26:21 Jerry, maybe it is true.
26:37 Maybe? What's true?
26:39 Maybe grandfather's ghost really does ride the range.
26:43 He was a strange man from what my mother told me.
26:47 Never gave up anything that once belonged to him.
26:51 Maybe he won't give it up even when he's dead.
26:55 Now listen.
26:58 Yes, Jerry?
27:00 When I hired you as a secretary, I thought you were grown up, not a kid.
27:05 I'm going to be too busy to be sitting up nights telling you bedtime stories.
27:08 Well, but if there really should be a ghost...
27:10 Should be. There unquestionably will be.
27:13 If grandfather's ghost comes, I intend to catch him.
27:17 Perhaps he can tell me about his picture.
27:21 [music]
27:24 [music]
27:26 [music]
27:28 [music]
27:30 [music]
27:33 [music]
27:36 [music]
27:38 (dramatic music)
27:40 (dramatic music)
27:43 - When you finish the dishes, Virginia,
28:09 you may leave for bed, if you wish.
28:11 - Thank you.
28:11 - Senorita, permit, I shall block my door.
28:15 - Why, of course, but what on earth for?
28:18 - Because of the ghost in this house.
28:24 - Are you afraid?
28:25 - What ghost?
28:33 - The ghost of Senor Moot.
28:35 At night, he rides sometimes through the ranch,
28:39 often around great white halls.
28:41 (screaming)
28:50 - Jerry, what was that?
28:52 - Blimey, a banshee!
28:53 - What is it?
28:54 - Just a coyote.
28:55 It always howls when the moon is up.
28:57 (dramatic music)
29:00 - Hey, sing one of your Linden songs.
29:20 - Righto.
29:23 (door opening)
29:26 (gentle music)
29:35 - I'm not a barley snob, you know, far from it.
29:39 I do the tasks that's set for me, of course.
29:42 But I'm a sentimental man, and I'm working for a gentleman.
29:46 I itch to be a valet to an ox.
29:48 I itch to be a valet to an ox.
29:52 It fills my soul with sadness and remorse.
29:55 How can a faithful servant feel he's being helpful
29:57 and gentile when he's a valet to an ox?
30:02 I can't approve the funny-looking features,
30:04 the size and shape and ciliac-wine features.
30:07 I've been footman, butler, page,
30:10 but who'd ever thought at my age,
30:11 I'd come to be the valet to an ox?
30:14 (door closing)
30:43 - I'm not a barley snob, you know, far from it.
30:46 I do the tasks that's set for me, of course.
30:49 But I'm a sentimental man, and I'm working for a gentleman.
30:54 I itch to be a valet to an ox.
30:57 (laughing)
31:00 (clapping)
31:04 - What's that?
31:04 - Jerry, it's there!
31:13 Wait!
31:14 Jerry, do you think it's a ghost?
31:21 - Not yet, but it will be if it comes in within range.
31:25 (footsteps)
31:28 (thunder rumbling)
31:31 (footsteps)
31:33 (footsteps)
31:35 (footsteps)
31:38 (thunder rumbling)
32:02 (footsteps)
32:04 (footsteps)
32:33 - Well, better luck next time.
32:36 - Beg your pardon, sir, but I think it's a bit of luck
32:37 that he didn't stop.
32:39 - All this hocus pocus is intended to scare us off.
32:53 Who's ever doing it knows something about that picture
32:55 that we don't know.
32:56 - It's gone!
32:58 - Floor, blind me if it ain't.
33:01 - Benita!
33:03 (footsteps)
33:05 - Benita!
33:12 Benita, open the door!
33:13 - Si, senor.
33:14 A moment, please.
33:16 (knocking)
33:22 What is that, senor?
33:24 Santo Dios, you are frightening me!
33:27 (knocking)
33:29 What is that you seek, senor?
33:36 - Nothing, I just had a hunch and I was wrong.
33:39 Sorry, good night.
33:40 - Good night.
33:41 - Made a wrong guess, it wasn't there.
33:51 - Well, I knew it wouldn't be.
33:53 Jerry, I'm frightened.
33:54 Let's give it up and get out of here.
33:57 - Yeah, guess we might as well.
33:59 - Oh, I'm sorry.
34:01 I know you've done all this for me.
34:05 Spent your money and risked your life.
34:07 - Oh, that's all right.
34:08 Buying the ranch was just a gamble.
34:11 Those fellows were too smart for me.
34:13 They got what they came for.
34:14 I beg your pardon, sir, but I don't think they did.
34:25 - You're not gonna tell me you think a ghost took it.
34:28 - Well, I don't know anything about a ghost, sir,
34:29 but whoever took the picture is going to be disappointed.
34:31 - What are you driving at?
34:33 - Well, you see, sir, I sort of anticipated this happening,
34:35 so I examined the picture myself.
34:38 I found this hidden in the frame.
34:40 - What did you intend to do with this?
34:50 - Well, I sort of intended to sell you out, sir,
34:55 but I found I couldn't go through with it.
34:57 - I see.
34:59 Thanks, Eddie.
35:02 Full moon.
35:05 - Yeah, I took the liberty of looking that up too, sir.
35:07 There'll be a full moon a week from tonight.
35:09 - A week from tonight, eh?
35:10 I wonder.
35:13 - Whoop, whoop, whoop.
35:22 I say, old fiend, you'd be much better off
35:24 if you didn't quite wiggle so.
35:26 Whoop, whoa.
35:32 Come here now.
35:35 Whoop, whoop, whoop.
35:39 - You're on the wrong side.
35:41 Get around on the left and he'll stand.
35:43 - Is that so, sir?
35:44 - Of course.
35:45 - Oh, thank you, sir.
35:46 Whoa now.
35:49 (water sloshing)
35:52 - Amazing, sir.
35:58 I didn't know an orphan knew which was his left side, sir.
36:01 - When Miss Moore wakes up,
36:03 tell her I've gone to town to see the sheriff.
36:05 - Very good, sir.
36:06 Whoop, whoop.
36:10 Whoop, whoop.
36:14 Whoop, whoop.
36:17 (water sloshing)
36:20 - Keep this for me, Dave.
36:26 It may get me in trouble.
36:27 - Right.
36:28 - We found the compartment in the picture frame
36:43 where the chart probably was hidden.
36:46 But Wayne had beat us to it.
36:48 The compartment was empty.
36:50 And...
36:58 - Secrets, eh?
37:02 I do all the dirty work.
37:04 Fighting, ghostwriting, but I ain't told nothing.
37:07 - You're paid for what you do, not for what you know.
37:12 - Is that so?
37:13 Well, there's one man that'll pay me for what I know.
37:16 - Yes?
37:17 And who is that man?
37:19 - Jerry Lane.
37:21 Ever hear of him?
37:22 - I'm afraid text is no longer useful to us.
37:31 I was just thinking the same thing.
37:39 - See you at the ranch?
37:42 - Perhaps.
37:44 I'll see the sheriff.
37:45 (gun firing)
38:04 (gun firing)
38:06 (gun firing)
38:28 (gun firing)
38:31 - Who was it, man?
38:48 I didn't get a good look at him.
38:49 (gun firing)
38:52 - Please, I'm not gonna leave you.
39:19 Save your breath.
39:20 Let's stop this blood.
39:21 - Hey, Sheriff!
39:38 You know this fella Lane that bought the moor place?
39:40 - What about him?
39:41 - I just saw him shoot text.
39:43 Text was just riding along, peace of the mind.
39:45 He came out of the rocks and downed him with a first shot.
39:48 - Sheriff, Lane threatened to get text
39:50 after they had that fight.
39:52 - He'll probably head for his place.
39:54 He don't know we seen him.
39:55 Let's go.
39:55 - Well, follow me, I'll show you the very spot.
39:57 - Right.
39:58 - If you got anything to say, you better start talking.
40:03 - Lane, I was hired to beat you up.
40:08 Bye.
40:10 Bye.
40:10 - Yes, you were hired.
40:11 Bye.
40:12 - Bye.
40:13 (footsteps thudding)
40:16 - Get your hands in the air, Lane.
40:31 Shorty, get his gun.
40:32 (footsteps thudding)
40:42 (footsteps thudding)
40:45 - You know, I was just coming after you, Sheriff.
40:54 This is murder.
40:56 - Yeah, so I heard.
40:58 - You don't think I shot him?
41:04 He was shot from ambush from those rocks.
41:06 - Is this the man you saw, Mark?
41:08 - That's him.
41:10 He rode out of those rocks and shot Tex out of the saddle.
41:13 - That's a lie.
41:14 I was 200 yards away when the shot was fired.
41:17 - I heard you threaten that man,
41:20 but I didn't think you'd shoot him when he was unarmed.
41:23 - No use, Lane.
41:24 There's a shot fired out of this gun.
41:27 - Sure there is.
41:28 I took a shot at the killer as he rode off.
41:30 Who's this man that accuses me?
41:34 - Mark Graydon, my foreman.
41:39 - Oh, so he's your foreman, is he?
41:42 He's also a buyer of fine old oil paintings
41:44 in his spare time.
41:45 - I don't know what you're talking about,
41:49 but Mark's got good eyes,
41:51 and if he says you did the shooting,
41:53 it's mighty certain you did.
41:55 - All right, Sheriff.
41:59 This is a frame-up.
42:00 I guess I'll have to prove that in court.
42:03 Bring a handcuff along.
42:05 - I reckon there's enough of us to ride herd on you.
42:08 - Shorty, get his horse.
42:10 Dearborn, take Tex into town.
42:12 - As a matter of fact, Sheriff,
42:35 I'll have a tough time proving my innocence
42:36 if you put me in jail.
42:38 The only way I can get the guilty man
42:41 is to be free myself.
42:42 (horse snorts)
42:45 (fire crackling)
42:48 (fire crackling)
42:51 (fire crackling)
42:53 (fire crackling)
42:56 (fire crackling)
43:01 (fire crackling)
43:11 (fire crackling)
43:21 (fire crackling)
43:24 (water splashing)
43:35 - Hold that till we need it.
43:41 Come on, we'll pick him up below.
43:43 (water splashing)
43:46 (horse snorts)
43:49 - A clean getaway.
44:15 You should have let me get him in the water.
44:17 - You're just a little bit anxious, ain't you?
44:19 I want that fellow alive.
44:21 Shorty, you circle around,
44:23 see if you can pick up his trail.
44:24 I'll head to the ranch in case he goes home.
44:26 - Any luck?
44:43 - I couldn't find a trace of him.
44:45 - We'll try the house.
44:48 - Well?
44:58 - He ain't come yet, Miss Jean.
44:59 I've been watching the road.
45:00 - Oh, I'm frightened, Eddie.
45:02 If anything should happen to Jerry,
45:04 he's into all this on my account.
45:06 And he has that chart in his pocket that those men want.
45:09 - That's right, Miss.
45:10 I was worried about Mr. Lane, so I took the liberty of--
45:12 - You, you what?
45:14 - Rifle in his pockets, Miss.
45:16 I have the chart.
45:17 (horse snorts)
45:24 - Put it away, Eddie.
45:25 Someone's coming.
45:26 (horse snorts)
45:38 (hooves clopping)
45:40 - Morning, Miss Moore.
45:49 Where's Lane?
45:50 - I don't know.
45:53 Why?
45:54 What's happened, Sheriff?
45:55 Why do you want Mr. Lane?
45:57 - You two boys search the house.
45:59 The rest of you fellas look the barns over.
46:07 - What does this mean, Sheriff?
46:09 - Lane's wanted for murder.
46:11 - Murder?
46:15 - My word.
46:19 - Senor.
46:22 Senor.
46:24 The paper you want, the English lucky has it.
46:32 I have seen it, Senor.
46:34 - Gracias.
46:36 - No, it's a clear case.
46:38 He threatened the man, and I found him standing
46:40 over the body.
46:41 - Incredible.
46:43 - I'm leaving one of my men for your protection, Miss Moore.
46:50 - I know why you're leaving him.
46:52 It's very thoughtful of you.
46:54 - Good morning.
46:55 (birds chirping)
46:58 (footsteps)
47:00 (water dripping)
47:03 (footsteps)
47:05 (footsteps)
47:07 (water dripping)
47:10 (footsteps)
47:12 (footsteps)
47:15 (footsteps)
47:17 (footsteps)
47:19 (footsteps)
47:22 (footsteps)
47:24 (piano music)
47:51 (footsteps)
47:54 - That officer is walking back and forth,
47:59 just waiting to pounce on Jerry if he comes.
48:01 - Well, Bobby can't help it, Miss, that's his job.
48:03 - Oh, I don't care.
48:03 I wish something would happen to him.
48:07 (footsteps)
48:09 - There's Deputy Barnes.
48:13 Get him first.
48:16 (footsteps)
48:19 - Take one more!
48:41 (thud)
48:45 - Must be just another coyote, Miss.
48:46 Just sit down, sit down, Miss, and listen to this.
48:49 I have something nice I want you to hear.
48:51 (footsteps)
48:53 (piano music)
48:58 (footsteps)
49:01 (footsteps)
49:03 - What does this mean, Mr. Brandon?
49:30 - Mr. Lane isn't here.
49:32 - We know that.
49:33 You will not see Lane again.
49:35 We've just asked your English friend
49:36 to hand over the paper he took
49:37 from the frame of Hiram Moore's picture.
49:39 - The paper?
49:40 Why, my dear, Chappy, I know nothing about the paper.
49:44 You must be mad, mad.
49:46 - Enough of that.
49:47 Hand it over.
49:48 - Give it to him, Eddie.
49:53 (footsteps)
50:00 (footsteps)
50:02 - Watch them.
50:29 (footsteps)
50:32 - But there are four of them in there and you ain't on.
50:35 - You tell the sheriff if I'm not here
50:36 to look for me at the Tower Rocks.
50:38 (footsteps)
50:40 - That's clear enough.
50:54 It means the Tower Rocks.
50:57 - The moon's full enough now for our purpose.
51:00 - What are you going to do with them?
51:26 - Tie him up.
51:27 - Drop that gun, Graydon.
51:31 - So here we are, all the picture bars.
51:43 - And Mr. Brandon.
51:44 I'll have a look at that map.
51:47 - Thanks.
51:54 Get back to the rest.
51:55 (footsteps)
51:57 - One of you four killed Tex.
52:04 I'm going to find out which one before I'm through with you.
52:08 Get the hardware ready.
52:13 - Hardware, sir?
52:16 Oh, you mean that gun, sir.
52:19 Right you are, sir.
52:20 - Right, sir.
52:21 - Right?
52:22 (footsteps)
52:25 - Gary, let go!
52:28 (gunshots)
52:31 (footsteps)
52:34 (footsteps)
52:36 (gunshots)
53:01 (gunshots)
53:04 (gunshot)
53:10 (footsteps)
53:13 (footsteps)
53:15 (footsteps)
53:43 (footsteps)
53:46 (footsteps)
53:48 (footsteps)
53:57 (footsteps)
54:01 (footsteps)
54:03 (gunshots)
54:25 (footsteps)
54:28 (groans)
54:34 (footsteps)
54:36 (groans)
54:37 (gunshot)
54:44 (groans)
54:45 (footsteps)
54:54 (footsteps)
54:56 (footsteps)
55:01 (footsteps)
55:10 - Don't look as old as Lane needed any help.
55:19 Howard, Dearborn, take care of those two fellas.
55:21 (footsteps)
55:24 (footsteps)
55:36 (footsteps)
55:45 (groans)
55:47 (groans)
55:54 (groans)
56:01 - Pull me up, Lane!
56:08 Pull me up!
56:09 - Who killed him?
56:11 Talk fast!
56:12 In 10 seconds, you're dropped!
56:14 (footsteps)
56:16 Time's up!
56:18 Who killed Tex?
56:19 (footsteps)
56:23 - I did!
56:25 I did!
56:26 - That's enough, Lane.
56:27 All him up.
56:28 - Well, look who's here.
56:31 - Help him, boys.
56:34 (footsteps)
56:36 (footsteps)
56:38 (clattering)
56:46 - Listen.
56:50 Listen.
56:51 That's it!
56:53 (clattering)
56:56 (panting)
57:00 (panting)
57:02 (panting)
57:04 (panting)
57:06 (panting)
57:08 (thudding)
57:11 - Gold!
57:17 (coins clattering)
57:19 - My word!
57:20 You could finance a small war without that loot, sir.
57:23 - It doesn't belong to me.
57:26 (coins clattering)
57:27 It belongs to Hiram Moore's granddaughter.
57:32 - Don't talk nonsense.
57:33 You bought the place, didn't you?
57:35 - I didn't buy a half a million in gold, did I?
57:37 - Yes, your agreement was for the ranch
57:39 and all that went with it.
57:40 - A big pardon, sir, and Miss Jean,
57:42 but I'd somehow come to the conclusion
57:44 that you were going to, uh...
57:47 fool your resources.
57:48 - Well?
57:55 - Well yourself, fella.
57:58 (footsteps)
58:00 ♪ (romantic music)
58:13 [BLANK_AUDIO]