Mad Dog
Category
đŸ“º
TVTranscript
00:00:00 [Crying]
00:00:25 [Door slams]
00:00:26 [Horn]
00:00:30 I'm warning you, he's going to get it!
00:00:32 [Horn]
00:00:43 Here he is, come on!
00:00:45 [Horn]
00:00:50 Get going!
00:00:52 [Tires screeching]
00:01:08 What happened?
00:01:09 Four prisoners escaped, sir. They took a guard as hostage.
00:01:14 [Tires screeching]
00:01:31 [Music]
00:02:00 [Music]
00:02:29 [Music]
00:02:39 [Music]
00:03:08 [Music]
00:03:30 Please don't hurt me. I'm only a guard.
00:03:32 Some guard. Your pistol isn't even loaded.
00:03:35 Don't issue us with bullets unless it's an emergency.
00:03:38 Hi-yah!
00:03:39 Asshole.
00:03:40 Why didn't you tell us that detail before we escaped?
00:03:43 Here.
00:03:44 [Grunting]
00:03:47 Give him one for me.
00:03:48 Here.
00:03:49 Bastard.
00:03:50 [Grunting]
00:03:53 [Music]
00:04:02 That's it. That's a nice gun.
00:04:03 [Grunting]
00:04:10 Goodbye.
00:04:11 [Music]
00:04:22 Take care of him.
00:04:24 [Music]
00:04:26 Mr. Santini, send an ambulance to the OR scene. And hurry.
00:04:31 [Music]
00:04:36 [Gunshots]
00:04:50 Back. Back off.
00:04:52 [Music]
00:04:57 [Gunshots]
00:05:06 [Music]
00:05:33 [Laughter]
00:05:38 [Rumbling]
00:05:50 That was a nice sight. A well done dick.
00:05:53 That's really nice to see.
00:05:55 Ain't it about time we changed cars?
00:05:57 You're a genius, Pietro.
00:05:59 Thanks.
00:06:01 Not only do we need a car, but we also need dough.
00:06:04 Then we disappear.
00:06:05 Right. What about documents?
00:06:07 That part isn't any problem.
00:06:09 All it takes is money.
00:06:11 Only first we got a certain rat to take care of.
00:06:14 That's the car I want.
00:06:27 [Tires screeching]
00:06:36 Hey, what is this?
00:06:37 Give me your wallet.
00:06:38 Thank you.
00:06:39 What do you think you're doing?
00:06:40 Come out of there. Don't give me any lip.
00:06:42 Meet Bruno.
00:06:43 [Grunts]
00:06:44 Hey, leave her alone.
00:06:45 Yeah, please.
00:06:46 And this is Nanny.
00:06:47 [Grunts]
00:06:51 Get out of here.
00:06:53 Come on. Come on.
00:06:54 [Tires screeching]
00:07:03 They took the keys to this one, too.
00:07:21 For a minute I was afraid they were going to kill us.
00:07:24 [Screams]
00:07:28 [Gasps]
00:07:30 Fill her up.
00:07:55 Yes, sir.
00:07:56 [Tires screeching]
00:08:00 [Engine starts]
00:08:04 [Engine rumbles]
00:08:07 [Tense music]
00:08:10 [Engine rumbles]
00:08:13 [Tense music]
00:08:41 Huh? How much?
00:08:42 Eleven thousand.
00:08:43 [Grunts]
00:08:48 Where are you going, kid?
00:08:50 What the hell are you...
00:08:51 [Grunts]
00:09:04 Tell me where the dough is or I'll beat you to death.
00:09:07 [Grunts]
00:09:17 Bruno, touch him.
00:09:18 Let's get going.
00:09:35 [Grunts]
00:09:37 How much you get?
00:09:41 I don't know. A lot.
00:09:42 [Engine starts]
00:09:45 [Engine rumbles]
00:09:47 [Tires screech]
00:09:49 [Engine rumbles]
00:09:52 [Tires screech]
00:09:54 [Panting]
00:10:03 Papa!
00:10:04 Papa!
00:10:08 What have they done to you?
00:10:10 Go call the...
00:10:11 the police.
00:10:13 The police.
00:10:14 Yeah, Pa.
00:10:16 Yeah.
00:10:17 My wife wants me to quit.
00:10:25 Yeah, right on.
00:10:26 Like this, huh?
00:10:27 [Indistinct chatter]
00:10:31 [Engine rumbles]
00:10:33 These are the four fugitives, sir.
00:10:40 I want to talk to my father.
00:10:45 Mario Cortese.
00:10:49 Arsonist.
00:10:51 Bruno Esposito.
00:10:56 Huh.
00:10:58 Nine convictions, automobile theft.
00:11:01 Pietro Caporale.
00:11:03 Hmm.
00:11:08 Right hand of Nanny Vitale.
00:11:10 Here we have Nanny Vitale.
00:11:19 Sentenced to 23 years for the murder of a security guard.
00:11:22 Five attempted prison breaks.
00:11:24 [Buzzer]
00:11:26 Inspector?
00:11:27 The judge is on the line.
00:11:28 Thanks.
00:11:30 Hello, Dad.
00:11:32 I'm sorry to have to disturb you.
00:11:34 Three years ago, you sentenced Nanny Vitale.
00:11:36 You remember anything about the trial?
00:11:38 Nothing in particular, just that I sentenced him and his right-hand man to 23 years.
00:11:43 Well, they broke prison.
00:11:45 I read about it.
00:11:46 How's that guard?
00:11:47 He'll live.
00:11:48 I practically ran into the gang during the breakout.
00:11:50 I followed, but lost them.
00:11:52 Wait, I remember something.
00:11:54 He was convicted on the testimony of an informer named Barbareschi.
00:11:57 Vitale swore he'd get him someday.
00:11:59 Barbareschi.
00:12:00 All right.
00:12:01 Thanks a lot for your help.
00:12:02 Uh, hold on a second.
00:12:04 Mario, check the files for this name, will you?
00:12:06 Dad, this guy, do you know anything else about him?
00:12:10 The informer?
00:12:11 Only that he's living here in the city with a woman named Juliana Carotti.
00:12:15 Be careful, Julio.
00:12:16 Vitale's like a mad dog.
00:12:18 Thanks for the information.
00:12:19 I appreciate it.
00:12:20 Bye.
00:12:21 Bye.
00:12:23 [MUSIC PLAYING]
00:12:26 [MUSIC PLAYING]
00:12:29 [MUSIC PLAYING]
00:12:32 [MUSIC PLAYING]
00:12:35 [MUSIC PLAYING]
00:12:38 [MUSIC PLAYING]
00:12:41 [MUSIC PLAYING]
00:12:44 [MUSIC PLAYING]
00:12:47 [MUSIC PLAYING]
00:12:50 [MUSIC PLAYING]
00:12:53 [MUSIC PLAYING]
00:12:56 [MUSIC PLAYING]
00:12:59 [MUSIC PLAYING]
00:13:02 [MUSIC PLAYING]
00:13:05 [MUSIC PLAYING]
00:13:08 [MUSIC PLAYING]
00:13:12 [MUSIC PLAYING]
00:13:15 (doorbell ringing)
00:13:18 (dramatic music)
00:13:21 (dramatic music)
00:13:24 (dramatic music)
00:13:26 (dramatic music)
00:13:29 (dramatic music)
00:13:32 (dramatic music)
00:13:35 (dramatic music)
00:13:37 (dramatic music)
00:13:40 (dramatic music)
00:13:43 (dramatic music)
00:13:46 - Better watch from there.
00:14:12 (dramatic music)
00:14:15 (dramatic music)
00:14:17 (dramatic music)
00:14:20 (dramatic music)
00:14:23 (dramatic music)
00:14:26 (dramatic music)
00:14:28 (dramatic music)
00:14:31 (dramatic music)
00:14:34 (dramatic music)
00:14:37 (dramatic music)
00:14:39 (dramatic music)
00:14:42 (dramatic music)
00:14:46 - Who does your dirty work?
00:14:48 You know what you got coming?
00:14:49 An informer's gotta die.
00:14:51 Understand, you fucking asshole?
00:14:55 You're finished.
00:14:56 - No!
00:14:58 - Yes, I'm gonna kill your friend,
00:15:15 and I'll do it very, very slow.
00:15:17 Gonna inflict much pain.
00:15:18 You're gonna hear a guy beg for his life, lady,
00:15:21 'cause he betrayed Nanny Vitali.
00:15:24 Read the paper.
00:15:25 Read it!
00:15:26 Read it!
00:15:27 Nanny Vitali, the dangerous criminal.
00:15:33 He's already killed two people.
00:15:35 You know what he's known as?
00:15:36 The mad dog murderer.
00:15:38 You afraid of me, are ya?
00:15:44 Huh?
00:15:45 You're not afraid of me?
00:15:46 - Let go! - Let me go!
00:15:48 Let me go!
00:15:49 - She's gonna hurt you!
00:15:51 - Come on, I don't stink like that stool pigeon,
00:15:57 and I like you.
00:15:58 - Let her go!
00:16:02 Let her go, will ya?
00:16:04 - Your girlfriend here is a winner.
00:16:06 Yeah, you got good taste, you know?
00:16:08 It's been a long time since I've had a woman,
00:16:12 and I really like women.
00:16:14 (whimpering)
00:16:17 - Is she a good lay, huh?
00:16:18 I'll find that out on my own.
00:16:20 - You dirty bastard!
00:16:21 - Back!
00:16:22 I'll find her right now.
00:16:23 - No!
00:16:24 - Step into my bedroom.
00:16:28 - Let her alone!
00:16:29 - Cut your hole!
00:16:30 - Go!
00:16:42 - Let me go!
00:16:43 - Let her go!
00:16:58 You fucking...
00:17:00 (screaming)
00:17:03 - No!
00:17:06 - Juliana!
00:17:09 No!
00:17:11 - No!
00:17:12 - No, you fucking bastard!
00:17:14 Leave her alone!
00:17:16 Leave her alone!
00:17:19 Come on!
00:17:21 - Stop it, stop!
00:17:22 - Stop it!
00:17:24 (grunting)
00:17:40 (screaming)
00:17:43 (grunting)
00:17:45 (screaming)
00:17:48 (grunting)
00:17:51 (screaming)
00:17:54 (grunting)
00:17:56 (grunting)
00:17:58 (grunting)
00:18:01 (grunting)
00:18:03 (grunting)
00:18:05 (grunting)
00:18:07 (grunting)
00:18:09 - No!
00:18:34 No, wait!
00:18:35 Don't kill him!
00:18:37, Don't kill him!
00:18:38 Don't kill him!
00:18:40 Don't kill him!
00:18:41 Don't kill him!
00:18:42 (grunting)
00:18:44 (grunting)
00:18:46 (grunting)
00:18:49 (grunting)
00:18:51 (grunting)
00:18:53 - Leave him to me.
00:19:07 (grunting)
00:19:09 (grunting)
00:19:12 (grunting)
00:19:14, (grunting)
00:19:16, (grunting)
00:19:18, (grunting)
00:19:21, (grunting)
00:19:23, (grunting)
00:19:25, (grunting)
00:19:27, (grunting)
00:19:29, (grunting)
00:19:32, (grunting)
00:19:34 (grunting)
00:19:36 (grunting)
00:19:38 (grunting)
00:19:41 (grunting)
00:19:43 (grunting)
00:20:01 (grunting)
00:20:03 (splashing)
00:20:14 - There.
00:20:22 (soft music)
00:20:29 (soft music)
00:20:31 (soft music)
00:20:34 (soft music)
00:20:37 (soft music)
00:20:53 (soft music)
00:20:56 - You see, I wasn't kidding.
00:21:16 One task,
00:21:19 and you get the same thing.
00:21:24 You understand?
00:21:26 Get your ass over there.
00:21:28 (grunting)
00:21:30 (grunting)
00:21:45 (grunting)
00:21:47 Step on it.
00:22:02 You ain't got much time.
00:22:06 (grunting)
00:22:08 Hey.
00:22:17 I want you to watch this.
00:22:21 (grunting)
00:22:25 Okay, that'll be enough.
00:22:28 Go get him.
00:22:29 (grunting)
00:22:31 (soft music)
00:22:34 (grunting)
00:22:53 (soft music)
00:22:56 - Bruno, Mario, come and get the line.
00:23:10 (soft music)
00:23:13 (soft music)
00:23:15 (screaming)
00:23:32 (splashing)
00:23:40 (soft music)
00:23:43 (horn honking)
00:24:01 (footsteps)
00:24:03 (engine rumbling)
00:24:21 (engine rumbling)
00:24:23 (engine rumbling)
00:24:34 (splashing)
00:24:47 (engine rumbling)
00:24:50 (gasping)
00:24:56 - She's leaving, Inspector.
00:25:00 She's carrying two bags.
00:25:02 - All right.
00:25:07 She'll be passing in a moment.
00:25:09 I'm here waiting.
00:25:10 (soft music)
00:25:16 (engine rumbling)
00:25:19 (soft music)
00:25:22 (engine rumbling)
00:25:25 (engine rumbling)
00:25:38 (engine rumbling)
00:25:50 (engine rumbling)
00:25:53 (engine rumbling)
00:26:01 (horn honking)
00:26:04 (engine rumbling)
00:26:07 (engine rumbling)
00:26:17 (engine rumbling)
00:26:19 (engine rumbling)
00:26:25 (engine rumbling)
00:26:30 (engine rumbling)
00:26:36 (engine rumbling)
00:26:46 (engine rumbling)
00:26:48 (horn honking)
00:27:13 (engine rumbling)
00:27:16 (engine rumbling)
00:27:28 - Wrong down.
00:27:36 (engine rumbling)
00:27:39 (knocking)
00:27:49 - Come in.
00:27:50 - Good afternoon.
00:27:56 - Who are you?
00:28:00 - Are you Juliana Caroli?
00:28:02 - Yes.
00:28:04 - Yeah?
00:28:05 - Inspector Santini, Homicide Squad.
00:28:10 - The police.
00:28:13 What do you want?
00:28:16 - I've got a few questions.
00:28:18 Are you a friend of a certain Barbareski?
00:28:21 - Yes.
00:28:22 Why?
00:28:24 - We're looking for him.
00:28:26 Thought you might help us find him.
00:28:30 (footsteps)
00:28:32 - Eto'o and I were separated.
00:28:39 I haven't seen him.
00:28:40 - Separated?
00:28:41 You want to explain that?
00:28:43 - If you're looking for Barbareski,
00:28:45 I'm sure you know everything about him.
00:28:47 Including the fact that I was his girlfriend.
00:28:51 - Touche.
00:28:52 - We had a fight, and we decided to separate.
00:28:59 The last I saw of him
00:29:01 was when I walked out of his house.
00:29:05 - Well.
00:29:06 May I sit down?
00:29:27 - Might I ask another question?
00:29:29 His friends.
00:29:30 While the two of you were together,
00:29:31 you must have met some people.
00:29:33 And some of those people just might be able to help me.
00:29:37 Tell me where I might find Barbareski.
00:29:40 - Well, I really can't say.
00:29:43 I just can't remember.
00:29:45 But Barbareski was the sales representative.
00:29:49 And well, there were a lot of people that I never knew.
00:29:53 - That's twice you referred to him in the past tense.
00:29:57 Care to explain that?
00:29:58 - Oh, it's only that.
00:30:00 I'm all confused.
00:30:02 - I understand.
00:30:04 One more thing.
00:30:05 Were you aware of his connection with the police?
00:30:08 - No, I knew nothing.
00:30:10 What connection?
00:30:11 What has he done?
00:30:13 - Nothing.
00:30:16 If you should happen to run into him,
00:30:22 tell him I'd like to talk to him.
00:30:24 You'll do that for me, won't you?
00:30:27 - Yes.
00:30:28 - Bye.
00:30:30 - Bye-bye.
00:30:34 (door closes)
00:30:36 (soft music)
00:31:02 (engine rumbles)
00:31:04 - There he is.
00:31:06 What did you find out?
00:31:23 - She says she doesn't know anything.
00:31:26 What's more, they're separated.
00:31:28 You guys will follow her for a while.
00:31:29 - Oh, we'll follow her.
00:31:30 - Why, Inspector?
00:31:31 Are you suggesting there's something wrong?
00:31:34 - Just a feeling I got, a real strong feeling.
00:31:36 She seemed, she seemed terrorized.
00:31:39 She was giving a performance of some kind.
00:31:41 I don't know why.
00:31:43 - Pappalardo, get out and keep an eye on her.
00:31:45 I'll send Mario to relieve you.
00:31:47 Don't let her out of your sight, huh?
00:31:49 - Don't worry.
00:31:50 (engine rumbles)
00:31:57 (tires screech)
00:31:59 - With this disguise, they'll never find me.
00:32:24 - Congratulations.
00:32:26 You handled the situation very well.
00:32:30 I see you're a good girl.
00:32:34 You remembered what I said.
00:32:37 I hate to waste words.
00:32:42 You're a beauty, but if you betray me, I'll kill you.
00:32:46 Try anything and you are dead, understand?
00:32:52 If you want to work for me, you obey, just like my men.
00:32:56 They're in hiding now,
00:32:58 and they won't move until I tell them to.
00:33:01 They know how much I like to kill.
00:33:04 You know how much I like to kill, don't you?
00:33:09 (grunts)
00:33:11 - I have a great job in mind,
00:33:32 and you're gonna help me do it.
00:33:38 - The police.
00:33:39 The police, they're looking for Barbareski, haven't you heard?
00:33:43 - Screw the police.
00:33:45 I'm as good as in fucking Africa.
00:33:48 Listen to me, and girl, you better listen good.
00:33:54 I don't want you to forget that Barbareski.
00:33:58 I'm your man now.
00:34:02 A real man.
00:34:07 I've got more than you ever had.
00:34:10 I'm that woman.
00:34:12 You belong to me.
00:34:18 I own you.
00:34:20 You'll play an important part in the job I got planned.
00:34:35 You'll get paid.
00:34:37 You're gonna get a pound of dough, you know.
00:34:42 You want me, don't you?
00:34:48 You want me.
00:34:51 Admit it, you want me.
00:34:56 You want me.
00:34:57 - Your job is to see your father and convince him to help.
00:35:18 - I haven't seen him for at least a year,
00:35:20 not since I went with Barbareski.
00:35:22 - That's even better.
00:35:24 You have a valid excuse.
00:35:26 You'll make up with your father and beg to return to his house.
00:35:30 Oh, won't he be glad to have his daughter again?
00:35:33 With a bag full of dough, I shall meet you at the airport.
00:35:37 I've got an acquaintance with some passports.
00:35:39 There'll be tickets for the two of us to Venezuela.
00:35:43 When the alarm goes off, we're already in the clear.
00:35:52 Won't it be dangerous?
00:35:54 - The problem is your father handing over the cash.
00:36:00 We'll just need ten minutes,
00:36:02 and you'd act the part of the repentant girl who wants to come home.
00:36:07 I know you can handle it.
00:36:11 - Of course.
00:36:13 - You won't need it, but I want you to carry a gun.
00:36:20 That'll really be a trip.
00:36:22 Don't worry.
00:36:23 Don't worry.
00:36:28 There will be no bloodshed.
00:36:30 Don't worry.
00:36:42 (gunshots)
00:36:45 (gunshots)
00:36:47 (moaning)
00:36:59 (moaning)
00:37:01 - Might I have a light, sir?
00:37:29 - You see anything?
00:37:31 - No, there she is now, after three days.
00:37:34 - Got her.
00:37:35 (train rumbling)
00:37:37 (train rumbling)
00:37:39 (train rumbling)
00:37:41 (train rumbling)
00:37:53 (train rumbling)
00:37:56 (train rumbling)
00:38:24 (car horn honking)
00:38:26 - This is the naked face of Nanny Vitale.
00:38:31 But he also assumes these disguises.
00:38:35 I want you to cover everything.
00:38:37 Airport, train station, the port, every avenue of exit.
00:38:40 I want roadblocks not only in the city, but on the throughways, every avenue of--
00:38:43 - Excuse me, Inspector.
00:38:44 That lady in question is here.
00:38:46 She just walked in.
00:38:47 - What lady?
00:38:48 (bell ringing)
00:38:50 - Yeah?
00:38:53 - Juliana Caroli.
00:38:55 Sure, have her come in.
00:38:58 All right, all of you, out of here.
00:39:01 No, you stay.
00:39:02 - Sir, listen, Bianchi, before you file that thing--
00:39:04 - Yeah, yeah, you get your copy, don't worry.
00:39:07 - Excuse me, sir, there's a Miss Caroli here to see you.
00:39:11 - Sure, yeah.
00:39:12 - Hello.
00:39:21 - Hello.
00:39:22 Won't you sit down?
00:39:24 (dramatic piano music)
00:39:44 - A ferocious criminal, that fella.
00:39:50 - Barbareschi knew him well.
00:39:52 - Barbareschi is dead, he killed him.
00:40:16 He said he was a spy, a still pigeon.
00:40:19 And he murdered him.
00:40:23 They buried him, and they covered his body with lime.
00:40:29 And he was screaming.
00:40:32 And he made me look at everything.
00:40:39 Everything, I saw everything.
00:40:43 (sobbing)
00:40:45 I can still hear him begging.
00:40:52 I was completely numb.
00:40:54 Nanni did whatever he wanted with me.
00:40:58 He raped me.
00:41:02 He threatened me with the same end as Barbareschi.
00:41:08 I was terrified.
00:41:12 From that night on, life has been a nightmare.
00:41:16 Oh my God, I'm so scared.
00:41:20 I'm so scared.
00:41:23 The day you came to see me,
00:41:36 I wouldn't have talked to you if you had burned me alive.
00:41:42 - He was there, in the next room.
00:41:45 - Friday, at three o'clock.
00:41:50 It's the office of a powder factory.
00:41:53 Then we go to the airport to meet someone, I don't know who.
00:41:57 He'll give us tickets and passports to Venezuela.
00:42:00 - Give me the commissioner.
00:42:05 - I left my father's house a year ago.
00:42:08 He works as a guard in that factory.
00:42:10 I'm supposed to distract him while Nanni is robbing the payroll.
00:42:13 My own father, and I haven't seen my dad for over a year.
00:42:19 And I'm so afraid he'll probably be shot right in front of my eyes.
00:42:24 Because my father isn't the type to throw up his hands
00:42:30 if someone points a gun at him.
00:42:32 My father'd react.
00:42:34 It'd be a massacre.
00:42:39 It's not going to happen.
00:42:41 The robbery will take place as planned,
00:42:44 but my agents will substitute for the factory personnel.
00:42:47 The money will be false, too.
00:42:49 I'll talk to your father.
00:42:51 The bandits are sure to know what he looks like, so he'll have to be there.
00:42:54 But don't worry, he'll be all right.
00:42:56 - And me?
00:42:58 - You do your bit like Nanni ordered.
00:43:00 I'll take care of the rest, you can trust me.
00:43:02 - Do you? - Yes.
00:43:07 - Do you? - Yes.
00:43:09 Okay, get out.
00:43:27 And pay me the fare.
00:43:36 - Just act natural. - How much is it?
00:43:39 Will this cover it?
00:43:41 And they say women are bad tippers.
00:43:44 Don't leave the hotel before Friday.
00:43:47 - You can bet on that. - And don't lose your nerve.
00:43:49 - Everything will go all right. - Yeah.
00:43:51 Juliana, for now, do whatever you want to.
00:43:58 You're under my personal protection, understand?
00:44:01 Bye.
00:44:04 I'll see you on Friday, bye.
00:44:06 Taxi!
00:44:16 Oh, taxi, such good fortune. Here, take this.
00:44:20 - Sorry, lady, I'm off duty. - I have to get a vehicle before serious dog work comes.
00:44:24 Get in, darling.
00:44:25 They specialize in dog beauty.
00:44:30 If he doesn't have his Monday dandruff shampoo, he gets so depressed.
00:44:33 - Please hurry, won't you? - Okay, lady, we'll get your doggy to the beauty parlor.
00:44:37 He gets so depressed, it's awful. He's attempted suicide six times.
00:44:41 (SIREN WAILING)
00:44:43 (ENGINE REVVING)
00:44:46 (SIREN WAILING)
00:44:49 (SIREN WAILING)
00:44:52 (ENGINE REVVING)
00:44:55 (SIREN WAILING)
00:44:58 (SIREN WAILING)
00:45:00 (ENGINE REVVING)
00:45:08 (ENGINE REVVING)
00:45:36 The ways of the Lord are mysterious.
00:45:39 To see you again is all that counts.
00:45:42 The commissioner told me the whole story
00:45:45 when it was decided to accept his plan to trap these criminals.
00:45:48 Only what's your part in this business? I don't understand.
00:45:52 Explain it to me, Juliana.
00:45:55 Please, Papa, don't ask me now.
00:45:59 Of course I'll explain, but...
00:46:03 Now I just want to say how happy I am to see you.
00:46:06 That's all I had to hear.
00:46:08 It's sad to have a daughter and not to see her for more than a year.
00:46:11 I missed you, Juliana.
00:46:15 The substitutes have arrived. It's already a quarter of.
00:46:32 (ENGINE REVVING)
00:46:34 Hold it!
00:46:47 Engine here!
00:46:49 When moving, I'll blow your head off.
00:46:53 Heads up!
00:46:54 Back away from that boat.
00:46:56 Move, move!
00:46:58 This is a stick-up. Everybody freeze!
00:47:01 (SUSPENSEFUL MUSIC PLAYING)
00:47:03 What nice obedient pigs.
00:47:17 (SUSPENSEFUL MUSIC PLAYING)
00:47:19 We got it, Nanny! Let's go!
00:47:39 (GUNSHOT)
00:47:42 So much for heroics, pal. Let's go.
00:47:44 The police!
00:47:46 The police!
00:47:47 -Cutting losses! I'll blow her head off! -Back inside!
00:47:52 (SCREAMING)
00:47:53 Hold it!
00:47:59 Well, look who it is.
00:48:06 Take the girls along. We'll need them as hostages.
00:48:09 Inspector Santini.
00:48:15 So nice to see you, Inspector Santini.
00:48:19 Unfortunately, I can't stop and visit with you. Drop your guns.
00:48:23 All of you. All right, outside. Move.
00:48:26 You're a filthy hyena.
00:48:28 And you have the courage of one.
00:48:31 You're only brave as long as you've got that gun.
00:48:33 So you can terrorize helpless females.
00:48:36 (SCREAMING)
00:48:42 (SCREAMING)
00:48:43 Now you all stay put.
00:48:54 One move and you're dead.
00:48:56 Better do what he says. Let him get away.
00:48:59 That's what's called using your head.
00:49:02 (SCREAMING)
00:49:07 (GUNSHOTS)
00:49:11 (SCREAMING)
00:49:12 Outside! Get going!
00:49:13 -Stay where you are. -I'll try it.
00:49:19 Get the girls in that truck. Go! Go!
00:49:23 Go on!
00:49:24 Drop your guns. Drop them!
00:49:26 Get in there. All of you. Move!
00:49:30 What are you standing there for? Get in and drive!
00:49:33 Get in! Get in!
00:49:34 Get going!
00:49:36 (SCREAMING)
00:49:37 -Where's the fireman? -There.
00:49:53 Can we get a stretcher over here?
00:49:54 This is Santini.
00:50:00 A woman was killed and they wounded one of my men.
00:50:03 They took hostages.
00:50:04 It's a signal seven. Get all roads blocked.
00:50:06 I'd say we did okay.
00:50:09 Okay, shit. They set a trap.
00:50:11 Someone ratted.
00:50:12 -Could it be our friend? -No, not that guy.
00:50:14 The son of a bitch is too greedy.
00:50:15 Oh, Jesus Christ, it's the cops.
00:50:22 We got the girls.
00:50:23 Don't worry.
00:50:25 What are you doing? Are you crazy?
00:50:30 (GUNSHOT)
00:50:33 (GUNSHOT)
00:50:34 Get up.
00:50:37 Come on, hurry!
00:50:39 (ENGINE STARTS)
00:50:41 (ENGINE STARTS)
00:50:43 (ENGINE STARTS)
00:50:45 (ENGINE STARTS)
00:50:46 (SIREN WAILING)
00:51:04 (SIREN WAILING)
00:51:05 We got the hostages.
00:51:15 Let us pass or they get it.
00:51:17 They're all safe.
00:51:18 All right, wise guy.
00:51:19 One false move and I'll shoot.
00:51:22 Come out of that car.
00:51:23 (SUSPENSEFUL MUSIC PLAYING)
00:51:25 (SUSPENSEFUL MUSIC PLAYING)
00:51:26 (ENGINE STARTS)
00:51:40 (ENGINE STARTS)
00:51:44 (TIRES SCREECHING)
00:51:49 (GUNSHOTS)
00:51:50 (TIRES SCREECHING)
00:51:55 It's all right, it's all over.
00:52:00 You're a brave girl.
00:52:02 But now he knows it was me who pulled the double cross.
00:52:06 He'll look for me.
00:52:11 You're right.
00:52:13 There's no doubt about it.
00:52:14 He'll look for you.
00:52:15 But the police will protect you.
00:52:19 (ENGINE STARTS)
00:52:20 Give him some iodine and a band-aid.
00:52:34 Then we're gonna go for a little ride.
00:52:36 (POLICE SIREN WAILING)
00:52:44 (HORN HONKING)
00:52:45 (HORN HONKING)
00:52:46 (TIRES SCREECHING)
00:52:48 (TIRES SCREECHING)
00:53:01 (CAR DOOR SLAMS)
00:53:07 (CAR DOOR SLAMS)
00:53:08 (HORN HONKING)
00:53:17 Rosa.
00:53:23 (SPEAKING ITALIAN)
00:53:25 Ciao.
00:53:27 (GROANS)
00:53:34 (HORN HONKING)
00:53:35 (GROANS)
00:53:37 You're looking well.
00:53:40 Why don't we sit here?
00:53:44 I don't have much time, Rosa.
00:53:51 They're hot after me, the police.
00:53:53 When they learn I have a sister, they'll be around.
00:53:55 They'll think that you're hiding me.
00:53:59 You shouldn't even be here.
00:54:03 I read about your escape in the newspapers.
00:54:05 I figured you'd be out of the country by now.
00:54:09 That's what I'm gonna do.
00:54:15 First, I've got a few things to attend to.
00:54:18 There's a whore who turned me in.
00:54:20 And I mean to pay her back, sis.
00:54:22 You have to help me.
00:54:25 Tell the police I'm in town, that you've seen me.
00:54:30 They'll set their roadblocks to try and get me.
00:54:33 Instead, I'll be in town,
00:54:35 making hamburger out of that motherfucker.
00:54:38 Have you any money?
00:54:45 These are all false.
00:54:52 All counterfeit.
00:54:54 Only good for the movies.
00:54:56 I'm sorry.
00:54:57 How much did you bring?
00:55:02 Really, this is all I could afford, Nanny.
00:55:08 How's the bar going?
00:55:17 Not so good.
00:55:19 Look, Nanny, is it too much to ask?
00:55:24 Yes.
00:55:25 I'm going away.
00:55:27 Thank you.
00:55:37 Ciao.
00:55:42 Ciao.
00:55:43 [bell ringing]
00:55:45 [bell ringing]
00:55:46 [horn blowing]
00:55:52 [horn blowing]
00:55:53 [horn blowing]
00:55:54 [horn blowing]
00:55:55 [horn blowing]
00:55:56 [horn blowing]
00:55:57 [horn blowing]
00:55:59 [horn blowing]
00:56:01 [horn blowing]
00:56:03 [horn blowing]
00:56:05 [horn blowing]
00:56:07 [horn blowing]
00:56:09 [horn blowing]
00:56:11 [horn blowing]
00:56:13 [horn blowing]
00:56:15 [horn blowing]
00:56:17 [horn blowing]
00:56:19 [horn blowing]
00:56:21 [horn blowing]
00:56:24 [horn blowing]
00:56:25 [horn blowing]
00:56:27 [horn blowing]
00:56:29 [horn blowing]
00:56:31 [horn blowing]
00:56:32 [horn blowing]
00:57:01 We found him.
00:57:02 You know nothing about it, right?
00:57:10 The bitch squealed on us.
00:57:12 But you ain't got Nanny.
00:57:14 And he's gonna fry your ass.
00:57:16 You've got a life sentence facing you as an accomplice.
00:57:21 It might pay to talk.
00:57:26 Where's Nanny hiding?
00:57:28 I had nothing to do with it.
00:57:30 It was Nanny.
00:57:31 I swear it.
00:57:32 That candy-ass son of a bitch.
00:57:33 Put her in the car.
00:57:35 Call a coroner.
00:57:38 And an ambulance.
00:57:39 Right.
00:57:40 I know he's going to kill me.
00:57:43 Now don't you worry, miss.
00:57:45 We'll get him.
00:57:47 I'm so afraid.
00:57:48 This is Pappalardo.
00:57:50 Regio?
00:57:51 The inspector wants an ambulance.
00:57:52 And call the coroner.
00:57:53 We found the body.
00:57:54 Huh?
00:57:56 What were you saying?
00:57:57 That you're frightened?
00:57:58 And you think I'm not?
00:57:59 Yeah, it's dangerous just being alive.
00:58:01 It's dangerous just being alive.
00:58:30 There's a guard inside the entrance.
00:58:31 And out here, two of them.
00:58:33 There's another inside the pension.
00:58:35 As well as two on the terrace.
00:58:36 You'll be just fine.
00:58:38 He wants me dead.
00:58:41 He wants me dead.
00:58:42 Danger excites him.
00:58:43 Turns him on.
00:58:45 I appreciate you're doing your best.
00:58:47 But there's no way that I'll feel safe until...
00:58:51 Well, until he's been caught again.
00:58:53 If he doesn't kill me.
00:58:56 Try to relax and get some sleep if you can.
00:59:00 Thanks.
00:59:01 I'll try.
00:59:03 Thanks.
00:59:04 I'll try.
00:59:06 Thanks.
00:59:07 I'll try.
00:59:08 I'll try.
00:59:09 I'll try.
00:59:10 I'll try.
00:59:11 I'll try.
00:59:13 I'll try.
00:59:15 I'll try.
00:59:17 I'll try.
00:59:19 I'll try.
00:59:21 I'll try.
00:59:23 [Music]
00:59:25 [Music]
00:59:27 [Music]
00:59:28 [Music]
00:59:33 [Music]
00:59:37 [Music]
00:59:42 [Music]
00:59:47 [Music]
00:59:54 [Music]
00:59:55 [Music]
01:00:00 [Music]
01:00:06 [Music]
01:00:12 [Music]
01:00:18 [Music]
01:00:19 [Music]
01:00:22 Hello?
01:00:34 Sure.
01:00:39 [Gunshot]
01:00:42 [Screams]
01:00:43 You got him!
01:00:46 What happened?
01:00:47 [Groans]
01:00:48 Julianna!
01:00:50 Julianna!
01:00:52 There.
01:00:54 [Gunshot]
01:00:56 [Gunshot]
01:00:58 I've got him spotted. He's on that top floor terrace.
01:01:00 [Gunshot]
01:01:02 [Gunshot]
01:01:04 It was him.
01:01:07 Him and he shot me.
01:01:09 He's on the terrace.
01:01:11 Across the way.
01:01:12 [Gunshot]
01:01:13 My leg is bleeding but it's not serious.
01:01:15 I told you he was around. I could just feel it.
01:01:18 I told you he was insane.
01:01:21 [Gunshot]
01:01:23 [Gunshot]
01:01:25 [Gunshot]
01:01:27 [Gunshot]
01:01:29 [Gunshot]
01:01:31 [Gunshot]
01:01:33 [Gunshot]
01:01:35 [Gunshot]
01:01:37 Watch out! He's getting away!
01:01:40 [Music]
01:01:43 [Music]
01:01:44 What's up?
01:01:56 Manzoni's boy. It's good he knew the girl was hit.
01:01:58 Damn!
01:01:59 She was on top of the building across the way.
01:02:03 Had a high-powered rifle.
01:02:04 On the roof.
01:02:05 There wasn't much we could do.
01:02:06 Move it!
01:02:07 As soon as I heard the shot I ran in.
01:02:08 But the girl was already wounded.
01:02:11 Manzoni, huh?
01:02:12 Right down here.
01:02:13 I ran as quickly as I could.
01:02:14 It's never quick enough. Hurry!
01:02:15 I heard shots. What's going on?
01:02:19 [Bell Ringing]
01:02:28 [Bell Ringing]
01:02:29 [Bell Ringing]
01:02:31 [Bell Ringing]
01:02:33 [Bell Ringing]
01:02:35 [Bell Ringing]
01:02:37 [Bell Ringing]
01:02:39 [Bell Ringing]
01:02:41 [Bell Ringing]
01:02:43 [Bell Ringing]
01:02:45 He came to see you?
01:02:47 Yes. After all, I am his sister.
01:02:50 You work. You're above reproach.
01:02:53 But don't you read the newspapers?
01:02:55 Nanny's a killer. And he's gonna continue killing.
01:02:58 You've got to help us find him.
01:03:00 He hasn't been all right in the head from when he was a little boy.
01:03:03 He'd always argue and boast.
01:03:05 He'd have no patience at all.
01:03:07 A very cruel kid.
01:03:09 It was only when the old man took his belt off and gave him a spanking he would quit.
01:03:12 When he was first arrested he was only 11.
01:03:14 Burned his friend because he bugged him.
01:03:17 Where is he?
01:03:19 Do you know where he's staying?
01:03:21 No.
01:03:23 In town someplace.
01:03:24 Ah. Look, please.
01:03:26 If you can help me, help me.
01:03:29 It's better in every way.
01:03:31 Nanny's dangerous.
01:03:36 You could be arrested for complicity.
01:03:40 Well, kid, it's good to see you don't let your butt out of prison.
01:03:45 When did they let you go?
01:03:47 Thursday. They couldn't prove a thing.
01:03:49 You blasted the cop?
01:03:53 You're kidding. I got him right between the eyes.
01:03:55 Good.
01:03:58 That's why I need you.
01:04:00 Wouldn't you do the same?
01:04:02 If you had to?
01:04:04 That body they found, that Barbareski, wasn't that your work?
01:04:06 First lesson, don't ask so many questions.
01:04:08 Sir.
01:04:12 There he is. Come on.
01:04:14 Get in the back.
01:04:22 Move over. I'll drive.
01:04:23 What do you want with me?
01:04:25 Get in.
01:04:26 Take a look at your daddy.
01:04:33 Doesn't look so high and mighty now, does he?
01:04:35 This is one of my favorite streets in the city.
01:04:38 You like it, Judge?
01:04:39 This street is a dead end. You're both dead enders.
01:04:42 Shut up.
01:04:44 You listen to that old fart.
01:04:45 He thinks he's in his courtroom. Right, Nanny?
01:04:47 Right, Nanny?
01:04:48 Nanny Vitale. Now I recognize you.
01:04:56 Nanny Vitale.
01:04:58 They say there's no fool like an old fool.
01:05:02 You put me in prison and now I'm a freak.
01:05:06 And you're fucked.
01:05:09 Yeah, you are fucked.
01:05:14 Yeah, my old friend is now my prisoner, Judge Samson.
01:05:17 And you, you feeble-minded son of a bitch.
01:05:23 I'm gonna keep your son off my hands.
01:05:27 Car 137. Come in, Car 137.
01:05:34 You got Car 137? This is Pappalardo speaking.
01:05:38 We got a weird call for the inspector. Sounds like trouble.
01:05:40 I'll get him. Meanwhile, try to find out where the call is coming from.
01:05:43 Put a tracer on it. Santini!
01:05:45 Inspector, there's a call for you. It's urgent.
01:05:48 What is it?
01:05:51 Yes? Inspector Santini?
01:05:54 Yes, Carlo.
01:05:56 Your sister's on the line.
01:05:57 What?
01:05:58 Carla? What is it?
01:06:03 We're in trouble, Giulio. We're in...
01:06:05 Listen, Inspector. Stand still, you.
01:06:11 We're taking a little trip with your sister.
01:06:13 No, she's not alone. We got your father as well as your sister.
01:06:17 My father?
01:06:18 That's right, Inspector.
01:06:19 Is this some kind of joke?
01:06:21 Who are you? What are you telling me?
01:06:23 If you got any smarts, you'll listen.
01:06:26 You don't know who's speaking, Inspector?
01:06:28 An old friend of the family.
01:06:30 You better cooperate, you son of a bitch.
01:06:33 Figure out who I am yet?
01:06:35 One guess and you'll probably hit it right.
01:06:37 Never mind. I'll tell you.
01:06:39 Nanni Vitale.
01:06:41 I have no time to waste.
01:06:42 You know I don't play games.
01:06:44 If you want to see your family again, you better cooperate.
01:06:47 A hundred million and guarantee our getaway
01:06:50 and the judge and your sister will be freed.
01:06:52 You're a coward.
01:06:54 You think you're a genius, but you're just a common killer.
01:06:57 There's a whole race of people like you, Vitale.
01:06:59 If you had half the guts that you pretend to have,
01:07:02 you'd meet me face to face. Coward!
01:07:04 Listen, you motherfucker.
01:07:06 Don't you push me or I'll knock them off immediately.
01:07:09 I'll call you back in three days and you better be ready or else.
01:07:12 Go on, move.
01:07:15 Get in the back. I'm going to drive.
01:07:17 We've traced that call, Inspector.
01:07:31 It was made from a public phone booth near San Vergaro,
01:07:34 about a hundred kilometers north of the city.
01:07:36 Orders?
01:07:38 No, sit tight. I'll be coming in.
01:07:39 Advise the commissioner I have to see him immediately.
01:07:42 Did you tape the call?
01:07:44 Yes, sir.
01:07:45 Hurry up.
01:07:50 (knocking)
01:07:52 (engine starting)
01:07:53 (tires screeching)
01:07:57 (engine revving)
01:08:01 (sad music)
01:08:04 (sad music)
01:08:08 (sad music)
01:08:09 What's your guess? Is she still a virgin?
01:08:26 If she is, we'll have to show her the light.
01:08:30 (engine revving)
01:08:31 Cops.
01:08:41 Get ready.
01:08:45 (dramatic music)
01:08:48 (dramatic music)
01:08:49 (dramatic music)
01:08:50 (dramatic music)
01:08:53 (dramatic music)
01:08:55 (dramatic music)
01:08:57 (dramatic music)
01:08:59 (dramatic music)
01:09:01 (dramatic music)
01:09:03 (dramatic music)
01:09:05 (dramatic music)
01:09:07 (dramatic music)
01:09:09 (dramatic music)
01:09:11 (dramatic music)
01:09:13 (dramatic music)
01:09:15 (dramatic music)
01:09:18 (dramatic music)
01:09:19 (dramatic music)
01:09:21 (dramatic music)
01:09:23 (dramatic music)
01:09:25 (dramatic music)
01:09:27 (dramatic music)
01:09:29 (dramatic music)
01:09:31 (dramatic music)
01:09:33 (dramatic music)
01:09:35 (dramatic music)
01:09:37 (dramatic music)
01:09:39 (dramatic music)
01:09:41 (dramatic music)
01:09:43 (dramatic music)
01:09:46 (dramatic music)
01:09:47 (dramatic music)
01:09:49 (dramatic music)
01:09:51 (dramatic music)
01:09:53 (dramatic music)
01:09:55 (dramatic music)
01:09:57 (gunshots)
01:09:59 (screaming)
01:10:01 - Murderer!
01:10:03 (screaming)
01:10:05 - Ah, shut up!
01:10:07 (tires screeching)
01:10:09 (engine revving)
01:10:11 (tires screeching)
01:10:13 (phone ringing)
01:10:15 (phone ringing)
01:10:16 (phone ringing)
01:10:18 - Yes? - Juliana, how are you?
01:10:20 - Oh, it's you.
01:10:22 I'm really much better, thank you.
01:10:24 - Glad to hear it.
01:10:26 - Tell me, have you heard any news yet?
01:10:28 - Yeah, the man murdered two policemen.
01:10:30 - And your family?
01:10:32 - My plan is to pretend to cooperate.
01:10:34 - Oh, please be careful.
01:10:36 He's a vicious beast.
01:10:38 - I can't wait to get my hands on him.
01:10:40 Hold on a second.
01:10:42 Argenti, get me this material right away.
01:10:44 - I'm back.
01:10:45 - I'll let you know as soon as I hear anything.
01:10:47 Stay put. - All right, and thanks.
01:10:49 - Bye, Juliana.
01:10:51 (sighs)
01:10:53 (gentle music)
01:10:57 - Thanks.
01:11:13 - You're as gentle as your mama was.
01:11:14 It's almost as though she were alive.
01:11:16 I'll be happy when you're living in this house again
01:11:19 and when all this is finished.
01:11:21 The years of passing and solitude is really no fun.
01:11:25 - Papa, don't think about that now.
01:11:27 Come here.
01:11:29 Look, you're such a mess.
01:11:31 Here's how you wear a tie.
01:11:33 (gentle music)
01:11:36 It's okay.
01:11:42 (sighs)
01:11:43 Come on, get the lead out.
01:11:45 You sure about the car?
01:11:54 - That lake's so deep, they'll never find it.
01:11:56 - Good boy.
01:11:58 You know this area pretty well, huh?
01:12:07 - Like the back of my hand.
01:12:09 I was born here.
01:12:11 - I'm sorry about a thing.
01:12:12 - I can't walk any further.
01:12:14 I'm tired.
01:12:17 - Here, their hounds won't do them any good either.
01:12:26 Too many smells.
01:12:28 Okay, folks, let's all get a little rest.
01:12:34 Here.
01:12:41 (door creaking)
01:12:42 (panting)
01:12:47 (grunting)
01:12:56 (crying)
01:12:57 - Sweet dreams.
01:13:23 - Sweet dreams.
01:13:24 - Good night.
01:13:44 (crickets chirping)
01:13:45 - Papa, Papa.
01:13:57 - Yes, dear?
01:13:59 Try to be brave.
01:14:01 - I'm afraid, Papa.
01:14:04 I'm afraid.
01:14:11 - Do you think Julia can save us?
01:14:12 I can't forget those murders.
01:14:16 I mean, those two that they shut down.
01:14:18 - We can only hope for the best, Cuddler.
01:14:20 Our life, it's true, is in foul hands.
01:14:26 Julia will do everything that he can,
01:14:30 everything that's possible.
01:14:32 Those two are mad, criminally insane.
01:14:40 (crying)
01:14:41 - Here we got nothing to worry about.
01:14:52 It was a factory until they abandoned it.
01:14:55 Who knows why.
01:14:57 More than once, I used it as a hideout.
01:14:59 They never even came near.
01:15:01 - You're gonna do some traveling.
01:15:04 If you stick with me, you're a good kid.
01:15:09 - Thanks.
01:15:10 You're my hero.
01:15:12 I try to imitate you, but I've got a long way to go.
01:15:14 - I'm very tired.
01:15:22 I need to lie down.
01:15:24 I got to rest.
01:15:26 You keep guard.
01:15:28 Just for a couple of hours.
01:15:30 Think you can hack it?
01:15:38 - I need to rest.
01:15:39 - Why not?
01:16:07 (engine rumbling)
01:16:08 - There it is, turn in here.
01:16:13 (engine rumbling)
01:16:15 (engine rumbling)
01:16:17 (engine rumbling)
01:16:18 (engine rumbling)
01:16:20 (engine rumbling)
01:16:22 (birds chirping)
01:16:26 (door slams)
01:16:29 (door creaks)
01:16:32 (door slams)
01:16:36 (door creaks)
01:16:45 (door creaks)
01:16:46 (door creaks)
01:16:48 (door creaks)
01:16:50 (door creaks)
01:16:52 (door creaks)
01:16:54 (door creaks)
01:16:56 (door creaks)
01:16:58 (door creaks)
01:17:00 (door creaks)
01:17:02 (door creaks)
01:17:04 (door creaks)
01:17:06 (engine rumbling)
01:17:08 (engine rumbling)
01:17:10 (engine rumbling)
01:17:12 (engine rumbling)
01:17:14 (engine rumbling)
01:17:15 (engine rumbling)
01:17:17 (engine rumbling)
01:17:19 (engine rumbling)
01:17:21 (engine rumbling)
01:17:23 (engine rumbling)
01:17:25 (engine rumbling)
01:17:27 (woman screams)
01:17:29 - Eat your breakfast.
01:17:31 - I don't want to eat.
01:17:33 I'm not hungry.
01:17:35 - So who gives a shit?
01:17:36 You gonna be a martyr too?
01:17:41 (man coughs)
01:17:44 (man coughs)
01:17:45 (door slams)
01:17:48 - I'm thirsty.
01:17:51 - So have a drink, twat.
01:17:53 Today's the big day.
01:18:08 Bimbo went to call your brother.
01:18:11 He's sick.
01:18:12 You won't be seen ever again.
01:18:14 He does what I told him to, you live.
01:18:16 Just better damn well do what I say.
01:18:21 (sighs)
01:18:23 (birds chirping)
01:18:28 (door creaks)
01:18:30 (door creaks)
01:18:32 (birds chirping)
01:18:34 (birds chirping)
01:18:36 (birds chirping)
01:18:38 (door creaks)
01:18:40 (birds chirping)
01:18:41 (birds chirping)
01:18:43 (birds chirping)
01:18:45 (birds chirping)
01:18:47 (birds chirping)
01:18:49 (birds chirping)
01:18:51 (birds chirping)
01:18:53 (birds chirping)
01:18:55 (phone rings)
01:18:57 - Yep.
01:18:59 - Inspector, he just called.
01:19:01 We got it on tape.
01:19:03 He was calling from Sant'Agata.
01:19:05 - We got it.
01:19:07 Looks like they're not far from this zone.
01:19:09 - I got a call from Sant'Agata.
01:19:10 Let me hear that recording.
01:19:12 - Here goes.
01:19:14 You better pay strict attention, buddy,
01:19:16 'cause I'm not gonna tell you twice.
01:19:18 Here's what you have to do.
01:19:20 At one o'clock, leave the package with the money
01:19:22 and invite them over.
01:19:24 - That's not Danny's voice.
01:19:26 - No, sir.
01:19:28 The investigation of the murder of those highway patrolmen
01:19:30 showed he had an accomplice.
01:19:32 It's since been ascertained that his name
01:19:34 is Aldo Spaccese, alias Bimbo.
01:19:36 He was charged recently with murdering a policeman
01:19:38 at one o'clock.
01:19:39 Leave the package with the money
01:19:41 and find a fountain in the Sant'Agata marketplace.
01:19:43 You'll see an old beggar there.
01:19:45 Just drop in next to him.
01:19:47 The two hostages will be freed the next day.
01:19:49 If there are any tricks
01:19:51 or if you make any attempt to follow us,
01:19:53 you'll get two fresh corpses.
01:19:55 - Mother.
01:19:57 - That's it, sir.
01:19:59 Like I told you, the call was placed from a booth
01:20:01 in the main square in Sant'Agata.
01:20:03 We've already advised Inspector Santoro
01:20:05 your opposite number there.
01:20:07 - All right.
01:20:08 Just see that no one moves except on my orders.
01:20:10 - Got it, sir.
01:20:12 - They're around here.
01:20:18 They'll hide others around here.
01:20:20 And I'll find it.
01:20:22 (suspenseful music)
01:20:24 (suspenseful music)
01:20:26 (suspenseful music)
01:20:27 (suspenseful music)
01:20:29 (suspenseful music)
01:20:31 (suspenseful music)
01:20:33 (suspenseful music)
01:20:35 (suspenseful music)
01:20:37 (suspenseful music)
01:20:39 (suspenseful music)
01:20:41 (suspenseful music)
01:20:43 (suspenseful music)
01:20:45 (suspenseful music)
01:20:47 (suspenseful music)
01:20:49 (suspenseful music)
01:20:51 (suspenseful music)
01:20:54 (suspenseful music)
01:20:55 (suspenseful music)
01:20:57 (suspenseful music)
01:20:59 (suspenseful music)
01:21:01 (suspenseful music)
01:21:03 (suspenseful music)
01:21:05 (suspenseful music)
01:21:07 (suspenseful music)
01:21:09 (suspenseful music)
01:21:11 (suspenseful music)
01:21:13 - Leave everything here.
01:21:15 (footsteps)
01:21:17 That old factory over there, I saw someone in it.
01:21:20 I got a feeling that we're in business.
01:21:23 - Now all we gotta do is wait.
01:21:24 - You say.
01:21:26 I'm not so sure of that.
01:21:28 It's unwise to trust them.
01:21:30 They'll try to trap us.
01:21:32 - They'll do exactly what they're told to do.
01:21:34 We got the hostages, Nani.
01:21:36 And they're his father and his sister.
01:21:38 - Just watch.
01:21:40 Little brother will come through.
01:21:42 (footsteps)
01:21:44 (footsteps)
01:21:46 (water splashing)
01:21:48 (grunting)
01:21:50 (panting)
01:21:52 (grunting)
01:21:53 - Papa!
01:21:55 (gunshots)
01:21:57 (screaming)
01:21:59 Papa!
01:22:01 (punching)
01:22:03 - I just shoot him for you, crazy!
01:22:05 - I'm sorry, I lost my temper.
01:22:07 - You're lucky you don't get a bullet in the brain.
01:22:09 - Check outside.
01:22:11 - I told you, no one ever comes here.
01:22:13 (footsteps)
01:22:15 - Hey!
01:22:17 (screaming)
01:22:19 - He needs a doctor!
01:22:21 - He's hurting my friend!
01:22:22 - Shut up, I'm warning you!
01:22:24 Shut your ass!
01:22:26 - Murderer!
01:22:28 - Shut up or I'll kill you right now!
01:22:30 - No, you can't kill me!
01:22:32 No!
01:22:34 - Shut up, will you?
01:22:36 - You can't kill me because you need me!
01:22:38 Murderer!
01:22:40 You're not going to kill me!
01:22:42 - See this razor?
01:22:44 (crying)
01:22:46 (crying)
01:22:48 (crying)
01:22:51 (crying)
01:22:52 (crying)
01:22:54 (crying)
01:22:56 (crying)
01:22:58 (crying)
01:23:00 (crying)
01:23:02 (crying)
01:23:04 (crying)
01:23:06 (crying)
01:23:08 (crying)
01:23:10 (crying)
01:23:12 (crying)
01:23:14 (crying)
01:23:16 (crying)
01:23:19 (crying)
01:23:20 (crying)
01:23:22 (crying)
01:23:24 (crying)
01:23:26 (crying)
01:23:28 (crying)
01:23:30 (crying)
01:23:32 - Carla!
01:23:34 It's Carla!
01:23:36 Filthy son of a...
01:23:38 You better call for help, go on!
01:23:40 - What do you mean?
01:23:42 You want me to leave you here alone?
01:23:44 - Get going!
01:23:46 (footsteps)
01:23:48 (footsteps)
01:23:49 (footsteps)
01:23:57 (footsteps)
01:23:59 (footsteps)
01:24:01 (footsteps)
01:24:03 (footsteps)
01:24:05 (footsteps)
01:24:07 (footsteps)
01:24:09 (footsteps)
01:24:11 (footsteps)
01:24:13 (footsteps)
01:24:16 (footsteps)
01:24:17 (footsteps)
01:24:19 (footsteps)
01:24:21 (footsteps)
01:24:23 (footsteps)
01:24:25 (footsteps)
01:24:27 (footsteps)
01:24:29 (footsteps)
01:24:31 (footsteps)
01:24:33 (footsteps)
01:24:35 (gunshot)
01:24:37 - Bimbo!
01:24:39 (footsteps)
01:24:41 (footsteps)
01:24:43 Bimbo!
01:24:45 (gunshot)
01:24:46 - I got him, Nanny!
01:24:48 (gunshots)
01:24:50 (gunshots)
01:24:52 - Nanny Vitale!
01:24:56 (crying)
01:24:58 (crying)
01:25:00 (crying)
01:25:02 - Don't!
01:25:12 Don't!
01:25:14 (crying)
01:25:15 (crying)
01:25:17 (crying)
01:25:19 - Now listen to me, Inspector!
01:25:22 Your father is dead!
01:25:25 And your gorgeous little sister
01:25:28 is barely alive!
01:25:30 One move,
01:25:34 and I'll cut off her tit!
01:25:36 (crying)
01:25:38 Look at her, you fucking bloodhound!
01:25:41 (footsteps)
01:25:43 (footsteps)
01:25:44 (footsteps)
01:25:46 (footsteps)
01:25:48 - So what do you have to hide for?
01:25:51 (footsteps)
01:25:53 (footsteps)
01:25:55 (footsteps)
01:25:57 (footsteps)
01:25:59 - Carla!
01:26:01 - Yeah, here she is.
01:26:03 - What's left of her.
01:26:05 - It's up to you whether she lives or not.
01:26:08 (footsteps)
01:26:10 - Throw down the gun.
01:26:12 Throw down the gun!
01:26:13 (footsteps)
01:26:15 (footsteps)
01:26:17 (footsteps)
01:26:19 - Well?
01:26:21 (footsteps)
01:26:23 (gunshot)
01:26:25 - Oh,
01:26:27 now that's cooperation.
01:26:29 (footsteps)
01:26:31 (gun cocks)
01:26:33 - I don't give a damn about the money,
01:26:35 or about whether I get away.
01:26:37 As a matter of fact,
01:26:39 all I care about
01:26:41 is the pleasure of killing you.
01:26:42 Think of all the crocodile tears at your funeral.
01:26:46 A nice eulogy for you.
01:26:49 All that hero horse shit.
01:26:51 I'll owe how you fucking...
01:26:53 (fighting)
01:26:55 (gunshot)
01:26:57 (footsteps)
01:26:59 - You're unarmed now, Nanny.
01:27:05 It would be so easy to kill you.
01:27:08 If only it would let you off.
01:27:10 - No, no.
01:27:11 I'm gonna see that you spend the rest of your life in a cell.
01:27:15 'Til the day that you die.
01:27:18 You know what you are, Nanny.
01:27:20 You're just a little shit.
01:27:22 A shit without a gun.
01:27:24 You're a coward, a sniveling, stupid, murderous bum.
01:27:27 Am I?
01:27:29 A coward to the end.
01:27:31 (footsteps)
01:27:33 (footsteps)
01:27:35 (footsteps)
01:27:37 (footsteps)
01:27:40 (footsteps)
01:27:41 (gunshot)
01:27:46 (gunshot)
01:27:48 (gunshot)
01:27:50 (gunshot)
01:27:52 (gunshot)
01:27:59 (panting)
01:28:01 (panting)
01:28:03 (footsteps)
01:28:05 (footsteps)
01:28:09 - Love to finish you once and for all.
01:28:11 Huh?
01:28:13 (footsteps)
01:28:15 (footsteps)
01:28:18 (gunshot)
01:28:20 (footsteps)
01:28:22 (panting)
01:28:24 (footsteps)
01:28:26 (footsteps)
01:28:28 (panting)
01:28:30 (footsteps)
01:28:32 (panting)
01:28:34 (footsteps)
01:28:37 (footsteps)
01:28:38 (gunshot)
01:28:40 (footsteps)
01:28:42 (footsteps)
01:28:44 (panting)
01:28:46 (footsteps)
01:28:48 (panting)
01:28:50 (footsteps)
01:28:52 (gunshot)
01:28:54 (footsteps)
01:28:56 (gunshot)
01:28:58 (footsteps)
01:29:00 (footsteps)
01:29:02 (panting)
01:29:04 (gunshot)
01:29:06 (punches thudding)
01:29:09 (grunting)
01:29:11 (punching thudding)
01:29:17 (punching thudding)
01:29:23 (panting)
01:29:34 (dramatic music)
01:29:37 (dramatic music)
01:29:39 (dramatic music)
01:29:42 (dramatic music)
01:29:45 (dramatic music)
01:29:48 (dramatic music)
01:29:50 (dramatic music)
01:29:53 (dramatic music)
01:29:56 (dramatic music)
01:29:59 (dramatic music)
01:30:02 - Inspector, are you all right?
01:30:28 Come on.
01:30:29 - It's all over.
01:30:35 - Yes, Cotline, and I'm gonna live.
01:30:38 One day we'll forget all this, as we must.
01:30:42 - Okay.
01:30:43 (door creaking)
01:30:47 (dramatic music)
01:30:54 (dramatic music)
01:30:57 (dramatic music)
01:31:00 (dramatic music)
01:31:03 (dramatic music)
01:31:05 (dramatic music)
01:31:08 (grunting)
01:31:26 (laughing)
01:31:29 (dramatic music)
01:31:31 (laughing)
01:31:34 (dramatic music)
01:31:36 (dramatic music)
01:31:39 (dramatic music)
01:31:42 (dramatic music)
01:31:45 (dramatic music)
01:31:47 (dramatic music)
01:31:50 (dramatic music)
01:31:53 (dramatic music)
01:31:57 (gasping)
01:31:59 (dramatic music)
01:32:02 (dramatic music)
01:32:24 (dramatic music)
01:32:27 (dramatic music)
01:32:30 (dramatic music)
01:32:33 (dramatic music)
01:32:35 (dramatic music)
01:32:38 (dramatic music)
01:32:41 (dramatic music)
01:32:44 (dramatic music)
01:32:46 (dramatic music)
01:32:50 (dramatic music)
01:32:53 (dramatic music)
01:32:56 (dramatic music)
01:32:58 (dramatic music)
01:33:01 (upbeat music)
01:33:04 [MUSIC]