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00:00 [Music]
00:07 [Music]
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00:55 [Music]
01:02 [Music]
01:09 [Music]
01:16 [Music]
01:23 [Music]
01:26 Pedro! Pedro!
01:28 What happened?
01:30 My back. She hurt so.
01:33 Where's Salad?
01:35 [Music]
01:38 Tom, the locker and the tool shed.
01:41 [Music]
02:02 Help!
02:03 [Music]
02:08 Help!
02:09 [Music]
02:18 Help!
02:19 [Music]
02:24 Salad!
02:25 [Music]
02:27 We've got to get out of here. The whole building's on fire.
02:30 [Music]
02:38 [Music]
02:46 [Music]
02:49 Help!
02:50 [Music]
03:00 Here, get into this.
03:02 [Music]
03:13 Are you game selling?
03:15 [Music]
03:25 [Music]
03:35 [Music]
03:58 Feeling better, Pedro?
03:59 See, much better, thank you.
04:01 Senorita Sally.
04:02 I'm all right, Pedro.
04:03 Take Pedro into town. I'll stay here and help fight the fire.
04:06 [Music]
04:10 [Footsteps]
04:19 And because of Ranger King's prompt action,
04:21 the fire was confined to a small portion of the field, doing comparatively little damage.
04:25 How do we know other attempts won't be made?
04:28 We've been working on that, Barton.
04:29 The oil companies will pool all their explosives, and the Rangers will take complete charge of the supply.
04:34 If it's agreeable to you, Mr. Crawford, none will be released without your signature.
04:39 I'll be glad to take that responsibility.
04:42 And now I'm going to tell you gentlemen something in strict confidence.
04:46 This telegram is from the Council of Defense in Washington,
04:49 notifying me that Professor Nelson is arriving on the limited this afternoon.
04:53 And who is Professor Nelson?
04:55 He's a scientist who's developing a formula for aviation fuel which will revolutionize long-distance flying.
05:01 Sounds interesting.
05:03 His process will enable bombers to fly twice the distance with half the usual gasoline load.
05:08 Any man that can accomplish that should be guarded while traveling.
05:11 He is carefully guarded.
05:13 What worries me is making sure nothing happens after he gets here.
05:16 Well, gentlemen, I think that's all.
05:19 Miss Crane, go to town.
05:21 Do you mind waiting here a few minutes?
05:22 Of course not.
05:24 How about you and me figuring out some means of protecting him?
05:30 I'll be glad to.
05:32 You've got to move fast, Lynch.
05:45 What's up?
05:46 There's a man arriving this afternoon on the limited.
05:48 He's an important man and I don't want him to arrive.
05:51 We'll take care of him on the train.
05:53 He's too heavily guarded for that and we won't have a chance once he gets here.
05:56 Well, how will we handle it?
05:57 The limited reaches mile-long tunnel this afternoon at 4.43.
06:01 Will he have any soup?
06:03 I've thought of that.
06:05 Better hold a shorty and Nick.
06:08 Have them go to the warehouse.
06:11 We're from the El Monte outfit.
06:20 Got an order here for some explosives.
06:23 I'll bring it out to you.
06:35 A couple of men from the El Monte outfit are waiting.
06:42 Four cans.
06:46 That's a heap of explosives.
06:47 Crawford's signature is on the order.
06:50 It must be okay.
06:52 Here they are.
07:05 Better handle this stuff carefully.
07:10 We sure will.
07:13 Let's go.
07:15 Hiya, Pedro.
07:39 Buenos dias, muchacho.
07:41 Everything quiet in town?
07:43 Oh, pretty quiet.
07:45 Look.
07:47 This is the signature of Senor Crawford.
07:49 No explosives are to be given anyone without it.
07:52 Well, you're a little late, but I guess there's no harm done.
07:54 What do you mean?
07:55 The El Monte people just picked up four cans.
07:57 Here's their order signed by Crawford.
07:59 But how could that be?
08:03 Hey, look.
08:04 This one looks what you call a little fishy.
08:10 Yeah.
08:11 King is with Crawford right now.
08:14 We better phone him right away.
08:16 Just in case they get suspicious.
08:24 Operator.
08:27 Hey, the line is dead.
08:31 Which way did these men go?
08:34 East.
08:39 Get for the King right away.
08:41 I'll trail them and mark the way with strips of this.
08:43 Right.
08:44 Right.
08:45 [music]
08:48 [music]
08:51 [music]
08:54 [music]
08:56 (horses galloping)
08:58 (dramatic music)
09:01 (dramatic music)
09:04 (dramatic music)
09:07 (dramatic music)
09:09 (dramatic music)
09:12 (horses galloping)
09:20 (dramatic music)
09:23 (horses galloping)
09:31 (dramatic music)
09:34 (dramatic music)
09:37 (dramatic music)
09:40 (horses galloping)
09:42 (dramatic music)
09:45 - Boys are late.
09:50 - You think we ought to get that stuff
10:01 over at the mile long tunnel?
10:02 - Our orders were to bring it here.
10:04 - There won't be much time before that limit is due.
10:06 - Ah, stop worrying.
10:07 There's time enough to blow off that train.
10:09 (dramatic music)
10:33 - Why don't you take a load off your feet?
10:35 You're making me nervous.
10:36 - That Mexican Ural is running away with our explosives.
10:42 (gunshots)
10:45 - Don't shoot, you'll hit that explosive.
10:49 (gunshot)
10:51 We'll follow it.
10:52 (gunshots)
11:01 (gunshots)
11:04 - Those shots are coming from the shack.
11:06 (dramatic music)
11:09 (gunshots)
11:13 (gunshots)
11:24 - He's got the explosives.
11:29 We can't take a chance shooting.
11:31 - Yeah, I'll stop him.
11:32 (dramatic music)
11:37 (gunshot)
11:40 (horses galloping)
11:58 (dramatic music)
12:01 - Lucky you came along.
12:07 - I'll say it was.
12:08 Take care of him.
12:09 We gotta get the tunnel ahead of the limited.
12:11 - Get his horse.
12:14 You're King's Mexican pal, ain't ya?
12:19 - Whiskey and service, senor.
12:22 - You'll talk plainer than that later on.
12:27 (dramatic music)
12:30 (dramatic music)
12:32 (dramatic music)
12:35 (dramatic music)
12:38 (dramatic music)
12:46 (gunshots)
12:55 (dramatic music)
13:01 (dramatic music)
13:04 - Get your hands up, Ranger, and drop that gun.
13:14 - We sort of thought you'd show up to join your pal.
13:22 Now get moving.
13:23 (dramatic music)
13:28 (dramatic music)
13:31 - Now you two wise guys can sit down in here
13:40 and think this thing over.
13:41 Get over at that table.
13:44 (gunshots)
13:47 (dramatic music)
13:50 (dramatic music)
13:53 (dramatic music)
13:56 (dramatic music)
13:58 (gunshots)
14:05 (dramatic music)
14:07 (gunshots)
14:19 (gunshots)
14:24 (dramatic music)
14:27 - Where'd they explode it?
14:29 - Four of them left with it.
14:30 They are going to blow up the limited train
14:32 at the mile long tunnel.
14:33 - The personnel's in on that train.
14:35 - Caramba, we must get there quick.
14:37 (dramatic music)
14:40 (train rumbling)
14:52 (dramatic music)
14:55 - Coming through in five minutes.
15:16 - Well, there's the tunnel.
15:20 (dramatic music)
15:23 - Here.
15:27 - Rangers.
15:28 - There they are.
15:29 - Keep on working, primer.
15:31 We'll hold them off.
15:32 (dramatic music)
15:35 (gunshots)
15:42 (gunshots)
15:46 (dramatic music)
15:49 - It's limited.
16:04 I'll try to stop it before it gets to the tunnel.
16:06 - Cover me.
16:07 - Well, I'll keep them busy.
16:08 (gunshots)
16:12 (dramatic music)
16:15 (train rumbling)
16:18 (gunshots)
16:20 (dramatic music)
16:23 (gunshots)
16:46 (dramatic music)
16:49 - Fire off the second one.
16:58 Get the other end of the tunnel.
17:00 (dramatic music)
17:03 (explosion)
17:05 (dramatic music)
17:10 (dramatic music)
17:24 (gunshots)
17:26 (dramatic music)
17:29 (dramatic music)
17:32 (dramatic music)
17:34 (dramatic music)
17:37 (dramatic music)
17:40 (upbeat music)
17:42 (screaming)