The Shooting-HD (1966)
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TVTranscript
00:00:00 (horse neighs)
00:00:03 ♪ (romantic music)
00:00:12 (horse neighs) ♪ (romantic music)
00:00:13 ♪ (romantic music)
00:00:39 ♪ (romantic music)
00:01:02 ♪ (dramatic music)
00:01:30 ♪ (romantic music)
00:01:59 (horse neighs)
00:02:01 (footsteps)
00:02:07 (grunt)
00:02:09 (footsteps)
00:02:33 - Warren!
00:02:35 (footsteps)
00:02:44 (horse snorts)
00:02:46 (horse snorts)
00:02:48 Hey, Eden!
00:03:03 Who's gonna unpack this meal? I'm tired as hell!
00:03:06 Damn!
00:03:15 (footsteps)
00:03:32 - Leland Drum, a good friend, shot dead...
00:03:36 by I don't know what, and buried in this spot
00:03:39 by Coley Bowyer, his good friend, in April.
00:03:44 - Coley!
00:03:47 (gunshot)
00:03:49 (footsteps)
00:03:56 (footsteps)
00:04:08 - Who is that down there?
00:04:10 - Willett!
00:04:14 - Is that you, Coley?
00:04:17 - Willett who?
00:04:19 - Gashade! Gashade!
00:04:21 What's the matter with you?
00:04:23 - Will you step out so as I can see if it's you!
00:04:26 You look!
00:04:32 That over there is the pack mule, and that's Frazer, ain't it?
00:04:36 Well, so who could I be?
00:04:38 Willett?
00:04:41 - He's crazy.
00:04:42 - That's right, it's me!
00:04:44 I will!
00:04:51 - I've been setting up in the mine for two days.
00:04:54 Spooked to get crazy.
00:04:55 Would have shot anything on two legs moving, Will.
00:04:58 Except you.
00:04:59 If I'd known it was you, I sure wouldn't have--
00:05:01 - In the mine, just tell me what you're telling me.
00:05:03 - You should have been here, Willett!
00:05:04 Nothing going on, thinking everyone's dead and me next.
00:05:07 - I'm full of fever, sick, I said, Coley.
00:05:10 Now become calm and tell me in a way I can understand
00:05:12 where's Coyne.
00:05:14 - Well, like I said, after you was gone,
00:05:16 Leland and Coyne decided to run into Winslow.
00:05:19 Where the pleasure, Coyne says.
00:05:21 - Can I go?
00:05:22 - He says no.
00:05:23 Someone's gotta watch over stores and things,
00:05:24 so you stay, Coley.
00:05:26 Well, then, they go off.
00:05:28 Not coming back till next morning, early.
00:05:31 I get waked by them pounding in like hell, Bent.
00:05:34 Then I hear 'em talking mad and arguing,
00:05:36 so as I conclude they are drunk.
00:05:39 I mean to go back to sleep when your brother Coyne
00:05:41 tears inside here and grabs up his roll
00:05:43 mad as I ever seen.
00:05:45 I said, "What are you doing, Coyne?"
00:05:46 "Shut up," he says.
00:05:48 "I am taking your horse."
00:05:50 He tears back out.
00:05:51 Sure enough, I see him throw onto my shorty
00:05:53 and dig out fast.
00:05:55 And there stands Leland spitting in the dust, disgusted.
00:05:58 How come Coyne rode off that-a-way, Leland?
00:06:01 He rode a man and a little person down
00:06:03 in the streets of Winslow.
00:06:04 Maybe it was a child, Leland says.
00:06:07 But did he kill him, I ask?
00:06:09 He's not for sure, but he ain't waiting to find out,
00:06:11 and now he's running.
00:06:12 "Oh, I hate to hear it," I says.
00:06:16 Then I crawls back into sleep,
00:06:18 assuming Leland done the same.
00:06:19 Damn if I don't get wake again.
00:06:23 Leland's voice I hear, and I don't know who's.
00:06:25 Thinking it's your brother, I open up the flap
00:06:27 and look out at Leland drinking coffee.
00:06:30 I can't see nothing else,
00:06:31 so I ask, "Who you talking to, Leland?"
00:06:33 He looks like he's making the answer,
00:06:35 or to take a mouth of coffee when,
00:06:37 just like that, his face all spitters out,
00:06:42 spilling in his coffee and all over his self.
00:06:45 When none of his face left on, will it?
00:06:47 I reckon someone come to settle with Cohen
00:06:50 on account of what happened in Winslow
00:06:52 and got Leland instead.
00:06:54 Figuring out next, I jump back inside, scared white.
00:06:56 Give me the whips and jingles so bad, will I?
00:07:03 I can't even catch a hold of myself.
00:07:05 - Is that the whole way of it, Coley?
00:07:09 - I believe.
00:07:10 - My mind's all unsatisfied with it.
00:07:15 - I don't know, it seemed to me like
00:07:16 if Leland had been involved with the event in Winslow,
00:07:18 he'd have wrote off too, wouldn't he?
00:07:20 Like the way you told me Cohen done.
00:07:21 - Run a man and a little person down.
00:07:24 That's all he even said.
00:07:25 Maybe it was a child.
00:07:27 - Just sitting there getting killed that way?
00:07:30 I got no understanding of it at all.
00:07:32 It's a terrible thing.
00:07:33 Give me all you got, Coley.
00:07:36 - What you want it for?
00:07:37 - I might be gonna need it, so just give it to me.
00:07:39 - No, I might be just needing it too.
00:07:41 I don't know all these happenings.
00:07:43 I hate to tell you all why I look like you are,
00:07:46 but I've been trailed most of the way here,
00:07:48 but I don't know who.
00:07:49 - Where's your own gun?
00:07:51 Go and use your own gun.
00:07:52 - Well, if plainly ain't there,
00:07:54 I wouldn't be asking you now, would I?
00:07:55 - No, sir, no, not with trouble on the way.
00:07:57 - I'm tired, Coley.
00:07:59 Leland can't give me no sleep without you giving it to me.
00:08:02 - What about me?
00:08:03 - Fine.
00:08:06 You'll be dependent on me.
00:08:11 (Coley scoffs)
00:08:14 Whereas it wouldn't have worked out the other way around.
00:08:24 - Well, here I sit.
00:08:32 - Just keep an ear, Coley.
00:08:38 - Sure, then with the gun can sleep.
00:08:40 Zoe ain't been honking night sounds
00:08:42 till they can't tell a twit from a twig.
00:08:44 Shoot, I'm as tired as you ever been.
00:08:46 Will it?
00:08:51 Hey, Will?
00:09:07 Hey, Will?
00:09:08 I'm dependent on you, okay?
00:09:13 Lord almighty, I'm so hungry I could chaw off my own arm.
00:09:24 - I wouldn't sit there, Will.
00:09:32 That's right where he was at.
00:09:36 Right like you're sitting, drinking coffee.
00:09:39 - Go out and stow them stores in the tent, Coley.
00:09:42 Maybe, maybe it could have been your imagination.
00:09:53 - Oh, will you?
00:09:54 You think?
00:09:54 - Do like I say.
00:09:55 - Aw, shoot.
00:09:58 How come I always gotta beat a one-nighter?
00:10:02 (sighing)
00:10:04 - You're gonna be a bunch of ugly work, I'll tell ya.
00:10:09 Just the one hand.
00:10:10 One more thingy to my liking.
00:10:17 (dramatic music)
00:10:28 (dramatic music)
00:10:31 ♪ Oh, Bill, you can have my saddle ♪
00:10:49 ♪ George, you can take my bed ♪
00:10:52 ♪ Cat can have my pistol, boys ♪
00:10:55 ♪ After I am dead ♪
00:10:58 - Something's coming.
00:10:59 ♪ Boys ♪
00:11:01 - Hey, remember Willard Howell Leland
00:11:04 used to sing that song, remember?
00:11:06 ♪ Oh, boys, think upon me, kindly ♪
00:11:12 ♪ As you gaze upon the grave ♪
00:11:15 (gun firing)
00:11:24 (footsteps thudding)
00:11:27 - Yes, sir.
00:11:46 - Hey!
00:11:51 You crazy!
00:11:52 You crazy, don't stand there and get!
00:11:54 - Hold it, Marty, what's coming?
00:11:58 - Go on, Willard!
00:12:03 Cover yourself!
00:12:04 I ain't got no gun, remember?
00:12:06 How am I gonna be dependent on you
00:12:08 standing out there in the sky like that?
00:12:09 - Shut up!
00:12:10 - I see something!
00:12:13 Something's coming!
00:12:15 - From where?
00:12:16 - Straight ahead!
00:12:17 A bit to the right.
00:12:18 Well, get up here, Willard, while there's still time!
00:12:21 - Just one?
00:12:22 - I can't see!
00:12:24 Yeah, yeah, one!
00:12:27 - All right, Coley, get quiet now.
00:12:29 Duck back down, don't say nothing at all.
00:12:32 - Will!
00:12:39 (wind howling)
00:12:41 (bird squawking)
00:12:56 (somber music)
00:12:59 (wind howling)
00:13:02 - It's a woman.
00:13:12 (somber music)
00:13:27 (wind howling)
00:13:30 - Will you look?
00:13:43 Will you just look at that?
00:13:44 - I'd be grateful if you'd sell me one of your horses.
00:13:48 - You didn't arrive all to hear a foot.
00:13:50 - My horse stumbled and broke a leg.
00:13:54 I shot him.
00:13:55 I'll pay you well for a good horse.
00:13:57 And for some shelter.
00:13:58 And if you would help me, please,
00:14:01 I need to get my things off my horse.
00:14:03 - Well, I sure be glad to, ma'am.
00:14:07 Wouldn't we, Will?
00:14:08 No trouble at all.
00:14:09 - I like the brown one.
00:14:15 - For the bay?
00:14:17 Oh, well, that bay there is Will's.
00:14:20 His, I mean, ma'am.
00:14:21 - I like that one.
00:14:22 - The main thing is, I believe Will, he does too.
00:14:27 (Will chuckles)
00:14:30 - I like the brown one.
00:14:31 - I won't give you that black over there, miss.
00:14:35 He belonged to dead men, so you don't have to pay for him.
00:14:38 - Coley fetched Leland's pony out, just to ride along.
00:14:42 - What about coins, Will?
00:14:49 - He looks stove up.
00:14:51 - Ellen, I don't wanna be stuck with him.
00:14:56 - Are you looking at me, Mr. Gashade?
00:14:59 - How do you come by that name?
00:15:01 - I hear you're a bounty hunter, Mr. Gashade.
00:15:03 - I wouldn't name myself as that.
00:15:05 - No?
00:15:06 - It was just a way of making wages once.
00:15:09 - And now?
00:15:09 - Mining suits me just.
00:15:12 - Well, you look less than prosperous at it.
00:15:15 - How much would you ask to take me
00:15:25 across the sublixio to Kingsley?
00:15:27 - I ain't asking.
00:15:28 - I told you, I'd pay you very well.
00:15:32 - And I said I'm doing just fine.
00:15:35 - Look at me, Mr. Gashade.
00:15:39 Without perishing from the tricks of my own mind,
00:15:43 how could I possibly get to Kingsley on my own?
00:15:46 - Well, I ain't the only one who knows the way, ma'am.
00:15:50 - But it's you I'm asking.
00:15:51 (wind whistling)
00:15:54 - Please think about it.
00:15:59 - That's just what I'm doing.
00:16:04 Real nice pony you had here, miss.
00:16:10 Looks to me like you run into death, though.
00:16:14 Good pony like this, hard to come by.
00:16:20 (wind whistling)
00:16:23 - What'd you shoot him for?
00:16:25 - There ain't a broke or unsound bone in his body.
00:16:29 - I'll give you 500 now and 500 when we get there.
00:16:40 - How long would it take?
00:16:43 - Two weeks, three.
00:16:45 - How much gold could you dig out of this mine
00:16:47 in three weeks, Mr. Gashade?
00:16:50 - Three weeks?
00:16:51 Let me figure.
00:16:52 All I'd say, being it's a pretty dead hole,
00:16:58 I, well, it wouldn't be a hell of a much.
00:17:03 Would you say, Will?
00:17:04 Yeah, I'd done the best I could for old E.
00:17:07 By the time I got out my gun to help,
00:17:08 why, he was already dead.
00:17:10 And what would Will's brother run off?
00:17:14 Well, it was only me.
00:17:15 I'd do the best I know how.
00:17:18 - For old E. and Drum?
00:17:19 - It is in April.
00:17:22 - What's that?
00:17:25 - It's March.
00:17:26 - Oh.
00:17:29 His good friend in March?
00:17:33 She don't like me much.
00:17:43 - I don't know.
00:17:43 - Sure holds out good wages, though.
00:17:47 - Yep.
00:17:48 For what, she don't say.
00:17:51 - Take her to Kingsley, she say.
00:17:53 - We'll see.
00:17:56 - We're going?
00:17:58 - I don't know.
00:18:01 - What, Will?
00:18:03 - Well, if Coydon got in bad,
00:18:07 he went and harmed someone or killed someone.
00:18:10 - A man and a little person?
00:18:12 - I'm wondering why nobody's come out here
00:18:13 looking after him.
00:18:15 Maybe it was a child.
00:18:16 - Ma'am, I gotta--
00:18:22 - This water is not clean.
00:18:23 In fact, it's stagnant.
00:18:26 Please.
00:18:28 - Oh, hold on.
00:18:29 - Frogs breed in this water?
00:18:33 - Not frogs.
00:18:34 - Well, what then?
00:18:36 - Oh, other things.
00:18:37 Here.
00:18:38 - Oh, I'm sorry.
00:18:41 - Hey, you're not going to get me in trouble, are you?
00:18:43 - I'm sorry.
00:18:44 - Well, phew, what is that?
00:18:47 - Well, it's all I could find.
00:18:49 Some type of snakes know to take a romp in that water.
00:18:52 - In this water?
00:18:54 - Oh, yeah, and people been known
00:18:55 to swallow one of their little eggs
00:18:57 and it'll hatch out inside 'em.
00:18:58 Doubt there's no one until it's too late.
00:19:00 - What do you mean, too late?
00:19:01 - Well, suppose it was a poison snake
00:19:03 and it hatched out hungry, as they do.
00:19:06 Well, what's it gonna eat but the nearest thing to it?
00:19:08 That's you.
00:19:09 - Not me, because I didn't swallow any of it.
00:19:13 - Well, you're lucky then.
00:19:14 Say, ma'am.
00:19:15 Ma'am?
00:19:16 I've been considering and I got an offer to make.
00:19:20 Say, ma'am?
00:19:23 - Yes?
00:19:24 - I'll take you up to Kingsley like you asked,
00:19:26 but now Coley here is gonna have to go along with me.
00:19:29 And that's why I'm asking $1,000.
00:19:32 So as I can pay him, too.
00:19:34 And then there's that five you mentioned
00:19:37 when I get you there.
00:19:38 That's it.
00:19:43 It's my offer.
00:19:44 - All right.
00:19:50 Not fine, but all right.
00:19:53 Let's get started.
00:19:56 - Take it, Coley.
00:19:57 - No, you take it, Mr. Gashade.
00:19:59 I'm ready to go.
00:20:06 - We'll go tomorrow.
00:20:08 - Now.
00:20:09 - Morning always makes a good start.
00:20:12 Would you like to go with me now?
00:20:13 - Me?
00:20:16 Well, sure.
00:20:17 - Coley.
00:20:17 - Take up the bunny then.
00:20:20 - Coley.
00:20:22 - Go on!
00:20:23 - Coley!
00:20:26 - What, Will?
00:20:27 - Pack the mule.
00:20:28 - No mule.
00:20:30 I do not intend to be held back by any mule.
00:20:34 - Well, ain't nothing holds you back like no fiddles, ma'am.
00:20:37 - No mule!
00:20:39 (gentle music)
00:20:42 - Gashade, do you know Cross Tree?
00:20:49 - I do.
00:20:51 - Well, catch for there, please.
00:20:53 - Cross Tree ain't Kingsley.
00:20:57 - Nevermind.
00:20:58 First Cross Tree.
00:20:59 - It's out of the way.
00:21:01 - By how much?
00:21:03 - 20, 25 miles.
00:21:05 - Which way?
00:21:06 - This way.
00:21:06 - Well, we'll have to go faster then.
00:21:11 - Yes, sir.
00:21:14 You run on four now, you walk on two later.
00:21:17 - Hold it, Coley!
00:21:34 (whistle blows)
00:21:37 (Coley groans)
00:21:47 - Look at that spleen, that gland, that spavin' windbroke,
00:22:00 damn troop, and that gall,
00:22:01 stumbling corn what it stuck me with.
00:22:04 Take a charny what was as sound as a nickel.
00:22:07 Hell!
00:22:08 You can't haul no pale pink ratty, wide devil mule
00:22:14 behind no horses, ain't got the strength to switch flies.
00:22:17 Phew!
00:22:19 No kidding.
00:22:20 This ain't no fun.
00:22:22 Howdy, miss.
00:22:28 We're stoppin', I guess.
00:22:33 (gentle music)
00:22:35 - She sold again?
00:22:44 - In fact, the grub out of those mules, missy.
00:22:48 (horse whinnies)
00:22:59 (wind whistling)
00:23:02 - You could try and be a little more pleasant.
00:23:06 - Is that mule tethered, Coley?
00:23:10 - You sure have a pretty way.
00:23:12 - I surely don't ask that you be fond of me.
00:23:16 - Send a mule.
00:23:17 - Fond of me.
00:23:18 Surely fond of me.
00:23:21 Hold it, Toph.
00:23:24 - Not even snake water could be more poisonous
00:23:27 than this coffee.
00:23:29 - Ma'am, do you think that maybe I can call you
00:23:36 by your name or something?
00:23:38 I mean, of course, miss this or that, you know,
00:23:41 and respectful, till you knew me better.
00:23:44 - All right.
00:23:45 You just tell me what is your most favorite name.
00:23:49 - Well, my most favorite name?
00:23:54 Let's see, my most favorite name is...
00:23:59 Glory, sure is hard to think of a lady type name.
00:24:06 Let's see, well, yeah.
00:24:11 There's my mama's name, know that one.
00:24:14 But now, I never did call her that though.
00:24:16 You know, just mama.
00:24:18 - That's all right, Coley.
00:24:19 You just tell me what was it.
00:24:21 - Let's see, my daddy called her by Hortensia.
00:24:26 - Well, don't ever call me that.
00:24:29 - Ma'am, just could you tell me what though?
00:24:35 - She's been japing you, can't you sense?
00:24:38 Now quit her before you get talked off.
00:24:40 - Didn't you hear what she say, Will?
00:24:46 She called me Bacoli.
00:24:49 She say, that's all right, Coley.
00:24:54 - Boyard, his good friend and...
00:24:57 I don't know, something's been scratched off.
00:25:01 Looks to me like somebody settled with one of them.
00:25:05 - Yeah, it look like.
00:25:06 - You gonna wanna find out?
00:25:08 - Well, it don't matter.
00:25:10 - What about the other one?
00:25:11 - Would be anywhere's.
00:25:12 - Well, might be they're just trying to throw us off
00:25:16 with this here grave.
00:25:18 - Yeah, then I'm through.
00:25:21 - You mean we ain't following?
00:25:23 - Hell, I got my duties.
00:25:24 (gunshot)
00:25:29 - Ha, how satisfying.
00:25:33 - Ma'am, you ain't sleepy?
00:25:34 - Come on, let's get started.
00:25:38 - Where's the mule?
00:25:39 - I told you to tether the mule.
00:25:42 - I did, Will.
00:25:43 In there.
00:25:45 I did, Will, I have 'em.
00:25:47 Right over here, right here.
00:25:50 You see, this here's what I tell you on.
00:25:53 - Well, somebody just went and unattached him.
00:25:57 - Will you please help me?
00:26:01 (dramatic music)
00:26:07 - I wouldn't do that if I was you, ma'am.
00:26:16 - Well, I'm afraid he's laying back his ears.
00:26:17 He just likely let fly.
00:26:19 - Exquisite.
00:26:25 Curse and hellish, son.
00:26:32 - Well, blow on your wrist.
00:26:33 - Oh, shut up.
00:26:34 - You mind telling me why we're going to Cross Street?
00:26:39 - Going to Cross Street, huh?
00:26:42 What for, Willett?
00:26:44 For fresh horses, huh?
00:26:46 - That's right, fresh horses.
00:26:49 - Yeah, so long, old funeral.
00:26:51 March.
00:26:53 - Boy.
00:26:59 Get two horses and as much storage
00:27:05 as you can pack on behind the three of 'em.
00:27:07 - No mule?
00:27:08 - No mule.
00:27:10 - Only two ponies, Will?
00:27:11 How about old Frazier?
00:27:12 - He's sound, only two.
00:27:14 - Wait, Will.
00:27:15 Say, could I have me a little of that money for myself?
00:27:18 - What for?
00:27:19 - Oh, shoot, nothing.
00:27:20 Just so I could, you know, get me some new ponies.
00:27:22 Hell, something.
00:27:23 - You just get them horses packed and get yourself a gun.
00:27:27 - Yate.
00:27:40 - Yeah?
00:27:42 - You just come from over there
00:27:44 and seen this friend of mine.
00:27:46 Did you, a woman?
00:27:47 - Well, that's all right.
00:27:50 I'm traveling right along with her.
00:27:52 - What's her name?
00:27:53 - I saw a Yate.
00:27:55 - Huh?
00:27:59 Hold on here.
00:27:59 Now listen here, you tell me who she is
00:28:05 and what she's doing over there, I'll break you in halves.
00:28:08 - I'm just a prickle.
00:28:11 - What do you mean, a paper?
00:28:12 - Writing?
00:28:15 Yeah, a letter?
00:28:16 Do you read?
00:28:18 Uh, who give it to you?
00:28:23 - Bear.
00:28:25 - Bear?
00:28:26 - Bear man.
00:28:28 - You a bearded man?
00:28:30 That's all, no name.
00:28:32 - Bear man.
00:28:34 - Where'd he go?
00:28:36 - Far.
00:28:38 - Far?
00:28:39 - Far.
00:28:40 - Lost.
00:28:43 - Far.
00:28:44 (speaking in foreign language)
00:29:13 (horse neighing)
00:29:16 - Poor sorry sight you are.
00:29:23 Hey, want a piece of candy, shorty?
00:29:25 - Is that shorty?
00:29:28 - I will.
00:29:30 Look who this is.
00:29:31 My old shorty.
00:29:33 All done.
00:29:35 With a real bad cracked foot.
00:29:38 - Coen's been here.
00:29:43 - Where's he at, you ask?
00:29:44 - They ruined him.
00:29:45 Traded him off.
00:29:46 The man's gonna get rid of him, he says.
00:29:50 'Cause he ain't no use.
00:29:51 - Well, what'd he tell you of Coen?
00:29:53 - Ah, just nothing.
00:29:54 - Coen come here a while back.
00:29:58 - No, he just left a couple days ago.
00:30:01 - The man don't know where he's either,
00:30:02 'cause I asked him all them kind of things.
00:30:04 - So you don't know nothing about it?
00:30:05 - Just sold him a horse.
00:30:07 - You've been poor old shorty for.
00:30:09 (sighing)
00:30:11 - Hey, Will?
00:30:16 - What's he running from?
00:30:19 - Well, he wasn't running, the man didn't say he was.
00:30:21 Hey, Will.
00:30:22 Could you give me $50?
00:30:27 - I want this one.
00:30:29 Change my saddle over to this one.
00:30:31 - Right off.
00:30:32 - What do you want 50 for?
00:30:35 - Oh, you know.
00:30:38 So's he want.
00:30:39 - Sooner or later, Coley.
00:30:42 - What's $50, Will?
00:30:44 So let him stand and eat till I get back.
00:30:46 - I'd like to be asked my preference first.
00:30:49 Mr. Gashade.
00:30:53 - You want a piece of candy, Will?
00:30:57 - Now you begin to earn your pay.
00:31:03 - Gainsley.
00:31:05 - Gainsley?
00:31:06 - We'll see.
00:31:08 - Plan to shoot a bit.
00:31:11 What if I just up and pull out?
00:31:16 Eat the money.
00:31:17 Unless I know right here and now what you're after.
00:31:21 - You're not the only one who knows the way.
00:31:34 (dramatic music)
00:31:37 (dramatic music)
00:32:06 - You looking for something in there?
00:32:08 - Day and a half near two days old.
00:32:10 (gunshot)
00:32:35 (tires screeching)
00:32:38 - You sure are getting good at that, ma'am.
00:32:40 - So are you, Coley.
00:32:41 - Me?
00:32:42 - So is Mr. Gashade.
00:32:43 We're making time.
00:32:46 - Why are we all the time hurrying?
00:32:48 What's the pleasure?
00:32:50 I'm the one getting all the dust.
00:32:52 ♪ Oh, up in the morning ♪
00:33:00 ♪ More daylight ♪
00:33:03 ♪ More ice cream ♪
00:33:04 ♪ The moon shines bright ♪
00:33:07 ♪ And my horse tosses me off ♪
00:33:12 ♪ And my horse tosses me off, brother ♪
00:33:17 ♪ Oh, I jump in the saddle ♪
00:33:19 ♪ Grab hold of the horn ♪
00:33:21 ♪ That's plain kind of fun ♪
00:33:22 - If I hear your name, I wouldn't know it.
00:33:24 Would I?
00:33:32 - No.
00:33:32 - Well, I'll yell.
00:33:34 ♪ I don't give a damn ♪
00:33:39 - I don't see no point to it.
00:33:40 ♪ Ride as long as they take ♪
00:33:41 - There isn't any.
00:33:43 ♪ Mm-hmm-hmm-hmm-hmm ♪
00:33:49 - What's that?
00:33:50 ♪ Mm-hmm-hmm-hmm-hmm ♪
00:33:52 ♪ Oh, I heard you in the holler ♪
00:33:53 I'm just singing.
00:33:54 - It's all right, Coley.
00:33:56 ♪ And it done real well ♪
00:33:58 ♪ 'Til the boss said, "Boy, go and get the cow" ♪
00:34:00 ♪ And the cow, yeah, you can show your moves ♪
00:34:02 ♪ And the cow, yeah, you can show your moves ♪
00:34:04 - Sure you don't want to lie down?
00:34:06 - How's the trail?
00:34:08 - Pretty cold.
00:34:15 - But you'll pick it up, won't you?
00:34:16 - That's what I'm supposed to do, ain't it?
00:34:21 - Not if you're a gold miner, Mr. Deshade.
00:34:28 ♪ And the cow, yeah, you can show your moves ♪
00:34:30 ♪ And the cow, yeah, you can show your moves ♪
00:34:35 ♪ Oh, stay in the herd ♪
00:34:40 ♪ The boss said, "Kill it" ♪
00:34:41 ♪ So he shot him in the rump with a handgun ♪
00:34:46 - Willett?
00:34:47 What's going on, Elise?
00:34:50 - Yes, sir.
00:34:57 - Damn.
00:34:58 - Like he's some folk, huh?
00:35:01 - Maybe so.
00:35:02 Maybe so.
00:35:05 - He seen us too, you think?
00:35:08 - Oh, yeah, he seen us.
00:35:11 (dramatic music)
00:35:18 (horses whinnying)
00:35:21 - What is it?
00:35:43 - Tracks are breaking a bit.
00:35:48 (water splashing)
00:35:50 Trail breaks off here and heads that way.
00:35:59 Too bad.
00:36:02 - Wait, where are you going?
00:36:04 - Kingsley.
00:36:07 - No, follow that.
00:36:10 - Well, it looked to me like this
00:36:13 and it's headed dead into the police office.
00:36:15 That's bad enough we gotta cross part of it
00:36:17 to get to Kingsley.
00:36:18 You won't get there that way at all.
00:36:24 - Then why would someone want to go this way?
00:36:31 - To get themselves lost is the only reason
00:36:33 outside of ignorance that I can give.
00:36:36 - Well, follow it, Mr. Gershage.
00:36:38 (dramatic music)
00:36:46 - Well, I don't see nothing.
00:36:48 What are we following anyhow?
00:36:50 - You think you know who laid down this trail
00:37:00 better than I do, miss?
00:37:01 - How do you know it's gonna show up what you're after?
00:37:05 - I just can see you, you know,
00:37:08 all up in them gold-durned pretty flutes.
00:37:11 - Hold your horse.
00:37:13 (gun firing)
00:37:15 (gun firing)
00:37:18 - What's this shooting all the time?
00:37:22 You trying to sell someone where we at, ain't that so?
00:37:24 - You're so stupid.
00:37:26 - You gonna tell me what this is all about?
00:37:31 - I hate you.
00:37:32 - She's just practicing, Will.
00:37:34 What's the matter with you, miss?
00:37:36 You got something wrong?
00:37:38 She look like sick, Will.
00:37:39 - Don't touch me!
00:37:41 - That rider back there, who is he?
00:37:42 He's a follower after us.
00:37:44 - Get up on her, Will, can't you see?
00:37:46 Oh, now look what you've done, miss.
00:37:48 - She's waltzing.
00:37:50 - Let me help you down off.
00:37:51 - Will you stop groping at me.
00:37:53 - Well, you're slipping.
00:37:54 - I'm not!
00:37:55 It's just an excuse to touch me.
00:37:58 Will you stop staring at me?
00:38:03 Get back up on your horse.
00:38:06 Mr. Gashade.
00:38:07 - You're feeling that bad, miss.
00:38:08 Maybe you ought to lie down.
00:38:10 - How much sun's left?
00:38:12 - An hour, maybe.
00:38:14 - Well, we'll keep it on the dark, I guess.
00:38:16 You don't like her much, Will, do you?
00:38:27 - She ain't showing me nothing to like.
00:38:33 - But you're going along with her then
00:38:34 'cause she's pretty.
00:38:35 - Hell.
00:38:36 Pretty ain't nothing.
00:38:39 It'll pleasure you nothing but the eye.
00:38:42 - Well, a coral snake, it's ringed pretty in a rainbow,
00:38:44 but it's got a real mean way of painting, as a fact.
00:38:47 - Well, I'm glad then, you ain't crazy after her.
00:38:50 - No.
00:38:52 It's just a feeling I got to see through.
00:38:57 Just that.
00:38:59 - The reason being 'cause I am.
00:39:01 I wouldn't want us getting touchy over miss...
00:39:04 Her.
00:39:06 (gentle music)
00:39:09 - Will you just try and forget about her, Coley?
00:39:11 Because she's got other interests than you.
00:39:15 - Saying what, Will?
00:39:17 - Saying I pretty much believe she means to kill someone.
00:39:27 (gentle music)
00:39:29 - Will you please help me?
00:39:31 Would it be too much to expect
00:39:38 that you might have some tea?
00:39:39 - Tea?
00:39:41 I got tea.
00:39:42 - I'll have a cup of tea.
00:39:46 - No, I'll have a cup of tea.
00:39:48 - I'll have a cup of tea.
00:39:49 - No, I'll have a cup of tea.
00:39:50 - No, I'll have a cup of tea.
00:39:51 - No, I'll have a cup of tea.
00:39:52 - No, I'll have a cup of tea.
00:39:53 - No, I'll have a cup of tea.
00:39:54 - No, I'll have a cup of tea.
00:39:54 - No, I'll have a cup of tea.
00:39:55 - No, I'll have a cup of tea.
00:39:56 - No, I'll have a cup of tea.
00:39:57 - No, I'll have a cup of tea.
00:39:58 - No, I'll have a cup of tea.
00:39:59 See, how about that? Ask her if she want a cold oyster and a spoon.
00:40:09 I seen him got a special. Tea. Special tea. Tea. Look. Lay-Lings Cut Black Comfort Tea. Forsyte R.I.
00:40:20 How sweet.
00:40:27 Mmm. Mmm.
00:40:45 What are you working on him for? He's easier than you.
00:40:50 He don't see what I see.
00:40:55 Maybe he's the more useful to me.
00:40:58 You think that he's gonna be able to lead you on this trail in a suplezio, huh?
00:41:03 If you want, maybe. Maybe nothing, miss.
00:41:06 He may go panting after you like a little doggy, but he can't lead you nowhere.
00:41:12 Well, he can't stop me either. Now leave me alone and let me sleep.
00:41:23 See that? See that? How I done? Give me that disgusting, stupid...
00:41:34 What's the matter? He went and give the wrong signal for you this time?
00:42:03 What you mean, huh? Come in or stay off?
00:42:13 Who's out there?
00:42:19 Who is it?
00:42:22 No, please. Don't put your hand anywhere near your gun. He can see you.
00:42:31 Who the hell is out there?
00:42:51 Billy Spears?
00:43:20 What's the trouble?
00:43:29 Nothing, Billy. It was a mistake.
00:43:36 A mistake?
00:44:05 You that one we seen way back, ain't he?
00:44:22 What you want with him?
00:44:25 He did something. See how she look like him?
00:44:30 Hell, I don't see that. He's about as unfriend-like thing as I ever seen.
00:44:36 No, sir. I don't like him.
00:44:38 Well, I hope you're gonna keep that to yourself, Coley.
00:44:41 Why should I? What do I care?
00:44:43 For the reason being out there is a hard gun if ever I seen one.
00:44:48 I don't want you to do nothing to put yourself in the way of it, okay?
00:44:53 Well, if you say, okay.
00:44:57 Shoot. Real strong and pretty, ain't he? The way he got himself up.
00:45:19 What's that you got there?
00:45:21 Oh, just a game. You're supposed to get them little buckshot in the fellers eyes, see?
00:45:27 The same into his mouth. It's real hard to do. I ain't been able to yet.
00:45:54 This is Billy Spear. He wasn't to join us until later.
00:45:59 But now it doesn't matter. He's here. He'll be going on with us.
00:46:04 That figures.
00:46:08 Mr. Gashade, but does that figure us now as three or as four?
00:46:12 Well, let me see.
00:46:15 Whatever you brought him along for, one thing it ain't is for following sign.
00:46:19 Or you wouldn't have to shoot up half the countryside to get him here.
00:46:24 So, Ferdinand Tataway, I ain't displaced and I'm still earning my pay.
00:46:29 Well, hey, you got them in, every one of them. How about that?
00:46:34 Hey, I got another one too. But with a nigger's face. You want to try?
00:46:40 Good then. I hope we'll make an effort now to all try and get along.
00:46:48 So we'll get started, say, in three hours.
00:46:51 Say, son-of.
00:47:05 Hey, look, miss. There's one of them pretty little blue jay birds.
00:47:08 Make a wish. It's a true sign of good luck.
00:47:16 How's that, Billy, dear?
00:47:18 Real sharp. Poor draw.
00:47:27 These are the last trees you're going to see for a while.
00:47:31 So if you're planning to shoot anything else up, then...
00:47:41 Yes, sir.
00:47:51 These here appear to be as fresh as yesterday's, miss.
00:47:54 And there ain't no hurry to them.
00:47:56 Like they don't think they've been followed and they don't care.
00:47:59 It shouldn't take us too much longer to catch up to them, should it?
00:48:03 Him, miss? I say they.
00:48:06 The one we've been following got joined a little ways back by another.
00:48:09 They're made by two horses.
00:48:11 Two men.
00:48:13 Let's go.
00:48:16 Hold on, miss.
00:48:17 Leave me alone, gas shade.
00:48:19 I can see the trail easily. I don't even need you.
00:48:23 Billy!
00:48:34 Ha, ha!
00:48:44 Hey, you got no wipes?
00:49:07 Here, you can use mine.
00:49:10 Come on.
00:49:39 Hold that!
00:49:49 You can feel that, can't you? That horse going lame?
00:49:53 No, no.
00:49:55 That ain't going to make no difference to the horse.
00:49:57 It's going to make a difference to you, that's all.
00:49:59 Being it's your grub you're tossing off, not mine.
00:50:02 You're willing to instruct everything.
00:50:06 Even yourself.
00:50:15 Quit with that.
00:50:22 I say something to you?
00:50:31 I don't give a curly hair, yellow beard, double dog damn if you did.
00:50:44 Blow your face off.
00:51:12 You know old Frazier?
00:51:14 She's going to be pretty nasty for him.
00:51:16 You want to walk?
00:51:17 No, but hell, why wouldn't she get on behind me?
00:51:20 If you don't shake your mind loose of her, I got no respect for you, damn it.
00:51:24 You don't remember her and you're shooting your head off?
00:51:34 Will?
00:51:35 What?
00:51:36 I got a funny feeling.
00:51:38 I don't even know if to say or not.
00:51:40 Well, then, just try shutting up, damn it.
00:51:43 I don't want to lose this horse.
00:51:44 Okay, okay, Willett.
00:51:45 I'm likely this spooking again anyhow.
00:51:47 Triple them wages and triple them again, I ain't going that far.
00:51:50 And you just move to me one more time about her and I'm going to knock you down without a word.
00:51:54 I wasn't talking about her.
00:51:56 Well, you went and give up your horse too, it's easy and makes me sick.
00:51:59 And here you are now, a burden to mine.
00:52:01 I'm sorry, Willett.
00:52:02 Well, just shut up.
00:52:04 I can't take no more of you.
00:52:05 No, sir.
00:52:06 For all the dirty, rotten, galling hate of a thing that ought never above the ground be called a woman.
00:52:11 No, sir.
00:52:13 I've lost it.
00:52:15 Will you please go ahead now?
00:52:17 Take on Coley then.
00:52:20 Ride down and change the damn pack.
00:52:25 No.
00:52:26 You take him.
00:52:29 You want to ride with me, boy?
00:52:35 Leave him.
00:52:37 You better be japing.
00:52:39 I ain't.
00:52:41 Mr. Gashade, it's not a bad idea.
00:52:45 We'll make better time and then we can come back for him.
00:52:49 You need this pack, Coley.
00:52:51 Take it off.
00:52:54 Will?
00:52:55 It's all right, you ain't staying.
00:52:58 You see?
00:52:59 You see, just this minute he's taking up time.
00:53:02 I have to insist that he stays.
00:53:04 Come on.
00:53:05 Get back up here, Coley.
00:53:06 He'll ride you just fine.
00:53:17 You see the way of it, Coley?
00:53:21 You'll be all right here.
00:53:23 You just bite it easy.
00:53:26 I'll come back for you.
00:53:29 How long you think that'll be, Will?
00:53:31 Bring me over the guns, boy.
00:53:46 Not long.
00:53:51 They ain't got left but one sack of grub.
00:53:55 Ain't no way of knowing that I ain't gonna lead him straight into hell.
00:54:02 Move on.
00:54:06 Coley?
00:54:23 Find some shade.
00:54:36 Oh, wait, miss.
00:54:42 Could I get my things out of there?
00:54:57 Oh, I almost forgot.
00:55:06 Thank you, Coley.
00:55:07 It's all right.
00:55:11 We'll ride all later, I guess.
00:55:17 You wanna ride with me, boy?
00:55:23 Okay.
00:55:25 I'd soon not get left behind here like this.
00:55:29 How'd you like the way I done Leland Grunt?
00:55:32 Like I say, I'll blow it off the first word out.
00:55:35 Come on over there.
00:55:51 And think on this.
00:55:53 Far as your voice gonna carry,
00:55:55 it's too far for me to turn right round and hit you in the eye.
00:56:05 Your brain's gonna fry out here, you know that?
00:56:23 It's easier to stay behind.
00:56:35 If I let you go, too, would you go?
00:56:40 Do you hear what I'm saying?
00:56:42 I could've left any time.
00:56:44 I'm talking about now.
00:56:48 I got my reasons for staying.
00:56:51 You got your reasons?
00:56:53 There ain't gonna be no kill.
00:56:56 The reason, Mr. Gashade, for a hunt is the kill.
00:57:07 You talking to me?
00:57:09 No, Billy.
00:57:13 Feel like you was.
00:57:16 It was just to myself.
00:57:20 I've read a person's thoughts many times.
00:57:27 You never take those off, do you?
00:57:32 You talking to me?
00:57:34 Not even with a woman.
00:57:36 What do you have to say?
00:57:47 He knows why you're here.
00:57:57 I wouldn't worry after your friend, you know.
00:58:00 He's got a real relaxing time compared to us.
00:58:05 No, that's right.
00:58:07 No worries.
00:58:09 He's where I want him, back there.
00:58:11 Clear and safe of you.
00:58:17 [music]
00:58:46 Look at that.
00:58:50 Wait.
00:58:52 I'll go first now.
00:58:54 Billy, keep him back away.
00:58:56 [music]
00:59:25 [music]
00:59:30 Who is he?
00:59:34 Ask her.
00:59:40 You know him?
00:59:45 She paying you good for this?
00:59:49 Good as you.
00:59:54 I thought as much wouldn't buy you off.
00:59:58 Yeah, I figured you'd likely do it for nothing.
01:00:03 Nearly nothing.
01:00:05 What for?
01:00:10 For her.
01:00:13 What does she mean to you?
01:00:17 She liked me.
01:00:29 You know anything about her?
01:00:32 Her name, maybe.
01:00:37 Ask her.
01:00:45 What lies in that direction?
01:00:49 More of the same.
01:00:50 No, but beyond that.
01:00:54 Kingsley.
01:00:56 You're right, Kingsley, Gashade, not hell.
01:00:59 What about him?
01:01:01 He don't interest you?
01:01:03 No, not now.
01:01:04 His leg's broken.
01:01:05 Who is he?
01:01:07 Just a friend.
01:01:09 Friend, huh?
01:01:10 Like me and him?
01:01:12 Yes, like you and Billy.
01:01:18 Where's his horse?
01:01:19 I don't see no horse.
01:01:21 He must have wandered away.
01:01:22 You thinking of Coley?
01:01:24 Yeah.
01:01:26 He could have used it.
01:01:28 Binge you're leaving that poor jail, laying out there staring up at the sun.
01:01:32 I left him some water.
01:01:34 Well, ain't that something?
01:01:38 Why'd you just shoot him?
01:01:41 Kingsley, did you ever leave behind a friend?
01:01:44 I never did have one.
01:01:48 How about you, Willett?
01:01:50 It's different.
01:01:53 He's better off where he's at.
01:02:22 [music playing]
01:02:24 [music playing]
01:02:26 [music playing]
01:02:28 ♪ (ominous music)
01:02:43 (door closes)
01:02:44 ♪ (ominous music)
01:03:05 ♪ (ominous music)
01:03:26 (gunshot)
01:03:28 - When?
01:03:30 - This morning.
01:03:33 (footsteps)
01:03:41 - Let's eat him.
01:03:42 - No, Billy.
01:03:43 - You don't want any?
01:03:46 - It's candy.
01:03:48 It's all I gotta give, I'm sorry.
01:03:51 Don't mention it.
01:03:55 And I'm real sorry too, I can't help you none.
01:03:58 Being as I gotta catch him as fast as I can.
01:04:02 - Yonderly?
01:04:03 - That way, you say.
01:04:05 - Oh, oh sure.
01:04:13 I'll be back for you, me and Will.
01:04:17 I hate to leave you laying, you know.
01:04:19 Oh say...
01:04:23 here now...
01:04:25 you take one of these too.
01:04:28 Which one'd you like?
01:04:31 - That end?
01:04:33 I'm surprised.
01:04:34 Most people wouldn't have chose that end.
01:04:37 Huh?
01:04:39 What?
01:04:41 I said it's all gone!
01:04:45 (glass clinks)
01:04:52 ♪ (ominous music)
01:05:11 (door opens)
01:05:12 ♪ (ominous music)
01:05:29 There.
01:05:31 ♪ (ominous music)
01:05:44 (horse whinnies)
01:05:46 (hooves trotting)
01:05:54 ♪ (ominous music)
01:06:07 - Quit with that.
01:06:08 I don't like that, what you're doing.
01:06:11 This horse is going!
01:06:15 - So's his!
01:06:17 ♪ (ominous music)
01:06:24 - How long to catch up?
01:06:27 - That depends...
01:06:28 on who's gonna last.
01:06:31 Him or you.
01:06:33 ♪ (ominous music)
01:07:01 ♪ (suspenseful music)
01:07:12 (hooves trotting)
01:07:19 ♪ (suspenseful music)
01:07:44 (horse whinnies)
01:07:46 ♪ (suspenseful music)
01:07:51 - Come back!
01:07:52 ♪ (suspenseful music)
01:08:05 (hooves trotting)
01:08:11 ♪ (suspenseful music)
01:08:36 ♪ (suspenseful music)
01:08:47 - Don't do it!
01:08:49 (hooves trotting)
01:09:00 (gunshot)
01:09:02 (hooves trotting)
01:09:13 (hooves trotting)
01:09:22 ♪ (ominous music)
01:09:28 - Why did you do that?
01:09:32 - He draw on me first.
01:09:34 He was gonna shoot, ask him.
01:09:36 ♪ (ominous music)
01:09:38 - It's too bad...
01:09:41 but he should have stayed behind.
01:09:43 - He didn't like me...that's why.
01:09:48 He should have known to not draw on me.
01:09:50 ♪ (ominous music)
01:09:52 - What are you doing?
01:09:54 ♪ (ominous music)
01:10:08 ♪ (ominous music)
01:10:29 ♪ (ominous music)
01:10:45 ♪ (ominous music)
01:11:06 (thump)
01:11:08 ♪ (ominous music)
01:11:38 (hooves trotting)
01:12:04 (hooves trotting)
01:12:19 (water splashing)
01:12:29 - I know that feeling, Gashade.
01:12:33 I've carried the burden of it longer than you.
01:12:36 That would be your final foolishness, you know.
01:12:42 You hate me too?
01:12:50 ♪ (ominous music)
01:13:09 (horses snorting)
01:13:23 ♪ (ominous music)
01:13:38 - Get down.
01:13:40 ♪ (ominous music)
01:13:50 Fallen, he's fallen!
01:13:52 - Can you see him?
01:13:56 - Making for that ride.
01:13:59 ♪ (ominous music)
01:14:18 (horses snorting)
01:14:39 - Shoot him!
01:14:41 Come back and shoot him!
01:14:43 (gunshot)
01:14:45 ♪ (ominous music)
01:15:01 - Blow up, damn it!
01:15:03 ♪ (ominous music)
01:15:06 Remember, I got the water!
01:15:08 Don't forget!
01:15:10 ♪ (ominous music)
01:15:32 (gunshot)
01:15:34 (gunshot)
01:15:36 ♪ (ominous music)
01:15:43 (sword clatters)
01:15:45 (water splashing)
01:15:46 (sword clatters)
01:15:48 (footsteps)
01:15:54 (sword clatters)
01:15:56 (footsteps)
01:15:59 (sword clatters)
01:16:01 (footsteps)
01:16:03 (sword clatters)
01:16:05 (footsteps)
01:16:07 (sword clatters)
01:16:09 (footsteps)
01:16:13 (sword clatters)
01:16:15 ♪ (ominous music)
01:16:22 (thunder rumbles)
01:16:24 ♪ (ominous music)
01:16:27 ♪ (ominous music)
01:16:41 ♪ (ominous music)
01:16:57 (thunder rumbles)
01:16:59 (rain pattering)
01:17:01 (rain pattering)
01:17:03 (rain pattering)
01:17:05 (footsteps)
01:17:07 (footsteps)
01:17:09 (footsteps)
01:17:19 ♪ (ominous music)
01:17:45 (thunder rumbles)
01:17:47 ♪ (ominous music)
01:18:14 ♪ (ominous music)
01:18:29 ♪ (ominous music)
01:18:57 (rain pattering)
01:18:59 ♪ (ominous music)
01:19:20 (gunshot)
01:19:22 ♪ (ominous music)
01:19:45 (gunshot)
01:19:47 (gunshots)
01:19:53 (footsteps)
01:20:02 - Come on.
01:20:04 ♪ (soft music)
01:20:28 ♪ (soft music)
01:20:40 (music fades)