Jennifer Connelly The Movie - Best Movie 2023 - Full Moive
Category
🎥
Short filmTranscript
00:00:00 Hey! Ben! Ben! Ben, to me!
00:00:06 Stop!
00:00:08 Stan!
00:00:11 Stan!
00:00:15 Ben!
00:00:18 Here, after!
00:00:21 [Music]
00:00:25 [Music]
00:00:28 [Music]
00:00:34 [Music]
00:00:43 [Music]
00:00:49 [Music]
00:00:52 [Music]
00:00:59 [Music]
00:01:05 [Music]
00:01:11 [Music]
00:01:18 [Music]
00:01:21 [Music]
00:01:27 [Music]
00:01:33 [Music]
00:01:40 [Music]
00:01:47 [Music]
00:01:50 [Music]
00:01:56 [Music]
00:02:02 [Music]
00:02:09 [Music]
00:02:15 [Music]
00:02:18 [Music]
00:02:24 Hello! Is anyone home?
00:02:32 [Music]
00:02:37 [Music]
00:02:44 [Music]
00:02:47 [Music]
00:02:55 [Music]
00:03:05 Is anyone home?
00:03:12 [Music]
00:03:15 I'm a foreigner and I'm lost!
00:03:25 [Music]
00:03:38 I know someone's there! Please!
00:03:43 [Music]
00:04:11 [Music]
00:04:14 [Music]
00:04:20 [Music]
00:04:26 [Music]
00:04:34 [Music]
00:04:37 [Music]
00:04:46 [Music]
00:04:54 [Music]
00:05:03 [Music]
00:05:06 [Music]
00:05:12 [Music]
00:05:19 [Music]
00:05:26 [Music]
00:05:29 [Music]
00:05:38 [Music]
00:05:47 [Music]
00:06:14 Well, this is quite a revelation to me, Professor.
00:06:17 I mean, I had no idea an expert on insects could provide the police with such invaluable help in a homicide investigation.
00:06:24 Normally we don't, but I made the unfortunate error of becoming an expert on cadaveric fauna.
00:06:31 John, we're not going through that whole number again, are we?
00:06:36 Oh, yes we are, just like we did the first time you came here, all those years ago.
00:06:41 Do you remember, Rudy, the first case we solved together?
00:06:44 When a dead body is exposed to the elements, sooner or later it's eaten up by insects.
00:06:50 [Squeak]
00:06:51 Hey! You naughty girl!
00:06:55 Hey! Where did you get this?
00:06:59 You know you could cut yourself? Look, look here.
00:07:03 You could cut yourself with this.
00:07:06 See? It's not a toy. Not a toy.
00:07:11 Where did you find it?
00:07:13 Oh, outside.
00:07:17 And who may I ask put it out there?
00:07:22 I don't want you ever, I don't want you ever, ever playing with this again.
00:07:27 [Squeak]
00:07:32 Oh, I forgot to introduce you. This is Inga.
00:07:36 She's my nurse. If I pick out something with my laser, she never forgets it.
00:07:44 She's also my friend, too. Aren't you, Inga?
00:07:51 But she's a very good nurse.
00:07:55 Insects that eat cadavers are divided into eight groups.
00:07:59 Eight groups of insects that follow one another, installing themselves at exact moments and on precise terms.
00:08:07 Never sooner and never later.
00:08:10 We call them the eight squadrons of death.
00:08:14 First comes the common fly, lays its eggs in the rotting corpse, and thus the cycle begins.
00:08:23 Each group stays 15 days. Fifteen multiplied by eight.
00:08:30 The number of the groups is, uh...
00:08:33 Four months.
00:08:35 In the case of this head, the cycle not only seems to be complete, but to have been repeated.
00:08:41 Which puts us at, uh...
00:08:44 Eight months. Now I see.
00:08:46 By calculating the presence and the growth of the flies or the maggots, you can pinpoint the exact date of death.
00:08:54 Or murder.
00:08:55 So our victim was decapitated some eight months ago.
00:08:59 And 15 days. Aren't you forgetting something?
00:09:03 Fifteen days while the body was submerged in the lake, before the putrefying gases brought it to the surface and thence to the shore,
00:09:12 when the first flies arrived.
00:09:15 Eight and a half months then.
00:09:17 Perhaps a little less. The mountain wind of the fauna was unusually warm this year.
00:09:22 So we could say that she lost her head somewhere between September 7th and 10th.
00:09:30 Am I right, John?
00:09:32 Let's see now. About that time, first girl to disappear...
00:09:37 That was September 9th. Fourteen-year-old Danish tourist named Vera Brandt.
00:09:43 The body was never found.
00:09:45 Just like the other girls.
00:09:48 Like Greta.
00:09:53 Poor Greta.
00:09:56 She's on that list too.
00:10:01 She's missing, all right, but we have no proof she's dead.
00:10:04 After finding this, what's the use of hiding from the fires?
00:10:09 There's a killer.
00:10:12 A vicious killer.
00:10:15 We'll kill her.
00:10:19 We'll get him.
00:10:22 And when we do...
00:10:26 Good night, Professor.
00:10:29 Good night.
00:10:57 Do you know this part of the country?
00:10:59 No, this is my first trip to Europe.
00:11:02 It's a very unusual area. People call it the Swiss Transylvania.
00:11:06 Why?
00:11:07 I don't know. They just do.
00:11:10 So, you are the Corvino girl. Your father is terribly...
00:11:14 Yes, isn't he?
00:11:16 I admire him very much. I thought he might have come with you.
00:11:20 No. Dad's working in the Philippines. He'll be there for almost a year.
00:11:25 He can't even be reached by telephone.
00:11:28 Oh. Well, in any case, he's placed you in good hands.
00:11:33 You know, I'm sure you're going to like our school.
00:11:36 To begin with, we all speak English.
00:11:39 And then our academic program is based on the American one.
00:11:43 A bee!
00:11:45 Be careful, it might sting you.
00:11:48 Let us restart it.
00:11:50 No! Leave me alone!
00:11:53 Look out!
00:11:55 No! Don't kill it! Please!
00:11:57 Don't touch it! Don't touch it!
00:12:00 Stop yelling!
00:12:01 It's a bee!
00:12:02 I know. It won't hurt me.
00:12:05 Insects never hurt me.
00:12:08 I love them.
00:12:09 You love them?
00:12:11 Yes. I love all insects.
00:12:16 And so Jennifer arrives in Switzerland from the New World
00:12:21 to pass her first memorable night
00:12:24 at the Richard Wagner International School for Girls.
00:12:30 Take the bags in, please.
00:12:33 Impressive, isn't it?
00:12:41 It's a beautiful place.
00:12:43 I'm sure you'll like it.
00:12:45 I'm sure you'll like it.
00:12:47 I'm sure you'll like it.
00:12:49 I'm sure you'll like it.
00:12:51 I'm sure you'll like it.
00:12:53 I'm sure you'll like it.
00:12:55 I'm sure you'll like it.
00:12:57 Impressive, isn't it?
00:12:59 The estate was once Richard Wagner's home.
00:13:02 The school only occupies the main building.
00:13:05 The others are closed because they're not safe.
00:13:07 Never go into them. Ever.
00:13:09 Come along.
00:13:11 Come along.
00:13:13 I'm starved. Is there anything to eat?
00:13:40 No, sorry.
00:13:41 Because of the time changes, I haven't eaten anything but breakfast for two days.
00:13:46 What are they?
00:13:48 Baby food.
00:13:50 My parents left it when they came to visit me with my little brother.
00:13:53 Chicken?
00:13:55 Beef?
00:13:57 Mixed vegetables?
00:14:00 He's seven months old.
00:14:02 I bet he's the only male who's ever seen the inside of this place.
00:14:06 Mixed vegetables. Great.
00:14:08 I'm a vegetarian.
00:14:10 I need a, um...
00:14:11 Spoon?
00:14:12 No.
00:14:14 How is it?
00:14:35 Like cat food.
00:14:36 By the way, I'm Sophie.
00:14:38 I'm French. Jennifer.
00:14:40 Hi. Have you met the headmistress yet?
00:14:43 Oh, speaking of the devil.
00:14:47 You are the new girl.
00:14:49 You were expected this afternoon.
00:14:51 My plane was late because of bad weather.
00:14:54 Would you like some?
00:14:57 The school has its rules.
00:15:02 I'm sorry, but I must confiscate this.
00:15:04 Wait, you don't know who that is. That's Paul Corvino.
00:15:06 Sophie, that's enough. Get into bed.
00:15:08 And if I catch you smoking again, you will be sorry.
00:15:11 And you, young lady, to bed.
00:15:14 And switch off the light.
00:15:19 That bitch stealing Paul Corvino.
00:15:25 Yeah. It's all right.
00:15:27 I have a bunch of them in my bag.
00:15:29 So, tomorrow, put them all up all over the room.
00:15:33 I've seen all his movies.
00:15:35 I saw his last one three times.
00:15:37 Lucky you.
00:15:39 He must have made me sit through it at least 15 times.
00:15:42 He says he trusts my opinion.
00:15:44 You mean you know him?
00:15:47 Yeah, of course I do.
00:15:49 Have you been to bed with him?
00:15:52 Paul Corvino is my father.
00:15:54 Oh, sorry.
00:15:56 It's all right.
00:15:58 Your mother lives in India and owns a hotel.
00:16:00 She remarried. Your father never did.
00:16:03 You were only seven when they split up.
00:16:06 No, I was eight.
00:16:07 Eight? You were seven.
00:16:09 How do you know so much about Paul Corvino?
00:16:12 I read "Scene in Review."
00:16:14 Oh.
00:16:16 Well, it was Christmas Day.
00:16:19 And we were opening presents together.
00:16:28 Anyway...
00:16:30 So...
00:16:34 Mom answered it.
00:16:36 And she said...
00:16:45 "I'll be right there."
00:16:48 And it was her lover.
00:16:57 So then she left.
00:17:00 And she never came back.
00:17:05 But I remember that Dad got 12 presents that year.
00:17:11 And he said the 13th was Mom walking out on him like that.
00:17:16 You didn't read that in "Scene in Review," did you?
00:17:23 You know, I'm really glad you're here.
00:17:25 I've always had to sleep alone.
00:17:27 It can be very scary.
00:17:29 Thanks for coming.
00:17:31 I'm the one who should thank you.
00:17:33 Don't let me forget. I owe you a meal.
00:17:36 You know, there's a murderer around here.
00:17:39 A crazy man.
00:17:40 A maniac who kidnaps girls our age and kills them.
00:17:44 And then he hides the bodies.
00:17:47 Could we change the subject?
00:17:49 I need my sleep.
00:17:50 I'm really tired from the trip.
00:17:52 You're right.
00:17:54 Sometimes I lie awake all night thinking about it.
00:17:57 What do you think about before you fall asleep?
00:18:01 My father.
00:18:05 You mind if I watch TV?
00:18:15 I've got earphones.
00:18:17 No problem.
00:18:19 Good night, Sophie.
00:18:20 Good night, Jennifer.
00:18:23 Good night.
00:18:26 [Bell tolling]
00:18:28 [Bell tolling]
00:18:57 [Screaming]
00:18:59 [Screaming]
00:19:01 [Screaming]
00:19:03 [Screaming]
00:19:05 [Screaming]
00:19:32 [Music]
00:19:35 [Music]
00:19:39 [Music]
00:19:42 [Music]
00:19:50 [Music]
00:20:07 [Music]
00:20:10 [Screaming]
00:20:16 [Screaming]
00:20:19 [Screaming]
00:20:22 [Screaming]
00:20:26 [Music]
00:20:29 [Music]
00:20:43 [Music]
00:20:46 [Music]
00:20:52 [Music]
00:20:58 [Music]
00:21:11 [Music]
00:21:14 [Music]
00:21:24 [Music]
00:21:35 [Music]
00:21:38 [Music]
00:22:03 [Music]
00:22:06 [Music]
00:22:20 [Music]
00:22:31 [Music]
00:22:34 [Screaming]
00:22:43 [Screaming]
00:22:46 [Screaming]
00:22:49 [Panting]
00:22:52 [Panting]
00:22:55 [Panting]
00:22:58 [Panting]
00:23:01 [Panting]
00:23:04 [Panting]
00:23:07 [Panting]
00:23:10 [Panting]
00:23:13 [Panting]
00:23:16 [Panting]
00:23:19 [Screaming]
00:23:22 [Screaming]
00:23:25 [Music]
00:23:28 [Music]
00:23:46 [Music]
00:23:53 [Music]
00:23:56 [Music]
00:24:10 [Music]
00:24:19 [Music]
00:24:22 [Music]
00:24:25 [Music]
00:24:32 Why are you dressed like that?
00:24:35 Do you understand me?
00:24:39 No!
00:24:43 [Grunting]
00:24:50 [Grunting]
00:24:53 Do you understand me?
00:24:56 [Grunting]
00:24:59 Do you think I'm doing that?
00:25:02 [Grunting]
00:25:05 [Grunting]
00:25:08 [Grunting]
00:25:11 [Grunting]
00:25:14 Cut it out!
00:25:17 Is it silly, you little shit?
00:25:20 [Screaming]
00:25:23 [Panting]
00:25:26 [Squeaking]
00:25:43 [Music]
00:25:47 [Music]
00:25:50 [Music]
00:25:56 [Music]
00:26:02 [Music]
00:26:08 [Music]
00:26:11 [Music]
00:26:18 [Music]
00:26:25 [Music]
00:26:36 [Music]
00:26:39 [Music]
00:26:54 [Music]
00:27:02 [Music]
00:27:05 Is this the first time you've been sleepwalking?
00:27:11 No, it's happened before in the States.
00:27:14 You look a mess, child.
00:27:18 Have you any idea where you've been?
00:27:21 No, it's all blank.
00:27:29 I never remember anything.
00:27:32 My savior.
00:27:38 So you're American?
00:27:40 I'm studying at the Academy.
00:27:42 Where are you from?
00:27:44 I'm from Scotland. I came here as a student and stayed to teach.
00:27:47 Then I had this accident and, uh...
00:27:51 I haven't moved since.
00:27:53 What do you teach?
00:27:55 Entomology.
00:27:57 I study insects.
00:27:59 Really?
00:28:00 Do insects interest you?
00:28:02 Yeah, a lot. I love them.
00:28:05 You mean that?
00:28:06 Absolutely.
00:28:08 Why?
00:28:09 You remind me of another girl.
00:28:12 Greta. She used to come here sometimes, help out.
00:28:15 Mostly secretarial work.
00:28:17 And then...
00:28:19 Then?
00:28:20 She was supposed to come here one night. She never arrived.
00:28:23 The killer got her.
00:28:26 How do you know about that?
00:28:28 Well, you used the past tense.
00:28:33 As if she were dead.
00:28:35 She left a coat here.
00:28:38 You must be frozen, child.
00:28:41 It should fit you. It's upstairs.
00:28:44 Here. She'll show you where it is.
00:28:47 [Sounds of a man walking]
00:28:51 [Sounds of a man walking]
00:28:54 [Sound of a man walking]
00:29:07 [Sound of a man walking]
00:29:16 [Sound of a man walking]
00:29:19 [Sound of a man walking]
00:29:23 Oh, that's a good boy.
00:29:34 Now, don't play any tricks.
00:29:38 Bullseye.
00:29:43 What beats me...
00:29:45 is that never misses.
00:29:47 What?
00:29:49 The species is supposed to be practically blind.
00:29:53 Thanks. Be careful, you're in range.
00:30:01 Won't do anything to me.
00:30:03 You look like Greta in that coat.
00:30:09 She liked insects, too.
00:30:13 But they didn't like her the way that one likes you.
00:30:16 That sound...
00:30:19 that you can hear is the mating call.
00:30:22 You're exciting it.
00:30:25 Smell it.
00:30:29 Go on.
00:30:32 Go on, smell it.
00:30:34 It's sort of sweet.
00:30:40 That substance is secreted by a gland.
00:30:43 It, too, is meant to attract a mate.
00:30:47 You're exciting him, and he's doing his best to excite you.
00:30:52 And to think we only just met.
00:30:56 Isn't the mating season?
00:30:59 I can't understand it.
00:31:02 I've never seen anything like it before.
00:31:08 Well, thanks for everything.
00:31:11 Stop by any time.
00:31:19 Night.
00:31:23 You make an old man happy.
00:31:26 Take the cable car. It's only a five-minute ride from the town.
00:31:30 I don't know. Maybe.
00:31:32 And mind how you go with that.
00:31:36 If it happens to you again, you must say,
00:31:38 "I am sleepwalking. I must wake up."
00:31:42 "I am sleepwalking. I must wake up."
00:31:46 I am sleepwalking. I must wake up.
00:31:51 I am sleepwalking.
00:31:54 I won't need it.
00:31:58 I haven't had an attack for ages.
00:32:00 It must have been the trip out.
00:32:05 Or maybe the change of air.
00:32:07 Or maybe the wind.
00:32:14 The wind, yes.
00:32:16 The faun. A very particular wind.
00:32:20 Typical of this part of the country.
00:32:23 It comes from the Alps.
00:32:26 The blasts of warm air cause snow avalanches.
00:32:32 Make the flowers grow.
00:32:34 The hatching of the larvae.
00:32:37 Some people get headaches.
00:32:40 While it blows, there are those who say it causes madness.
00:32:46 It's a strange part of the country.
00:32:49 The Swiss Transylvania.
00:32:54 The Swiss Transylvania.
00:32:56 Will someone please tell me what this EEG is supposed to do?
00:33:06 What you did last night is highly irregular.
00:33:09 No student ever left the school at night before.
00:33:12 How many times do I have to tell you that I didn't walk out on purpose?
00:33:17 I walk in my sleep.
00:33:20 It happens.
00:33:23 But it is not normal. It's our duty to know more.
00:33:26 But I know everything there is to know about it.
00:33:29 I've been examined by the best.
00:33:32 It's not an illness.
00:33:35 But this could be leading up to something far more serious.
00:33:38 You say you remember nothing.
00:33:40 This is not a matter of talking in your sleep or ransacking the fridge.
00:33:44 It could be leading up to a new personality trying to emerge.
00:33:48 Sometimes it's a first step on the path to schizophrenia.
00:33:53 So you think I'm crazy, huh?
00:33:57 Well, you can forget your EEG.
00:33:59 There now. Calm down. Calm down.
00:34:04 Okay. Okay. Go ahead.
00:34:07 I'll show you which one of us is crazy.
00:34:10 [footsteps]
00:34:13 [gasps]
00:34:20 [gasps]
00:34:23 [gasps]
00:34:27 [speaks in German]
00:34:30 [gasps]
00:34:34 [gasps]
00:34:40 [gasps]
00:34:41 Do you suffer from epilepsy?
00:34:44 Or do you take something like...
00:34:47 Do you understand? Drugs.
00:34:50 I am not crazy, schizophrenic, epileptic, or stoned.
00:34:59 [footsteps]
00:35:03 [indistinct chatter]
00:35:08 [indistinct chatter]
00:35:10 [speaks in Italian]
00:35:13 Hello? Shapiro Evans?
00:35:24 Hi. Um, I'd like to speak to Morris, please.
00:35:27 I mean, Mr. Shapiro.
00:35:29 Jennifer Corvino?
00:35:32 Right. Paul Corvino's daughter.
00:35:36 He's out of town?
00:35:38 Three days?
00:35:42 What do you mean it's a holiday? What holiday is it?
00:35:46 Passover?
00:35:49 [indistinct chatter]
00:35:53 Hey, have you heard? She walks in her sleep.
00:35:58 Walks in her sleep? If you ask me, she's got problems.
00:36:01 So that's Paul Corvino's daughter.
00:36:03 Still doesn't give her the right to be such a show-off.
00:36:06 [laughter]
00:36:08 Here she comes.
00:36:10 What's wrong?
00:36:15 Damn Morris.
00:36:16 Who's he? Your boyfriend?
00:36:18 No. He's my father's agent and attorney.
00:36:21 I wanted to tell him to get me out of this shitty school.
00:36:23 He found it.
00:36:24 Why do you want to leave?
00:36:26 Your little brother isn't the only male to have graced this place.
00:36:29 First you forgot the money.
00:36:31 He's not a man. He's got more hands than the entire basketball team.
00:36:35 And second, you forgot the killer.
00:36:37 Killer?
00:36:38 [sirens]
00:36:40 What is the poet trying to say with these words?
00:36:49 Well, who's going to answer?
00:36:51 I don't know.
00:36:53 You tell us.
00:36:54 Me?
00:36:55 Yes, you, Elizabeth.
00:37:00 I think the poet took the words right out of a Bee Gees song.
00:37:07 [laughter]
00:37:08 That's very funny.
00:37:10 The poet in question is Abraham Cole.
00:37:12 What if the killer saw me?
00:37:14 I'm really scared.
00:37:18 I would be too.
00:37:20 Can you imagine if I walked in my suit again tonight and went right into him?
00:37:26 Please, promise you'll keep an eye on me tonight.
00:37:29 We'll lock the door.
00:37:31 And if you hear me get up or do anything, lock me.
00:37:35 Promise?
00:37:37 Please say yes.
00:37:40 Sophie, you tell us.
00:37:42 Me?
00:37:43 Yes. Stand up.
00:37:45 Um...
00:37:47 Um...
00:37:48 The poet, through his oracular style...
00:37:50 The poet, through his oracular style,
00:37:52 The poet, through his oracular style,
00:37:54 The poet, through his oracular style,
00:37:56 Oracular.
00:37:57 Oracular style,
00:37:58 Tells us of the dangers we face,
00:38:00 Should we forget the sense and meaning of the past.
00:38:02 Tells us of the danger we face,
00:38:04 Should we forget the sense and the meaning of the past.
00:38:07 And do you believe that danger exists?
00:38:10 Screw the past.
00:38:11 Screw the past.
00:38:13 [chatter]
00:38:15 Let's have Sophie.
00:38:17 [chatter]
00:38:19 Silence!
00:38:21 And what about ancient Greece?
00:38:23 Shakespeare.
00:38:24 Okay. I'll keep an eye on you tonight.
00:38:27 And Richard Wagner.
00:38:28 Richard Gere.
00:38:30 [chatter]
00:38:33 [chatter]
00:38:35 [phone vibrates]
00:38:43 [music]
00:38:57 [music]
00:38:59 [music]
00:39:02 [music]
00:39:05 [door slams]
00:39:07 (suspenseful music)
00:39:10 (suspenseful music)
00:39:13 (suspenseful music)
00:39:16 (suspenseful music)
00:39:19 (suspenseful music)
00:39:22 (suspenseful music)
00:39:25 (suspenseful music)
00:39:28 (suspenseful music)
00:39:31 (suspenseful music)
00:39:34 (suspenseful music)
00:39:37 (suspenseful music)
00:39:41 (suspenseful music)
00:39:45 (suspenseful music)
00:39:49 (suspenseful music)
00:39:53 (suspenseful music)
00:39:57 (speaking in foreign language)
00:40:02 (suspenseful music)
00:40:05 (speaking in foreign language)
00:40:10 (suspenseful music)
00:40:22 (suspenseful music)
00:40:26 (suspenseful music)
00:40:31 (suspenseful music)
00:40:34 (gasping)
00:40:38 (suspenseful music)
00:40:42 - You like it?
00:40:46 - Nice, where did it come from?
00:40:48 - I put it on by mistake.
00:40:50 Guess who it belongs to?
00:40:52 Paul Corvino's daughter.
00:40:54 - Yeah, the actor.
00:40:55 - Yes, her name is Jennifer and she's my roommate.
00:41:00 - All right.
00:41:01 - Oh yes, he's fantastic.
00:41:04 All those muscles.
00:41:06 - Not him, her.
00:41:07 What is she like?
00:41:08 - Oh, she's pretty.
00:41:10 She wears her hair like mine.
00:41:12 You know, I have to watch her at night
00:41:14 because she walks in her sleep.
00:41:16 - Walks in her sleep?
00:41:17 - Yeah, she gets up and she walks like this.
00:41:20 (laughing)
00:41:24 (suspenseful music)
00:41:27 (suspenseful music)
00:41:30 - Really, Sophie, I have to go.
00:41:39 I have to join my regiment at dawn.
00:41:41 And you know it's nearly a three hour trip.
00:41:44 - Oh, come on, stay a while longer.
00:41:46 - I can't, I really have to go.
00:41:49 - You shit.
00:41:51 - What did you say?
00:41:52 - I said fuck you.
00:41:54 (suspenseful music)
00:41:58 (suspenseful music)
00:42:26 (suspenseful music)
00:42:29 (screaming)
00:42:47 (suspenseful music)
00:42:50 (suspenseful music)
00:42:53 (suspenseful music)
00:43:03 (suspenseful music)
00:43:06 - Sleepwalking.
00:43:25 I must.
00:43:26 (suspenseful music)
00:43:31 I must wake up.
00:43:33 (suspenseful music)
00:43:36 (whimpering)
00:43:51 (whimpering)
00:43:54 Sophie.
00:44:04 (screaming)
00:44:16 (screaming)
00:44:19 (gasping)
00:44:22 (door opening)
00:44:25 (suspenseful music)
00:44:48 (suspenseful music)
00:44:51 (exploding)
00:45:15 (suspenseful music)
00:45:19 (suspenseful music)
00:45:23 (suspenseful music)
00:45:50 (suspenseful music)
00:45:53 (suspenseful music)
00:46:10 (suspenseful music)
00:46:38 (suspenseful music)
00:46:42 (suspenseful music)
00:46:46 (suspenseful music)
00:46:49 (suspenseful music)
00:47:03 (suspenseful music)
00:47:06 (exploding)
00:47:22 (exploding)
00:47:25 (splashing)
00:47:28 (rain falling)
00:47:31 (rain falling)
00:47:34 (screaming)
00:47:38 (exploding)
00:47:45 (suspenseful music)
00:47:51 - The police came this morning.
00:47:59 My pal, the headmistress,
00:48:01 told them not to believe anything I say
00:48:03 because she thinks I'm crazy.
00:48:05 Maybe you think I'm crazy too, Dad,
00:48:07 if production ever gets this letter to you.
00:48:09 I mean, there was really nothing I could do.
00:48:12 I was so scared that I couldn't say anything
00:48:14 about what I saw or why I screamed.
00:48:17 (exploding)
00:48:21 (rain falling)
00:48:24 (screaming)
00:48:36 (exploding)
00:48:46 (screaming)
00:48:49 (screaming)
00:48:53 (screaming)
00:48:56 (screaming)
00:49:00 - If you give me time, I'll identify them.
00:49:04 I'll be able to give you an answer.
00:49:08 Perhaps to some other questions as well.
00:49:11 - You will, Professor.
00:49:14 Oh, it's all right, I know the way.
00:49:17 - Jennifer.
00:49:19 - Hmm?
00:49:21 - You're forgetting your notebooks.
00:49:24 - Thanks.
00:49:25 - Have you any idea why they behave like that?
00:49:29 I've never done this before.
00:49:32 - I guess they sense the mood I'm in.
00:49:37 - I'm often in a bad mood,
00:49:40 upset about something,
00:49:42 but they don't carry on like this.
00:49:45 In ancient Greece,
00:49:49 the butterfly symbolized the soul,
00:49:51 so-called psyche.
00:49:54 From the Greek, butterfly, psyche.
00:49:58 What is this association between insects
00:50:01 and the human soul?
00:50:03 Huh?
00:50:05 Is it because of the multifarious mystery
00:50:09 of the both?
00:50:11 And we know something about that.
00:50:14 Don't we?
00:50:16 - Okay.
00:50:19 Okay.
00:50:22 (birds chirping)
00:50:24 See that glove?
00:50:27 An insect.
00:50:29 A firefly led me to it.
00:50:32 The police came to the school.
00:50:39 They asked me a lot of questions,
00:50:43 but I didn't tell them how I found the glove.
00:50:48 I didn't want them to think I was crazy.
00:50:52 - You can tell me.
00:50:55 I'm not the police.
00:50:57 What happened?
00:50:59 - I was standing alone.
00:51:07 In the dark.
00:51:10 And...
00:51:12 I needed help.
00:51:17 And the firefly,
00:51:19 it was like it heard me.
00:51:21 And it answered my call.
00:51:24 - You've calmed them down.
00:51:34 Just by telling me that.
00:51:36 - But that's ridiculous.
00:51:38 - It's new.
00:51:40 That's the essence of discovery to scientists.
00:51:44 If you only knew the things I've discovered.
00:51:47 Things my fellow scientists consider absurd.
00:51:51 Extrasensory perception.
00:51:54 The paranormal powers
00:51:57 that are unusual in human beings
00:52:00 are perfectly natural in insects.
00:52:02 Some species communicate with each other
00:52:05 over vast distances.
00:52:08 By telepathy, these little creatures
00:52:10 have enormous powers.
00:52:13 I could give you a multitude of examples.
00:52:16 I wrote a book about this very subject.
00:52:19 You may have it.
00:52:21 It's perfectly normal for insects
00:52:23 to be slightly telepathic.
00:52:26 - Yeah, it's normal for insects.
00:52:29 But am I normal?
00:52:35 - No.
00:52:37 - Jennifer!
00:52:53 (laughing)
00:52:55 - But why me?
00:53:09 - Froyle-Anne Colvino cannot be left alone.
00:53:11 I want someone in here with her.
00:53:14 And I want to know everything she says and does.
00:53:17 - I'm scared of her.
00:53:19 She arrived and Sophie disappeared.
00:53:21 She's crazy. Listen to this.
00:53:23 "Dear Dad."
00:53:28 Ah, here it is.
00:53:31 "Do you remember what the doctor said
00:53:33 "about sleepwalking manifesting a split personality?
00:53:36 "It's true.
00:53:38 "My second personality is emerging.
00:53:40 "Do you know how?
00:53:42 "I communicate with insects."
00:53:44 - I mean, I've discovered
00:53:49 that I have power over them.
00:53:51 I'm not kidding.
00:53:53 I even have a witness,
00:53:55 the famous entomologist John McGregor,
00:53:57 who lives near here.
00:53:59 We've become friends and I--
00:54:00 - You see? She is crazy.
00:54:02 This is mine.
00:54:05 - Hey, Jennifer, listen!
00:54:17 - What?
00:54:18 - I'm a spider.
00:54:20 - And I'm a rope.
00:54:21 Speak and you shall be obeyed.
00:54:23 - No. No!
00:54:24 - Stop it! Stop it!
00:54:26 - I'm a killer spray.
00:54:27 - Get to an end, you--
00:54:28 - Ah!
00:54:29 - I'm a mosquito.
00:54:30 - I'm a fly.
00:54:31 - You're a mosquito.
00:54:32 - I'm a spider.
00:54:33 - A fly.
00:54:34 - A spider.
00:54:35 - I'm a spider.
00:54:36 - I'm a mosquito.
00:54:37 - Look, I'm a spider.
00:54:39 - I'm a spider.
00:54:41 - Look, I'm a rope.
00:54:42 - I'm a spider.
00:54:44 - I'm a spider.
00:54:46 [chanting]
00:54:49 - Now that's enough, girls!
00:54:56 [chanting]
00:54:59 - We worship you! We worship you! We worship you! We worship you! We worship you!
00:55:09 - I love you.
00:55:28 - I love you all.
00:55:30 - I love all of you.
00:55:36 - I love all of you.
00:55:39 [rushing water]
00:55:43 [rushing water]
00:55:46 [rushing water]
00:55:49 [rushing water]
00:55:56 [rushing water]
00:56:11 [rushing water]
00:56:14 [music]
00:56:33 [music]
00:56:36 - She's still asleep.
00:56:50 - I called an ambulance to have her taken to the mental hospital.
00:56:53 They'll be here any minute.
00:56:55 At least they'll be better equipped to keep her calm.
00:56:58 - But is she insane?
00:57:00 - Well, she's not normal.
00:57:03 She's diabolic.
00:57:04 - Diabolic?
00:57:05 - Yes.
00:57:06 The Bible also refers to the devil as "Balzebub,"
00:57:12 which means "Lord of the Flies."
00:57:15 Look at her.
00:57:16 The Lady of the Flies.
00:57:19 Call me as soon as she wakes up.
00:57:23 [door slams]
00:57:26 [clock ticking]
00:57:29 [clock ticking]
00:57:32 [clock ticking]
00:57:35 [clock ticking]
00:57:47 [clock ticking]
00:57:59 [clock ticking]
00:58:02 [clock ticking]
00:58:21 [clock ticking]
00:58:24 [clock ticking]
00:58:46 [clock ticking]
00:58:49 [clatter]
00:59:07 [clock ticking]
00:59:10 [clock ticking]
00:59:13 [clatter]
00:59:29 [clatter]
00:59:38 [clock ticking]
00:59:41 [door creaks]
01:00:05 - Diabolic.
01:00:08 Hey, does Jennifer look like a devil to you?
01:00:13 Huh?
01:00:15 [laughs]
01:00:16 No, you're not the devil.
01:00:20 The only devil around here is the killer.
01:00:24 But I understand how you must be feeling.
01:00:27 I know what it feels like to be different,
01:00:31 and the conditions that go with it--
01:00:33 irony, revulsion, annoyance.
01:00:38 People have the ability to make you almost hate yourself.
01:00:43 There's a big difference between you and me.
01:00:46 When that car bashed into me, I lost something,
01:00:49 but you, you gained something.
01:00:53 You're in a position to do extraordinary things
01:00:57 with that gift of yours.
01:00:59 Come on.
01:01:00 I want to show you something.
01:01:03 Come on, in here.
01:01:05 Look.
01:01:13 These were inside the glove.
01:01:16 La Vie of the Great Sarcophagus.
01:01:20 Rather menacing name,
01:01:21 appropriate to the insect that bears it.
01:01:25 [chickens clucking]
01:01:29 It lives exclusively off dead bodies, human remains.
01:01:35 The Great Sarcophagus?
01:01:39 What a weird name.
01:01:42 The destroyer.
01:01:44 The flesh eater.
01:01:46 It is capable of picking up the scent of a dead body
01:01:50 over vast distances.
01:01:53 Its sensory perception
01:01:57 is extraordinary, quite unique.
01:02:00 But why did the glove have so many larvae in it?
01:02:03 Perhaps because when the murderer hides his victims,
01:02:07 he likes to keep in physical contact with them,
01:02:11 conserving them.
01:02:15 He is a psychopath.
01:02:17 If we mean to get him,
01:02:18 we have to call on the services of the two greatest detectives
01:02:23 ever known.
01:02:26 Perhaps I should say unknown,
01:02:29 up until now.
01:02:32 Who were they?
01:02:35 You and him.
01:02:39 [chickens clucking]
01:02:43 The Great Sarcophagus.
01:02:47 [chickens clucking]
01:02:50 Put out your hand.
01:02:53 [chickens clucking]
01:02:57 There.
01:02:59 See?
01:03:00 He's not afraid of you.
01:03:02 He won't do that for me.
01:03:04 Ask him to lead you
01:03:06 where the dead bodies are hidden,
01:03:08 and he'll lead you.
01:03:10 That fly is your magic wand.
01:03:14 You think it'll work?
01:03:16 With your gift.
01:03:19 It'll take a lifetime.
01:03:22 It could be anywhere.
01:03:25 Not anywhere.
01:03:27 On a 52-kilometer route,
01:03:30 the first girl to disappear was a Danish tourist.
01:03:35 She took a bus of the Red Line.
01:03:38 It starts from the city square on a 52-kilometer route,
01:03:41 calling out various tourist traps on the way.
01:03:44 She was seen getting on that bus.
01:03:48 When you get near to the kill's house,
01:03:52 you'll know about it soon enough,
01:03:54 because the sarcophagus will go crazy
01:03:57 and head straight for the dead bodies.
01:04:00 All you have to do is follow it and come straight back.
01:04:05 Do you feel up to it?
01:04:08 Yeah.
01:04:10 I want him caught.
01:04:15 For Sophie.
01:04:20 She was my friend.
01:04:23 And I want him caught.
01:04:25 Magritte, I wish you all the luck in the world.
01:04:30 My two detectives.
01:04:34 [engine noise]
01:04:38 [engine noise]
01:04:42 [engine noise]
01:04:45 [engine noise]
01:05:06 [engine noise]
01:05:09 [engine noise]
01:05:20 [engine noise]
01:05:23 [engine noise]
01:05:44 [engine noise]
01:05:47 [engine noise]
01:05:59 [speaking in German]
01:06:07 [speaking in German]
01:06:10 [engine noise]
01:06:36 [engine noise]
01:06:39 [engine noise]
01:07:02 Wait! Wait, please!
01:07:05 Thanks.
01:07:09 [engine noise]
01:07:28 [engine noise]
01:07:55 [engine noise]
01:07:58 [engine noise]
01:08:15 [engine noise]
01:08:18 [engine noise]
01:08:29 [engine noise]
01:08:32 [engine noise]
01:08:48 [engine noise]
01:08:51 [engine noise]
01:09:08 [engine noise]
01:09:11 [engine noise]
01:09:36 [engine noise]
01:09:39 [engine noise]
01:09:50 [engine noise]
01:10:02 [engine noise]
01:10:05 [engine noise]
01:10:24 [engine noise]
01:10:27 [engine noise]
01:10:33 [engine noise]
01:10:49 [engine noise]
01:10:52 [engine noise]
01:11:02 [engine noise]
01:11:05 [engine noise]
01:11:22 [engine noise]
01:11:29 [engine noise]
01:11:32 [engine noise]
01:11:39 [engine noise]
01:11:47 [engine noise]
01:11:50 [scream]
01:12:03 What are you doing here?
01:12:06 Um, I was following a...
01:12:08 Who are you? You came here to steal, did you?
01:12:11 No! Um, I was looking for someone.
01:12:14 You were looking for someone? Come on, the house is empty.
01:12:18 No one's lived here since the former tenants moved out eight months ago.
01:12:22 The house is for sale.
01:12:24 I'm sorry, I'm really sorry.
01:12:26 Sure. I didn't mean to cause any harm.
01:12:28 [scream]
01:12:29 Hey!
01:12:31 [breathing heavily]
01:12:34 [engine noise]
01:12:40 [engine noise]
01:12:50 [engine noise]
01:13:01 [engine noise]
01:13:04 [engine noise]
01:13:07 [engine noise]
01:13:13 [engine noise]
01:13:17 [engine noise]
01:13:21 [engine noise]
01:13:27 [footsteps]
01:13:30 May I help you?
01:13:35 Who are you?
01:13:36 I'm the estate agent.
01:13:38 If you're looking for a house, I'm your man.
01:13:41 Uh-huh. Anyone living in the house now?
01:13:44 No. By the way, where did you come from?
01:13:47 I didn't hear you drive up.
01:13:49 I came from the back.
01:13:51 How long has the house been empty?
01:13:54 I don't know. Seven, eight months maybe.
01:13:57 Who was living here before?
01:13:59 I would have to check at the agency.
01:14:01 But we do not give out that kind of information.
01:14:03 Uh-huh.
01:14:04 It's absolutely confidential.
01:14:06 And against our company--
01:14:07 I'm Inspector Geiger.
01:14:09 Canton Police.
01:14:11 [car horn]
01:14:21 [car engine]
01:14:24 [dog whining]
01:14:35 [dog barking]
01:14:46 [dog barking]
01:14:49 [dog barking]
01:14:55 [knocking]
01:15:03 [dog whining]
01:15:06 [dog barking]
01:15:12 [knocking]
01:15:16 [dog barking]
01:15:19 [dog whining]
01:15:42 [dog whining]
01:15:45 [dog whining]
01:15:56 [dog whining]
01:16:06 You got yourself out, you silly girl.
01:16:09 I can't forget you.
01:16:11 This damn machine.
01:16:13 [dog whining]
01:16:16 I wonder if there's something going on around here.
01:16:19 Who's there?
01:16:22 Is someone there?
01:16:25 [dog whining]
01:16:26 What? Why?
01:16:28 Who is it?
01:16:30 [dog whining]
01:16:33 Answer me!
01:16:35 Who are you?
01:16:37 [dog whining]
01:16:40 [dog barking]
01:16:48 [dog whining]
01:17:05 [dog whining]
01:17:08 [dog barking]
01:17:13 [dog whining]
01:17:18 [dog barking]
01:17:24 [dog barking]
01:17:34 [dog whining]
01:17:37 [rock music]
01:17:43 [rock music]
01:17:46 [rock music]
01:17:50 [rock music]
01:18:16 Most of our patients are kept under restraint.
01:18:19 Take my word for it, Inspector.
01:18:21 The person you're looking for is not one of ours.
01:18:24 No one's ever escaped from here.
01:18:26 Correct.
01:18:28 But I'm working from the exact opposite assumption.
01:18:33 How can I explain?
01:18:35 It isn't as if someone got out of your institution.
01:18:42 But rather got in.
01:18:46 You have had such a case, I believe.
01:18:48 Yes. A curious incident.
01:18:50 It happened about 15 years ago, here on the lower basement level.
01:18:54 Since then, it's only been accessible to members of the staff.
01:18:57 The further down one goes in this place, the more monstrous the inmates become.
01:19:01 Probably the same in hell.
01:19:03 Until you reach the last circle.
01:19:05 The one without a center.
01:19:07 [rock music]
01:19:10 [dog whining]
01:19:14 [chatter]
01:19:17 Shit, Mars, I'm telling you I won't stay here a minute longer.
01:19:28 I want to come home and I don't have the money for a ticket.
01:19:32 No, I ran away from school.
01:19:37 Because they want to lock me in an institution.
01:19:41 What?
01:19:43 It's a long story.
01:19:48 Get me back to LA and I'll tell you all about it.
01:19:51 Which bank do you use in Zurich?
01:19:54 The SKA. What does it stand for?
01:19:56 [speaking German]
01:19:58 Send me some money. A telex in my name.
01:20:01 Do it, Mars.
01:20:03 I don't want to be murdered.
01:20:05 Yes, I said murder.
01:20:09 Someone here wants to kill me and he's tried once already.
01:20:13 [eerie music]
01:20:17 [screaming]
01:20:37 [laughing]
01:20:40 [applause]
01:20:57 I'm sorry. There's nothing here in your name.
01:21:06 Are you sure?
01:21:08 I'm afraid so.
01:21:10 Well, maybe it just arrived and it hasn't come through the computers yet.
01:21:15 I can check.
01:21:17 There's nothing. I'm sorry.
01:21:26 Now what am I supposed to do?
01:21:28 This is an emergency.
01:21:30 It could arrive at any time.
01:21:32 Look, why don't you come back later?
01:21:34 I'll be on the meantime.
01:21:36 Can I wait here?
01:21:39 Sure, you can wait over there.
01:21:41 But I suggest you go for a walk.
01:21:44 I'll wait.
01:21:47 [footsteps]
01:21:50 [footsteps]
01:21:53 [footsteps]
01:21:57 [footsteps]
01:22:01 [footsteps]
01:22:27 Hello, Jennifer.
01:22:30 Your father's attorney, Mr. Shapiro, called us from New York.
01:22:34 He was very worried about you and extremely angry with us for, let's say, losing you.
01:22:41 What a bastard.
01:22:43 He sounded very reasonable on the phone.
01:22:45 He spoke to me and only calmed down when I told him I would come for you myself.
01:22:50 He said I would find you here.
01:22:52 I'm not going back to that school.
01:22:54 Of course not.
01:22:56 He said you want to go back to America immediately. Is that true?
01:22:59 Yes.
01:23:00 Well, he authorized me to buy you a ticket and give you some money.
01:23:04 Is that all right?
01:23:06 Okay.
01:23:09 Good.
01:23:11 Good luck.
01:23:21 What time is my flight?
01:23:24 Uh, 12th noon tomorrow. The last flight out today has already left.
01:23:28 Then what about tonight?
01:23:30 I'm not going to sleep at the school.
01:23:32 I'm not going back there. I'm not going to sleep there. I never want to see the place again.
01:23:36 Don't worry. If that's what you want, it's all right.
01:23:39 Mr. Shapiro said to do whatever you wanted.
01:23:42 You can stay with me tonight.
01:23:52 It's enormous. Do you live here alone?
01:23:55 No.
01:23:56 You'll sleep in here, Jennifer.
01:24:19 I hope you find it comfortable enough.
01:24:22 Looks fine. Thank you.
01:24:27 Why are the mirrors covered like that?
01:24:30 I told you I don't live alone. I have a small son.
01:24:33 He's very sick.
01:24:35 I cover the mirrors for his sake.
01:24:38 He doesn't want to see his reflection.
01:24:40 I worry about him very much.
01:24:44 He's changed my life completely.
01:24:47 Sometimes I think he's driving me crazy.
01:24:50 I'm sorry.
01:24:52 These are things that can happen in a woman's life.
01:24:56 But don't worry. You won't see him.
01:24:59 Oh, I don't mind if...
01:25:00 No.
01:25:01 It's better if you don't.
01:25:03 He stays in his room with his crazy thoughts.
01:25:07 Would you like something? A cup of tea?
01:25:11 No, I don't want to bother you.
01:25:13 It's no bother.
01:25:14 I'm going to bed.
01:25:15 [footsteps]
01:25:17 [doorbell rings]
01:25:44 [footsteps]
01:25:46 [doorbell rings]
01:25:51 I'm sorry. I kicked the train by mistake.
01:26:07 It hit him.
01:26:08 Maybe he's hurt.
01:26:10 Hurt?
01:26:12 Hurt.
01:26:13 Don't grab him like that.
01:26:19 Why not? What on earth are you thinking?
01:26:21 [door slams]
01:26:22 This is my son.
01:26:23 It's only a doll.
01:26:26 You're a very sensitive young lady.
01:26:29 Are you frightened?
01:26:31 No, no.
01:26:33 Yes, you are.
01:26:34 I can see it in your eyes.
01:26:37 You're burning up.
01:26:41 You have a fever.
01:26:42 No, I don't.
01:26:43 Yes, you do.
01:26:44 In this part of the country, with this wind.
01:26:48 It's hardly surprising.
01:26:50 I'll get you a pill.
01:26:51 You don't want to leave with a cold tomorrow, do you?
01:26:55 Imagine what Mr. Shapiro would say.
01:26:59 [footsteps]
01:27:03 [footsteps]
01:27:05 You should take them both, but if you prefer, one is enough.
01:27:19 I don't want any pills.
01:27:21 Where's the bathroom?
01:27:25 The bathroom is over there.
01:27:26 And you will take the pills.
01:27:28 I never take medicine.
01:27:31 You must take this one.
01:27:32 You have to trust me.
01:27:34 Listen, I don't have anything.
01:27:36 And what kind of pills are those?
01:27:41 They're for fever.
01:27:42 They won't hurt you for sure.
01:27:44 You have to trust me.
01:27:45 I tell you to take these pills and you have to take them.
01:27:48 Do you understand?
01:27:49 Hey, it hurts me.
01:27:50 Leave me alone.
01:27:52 Take them.
01:27:53 All right.
01:27:56 I'll take the pills.
01:27:58 I'll get you some water.
01:28:00 I can get it myself.
01:28:01 Shit, get out of the way.
01:28:04 May I close the door?
01:28:09 What a bitch.
01:28:28 [music]
01:28:31 [music]
01:28:33 [music]
01:28:51 [music]
01:28:53 [music]
01:28:58 [music]
01:29:04 [music]
01:29:17 [music]
01:29:19 [music]
01:29:38 [music]
01:29:40 Larvae of the great sarcophagus.
01:29:51 It lives exclusively off dead bodies.
01:29:54 Human remains.
01:29:56 [screams]
01:29:59 [crying]
01:30:01 [crying]
01:30:16 [coughing]
01:30:18 [knocking]
01:30:32 What are you doing?
01:30:44 Jennifer, answer me.
01:30:45 Open the door.
01:30:47 I said, what are you doing?
01:30:49 Answer me, Jennifer.
01:30:52 Open the door this instant.
01:30:53 Open the door.
01:31:00 Answer me.
01:31:02 How dare you behave like this?
01:31:04 Jennifer.
01:31:11 [coughing]
01:31:13 Let me in.
01:31:30 Let me in.
01:31:33 [door slams]
01:31:34 Why didn't you open the door?
01:31:47 What were you doing?
01:31:49 Did you take the pill?
01:31:50 What were you doing?
01:31:52 [coughing]
01:31:53 [gasps]
01:32:12 Who are you calling?
01:32:13 Morris.
01:32:15 I want to tell him that everything is fine.
01:32:17 Tomorrow.
01:32:18 No, I want to do it now.
01:32:20 It will only be a few seconds.
01:32:21 No!
01:32:23 I want to do it now.
01:32:25 [screams]
01:32:26 [screams]
01:32:40 I said no.
01:32:41 No!
01:32:42 You don't have to call anyone, do you understand?
01:32:43 You're at my house.
01:32:45 And you have to do what I say.
01:32:46 [screams]
01:32:48 [footsteps]
01:32:50 [door opens]
01:32:51 [door closes]
01:32:53 [door opens]
01:33:07 [door closes]
01:33:11 [footsteps]
01:33:12 Help!
01:33:20 Help!
01:33:21 [screams]
01:33:23 [door slams]
01:33:25 [gasps]
01:33:33 Stay here.
01:33:35 If you open your mouth, I'll kill you.
01:33:37 [door creaks]
01:33:40 [door opens]
01:33:41 [door slams]
01:33:43 [door slams]
01:33:44 [door opens]
01:33:50 [door slams]
01:33:56 [footsteps]
01:33:57 Fifteen years ago, when you were still working in Basel,
01:34:09 you were assaulted.
01:34:10 Surely you haven't forgotten the incident.
01:34:14 No.
01:34:16 Look at this.
01:34:17 Oh!
01:34:20 He pulled me to him through the bars.
01:34:22 There were bars between us.
01:34:24 I understand, Frau Bruckner.
01:34:26 Forgive me.
01:34:28 But we have to be...
01:34:30 precise.
01:34:32 So you moved here eight months ago.
01:34:35 Is that correct?
01:34:36 Yes, that is so, Inspector.
01:34:37 Please, come this way.
01:34:38 And where were you living before that?
01:34:42 Outside Zurich.
01:34:45 [footsteps]
01:34:47 [door slams]
01:35:06 [footsteps]
01:35:07 [screams]
01:35:15 Perhaps the murderer hides his victims.
01:35:22 He likes to keep in physical contact with them,
01:35:25 conserving them.
01:35:27 He's a psychopath.
01:35:29 [gasps]
01:35:31 [footsteps]
01:35:33 [footsteps]
01:35:34 [rock music]
01:35:41 [footsteps]
01:35:42 [footsteps]
01:35:54 [footsteps]
01:35:58 [footsteps]
01:36:07 [footsteps]
01:36:09 [footsteps]
01:36:11 [footsteps]
01:36:12 [footsteps]
01:36:16 [footsteps]
01:36:18 [footsteps]
01:36:20 [footsteps]
01:36:22 [footsteps]
01:36:24 [footsteps]
01:36:26 [footsteps]
01:36:28 [footsteps]
01:36:30 [footsteps]
01:36:32 [footsteps]
01:36:34 [footsteps]
01:36:36 [footsteps]
01:36:39 [footsteps]
01:36:40 [footsteps]
01:36:42 [footsteps]
01:36:44 [footsteps]
01:36:46 [footsteps]
01:36:48 [footsteps]
01:36:50 [footsteps]
01:36:52 [footsteps]
01:36:54 [footsteps]
01:36:57 [footsteps]
01:36:59 [footsteps]
01:37:01 [footsteps]
01:37:03 [footsteps]
01:37:05 [footsteps]
01:37:08 Stingy Iron Mask as he came to bust the courage at the facing of Master Stark.
01:37:14 He taught you all he ever knew to fear no water man.
01:37:18 Now you think your vengeance is straight on evil men.
01:37:22 You're dying for a dragon,
01:37:24 Your soul is sick and I can't even fucking fade away.
01:37:31 You live for the hatch, for the thrill of the sale.
01:37:36 Water Man and his owner.
01:37:40 [Music]
01:37:50 [Music]
01:38:00 [Music]
01:38:16 [German radio]
01:38:26 -Firo? -Yes? -The car rental agency. Your car is right outside. Here's the key.
01:38:30 -Do you need a map, sir? -No, thank you. I know the area.
01:38:34 -Jennifer?
01:38:44 [Gasping]
01:38:54 [Gasping]
01:39:22 [Gasping]
01:39:32 [Gasping]
01:39:40 [Phone ringing]
01:40:02 [Phone ringing]
01:40:06 -Hello?
01:40:18 [Screaming]
01:40:24 -I'm Inspector Geiger. I want to help you.
01:40:30 [Screaming]
01:40:34 -Help me! Help me!
01:40:38 [Screaming]
01:40:52 [Screaming]
01:41:04 -Thank you.
01:41:06 [Music]
01:41:16 [Screaming]
01:41:26 [Screaming]
01:41:36 [Screaming]
01:41:46 [Screaming]
01:41:56 [Screaming]
01:42:06 [Screaming]
01:42:16 [Screaming]
01:42:26 [Screaming]
01:42:36 [Groaning]
01:42:48 [Crying]
01:43:10 -Go away! You scare me!
01:43:13 -I won't hurt you. -I don't want you here.
01:43:16 -I know your mother was bad.
01:43:19 -But I want to help.
01:43:22 [Crying]
01:43:28 -You don't have to worry about the mirrors anymore.
01:43:31 [Crying]
01:43:39 -It's all over.
01:43:41 [Screaming]
01:43:51 [Music]
01:44:09 [Coughing]
01:44:13 [Snarling]
01:44:22 [Screaming]
01:44:26 -No, please! No, please! No!
01:44:30 -No! Please!
01:44:33 [Screaming]
01:44:40 [Snarling]
01:44:44 [Snarling]
01:44:54 [Snarling]
01:45:04 [Snarling]
01:45:14 [Snarling]
01:45:24 [Snarling]
01:45:34 [Snarling]
01:45:44 [Snarling]
01:45:54 [Snarling]
01:46:04 [Splashing]
01:46:32 [Snarling]
01:46:42 [Snarling]
01:46:52 [Splashing]
01:47:06 [Splashing]
01:47:16 [Splashing]
01:47:26 [Siren]
01:47:48 [Siren]
01:47:58 [Siren]
01:48:08 [Siren]
01:48:18 [Splashing]
01:48:22 [Music]
01:48:50 [Music]
01:49:00 [Music]
01:49:10 [Music]
01:49:38 [Music]
01:49:52 -Morris!
01:49:53 -Jennifer?
01:49:54 -Morris!
01:49:56 -Thank God.
01:50:00 [Screaming]
01:50:07 [Sobbing]
01:50:09 -He was deceased.
01:50:11 But he was my son.
01:50:14 And you have.
01:50:16 Why didn't I kill you before?
01:50:18 I killed that inspector.
01:50:21 And you professor friend.
01:50:23 To protect him.
01:50:25 And now, I'm gonna kill you to avenge him!
01:50:31 Why don't you call your insects!
01:50:34 Go on!
01:50:35 [Screaming]
01:50:53 [Splashing]
01:51:03 [Music]
01:51:13 [Dog Barking]
01:51:16 [Music]
01:51:30 [Dog Barking]
01:51:31 [Music]
01:51:49 [Music]
01:52:09 [Music]
01:52:29 [Music]
01:52:49 [Music]
01:52:59 [Music]
01:53:09 [Music]
01:53:19 [Music]
01:53:29 [Music]
01:53:39 [Music]
01:53:49 [Music]
01:54:09 [Music]
01:54:19 (upbeat music)