Nang ibahagi ni Mikoy Morales kung paano niya pinaghandaan ang kanyang intimate scenes para sa kanyang pelikula, natanong ni Nelson Canlas kung ano kaya ang naging reaksyon ng kanyang girlfriend dito? Panoorin ang video.
Panoorin ang buong episode: https://youtu.be/H0oH-qPHtdA?si=TbowbE_KxHYt4sID
Panoorin ang buong episode: https://youtu.be/H0oH-qPHtdA?si=TbowbE_KxHYt4sID
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FunTranscript
00:00 about this, and you told me, "Kuya, PI, 90% of the time, I'm just plastered."
00:09 So this is really-
00:11 I mean, 90% of the time, during one shooting day, I was plastered.
00:17 I mean, all the time, because she lunked in one day, all of the intimate scenes.
00:23 So we had to sleep on the next day, all of the bed scenes.
00:27 - How was that for you? Like, you were naked the whole day?
00:31 - Yeah.
00:33 There was plaster, that's all.
00:36 Actually, it was a makeshift plaster. It's really hard.
00:40 So we used napkins, like the napkin of a woman.
00:44 She crossed it like that, put it there, and then a bunch of tapes.
00:50 So she wouldn't see it.
00:52 So, and that's it. So, like, take.
00:56 After taking, it's like, "Oh, you know, she's sick. There's a lot of tapes."
00:59 So I took it off, and I'd go back again. It's long.
01:02 So I just sit around in that.
01:05 - Naked?
01:06 - Yeah.
01:07 - Okay, get me some coffee. And then you're naked.
01:09 - Yeah, I was drinking coffee like that.
01:12 - It must be very uncomfortable, no? For you.
01:15 - The tapes are uncomfortable.
01:18 But in general, I think I found it...
01:22 - Liberating?
01:24 - Liberating, yes. I found it liberating.
01:26 To the point that, like,
01:28 "Hey, that means our intimacy workshop was effective."
01:31 Because I felt that comfortable on set.
01:35 So I kind of took that, like, "No, okay."
01:38 - What happens in an intimacy workshop?
01:42 - Oh, intimacy workshop, because it's like...
01:45 - You know, I have never seen one.
01:48 Of course, I've heard of it.
01:50 But I don't know what's happening in there.
01:52 - Well, just like in some acting workshops,
01:55 there are workshops that specialize in these kinds of scenes.
02:00 But in acting workshops,
02:03 you're the only actors there.
02:05 So when you get to the set,
02:07 sometimes it is not fully translated
02:11 what the limitations and boundaries are.
02:13 Because they don't have a workshop.
02:16 So here in the intimacy workshop,
02:18 this was done with the director, my co-actor, and the producer.
02:22 So that it's set.
02:23 The goal is to set your boundaries.
02:27 You can't remove the,
02:30 "Why can't I get it again if I didn't do it?"
02:33 Or remove the, "Maybe they'll think I'm KJ."
02:35 "Maybe they'll think I'm a pervert."
02:38 Or things like that.
02:40 So that it's comfortable to say no.
02:44 And to say, "If I did this..."
02:47 There's this person called Miss Missy Maramara.
02:50 She did the intimacy workshop with me.
02:52 She studies this abroad then.
02:53 And then she brings it here.
02:55 There's this thing called "sugat."
02:58 As pleasers sometimes,
03:00 as actors on set,
03:02 you want to please the directors and the producers and all.
03:05 We say yes to things.
03:07 Even if we know afterwards,
03:09 it might scar us.
03:11 And these scars can accumulate.
03:13 It can become trauma.
03:15 So that's where it becomes worrying about.
03:18 You have to take note of this.
03:20 We can say, "Okay, let's do it now."
03:24 But when you go home, will you regret what you did?
03:27 Do you have regrets?
03:28 Even if it's a little, it will accumulate.
03:31 And then you'll lose trust on set.
03:34 It's harder to act because you're not relaxed.
03:37 You'll lose that trust even in succeeding projects.
03:40 -Even in succeeding projects. -Like, is it trauma?
03:43 Whatever that is.
03:45 Right.
03:46 Plus, the director and the producer are there.
03:49 So we don't have to go on set and explain ourselves to the producers
03:52 because they were doing the workshops with us already.
03:54 So it's clear that when it comes to the set,
03:57 Missy was there.
03:59 Thank you.
04:00 Missy was there.
04:01 And the producers and the producer,
04:04 just one, and the director,
04:06 they set it up so that there are only two people.
04:09 Cameraman, focus puller, and assistant director.
04:12 There were three.
04:13 And then the director, and then us, and Missy.
04:15 And then our choreograph.
04:16 We were taking our time.
04:17 It's not like, "Hurry up! What time is it? We have a lot to finish."
04:20 It's not like that.
04:21 We were really taking our time.
04:23 And then Missy was talking to the cameramen one by one.
04:26 Sometimes, even the simple, slight comments,
04:33 like, "Oh, there it is."
04:35 Those things that you hear are really helpful.
04:37 It can cause an unsafe feeling.
04:40 Discomfort.
04:41 And you feel like someone is looking at you.
04:44 That's the process.
04:45 From the workshop to facilitating that intimacy.
04:49 It's just a matter of giving importance
04:52 that it's coming from the facilitator,
04:55 and not from the actors themselves.
04:57 Because sometimes when it comes from the actors,
04:58 the attitude is overshadowed or it's not.
05:01 So it's nice that there's someone who's really specialized
05:05 to state these things.
05:06 Like, "This is my profession. This is how it should be.
05:08 This is not how it should be.
05:10 This is where it's comfortable. This is where it's not comfortable."
05:12 "Alright, let's do this."
05:13 So it's clear to everyone, even the DOP,
05:17 even the light person, or whatever.
05:21 It's clear to everyone that this is a job.
05:25 We are not here to pleasure ourselves.
05:28 Yes.
05:29 I'm following this woman on IG.
05:33 She explains everything that's happening in an intimate scene.
05:38 And she debunked the idea that it's not sexually pleasurable
05:47 for everyone on the set.
05:49 It should look sexually pleasurable on camera,
05:54 but not for the actors, but not for the people around.
06:00 So, you know, it's really great.
06:03 I really felt like, "Yes, it's true."
06:06 Because we think of it as moviegoers,
06:11 as people who watch that intimate scene.
06:14 "Hey, Mikoy is already feeling it."
06:18 But when you see it, you're so far away.
06:22 It's just a camera trick, but it looks like you're in the heat of the moment.
06:30 Because as actors, you have to show it.
06:32 Yeah, yeah.
06:34 It's choreographed, actually.
06:37 What are the positions, how close are you.
06:40 How are you going to act?
06:41 Because we have towels or sometimes pillows in between our genitals.
06:44 So it's not necessary.
06:46 For example, my partner, that's the no-no for her.
06:50 And for me, I'm like, "Don't hit my egg."
06:54 Like that.
06:55 So that's on the list.
06:57 That's on the list, the do's and don'ts for us.
06:59 For me, just don't bring your face close to my feet,
07:02 and don't hit my egg.
07:04 The rest is okay.
07:06 Why?
07:07 Sorry, I'm just curious.
07:08 I'm conscious of my feet because since I was a kid,
07:12 my feet looked like hobbit's feet.
07:14 So I don't like touching it.
07:16 Is it hot? Can you see your feet?
07:18 This?
07:19 Don't!
07:20 It's not hot.
07:24 I'm insecure about my feet.
07:25 So I don't like getting close to them and not touching them.
07:29 So that's it.
07:30 But yeah, it's choreographed.
07:32 And then what's nice about it is because it's choreographed,
07:36 what's left for me to do,
07:38 I don't have to think, "Wait, are you uncomfortable with my partner?
07:42 Is this okay for you?"
07:44 Nothing. Because it's a given.
07:45 We prepared it.
07:47 So what's left for me to do is just really get in the moment and feel it.
07:52 In these intimate scenes, did your girlfriend get jealous?
07:57 She wasn't jealous.
08:01 So there's no anti-jealous dance?
08:04 No.
08:06 She didn't consult with Jack Roberto?
08:11 No.
08:12 She didn't do a JRU.
08:14 She didn't do a JRU.
08:17 But she got uncomfortable with the thought.
08:22 To be honest.
08:24 Did she watch the film?
08:26 Not yet.
08:27 That's it.
08:28 Oh, not yet?
08:29 I don't take that against her.
08:31 She said that she can't watch the premiere.
08:34 Because she's under pressure because of the premiere.
08:37 And she knows that she's my girlfriend.
08:40 My family is there.
08:41 My other friends are there.
08:43 And she knows that they're going to be asking her questions.
08:47 And she didn't like the pressure.
08:49 Plus, she's not an artist.
08:52 So, she didn't not understand.
08:56 But she was just like, "Give me time and give me space."
09:00 She's fully accepting.
09:02 Let's keep it plain and simple.
09:03 She doesn't understand now.
09:05 Because you said that she's not an artist.
09:07 Yes.
09:08 Actually, when we started filming, she understood now.
09:11 And she knows her boundaries.
09:13 Like in her intimacy workshop.
09:15 She knows her boundaries.
09:16 She knows how far she can go in her work.
09:20 So, I think that she'll watch the next screening.
09:25 But, I get it.
09:28 It's good, Naman.
09:30 I'm going to go.
09:32 [END]
09:36 [END]
09:39 [END]
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