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Short filmTranscript
00:00:00 (wind howling)
00:00:02 (eerie music)
00:00:05 (eerie music)
00:00:07 (eerie music)
00:00:10 (eerie music)
00:00:13 (eerie music)
00:00:15 (eerie music)
00:00:24 (eerie music)
00:00:40 (radio chatter)
00:00:43 (radio chatter)
00:00:45 (dramatic music)
00:01:00 (dramatic music)
00:01:02 (radio chatter)
00:01:20 (dramatic music)
00:01:23 (radio chatter)
00:01:27 (radio chatter)
00:01:34 (dramatic music)
00:01:45 (dramatic music)
00:01:48 - Check here.
00:01:52 (dramatic music)
00:01:55 - Please.
00:01:56 Help me.
00:01:59 I can't walk.
00:02:02 (dramatic music)
00:02:03 - Jack, get me a baby ladder for this hole right now.
00:02:05 - I need you to leave a signal box.
00:02:07 - You guys stay back.
00:02:08 I'm doing this.
00:02:09 - Right back, Sermon.
00:02:11 (dramatic music)
00:02:15 (crashing)
00:02:17 - Go, go, go, get that man's head on the fifth floor.
00:02:23 I see it, the 510-48.
00:02:25 Fifth floor is collapsed.
00:02:26 Captain, we're all over, honey.
00:02:28 Help out here right now.
00:02:30 - Get on the 28.
00:02:31 - Help me, please, somebody help me.
00:02:34 (dramatic music)
00:02:42 (crying)
00:02:44 - Put on my mask.
00:02:47 - Thank you.
00:02:48 - Okay, breathe.
00:02:49 - Get your ass over here.
00:02:50 (dramatic music)
00:02:53 - All right, where do we go, man?
00:02:54 Get that woman out of here.
00:02:56 - Come on.
00:02:57 You got it, come on.
00:02:59 (dramatic music)
00:03:01 - Come on, throw that ladder.
00:03:02 Hands up, hands up.
00:03:04 (dramatic music)
00:03:06 - I'm coming down from the street.
00:03:08 - No one's coming down.
00:03:09 - I'm coming down.
00:03:10 - Get that instant cream cream off of him.
00:03:12 - You got it, Harold?
00:03:13 - Yes.
00:03:14 - Get him out of the way, get him out of the way.
00:03:15 - Take him down.
00:03:16 (dramatic music)
00:03:19 (explosion)
00:03:21 (dramatic music)
00:03:24 (crying)
00:03:26 - Yeah.
00:03:31 Yeah, I mean, you got it.
00:03:33 Look at that, way too much for that.
00:03:35 Huh?
00:03:36 Just to put the stand on now, okay?
00:03:38 Maybe if the stand, see the blue goes to blue.
00:03:42 Maybe if we put it right in here,
00:03:44 see this one blue here, down here,
00:03:46 or the wings, that's stable, good.
00:03:49 There we are.
00:03:50 Look at this.
00:03:51 (whooshing)
00:03:53 Huh?
00:03:54 - That looks great.
00:03:55 - Hey, good morning.
00:03:56 - Good morning.
00:03:57 - Mom, look what we made.
00:03:59 - Wow, Maddy, that is so cool.
00:04:02 - Come on, come on.
00:04:03 - That must have taken hours.
00:04:05 - Oh, I'm working on this since 4 in the morning.
00:04:08 He was already up in a good home.
00:04:10 I think his little sore throat.
00:04:12 - I think you should see Dr. Bob today.
00:04:14 - Wanna see my Kobe Bryant slam dunk?
00:04:16 - Oh, sweetie, I don't think you should be jumping around.
00:04:19 - Bubbles, bubbles, toil and trouble.
00:04:23 Matt is going to be green under double.
00:04:26 - Uh-huh.
00:04:28 Hey, Dr. Bob can squeeze him in at 11.30,
00:04:31 but I have to be at the hospital at 12.15,
00:04:33 so I can take him, but can you pick him up?
00:04:36 - All right.
00:04:37 - Yes, great, 11.30 is fine.
00:04:40 Thank you so much.
00:04:42 - All right, that'll be cool.
00:04:43 - All right, come on, little buddy.
00:04:45 Let's go get you out of there.
00:04:47 Come on, you're all clean.
00:04:48 Oh, you're so slippery.
00:04:50 All right, let's go.
00:04:52 (car engine rumbling)
00:04:57 See, I told you that doctor would make you feel better.
00:04:59 You wanna hug him?
00:05:00 - Yeah.
00:05:01 - Okay.
00:05:02 - Hi.
00:05:03 - Hello, how are you?
00:05:04 - Good, how are you?
00:05:05 - What can I do for you?
00:05:06 - Two hot dogs, diet sodas,
00:05:08 and what do you want to drink?
00:05:10 - Orange juice.
00:05:11 - Orange juice.
00:05:12 - Okay, two hot dogs.
00:05:13 - Yeah.
00:05:14 (car engine rumbling)
00:05:16 (car horn honking)
00:05:19 - Here we go, bud.
00:05:26 - Okay.
00:05:28 All right, where's Daddy?
00:05:31 Where have you been?
00:05:33 - Stay right around in here, okay, honey?
00:05:42 (children laughing)
00:05:43 (car horn honking)
00:05:46 (car engine rumbling)
00:05:59 (people chattering)
00:06:02 (car horn honking)
00:06:27 (car horn honking)
00:06:30 - Hey, officer.
00:06:41 Excuse me, officer.
00:06:44 Excuse me, I'm just going to pick up my kid.
00:06:47 - Okay.
00:06:48 - If you don't mind, just gonna be a minute, okay?
00:06:50 Thank you.
00:06:51 - Sure.
00:06:52 (dramatic music)
00:06:55 - There he is!
00:07:11 - Where?
00:07:12 - I've got people calling to talk to you.
00:07:17 - That's my job, sir.
00:07:18 - All right, go.
00:07:19 Go.
00:07:20 This way.
00:07:22 - Hi, Daddy.
00:07:25 (speaking in foreign language)
00:07:32 - See, I told you he'd be here.
00:07:36 (explosion booming)
00:07:41 (people screaming)
00:07:45 (people screaming)
00:07:48 - No!
00:07:52 (people screaming)
00:08:13 (people shouting)
00:08:16 - Okay, I want you to find Gilly, Perry, Copeland,
00:08:18 get 'em up here right now.
00:08:19 Agent in charge is arriving.
00:08:20 I want paperwork in 10 minutes.
00:08:22 (siren blaring)
00:08:24 (dramatic music)
00:08:27 (people chattering)
00:08:31 (dramatic music)
00:08:34 - We're gonna need to start an IV line.
00:08:47 I need to get him to the hospital.
00:08:52 We can't get this glass out here.
00:08:54 (siren blaring)
00:08:58 - The device functioned just after a motorcade
00:09:00 full of brass arrived.
00:09:01 Colombian officials, American intelligence.
00:09:04 They're the probable targets.
00:09:05 Guy on the phone's name is Brant, CIA, works in Colombia.
00:09:09 The other guy is Shrub,
00:09:10 Undersecretary of State, Latin American Affairs.
00:09:13 We can get a scratch on 'em.
00:09:14 - Mr. Bayliss, cameras pick up anything?
00:09:16 - Uh, we're pulling the video now.
00:09:18 - Where's LAPD on this?
00:09:20 - Well, they know it's ours.
00:09:21 They're helping with shoe leather.
00:09:23 - What's the body count?
00:09:25 - Two dozen injured, nine dead.
00:09:27 Including CIA, American and Colombian military.
00:09:31 The mailman, I'm nursing her little boy.
00:09:34 That's the father over there.
00:09:36 - Gordy, we need to get you on the gurney.
00:09:42 (dramatic music)
00:09:46 (panting)
00:10:13 - Mr. Carasegura, if we call over our contacts,
00:10:15 I wanna know which son of a bitch is responsible
00:10:17 by the end of the day.
00:10:18 - Yes, sir.
00:10:19 - Joe Phipps, Counterterrorism Task Force.
00:10:21 - Peter Brant.
00:10:22 - I need to ask the secretary a few questions.
00:10:23 He's a witness. - Not today.
00:10:24 - Take him to Secretary Tisotel.
00:10:27 - Keep me informed. - All right.
00:10:30 - Okay, I'll talk to you then.
00:10:33 I take it someone in your caravan was the target?
00:10:36 - It's terrorism, everyone's a target.
00:10:38 - You can shovel that on the press,
00:10:40 but don't give it to me.
00:10:41 I got a bomber in the wind and I need to know what you know.
00:10:44 - And you will when you get clearance.
00:10:45 - I will not tell that grieving father
00:10:47 we let his family's killer get away because of protocol.
00:10:49 - You can tell that father what you want.
00:10:51 We're done talking until I know you're cleared.
00:10:54 - Excuse me, nurse.
00:11:03 Excuse me, Gordy Gordon Brewer, please.
00:11:07 (phone ringing)
00:11:11 - Jack.
00:11:13 - Hey, how you doing?
00:11:16 - Hey, Gordy.
00:11:18 How is he?
00:11:20 - Could have been a lot worse.
00:11:21 The blast has missed his femoral artery by a hair.
00:11:24 He was lucky.
00:11:26 - Let me first say,
00:11:34 the full resources of the United States
00:11:36 will be employed to make clear
00:11:38 that we do not tolerate attacks on our citizens.
00:11:42 That said, we must fight the temptation
00:11:46 to make safety policy decisions we may come to regret.
00:11:50 We can't allow the work of an anonymous criminal
00:11:53 to unravel the partnership we forged--
00:11:55 - Hey, buddy. - Hey.
00:11:58 - Hey, buddy, how you doing?
00:12:06 (indistinct radio chatter)
00:12:09 - What do we know?
00:12:18 - The president's coming on in a minute,
00:12:20 but I doubt he'll say anything new.
00:12:23 Turner said the FBI knows the bomb was hidden
00:12:25 in a stolen police motorcycle.
00:12:27 They just don't know who treated it.
00:12:30 - I saw a cop.
00:12:35 I saw him.
00:12:37 - Hey!
00:12:40 - Come on. - Gordy!
00:12:42 Gordy, get back here, God damn it!
00:12:44 - I saw him.
00:12:46 - Gordy, God damn it, come here.
00:12:48 Come here, slow down.
00:12:49 Listen, you're not going anywhere.
00:12:51 You're staying, hang on.
00:12:53 - If you have any problems,
00:12:54 you go through the Trump's office over at Sten's.
00:12:56 That's right.
00:12:57 Yeah, he's one of us. He can handle it.
00:13:03 - Well, is Beckett there or Moyers?
00:13:05 Yeah, he can help.
00:13:06 - God damn, the skin of his teeth, that guy.
00:13:08 The classic agency mold.
00:13:10 - I want a copy of every visa stamp
00:13:12 on a Colombian passport over the last six months.
00:13:14 - Everybody's covering up for this guy.
00:13:16 - Now you know why they call him Spooks.
00:13:18 - God damn it.
00:13:20 He must have used some kind of liquid explosive.
00:13:23 - You'll follow me, sir?
00:13:26 - I just wanted to help.
00:13:29 Used to be with Bomb and Austin.
00:13:32 - Right this way, sir. I'll take you to Agent Fitz.
00:13:35 - Gordon Brewer's here.
00:13:53 - Fireman?
00:13:54 - Yeah.
00:13:55 Says he talked to the cop.
00:13:58 - Mr. Brewer, we appreciate you coming down here.
00:14:01 We know this guy.
00:14:03 His name is Claudio Perini.
00:14:05 We think he's a terrorist who calls himself a lobo, the wolf.
00:14:09 - Definitely the guy I bumped into.
00:14:11 I talked to him.
00:14:14 I told him I was picking up my son.
00:14:16 This little bitch smiled at me.
00:14:19 - We think that the bomb may have been triggered by the cop.
00:14:22 - I don't know.
00:14:23 - I don't know.
00:14:25 - We think that the bomb may have been triggered by a cell phone.
00:14:27 Did he have one on him?
00:14:29 - I don't know.
00:14:30 - How long between the time you saw him and the explosion?
00:14:33 - Five seconds.
00:14:36 Maybe ten, most.
00:14:38 - That's enough time to get on the phone and make a call?
00:14:40 - Maybe.
00:14:41 This could be tough to watch, sir.
00:14:43 - I was late.
00:14:48 I shouldn't have been there.
00:14:50 I shouldn't have been there.
00:14:52 - No, Mr. Brewer, the bomber shouldn't have been there.
00:14:54 - Mr. Brewer, this is Peter Brandt, CIA, Latin American section.
00:14:57 He was one of the targets.
00:14:59 - Sorry for your loss.
00:15:02 There's nothing I can do for you.
00:15:04 I promise you this, one way or the other, we'll catch that son of a bitch.
00:15:09 - How did I get a hold of you?
00:15:14 [indistinct chatter]
00:15:17 [siren wailing]
00:15:35 [indistinct chatter]
00:15:39 [indistinct chatter]
00:15:43 [indistinct chatter]
00:15:46 [indistinct chatter]
00:15:49 [indistinct chatter]
00:15:54 [siren wailing]
00:15:58 [siren wailing]
00:16:24 [music playing]
00:16:27 [music playing]
00:16:31 [music playing]
00:16:34 [music playing]
00:16:47 [music playing]
00:16:50 [phone ringing]
00:17:07 [phone ringing]
00:17:11 - This is Cody.
00:17:13 - And Matthew Brewer.
00:17:15 [indistinct chatter]
00:17:18 - Mr. Brewer, my name's Ken Barnett with Lainline.
00:17:22 We would like to get you into the studio to hear you tell your story in your own words.
00:17:28 If that's something that interests you, please call us at 55212.
00:17:33 - And now back to Rick Garcia with more on the bombing in Los Angeles.
00:17:39 - I'm standing in front of the State Department where earlier today
00:17:42 the headquarters of America's counterterrorism apparatus
00:17:45 received a videotape from El Lobo, or the Wolf,
00:17:49 a Colombian terrorist who officials believe is responsible for at least seven bombings,
00:17:54 including the most recent at the Colombian consulate in Los Angeles.
00:17:58 - On behalf of the people of Colombia,
00:18:01 I claim responsibility for the bombing in Los Angeles.
00:18:06 The bombing was an act of self-defense against America's war criminals.
00:18:12 As long as America continues its aggression in Colombia,
00:18:16 we will bring the war home to you,
00:18:19 and you will not feel safe in your own beds.
00:18:22 Colombia is not your country.
00:18:25 Get out now.
00:18:27 [speaking Spanish]
00:18:32 - For more, we go to Jenny Luce in Los Angeles.
00:18:36 - I'm here with Efraim Ortiz Dominguez,
00:18:38 spokesman for the Latin American Solidarity Committee,
00:18:41 a group known to be sympathetic to the Army of Colombian Liberation.
00:18:45 Sir, you characterize the ALC as freedom fighters.
00:18:49 Isn't the bombing here, in fact, just a brutal act of terrorism?
00:18:53 - The Wolf did nothing but bring to the United States
00:18:55 what the United States has brought to Colombia.
00:18:58 - But surely the killing of innocent people like Ann and Matt Brewer
00:19:01 is a terrorist act.
00:19:03 - The deaths of the mother and the little boy are regrettable.
00:19:06 It's called collateral damage.
00:19:09 - Ortiz, do you want to make the call or not?
00:19:17 CNN is holding.
00:19:19 Washington Post is on the other line.
00:19:21 Am I the only one here?
00:19:22 - Agent Crosby will believe you in half an hour.
00:19:24 - One moment, Diego, por favor.
00:19:26 [speaking Spanish]
00:19:28 - Your time is on one. - Put them on hold.
00:19:30 - But that's my position.
00:19:32 - I'm not going to change it. Why should I change it?
00:19:35 - So you want collateral damage, huh? - Who the fuck are you?
00:19:37 - I give you fucking collateral damage.
00:19:39 [shouting]
00:19:42 - You look like a pirate.
00:19:44 - Do this, right now. Go.
00:19:46 [shouting]
00:19:49 - You want collateral?
00:19:51 [shouting]
00:19:54 - You want collateral damage?
00:19:57 - You tell me where the wolf is.
00:19:59 - I don't know. I don't know.
00:20:01 - Tell me where the wolf is.
00:20:03 - I don't know.
00:20:05 - Take him down.
00:20:07 - I don't know.
00:20:09 - Turn it off.
00:20:15 - Just relax. Just relax now, Mr. Brewer.
00:20:20 - I really hate to do this, but I'm going to have to cut.
00:20:22 - I'm Agent Collins with the FBI.
00:20:24 - Run your circuit, sir.
00:20:26 - He's taking it. He's taking it.
00:20:31 - You're going to be all right. Just relax.
00:20:33 - It's going to be all right.
00:20:35 - Mr. Brewer, I can't imagine what you're going to do.
00:20:53 - I can't imagine what you're feeling right now.
00:20:55 - But you cannot take the law into your own hands.
00:20:59 - I think you already lost him.
00:21:02 - I think he's long gone, otherwise he wouldn't have sent you the tape.
00:21:06 - Am I under arrest?
00:21:09 - No. We convinced Mr. Ortiz to drop the charges.
00:21:13 - And the truth is, we're pretty sure the wolf is back in Colombia.
00:21:19 - I'm not going to let you do this.
00:21:21 - I'm not going to let you do this.
00:21:23 - I'm not going to let you do this.
00:21:25 - I'm not going to let you do this.
00:21:27 - I'm not going to let you do this.
00:21:29 - I'm not going to let you do this.
00:21:31 - I'm not going to let you do this.
00:21:33 - I'm not going to let you do this.
00:21:35 - I'm not going to let you do this.
00:21:37 - I'm not going to let you do this.
00:21:39 - I'm not going to let you do this.
00:21:41 - I'm not going to let you do this.
00:21:43 - I'm not going to let you do this.
00:21:45 - I'm not going to let you do this.
00:21:47 - I'm not going to let you do this.
00:21:49 - I'm not going to let you do this.
00:21:51 - I'm not going to let you do this.
00:21:53 - I'm not going to let you do this.
00:21:55 - I'm not going to let you do this.
00:21:57 - I'm not going to let you do this.
00:21:59 - I'm not going to let you do this.
00:22:01 - I'm not going to let you do this.
00:22:03 - I'm not going to let you do this.
00:22:05 - I'm not going to let you do this.
00:22:07 - I'm not going to let you do this.
00:22:09 - I'm not going to let you do this.
00:22:11 - I'm not going to let you do this.
00:22:13 - I'm not going to let you do this.
00:22:15 - I'm not going to let you do this.
00:22:17 - I'm not going to let you do this.
00:22:19 - I'm not going to let you do this.
00:22:21 - I'm not going to let you do this.
00:22:23 - I'm not going to let you do this.
00:22:25 - I'm not going to let you do this.
00:22:27 - I'm not going to let you do this.
00:22:29 - I'm not going to let you do this.
00:22:31 - I'm not going to let you do this.
00:22:33 - I'm not going to let you do this.
00:22:35 - I'm not going to let you do this.
00:22:37 - I'm not going to let you do this.
00:22:39 - I'm not going to let you do this.
00:22:41 - I'm not going to let you do this.
00:22:43 - I'm not going to let you do this.
00:22:45 - I'm not going to let you do this.
00:22:47 - I'm not going to let you do this.
00:22:49 - I'm not going to let you do this.
00:22:51 - I'm not going to let you do this.
00:22:53 - I'm not going to let you do this.
00:22:55 - I'm not going to let you do this.
00:22:57 - I'm not going to let you do this.
00:22:59 - I'm not going to let you do this.
00:23:01 - I'm not going to let you do this.
00:23:03 - I'm not going to let you do this.
00:23:05 - I'm not going to let you do this.
00:23:07 - I'm not going to let you do this.
00:23:09 - I'm not going to let you do this.
00:23:11 - I'm not going to let you do this.
00:23:13 - I'm not going to let you do this.
00:23:15 - I'm not going to let you do this.
00:23:17 - I'm not going to let you do this.
00:23:19 - I'm not going to let you do this.
00:23:21 - I'm not going to let you do this.
00:23:23 - I'm not going to let you do this.
00:23:25 - I'm not going to let you do this.
00:23:27 - I'm not going to let you do this.
00:23:29 - I'm not going to let you do this.
00:23:31 - I'm not going to let you do this.
00:23:33 - I'm not going to let you do this.
00:23:35 - I'm not going to let you do this.
00:23:37 - I'm not going to let you do this.
00:23:39 - I'm not going to let you do this.
00:23:41 - I'm not going to let you do this.
00:23:43 - I'm not going to let you do this.
00:23:45 - I'm not going to let you do this.
00:23:47 - I'm not going to let you do this.
00:23:49 - I'm not going to let you do this.
00:23:51 - I'm not going to let you do this.
00:23:53 - I'm not going to let you do this.
00:23:55 - I'm not going to let you do this.
00:23:57 - I'm not going to let you do this.
00:23:59 - I'm not going to let you do this.
00:24:01 - I'm not going to let you do this.
00:24:03 - I'm not going to let you do this.
00:24:05 - I'm not going to let you do this.
00:24:07 - The Colombian government is trying to negotiate peace with the guerrillas.
00:24:10 - The geniuses on the hill over here have decided to let them try.
00:24:13 - We can't step foot in the guerrilla zone.
00:24:15 - So bottom line is...
00:24:17 - Justice for your wife and son is in a priority right now.
00:24:21 - I'm not going to let you do this.
00:24:24 [♪♪♪]
00:24:27 [♪♪♪]
00:24:30 [♪♪♪]
00:24:32 - Colonel.
00:24:57 - Peter.
00:24:58 - How are you?
00:24:59 - Wasn't expecting to see you back.
00:25:01 - I haven't spent eight goddamn years down here.
00:25:03 - I just had to cut you over the third rate Che Guevara.
00:25:06 - You know my boys.
00:25:07 - They're okay, but they're dying to get back in the field.
00:25:10 [♪♪♪]
00:25:12 - Hey, wild man, you on third level from the psych unit?
00:25:19 - I thought this was a psych unit.
00:25:21 - I'm your top chief.
00:25:22 - Okay.
00:25:23 [♪♪♪]
00:25:26 [KNOCKING]
00:25:28 - Jack.
00:25:33 - Hey, Gordy, how you doing?
00:25:34 - Come in.
00:25:35 - I thought you'd meet a friend of mine.
00:25:38 - He's Ed Coons.
00:25:39 - Sorry about your loss.
00:25:40 - Thank you.
00:25:41 - You know, Ed, I spent two years as a military advisor down in Columbia.
00:25:46 - He can help you.
00:25:47 - Hi, Ed.
00:25:49 - I see you're doing a little homework here, huh?
00:25:53 - Well, if I don't do it, it seems no one else will.
00:25:56 - You'd have to be freaking crack to go down there now.
00:26:01 - You can't even land in Columbia without a State Department stamp on your passport.
00:26:07 - You bet.
00:26:09 - You were on a restricted list five minutes after that bomb went off.
00:26:13 - Oh, yeah. Well, pat him on the back.
00:26:17 - Back door into Columbia.
00:26:20 - You have been doing some homework.
00:26:23 [dramatic music]
00:26:25 - Well, let's say you didn't manage to get into the country without getting kidnapped or killed.
00:26:31 - You'd never make it into the guerrilla zone without a pass.
00:26:35 - And they are sure as hell not gonna give you one.
00:26:38 - Well, let's say I got one.
00:26:41 - Well, it'd take them about two seconds to realize you're not Juan Valdez.
00:26:47 - And they'd pull your eyelids back over your skull, shove your head up your ass and pull you off a cliff.
00:26:53 - Look, you gonna help me or not, tell me your plan.
00:26:58 - I'm gonna cross the border on foot through the Darien Gap.
00:27:02 - I understand the jungle is very difficult to patrol.
00:27:06 - I think I can make it to Valencia in one day.
00:27:09 - From Valencia, it's 200 miles into the guerrilla zone, right?
00:27:13 - I'm sure I can pay someone to drive me to Mambos.
00:27:16 - No, I don't think so.
00:27:18 - You approach the wrong person, you're a dead man.
00:27:21 - Besides, next to drugs, kidnapping gringos is the second most profitable business down there.
00:27:26 - Get on a bus as fast as you can.
00:27:29 - Mambos?
00:27:32 - Si, no problem. Gracias.
00:27:34 - You can make it to the bus. You're doing all right.
00:27:44 - Thanks for your advice.
00:27:46 - It's only good advice if you take it.
00:27:48 - Que pasa?
00:27:58 - Up ahead, roadblocks.
00:28:00 - Who are they looking for?
00:28:01 - Anyone not like me.
00:28:03 [chatter]
00:28:06 [chatter]
00:28:09 [chatter]
00:28:11 [chatter]
00:28:26 [chatter]
00:28:28 [gunfire]
00:28:49 [gunfire]
00:28:51 [gunfire]
00:28:58 [chatter]
00:29:03 [chatter]
00:29:05 [gunfire]
00:29:10 [chatter]
00:29:18 [chatter]
00:29:47 [gunfire]
00:29:49 [gunfire]
00:30:03 [gunfire]
00:30:16 [gunfire]
00:30:19 [gunfire]
00:30:22 [gunfire]
00:30:24 [gunfire]
00:30:27 [gunfire]
00:30:29 [gunfire]
00:30:33 [gunfire]
00:30:37 [gunfire]
00:30:42 [gunfire]
00:30:50 [chatter]
00:30:52 [gunfire]
00:31:11 [gunfire]
00:31:14 [gunfire]
00:31:17 [chatter]
00:31:19 - The boy's found his passport in his backpack
00:31:29 when he escaped one of our roadblocks.
00:31:31 - Poor son of a bitch is trying to commit suicide.
00:31:34 - Only two ways he can go.
00:31:36 Up river or on the road to Memphis.
00:31:38 And we control both.
00:31:40 - We know he's here. The guerrillas damn sure know he's here.
00:31:45 - Oh, they will soon.
00:31:47 I want you to make sure of it, all right?
00:31:49 - All right.
00:31:51 I gave you 12 hours before we find your fireman face down in a lion pit.
00:31:54 - I'm sure, Washington, you can't negotiate with terrorists, wouldn't you?
00:31:59 - Los Angeles was a great success.
00:32:10 Finally, the hypocrites wanted to negotiate.
00:32:13 - Negotiate?
00:32:15 - Yeah.
00:32:17 You see, Americans hide behind family values, false ideals.
00:32:20 They have forgotten the reality of war.
00:32:23 Not like us.
00:32:25 - They found his passport.
00:32:28 He's coming from Un Poso.
00:32:30 - Excellent.
00:32:34 Take a fireman from Los Angeles.
00:32:36 When America hears the story, they cry rivers of tears.
00:32:41 - Capture him.
00:32:43 We hold him for ransom, and they will pay.
00:32:46 Take two teams.
00:32:48 One at the harbor, one in the town square.
00:32:50 Find him before the police do and bring him to me.
00:32:52 If they don't pay...
00:32:54 We kill him.
00:32:57 [dramatic music]
00:33:00 - All roads end in Mompos.
00:33:14 The only way into the guerrilla zone from there is upriver.
00:33:18 [train whistle blows]
00:33:20 [indistinct radio chatter]
00:33:24 [indistinct radio chatter]
00:33:27 - I don't go upriver on one of those.
00:33:38 - No one goes upriver. Not without a pass.
00:33:41 - Gracias.
00:33:45 Muchas gracias.
00:33:47 - Suerte.
00:33:49 [indistinct radio chatter]
00:33:52 - He's the enemy of the pass to get into the guerrilla zone.
00:33:56 Tell me how to get one.
00:33:58 - You might be able to buy a pass when you're awoken.
00:34:02 God help you if you ask the wrong one.
00:34:05 Look, this is where I pretty much run out of good advice.
00:34:11 - Thanks. I'm gonna figure it out.
00:34:20 [speaking Spanish]
00:34:23 - No, muchas gracias.
00:34:25 [speaking Spanish]
00:34:30 [speaking Spanish]
00:34:40 [speaking Spanish]
00:34:43 [train whistle blows]
00:34:54 [indistinct radio chatter]
00:35:07 [indistinct radio chatter]
00:35:10 [engine revving]
00:35:21 [speaking Spanish]
00:35:26 [explosion]
00:35:28 [speaking Spanish]
00:35:31 [speaking Spanish]
00:35:34 [speaking Spanish]
00:35:37 - Hey, hey, hey, hey, hey, hey. What are you doing?
00:35:40 [indistinct radio chatter]
00:35:42 Huh?
00:35:44 [speaking Spanish]
00:35:53 - Is the boy okay?
00:35:58 - Yes, he's okay, but I don't need any help.
00:36:01 - I was just concerned about the boy.
00:36:04 - I'm sorry. You're very kind.
00:36:11 He gets so excited, I have trouble keeping up with him.
00:36:14 He couldn't wait to go to the festival.
00:36:17 You know, this carnival, without...
00:36:20 I'm Selena. - Coyote.
00:36:23 - This is my son, Mauro. - Selena. Coyote.
00:36:26 - I'm Juanita. - Juanita.
00:36:29 [indistinct radio chatter]
00:36:32 - All right. Have a good going.
00:36:41 Nice to meet you. Bye-bye. - Bye.
00:36:44 - Bye-bye. - Mr. Brewer.
00:36:47 You have to come with me.
00:36:49 You are on my list.
00:36:51 - What is this about? - You are in this country illegally.
00:36:54 - No, no, no. I'm not here illegally.
00:36:56 A passport was stolen. - You are coming with me.
00:36:59 - Those guys are in here. - Shh.
00:37:01 - The guerrillas. - Juanita, no!
00:37:03 [gunshots]
00:37:06 [indistinct shouting]
00:37:09 [speaking Spanish]
00:37:15 [alarm blaring]
00:37:24 [dog barking]
00:37:27 - Hey. - No, seriously, Captain.
00:37:43 - I really appreciate you guys taking me without a reservation.
00:37:47 I know how crowded it gets in here.
00:37:52 You know, I'd tip you, but your chief took all my money already.
00:37:57 Hey, you gave away my favorite cell.
00:38:02 - Put him next to the American.
00:38:04 [speaking Spanish]
00:38:06 - Why is he bigger? - What, 'cause he's bigger than I am?
00:38:09 - Vamos! - Why are you doing this to me?
00:38:11 - Manitro! - You know we are in an understanding.
00:38:13 - Quiet!
00:38:15 - Calling me a pervert?
00:38:18 - Vamos! - I like you, Cruz.
00:38:21 - Sean Armstrong, public lewdness.
00:38:24 At least that's what they call it, but I swear,
00:38:26 I was just standing there, she was doing all the work.
00:38:30 You just cry or did somebody confiscate your tongue?
00:38:34 'Cause that happens around here, you know.
00:38:37 - What do you prove?
00:38:45 - Do I know you? - I doubt it.
00:38:48 - So what are you, uh, innocent of, huh?
00:38:51 - I'm an illegal alien.
00:38:53 - You goddamn gringos,
00:38:55 you can come down here and steal all the jobs.
00:38:58 Of course, half the country doesn't want to kidnap you,
00:39:00 the other half wants to kill you.
00:39:02 The good thing about being Canadian,
00:39:04 no one gives a shit about us.
00:39:06 Pest squads kill the guerrillas,
00:39:08 guerrillas kill the military.
00:39:10 Peasants are caught in the middle and killed by everybody,
00:39:13 but we Canadians, flies on the wall.
00:39:17 - Hey, Matt, don't even look at those guys
00:39:20 unless you can kill 'em.
00:39:22 - They're all guerrillas, aren't they?
00:39:24 - I did not say that.
00:39:26 - That's what you meant.
00:39:29 You work the guerrilla zone, don't you?
00:39:32 That's how you know who they are.
00:39:34 - Hey, can I move to a different cell, please?
00:39:36 - Doing what?
00:39:38 - Fix the cell, heavy machinery.
00:39:42 You satisfied?
00:39:44 - Sell me a pass so I can work the cell.
00:39:46 - You stick a sock in the jolly green,
00:39:48 I'm just a wrench for hire.
00:39:50 The powers that be found out what I do,
00:39:52 they turn me into an organ donor.
00:39:54 My pass is not for sale, not to you, not to anyone.
00:39:57 - Thanks a lot. - Don't mention it.
00:40:00 - Give me a list of everybody they picked up.
00:40:04 Check it against our guerrilla database.
00:40:06 - The guerrillas were after Brewer when the police showed up.
00:40:09 Feliz Anidad.
00:40:11 - Everyone we need to kill the wolf in the same goddamn jail.
00:40:13 - Starting to think we should put this fireman on the payroll.
00:40:16 - Get down.
00:40:18 (car door slams)
00:40:20 (car engine rumbles)
00:40:22 (car engine rumbles)
00:40:24 (car engine rumbles)
00:40:26 (car door slams)
00:40:28 (car door slams)
00:40:30 (car door slams)
00:40:32 (car door slams)
00:40:34 (car engine rumbles)
00:40:36 (car engine rumbles)
00:40:38 (car engine rumbles)
00:40:40 (car engine rumbles)
00:40:42 (crowd cheers)
00:40:44 (crowd cheers)
00:40:46 (crowd cheers)
00:40:48 (crowd cheers)
00:40:50 (crowd cheers)
00:40:52 (crowd cheers)
00:40:54 (crowd cheers)
00:40:56 (crowd cheers)
00:40:58 (crowd cheers)
00:41:00 (crowd cheers)
00:41:02 (car horn honks)
00:41:04 (car horn honks)
00:41:06 (crowd cheers)
00:41:08 - I think we got some company coming over here.
00:41:10 (crowd cheers)
00:41:12 (gunshot)
00:41:14 (dramatic music)
00:41:16 (explosion)
00:41:29 (explosion)
00:41:41 (explosion)
00:41:44 (explosion)
00:41:46 (sirens)
00:41:51 - Blue Blue's jail is under attack.
00:41:56 The guerrillas are breaking out their troops.
00:41:57 - Get a containment team outside the jail
00:41:59 and two army squads to clear the building.
00:42:00 I'm on my way.
00:42:01 We'll be there in three minutes.
00:42:02 - Copy, team is on its way.
00:42:03 - God damn it!
00:42:04 I can't believe this shit.
00:42:06 (gunfire)
00:42:07 - Go Marlowe, go!
00:42:09 (gunfire)
00:42:11 (explosion)
00:42:17 (gunfire)
00:42:22 (explosion)
00:42:25 (gunfire)
00:42:32 (sirens)
00:42:35 (gunfire)
00:42:37 (explosion)
00:42:41 (explosion)
00:42:43 (gunfire)
00:42:48 (shouting in foreign language)
00:42:53 (dramatic music)
00:43:00 (dramatic music)
00:43:02 (gunfire)
00:43:13 (shouting in foreign language)
00:43:17 (gunfire)
00:43:20 (gunfire)
00:43:37 - What about the firemen?
00:43:42 - Claudio, they're coming!
00:43:44 We have to go!
00:43:46 - We're burning out!
00:43:47 - Pablo, we're gonna fly!
00:43:51 Fucking fly!
00:43:54 - On my mark!
00:43:57 (shouting in foreign language)
00:44:01 - Oh yeah!
00:44:06 (shouting in foreign language)
00:44:10 - For America!
00:44:15 - Let's go, baby!
00:44:16 Let's go!
00:44:17 Get me out of here!
00:44:19 (shouting in foreign language)
00:44:23 - Let's play this is your life, I want your pants.
00:44:30 - My pants?
00:44:31 It's my livelihood!
00:44:33 You let me die here?
00:44:34 I thought we were friends!
00:44:35 Come on, man, it's my livelihood!
00:44:38 Come on, you let me die here!
00:44:40 - No, this is the last thing that's gonna happen to you.
00:44:43 - Listen to me, girls.
00:44:44 The air is gonna heat up in here to 451 degrees.
00:44:48 Then your pants will explode like a Roman candle.
00:44:50 Then your socks will ignite.
00:44:51 Then your hair on your fingernails will melt.
00:44:53 All right, all right, all right, all right, shit!
00:44:55 Shit, shit, shit, shit!
00:44:56 Here you go, here you go.
00:44:57 It's yours, all right?
00:44:59 Take it, huh?
00:45:00 Now get me out of here.
00:45:01 Get me out of here, please!
00:45:02 Come on!
00:45:03 (shouting in foreign language)
00:45:09 (shouting in foreign language)
00:45:13 - Our witnesses, they heard the prisoners
00:45:23 calling for El Lobo.
00:45:25 He was here, boss.
00:45:26 - He was into our hands like a gift from God,
00:45:28 and they let him walk out the front door?
00:45:31 Now what good's a watchtower if nobody's watching?
00:45:33 - The fireman isn't here either.
00:45:35 - Oh, no kidding.
00:45:36 The fireman escaped the fire.
00:45:37 (laughing)
00:45:40 - Okay.
00:45:41 Look around.
00:45:44 With any luck, Gordy Brewer's lying dead
00:45:45 on the side of the road somewhere.
00:45:46 - I'm sorry I had to scare you.
00:46:01 - Hey, I know when it's time to retire.
00:46:03 Besides, you weren't gonna let me burn.
00:46:06 - I'm sorry.
00:46:07 - What's this for?
00:46:09 Huh?
00:46:11 - For your retirement fund,
00:46:13 and for some additional information.
00:46:14 Tell me everything you need to know.
00:46:18 - Get yourself back to the harbor.
00:46:22 The guy who takes me up river, his name's Omar.
00:46:24 He'll set you up.
00:46:25 When you get to San Pablo, ask for Felix Ramirez.
00:46:30 Tell him you're my replacement.
00:46:31 Tell him I was arrested for something really raunchy.
00:46:35 Good luck.
00:46:37 You'll need it.
00:46:38 (dramatic music)
00:46:43, God, who did this?
00:46:48 (dramatic music)
00:46:51 God, who did this?
00:47:10 - The guerrillas.
00:47:13 They think these people are up to their militaries.
00:47:16 (dramatic music)
00:47:19 (dramatic music)
00:47:22 (dramatic music)
00:47:25 (dramatic music)
00:47:27 (dramatic music)
00:47:30 (dramatic music)
00:47:33 - I can't beat ya!
00:47:51 Put your hands up, and hold up your hat!
00:47:59 (dramatic music)
00:48:02 (dramatic music)
00:48:05 (speaking in foreign language)
00:48:17 - I replaced Armstrong.
00:48:25 (speaking in foreign language)
00:48:29 (speaking in foreign language)
00:48:32 (dramatic music)
00:48:37 (speaking in foreign language)
00:48:56 (speaking in foreign language)
00:49:00 - You're not Sean Armstrong?
00:49:20 - Ask for damn sure.
00:49:21 - Felix?
00:49:24 - Henry Speckman, Armstrong's replacement.
00:49:27 - Oh yeah, yeah, yeah, says you, buddy.
00:49:28 Look, this is a serious breach of protocol, okay?
00:49:31 I put in the papers, I crossed all my Ts,
00:49:33 and this is what I get?
00:49:34 Come on, it's like ordering a pizza around here.
00:49:37 You ask for Canadian bacon,
00:49:38 you end up with a German sausage, for crying out loud.
00:49:40 - Hey, you don't want me to fix your engine, just say so.
00:49:43 I go back home, bye.
00:49:45 - Oh, hey, hey, hey, hey, hey, hey, come on, come on.
00:49:48 Don't be such a sour crowd, come on.
00:49:51 Just tell me what happened to my main man, Armstrong.
00:49:53 - That's all I mean.
00:49:55 How do I know you didn't bring him just to take his pass?
00:49:56 - Armstrong was arrested yesterday.
00:49:58 He was caught screwing the police chief's daughter.
00:50:01 (laughing)
00:50:04 - That's Armstrong, that double-dipping whore that he is.
00:50:07 I love that guy.
00:50:08 (laughing)
00:50:09 I wish I were him, buddy.
00:50:11 - You still can't let him through, Felix.
00:50:13 (speaking in foreign language)
00:50:19 - If I can't get my generator fixed,
00:50:22 I can't pay my taxes.
00:50:24 I can't pay my taxes,
00:50:25 your boss is gonna make some cuts around here.
00:50:27 Now, it could be your salary, and it could be your throat.
00:50:30 I'll let you marinate on that, okay?
00:50:33 - You can bring him back here, first thing in the morning.
00:50:51 (speaking in foreign language)
00:50:55 - Don't forget your pass.
00:51:05 - Gracias.
00:51:11 (whistle blowing)
00:51:15 (drumming)
00:51:17 - Hey, you know, your English is pretty good
00:51:23 for a German guy.
00:51:24 - Thanks.
00:51:25 What did you learn yours?
00:51:28 - Oh, man, I've been to New York, Cago, Miami,
00:51:33 LA for a little bit, but I wanna go back.
00:51:35 I wanna go back someday, man, I wanna have a big shot.
00:51:38 I got too much going on to be begging
00:51:39 some corporate asshole to put my CD on, you know?
00:51:42 I wanna cut an album, man.
00:51:44 It's kind of hardcore campesino rap,
00:51:47 you know what I'm saying?
00:51:49 You wanna hear a little taste?
00:51:50 - Guess if I have to.
00:51:52 - Yeah, with that attitude, it's not gonna be a lot of fun.
00:51:55 Here you go.
00:51:56 (beatboxing)
00:51:58 (laughing)
00:51:59 ♪ Ha, ha, ha ♪
00:52:01 ♪ Gorilla, thriller, take me to Manila ♪
00:52:03 ♪ Water we got, it's smooth like vanilla ♪
00:52:05 ♪ Howdy, eenie, miney, moe ♪
00:52:07 ♪ Tell the CIA to go ♪
00:52:09 ♪ They gotta get out, you know ♪
00:52:12 What do you think, man?
00:52:13 - It's fantastic.
00:52:15 I think you're gonna be a winner.
00:52:16 - Are you serious?
00:52:17 - Oh yeah, but you're in the wrong profession, trust me.
00:52:19 - Wow, man, I can't believe it.
00:52:20 It's exactly how I feel, man.
00:52:22 All right, here, put this on.
00:52:28 - What's this for?
00:52:30 - It's for your own protection, man.
00:52:32 You don't wanna know how to get to where we're going.
00:52:34 Come on.
00:52:35 Boy, it's not gonna be more than 15 minutes of filming.
00:52:38 (dramatic music)
00:52:41 (train rumbling)
00:52:43 (train horn honking)
00:52:57 - Okay, we're here, baby.
00:53:02 - Don't get funky, honey.
00:53:03 - Peek-a-boo.
00:53:09 (dramatic music)
00:53:12 - So what do you think of this place, huh?
00:53:17 Pretty snazzy, right?
00:53:18 - Where are we?
00:53:20 - My place.
00:53:20 - It smells here.
00:53:28 - Profits, baby, profits.
00:53:29 - This is a cocaine plant.
00:53:32 - Yeah, I know, I know, I know.
00:53:35 Look, just 'cause I'm bounding down
00:53:36 doesn't mean I wanna work for minimum wage,
00:53:38 you know what I mean?
00:53:39 'Cause if I don't do it, Bolivia will do it.
00:53:40 Bolivia don't do it, Chinese will do it.
00:53:42 If Chinese don't do it, Mr. and Mrs. America will do it.
00:53:45 As a matter of fact, they are doing it.
00:53:47 Jesus, I'm gonna put you in my next video,
00:53:49 I'm telling you.
00:53:50 Look, the problem's with the diesel generator.
00:53:54 I mean, I know I'm supposed to let it cool down
00:53:56 and everything, but it's simple drugonomics.
00:53:58 I just can't crank that shit out fast enough, you know?
00:54:00 Those Silicon Valley geeks must be emailing it to each other.
00:54:03 - Did the women?
00:54:05 - Yep.
00:54:07 - I'm sure I knew, but Armstrong was a magician with that.
00:54:10 - Don't worry, I'm gonna make it work.
00:54:12 - Yeah, let's hope so.
00:54:13 (speaking in foreign language)
00:54:21 (dramatic music)
00:54:23 (laughing)
00:54:26 (speaking in foreign language)
00:54:34 (speaking in foreign language)
00:54:46 (dramatic music)
00:54:48 - He told me his name was Heinrich Beckmann.
00:55:09 - Heinrich Beckmann?
00:55:11 - He had a hat on.
00:55:15 - I didn't recognize him.
00:55:17 I made a mistake.
00:55:20 No, please, Claudio.
00:55:31 Listen to me, Claudio.
00:55:33 Please, please, Claudio.
00:55:35 Claudio!
00:55:37 Claudio, please.
00:55:37 - In the struggle for liberation,
00:55:40 there's no room for mistakes.
00:55:44 (groaning)
00:55:46 Discipline is everything.
00:56:02 Discipline and punishment.
00:56:05 (groaning)
00:56:08 (dramatic music)
00:56:11 (groaning)
00:56:13 (dramatic music)
00:56:16 (groaning)
00:56:18 (groaning)
00:56:21 (choking)
00:56:23 - Find him.
00:56:44 For no mistakes.
00:56:47 (dramatic music)
00:56:49 (speaking in foreign language)
00:57:00 (dramatic music)
00:57:03 (dramatic music)
00:57:06 (dramatic music)
00:57:08 (dramatic music)
00:57:11 (dramatic music)
00:57:14 (dramatic music)
00:57:17 (dramatic music)
00:57:19 (dramatic music)
00:57:22 (dramatic music)
00:57:25 (dramatic music)
00:57:28 (speaking in foreign language)
00:57:53 - I don't like that puppet, I swear to God.
00:57:57 Hey, what's up, dog?
00:58:02 I thought I was pitted for the whole month, man.
00:58:03 - Where's the mechanic?
00:58:05 - Hey, hey, hey, calm down, dogs.
00:58:07 What, are you losing faith in me, man?
00:58:08 (speaking in foreign language)
00:58:10 I got everything under control, all right, man?
00:58:11 Come on, come with me over here.
00:58:12 I got him working his ass off, man.
00:58:14 You know how Germans are, like cyborgs.
00:58:16 They're fishing, they're fishing, man, you know?
00:58:17 You seem a little tense, you need a little R&R, man?
00:58:19 (speaking in foreign language)
00:58:22 Come on, Roman, you got pull.
00:58:23 You can get me a new generator, man.
00:58:24 Heinrich, I got some friends for you.
00:58:26 (speaking in foreign language)
00:58:31 You know, my bad, man.
00:58:32 You know what it is?
00:58:33 I told him once he fixed that gasket,
00:58:35 he could take five, you know?
00:58:36 So he's probably in the latrine.
00:58:37 (speaking in foreign language)
00:58:38 Yeah, you know, he's probably buffing the helmet
00:58:40 or who knows, man.
00:58:42 It's not like he can blend in.
00:58:43 He's this big man with all white albino.
00:58:45 (speaking in foreign language)
00:58:47 Look, we'll get some broth, we'll hang out.
00:58:49 (explosion booms)
00:58:51 What the hell was that?
00:58:53 (speaking in foreign language)
00:58:57 I'm gonna make, work everything out.
00:59:15 I'm gonna cut my losses, pay you double, triple,
00:59:17 whatever it takes.
00:59:19 Two or three times, I'll pay you the amount, all right?
00:59:21 Look, I'll work it out.
00:59:22 (explosion booms)
00:59:25 (speaking in foreign language)
00:59:29 (explosion booms)
00:59:37 (speaking in foreign language)
00:59:42 (dramatic music)
00:59:45 (speaking in foreign language)
01:00:02 (horn honking)
01:00:10 (tires screeching)
01:00:13 (speaking in foreign language)
01:00:27 (speaking in foreign language)
01:00:31 (dramatic music)
01:00:33 (speaking in foreign language)
01:00:37 (speaking in foreign language)
01:00:41 (speaking in foreign language)
01:00:45 (speaking in foreign language)
01:00:49 (speaking in foreign language)
01:00:53 (speaking in foreign language)
01:00:58 (speaking in foreign language)
01:01:02 (horn honking)
01:01:06 (speaking in foreign language)
01:01:17 (dramatic music)
01:01:23 (people chattering)
01:01:26 (dramatic music)
01:01:29 (people chattering)
01:01:32 (dramatic music)
01:01:38 (people chattering)
01:01:47 (dog barking)
01:01:53 (people chattering)
01:01:56 (dramatic music)
01:01:59 (speaking in foreign language)
01:02:13 (people chattering)
01:02:24 (dramatic music)
01:02:27 (people chattering)
01:02:30 (dramatic music)
01:02:33 (people chattering)
01:02:36 (people chattering)
01:02:39 (dramatic music)
01:02:41 (people chattering)
01:02:44 (people chattering)
01:02:47 (dramatic music)
01:02:50 (thunder rumbling)
01:03:04 (singing in foreign language)
01:03:12 (singing in foreign language)
01:03:16 (thunder rumbling)
01:03:34 - No, stay back, dear!
01:03:38 - Claudio!
01:03:39 - Stop, stay back!
01:03:41 - Claudio!
01:03:42 - No, no!
01:03:43 (guns firing)
01:03:47 (guns firing)
01:03:53 (speaking in foreign language)
01:04:03 (people chattering)
01:04:08 (speaking in foreign language)
01:04:12 (dramatic music)
01:04:23 (speaking in foreign language)
01:04:27 (people chattering)
01:04:30 (dramatic music)
01:04:33 (people chattering)
01:04:36 (speaking in foreign language)
01:04:41 (people chattering)
01:04:44 (dramatic music)
01:04:46 (shushing)
01:05:00 (shushing)
01:05:12 - You may rest now.
01:05:14 - Who are you?
01:05:21 - I'm his wife.
01:05:24 (door creaking)
01:05:29 - Get out.
01:05:35 (people chattering)
01:05:38 (door creaking)
01:05:48 - They fired me, huh?
01:05:51 - A coward.
01:05:53 Who kills women and children?
01:05:57 - You Americans are so naive.
01:06:02 You see a peasant with a gun on the news,
01:06:05 you change the channel,
01:06:07 but you never ask why does a peasant need a gun?
01:06:11 Why?
01:06:16 Because you think you're the only ones
01:06:17 who have a right to fight for independence.
01:06:19 - Independence to do what?
01:06:22 To kill my wife and my son?
01:06:24 (scoffs)
01:06:33 - I remember your face from Los Angeles.
01:06:36 That was the face of a man who saved lives.
01:06:44 Well, your face has changed.
01:06:46 You think your wife and son will recognize you now?
01:06:52 - I remember your face too.
01:06:54 The smile.
01:07:00 - You're gonna pay for that.
01:07:02 You're gonna pay for that.
01:07:04 - Well, it seems we're both willing to kill for a cause.
01:07:10 So what's the difference between you and I?
01:07:16 - The difference is,
01:07:21 I'm just gonna kill you all.
01:07:25 (scoffs)
01:07:28 (thudding)
01:07:30 (grunting)
01:07:34 (dramatic music)
01:07:37 (knocking)
01:07:40 (grunting)
01:07:44 (thudding)
01:07:47 (grunting)
01:07:49 (thudding)
01:07:51 (grunting)
01:07:53 (thudding)
01:07:55 (grunting)
01:07:58 (thudding)
01:08:00 (grunting)
01:08:02 (thudding)
01:08:04 (grunting)
01:08:07 (screaming)
01:08:26 - Roman!
01:08:34 (dramatic music)
01:08:36 - Why do you want to keep him alive?
01:08:50 - Because he saved my life and Marlon's.
01:08:53 - So what is the purpose of keeping him here?
01:08:56 He is the enemy.
01:08:57 You can't get in touch with him.
01:08:58 If they don't pay tomorrow, I will kill them.
01:09:00 - Don't argue, don't do this.
01:09:01 - Don't argue with me.
01:09:02 - No, no, don't do this.
01:09:03 - I didn't want him to be in that way.
01:09:04 - He's not my son.
01:09:05 - I can't see him.
01:09:06 - Don't tell me what to do.
01:09:06 What do you want?
01:09:07 (dog barking)
01:09:10 - This is a satellite photo
01:09:19 of the Santander region last night.
01:09:21 2250, we get a large heat and light anomaly
01:09:24 consistent with an explosion here.
01:09:26 Two minutes later, building's blown to shit.
01:09:29 We've got guerrillas in uniform, some of them down.
01:09:31 We have a big man down on the street,
01:09:34 a woman and child, and this guy.
01:09:37 - This guy is giving all the orders.
01:09:40 - I can't believe it.
01:09:41 Brewer found the son of a bitch.
01:09:44 - A little later, an ALC convoy arrives.
01:09:47 Everyone loads up.
01:09:48 The convoy travels two minutes upriver
01:09:50 and they stop here.
01:09:51 - ALC base camp.
01:09:53 We'll insert a platoon here.
01:09:55 I want them ready on three sides.
01:09:56 Use your support to box in the rear.
01:09:58 We'll come in from the treetops.
01:10:00 We'll have guerrilla territory for only 20 minutes.
01:10:02 - It would be impossible to keep this in Washington.
01:10:04 - We've got a wounded American
01:10:05 being tortured in a guerrilla camp.
01:10:07 This is a rescue mission.
01:10:09 - Yeah.
01:10:09 - We go in at dawn.
01:10:12 - Yes.
01:10:13 (birds chirping)
01:10:19 (speaking in foreign language)
01:10:26 (speaking in foreign language)
01:10:30 - Why are you taking care of me?
01:10:47 - Because you saved my son.
01:10:51 - And your husband killed mine.
01:10:54 (gentle music)
01:10:56 - When I first met Claudio, he was a teacher.
01:11:04 He was in Guatemala.
01:11:06 Sofia, our daughter, was born there.
01:11:10 The guerrillas were all around us.
01:11:15 They left us alone.
01:11:16 One night, soldiers came to our village.
01:11:24 They were led by American advisors.
01:11:27 We crawled in the fields, but they threw grenades.
01:11:31 Sofia, our baby girl, she was hit.
01:11:34 She bled to death in Claudio's arms.
01:11:42 Mauro was orphaned that night, so I took him in.
01:11:50 (gentle music)
01:11:52 Claudio joined the guerrillas.
01:11:57 Now he's a man consumed by hate and driven by rage.
01:12:02 He's like you.
01:12:06 - I'm not like him.
01:12:10 - Not yet.
01:12:12 - What about you?
01:12:15 If you keep working with him,
01:12:17 you'll know better than he is.
01:12:19 - What do you have me to do?
01:12:21 - Help me stop him.
01:12:23 - It's too late.
01:12:29 (gentle music)
01:12:33 (dramatic music)
01:12:44 (gentle music)
01:12:47 (gentle music)
01:12:49 (gentle music)
01:12:52 (gentle music)
01:12:54 (gentle music)
01:12:57 (helicopter whirring)
01:13:22 (dramatic music)
01:13:24 (dogs barking)
01:13:37 - I'm trusting you with my life.
01:13:51 - My son.
01:13:52 - What are you talking about?
01:13:56 - Claudio's gone to Washington to plant another bomb.
01:14:00 I can't be a part of it anymore.
01:14:03 They'll protect us, won't they?
01:14:06 - If they won't, I will.
01:14:10 (dramatic music)
01:14:15 (people chattering)
01:14:21 (dramatic music)
01:14:24 (dramatic music)
01:14:26 (man speaking in foreign language)
01:14:39 (man speaking in foreign language)
01:14:42 (helicopter whirring)
01:14:45 (men shouting)
01:14:48 (bell ringing)
01:14:50 (men shouting)
01:14:53 - Now!
01:14:56 - Hurry up, let's go!
01:15:02 (helicopter whirring)
01:15:05 (men shouting)
01:15:11 (helicopter whirring)
01:15:16 (helicopter whirring)
01:15:20 (men shouting)
01:15:24 (men shouting)
01:15:29 (helicopter whirring)
01:15:33 - Check it out.
01:15:42 (explosion booms)
01:15:44 - We have to go out to be with him.
01:15:45 - The mine's even over there.
01:15:47 (helicopter whirring)
01:15:51 (explosion booms)
01:15:54 - Keep firing, kill 'em all!
01:15:56 - We're trapped.
01:16:01 (helicopter whirring)
01:16:06 - Go, go, go!
01:16:10 Keep firing!
01:16:11 Keep firing!
01:16:13 (guns firing)
01:16:15 - Go, go!
01:16:23 (men shouting)
01:16:26 (guns firing)
01:16:35 (explosion booms)
01:16:42 (helicopter whirring)
01:16:45 (explosion booms)
01:16:57 - Let's go.
01:17:02 (helicopter whirring)
01:17:07 (men shouting)
01:17:10 - Looks like an officer.
01:17:35 (suspenseful music)
01:17:38 (suspenseful music)
01:17:41 (suspenseful music)
01:17:44 (suspenseful music)
01:17:47 (men grunting)
01:18:03 (men shouting)
01:18:05 (suspenseful music)
01:18:08 (men grunting)
01:18:11 - Get down!
01:18:29 (explosion booms)
01:18:32 - Keep your eyes open!
01:18:35 (suspenseful music)
01:18:38 - Stand down!
01:18:43 What we got here is a great American!
01:18:48 - God damn you, Brandt.
01:18:56 I was your excuse to kill all these people, huh?
01:18:59 - You're here to murder a man, right, Mr. Brewer?
01:19:02 Well, I'm trying to save a country,
01:19:04 keep its poison off our streets.
01:19:05 - By killing innocent women and children?
01:19:08 - I fight terrorists with terror.
01:19:10 - What terrorists?
01:19:11 The wolf isn't even here anymore.
01:19:13 He's gone to Washington to blow up another building.
01:19:16 - What do you mean, where?
01:19:21 - I'll tell you as soon as I'm in a jet heading home.
01:19:24 And they're gonna come with us
01:19:28 because this is his wife and his son.
01:19:31 He's the only one that can identify the target.
01:19:34 (suspenseful music)
01:19:38, I appreciate it. - Thank you.
01:19:43 (suspenseful music)
01:19:46 - I appreciate it, thank you.
01:20:07 Mr. Secretary, this just came in.
01:20:12 - All right, I made the call.
01:20:13 NSA, CIA, Southern Command,
01:20:15 they're all at your disposal.
01:20:17 Folks, listen up.
01:20:18 Washington Surveillance Command
01:20:19 will assist with our search.
01:20:21 So stay on station, be ready for that relay.
01:20:23 - Joe, we just got an audio encoded email.
01:20:26 We think it's authentic.
01:20:27 - Run it.
01:20:27 - My last warning went unheard.
01:20:34 The American people will pay for this mistake in blood.
01:20:40 The bomb has been placed in your capital city.
01:20:43 By the time you hear this message,
01:20:46 it will be too late for you to find it.
01:20:49 And many of your citizens will die.
01:20:51 Their needless sacrifice is the price of your ignorance.
01:20:56 There will be no mercy.
01:21:00 There is no place you can hide.
01:21:03 We will continue to strike until the American public
01:21:08 finally realizes the price of this war
01:21:11 is one they cannot afford.
01:21:13 Get out of Colombia now.
01:21:17 (speaking in foreign language)
01:21:21 (dramatic music)
01:21:24 - Pete.
01:21:45 - Joe, good to see you.
01:21:47 - Mr. Brewer, good to see you
01:21:48 with all your fingers and toes, Captain.
01:21:50 - And Mrs. Salina Parimi.
01:21:52 - Special Agent Phipps, this is Agent Drake.
01:21:54 I think we'd like to get started.
01:21:58 - Have a seat.
01:21:59 - Thank you.
01:22:00 - Good luck.
01:22:01 - Please.
01:22:01 - Hey, Bruce, what do you got for me?
01:22:04 - Would you like something to drink?
01:22:05 - Yes, oh, I'd like a drink.
01:22:07 - All right, David, let's get ready.
01:22:08 We've assembled a series of pictures of buildings
01:22:12 that have columns and arches as you described to us,
01:22:14 so we're gonna go through them at a pretty quick rate.
01:22:17 If you see anything that looks at all familiar,
01:22:18 please give us the nod.
01:22:20 - Here we go, David.
01:22:20 - You can also go back and...
01:22:22 (dramatic music)
01:22:25 - Next.
01:22:37 - This next series of photos is this building
01:22:39 from different angles, and here's the design.
01:22:41 - Did he describe any activity that might be going on
01:22:45 in this building you're talking about?
01:22:47 - No, he didn't discuss it with me.
01:22:49 - Let's read it.
01:22:51 - This next series of the same buildings,
01:22:52 just different angles.
01:22:53 - Can you zoom in on that?
01:22:55 - I can't.
01:22:57 - Take a look at the center, please.
01:22:58 - No, that's not good.
01:22:59 - Can you zoom in on that, David?
01:23:02 - How about this one?
01:23:04 - No, that's not good.
01:23:06 - Does this look at all familiar?
01:23:14 No, keep going.
01:23:15 - You two make quite a team.
01:23:17 The fireman and the refugee.
01:23:19 Sounds like a TV show.
01:23:21 - You could play the asshole.
01:23:25 (dramatic music)
01:23:31 (beeping)
01:23:33 (dramatic music)
01:23:36 (beeping)
01:23:38 (dramatic music)
01:23:41 - All right, yeah.
01:24:06 - We're gonna let everybody know.
01:24:09 - Secretary Ramsey's coming over.
01:24:10 - Wait, go back.
01:24:14 - Back?
01:24:16 - Yes.
01:24:17 This one.
01:24:18 - That one?
01:24:19 - Yeah.
01:24:19 - Does that look familiar?
01:24:20 - Yeah, it's this picture.
01:24:21 - Union Station, you got that?
01:24:23 - Union.
01:24:25 - Yes.
01:24:25 - Okay, here's another shot of it.
01:24:28 - Is that it?
01:24:29 David, go back to and zoom in on the entrance, please.
01:24:31 - There's another view.
01:24:32 Look at this, look at this one.
01:24:33 Here's the entrance.
01:24:35 (dramatic music)
01:24:37 - Oh my God, I think so.
01:24:39 - Have surveillance command eyeball footage
01:24:40 from every camera in the station in the last 24 hours.
01:24:43 - Yes, sir.
01:24:44 - David, let's go back on that, please.
01:24:47 (dramatic music)
01:24:49 (dogs barking)
01:24:56 (dramatic music)
01:24:59 (sirens blaring)
01:25:02 (tires screeching)
01:25:15 (horn honking)
01:25:19 (tires screeching)
01:25:22 (tires screeching)
01:25:25 - Please don't get up.
01:25:35 - Selena Perini, Secretary of State Barbara Ramsey.
01:25:38 - I want you to know that we understand
01:25:40 the sacrifice you're making here.
01:25:42 - Thank you.
01:25:43 - Fireman's over here.
01:25:46 - Peter.
01:25:47 - Madam Secretary.
01:25:48 - Sir.
01:25:48 - I think we got something.
01:25:51 - David, the file's in your active bag.
01:25:54 Surveillance just sent this down.
01:25:55 It was taken off one of the Union Station monitors
01:25:57 13 minutes ago.
01:25:58 - It's up, tell us what we're looking at.
01:25:59 - First photograph, bottom left, man behind the trees.
01:26:01 - Got it.
01:26:02 - Briefcase in his hand.
01:26:03 - Right here.
01:26:04 - Second photograph,
01:26:05 passes behind the trees, briefcase is gone.
01:26:07 - Punch in on that.
01:26:08 On the face.
01:26:20 - Yeah, that's him.
01:26:22 - Tell our team the location of that surveillance camera.
01:26:25 - It's almost rush hour.
01:26:27 (engine revving)
01:26:36 (dramatic music)
01:26:39 - Good afternoon, this is Schwab.
01:27:03 Yeah, very urgent.
01:27:05 Thank you.
01:27:06 He's coming online.
01:27:07 - Yes, we've identified the target.
01:27:12 I'll be leaving shortly.
01:27:15 (dramatic music)
01:27:23 (people chattering)
01:27:26 (dramatic music)
01:27:29 (people chattering)
01:27:32 (dramatic music)
01:27:35 - No media statement at all.
01:27:43 I'll cover it here.
01:27:47 (dramatic music)
01:27:50 - Is it the right thing?
01:28:06 - I hope so.
01:28:12 - I'm sure.
01:28:13 It's something you have to do.
01:28:16 (dramatic music)
01:28:19 - Right now, I don't feel very good about that.
01:28:25 - I'm sorry about that.
01:28:28 Look, everything will be all right.
01:28:33 - Yeah, everyone's out.
01:28:46 - Excuse me.
01:28:46 Can you show me to the rest room?
01:28:50 - Sure.
01:28:50 - Are you all right?
01:28:59 (dramatic music)
01:29:01 (people chattering)
01:29:04 - Hey, it's gonna be fine with me.
01:29:18 Why don't you go ahead?
01:29:26 (dramatic music)
01:29:29 (people chattering)
01:29:32 (dramatic music)
01:29:35 (people chattering)
01:29:38 (dramatic music)
01:29:41 (people chattering)
01:29:44 (dramatic music)
01:29:46 - Mr. Brewer, I just want to express to you my sympathy.
01:30:15 As long as America continues its oppression in Colombia,
01:30:19 we will take it all on to you.
01:30:22 And you will not feel safe in your own beds.
01:30:25 Colombia is not your country.
01:30:27 Get out now.
01:30:29 (speaking in foreign language)
01:30:34 (dramatic music)
01:30:37 (people chattering)
01:30:40 - Where's he going?
01:30:48 (gun firing)
01:31:03 (dramatic music)
01:31:06 (people chattering)
01:31:09 (dramatic music)
01:31:12 (dramatic music)
01:31:15 (people grunting)
01:31:18 (dramatic music)
01:31:21 (dramatic music)
01:31:23 (woman grunting)
01:31:26 (dramatic music)
01:31:29 (dramatic music)
01:31:32 (dramatic music)
01:31:34 (dramatic music)
01:31:37 (dramatic music)
01:31:40 (dramatic music)
01:31:43 (dramatic music)
01:31:45 - Selena!
01:31:56 Selena!
01:32:09 Selena!
01:32:12 (man yelling)
01:32:15 Open up the door!
01:32:23 Open up the door!
01:32:25 Open up the door!
01:32:30 Open up now!
01:32:31 (gun firing)
01:32:42 (dramatic music)
01:32:44 (alarm beeping)
01:32:54 - Clear the room.
01:32:55 Everybody clear out the room.
01:32:56 Clear out the room.
01:32:57 Put the bomb in here.
01:32:58 - Give me the toy.
01:32:59 - Move the table.
01:33:01 - What are you doing?
01:33:01 - Put the bomb in here.
01:33:03 - Get back, get back, get back!
01:33:06 (alarm beeping)
01:33:10 (explosion booming)
01:33:13 (explosion booming)
01:33:21 (explosion booming)
01:33:29 (alarm beeping)
01:33:39 (dramatic music)
01:33:42 (people yelling)
01:33:45 - Get the secretary out of here.
01:33:46 - Put this down.
01:33:49 - Take care of the boy, okay?
01:33:51 - Get back, get back.
01:33:53 (explosion booming)
01:33:58 (dramatic music)
01:34:03 (dramatic music)
01:34:06 - Please evacuate all floors and stairs
01:34:24 to the nearest exit.
01:34:25 Attention, this is not a drill.
01:34:28 (dramatic music)
01:34:31 (gun firing)
01:34:45 (dramatic music)
01:34:48 Attention, this is not a drill.
01:34:55 Exit these stairwells only.
01:34:59 Do not conceal.
01:35:01 This is not a drill.
01:35:04 Do not conceal.
01:35:05 (man yelling)
01:35:08 (dramatic music)
01:35:11 (man yelling)
01:35:13 (dramatic music)
01:35:16 (gun firing)
01:35:29 (dramatic music)
01:35:32 (man yelling)
01:35:40 (explosion booming)
01:35:43 (dramatic music)
01:36:04 (explosion booming)
01:36:10 (dramatic music)
01:36:13 (tires screeching)
01:36:38 (dramatic music)
01:36:40 (tires screeching)
01:36:46 (speaking in foreign language)
01:36:50 (tires screeching)
01:36:53 (tires screeching)
01:37:06 (tires screeching)
01:37:09 (tires screeching)
01:37:21 (tires screeching)
01:37:34 (tires screeching)
01:37:37 - Stop working.
01:37:43 Go back to the controls.
01:37:45 (dramatic music)
01:37:51 (tires screeching)
01:38:03 (dramatic music)
01:38:05 (tires screeching)
01:38:08 (tires screeching)
01:38:14 (dramatic music)
01:38:16 (tires screeching)
01:38:22 (dramatic music)
01:38:25 (tires screeching)
01:38:35 (dramatic music)
01:38:39 (tires screeching)
01:39:08 (speaking in foreign language)
01:39:12 (gun firing)
01:39:14 (dramatic music)
01:39:17 (tires screeching)
01:39:19 (dramatic music)
01:39:22 (tires screeching)
01:39:29 (dramatic music)
01:39:34 (tires screeching)
01:39:37 (dramatic music)
01:39:40 (gun firing)
01:39:43 (speaking in foreign language)
01:39:47 (dramatic music)
01:39:52 (gun firing)
01:39:54 (dramatic music)
01:39:57 (gun firing)
01:39:59 (dramatic music)
01:40:02 (dramatic music)
01:40:05 (dramatic music)
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01:40:16 (dramatic music)
01:40:19 (dramatic music)
01:40:21 (dramatic music)
01:40:24 (dramatic music)
01:40:52 (gun firing)
01:40:54 (dramatic music)
01:40:59 (woman screaming)
01:41:09 (woman screaming)
01:41:17 (dramatic music)
01:41:20 (woman screaming)
01:41:23 (man screaming)
01:41:33 (man grunting)
01:41:36 (man grunting)
01:41:38 (alarm beeping)
01:42:04 - Then you're going to kill me.
01:42:07 Now!
01:42:09 (man grunting)
01:42:11 (dramatic music)
01:42:14 (woman gasping)
01:42:17 (dramatic music)
01:42:26 (dramatic music)
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01:42:42 (dramatic music)
01:42:45 (dramatic music)
01:42:48 (dramatic music)
01:42:51 (dramatic music)
01:42:53 the.
01:42:54 (dramatic music)
01:42:57 (dramatic music)
01:43:00 (dramatic music)
01:43:02 (dramatic music)
01:43:05 (dramatic music)
01:43:08 (woman screaming)
01:43:25 (man speaking faintly)
01:43:28 - Mr. Brewer?
01:43:32 - It's over.
01:43:34 - For you, sir, I hope that's true.
01:43:36 - Where's the boy?
01:43:37 - Right here, sir.
01:43:38 (dramatic music)
01:43:42 - First here is an attack on our nation's capital.
01:43:54 - State Ramsey miraculously escaped unharmed.
01:43:56 - Discovered a utility vehicle
01:43:57 in an underground garage of the State Department
01:44:00 loaded with enough explosives to vaporize several cities.
01:44:03 - A high-level security official
01:44:05 who's identified the bomb was placed
01:44:06 by a Colombian terrorist known to authorities as the wolf.
01:44:09 - Disasters in America has spiked.
01:44:11 - The White House announced an hour ago
01:44:13 that the president will personally award
01:44:15 Captain Gordon Brewer the Presidential Medal of Freedom,
01:44:19 the highest decoration a civilian can receive.
01:44:22 Despite all efforts to contact him,
01:44:24 Captain Brewer remains unavailable for comment.
01:44:27 (dramatic music)
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