Aired (March 10, 2005): This is the story of Aya Medel (Herself), a humble countryside girl who wanted to escape her abusive father. She enters the world of being a sexy star but leaves it all behind because of love.
Cast: Aya Medel, Elizabeth Oropesa, Dante Rivero, Allen Dizon, Lorenzo Mara, Jim Pebangco, Cherrie Lou Maglasang, Czarina De Leon, Chiqui Del Carmen, Allan Noble, Robert ‘alanis’ Casipit, Niel Ryan Sese, Lawrence Roxas, Donnie Evangelista, Justine Rossana, Angel Estrada, Ron Anderson, Rother Tiglao, Anne Astoria, Arriane Mondido, Kris Yoshiaki
Cast: Aya Medel, Elizabeth Oropesa, Dante Rivero, Allen Dizon, Lorenzo Mara, Jim Pebangco, Cherrie Lou Maglasang, Czarina De Leon, Chiqui Del Carmen, Allan Noble, Robert ‘alanis’ Casipit, Niel Ryan Sese, Lawrence Roxas, Donnie Evangelista, Justine Rossana, Angel Estrada, Ron Anderson, Rother Tiglao, Anne Astoria, Arriane Mondido, Kris Yoshiaki
Category
😹
FunTranscript
00:00 [Music]
00:02 [Music]
00:04 Hooray!
00:09 [Music]
00:36 [Crying]
00:40 Why did this happen to me?
00:43 Are you punishing me?
00:52 Just take me.
00:56 Just take me.
00:59 [Crying]
01:03 [Music]
01:16 She is just a simple provincial woman who wants to escape her father's torture.
01:23 She entered the world of film making and this is where she got her name.
01:28 But she also turned this world upside down after falling in love and being cheated.
01:34 My friends, let us now listen to the story of the life of Retshi Sunga
01:38 whom we got to know better by the name of Aya Medell.
01:42 [Music]
02:08 Let's go. I think Papa is coming.
02:12 Wait. It's hard.
02:16 It's difficult.
02:17 If I catch you, I'm sure Papa will beat us again.
02:21 Wait.
02:23 I hope what we're going to do to Papa is effective.
02:28 [Music]
02:57 [Music]
03:15 [Music]
03:28 There. It's getting hot again.
03:31 Look. I'm sure he's asleep again.
03:40 He's asleep.
03:42 [Music]
04:11 Lord, please help us to change our fate.
04:20 I hope he won't get drunk.
04:25 And I hope you stop beating us.
04:29 Lord, I hope he won't shout.
04:33 I hope he won't beat us.
04:37 [Music]
04:39 Aya's family is a big family.
04:41 They were known for their chit-chat.
04:44 She grew up with fear of her parents.
04:48 She's always drunk.
04:50 And her mother and siblings often get drunk.
04:54 I'm really lucky, mother.
04:57 My sisters are really good at making up stories.
05:00 I'm still attending school.
05:02 I have students whom I can take to the field.
05:05 That's okay, mother.
05:07 Why are you crying?
05:11 Come outside.
05:12 Mama, Papa is drunk again.
05:16 I don't know where to go.
05:20 Let's go.
05:22 I'll open the door.
05:24 Let's go.
05:25 Nestor.
05:27 Pa.
05:29 Nestor.
05:30 Open the door.
05:32 Nestor.
05:34 Nestor, what is it?
05:36 Open the door.
05:38 Hey!
05:39 What?
05:41 Why did you leave?
05:43 Open the door, Nestor.
05:46 Have mercy on us.
05:48 We're just kids.
05:49 I don't want to see your faces.
05:51 Get out!
05:52 Nestor, we're your family.
05:54 We're your family.
05:55 This is our home, Nestor.
05:57 Pa, what's this?
05:58 Mama is tired.
06:00 Maybe we can go inside.
06:03 If you don't leave, you'll get hit by me.
06:06 Pa, please.
06:07 Nestor.
06:08 Pa.
06:10 Nestor.
06:11 Let's go, ma.
06:13 Let's go, ma.
06:14 My siblings are getting drunk.
06:16 Where are we going?
06:20 Let's go.
06:22 Ma.
06:31 Do you know how long we've been going through this?
06:33 How many years has Papa been like this?
06:37 Papa?
06:41 Don't move.
06:43 We might get hit.
06:45 Papa!
06:49 It's noisy.
06:52 Let's go.
07:00 You're all wet.
07:02 Let's go home.
07:04 You'll get sick.
07:05 Here, my siblings.
07:06 Let's go home.
07:09 Papa, I'm drunk.
07:10 Let me go.
07:12 You'll get sick.
07:13 Forgive me, my children.
07:16 Forgive me. I'm just drunk.
07:18 Slowly.
07:21 Be careful.
07:22 Be careful.
07:23 Slowly.
07:25 Nestor's attitude has changed.
07:29 But his anger towards his siblings has gotten worse.
07:34 I know a teacher.
07:36 Her name is Mang Kukulam.
07:39 What?
07:40 Mang Kukulam?
07:41 Let's make Papa drunk.
07:45 Then, I'll get a strand of his hair.
07:50 Wait.
07:53 Do you think God will forgive us if we do this?
07:56 Maybe.
07:58 Maybe because Papa's attitude is bad.
08:02 God understands that, right?
08:05 Besides, Leylin and Zell are being mistreated.
08:11 And they're real children.
08:14 They're really wild.
08:16 Let's go.
08:17 What's that?
08:29 Lasson.
08:30 Lasson?
08:31 You already got it?
08:32 We'll put half of this bottle in the food.
08:36 I'm sure it'll be full tomorrow.
08:38 That means,
08:41 if we feed Papa this later,
08:44 it'll be full tomorrow?
08:46 Nestor, what's wrong?
08:50 The kids are not sleeping yet.
08:54 We might see the kids.
08:56 You're embarrassing me.
08:57 Stop it.
08:58 I'm mad at you.
08:59 I'm not like that.
09:01 Take it off.
09:03 I'm not mad at you.
09:07 Don't do that.
09:08 I told you not to do that.
09:09 She wants to do it.
09:12 I'll do it.
09:13 You're so naughty.
09:14 I love you so much.
09:16 I'll make you naughty.
09:20 Brother,
09:26 let's not kill Papa.
09:28 Because if we kill Papa,
09:31 Mama will be sad.
09:32 Yes, Mama will be sad too.
09:35 Papa loves her so much.
09:38 You know,
09:40 as long as that man is here,
09:42 Mama will be sad.
09:44 She'll be drunk.
09:46 She'll be so sad.
09:48 What are you thinking?
09:56 Let's not continue.
09:59 Even if we don't kill Papa,
10:03 I don't think I can kill him.
10:06 What?
10:08 We won't continue?
10:10 Just like what Mama said,
10:12 let's just leave everything to God.
10:14 Papa will change.
10:17 Even when Aya was really bad,
10:21 her parents' attitude still didn't change.
10:24 Chi, you're the first one up in the tobacco class.
10:28 Congrats, Chi.
10:29 Congrats.
10:30 Congratulations, classmates.
10:31 Chi is old.
10:33 You're still asking for a present?
10:34 That's right, Tina.
10:36 You're the one who's missing tobacco.
10:38 Why do you look like that?
10:40 You know, we should be celebrating,
10:43 but you look like you're celebrating a feast.
10:46 I'm embarrassed.
10:48 Everyone saw that Mama has black eyes
10:50 when she went up on stage to put a sash on me.
10:53 Oh, my.
10:54 Is that still what you're hiding?
10:56 You know,
10:58 the whole tobacco class knows
10:59 that your stepfather is really drunk.
11:01 So, can you stop it?
11:03 It's better
11:05 if you give me free snacks.
11:08 You know,
11:09 you can see that my hand is getting tired
11:10 from dancing so hard.
11:12 So, let's go eat
11:14 so we can start reviewing, right?
11:17 Last night, they fought again.
11:19 Huh? Who?
11:21 Who else?
11:23 It's Matcha and Pa.
11:25 Why are you so hard on your stepfather?
11:28 We're just doing it for you.
11:33 You know, Chi,
11:35 we all have problems.
11:37 It's good that your stepfather is just a drunkard,
11:41 but my father is a womanizer.
11:43 So, we're both just problematic, okay?
11:47 Hmm.
11:52 Smile.
11:54 I don't want to go home.
12:03 It's always like that.
12:05 Oh, my.
12:09 Psst. Your lover boy.
12:13 He's the only one who will make you smile.
12:17 Hi, Chi. How are you?
12:18 I'll go ahead.
12:21 I'm out of place here.
12:23 Okay.
12:24 Bye-bye.
12:25 Did you miss me?
12:28 Of course.
12:29 I have a lot of projects,
12:30 so,
12:31 you know, I'm graduating.
12:33 I missed you.
12:35 My baby is so sweet.
12:36 Romeo, I hope we won't be separated.
12:39 Don't worry.
12:41 After graduation,
12:43 we'll be a couple.
12:44 A couple?
12:46 Shh. Don't be too loud.
12:48 Someone might hear us.
12:49 I'm sorry.
12:50 Chi,
13:14 where's your father?
13:16 Why is he not here?
13:18 I'm full.
13:19 If you want,
13:21 I'll wrap you a hotdog.
13:23 No, I can't.
13:25 I can't eat.
13:28 Okay.
13:30 Do you have money?
13:31 Yes, I do.
13:33 Chi,
13:42 Yes?
13:44 I remember,
13:47 when you get home,
13:48 you'll bring the pants I repaired to Cesar.
13:52 The pants are already paid for.
13:54 Just get it.
13:55 Okay.
13:57 Okay.
13:58 Take care.
14:15 I can't escape anymore.
14:18 Do you know what I did?
14:21 I threw my bag through the window.
14:23 Really?
14:25 We're even.
14:26 Good thing we didn't get caught.
14:27 And you know what?
14:29 I kept thinking about Father's orders.
14:31 I'm afraid that other people will order me
14:33 because of this.
14:34 I'm really worried, Chi.
14:36 This is the end of our problem with our family.
14:40 I'm the only one who has a plan.
14:42 Even you will be separated.
14:44 Where did you see a woman with a chaperone?
14:47 I promise,
14:48 when Manila comes,
14:50 we'll be like her.
14:52 It's up to you and your Romeo.
14:54 I already got my cousin's number in Pasay.
14:57 So I'll call him there.
14:59 What? You'll call him?
15:01 Won't they know you're coming?
15:03 It's okay.
15:05 There are a lot of payphones in the bus station.
15:07 I'll call him there.
15:08 I'm telling you, best friend.
15:11 I won't go home.
15:13 I'll make this clear.
15:15 Who won't?
15:17 Goodbye, tobacco.
15:19 Goodbye, pickle.
15:21 Hello, Manila.
15:23 Hello.
15:24 Oh my,
15:25 I'm saying hello to Manila.
15:27 Where's my cousin?
15:29 Maybe he's just there.
15:31 Where's my Romeo?
15:33 Where did he go?
15:36 I'm here.
15:37 Where did he go?
15:38 I'm here.
15:39 I'm here.
15:40 I'm here.
15:42 [music]
15:44 Chi.
15:48 Chi.
15:50 Hey.
15:51 Do you know that we've been waiting for Romeo for two hours
15:54 and he's still not here?
15:55 Do you know how many buses are passing through Manila?
15:59 It's so annoying.
16:01 It's so hot.
16:02 There's another bus.
16:04 What?
16:05 Don't tell me that they know we're here.
16:09 Let's just ride the bus.
16:11 It looks like that guy won't come.
16:14 So, what?
16:15 Should I make it easier for you?
16:16 Chi, whether you're with me or not,
16:18 I really want to go to Manila.
16:21 I don't want to live here anymore.
16:23 What about you?
16:25 Or if you want, you can stay with my cousin.
16:28 Just for a while.
16:29 What?
16:31 I don't want to live here.
16:36 [music]
16:37 There he is.
16:38 [music]
16:40 Oh, my.
17:01 My feet are hurting.
17:02 We've come so far and there's still no telephone.
17:05 There is.
17:06 You know, Chi,
17:07 I went to Manila last time.
17:09 It doesn't look like this.
17:10 There's a payphone there.
17:12 My phone!
17:14 My phone!
17:15 My phone!
17:16 My phone!
17:17 Chi, what should we do?
17:19 Our money and the telephone of the pawn shop is there.
17:23 My phone!
17:24 The telephone is there?
17:26 Oh, no.
17:28 What should we do now?
17:30 I don't know.
17:32 Where can we stop?
17:34 Where can we stop?
17:35 What should we do now?
17:39 [phone ringing]
17:44 [phone ringing]
17:47 What should we do now?
17:49 I thought you know where your cousin's house is.
17:52 You know, all my money is in that bag.
17:57 [music]
17:58 Ma'am, where are you going?
18:08 I don't have anything.
18:12 You left, didn't you?
18:15 Where did you come from?
18:20 We're from Bicol.
18:22 Do you have any relatives here?
18:26 No.
18:27 You have a strong heart.
18:30 You don't have a place to go.
18:32 Wait, are you from Bicol?
18:36 I know a Bicol woman who might be able to help you.
18:39 Oh, no.
18:41 We don't want to go back to our hometown.
18:43 I'm not saying that you'll go back to Bicol.
18:46 Are you married?
18:52 A security guard brought them to a Bicol named Gurley.
18:56 He owns a restaurant.
18:58 And here, while working, Jenny and Aya became waitresses.
19:04 But after two months, because of her mother's persuasion,
19:09 Aya also returned to their province.
19:12 But the problem she had back then is still there.
19:20 I'm really going to hit you.
19:21 How many times have I told you?
19:23 I don't want to talk to other men.
19:25 Don't be jealous because you're just my co-teacher.
19:27 What co-teacher?
19:28 I don't care who he is.
19:31 I just don't want to talk to other men.
19:34 Remember that. Remember that.
19:37 Because their life in the province is not stable anymore,
19:43 Aya returned to Manila and worked for Gurley again.
19:48 And then, she met a talent manager who offered her to be an actress.
19:52 Cut!
19:54 Wait.
19:55 You know, earlier, I noticed that your dialogue was bad.
20:00 Study your dialogue again.
20:02 You're so big, you're so fat.
20:05 Study it.
20:06 He's the one I'm talking about.
20:11 He's also in your casting.
20:16 You know that, or else I'll temper you.
20:18 She's pretty and has a body.
20:30 Of course, Director.
20:31 Would I bring her here if she's like a whale?
20:34 What's her name again?
20:37 Aya Middle, Director.
20:39 What again?
20:41 Because she's like a papaya.
20:45 I'll give her a screen name, Aya.
20:47 Aya?
20:50 Okay, introduce her.
20:53 Aya Middle.
20:55 You know, she's famous.
20:59 Really, Director?
21:01 Of course, I'll take care of her.
21:03 Thank you.
21:04 Cut!
21:05 She's the one you'll follow.
21:09 Make her pretty.
21:11 Thank you, Director.
21:13 Thank you, Director.
21:14 Put that on.
21:23 Miss, is this what I'll wear?
21:27 Yes.
21:28 A camisole?
21:29 Yes, that's your outfit for the scene.
21:31 Hurry up, Director is waiting.
21:33 Action!
21:35 Aya, are you happy?
21:37 Are you happy?
21:39 Aya, cry.
21:41 Cry, Aya.
21:42 Don't be like a fool.
21:43 You're like a cat.
21:45 Cry more.
21:46 Okay.
21:47 I don't understand.
21:48 That's more visible.
21:49 I won't use that.
21:51 I'll throw it away.
21:52 I'll throw it away.
21:53 I know, it'll be censored.
21:55 Okay, okay.
21:59 Good afternoon.
22:02 Good afternoon.
22:03 Nang Auring!
22:12 How are you?
22:13 Ma.
22:22 Oh.
22:23 What's wrong?
22:24 What's wrong?
22:25 What's wrong?
22:30 Oh my God, this is so rude.
22:31 That's Chie, right?
22:32 Huh?
22:38 Nelly went to Manila to stop her son from taking a dump.
22:43 That's enough.
22:45 Nelly might come.
22:46 Correct, we might get scolded.
22:48 I'm still memorizing my script.
22:51 That's long.
22:52 In fairness.
22:59 Chie.
23:00 Ma.
23:03 You're such a slut.
23:04 Come here.
23:05 Stand there.
23:06 What did you do?
23:08 What are you doing with your life?
23:10 Huh?
23:12 Ma.
23:13 Don't make a scene here.
23:15 Do you think about the shame you're giving to your family?
23:19 To the whole Bicol?
23:20 You need to go home.
23:22 Let's go home to Bicol.
23:24 Come on.
23:25 Ma.
23:26 This is my job.
23:28 I like what I'm doing, so just leave me here.
23:32 Are you going crazy?
23:36 Ma.
23:38 Even if you kick me out of here, I won't go home to Tuyang.
23:42 Chie.
23:48 Do you even think about how I feel about what you're doing?
23:56 Where did I go wrong?
23:58 Huh?
24:00 In raising you?
24:02 You're so selfish.
24:06 Why are we starving?
24:09 Is it because I'm hugging you?
24:12 I'm doing everything for you, my siblings.
24:17 I want you all to have a good future.
24:22 Is this what you're going to give us?
24:27 Is this what you're going to give us?
24:29 Ma, I'm sorry.
24:50 Ma, I'm sorry.
24:51 I'm sorry.
24:53 I've been acting like this for you.
24:57 I'm sorry, Ma.
25:00 I'm sorry.
25:08 I'm going to give you up.
25:18 Aya has also made a lot of films.
25:20 But the ones that gave her fame were the films,
25:24 "Babae sa Bubungang Lata" and "Sisa".
25:28 But one night, in 1999,
25:31 while Aya was on her way to a shooting.
25:34 Beauty, what's really wrong with you?
25:36 Are we on the left or right?
25:38 Just call Susan so we won't be late.
25:45 Sorry.
25:46 Cheese!
25:53 No!
25:55 No!
25:56 No!
26:24 Aya Medell had an accident.
26:26 She had a car accident yesterday.
26:28 She had a sepsis scar on her leg.
26:30 She was immediately taken to Sunwanted Yos Hospital for treatment.
26:34 Because of the strong impact,
26:36 not only the patient's left shoulder was affected,
26:41 but also the left and right pelvic bones.
26:45 I'm sorry to say that even the lower spine is affected.
26:51 Which means...
26:53 Doc, can't my niece walk?
26:57 She can still walk.
26:58 But she needs to brace her whole body.
27:03 Brace?
27:05 Brace her whole body?
27:06 She needs to stop working for about 6 months to 1 year or more.
27:12 It depends on her recovery.
27:15 That goes without saying that during the time of recovery,
27:18 she'll be bedridden for the first few months.
27:21 [music]
27:23 Aya stayed in the hospital for a long time before she was able to return home.
27:30 She was bedridden for more than 6 months
27:33 because of the severe injuries to her body from the accident.
27:37 During those times,
27:39 no one else could rely on Aya,
27:41 but her mother, her aunt Francia, and her boyfriend, Francis.
27:47 Ma?
27:49 [music]
27:51 Ma?
27:56 Ma?
28:00 Ma?
28:17 [sniffling]
28:19 Why, Auntie?
28:20 Wait, what happened?
28:22 Ma...
28:23 I'm sorry, I didn't hear you.
28:24 I was cooking for you this afternoon.
28:26 Where's Ma?
28:27 She's not here, she's at the bank.
28:29 But, what's that?
28:30 I'll just do it.
28:31 Are you going to eat?
28:32 Or are you hungry?
28:34 No.
28:37 What?
28:38 Why didn't you tell me?
28:40 She's not here yet.
28:41 You should've told me first.
28:43 What do you need?
28:44 [sniffling]
28:45 Wait, let's just change your diapers.
28:52 I'll do it.
28:53 No, Mama, I'll do it.
28:54 Don't be shy.
28:56 You don't have a mama.
28:58 I'll do it later when she comes.
29:01 Don't be shy.
29:03 Let's remove it.
29:05 Wait.
29:07 [sniffling]
29:08 You're still shy.
29:10 We're just getting ready.
29:13 What can we do?
29:14 If we're going to remove it, we'll have to wait for your mama.
29:17 I want to be with you.
29:19 There.
29:22 It smells good.
29:23 My baby is fresh.
29:25 It's fresh.
29:26 Ma...
29:35 I want to tell you something.
29:39 Okay.
29:40 Mmm...
29:43 Maybe...
29:47 after Sarong Semana,
29:52 I'll go back to Bicol.
29:54 What if...
29:58 It's only been two months since I went to school in Paluget.
30:04 If I don't go back,
30:07 I might be left behind.
30:09 Even my substitute teacher will leave.
30:14 I don't think he'll be able to handle his brother.
30:19 Your auntie Francia is so strong.
30:24 Even Francis.
30:26 I'm sure they won't leave you.
30:29 They won't leave you.
30:32 Jesus.
30:34 And...
30:37 Maybe I won't be accepted in school
30:40 if I don't go back.
30:42 If possible, I won't leave until you get better.
30:46 But I can't.
30:48 I won't go back.
30:50 You're so lucky, Ma.
30:55 Okay, I'll go now.
31:00 I'll go now.
31:01 I won't go back.
31:03 Okay?
31:04 Okay?
31:06 Hi.
31:08 Hi.
31:10 [♪♪♪]
31:12 [♪♪♪]
31:14 [♪♪♪]
31:42 Why did this happen to me?
31:44 Why do so many people get into accidents?
31:54 Why me?
31:58 Are you punishing me?
32:04 Did I do something wrong?
32:11 [sobs]
32:12 What will you do to me, God?
32:21 Just take me.
32:23 Just take me.
32:30 Just take me.
32:33 [sobs]
32:37 [sobs]
32:38 I can't do it.
32:46 You can do it, Angie.
32:47 Just take it slow.
32:48 It hurts, Ma.
32:49 Just take it slow.
32:50 Slowly.
32:51 You're forcing me.
32:52 How can I walk?
32:53 You can do it.
32:55 I can't.
32:56 You can do it.
32:57 Just take it slow.
32:58 Okay?
32:59 Just take it slow.
33:00 You can do it.
33:01 Okay.
33:02 We'll take care of you.
33:03 You can do it.
33:04 You can do it.
33:05 Just take it slow.
33:06 You can walk.
33:07 Ouch!
33:10 Francis, let's put her back in her bed.
33:14 Hurry.
33:15 It hurts.
33:16 It hurts.
33:18 We'll take her to the doctor.
33:19 Take it slow.
33:20 Of course, her feet hurt.
33:23 Yes.
33:24 Let's go.
33:25 Just take it slow, Francis.
33:27 Aya became depressed because of her condition.
33:30 But with the help of her aunt and her boyfriend,
33:33 she slowly recovered from her condition.
33:37 Just take it slow.
33:39 Take a deep breath, baby.
33:45 It hurts.
33:48 It's okay.
33:49 You can do it.
33:50 Okay.
33:52 One.
33:54 It's almost there, baby.
33:57 Two.
34:02 Three.
34:03 It hurts.
34:05 No, you can do it.
34:06 You can do it.
34:10 You can do it.
34:11 Francis.
34:38 Francis.
34:39 You let me go.
34:42 I can walk now.
34:44 Don't cry.
34:45 I can walk now.
34:48 They planned to get Francis married right away.
34:56 But it didn't happen.
34:59 Are you really going to let me go?
35:01 Well, of course, grandma can afford.
35:06 I told you that I will pay.
35:08 And this is our celebration because I haven't eaten for a long time.
35:14 Wait, where's your boyfriend? Why isn't he here?
35:17 He's over-time.
35:19 He's rich.
35:21 So, did you get married?
35:23 We planned to get married.
35:27 It's okay, right?
35:29 Yes.
35:30 I'm hungry.
35:32 Waiter.
35:35 Hey.
35:36 Friend.
35:38 Yeah.
35:39 Give a baton to Francis, will you?
35:42 Isn't that Francis?
35:44 Hi, Francis.
36:09 Hope you're enjoying your life.
36:11 I'm enjoying my life.
36:12 That idiot, he's just pretending to be a fool.
36:22 After falling in love, Aya returned to being an actress.
36:32 She also made a few movies and was also part of a cast of a soap opera.
36:39 In 2000, a relative of hers went to Japan.
36:42 This is where she met Kenji.
36:45 They immediately fell in love.
36:47 And when Aya returned to the Philippines, Kenji still continued his love for her.
36:53 Ate, you have a visitor.
36:55 Who is it?
36:57 I don't understand.
36:58 She speaks English.
37:00 It's Japan.
37:01 Japan?
37:03 Yes.
37:04 Kenji, what are you doing here in the Philippines?
37:07 I followed you, Aya.
37:09 I love you.
37:11 Do you love me?
37:13 Really?
37:15 Later, we go to a party.
37:26 Kenji and I will go to a party.
37:29 I'm going to a party.
37:32 We go to a party.
37:34 You wear a new dress, okay?
37:36 I understand.
37:38 Aya, what's wrong?
37:42 Anything wrong?
37:44 What's that?
37:54 I'm pregnant.
38:01 You're pregnant?
38:02 We have a baby?
38:05 Hi.
38:06 We have a baby?
38:07 Aya and Kenji got married in Japan.
38:15 Aya is the owner of the bar where the husband owns.
38:19 But their union won't last long.
38:23 Good thing you brought me here.
38:30 We miss you, ma'am.
38:32 You don't go to Kenji's bar anymore.
38:36 You know, ma'am,
38:39 we're not the only managers at Sir Kenji's bar.
38:43 We're just close to you.
38:45 We're really good friends.
38:46 Let's eat.
38:48 We don't have anything else to eat.
38:51 Let's eat.
38:52 What's wrong?
38:57 Do you have something to tell me?
39:04 Maybe you'll get back together.
39:06 Or you'll get married again.
39:08 Don't worry.
39:10 I'll tell my wife.
39:11 You know I'm not hiding anything.
39:14 Let's eat.
39:16 What else?
39:20 I don't know.
39:21 What?
39:25 Are you going to tell me?
39:27 I really can't believe it.
39:29 Ma'am Aya,
39:31 Sir Kenji,
39:33 when you two stopped going to his bar,
39:37 we saw that he was with a woman.
39:43 A Russian.
39:48 Maybe they're just friends.
39:50 What about you?
39:52 They're not just friends.
39:54 They always kiss,
39:57 kiss,
39:58 and cuddle.
40:00 Even if we see them,
40:02 they don't care.
40:04 Yes, ma'am.
40:06 We don't want to tell you that.
40:09 But,
40:10 what I mean is,
40:11 I'm left-handed.
40:13 I have a husband.
40:14 [sniffles]
40:15 I thought he loved me.
40:22 I thought he wouldn't replace me.
40:30 After Kenji's confession,
40:36 Aya was forced to go back to the Philippines.
40:39 Even though he's been in the Philippines for 6 months.
40:44 [sighs]
40:45 [music]
40:54 [music continues]
40:56 [music continues]
40:58 [music continues]
40:59 [music continues]
41:02 [music continues]
41:09 [music continues]
41:18 [music continues]
41:26 [music continues]
41:27 Beauty?
41:35 Beauty!
41:38 Yes, ma'am!
41:40 Ning, lock the doors.
41:43 Make sure it's locked.
41:44 Yes, ma'am.
41:46 Go to sleep.
41:48 Yes, ma'am.
41:49 [sighs]
41:50 [sighs]
41:51 Ah!
41:57 Ouch!
41:58 Huh?
41:59 Beauty?
42:02 Beauty!
42:07 Beauty!
42:11 Ma'am!
42:14 Ma'am, what happened to you?
42:16 I'm so scared.
42:17 [screams]
42:19 Ouch!
42:20 Ouch!
42:21 [screams]
42:25 My baby.
42:28 Hello.
42:32 Oh, my baby.
42:33 Look at the baby.
42:35 She's your niece.
42:37 She's so cute.
42:39 She's so tiny.
42:40 What should we call your granddaughter?
42:43 Her name is...
42:47 Shania Ishi.
42:49 Ishi!
42:51 Nicole, don't cry.
42:53 Meet Ishi.
42:54 The baby is so hunky.
42:56 After Ishi was born,
42:59 Aya divorced Kenji and returned to Bicol.
43:03 During this time,
43:05 she was able to build her own house
43:07 and bought a car for her two siblings.
43:11 But she didn't think that her beautiful heart
43:16 would be affected by the sinister powers.
43:19 Ate, we're going to the baby room.
43:22 We're going to Ishi's.
43:23 Don't be loud.
43:24 If Ishi sleeps,
43:25 he might wake up.
43:26 No, Ate.
43:27 When he wakes up,
43:28 we'll take care of him.
43:29 Okay, take care of him.
43:31 Yes.
43:32 Always excited.
43:34 Don't be loud.
43:35 Oh, my.
43:37 It's really fun when there's a baby,
43:39 isn't it?
43:40 Even Nicole is making us laugh.
43:43 Hey.
43:45 Why are your brothers
43:47 asking me to give them a jeep and a motorcycle?
43:51 We're your parents.
43:52 You don't even remember us.
43:54 I renovated your house, didn't I?
43:58 That's different.
43:59 Nestor, what is that?
44:04 Why?
44:06 What's the difference?
44:07 I'm just asking.
44:08 I'm the bad one.
44:10 That's why I gave them
44:13 so that they can find a way to live.
44:15 And even if I give you a car,
44:17 you won't be able to drive.
44:19 What do you think?
44:21 We're not done talking.
44:24 We're done.
44:25 What is that?
44:28 Everyone is looking for a way.
44:41 Dad, let's go there.
44:43 Dad.
44:45 Dad, go to your room and sleep.
44:48 It's hot here.
44:49 Nicole.
44:51 Dad.
44:53 Go to your room and sleep.
44:56 It's hot here.
44:57 Go.
44:58 What did you say?
45:00 I said, go to your room and sleep
45:04 because it's hot here.
45:05 Are you making me wear a suit?
45:09 So that you can wear a suit and you'll be naked?
45:11 How can I do this?
45:12 Why?
45:13 If you're the one who bought this suit,
45:15 will you be naked in front of us?
45:16 How can I do this?
45:18 Huh? You're wearing a suit.
45:19 What is this?
45:21 Stop it!
45:22 What is this?
45:23 Let me out!
45:24 What is this?
45:25 Ishi is awake.
45:26 Let Ishi out!
45:27 What are you doing?
45:28 What is this?
45:29 What is this?
45:30 Nestor!
45:31 Nestor!
45:32 What is this?
45:35 What is this?
45:36 Stop it!
45:37 What is this?
45:38 Stop it!
45:39 Is this a knife?
45:41 Let her go.
45:42 You're too much.
45:44 Just shut up.
45:45 What is this?
45:47 Stop it.
45:48 If you're the one who bought all of these,
45:51 will you be naked in front of us?
45:53 You're wearing a suit.
45:54 I can wear a suit.
45:56 What is this?
45:57 Is this related to Junjun's jeepney?
46:00 What?
46:02 Why? You don't care about my children.
46:04 Why? I'm not their brother.
46:06 That's not true.
46:07 I won't care about your children if I don't love them.
46:12 I'm not a coward if I don't love you.
46:15 I'm not a coward to you.
46:18 I'll build a house if I'm a coward.
46:21 You're too much.
46:23 If you can,
46:26 how many years have you been in this house?
46:29 Stop it!
46:30 Don't say that.
46:33 I'm scared.
46:35 I'm scared.
46:36 You're bleeding.
46:38 You're going to die.
46:39 You're going to die.
46:40 You're going to die.
46:41 You're going to die.
46:43 You're going to die.
46:44 You're going to die.
46:45 I'm not scared.
46:46 I'm not scared.
46:48 I'm not scared.
46:50 Oh my God!
46:54 What's happening?
47:03 What's happening?
47:04 Don't bring your family's problem to us.
47:07 You're going to leave us.
47:09 Mr. Nestor!
47:11 Get out of there!
47:13 Let's talk about your problem.
47:15 Mr. Nestor!
47:18 Mr. Nestor!
47:20 Get out of there!
47:21 Let's talk about your family's problem.
47:23 What's happening?
47:25 Stop it!
47:29 Come on!
47:30 Join us!
47:31 [Screaming]
47:32 You're crying!
47:41 You're a demon!
47:42 You're going to die!
47:43 Let me go!
47:47 I'm going to die!
47:48 Let me go!
47:58 Nestor was also arrested by the police.
48:01 He was charged with a Paris-sign, attempted murder, and child abuse.
48:06 But after talking to the police,
48:09 Aya also demanded that Nestor be separated from them.
48:14 Because of this, Nelly moved to Aya's new house.
48:18 And Nestor was left alone in their old house.
48:22 Meanwhile, there's another change that will happen in Aya's life.
48:27 I told Chief, "Grandma, do you have a plan to move out?"
48:31 And now, she's leaving the house.
48:34 I feel like she has.
48:35 Thank you.
48:39 Ma'am, you're the artist, right?
48:45 Of course, you're still famous.
48:48 They still know you.
48:49 That's her.
48:50 Ma'am, you're still beautiful.
48:52 Oh, I have a tip later.
48:54 What?
48:55 Yes, you're a bully.
48:58 You didn't notice?
49:00 The mayor is looking at you.
49:02 Where?
49:04 Here.
49:05 In fairness, she's cute.
49:12 She's a pop-up ball, right?
49:13 She can.
49:14 The mayor is from the other town.
49:16 You look like a type.
49:18 Oh my.
49:20 Hey, girl.
49:21 Go, sis.
49:27 Hey, cutie.
49:31 Type war.
49:34 What's that, sis?
49:38 Miss Aya, the mayor wants to see you.
49:41 He wants an autograph.
49:42 Autograph?
49:45 Go to her.
49:46 Go to her.
49:48 Go to her.
49:51 Hey.
49:54 Is that you?
49:56 Yeah.
49:57 Hey.
49:59 You love her already?
50:00 I love you.
50:02 That's cute.
50:03 That's how you are.
50:04 Of course.
50:05 Type war.
50:07 What's that?
50:08 Happy birthday, 7th.
50:14 Thank you.
50:15 She's still sleeping.
50:16 Where's your honey?
50:18 Where's the mayor?
50:20 If you're together, don't tell me he won't come.
50:22 He said he's going to drop by later.
50:25 Son, I thought you called your dad.
50:30 I did, mom.
50:32 Maybe he's shy to come.
50:33 Miss, dad's here.
50:38 [music]
50:41 [music]
50:44 [music]
50:46 [music]
50:58 [music]
51:00 Dad, it's good that you came.
51:16 Thank you for inviting me.
51:21 Happy birthday, son.
51:27 Thank you, dad.
51:28 Dad,
51:35 what happened to us,
51:40 forget it.
51:43 I forgive you.
51:45 Really, son?
51:48 Thank you so much, mom.
51:51 You made me happy.
51:56 But I promise you,
51:58 I'll change.
52:00 I won't drink anymore.
52:03 And I won't hurt you anymore.
52:07 I won't hurt you anymore.
52:14 Okay, dad.
52:17 [music]
52:18 Miss, the mayor is here.
52:29 Good evening, ma'am.
52:35 The mayor is here.
52:38 Boss.
52:40 Take this to the kitchen.
52:42 Okay, I'll take this with you.
52:44 Let's sit here.
52:45 Thank you.
52:46 [indistinct chatter]
52:48 Is it okay?
52:49 No.
52:50 Good evening to you all.
52:54 Good evening, mayor.
52:56 Good evening, mayor.
52:57 [music]
53:14 Maybe you have an idea
53:16 why I brought my whole family.
53:19 I have, but I don't want to be the first one.
53:23 Honey Chi,
53:35 will you marry me?
53:38 [music]
53:39 Herbie,
53:46 I'm really happy with your decision.
53:49 I don't have any other dreams but to be a quiet person.
53:54 But I have a big responsibility to my family.
53:59 I want to fix their life first before I fix mine.
54:05 There's no problem. I'll help you.
54:08 Don't.
54:10 Let me do it alone.
54:13 If we're going to get married,
54:16 because I love you,
54:18 and there's no need.
54:21 Are you rejecting me?
54:28 No.
54:34 No.
54:35 We still have a lot of time.
54:37 We don't have to rush.
54:39 Herbie,
54:42 let me focus on my family first.
54:46 I hope you understand me.
54:51 I understand you.
54:58 You're the one who made me dream.
55:01 I love you.
55:02 [music]
55:04 Picture, picture.
55:26 Come here.
55:29 [inaudible]
55:30 Come here.
55:32 Come here.
55:34 Come here.
55:36 Okay, just compress.
55:40 [inaudible]
55:42 That's why smile.
55:44 Smile. One, two, smile.
55:46 One, two, say cheese.
55:48 Cheese!
55:50 Aya, you're so young.
55:53 You're 24 years old and you've been through a lot.
55:56 Is it true that you haven't seen your own father?
55:59 My mother said that I'm still young and we can still see each other.
56:01 But when she got married, we haven't seen each other.
56:04 Do you have no longing?
56:06 Do you have nothing? You can just see him.
56:08 No.
56:10 As in, you really don't have anything?
56:11 I really don't have anything.
56:12 Is it hard to adjust?
56:14 You're the only wife in Japan.
56:17 It's very hard because their culture is different.
56:20 We're different.
56:22 When we love each other, we're very sweet.
56:24 For them, it's like a business. It's normal.
56:26 Does the child have a father?
56:29 Yes.
56:31 Ah, there is.
56:32 That's what's good about them.
56:33 They're supportive of their child.
56:35 Did you say that you're mature at 24?
56:38 I think at my age, I feel like it will happen to me again.
56:43 I can stand up again.
56:45 I was only 15 when I started to do art, I started to do sex scene.
56:48 Now, I'm still doing it for my family.
56:52 If you can do it again, will you do it again?
56:54 If I die, I will live again. I don't want to be a sex star anymore.
56:57 Why?
56:59 Because it's better to finish your studies.
57:01 But I'm not regretting that I did it.
57:04 How does it feel that you're the one who found your own life?
57:09 It's very heavy.
57:11 Which is the heaviest that you've carried?
57:14 In my opinion, it's my family.
57:16 I didn't experience living normally.
57:19 You forgave them.
57:21 I easily forgive them.
57:22 But the pain is still there.
57:23 What's your ambition now?
57:25 After I finish my studies, I have two more siblings who are in college.
57:30 I don't want them to experience what I experienced.
57:33 Especially my child, I want him to finish his studies.
57:36 You know, Aya, there are a lot of young artists.
57:40 What would you advise them?
57:43 They should take their work seriously.
57:46 Because showbiz is not forever.
57:50 You'll sink, you'll float.
57:52 You're lucky if you get to know them.
57:54 In the field of love, what would you advise the young people?
58:00 Don't be too sudden.
58:02 Aya, thank you so much.
58:03 And you encouraged us to put our lives on the line so that our viewers can follow.
58:10 We have here some flowers for you.
58:12 And we wish you all the luck in the world.
58:16 Thank you so much, Tamell.
58:19 Thank you to Magpataylaman.
58:20 Thank you to Jeremay.
58:22 Because they took my life.
58:25 I hope that my viewers will learn something from this.
58:28 And I have a lot of things to thank.
58:31 To my siblings, to my whole family, to my friends who are always there for me.
58:38 To Tita Liti Halili, to Sister S.Away, to Tita Ellen.
58:44 To a lot of people.
58:46 Thank you so much.
58:48 Aya is now content with her life as an ordinary mother.
58:52 But what gave her strength was her dedication to her parents.
58:58 This is the proof that no one will not be saved as long as we have the heart to forgive and to forgive.
59:08 I am Mel Tianco and this is the story of each one of us.
59:15 Now, tomorrow, and forevermore.
59:18 I love you.
59:20 [Music]
59:22 [Music]
59:24 [Music]
59:26 [Music]
59:28 [Music]
59:30 [Music]
59:32 [Music]
59:34 [Music]
59:35 [Music]
59:36 [Music]
59:38 [Music]
59:40 [Music]
59:42 [Music]
59:44 ♪ The gold ♪