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Graham and Dave choose their favourite top ten films of 2023
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00:00 Hi, welcome back to Not Everyone's a Film Critic, a podcast that very rarely gets recorded
00:13 or a podcast if you prefer.
00:15 From myself, Graham and Dave, and the Scotsman, Dave, it's been about, how long has it been?
00:20 I think it's been about four weeks because we've been on holiday and various things have
00:24 happened so there's not much you can do about that, is there?
00:27 I mean we've got about 60 episodes in the bank so if you're really that desperate to
00:30 see our faces, which I assume you're probably not, but you can go back in the archives,
00:35 which we would both recommend, Dave, right?
00:38 Yeah, binge watch this vodcast, I think so, I think so, it'd be a good use of a day.
00:43 You can watch us on Freeview now, which to be honest is kind of always where I expected
00:47 myself to land up.
00:48 You have got a face for Freeview, there's no doubt about it.
00:56 No Netflix here.
00:58 No 499 here.
00:59 What are we doing again?
01:00 Talking about films, that's it.
01:01 So yes, we have reached kind of the end of the earth, December the 1st, and I've seen
01:11 loads of films, I think the past four episodes or whatever, I've seen nothing and it was
01:14 just you carrying us the whole way.
01:16 I've gone to see absolutely everything and I've took the review section out of today's
01:20 episode so if you want a quick segment, one film's really good, it's going to be talked
01:24 about later on.
01:27 Dream Scenarios, a good first hour, it kind of gets lost after an hour, and Thanksgiving's
01:33 really good if you like gory stuff, and Eli Roth, there you go, reviews, done.
01:38 What we are going to be doing is something probably more important for you because you
01:41 can have a bit of free time, hopefully, over Christmas to sit and watch lots of movies
01:44 or series and things.
01:45 So we're going to pick our top 10.
01:47 Now we did pick our top five halfway through the year.
01:50 I haven't watched the episode back so if these don't mirror, I don't care.
01:54 I've totally forgotten what I chose.
01:58 Films probably, probably the only five films I've seen at that point, but no, I think I'm
02:02 going to do about 46 I've seen in the cinema this year, which I know pales in comparison
02:07 to you, but we're going to do 10 till one.
02:11 I think we might have a few crossovers and I did kind of do this list a bit quickly,
02:16 but I did have a bit of a battle with it and there's some films that I've missed out which
02:21 I think are unfair.
02:22 So this might be subject to change.
02:24 It's very horror oriented, but I'm going to stick with it for this show.
02:30 I kind of fought with myself five minutes before, but I'm going to give you the first
02:33 choice.
02:34 We're going to go 10 to one.
02:35 We've got half an hour or so.
02:37 We'll probably get episode, like the film number seven by the 25 minute mark and fire
02:41 through the final six in the last five minutes.
02:45 But what's your number 10, Dave?
02:46 We can rattle through them.
02:47 Yeah.
02:48 So I find the top nine quite easy, but the 10th I find very, very difficult.
02:52 Indeed, there's so many films could have been there.
02:54 So with apologies to Mission Possible, The Leftovers, Bo is Not Afraid, Saltburn, Sisu
02:59 and Marcel Lechelle, which is on your favorite, Graham.
03:02 None of those quite made the cut, but they're all just knocking on the door.
03:05 But my 10th favorite film of the year is How to Have Sex, which is a catchy title and sure
03:11 to get people in cinemas, but it's a really clever, good and interesting film directed
03:15 by Molly Manning Walker.
03:17 Her first film, which is remarkable given how assured it is.
03:21 It's about three teenage girls who go on holiday to Mali and Crete.
03:24 It's as debauched as you would imagine.
03:26 It's a window into the world that I know very, very little about.
03:30 As a middle aged man, it's quite shocking, but it's quite sweet as well.
03:33 And it's got a lot of very interesting things to say about consent.
03:38 And the lead actress is called Mia McKenna Bruce.
03:42 And she is a star of the future.
03:43 She's absolutely superb.
03:44 She really holds the attention throughout the film and highly recommend it.
03:48 It's not even streaming yet and should be out in streaming by the new year.
03:52 But it's a fabulous film and I really hope it wins some BAFTAs and stuff.
03:55 It'll not get anything for the Oscars, but maybe BAFTA friendly.
03:58 So my number 10, How to Have Sex.
04:00 I haven't seen it yet, but I've heard it's really good.
04:03 It just kind of coincided with the short run in cinemas in my holiday, which means that
04:07 I've kind of nullified, but I do actually want to catch that.
04:11 My number 10 is probably something I've spoke about a lot throughout this year.
04:14 So people might think it's quite surprising, people who know me, because I spoke about
04:18 it quite a bit actually when I bought it on Blu-ray and stuff like that.
04:22 And I think in time, it'll become a film I remember probably more than some other films
04:27 on this list because of the impact it had and I thought was so different and experimental
04:31 and like nothing I'd really seen before.
04:35 And I think that's in a good way.
04:36 I also absolutely crapped myself at one point, so definitely has to go in there because horrors
04:41 don't really do that for me anymore.
04:42 I'm a bit desensitized, but Skinny Meringue is number 10 for me.
04:48 If you haven't seen it, like it's, is it a difficult watch?
04:51 Yeah, it's as difficult.
04:53 I'd say for like 95% of the public, they'd be like, okay, because it's more, it's less
04:59 about plot, it's more about feeling.
05:02 It's difficult and it's also uncomfortable, but I think it's really, really clever filmmaking.
05:06 And I think in time, we'll probably see better films that have been inspired by it move forward.
05:13 And that's no disrespect to the guy who directed it.
05:15 You know, naturally, I think when people pinch things from different films, but in the sense
05:20 apart from The Exorcist, which nothing's really kind of matched The Exorcist since that, apart
05:24 from one film.
05:26 But I think a lot of like old horrors in the past have maybe not been the best film of
05:30 that genre, but they've completely regenerated a segment of that genre and give people new
05:37 ideas and better films have come from it.
05:39 And I think Skinny Meringue will do that.
05:42 Would I recommend you watch it?
05:43 I don't know.
05:45 I would, but be patient with it.
05:47 But for me, because the kind of films I like and what I'm into, I think for the ambition
05:52 alone, it's getting in the top 10.
05:54 Still haven't watched the entire thing.
05:55 We watched half of it and find it a bit much for late at night.
05:59 So we have to start.
06:00 We have to try it again.
06:01 But yeah, definitely.
06:02 Definitely don't watch it late at night.
06:05 Even like the most fearless person on the planet will probably be like, you're not gonna
06:11 be able to sleep well.
06:12 I think it's fair to say.
06:15 My number nine is All of Us Strangers, which hasn't had a huge release this year.
06:22 But it's a wonderful film.
06:23 It's a kind of metaphysical ghost story.
06:26 Andrew Scott and Paul Mescal, both actors at the top of the game.
06:30 Andrew Scott plays a man who's living in this kind of spooky, empty London tower block.
06:35 And he enters a relationship with Paul Mescal, quite an intense physical and psychological
06:41 relationship.
06:42 But in the middle of this relationship, he visits his dead parents in his childhood home.
06:47 And it's a really interesting, twisty story.
06:50 I mean, beautifully acted by both of them, and directed by Andrew Haig, who's a brilliant
06:55 British film director and just a really confident, interesting film, which I think should have
07:00 got a lot more love.
07:01 And it doesn't seem to have, which I think is a shame.
07:03 So my number nine, All of Us Strangers.
07:06 It would help if my mute button actually worked.
07:16 My number nine, to be honest, I kind of forgot about it.
07:18 And I feel really bad about it, because it's one of my favorite directors ever.
07:21 And I was kind of toying with not putting it in, due to some other things, which I possibly
07:26 enjoyed a bit more.
07:27 But then I thought about my experience watching it.
07:30 And I did really, really enjoy it.
07:32 It's like, I think it's been my favorite of his since The Grand Budapest.
07:38 So Asteroid City, Wes Anderson's Asteroid City, for me, I know some people really hate
07:42 it.
07:43 I think you were one.
07:44 And I really liked it, the scene with the alien, when he's like walking away.
07:49 And he's like, to people who haven't seen it.
07:52 That was funny.
07:53 I liked that scene.
07:54 I liked that scene.
07:55 To people who haven't seen it, you'll be like, what are you on about?
07:57 But it's a very funny scene, and probably one of the bits I laughed at most.
08:00 Apart from, actually, whilst we're on it, because we're not doing reviews this week,
08:06 there's a bit in Dream Scenario, which I can categorically promise you, I laughed for the
08:11 longest time, to the point where people in the cinema were getting annoyed, because I
08:15 got myself the giggles.
08:16 And I won't give away the plot, in case you haven't seen it, but the bit where he farts.
08:21 Yes.
08:22 It's a very funny film.
08:28 Outside of the Nick Cage farting in a very peculiar situation, the scene with the alien
08:35 and Asteroid City made me laugh most.
08:37 But I'm a big Anderson fan.
08:38 I kind of like his style and what he does.
08:40 I know some people don't.
08:41 I know some people like some of it, but not love all of it.
08:45 For me, I tended, where Anderson could like, where Anderson could fart a film, and I'd
08:50 probably enjoy it.
08:51 Well, next week, we're going to do our worst films of the year.
08:55 So we'll talk about Asteroid City again then.
08:58 It's very divisive, very divisive.
09:02 My number eight film is by my favorite director in the world.
09:06 You just talked about your favorite director.
09:07 My favorite director in the world is Hiro Koreida, who's a South Korean director.
09:11 And he just does a wonderful film every year and never lets you down.
09:16 They're all kind of a similar kind of atmosphere of film.
09:22 You were never going to be like, oh, it's Ridley Scott.
09:24 You've got to be something different.
09:26 You've got to be something like a-
09:28 Hiro Koreida, he's very good.
09:29 You would enjoy his films.
09:30 But they're all quite sweet.
09:31 They're all quite family-oriented.
09:32 And he says it in a purple floral shirt, for God's sake.
09:37 I need to get more contentious films into this list, Graham.
09:41 You can-
09:42 Death, Cath, the Cutie, just, oh, Father John Misty.
09:46 Just get out of here.
09:49 Well, Broker is a very fine film.
09:51 It is about a pair of people who basically steal a baby, which doesn't seem like a particularly
09:56 jolly plot point.
09:58 But they basically take a baby which has been left behind at a church by a mother.
10:02 And they essentially are looking to sell the baby.
10:04 But despite that sounding like quite a bleak plot, it's a lovely, warm film.
10:09 It's kind of a road movie of sorts.
10:11 They end up teaming up with the mother of the child to try to find the child the perfect
10:15 home.
10:16 And it's just lovely.
10:17 It stars Song Kang-ho from Parasite, who's a wonderful actor.
10:22 And yet anyone who hasn't seen any of Koreida's films start with maybe Shoplifters, which
10:27 is maybe his finest film.
10:29 And I would say Broker after that.
10:31 But he's a wonderful director.
10:33 And you could do far worse with Your Christmas and Settle Down and watch two or three of
10:37 his films, because they're heartwarming, lovely, and kind of festive, even though they're not
10:40 about Christmas.
10:41 So number eight is my very pretentious list, is Broker by Hiro Koreida.
10:46 Yes, if you are watching Dave's list rather than mine, make sure that you are in Tweed,
10:50 because you'll enjoy it significantly more, so I've been told.
10:55 My number eight is probably something you completely expected me to have in there.
11:00 And I've kind of thought pushing it higher up, but when I look at the films I've got
11:03 above, I can't say the films that are above it I enjoyed less than this.
11:08 But I thought this was a really good movie, and I came out of the cinema being like, "Oof,
11:11 that was a-- that potentially could be a classic in years to come."
11:14 And it was a really fresh idea, a really fun idea.
11:17 It's on Netflix now as well.
11:19 There's two films, actually, that have been released this year that are now on Netflix
11:21 that are both in my list.
11:23 Talk to Me is my number eight.
11:26 I thought it was really good.
11:28 If you haven't seen it, it's about sort of a grieving child who's lost a parent.
11:35 And it kind of has that elevated horror thing that people seem to think is now a new thing,
11:42 about how she deals with grief.
11:44 And I think sometimes it's kind of indicating you get addictions and stuff like that.
11:48 You turn to things to cope, and she turns to this friend who has an embalming hand,
11:54 like a severed hand, sorry, a severed embalmed hand that if you touch it, it gives you a
11:58 connection to the afterlife, but it's kind of high.
12:01 But it's at that point when it changes from being really obvious what the story's about
12:05 and actually turns into a really good horror.
12:07 It's really different.
12:08 It's got some super gory moments in, but it's not just based on gore.
12:13 It's not just based on the supernatural.
12:14 I thought for two people who basically do a YouTube channel, for that to be their direct
12:18 total debut is really good.
12:21 And I think a lot of the time we can sort of poop on content creators or YouTubers and
12:26 stuff, but it's proof that a lot of these people are very creative and very talented
12:31 and probably deserve a shot.
12:32 Not all of them, Jake Paul, but some of them deserve a shot.
12:37 - Yeah, I loved it.
12:39 It's a great film.
12:40 It's one of the best horrors of the year.
12:42 I must admit that my list hasn't got any horror in it, which is really bad, actually.
12:46 I don't know how I managed that, just because I'm being pretentious.
12:49 But it was.
12:50 It's an absolutely cracking, cracking horror film.
12:52 My second favorite horror of the year.
12:54 I think you might get onto the slightly better horror in a wee bit.
12:58 But yeah, it's a great film.
12:59 Highly recommend to anybody watching it.
13:01 - I have for the record one, two, three, four, five, six, potentially seven.
13:09 - Well, that is why we dovetail together so well, isn't it?
13:11 So we have 20 films that people can watch, although I think we might cross over on one.
13:15 But yes, I know it's an absolutely brilliant film and a really classic horror.
13:19 A great one to settle down with a bottle of wine on a Friday night and get really, really
13:23 scared.
13:24 And it's funny as well, which is great.
13:25 Really, really good horror.
13:26 Totally agree.
13:27 It's certainly in my top 20.
13:30 So my number seven is kind of a horror, actually, in a strange sort of way.
13:34 My seventh favorite film of the year is The Beasts, which is a French film.
13:39 It's about a retired kind of cosmopolitan couple who retire to this bucolic part of
13:45 Spain.
13:46 But as we know in horror films, bucolic parts of any country tend to be filled with absolutely
13:52 nutters, and this is no exception.
13:53 So they move to this lovely farm, but they fall out with the locals, including two genuinely
13:58 terrifying brothers.
13:59 I mean, properly, properly terrifying brothers.
14:02 And their lives are just destroyed, basically.
14:05 It's really scary.
14:06 It's incredibly tense.
14:07 I mean, properly keeps you on the edge of your seat.
14:10 Something very bad always seems just about to happen, or does actually happen.
14:15 And it does something very clever, which I'll not give away, in the final third, which kind
14:19 of elevates above your usual kind of people go into the middle of nowhere and get targeted
14:24 by terrifying inbred locals plotline.
14:26 And the final third is genuinely, genuinely interesting.
14:30 You don't see it coming whatsoever.
14:32 It pivots very quickly.
14:34 And it changes what it's focusing on.
14:37 So it almost becomes a different film in the final third, which I really enjoyed.
14:41 Totally wrong-footed me.
14:43 So yeah, my number seven film of the year is The Beasts.
14:46 >> Interesting that I had wrong-footed you, considering you've got two left feet.
14:53 My number seven is something we actually seen together.
14:55 I think it's only one of the list that we've seen together.
14:58 But when I was going through the films I've seen in the cinema, I've got a list on Twitter
15:02 if anyone's interested.
15:03 It sounds like a plug, but if you want to just see what I think of films, which ultimately
15:07 changed my mind at certain things, pop on, follow me on that.
15:11 I do a list, a thread throughout the year of how many films I've seen.
15:14 And when this one popped up, I was like, oh, God, yeah, that was probably the most fun I've
15:17 had in the cinema, or one of the most fun times I've had in the cinema this year.
15:21 It's a super small film.
15:23 It was played at Fright Fest, but #ChadGetsTheAxe.
15:28 >> Great film, put fun.
15:30 >> Which I think is quite funny, considering Talk To Me was made by YouTubers, and Chad
15:34 Gets The Axe is basically poking fun at YouTubers.
15:38 It's effectively these stupid YouTubers, I think it's Spicy Steve and some other guy,
15:43 he's called, I can't remember his name now.
15:44 Nice guy, I spoke to him after the film, because the cast and the crew and whatnot were there.
15:49 These social media, I don't want to say influences, because they're not really influences, but
15:54 they kind of are.
15:55 They're just YouTubers that go into this haunted house, or what's meant to be called Devil's
15:58 Manor, it's meant to be called, and they go in to make a video, and it actually turns
16:03 out that it's actually full of people from a satanic cult, and it's just brilliant, because
16:08 you basically don't like any of the people in the movie.
16:11 They're all ridiculously stupid.
16:13 You can identify someone that you know that's similar to them.
16:18 Didn't say you would like the person that you identify them with, but you will definitely
16:22 know someone like this, and they're basically just one by one, get picked off a bit, and
16:27 it's kind of fun to watch, which probably says more about me than it does anything else,
16:31 but I thought #ChadGatesJax was great, and considering, like I said, I think it was all
16:36 filmed on an iPhone, pretty much, but you've got the comment screen down the side, pretty
16:43 much all the way through the film, because the film's streamed live on YouTube.
16:46 The comments down the side are just hilarious.
16:49 So funny, so funny.
16:51 And they just add so much to it.
16:52 I mean, the bit where the guy keeps popping up and says, "Show feet."
16:56 Just brilliant.
16:57 But very, very good, and that's my number seven, and I think considering how much it
17:03 cost to make and how little fanfare it's probably had because of that, and the fact that the
17:07 budget's not massive, it's probably quite a big achievement.
17:10 >> No, I agree.
17:11 I thought it was great fun.
17:12 It was one of the most fun kind of cinematic experiences, just all around, having the cast
17:15 there is fun, and being in a full cinema with people cheering and laughing, it was really
17:20 good fun.
17:21 It was excellent.
17:22 >> My number six, and now that I'm actually thinking about my list, even though I'm saying
17:25 I don't have horror films, I do have kind of horror films.
17:27 So here's another kind of horror film, which is quite a new film, which I just saw last
17:31 week, which is The Eternal Daughter, which is directed by Joanna Hogg, another one of
17:37 my favorite writers and directors.
17:40 Her films, The Souvenir, part one and two, were my favorite film of 2019 and my third
17:45 favorite film of 2021, and this is her first film since that.
17:50 It's another kind of autobiographical thing.
17:52 She does these things where often a character's a filmmaker, she's a filmmaker.
17:56 A lot of her films are about the mother-daughter relationship, which isn't covered a lot in
18:00 cinema, so I really like that.
18:02 And this is a kind of metaphysical ghost story, the second time I've said that phrase, but
18:06 it is once again one of those.
18:09 And it stars Tilda Swinton, one of you and I's favorite actors, not once but twice, she
18:14 plays both a mother and a daughter.
18:16 The daughter is loosely Joanna Hogg, and her mother is the same name as her mother, it's
18:23 the same name as the mother from The Souvenir, part one and two, so it's kind of a weird
18:27 continuation of that, but very different in tone.
18:30 The mother and daughter go to this really spooky, empty hotel.
18:34 The daughter's taking her there to celebrate her birthday and also to talk to her about
18:38 her life, because she's going to make a film about her, so it's kind of a film within a
18:40 film type of thing.
18:42 But this empty hotel, there's kind of weird noises, you don't really understand why there's
18:46 no one else there, you're not sure if they're actually there or not, you're not sure if
18:51 the guests are real, if anyone's real, really.
18:53 It's a real puzzle of a film.
18:56 Amazing atmosphere, and I mean, Tilda Swinton is just absolutely superb, and playing the
19:00 two different characters on a relatively low budget is just an absolutely spectacular performance.
19:06 I find it quite scary, quite creepy, I've thought about it more than maybe any other
19:10 film this year.
19:11 I'm not sure still whether I entirely understand it, but I think there's a number of different
19:15 ways to read it.
19:16 I think you'd really enjoy it, Graeme, I think this might have made your top ten of the year
19:20 if you'd seen it.
19:21 But it is still in cinemas, should be in cinemas for the next week or so.
19:25 And yeah, I just absolutely loved it.
19:27 So my number six film, The Eternal Daughter.
19:33 And Graeme's on mute.
19:35 Long day, innit?
19:42 It's half past 11.
19:46 I think this is where we might have some crossover, I think.
19:49 I managed to get it in the Black Friday sale last week on Blu-ray, which is always a good
19:53 sign because look, I don't know whether people can see this.
19:56 You know what, I'm not going to turn my laptop around, I'll drop it.
19:58 The way this episode's going, I'm going to drop the laptop.
20:00 I have a lot.
20:01 I've run out of space, basically.
20:03 So if I buy a Blu-ray now, it's getting shoved somewhere where it really doesn't fit.
20:09 So if I buy a Blu-ray these days, it has to be a good film.
20:12 And I got it in the Black Friday sale last week because I thought, "Blimey, brilliant."
20:16 Pearl.
20:19 Great movie, based on an origin story of the main character from X.
20:25 And I think what was so great about it for me is it's a good film, but I had three zombie
20:31 cocktails before I went.
20:32 Now, if you've ever had a zombie cocktail, there's a reason it's called Zombie, from
20:35 Ark in Glasgow.
20:36 So by the time I got there, I was pretty trashed.
20:39 And I started soaping up halfway through just as it got really interesting.
20:45 So yeah, Pearl's great.
20:46 I mean, I really liked X.
20:47 I thought X was amazing.
20:48 I think Pearl's a really good origin story, and it's a completely different film at the
20:51 same time without being so far removed from the original film by Tai West that you feel
20:58 like you're not watching the same character.
21:01 The character is definitely the same, but not so much as X.
21:04 Gorey, sort of, I think Mia Goss, brilliant.
21:11 And I think it's so unhinged, it fits right into my category of films I'm bound to like
21:17 because it's unhinged alone.
21:19 So Pearl, number six.
21:21 Yeah, I agree.
21:22 Pearl's my favorite ice and out horror of the year.
21:24 It was just knocking on the door.
21:25 It's probably my 12th or 11th favorite film of the year.
21:27 And like you say, Mia Goss, what an absolute star.
21:29 I would go and see anything that she's in.
21:31 I'd watch anything on telly she's in.
21:32 She's an absolute superstar.
21:33 Wholeheartedly agree.
21:34 Well, my number five is Barbie.
21:38 It's the highest grossing film of the year.
21:41 It is one of the best films of the year.
21:44 What more needs to be said about Barbie?
21:45 Greta Gerwig, I've always been a massive fan.
21:47 It doesn't matter what she turns her hand to, she does something very interesting with
21:51 it.
21:52 I don't think anyone else could have made a Barbie film as interesting as the one that
21:55 Greta Gerwig's made.
21:56 Obviously, Margot Robbie, born to play Barbie.
21:59 Ryan Gosling, funniest performance of the year for me.
22:02 It's absolutely hilarious.
22:03 So many great lines.
22:04 I've been to see it at the cinema three times.
22:07 I can't remember the last time I went to see a film three times in the cinema.
22:11 And I will watch Barbie every single year of my life until I die.
22:15 Every single year.
22:16 Not a year will go by when I don't watch it again and sing along with the Ken song.
22:21 And I've got a t-shirt.
22:23 Big fan.
22:24 It's really good.
22:25 The biggest blockbuster of the year.
22:26 It's a genuinely intelligent film that has something interesting to say about feminism
22:30 and patriarchy and everything else, but does it with the lightness of touch that unless
22:34 you're a real right wing loon, you cannot find offensive or find anything to hate about
22:39 it.
22:40 So basically, unless she appears more, then you're going to like it.
22:41 So Barbie, if you've not seen it, everyone's seen it.
22:44 Everyone's seen Barbie, but watch it again.
22:46 It's probably on Netflix or something.
22:48 And I will certainly watch it this December again, probably with my family.
22:53 I think it's a good family kind of Christmas film.
22:55 So my number five is Barbie.
22:58 I think it's kind of a shame that I haven't put it in because I really like Barbie and
23:04 for all the reasons you said, I just felt it was things I liked more this year.
23:09 I think my main issue with Barbie is that I didn't like it as much as everyone else
23:15 seemed to love it.
23:17 I really liked it.
23:18 I would borderline say I loved it.
23:19 I thought Ryan Gosling probably deserves the Oscar for best supporting actor.
23:24 But I just felt like, I don't know, I wanted it to be like a 10 and I was like, "Oh, that
23:31 was good."
23:32 And that's kind of as far as it went.
23:34 I felt like it didn't teach me as much as I wanted to be taught, which other people
23:40 found it taught them a lot.
23:42 It was fun.
23:43 I enjoyed it.
23:44 I would probably go see it again.
23:45 I'd probably be tempted to buy it on Blu-ray if it wasn't 15 quid.
23:48 I don't know.
23:49 I couldn't force it in my list.
23:50 I had it actually at number five at one point and it gradually dropped down the more I remember
23:54 films I've seen this year.
23:55 So make of that what you will.
23:57 But great film.
23:58 Very good.
23:59 I'm literally like, to find issues with it, I'm like looking for a needle in a haystack.
24:05 People are wondering why it wasn't in.
24:06 It's not because I was angry about the feminist message in it.
24:10 I really liked it.
24:11 I really agreed with it.
24:12 I thought it was very good.
24:13 - You're such a misogynist for putting the opinion of Barbie on your list, Fionn.
24:17 I can't believe that you hate women.
24:23 - If anything, I wanted it to teach me more, if that made sense.
24:27 But I think it's really good.
24:28 And I think a lot of kids who see it, especially the speech about why being...
24:32 I can't remember what it starts with, being a woman is hard or never easy.
24:37 I think that would be quite good for younger teenagers to hear that and stuff because it
24:40 kind of...
24:41 Well, I don't want to go into it, but I think it would be good.
24:45 - Mine, number five, is a film that was...
24:47 I think I had it as number one halfway through the year, so it's dropped five places.
24:51 I know it's controversial to some people in the sense that they didn't think it was as
24:56 good as it was made out to be.
24:57 I thought it was fabulous.
24:58 And when I came out, I did a swear word and said that was brilliant.
25:03 I've spoke about it a lot on previous podcasts, so I won't go on about it.
25:06 It's a very good film.
25:07 Number five is The Whale.
25:09 - Yes.
25:11 I'd completely forgotten that The Whale was this year.
25:14 That's one of these films that I'm going to get onto that, but you always get the films
25:16 that come out right at the start of the year, and they're kind of in the Oscar race for
25:20 that year, and you forget that they were released this year.
25:23 That's a great call.
25:24 The Whale, I'd completely forgotten about, but that would be just probably just outside
25:27 my top ten, but no, absolutely cracking film.
25:29 - Yes.
25:30 Great movie, great performance.
25:31 - Yeah.
25:32 Well, my number four, we're doing quite well for time.
25:35 This is good.
25:36 This is good.
25:37 My number four is another film that's been really recently, because a lot of good films,
25:40 kind of Oscar-y films are coming out at the moment.
25:42 There's some more coming out, Maestro's out next week, and Zone of Interest is coming
25:46 out, and Poor Things, but May/December, which is kind of in the Oscar-y running for, I think,
25:52 the acting awards particularly.
25:53 So May/December, it's not had a mass release.
25:55 It's by a director called Todd Haynes, which I'm a big fan of, Dick Carroll, and stars
26:00 Nathalie Portman and Julianne Moore, who are both, like, obviously great actresses, and
26:03 they're both right at the top of their game in this.
26:05 It's wonderful to see them acting opposite each other, and it's a really naughty, kind
26:09 of chewy story.
26:11 So basically, Nathalie Portman plays an actress who's researching a role.
26:15 She's going to play Julianne Moore's character, and Julianne Moore, at the age of 36, married
26:20 with kids, has an affair with a 13-year-old boy, and ends up having his child in prison.
26:28 When she comes out of prison, she continues the relationship with him.
26:32 They have two further children and get married.
26:36 So this has been a tabloid scandal in America, and she's kind of been threatened by everybody,
26:42 and yet she's still with the boy that she essentially seduced at the age of 13, which
26:47 is child abuse.
26:48 Now, the film takes a very interesting approach.
26:50 It's quite funny, blackly funny for such a pretty horrible subject matter.
26:56 It kind of makes you sympathize with Julianne Moore for a part of it, because she is in
27:01 this happy relationship with the guy.
27:03 The guy seems happy.
27:04 They've had kids together.
27:06 He's only 36 when we meet them, and he's already had three children, the first of which when
27:11 he was 13.
27:12 A lot of stuff happens in this film, but make no mistake, it does not make any apologies
27:17 for her character.
27:19 She is a child abuser, and she may be a woman, and she may have married her victim, but he
27:24 is a victim.
27:25 It's a really chilly, chilly piece of cinema, and Julianne Moore's character goes through
27:30 a lot of different things during the film.
27:32 I would urge anybody to go and see it.
27:35 It's a really, really interesting film.
27:36 How it got made, I have no idea, because the subject matter is absolutely gruelling.
27:40 But it's May/December.
27:42 You won't see two better performances.
27:43 I've stuck a fiver on Natalie Portman's win, Best Actress.
27:48 I think she's got a real chance there.
27:51 It is a great film and highly recommended.
27:52 So my number four, May/December.
27:56 >> Mine is very different.
27:58 Definitely not got that subject matter in the slightest.
28:03 >> My number four is Evil Dead Rise.
28:04 >> Yes.
28:05 >> It's great.
28:06 Opening scene, probably the best opening horror scene of the year.
28:10 >> Yeah.
28:11 >> Evil Dead Rise comes up behind, if you've seen it.
28:14 Again, this is on Netflix, so you can go and watch it.
28:17 Not for nothing, but I think most people have a Netflix account these days.
28:21 It comes with a lot of packages and stuff.
28:22 So if you like horror, you like a bit of gore, a bit of slapstick, a bit of hilarity, if
28:26 you're a fan of the Evil Dead franchise, you've probably seen it already.
28:29 But if you haven't, watch it.
28:30 It's not one of those really bad sequels that doesn't deserve to be in the same conversation
28:37 as Evil Dead.
28:38 It's really gory, it's really fun.
28:39 It doesn't have too much of a plot line without being completely plotless.
28:45 It's just good.
28:46 It's just a good gory horror film.
28:49 I think if I had to choose between the best gory horror film of the year, there's two.
28:53 Evil Dead Rise and Thanksgiving.
28:55 I really like Thanksgiving as well.
28:57 But Evil Dead Rise is in a different realm in terms of the quality of the film and the
29:01 fun that comes with it.
29:03 So Evil Dead Rise 100% for me.
29:05 I agree as well.
29:06 It's a wonderful film.
29:07 I had great fun with it.
29:09 My number three film, a bit like you with The Whale, is something that came out in January.
29:12 A lot of people have forgotten about it because it was in the Oscar race for last year.
29:15 But Tar, I absolutely adore Tar.
29:17 I think that when we talked about the films earlier, I think that was maybe my number
29:20 one film.
29:21 It's dropped down a wee bit now.
29:23 It's Cape Lanchette.
29:24 Is that how you're pronouncing it?
29:25 Cape Lanchette.
29:26 Cape Lanchette.
29:27 Cape Lanchette.
29:28 So she is just, I don't think she's ever been better.
29:32 She disappears into the role of this kind of conductor, this superstar conductor, who's
29:38 fairly abusive to people.
29:40 And how abusive she is, whether she should be punished in the way she is punished or
29:43 not is a question for the audience.
29:45 But she disappears into the role and it's got the best closing scene of any film this
29:49 year.
29:50 The final scene is just absolutely breathtaking.
29:53 It's just a great film.
29:54 So anyone who has not seen Tar, it was out very early this year.
29:58 It was out in America last year.
30:00 So it's dropping through the cracks of a lot of lists, I think, because a lot of film critics
30:03 thought last year, but it did come out here this year.
30:06 So Tar is my number three film.
30:08 I actually did sort of think about that film.
30:16 I don't think it quite makes it, but I really enjoyed Tar.
30:18 I kind of, again, I was kind of like, no, that was last year, but it wasn't.
30:21 I seen it this year.
30:23 The Oscar nomination, I think, was after, just before the Oscars.
30:27 And I really enjoyed it.
30:28 Really good film.
30:29 I do think Cate Blanchett is probably her best role.
30:35 She's done.
30:36 So I agree.
30:38 My number three, and I got a seat on the plane to Canada again, and I was so happy about
30:45 it and I realized actually it's even better than I thought it was.
30:48 And it's just one of the best films I've ever seen in my life.
30:52 And it's a film I'm going to be obsessed with for the rest of time.
30:55 Pope's Exorcist.
30:56 So good, man.
30:57 Is that really this year, the Pope's Exorcist?
31:02 I think because we've talked about it so much, it feels like it's about two years old.
31:08 Just so good.
31:09 I can't even put it into words how much fun it is.
31:14 Like I completely forgot.
31:15 I was gutting myself laughing on the plane.
31:18 Now I'm terrified of flying to the point where I shake on a plane.
31:20 This is a seven hour flight to Toronto.
31:22 Sorry, Toronto.
31:23 I got to get it right.
31:24 I don't pronounce the second T. The bit where the nuns are like checking him out, which
31:32 wouldn't happen.
31:33 And he goes, "Cuckoo."
31:39 It's Lethal Weapon with priests.
31:42 Every minute's perfection.
31:43 I can't believe it's not in my top 10.
31:46 I'm going to put it in my top 10.
31:47 It's number nine and a half.
31:49 This is a staggering work of genius and I can't wait to watch it again.
31:53 Did you know that doing a sequel has been confirmed?
31:56 I can't wait for that.
31:59 I just want that to be made right now.
32:01 Make two at once.
32:02 Just make as many as you can.
32:04 Just get Russell Crowe to just make Pope's Exorcist films for the rest of his life.
32:09 It's the bit when they're trying to sack him at the Vatican.
32:12 Obviously he's the Pope's Exorcist and he goes, "Speak to my boss."
32:18 And he's got his espresso in that.
32:20 Oh man, Russell Crowe deserves everything he gets.
32:23 Fabulous film.
32:24 Fabulous film.
32:25 Very good.
32:26 Going to something a little bit different, my second favorite film of the year is another
32:30 one which hasn't been seen a huge amount, didn't get a mass release.
32:33 Beyond Utopia, which is a documentary by Madeline Gavin about families trying to escape North
32:39 Korea, which is something I knew very, very little about.
32:43 You can't get from North Korea to South Korea because there's the DMZ, the demilitarized
32:49 zone.
32:50 There's no way to get between the two countries.
32:52 To get from North Korea to South Korea, you've got to go via China, Vietnam, Thailand, and
32:58 then get boat to South Korea.
33:01 These families who escape, you can escape over a river and there's basically machine
33:04 gunners and searchlights and everything, but you can get over this river to China and try
33:08 to escape.
33:09 There's various networks set up and people who help people try to get out of North Korea.
33:15 It's one of the most exciting films of the year.
33:18 It plays like a thriller.
33:19 It doesn't play like a documentary.
33:21 Find yourself thinking several times in it.
33:23 You've got to remember you're watching real people because they're hacking through jungle
33:27 to get into Vietnam and all of its films on camera.
33:31 I don't even know how the filmmakers got the footage.
33:34 You don't know who's going to survive and who doesn't.
33:36 There's no spoiler to say not everyone makes it.
33:39 People do die on the journey.
33:40 You meet these people and then you lose them.
33:44 It's absolutely soul destroying.
33:45 It made me cry a huge amount, but it is exciting.
33:48 It's an action film almost.
33:51 I think it'll win the Oscar for best documentary.
33:53 I really hope it does anyway.
33:54 Hopefully, it'll get a bit more love if it does get nominated.
33:56 Hopefully, it gets re-released because you want to see it on a really big screen as well.
34:01 My number two, Beyond Utopia, I would recommend it so much to anybody to watch it.
34:05 It's just a wonderful documentary.
34:08 My number two is very much a new addition.
34:11 I think you know what's coming.
34:16 We haven't spoke about it in depth because obviously, I hadn't seen it until last week
34:21 when I got back from Canada.
34:22 You'd recommend it for weeks.
34:24 I've missed the unlimited screening.
34:27 Really like the main actor, so I was kind of sold I'm going to see it anyway.
34:30 I just think it's, can I say bloody brilliant?
34:33 I've said it now.
34:34 I've done it now.
34:35 What are you going to do?
34:38 I think if people are in any way kind of taken aback by that language, they shouldn't go
34:42 and see Saltburn.
34:43 Yes.
34:44 You'll never catch me.
34:45 What's that famous quote?
34:46 What's it called?
34:47 The guy and the dancer.
34:48 Have you seen that?
34:49 No.
34:50 Oh, man.
34:51 What's it called again?
34:52 The dancer.
34:53 It's gone out my head.
34:54 What are you going to do?
34:55 Shoot me.
34:56 Brilliant.
34:57 If you know, you know.
34:58 If you haven't, you've just been into a really bizarre segment of the podcast.
35:04 Saltburn, brilliant soundtrack.
35:06 Amazing.
35:07 Disgusting.
35:08 Absolutely disgusting.
35:09 Absolutely disgusting.
35:10 Filth.
35:11 Total filth.
35:12 Love it.
35:13 Love it.
35:14 End scene, best scene of the year.
35:17 Incredible.
35:18 Yeah, I was seeing Tar is the best final scene of the year, but Saltburn definitely gives
35:22 it a run for its money.
35:24 Saltburn is the best scene of the year.
35:28 The end bit is just brilliant.
35:30 Like impossibly good.
35:32 No, I agree, Saltburn.
35:35 It's just outside my top ten.
35:37 I had one or two tiny wee niggles about it, but it's an incredible performance by, I'm
35:41 going to try to pronounce his name, Barry Keegan.
35:44 Nope.
35:45 Nope.
35:46 Do it.
35:47 Barry Keoghan.
35:48 Keoghan.
35:49 Keoghan.
35:50 So says Google.
35:51 Nope.
35:52 I'm sure Google is right.
35:53 He's just great in it, and it is disgusting.
35:55 He's also naked in it.
35:58 Yeah, he's very naked in it.
35:59 He's extremely naked in it.
36:01 He's not naked in it.
36:02 He is a very confident man.
36:04 With good reason.
36:06 Good reason to be confident, I'd say.
36:09 Good dancer.
36:10 Good dancer.
36:11 Yeah, it's great.
36:12 It is disgusting.
36:13 It's, yeah, it's just almost impossible to recommend to anybody.
36:19 I cannot recommend it to anyone apart from you, Graham.
36:22 You're the only person I could recommend it to, because I don't want to be responsible
36:26 for people to go and see it.
36:28 The only thing, the way I can describe the film to you, and this is how I'm going to
36:32 sell it, it made me be sick in my mouth a little bit, but I swallowed it afterwards.
36:37 High praise.
36:40 I actually think they should put that on the DVD box.
36:44 Graham Falk, it made me be a bit sick in my mouth, but I swallowed it.
36:47 The Scotsman.
36:48 Five stars.
36:49 It made me be sick in my mouth, but I did it again.
36:53 No, no.
36:54 It's absolutely tremendous, I'm looking forward to going to see it again, unbelievably.
37:01 But anyone who doesn't know, it's about a guy at university who goes and stays with
37:05 a very wealthy family over the summer holidays, and he's a kind of cuckoo in the nest, and
37:11 very bad things happen, and Richard E. Grant's spectacular in it as well.
37:15 It's very, very funny.
37:16 And it's just really, really funny.
37:17 It's one of the funniest films of the year, but there are moments in it of just complete
37:22 filth.
37:23 I love that scene with the apple bottom jeans and the boots with the fur.
37:27 It was two wedding casual scenes.
37:29 He's got the whole crowd looking at her, and he's like...
37:35 The scene with Pet Shop Boys is very good.
37:37 It's very good as well, yeah.
37:39 Every scene's great.
37:40 No, totally agree, totally agree, fantastic film.
37:42 I thought that was going to be your number one.
37:43 So my number one film of the year, which will come as no surprise to anyone who knows me,
37:47 because I've been raving about it past lives.
37:50 Past lives is not just my favourite film of the year, it's one of my favourite films
37:53 of all time, it's in my top 20 of all time.
37:55 I love films that make me look at the world in a different way, and this changes the way
38:00 I actually think about my daily life in a funny sort of way.
38:04 It's a film by Celine Song, her debut film.
38:08 It's another female debut directorial effort, which is just absolutely fantastic.
38:13 It's about two childhood friends in South Korea.
38:16 The girl's family moved to Canada, and then she moves to America later in it.
38:20 And it just looks over their 24-year relationship, where they get separated, then they get reunited
38:26 in America.
38:27 They're clearly meant to be together, but he ends up getting girlfriends, she ends up
38:31 getting married.
38:33 And it's just this lovingly shot, beautiful film about love and about the impossibility
38:39 of love.
38:40 And it introduces this concept of in-young, which is you only end up with the person you're
38:45 meant to be after 8,000 past lives, the past lives of the title.
38:49 And so in one life, you might just touch hands when you walk past each other in the street.
38:53 In another life, you might be together for a couple of days.
38:56 In another life, you might never meet, but it constantly builds up.
39:00 And after 8,000 lives, you end up with the one you love, which I think is a beautiful
39:05 concept.
39:06 The end of the film made me cry hard.
39:09 I cry all the time in the cinema.
39:11 It made me cry to a horrible extent that I was actually beginning to snort.
39:16 I was like big, big snotty tears.
39:19 It's beautiful.
39:20 Graham, you genuinely would enjoy it.
39:22 You'll never go and see it.
39:23 I know you'll never go and see it, but you would absolutely love it.
39:26 It's a triumph of a film.
39:27 And I just hope that it pulls a parasite and takes all the Oscars in a surprising manner.
39:32 It'll get Best Foreign Language Film out of Cantor, but I think it'll be up for Best Film
39:36 as well, maybe Best Director.
39:38 And I hope it wins everything.
39:39 So my number one film of the year, which is irritating Graham massively, is Past Lives.
39:45 I really hope I haven't seen it in a past life.
39:50 It just, it's so you, it actually annoys me a bit.
39:55 Like it makes me sick.
39:56 Oh, you might touch hands and you're different, but no one cares.
39:59 Does it make you sick in your mouth, but you want to swallow it or not?
40:03 It makes me sick in my mouth and it comes directly out.
40:07 My number one is Far More Normal.
40:09 It doesn't make you think about life quite as much as that, but will make you think about
40:12 life and it's about how.
40:16 If you like Barbie, apparently it's about how men are bad, but no, it's a really good
40:19 film.
40:20 And as much as I wanted to push Saltburn up there, this is a film where I went to see
40:24 it and for every minute of the film, I was glued to it.
40:29 Look, it's not an unknown film.
40:33 It's going to be something that's at the top of a lot of people's lists.
40:36 Even people who don't really watch films that much.
40:38 But I thought the film was excellent.
40:40 I thought it was best in a couple of decades and I kind of thought we'd lost it recently.
40:47 He obviously hasn't with this film.
40:50 I think Cillian Murphy deserves the Oscar for it.
40:53 Oppenheimer, 100%.
40:55 By far the best film I've seen this year.
40:57 And I think anyone who says it's not, look, film's subjective, but anyone who says that
41:01 Oppenheimer is not the best film of the year, they're just saying it because it's popular
41:04 and they don't want to say it.
41:05 It was an absolute masterpiece and that would get in my top 10 of films ever made.
41:12 And look, I'm not as obvious as it may seem.
41:15 I like weird things as well.
41:16 I mean, Necromantic is in my top five films.
41:18 I'm a little bit twee as well sometimes, but verging on the kind of sick in your mouth
41:22 might swallow it bit.
41:24 However, Oppenheimer was my number one because it was just blummin' brilliant.
41:28 And it does make you think, does make you think we're all knackered.
41:32 We're all idiots.
41:33 Yes.
41:34 And it's correct.
41:35 It is correct.
41:36 There's no doubt about it.
41:37 The accuracy of it.
41:38 And if we look back at 2023, the main thing we're going to take from 2023 is it's all
41:46 knackered.
41:47 And that's what I want to leave you with at the end of this episode.
41:49 Merry Christmas, everyone.
41:51 [MUSIC PLAYING]
41:54 [MUSIC PLAYING]
41:57 [MUSIC PLAYING]
42:01 [MUSIC PLAYING]
42:04 [MUSIC PLAYING]
42:07 [MUSIC PLAYING]
42:11 [MUSIC PLAYING]
42:14 [MUSIC PLAYING]
42:17 [MUSIC PLAYING]
42:21 [MUSIC PLAYING]
42:24 [LAUGHTER]
42:26 We're all knackered.
42:28 We're all going to die alone.
42:30 [LAUGHTER]
42:31 Pretty much.
42:32 Thanks for joining.
42:35 Cheers to that.
42:36 Goodbye, Graham.
42:37 See you next week, hopefully.
42:38 Jane, Jane, turn it off.
42:39 [LAUGHTER]
42:40 [END OF RECORDING]
42:40 (laughing)

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