Episode aired Mar 7, 1961
Host: Boris Karloff
Guest Stars: Robert Vaughn • Kathleen Crowley • Marlo Thomas • Russ Conway
In a lab mishap, chemist Dr. Frank Cordell is exposed to an experimental gas that causes him to turn into a homicidal maniac when he hears the sound of ringing bells.
Host: Boris Karloff
Guest Stars: Robert Vaughn • Kathleen Crowley • Marlo Thomas • Russ Conway
In a lab mishap, chemist Dr. Frank Cordell is exposed to an experimental gas that causes him to turn into a homicidal maniac when he hears the sound of ringing bells.
Category
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Short filmTranscript
00:00 [Music]
00:21 Specific gravity 3.62.
00:24 That looks good.
00:26 If it remains stable, we may have something.
00:28 Specific gravity 3.62.
00:32 All right, get ready to start test series number one.
00:35 Hydrogen generator pressure?
00:37 Normal.
00:39 All right.
00:42 Start number one.
00:43 Begin in five seconds.
00:46 Five, four, three, two, one.
00:51 Start.
00:52 [Music]
01:04 [Music]
01:27 Frank, what's wrong with your mask?
01:29 I can't fix it. It doesn't fit. It doesn't work.
01:34 I'll start the exhaust vent.
01:39 No, not yet. Not until I get the fire out.
01:43 Then the oxygen will spread it and everything might explode.
01:47 [Music]
02:07 Frank. Frank.
02:16 The flask exploded and he's in there.
02:18 The exhaust.
02:24 Oh, no, no, no. Wait till all the gas is exhausted.
02:27 [Music]
02:45 Doctor.
02:49 Your pulse.
02:58 Such are the hazards of scientific research.
03:02 And strange as it may seem, this is not the end, but only the beginning of the ordeal of Dr. Cordell.
03:10 Our leading players are Mr. Robert Vaughan, Miss Kathleen Crowley, Mr. Robert Ellenstein, and Mr. Russ Conway.
03:26 Speaking of chemistry, this thriller is a mixture of one part scientific possibility, one part imaginative melodrama, and two parts pure terror.
03:45 Oh, dear. Well, these are the hazards of science.
04:11 [Music]
04:24 Just lie quietly now.
04:28 I've just given you an injection of adrenaline.
04:31 No, no. Lie still.
04:36 Are you all right?
04:38 Mm-hmm.
04:42 Your notes?
04:43 They're safe.
04:48 When is the doctor?
04:51 Ten minutes ago, he had no discernible heartbeat. Now it's normal.
04:55 How do you feel, Frank?
04:59 Other than a splitting headache, I feel all right.
05:04 Can I get up?
05:06 Come on.
05:11 Well, you better phone Washington, Doctor, and tell them to run the rest of these tests.
05:16 I guess we've got a new problem to solve now.
05:19 What's that?
05:21 This mask is supposed to protect against any known gas, and it failed me completely in there.
05:28 Are you sure it's working correctly?
05:31 Well, we both checked it before we were in the cage. It's routine.
05:34 But it must be defective. If it isn't, you know what you're suggesting.
05:39 I'm not suggesting. I'm telling you.
05:51 Some new kind of gas was generated by this fire.
05:56 We've spent two years trying to find an antidote for nerve gas, and then suddenly we stumble on even a more frightening problem.
06:03 A gas against which our best equipment is completely useless.
06:07 A new gas?
06:09 There must be some other explanation for what happened to you.
06:12 You gave me a physical examination less than a month ago.
06:15 Was I a candidate for a heart palpitation or a sudden blackout?
06:18 No.
06:19 Let's face it, Doctor.
06:21 What we can discover by accident, others can discover too, or possibly have already discovered.
06:27 I can see tentatively that you've run onto something unique.
06:31 I'll report it to Washington and send this gas mask along to be checked.
06:35 Do you have any idea what combination of chemicals occurred during the fire?
06:39 Yes, but it would take weeks, months even, to check out all the possibilities.
06:44 Oh, Frank.
06:46 I guess I bounced a little harder than I thought I did.
06:48 You're going home now. No work until I say so.
06:51 Now, no arguments. You're going home.
06:54 Lois, you'll drive him. There may be more after effects.
06:57 I'm more likely to have after effects from her driving.
07:00 Mind your manners, Doctor. You're a little too fragile to be bounced again.
07:04 She never got over being champ of her judo team.
07:07 You two go along. I'll see that everything's secured here.
07:11 Here we are, Doctor. Your bachelor digs.
07:27 I'll see you to the door like a proper estate.
07:30 I say, what did you put in those drinks?
07:41 Adrenaline and oxygen. A real gas hit.
07:53 Well, I've certainly had a wonderful evening, Miss Walker, but I really must say good night.
07:59 Oh, it's a shame to break it up so early.
08:02 Couldn't I come in for just a few minutes?
08:04 No, I don't think so.
08:06 Oh, just for a cup of coffee?
08:08 No, no, no.
08:10 Or something?
08:12 Well, I hardly know you, Miss Walker.
08:17 Frank.
08:19 Oh, I've been acting like a selfish little heave.
08:27 Frank, forgive me.
08:29 I'd be worried if you weren't disappointed.
08:33 So am I. Believe me.
08:36 Well, that's all I wanted to hear.
08:41 Good night.
08:43 Good night.
09:09 Frank.
09:11 Frank, listen to me.
09:13 Frank, listen to me.
09:19 Frank.
09:26 Frank.
09:34 Frank.
09:36 Darling?
09:48 What happened?
09:50 I don't know.
09:52 Suddenly the sound of that little bell almost drove me out of my mind.
09:56 My heart began to pound and every sound was horribly amplified.
10:00 Oh, you're still a little shaky from that accident at the lab.
10:05 Yeah, I guess that must be it.
10:08 Come on inside.
10:10 And into bed.
10:12 And you stay there until I phone you tomorrow.
10:15 Hmm?
10:17 All right, good night.
10:20 Good night, darling.
10:22 [♪♪♪]
10:51 [♪♪♪]
10:53 [♪♪♪]
10:55 [♪♪♪]
10:57 [♪♪♪]
10:59 [♪♪♪]
11:01 [♪♪♪]
11:03 [♪♪♪]
11:05 [♪♪♪]
11:07 [♪♪♪]
11:10 [♪♪♪]
11:12 [knocking]
11:38 [knocking]
11:40 [knocking]
11:45 [knocking]
11:48 [knocking]
11:52 [knocking]
11:55 Dr. Cordell?
11:57 [knocking]
11:59 Dr. Cordell?
12:01 [knocking]
12:03 Dr. Cordell, are you in there?
12:06 [knocking]
12:07 Doctor!
12:08 Yes, Mrs. Eve.
12:09 Didn't you hear your phone?
12:11 It's been ringing for the past 20 minutes.
12:13 Miss Walker's been trying to reach you.
12:15 All right, thank you. I'll call her right back.
12:18 [phone ringing]
12:46 Hello?
12:48 Hello.
12:50 Darling, are you all right?
12:52 Yes.
12:54 Why didn't you answer the phone? I had to call Mrs. Heath.
12:56 I'm sorry. I guess I was dead to the world.
12:58 How are you feeling?
13:00 Fine. In fact, great.
13:02 That's wonderful.
13:04 I'll pick you up in 10 minutes.
13:06 And don't bother with Mrs. Heath's orange juice and that lumpy oatmeal.
13:10 You're buying me an expensive brunch downtown.
13:13 A brunch?
13:15 You're weird.
13:17 [screaming]
13:23 No!
13:30 Mrs. Heath, what's happened?
13:32 [sobbing]
13:34 Good Lord.
13:43 Who'd do a thing like that to a helpless little bird?
13:46 Yeah, those things.
13:48 Those vicious things.
13:50 They killed little Billy just to get even.
13:53 Get even?
13:55 Because I reported them to the juvenile authorities.
13:59 Roaming the streets after curfew.
14:02 The neighbor kids?
14:04 [sobbing]
14:06 All right, you go on inside, Mrs. Heath.
14:10 I'll take care of Billy.
14:12 No, I'll do it.
14:14 I'll put him where the cats won't find him.
14:18 He's always so afraid of cats.
14:21 [sobbing]
14:23 That's priceless.
14:41 You mean that you actually were brewing moonshine right beneath your chemistry professor's nose?
14:45 Right under his red nose. I always felt the old boy was wise to us.
14:48 He was probably sampling the stuff after class.
14:50 [laughing]
14:51 No wonder you weren't kicked out in your freshman year.
14:54 It's a miracle I didn't poison the entire undergraduate school.
14:58 What started me reminiscing must be something to do with this brunch business.
15:02 You know, that is a scandalous deterioration of good, staunch, orthodox habits combining breakfast with lunch.
15:08 Well, whatever the reason, I'm glad.
15:11 Do you know, I nearly lost you last night, but today you're wonderfully alive and bright again.
15:17 Why, you're almost fun to be with.
15:19 Cigarette?
15:21 I guess I have been a little difficult to get along with lately, but for some strange reason, despite the job we're facing, I feel positively stimulated.
15:29 [coughing]
15:37 Match, darling.
15:39 Come on. We've got work to do.
15:54 [music]
15:57 [music]
15:59 [music]
16:02 [music]
16:04 [music]
16:11 [music]
16:13 Another night session?
16:35 Well, I can take it if he can.
16:39 Any progress?
16:41 Oh, nil.
16:43 Three weeks trying to recreate that gas, and I've got nothing but circles under my eyes.
16:54 How is he feeling?
16:56 Well, I think he's overworking. It's like a compulsion. It's almost frightening.
17:04 Maybe I'd better take another look at him. Ask him to come around to my office first thing in the morning.
17:10 Good.
17:11 Good night.
17:12 Good night, Doctor.
17:13 Lois?
17:19 Yes?
17:20 In the future, please don't shut out the intercom.
17:25 I'm sorry. I was afraid Dr. Broner's chitchat would bother you.
17:31 It bothers me a great deal more for me to know you're talking about me behind my back.
17:35 It wasn't anything sinister.
17:39 I just stopped in to see how you were feeling.
17:42 I'm in perfect health.
17:44 You're not an M.D., Doctor, so stop diagnosing yourself.
17:50 Incidentally, Dr. Broner wants to check you over in the morning.
17:57 [glass shatters]
17:58 All right, Frank, that's all for tonight. Come out of there now.
18:06 [glass shatters]
18:10 Frank?
18:12 Frank?
18:13 Well, that was a stupid thing to do, wasn't it?
18:31 You should take the hint. That was a typical fatigue symptom.
18:35 I'm sorry if I frightened you.
18:38 No, forget it.
18:40 Seems that all I'm doing these days is apologizing.
18:43 Well, at least you're not ignoring me.
18:47 Aren't you quitting?
19:04 No, you go on ahead. I want to go over these notes some more.
19:06 There's still something wrong with our procedure.
19:09 Go ahead, please.
19:11 All right. Good night.
19:14 Good night.
19:15 [music]
19:39 Excuse me. I'm lost, I think.
19:42 What are you doing in here?
19:44 I'm new on the campus. I thought the library was in this building.
19:47 I'm so sorry.
19:48 All right, just a minute.
19:50 How did you get in here?
19:52 What?
19:53 How did you get through that door?
19:54 I just walked through it. I said I was sorry.
19:57 It was open?
19:58 Yes.
19:59 And you didn't see this sign, of course.
20:06 Oh, I didn't notice.
20:07 What's your name?
20:08 Susan Baker.
20:09 And you just walked through this door?
20:10 Well, yes, I saw a light down here and I just...
20:12 And it was open?
20:13 Well, it couldn't have been open. It's always locked.
20:16 It locks automatically.
20:17 Well, I don't know about that, but it really was open.
20:20 I'm sorry, Miss Baker.
20:33 It needs adjusting. I'll point you to the library.
20:35 Thank you.
20:36 [bells jingling]
20:49 [music playing]
21:12 Here's that bill again.
21:14 On the other side.
21:16 Thank you.
21:18 [music playing]
21:25 [sirens]
21:48 [screaming]
21:54 [sirens]
22:05 [music playing]
22:25 [music playing]
22:45 [music playing]
23:05 [music playing]
23:25 [music playing]
23:45 [music playing]
23:55 [music playing]
24:05 [music playing]
24:15 [music playing]
24:25 [music playing]
24:43 I'm positive on the lieutenant.
24:45 She's the same girl I saw when I was leaving last night.
24:48 What time was that, Miss Walker?
24:50 Oh, about 10.
24:53 And you say she was headed for this building?
24:56 No.
24:57 No, I said I saw her heading in this general direction.
25:00 Oh, Frank.
25:08 Dr. Codone.
25:11 Frank, this is Lieutenant Butarek of the Homicide Squad.
25:14 How do you do?
25:15 We were about to go looking for you.
25:17 What for?
25:18 Well, Mrs. Heath said you left about an hour ago.
25:21 Oh, when I was driving around, I wanted to think.
25:25 Would you mind telling me what time you quit work last night?
25:28 Well, I don't know.
25:31 I would imagine it was about an hour after Dr. Walker left.
25:34 Did you hear about the murder?
25:37 A co-ed named Susan Baker?
25:39 Yes, I did on the radio.
25:42 As near as we've been able to tell,
25:45 the last person to see Miss Baker alive was your associate.
25:50 She was headed for this building.
25:52 Did you see her, Dr. Codone?
25:54 Oh, no, I don't think so.
25:57 She might have wandered into your lab.
25:59 No, that's impossible.
26:00 This corridor door has a double lock.
26:02 We three have the only keys.
26:04 That's right, Lieutenant.
26:06 You haven't answered my question, Dr. Codone.
26:08 No, I didn't see her.
26:12 Where did you find her?
26:15 Just across the way in a shrubbery.
26:17 Poor thing. What he did to her.
26:20 You saw her?
26:22 I asked Miss Walker to identify the girl.
26:25 I see.
26:27 I guess that's all for now. Thank you.
26:30 Goodbye, Lieutenant.
26:32 What a horrible thing to have happen.
26:37 Well, Doctor, I believe you wanted to examine me this morning.
26:43 Don't tell me you're actually submitting without a fight.
26:46 Well, you two seem determined that there's something wrong with my health.
26:49 I think if you have any after effects from that gas, we ought to know it.
26:53 All right, come on now. Let's get over with it.
26:55 Well...
26:57 You can get dressed now.
27:03 Well, how long do I have to settle my temporal affairs, Doctor?
27:11 Get dressed.
27:13 I don't want you catching pneumonia on my account.
27:16 Come in.
27:25 Excuse me, Doctor.
27:26 Oh, come in, Lieutenant.
27:27 Before I leave, I'd like to get your opinion on something that's bothering me.
27:32 What's that, Lieutenant?
27:34 You remember those deep scratches on her earlobes?
27:37 Well, you were right. She was wearing earrings.
27:40 And the killer did tear them off.
27:43 My men just found one about 30 yards from the scene.
27:46 Apparently, the killer dropped it.
27:48 What kind of a psycho would ignore her wristwatch and the money in her purse...
27:56 and just take a worthless little thing like this?
27:59 Well, that's very difficult to say, Lieutenant.
28:02 Possibly a trophy of the kill.
28:05 Yes, but why not her scarf or something more personal?
28:09 Why earrings?
28:10 Who knows?
28:11 Perhaps it has a hidden psychological meaning for the killer.
28:15 A symbol which released some deeply suppressed homicidal urge.
28:20 What do you mean?
28:21 Suppose that in his infancy...
28:24 he had been terrorized by an older child, a sibling.
28:28 Terrorized with a toy bell.
28:30 Such a repressed nightmare could lie dormant for years...
28:35 and then suddenly explode in seemingly senseless violence.
28:40 It's all a matter of chemistry. Brain chemistry.
28:43 Well, how so, Doctor?
28:44 Well, human behavior is a direct result of the chemical balance of the cerebral cortex.
28:50 That portion of the brain which controls our higher mental functions.
28:54 Particularly moral judgments.
28:57 The ability to choose between right and wrong.
28:59 You mean a sudden change in brain chemistry...
29:02 could turn a normal man into a killer?
29:04 Yes, exactly.
29:06 Well, suppose your theory was correct.
29:09 Do you mean you could restore the moral balance of a man...
29:12 by restoring the chemical balance of his brain?
29:14 Possibly.
29:17 If one only knew what elements were involved.
29:21 And otherwise?
29:23 Otherwise...
29:24 he must go on killing.
29:27 [Music]
29:44 [Music]
30:09 Supper is served, Master.
30:12 [Music]
30:14 Sammy Fong says there's actually chicken in the chicken chow mein tonight.
30:18 Would you like me to send in the menu?
30:24 Oh, Frank, come on. Let's not let it get cold again tonight, please.
30:29 Can't you see I'm trying to concentrate?
30:33 So am I, oh my neglected feed box.
30:37 [Food crunching]
30:39 Is that all you can think about, food?
30:51 I have a vague remembrance of something called sleep.
30:54 Listen, you don't have to put up with it.
30:56 Frank...
30:57 I mean it, you can quit any time you like.
30:59 All right, I know you're bushed, Frank, but don't say any more.
31:03 Just don't say any more.
31:06 I haven't stuck my head out of that cage for two weeks.
31:08 And I'm no closer to the answer than I ever was.
31:11 Now, do you think you're helping me by these constant interruptions?
31:13 This is supposed to be a laboratory. We're here to work. We have a job to do.
31:16 You're darn right, a man-sized job, and there's no room for adolescents who can't stand failure.
31:20 All right, that's enough, Lois.
31:22 Oh, no.
31:23 No, I've held this in much too long.
31:25 Do you know, at first, I was even proud to share in your work.
31:29 Well, I even felt a little corny twinge of patriotism when I went without food or worked into the wee hours.
31:35 But this past week, Frank, I come to realize that you're not killing yourself for the same reason that I am.
31:39 And what's that supposed to mean?
31:42 It's become a personal thing with you.
31:44 Why, ever since that accident, you've been on a one-man rampage.
31:47 You acted as if the whole world would disintegrate if you couldn't find the antidote to that gas tonight.
31:52 Lois, you don't know...
31:53 I know that science and ego make lousy chemistry.
31:57 [music]
32:06 Lois!
32:08 [music]
32:14 Well, what did you do, Doctor? Slugged the lady?
32:19 Thought I saw tears.
32:24 I guess you scientists have your squalls just like the common herd, huh?
32:28 What do you want, Lieutenant?
32:30 Look at this door.
32:32 Help yourself.
32:33 This it?
32:35 The gadget you had your maintenance man fix the day after the murder.
32:40 It's on his worksheet, Doctor.
32:43 Adjusted pneumatic door closer for Dr. Cordell.
32:48 So?
32:49 Your associate came through this door shortly before the girl was killed.
32:52 If the door didn't close completely...
32:54 It did.
32:55 You seem very certain of that.
32:57 Of course I am. I checked it completely when I closed up for the night.
33:00 That girl couldn't have wandered in here if that's the idea you're still belaboring.
33:04 Just closing out every possibility, Doctor.
33:06 Are you getting anywhere?
33:08 We figure the killer's holed up somewhere.
33:10 But he'll go on a prowl again, like Type has to.
33:14 [music]
33:16 Type?
33:17 Type.
33:18 You didn't see what he did to the girl, did you?
33:21 No.
33:24 I wish I hadn't.
33:25 I'll be seeing you, Doctor.
33:28 [music]
33:32 [music]
33:56 Got another glass?
34:01 My boss was just in to see me.
34:03 She tells me you haven't been out of here in days.
34:07 Frank.
34:10 As a friend.
34:13 Not as your boss.
34:15 But as a friend.
34:16 Go home.
34:18 Take the rest of the week off.
34:20 Perhaps with a fresh mind you'll be able to see through to the answer.
34:23 All right.
34:30 Look.
34:31 Suppose you never rediscover this mysterious gas and its antidote.
34:35 Don't you imagine that the other side has dozens of weapons that we don't know about?
34:40 And vice versa?
34:41 Very well, then.
34:47 I accept your resignation, Doctor Cordell.
34:52 This isn't a snap decision, Frank.
34:57 But the day that you became personally involved in this problem, you ceased to be a scientist.
35:01 And this is work for a scientist.
35:04 Uh, you'd better stop by my office tomorrow.
35:09 We'll have to think up some face-saving excuse for your resignation.
35:12 Wait.
35:13 What do you want me to do?
35:17 I want you to get out of this hole.
35:20 And rediscover how good it is just to be alive in the world.
35:23 You've got two choices.
35:25 Either resign or go fishing.
35:27 I hate fishing.
35:30 Well, you could go on a honeymoon.
35:35 [♪♪♪]
35:37 [♪♪♪]
35:40 [♪♪♪]
35:43 [♪♪♪]
35:45 [♪♪♪]
35:58 [♪♪♪]
36:00 Okay, kids, now I want to hear this one!
36:21 Ready? Hit it!
36:24 B-E-A-D!
36:27 A-T-S-T-A-T-E!
36:32 E-S-T!
36:34 [cheering]
36:36 One last time! Are we going to beat State?
36:41 [cheering]
36:44 [♪♪♪]
36:46 [♪♪♪]
36:58 [♪♪♪]
37:00 [♪♪♪]
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38:06 [♪♪♪]
38:08 (music)
38:10 (music)
38:12 [Music]
38:41 [Music]
39:00 [Music]
39:24 [Music]
39:32 Yes, Mr. Jones.
39:34 What?
39:36 This is the night clerk, Mr. Jones.
39:38 You want me to send you up another bottle?
39:41 No.
39:42 What day is it?
39:45 It's Wednesday the 21st.
39:47 Wednesday.
39:52 [Music]
40:18 [Music]
40:28 [Music]
40:38 [Music]
40:52 Police.
40:53 I, Dr. Frank Cordell, am the murderer of the two coeds.
40:59 When you read this, I will be already dead.
41:02 I must destroy myself before I kill again.
41:07 Once the terrible sickness takes possession of me,
41:10 I am unable to stop myself from killing.
41:14 It started after I was exposed to an unknown gas
41:18 which my associate, Dr. Lois Walker, and I have been trying to recreate.
41:23 Lois.
41:27 I've got to warn her about that gas.
41:30 Night clerk.
41:33 Get me Pendleton College, extension 93, please.
41:36 [Phone ringing]
41:51 Hello.
41:52 Lois.
41:53 Frank.
41:56 Where are you? Are you home?
41:59 And why didn't you call me before you left?
42:01 Never mind that. Just get out of that lab now, do you hear me?
42:04 Don't go on with those experiments.
42:06 Darling, listen to me. I found it.
42:08 I've isolated the element from the...
42:10 Lois, don't go on with it.
42:12 Why?
42:13 You don't know what you're fooling with.
42:15 Frank, are you ill?
42:19 Someone just came in. It's Dr. Bronner and that police lieutenant.
42:24 Look, I'll put Dr. Bronner on.
42:26 No. Don't tell them you heard from me. Do you understand?
42:29 Don't tell them.
42:30 But why?
42:31 Lois, I've got to talk to you first.
42:34 You're in great personal danger.
42:36 That gas, it's more hideous than we dreamed. There are effects.
42:39 I can't explain it on the phone, but I've got to talk to you.
42:42 Frank, you are ill.
42:44 I've got to talk to you somewhere alone.
42:47 Now, where can I meet you?
42:49 Well, uh, the chapel. No one will be there now.
42:53 All right. Meet me there. And don't say anything to anyone.
42:57 I, uh...
42:59 I'd rather she didn't know what you suspect.
43:02 After all, it's only circumstantial.
43:05 It's quite a coincidence, doctor.
43:07 The very day you brought up the idea
43:09 that a simple little bell could trigger the killer,
43:12 Cordell, who was the one who was trying to kill you,
43:15 was the one who was trying to kill you.
43:17 I'm sure you're not the only one who's been thinking about it.
43:20 I'm sure you're not the only one who's been thinking about it.
43:23 The very day you brought up the idea
43:25 that a simple little bell could trigger the killer,
43:28 Cordell holed up in this lab.
43:30 He ate here. He slept here.
43:32 But you can't suspect a man for being dedicated to his work.
43:36 She's leaving.
43:38 Lieutenant.
43:40 Good evening, Miss Walker.
43:42 Can I help you with anything, doctor?
43:44 No, I was just showing the lieutenant your lab set up.
43:47 Oh, I see. Well, in that case...
43:50 You should happen to hear from Dr. Cordell.
43:53 Let me know right away, would you, please?
43:55 Yes, of course I will, doctor.
43:57 Good night.
43:59 Good night.
44:01 Just because he stayed here working,
44:06 there's no reason for him to be a suspect.
44:08 Was he afraid of what he might do if he went out, doctor?
44:11 No, that's impossible. If he was afraid to go out,
44:14 why would he allow me to send him on a vacation?
44:16 I don't know anything about that.
44:18 But if you need proof...
44:20 I found it hidden in his room.
44:25 (FOOTSTEPS)
44:28 (HUMMING)
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45:37 (BELL RINGING)
45:47 (SIREN WAILING)
45:51 (SIREN WAILING)
45:53 (SIREN WAILING)
46:14 (SIREN WAILING)
46:16 (SIREN WAILING)
46:26 (SCREAMING)
46:39 Stop it! Stop it!
46:41 Stop it!
46:43 Stop it!
46:45 Stop!
46:47 (SCREAMING)
46:52 Stop it! Stop! Stop!
47:02 Stop it!
47:04 (SCREAMING)
47:06 (SCREAMING)
47:08 Frank!
47:24 Frank!
47:29 (SIREN WAILING)
47:31 (SCREAMING)
47:38 It's not in your seat!
47:44 You're trying to kill me now!
47:47 Get back!
47:49 Get back!
47:51 I'm going to kill you!
47:53 (SCREAMING)
47:56 (SCREAMING)
47:58 (SCREAMING)
48:07 (SCREAMING)
48:09 (BABY CRYING)
48:32 (SIREN WAILING)
48:35 (SIREN WAILING)
48:38 (DRAMATIC MUSIC PLAYING)
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