Episode aired May 23, 1961
Stars: Lloyd Bochner • Marion Ross • Jack Mullaney • Henry Daniell
A professor studying the depraved sorcerer Count Cagliostro brings to the U.S. the mirror which was instrumental in the Count's murder spree. The looking glass was blacked over to entrap Cagliostro, but Prof. Harry Langton, obsessed with the magician's secrets, scrapes off the paint and installs the mirror in his residence
Stars: Lloyd Bochner • Marion Ross • Jack Mullaney • Henry Daniell
A professor studying the depraved sorcerer Count Cagliostro brings to the U.S. the mirror which was instrumental in the Count's murder spree. The looking glass was blacked over to entrap Cagliostro, but Prof. Harry Langton, obsessed with the magician's secrets, scrapes off the paint and installs the mirror in his residence
Category
🎥
Short filmTranscript
00:00 ♪ (romantic music)
00:05 - To you, my darling.
00:07 ♪ (romantic music)
00:12 And now...
00:14 for you, my love.
00:17 - Oh, there, you're wonderful!
00:20 - And now...
00:22 to match your beauty...
00:24 ♪ (romantic music)
00:28 a small bouquet.
00:31 ♪ (romantic music)
00:33 - But how?
00:36 How did you do it?
00:37 I didn't know you were a magician.
00:39 - I am the world's greatest magician.
00:43 The only real magician left.
00:45 - You're wonderful.
00:47 ♪ (romantic music)
00:49 - Watch this.
00:52 Nothing up my sleeves.
00:54 ♪ (romantic music)
00:56 Now what will Manzo have?
00:59 A rabbit?
01:01 A cat?
01:04 A bird?
01:05 - A bird?
01:06 Could you do a bird?
01:07 - Watch closely.
01:09 ♪ (romantic music)
01:14 Closely.
01:16 ♪ (romantic music)
01:18 (roaring)
01:19 - Ah!
01:21 Oh, you should be on stage!
01:24 - (laughs) Perhaps this will entertain you.
01:29 Now watch closely.
01:31 ♪ (romantic music)
01:34 Closely.
01:36 ♪ (romantic music)
01:37 (whooshing)
01:39 - Diamonds!
01:41 Are they real?
01:42 - The real magic is yet to come.
01:45 The most stupendous trick of all.
01:48 (whooshing)
01:52 You want to pray?
01:53 - Oh yes, Romare.
01:56 Yes.
01:59 - Then I must put it on you.
02:03 Now look into my eyes.
02:05 Look deeply.
02:08 Deeply.
02:10 You cannot move, my love.
02:13 You cannot make a sound.
02:16 Now look deeply and you shall see the...
02:20 ultimate magic.
02:23 Life warm and pulsating.
02:28 Life transformed into...
02:33 ♪ (romantic music)
02:35 Death.
02:37 (crickets chirping)
02:42 ♪ (romantic music)
02:45 ♪ (romantic music)
03:04 - The hand of death strikes suddenly.
03:07 And without regard for the plain, the beautiful,
03:10 the bad or the good.
03:13 But when the hand of death is controlled by a force of evil,
03:17 the consequences can defy belief.
03:22 Our story tonight concerns just such a force,
03:26 and it features a most unusual star.
03:29 This mirror.
03:31 In it you will see our players...
03:34 caught in a strange reflection.
03:39 Mr. Lloyd Bochner...
03:42 Miss Marion Ross...
03:45 Mr. Jack Mulaney...
03:48 Miss Pat Meshaw...
03:51 and Mr. Henry Daniel.
03:54 So be prepared to gaze through a glass darken.
03:59 But don't!
04:01 Please don't stand too close.
04:05 I should hate to see this happen to any of you.
04:09 ♪ (dramatic music)
04:25 (music stops)
04:27 (silence)
04:31 ♪ (ominous music)
04:40 (knocking)
04:42 - Who is it?
04:43 - It's your mother, Robert.
04:46 - Just a moment.
04:48 ♪ (ominous music)
05:00 - Shut the door!
05:03 - What is it, Mother?
05:04 - There's some men downstairs. They want to speak to you.
05:06 - Who are they?
05:07 - The police. They have a warrant for your arrest.
05:10 They say you killed a gill tonight.
05:12 Mary Blanchard.
05:13 - No, they're wrong, Mother.
05:15 I never killed anybody.
05:17 I know, it's all a horrible mistake.
05:19 - Mother, I swear to you I'm innocent...
05:22 but I could never prove it.
05:25 They'd only laugh at me or...
05:28 or send me to the guillotine.
05:29 - No...no...
05:31 Oh, Robert, what are we going to do?
05:33 - I don't know, I don't know!
05:36 (silence)
05:42 This way is better.
05:43 (screaming)
05:47 (thunder)
05:53 - Young Robert was no murderer,
05:55 nor was he mad as he may have seemed.
05:58 He was a victim of one of the most diabolical practitioners
06:02 of black magic ever known.
06:05 Count Alexander Cagliostro.
06:08 Only a legend, you say?
06:11 Well, perhaps.
06:13 But that's for you to decide.
06:16 Now we resume our table, more than half a century later.
06:21 ♪ (ominous music)
06:29 - This man can only bring you harm.
06:31 Forget him!
06:33 Forget your research.
06:33 Erase the name of Cagliostro from your memory.
06:36 - I understand that you wrote a thesis on Cagliostro yourself,
06:38 that's why I came to see you.
06:39 - I did.
06:40 Then I destroyed it.
06:42 Burnt it.
06:43 Forgot it.
06:44 There are some things the world will not accept.
06:47 The truth about Count Alexander Cagliostro is one of them.
06:51 - But this man has been dead for nearly 200 years.
06:54 - Monsieur Langham...
06:56 evil never dies.
06:59 (knocking on door)
07:01 Come in.
07:03 - Excuse me sir, but your secretary told--
07:05 Harry, I've been looking for you.
07:07 - Professor Thiebaud, may I present my friend Fred Forrest.
07:10 How do you do, sir? - Pleasure.
07:11 - Fred has been acting as my research assistant this summer.
07:14 - Yes, and I must have been out of my mind.
07:16 I thought, "Paris!"
07:18 You know, Montmartre, the left bank, the Follies-Berger.
07:22 Instead, the only thing I've seen has been the inside
07:24 of dusty libraries and even dustier furniture stores.
07:28 - A scholar's life is sometimes a dusty one, Monsieur Forrest.
07:31 - Oh yes sir.
07:32 Harry, don't forget, the boat train leaves at seven.
07:34 - Yes...
07:36 Fred thinks of me as being the typical absent-minded professor.
07:39 - Ah yes.
07:40 Well, I've got to start packing.
07:41 Harry, don't stall around too long, huh?
07:42 Oh, it's very nice meeting you sir.
07:44 - My pleasure.
07:45 The enthusiasm of young Americans is refreshing,
07:49 but somewhat overwhelming.
07:51 - Yes.
07:52 Professor Thiebaud, in the archives at Harvard,
07:57 I found an original letter that referred to a mirror,
08:01 a large pier glass that Kelly Ostro evidently
08:04 placed great store by.
08:05 After his death, it was acquired by the Marquis de Chantamet
08:09 and then was either lost or sold somewhere around about 1910.
08:14 On a whim, I've been spending my spare time
08:15 searching through antique shops for it,
08:17 but it's like the proverbial needle in a haystack.
08:20 - No doubt.
08:22 But if by chance it still exists,
08:24 there would be a record of it at Armand's.
08:27 Every antique that has been bought or sold
08:30 or pawned or stolen in Paris has at one time
08:33 passed through Armand's hands.
08:35 But can it not persuade you to abandon your search
08:38 for knowledge of Kelly Ostro?
08:40 - I'm afraid not.
08:42 - Then perhaps I can show you something
08:45 that will change your mind.
08:47 - And what's that?
08:48 - I will take you to the church of Saint Martin
08:51 and show you the tomb of Yvette Dulein.
08:55 - Yvette Dulein?
08:56 - Yvette Dulein, a favorite at the court of Louis XVI.
08:59 Her acquaintance with Kelly Ostro
09:03 led to a strange and terrible fate.
09:06 (ominous music)
09:09 - It is years since I have been here.
09:30 (ominous music)
09:32 - Which is the tomb of Yvette Dulein?
09:39 - Over here.
09:40 She lies here.
09:47 - Why is it unmarked, Professor, if it's only the date here?
09:52 - When she was buried, the good fathers thought
09:54 it best she be forgotten by the world.
09:56 - Why, what's the mystery?
09:59 How did she die?
09:59 - My friend, the question must be asked,
10:02 did she die at all?
10:03 - Did she die?
10:05 I don't understand.
10:08 - You shall see, mademoiselle, for yourself.
10:11 (ominous music)
10:14 (dramatic music)
10:17 - Good Lord.
10:32 (somber music)
10:34 - Now you understand.
10:39 - No, I don't understand at all.
10:44 - She has lain exactly as you see her since the year 1780.
10:48 - Oh, that's impossible.
10:52 - Yvette Dulein was one of Kelly Ostro's victims.
10:55 He desired her, and she repulsed him.
10:59 One day they found her like this,
11:02 not breathing, her heart not beating.
11:04 A week passed, a month,
11:08 she remained in this death-like state.
11:11 - Oh, I just can't believe it.
11:13 - It's true.
11:14 - What's the explanation, professor?
11:16 - It lies hidden deep in Count Kelly Ostro's grave,
11:19 and it will never be found.
11:21 I beg you, my friend, go home now,
11:24 and forget his very name.
11:26 Now, we must leave her to her unnatural sleep.
11:34 - Uh, wait.
11:39 Let me look at her once more.
11:43 (somber music)
11:46 All right, close it now.
11:55 (ominous music)
11:58, (phone ringing)
12:03 - Hello?
12:22 Hello?
12:26 (door opening)
12:29 Anybody here?
12:29 - Coming, monsieur.
12:31 - Monsieur, you are Monsieur Amon?
12:36 - I am.
12:37 - How do you do?
12:38 I'm interested in a mirror.
12:39 - I have many mirrors, monsieur.
12:43 - Yes, of course.
12:44 The one I'm interested in
12:45 once belonged to the Marquis de Chanteney.
12:47 - The mirrors are this way.
12:49 (footsteps)
12:51 Here they are.
13:01 Oh, here is one who might interest you.
13:17 (footsteps)
13:20 It's covered with paint.
13:26 - Oh, the paint could be removed
13:28 if you wish to make sure there is good glass underneath.
13:31 (door opening)
13:40 Pardon, monsieur, a customer.
13:42 (footsteps)
13:44 (ominous music)
14:03 - Yvette.
14:09 Yvette Doolittle.
14:12 (ominous music)
14:14 - So, this is the famous mirror.
14:40 - Where will he put this?
14:41 This is huge.
14:43 - And heavy and expensive.
14:44 Do you know that this thing cost him a month's salary
14:46 and that doesn't include the packing and the shipping?
14:49 - Well, I can't quite see its great attraction.
14:52 How does he know it was Cagliostro's mirror?
14:54 - I don't know.
14:55 He just said it was, that's all.
14:57 - Why is it painted over?
14:58 - Don't ask me, I just live here.
15:00 You know, Harry's been in orbit
15:01 ever since we've left Paris.
15:03 My dear sister, would you marry him and settle him down?
15:09 This Cagliostro was a real oddball
15:11 and I think some of it's rubbing off on Harry.
15:13 - On Harry?
15:14 Hi, darling.
15:15 - Oh, good, they got it here at last.
15:17 - 10 minutes ago, you must have greased the wheel.
15:20 - Yeah, yeah, I spent practically the whole day down at the pier
15:23 trying to get some action.
15:24 Okay, let's get upstairs, Fred.
15:27 I think you and I can handle it if we're careful.
15:29 - Oh, yeah, we wouldn't want a crack old Cagliostro.
15:31 - I'll go up and make room for it.
15:33 - Give me a hand.
15:39 - They sure made these things heavy.
15:41 - There's not a crack in it, though.
15:43 - Maybe they made unbreakable glass, huh?
15:45 - Right, that's funny.
15:46 - Ah, well, I've gotta be running.
15:49 I'll see you tonight at dinner.
15:51 - Don't be late, I'm having something special.
15:53 I thought we'd celebrate your return.
15:57 - Oh, I was just going to stay up here.
16:01 - Oh, Harry.
16:02 - I wanted to arrange my notes.
16:03 I guess that could wait.
16:06 - Since you got back yesterday,
16:08 we've hardly been together at all.
16:10 - Well, I can fix that right now.
16:12 - Well, that was better, I think.
16:19 Now I'd better get down to that kitchen.
16:22 Dinner at seven.
16:25 - All right, I'll see you then.
16:28 Yvette.
16:36 Yvette?
16:37 (spoon clattering)
16:41 (plastic crinkling)
16:44 (water splashing)
16:47 (water splashing)
16:50 (water splashing)
16:52 (water splashing)
16:56 (water splashing)
16:59 (water splashing)
17:02 (water splashing)
17:05 (water splashing)
17:08 (footsteps thudding)
17:11,
17:12 is that you?
17:13 (door creaking)
17:15 (footsteps thudding)
17:19, is that you?
17:20 (footsteps thudding)
17:23, is that you?
17:24 (footsteps thudding)
17:27, is that you?
17:28 (footsteps thudding)
17:31 (water splashing)
17:34 (footsteps thudding)
17:50 (door creaking)
18:18 (somber music)
18:21 (somber music)
18:24 (somber music)
18:26 (somber music)
18:29 (somber music)
18:31 (somber music)
18:34 (somber music)
18:44 (somber music)
18:52 (somber music)
18:54 (somber music)
19:10 (somber music)
19:13 - What's wrong?
19:33 - Wrong? Nothing.
19:36 - Another girl?
19:37 - Oh.
19:39 (door creaking)
19:41 I didn't even look at one.
19:43 Not even in Paris.
19:44 - You're sure?
19:45 - Yeah, I'm sure.
19:46 Thanks.
19:47 Happy days?
19:52 - There is something.
19:53 - Now, what makes you think that?
19:56 - Oh, look, darling, I don't expect you to be Casanova,
19:58 but the last two days have been ridiculous.
20:01 - All right, Kay, something did happen.
20:08 (Kay scoffs)
20:10 I don't know how to tell you, it's so unbelievable,
20:13 I don't know where to begin.
20:15 - Begin at the beginning.
20:16 - Well, I went to see a Professor Thiebaud.
20:24 He wrote a thesis on Callioster himself.
20:27 And he took me to an old church,
20:30 and he showed me the tomb of a girl named Yvette Doulay.
20:35 She died way back in 1780, and yet...
20:40 - What, Harry?
20:42 - Well, as she lay there, she was so beautiful.
20:46 She was dead, and yet she seemed to be alive.
20:50 Look, Kay, I'll tell you about it some other time.
20:55 If you'll excuse me, I'll go to my room, get some rest.
20:57 I'll see you tomorrow.
20:58 - Harry!
21:01 (door thuds)
21:03 Why can't I see you?
21:29 If I could only see you again.
21:31 (somber music)
21:48 (eerie music)
21:50, (eerie music)
21:53, (eerie music)
21:55 (eerie music)
21:57 (eerie music)
22:10 (eerie music)
22:18 (eerie music)
22:20 (eerie music)
22:23 (eerie music)
22:25 (eerie music)
22:28 - Yvette.
22:54 (eerie music)
22:57 Can't you speak?
23:00 You can't speak to me.
23:06 (eerie music)
23:09 But you're really there.
23:18 What can I do?
23:21 Can I help you?
23:22 (eerie music)
23:25 There must be something.
23:27 There has to be something.
23:28 (knocking)
23:30 - Harry?
23:31 Harry, may I speak with you?
23:33 Harry?
23:35 - Yeah, just a moment.
23:37 Yes, Kay.
23:48 What is it?
23:49 - Well, I was worried about you.
23:52 I thought perhaps there was something
23:53 that I could do to help you.
23:54 - I'm perfectly fine, really.
23:55 It's just that I'm very tired.
23:57 If you don't mind.
23:58 - Of course.
23:59 I'm sorry that I disturbed you.
24:02 I'll leave you alone.
24:04 - Kay.
24:07 Wait a minute. - Yes?
24:08 What is it, Harry?
24:12 - This is so utterly fantastic.
24:17 Take a look in that mirror.
24:22 (footsteps)
24:24 (door slams)
24:27 - Don't you see her?
24:31 - I see me.
24:33 Kay Forrest.
24:34 - She's gone.
24:40 You scared her away.
24:42 - Scared her away?
24:43 What are you talking about? - Kay, I'd like to be alone.
24:45 Leave me alone, please.
24:50 - It's all right, Harry.
24:51 I won't bother you again.
24:53 (door slams)
24:58 - Good evening, monsieur.
25:02 - Who are you?
25:04 - Another victim of Cagliostro.
25:06 - Where is Yvette?
25:08 - She is here.
25:09 She will return in a moment.
25:10 We are both, alas, prisoners within the mirror
25:14 of that infamous magician, Count Alexander Cagliostro.
25:18 We exist in a dark dimension that is neither life nor death.
25:22 But we are real.
25:24 And you can help us to escape.
25:27 - Tell me how.
25:29 - I will tell you.
25:31 Yvette, a candle, if you please.
25:34 It will be necessary to repeat one of Cagliostro's spells.
25:44 It will take time.
25:46 If you will be seated, we will begin.
25:49 (eerie music)
25:51 (eerie music)
26:20 - Omine, domine, petrum, patrum, paradisi.
26:25 Tempere, para, nera, dixi, dom.
26:30 Now, it is time for you to join us.
26:36 - Now it is time for me to join you.
26:41 - Your physical body cannot enter into the mirror world,
26:46 but your spirit can.
26:49 When I speak, your spirit will rise,
26:52 leaving your body and come to us.
26:55 - My spirit will rise and come to you.
27:02 - The time has come.
27:05 Rise and join us in the world of the mirror.
27:09 Come.
27:11 Come.
27:13 Come.
27:15 Come.
27:18 Come into the mirror.
27:21 (eerie music)
27:25 (eerie music)
27:42 (eerie music)
27:44 (eerie music)
28:06 (eerie music)
28:08 - You are with us, monsieur.
28:18 Now you may awaken.
28:20 (eerie music)
28:23 - Where am I?
28:32 - You?
28:34 Or rather, your spirit is with us
28:37 in the room of the mirror,
28:38 a room that ceased to exist 100 years ago.
28:41 - I am sitting in my chair.
28:48 Am I asleep?
28:52 Am I dreaming all this?
28:55 - No.
28:56 Your body is only an empty husk
28:58 awaiting the return of the spirit.
29:00 You are truly with us,
29:01 with mademoiselle Yvette Doolane and myself.
29:03 You came to aid us to escape.
29:06 - How can I help you?
29:08 Tell me what to do.
29:09 - You have already done it.
29:11 - What do you mean?
29:13 - By entering here, you left waiting for me
29:15 a body that is unoccupied.
29:17 I go to take possession of it.
29:20 Au revoir, monsieur.
29:22 - No, I don't understand.
29:24 - A thousand thanks, monsieur.
29:25 It is 50 years since I last left the world of the mirror.
29:28 I am hungry for the taste of life again.
29:31 (dramatic music)
29:34 (dramatic music)
29:37 (ghostly moaning)
29:45 (dramatic music)
30:03 Oh, it's good to be alive again
30:08 with a young body,
30:11 a strong body.
30:14 If you will excuse me.
30:21 The night is young
30:24 and I'm eager for the pleasures of life.
30:28 (dramatic music)
30:32 (dramatic music)
30:35 - Good night.
30:36 (dramatic music)
30:39 - Miss Hafford, I just went out that door.
30:45 Yet I'm in here with you.
30:48 - Your spirit is here, monsieur, as he said.
30:53 But in coming here,
30:56 you have made it possible for him to leave.
31:00 Now his spirit is free
31:02 and he has taken your body for his own evil purposes.
31:08 - Who is he?
31:11 - Count Alexander Cagliostro.
31:13 - What?
31:15 - Yes, monsieur.
31:17 You have released the evil of Cagliostro
31:20 once more upon the world.
31:23 (dramatic music)
31:27 (dramatic music)
31:30 (gentle music)
31:33 (horse neighing)
31:36 (gentle music)
31:38 - I don't see why we had to leave.
31:40 I liked it in there.
31:42 - I know something that'll be even more fun.
31:44 - Well, if you say so,
31:47 then I guess I don't mind.
31:49 (gentle music)
31:51 - What'd you say your name was?
31:53 - I didn't say,
31:54 but it's Laura.
31:57 - Laura.
31:58 In French, that would be Laurette.
32:02 - Are you French?
32:03 - Well, let's say my spirit is French.
32:07 And because it's French, that flower disgusts me.
32:09 - Hey, what are you doing?
32:10 - It's a cheap imitation.
32:11 Let me give you something that's real.
32:13 Here.
32:15 (gentle music)
32:19 (gentle music)
32:22 (sighs)
32:24 (gentle music)
32:27 (gentle music)
32:30 (gentle music)
32:32 - It is real.
32:33 How did you do that?
32:36 (gentle music)
32:38 You're wonderful, like a magician.
32:41 - I am a magician.
32:43 (gentle music)
32:45 What would you say if I told you
32:46 that I was the greatest magician who ever lived?
32:49 - Oh, you'd talk crazy,
32:51 like some of those college boys.
32:53 (sighs)
32:54 But I like you.
32:55 Do you like me?
32:58 - I like you better without those.
33:01 - Oh, please.
33:02 - They're cheap and vulgar.
33:04 (sighs)
33:06 Your loveliness should be unadorned.
33:08 - Oh, if you think so.
33:12 (gentle music)
33:14 - Let's go for a walk by the water,
33:17 watch the moonlight.
33:18 Or we can be alone.
33:22 - Okay.
33:23 I'm game.
33:25 (sighs)
33:27 (sighs)
33:33 (sighs)
33:35 - Good morning, Monsieur Langham.
33:58 No, it's afternoon.
34:01 (sighs)
34:03 Hmm?
34:06 Yes, I slept very well, thank you.
34:09 But then I found last night so very entertaining.
34:13 You know, there are places in this new world
34:15 as deliciously wicked as any in old Paris.
34:18 (knocking)
34:20 Yes?
34:21 - Harry, it's Kay.
34:23 - Oh, just a moment.
34:26 (sighs)
34:28 Yes, Kay?
34:35 - There's a man downstairs to see you.
34:37 He says he's a detective.
34:39 - A detective?
34:40 That's odd.
34:42 Well, I'll be down in a minute.
34:44 Uh, Kay, perhaps I'd better see you privately.
34:48 But when I'm finished, I'd like to apologize
34:51 for the way I acted last night.
34:54 - Of course, darling.
34:56 - What a charming girl.
35:09 And you've treated her so badly.
35:12 Well, I shall try to make up to her for your bad conduct.
35:16 Now, if you'll excuse me,
35:18 it seems that I have an engagement with the gendarme.
35:22 You won't go away with you?
35:24 - Good afternoon.
35:38 You wanted to see me?
35:40 - Professor Langham?
35:41 - Uh, assistant professor only, I'm afraid.
35:44 - Sergeant Burke, homicide.
35:46 - Homicide.
35:48 Well, do come in and sit down.
35:50 - Where were you at 3 this morning?
35:53 - 3 this morning?
35:55 Yes, I was, uh, I was upstairs working on my thesis.
35:59 It's on Count Alexander Culliostro.
36:02 He's a great fraud, I'm afraid.
36:04 - Now, the officer on this beach
36:06 saw you enter the house at about 4.15 a.m.
36:08 He's well acquainted with you.
36:10 What about it, professor?
36:11 - Yes, yes, that's perfectly true.
36:13 Having worked so late, I felt the need of some fresh air.
36:17 So about 4, I went out and walked for 15 minutes.
36:21 - And you weren't at the Fishnet Bar last night?
36:25 - The Fishnet Bar?
36:27 I don't believe I've even heard of it.
36:30 - And maybe you haven't read the morning papers.
36:33 - No, I very seldom read the papers.
36:35 My period is the 18th century.
36:37 - Now take a look at this, hmm?
36:40 Maybe it'll interest you to know
36:43 you fit the description of the killer.
36:46 - Oh, well, I'm sure there must be, what,
36:50 20,000 men in this city who look something like me.
36:53 - The dead woman was a waterfront girl named Laura.
36:56 At 3 a.m., she was seen leaving the Fishnet Bar
36:59 with a man that one of your students thought was you.
37:03 - One of my students?
37:05 In a waterfront bar at 3 a.m.?
37:07 - Well, it's no wonder they learn so little.
37:10 Uh, academically speaking, that is.
37:13 Now let me tell you something else, Sergeant.
37:16 Based on their classwork, the powers of recognition
37:19 and description of most of my students are limited at very best.
37:22 - Well, I'll admit, uh, I couldn't see you as our man, Professor.
37:26 I'm sorry I bothered you.
37:28 - Oh, not at all. I'm sorry I couldn't be of more help.
37:31 Goodbye, Professor.
37:32 - Goodbye, Sergeant.
37:34 - Harry?
37:41 - What do you want, darling?
37:43 - Oh, it was nothing. Wrong man.
37:45 - Oh.
37:46 - My, don't you look lovely.
37:50 - Well, you didn't seem to think so last night.
37:52 - Last night?
37:54 Today, I am a different man.
37:56 - You do seem different.
37:59 - Yes, you'd be surprised if you knew how much.
38:02 I've just been working too hard, that's all.
38:04 That fraud, Kelly Ostroff.
38:06 I'm gonna forget about him.
38:08 - But your thesis...
38:10 - I have a far better idea.
38:12 And one of them is for tonight.
38:15 - Tonight?
38:16 - Mm-hmm.
38:17 Dinner, dancing, you and I.
38:20 - Oh, Harry, that sounds wonderful.
38:24 - Darling, it will be wonderful.
38:26 Darling, it will be wonderful.
38:28 [♪♪♪]
38:32 [♪♪♪]
38:58 - Perhaps, my friend, you'd like to see the morning paper, hm?
39:01 It's so dangerous to be a pretty girl.
39:13 Well, let's talk about something pleasanter, shall we?
39:16 Your fiancée, Kay, she's most attractive.
39:20 But you know something, my friend?
39:22 You really are a bore.
39:24 A crashing bore.
39:26 Kay, what a waste.
39:30 We shall remedy that tonight, I promise you.
39:34 I surmise you realize I had a most exhilarating evening.
39:39 And since I don't make a practice of changing in public,
39:42 I really think that we should say...
39:46 au revoir.
39:48 [♪♪♪]
39:52 [♪♪♪]
39:55 - Kay?
40:11 - In here.
40:13 - Kay, where's Harry?
40:14 - Upstairs. Why?
40:15 - I want to talk to him.
40:16 - We're just getting ready to go out.
40:18 - Out where?
40:19 - And dancing. It was his own idea.
40:22 - Kay, was there a detective here this afternoon?
40:24 - Yes, there was.
40:25 - What did he want?
40:26 - I don't know. I didn't ask.
40:28 - Maybe you should have.
40:30 Where was Harry last night?
40:32 - Here, in his room, working.
40:34 - Yes, working.
40:36 But not tonight.
40:40 Tonight is a night for fun.
40:42 You ready, darling?
40:43 - Yes, Harry.
40:44 - Harry, I want to talk to you.
40:45 - Oh, not now, Fred.
40:47 I have a great deal of important pleasure to attend to.
40:49 - But this is important, too.
40:50 - I'm sure whatever it is, it can wait.
40:52 - It'll have to wait. If we don't hurry, they won't hold our reservation.
40:54 We'll talk about it later when we get back.
40:56 - Good night, Fred.
40:57 - All right, I'll be waiting.
40:59 [♪♪♪]
41:16 - Don't worry.
41:17 He killed that girl last night.
41:19 - Yes, monsieur.
41:21 He was very hungry.
41:23 It is not food his spirit needs, but life itself.
41:26 - He may kill Kay.
41:28 - Now he is free to come and go as he pleases.
41:32 It is so simple.
41:35 He borrows a body,
41:37 just as he has borrowed yours.
41:39 Then he savors life to the fullest.
41:44 And when danger threatens him,
41:47 he returns to the safety of the mirror,
41:50 leaving an innocent victim to pay for his evil deeds.
41:54 - Well, when he comes back and lets me go, I'm going to smash that mirror.
41:57 That'll finish him.
41:58 - Alas, the mirror cannot be broken.
42:01 - Why not?
42:03 - This is part of the spell.
42:05 Only Cagliastro can destroy it.
42:08 That is why the Marquis de Chardonnay covered it with paint,
42:11 to foil him.
42:13 - You mean there's nothing that I can do?
42:15 - Nothing.
42:17 We are both helpless prisoners of the mirror.
42:20 As long as we are here,
42:23 we cannot even die.
42:25 [doorbell rings]
42:27 - Fred!
42:47 Fred, I'm in here, in the mirror!
42:51 Fred!
42:54 Fred, can't you hear?
42:56 - It's no use, Monsieur!
42:58 He can't help you!
43:00 - Fred, I'm in here!
43:09 - Only Cagliastro can help you!
43:11 And only when he chooses,
43:13 he can do nothing.
43:17 Even nothing.
43:20 [sighs]
43:22 [laughing]
43:48 - Oh, Harry, what fun!
43:50 Oh, Harry, I haven't danced so much in years!
43:52 Where did you learn to dance like that?
43:54 - I told you, I'm a new man.
43:56 - I like the change.
43:58 I think.
44:07 - I'd like a drink.
44:11 What about you, can I fix you one?
44:14 - No, thank you.
44:15 I'll have a cigarette.
44:17 - I'll put it in my topcoat pocket.
44:19 - Harry, where did you get these earrings?
44:35 They're her earrings.
44:44 - Here.
44:46 - It's stupid of me to leave them in my pocket.
44:58 I'm afraid I'll have to change my plans.
45:04 Look at me, kid.
45:09 [gasps]
45:11 [gasps]
45:13 Look at my eyes.
45:16 Deeply.
45:18 Deeply.
45:20 You cannot move.
45:22 You cannot speak.
45:26 You cannot resist.
45:30 [growling]
45:58 - Harry, where's my sister?
46:00 - Shh, shh, shh. She's asleep.
46:02 - She's not asleep, she's dead.
46:15 You killed my sister!
46:19 [dramatic music]
46:21 - It's Fred. Fred, Fred!
46:36 - Kelly Oster is trying to get back into the mirror.
46:45 - Something's happened to Kate.
46:47 Fred, what's happened to Kate?
46:49 Fred, can you hear me, Fred?
46:58 What's happened to Kate, Fred?
47:03 I can't hear, I can't hear.
47:06 Fred!
47:08 [dramatic music]
47:10 - Harry?
47:25 I am not Harry.
47:30 I am Count Alexander Kelly Oster.
47:38 [dramatic music]
47:40 And I go now to meet the death
47:46 that has awaited me patiently
47:51 for almost 200 years.
47:58 [dramatic music]
48:02 [dramatic music]
48:04 [dramatic music]
48:22 [dramatic music]
48:24 [dramatic music]
48:36 [dramatic music]
48:50 [dramatic music]
48:52 [dramatic music]
49:19 [dramatic music]
49:21 [dramatic music]
49:42 [dramatic music]
49:44 [dramatic music]
49:46 [dramatic music]
49:48 [dramatic music]
49:50 [BLANK_AUDIO]