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TVTranscript
00:00:00 You're losing your hair?
00:00:02 Before that.
00:00:03 Get out.
00:00:04 He said, "You can print money, manufacture diamonds, and people are a dime a dozen, but they'll always need land."
00:00:13 It's the one thing they're not making any more of.
00:00:16 But the United States...
00:00:18 Will be underwater.
00:00:24 It's simple physics, Miss Lane. Two objects cannot occupy the same space at the same time.
00:00:29 And the rest of the world will just let you keep it? They'll...
00:00:32 They'll...
00:00:33 What?
00:00:35 I'll have advanced alien technology, thousands of years beyond what anyone could throw at me.
00:00:42 Bring it on!
00:00:43 And eventually, the rest of the world will be begging me for a piece of high-tech beachfront property.
00:00:52 In fact, they'll pay through the nose for it.
00:00:54 But millions of people will die.
00:00:56 Billions! Once again, the press underestimates me. This is front-page news.
00:01:02 Come on, let me hear you say it just once. Come on.
00:01:04 You're insane.
00:01:05 No!
00:01:06 No, I want the other thing. Come on, I know it's just dangling off the tip of your tongue. Let me hear it just once, please.
00:01:12 Superman will never...
00:01:13 Wrong!
00:01:14 Wrong!
00:01:15 What is that?
00:01:29 I think you know exactly what this is.
00:01:33 Mind over muscle, Miss Lane.
00:01:43 Mind...
00:01:44 Who is that boy's father?
00:01:54 Richard.
00:01:56 Mr. Luther, we're approaching the coordinates.
00:02:00 Are you sure?
00:02:03 Yes, sir. Latitude 40 degrees north, longitude 73 degrees west.
00:02:08 Yes.
00:02:09 Don't let them leave this room.
00:02:31 Kitty, come with me. You're not gonna want to miss this.
00:02:34 Thanks.
00:02:35 [DISTANT RUMBLING]
00:02:37 [MUSIC PLAYING]
00:03:03 [NON-ENGLISH SPEECH]
00:03:05 Big Bang Theory's It's One Half Challenge.
00:03:32 [NON-ENGLISH SPEECH]
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00:05:44 [MUSIC PLAYING]
00:05:46 [NON-ENGLISH SPEECH]
00:05:49 [NON-ENGLISH SPEECH]
00:05:52 [NON-ENGLISH SPEECH]
00:05:55 [NON-ENGLISH SPEECH]
00:05:58 This is for the ones who never go unnoticed.
00:06:03 Embracing the authentic.
00:06:06 Sharing the thrill.
00:06:09 The emotions.
00:06:12 [MUSIC PLAYING]
00:06:14 Keeping it smooth.
00:06:18 Striving for an unexpected journey.
00:06:21 [MUSIC PLAYING]
00:06:24 Experiencing new sensations.
00:06:29 Expressing their imagination.
00:06:32 Always moving to a new horizon.
00:06:35 Always open to what's possible.
00:06:38 Together.
00:06:40 Camel. Beyond the ordinary.
00:06:43 [MUSIC PLAYING]
00:06:47 [NON-ENGLISH SPEECH]
00:06:50 Power up!
00:06:58 [NON-ENGLISH SPEECH]
00:07:02 [NON-ENGLISH SPEECH]
00:07:05 [NON-ENGLISH SPEECH]
00:07:09 [NON-ENGLISH SPEECH]
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00:07:23 [NON-ENGLISH SPEECH]
00:07:26 [NON-ENGLISH SPEECH]
00:07:29 This is for the ones who never go unnoticed.
00:07:33 Embracing the authentic.
00:07:37 Sharing the thrill.
00:07:39 The emotions.
00:07:41 [MUSIC PLAYING]
00:07:43 Keeping it smooth.
00:07:48 Striving for an unexpected journey.
00:07:51 [MUSIC PLAYING]
00:07:53 Experiencing new sensations.
00:07:59 Expressing their imagination.
00:08:02 Always moving to a new horizon.
00:08:05 Always open to what's possible.
00:08:08 Together.
00:08:10 Camel. Beyond the ordinary.
00:08:13 [NON-ENGLISH SPEECH]
00:08:17 [NON-ENGLISH SPEECH]
00:08:21 [NON-ENGLISH SPEECH]
00:08:32 [NON-ENGLISH SPEECH]
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00:09:01 [NON-ENGLISH SPEECH]
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00:09:58 [NON-ENGLISH SPEECH]
00:10:01 [MUSIC PLAYING]
00:10:04 [MUSIC PLAYING]
00:10:06 [MUSIC PLAYING]
00:10:08 [MUSIC PLAYING]
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00:10:36 [MUSIC PLAYING]
00:10:39 [MUSIC PLAYING]
00:10:43 [BUZZER]
00:10:45 Damn it.
00:10:49 What?
00:10:50 She has a password.
00:10:52 Jason.
00:10:55 Richard.
00:10:58 Try Superman.
00:11:02 Great.
00:11:11 Thank you very much.
00:11:13 Don't touch that, honey.
00:11:18 Why don't you go play the piano?
00:11:24 [MUSIC PLAYING]
00:11:27 [MUSIC PLAYING]
00:11:30 [MUSIC PLAYING]
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00:12:02 [MUSIC PLAYING]
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00:12:36 (upbeat music)
00:12:38 (upbeat music)
00:12:41 (upbeat music)
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00:13:01 (upbeat music)
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00:13:51 (upbeat music)
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00:14:06 (upbeat music)
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00:14:33 (upbeat music)
00:14:35 (upbeat music)
00:15:02 - Max, this isn't like the train set.
00:15:05 - I know.
00:15:08 (upbeat music)
00:15:11 - Come on, come on.
00:15:16 (upbeat music)
00:15:19 (screaming)
00:15:26 (upbeat music)
00:15:29 (panting)
00:15:31 (panting)
00:15:33 (splashing)
00:15:55 (panting)
00:15:57 (upbeat music)
00:16:01 (upbeat music)
00:16:03 (upbeat music)
00:16:06 (upbeat music)
00:16:09 (panting)
00:16:13 (upbeat music)
00:16:16 (glass breaking)
00:16:32 - Honey, are you okay?
00:16:34 - No, I'm fine.
00:16:37 (knocking)
00:16:38 - Open this door, open it!
00:16:40 (knocking)
00:16:42 - Could you help Mommy open the door?
00:16:58 - Sorry.
00:17:05 - It's gonna be okay.
00:17:07 Okay, it's gonna be okay.
00:17:09 (screaming)
00:17:14 (screaming)
00:17:18 - We had a little problem downstairs.
00:17:32 Brutus is dead.
00:17:35 He got hit with the piano.
00:17:37 - Where's the boy?
00:17:44 - With the mother.
00:17:46 Locked up in the pantry.
00:17:48 - Well, it's time for us to go.
00:17:53 - My camera's not working.
00:18:00 And my phone's not working.
00:18:04 (phone ringing)
00:18:06 - Okay, I'm good.
00:18:10 - That was weird.
00:18:12 - Hey guys, this just came through the fax.
00:18:28 It's Lois' handwriting.
00:18:29 I'd recognize it anywhere.
00:18:30 I just have no idea what the numbers mean.
00:18:32 - Coordinates.
00:18:33 - It's just off the coast.
00:18:37 - Jimmy, tell Perry I'm taking the seaplane.
00:18:39 - And keep trying yourself.
00:18:41 (dramatic music)
00:18:44 (dramatic music)
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00:18:49 (dramatic music)
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00:19:00 (dramatic music)
00:19:03 (dramatic music)
00:19:06 (dramatic music)
00:19:08 (dramatic music)
00:19:11 (dramatic music)
00:19:27 (dramatic music)
00:19:29 (dramatic music)
00:19:32 (dramatic music)
00:19:35 (glass shattering)
00:19:50 (pounding)
00:19:53 (Lois gasping)
00:19:57 (dramatic music)
00:19:59 (Lois gasping)
00:20:02 (dramatic music)
00:20:08 (Lois barking)
00:20:13 (dramatic music)
00:20:15 (dramatic music)
00:20:20 (dramatic music)
00:20:24 (dramatic music)
00:20:27 - What are these, lottery numbers?
00:20:41 - I think they're coordinates, Chief.
00:20:43 (keyboard clicking)
00:20:46 (bell ringing)
00:20:48 (bell ringing)
00:20:51 (people chattering)
00:20:54 (people chattering)
00:20:57 (people chattering)
00:21:00 (people chattering)
00:21:03 (people chattering)
00:21:06 (people chattering)
00:21:09 (engine revving)
00:21:13 (glass shattering)
00:21:16 (dramatic music)
00:21:18 (Lois gasping)
00:21:23 (dramatic music)
00:21:26 (glass shattering)
00:21:31 (dramatic music)
00:21:33 (glass shattering)
00:21:36 (people screaming)
00:21:41 - Come on, pull back!
00:21:47 (dramatic music)
00:21:49 (glass shattering)
00:21:53 (glass shattering)
00:21:57 (people screaming)
00:22:01 (glass shattering)
00:22:04 (glass shattering)
00:22:07 (Lois gasping)
00:22:12 (dramatic music)
00:22:15 (glass shattering)
00:22:24 (people screaming)
00:22:27 (glass shattering)
00:22:30 (dramatic music)
00:22:32 (glass shattering)
00:22:37 (glass shattering)
00:22:43 (glass shattering)
00:22:51 (glass shattering)
00:22:58 (dramatic music)
00:23:00 (people screaming)
00:23:27 (glass shattering)
00:23:30 (glass shattering)
00:23:34 (people screaming)
00:23:39 (dramatic music)
00:23:44 - Gene!
00:23:54 (people screaming)
00:23:57 - Great Caesar's ghost.
00:24:08 (dramatic music)
00:24:10 (people screaming)
00:24:19 (dramatic music)
00:24:22 (glass shattering)
00:24:29 (upbeat music)
00:24:38 (dramatic music)
00:24:44 (speaking in foreign language)
00:24:48, (speaking in foreign language)
00:24:53 (dramatic music)
00:24:56 (upbeat music)
00:25:13 ♪ Hey, you make me a, you make me a believer ♪
00:25:23 ♪ Believe ♪
00:25:25 (speaking in foreign language)
00:25:32 - Marlboro Filter Black, Persu flavor.
00:25:41 (speaking in foreign language)
00:25:45 (upbeat music)
00:25:48 (singing in foreign language)
00:26:03 (upbeat music)
00:26:05 - This is for the ones who never go unnoticed.
00:26:30 Embracing the authentic, sharing the thrill,
00:26:34 the emotions.
00:26:36 Keeping it smooth, striving for an unexpected journey.
00:26:47 Experiencing new sensations, expressing their imagination.
00:26:58 Always moving to a new horizon.
00:27:01 Always open to what's possible.
00:27:04 Together, Camel, Beyond the Ordinary.
00:27:08 (speaking in foreign language)
00:27:16 Scarlet, always glow on the go.
00:27:22 (speaking in foreign language)
00:27:26 (singing in foreign language)
00:27:30 - This is for the ones who never go unnoticed.
00:27:46 Embracing the authentic, sharing the thrill,
00:27:49 the emotions.
00:27:52 (upbeat music)
00:27:55 Keeping it smooth, striving for an unexpected journey.
00:28:02 Experiencing new sensations, expressing their imagination.
00:28:12 Always moving to a new horizon.
00:28:16 Always open to what's possible.
00:28:19 Together, Camel, Beyond the Ordinary.
00:28:22 (speaking in foreign language)
00:28:30 (speaking in foreign language)
00:28:57 - This is for the ones who never go unnoticed.
00:29:01 Embracing the authentic, sharing the thrill,
00:29:04 the emotions.
00:29:06 Keeping it smooth, striving for an unexpected journey.
00:29:22 Experiencing new sensations, expressing their imagination.
00:29:27 Always moving to a new horizon.
00:29:31 Always open to what's possible.
00:29:34 Together, Camel, Beyond the Ordinary.
00:29:38 (helicopter whirring)
00:29:44 (dramatic music)
00:29:47 (helicopter whirring)
00:29:50 (dramatic music)
00:29:53 (helicopter whirring)
00:30:16 (dramatic music)
00:30:18 (helicopter whirring)
00:30:44 (dramatic music)
00:30:46 (dramatic music)
00:31:11 (door creaking)
00:31:14 - Daddy.
00:31:15 (thunder rumbling)
00:31:26 - How did you get here?
00:31:31 - I flew.
00:31:32 (water splashing)
00:31:37 (water splashing)
00:31:40 (screaming)
00:31:44 (dramatic music)
00:31:46 - Vic, Vic, Vic.
00:31:55 Vic, where's Vic?
00:31:59 Vic.
00:32:00 (dramatic music)
00:32:07 (screaming)
00:32:09 (dramatic music)
00:32:15 (knocking)
00:32:19 (dramatic music)
00:32:36 (screaming)
00:32:38 (dramatic music)
00:32:43 (water splashing)
00:32:55 - Vic.
00:33:02 (dramatic music)
00:33:06 - Vic, hold on.
00:33:07 - I got him.
00:33:12 - I got him, go.
00:33:13 - Hold on.
00:33:16 (dramatic music)
00:33:19 (screaming)
00:33:30 - Mommy, get me.
00:33:32 - Mommy.
00:33:33 (dramatic music)
00:33:34 - Mommy, Mommy.
00:33:36 - What is it?
00:33:36 - Mommy.
00:33:37 (dramatic music)
00:33:40 - Lois.
00:33:41 - Lois.
00:33:42 - Mommy.
00:33:43 (dramatic music)
00:33:46 (gasping)
00:33:59 (water splashing)
00:34:04 (dramatic music)
00:34:07 (crying)
00:34:29 (dramatic music)
00:34:31 - Jason, get on my back.
00:34:47 (dramatic music)
00:34:49 (water splashing)
00:34:52 - Give me your hand.
00:35:17 (dramatic music)
00:35:20 - Have you got them?
00:35:26 - Yeah.
00:35:27 (dramatic music)
00:35:30 - Get buckled in.
00:35:46 (dramatic music)
00:35:49 - You'll be fine.
00:36:06 (dramatic music)
00:36:09 - I can't take off in this.
00:36:11 - I'll point you in the right direction.
00:36:13 - Thank you.
00:36:14 (dramatic music)
00:36:18 (water splashing)
00:36:21 (dramatic music)
00:36:31 (dramatic music)
00:36:34 (water splashing)
00:36:47 (dramatic music)
00:36:50 (water splashing)
00:37:02 (dramatic music)
00:37:05 - Say anything familiar?
00:37:13 (dramatic music)
00:37:16 I see an old man's sick joke.
00:37:20 - Really?
00:37:23 'Cause I see my new apartment.
00:37:25 I had a place for Kitty, one for my friends,
00:37:28 and that place over there I'll rent out.
00:37:31 (dramatic music)
00:37:33 But you know, maybe you're right.
00:37:37 You know, maybe it is a little cold.
00:37:39 It's a, what's the word I'm searching for?
00:37:42 It's a little alien.
00:37:44 It lacks that human touch.
00:37:49 - You have something that belongs to me.
00:37:55 (dramatic music)
00:37:58 (dramatic music)
00:38:00 (water splashing)
00:38:06 (dramatic music)
00:38:08 - Metropolis Tower, this is Seaplane November 7241 Hotel.
00:38:15 Do you copy?
00:38:16 Metropolis Tower, this is Seaplane November 7241 Hotel.
00:38:21 Do you copy?
00:38:23 Damn it!
00:38:24 Metropolis Tower, this is Seaplane November 7241 Hotel.
00:38:27 Do you copy?
00:38:28 Lois!
00:38:32 Are you all right?
00:38:34 - Yeah.
00:38:35 What happened?
00:38:37 - Superman.
00:38:40 - Where is he?
00:38:41 - He went back.
00:38:43 - Richard, we have to turn around.
00:38:48 - What?
00:38:49 - We have to turn the plane around.
00:38:49 - Lois, we barely made it out of there.
00:38:51 Now you want me to go back?
00:38:52 - Yes, please.
00:38:52 He'll die.
00:38:55 (dramatic music)
00:38:58 - All right, hold on.
00:39:00 (dramatic music)
00:39:03 (Lois gasping)
00:39:12 (glass shattering)
00:39:18 Kryptonite.
00:39:18 (glass shattering)
00:39:24 You're asking yourself,
00:39:26 didn't your dad ever teach you to--
00:39:29 (Lois grunting)
00:39:30 Before you leave!
00:39:31 Crystals, they're amazing, aren't they?
00:39:39 They inherit the traits of the minerals around them.
00:39:42 Kind of like a son inheriting the traits of his--
00:39:46 (glass shattering)
00:39:48 You took away five years of my life.
00:39:51 I'm just rich.
00:39:52 (Lois grunting)
00:39:55 - I should never have!
00:39:58 - Don't shoot him!
00:40:02 (Lois grunting)
00:40:06 (glass shattering)
00:40:09 (Lois grunting)
00:40:11 (Lois grunting)
00:40:17 (Lois grunting)
00:40:23 (glass shattering)
00:40:28 (glass shattering)
00:40:32 (Lois grunting)
00:40:35 (Lois grunting)
00:40:42 (glass shattering)
00:40:46 (glass shattering)
00:40:51 (glass shattering)
00:41:01 (Lois grunting)
00:41:04 (Lois screaming)
00:41:14 Now fly.
00:41:18 (glass shattering)
00:41:24 (dramatic music)
00:41:27 (water splashing)
00:41:38 (glass shattering)
00:41:42 (Lois gasping)
00:41:45 (glass shattering)
00:41:49 (dramatic music)
00:41:52 - So long, Superman.
00:42:17 Your leadership can stir others
00:42:20 to their own capacities for moral betterment.
00:42:23 The human heart is still subject to monstrous deceits.
00:42:26 Our destruction is very near, my son.
00:42:32 I could embrace you in my arms.
00:42:34 I'll help you be called for endlessly,
00:42:35 to remember you for those tasks
00:42:37 which human beings can solve for themselves.
00:42:39 (thunder rumbling)
00:42:42 (dramatic music)
00:42:45 Remember me, Kaka.
00:42:51 Remember me.
00:42:53 (glass shattering)
00:42:58 - Superman's down there.
00:43:06 - You sure?
00:43:07 - Yeah.
00:43:08 (dramatic music)
00:43:10 - Richard!
00:43:18 - Yeah, I saw him.
00:43:19 Strap in.
00:43:20 (dramatic music)
00:43:23 (water splashing)
00:43:33 (glass shattering)
00:43:36 (glass shattering)
00:43:42 (Lois gasping)
00:43:51 - Don't move.
00:43:52 (water bubbling)
00:43:58 (dramatic music)
00:44:01 (Lois gasping)
00:44:17 (dramatic music)
00:44:20 (glass shattering)
00:44:28 (water bubbling)
00:44:31 - Come on, come on, come on.
00:44:39 (dramatic music)
00:44:42 Richard!
00:44:44 - I'm trying, it's too choppy!
00:44:46 (dramatic music)
00:44:48 - Oh my God.
00:44:55 (dramatic music)
00:44:58 - No!
00:45:03 (dramatic music)
00:45:06 No!
00:45:19 (dramatic music)
00:45:21 (water bubbling)
00:45:24 (Richard groaning)
00:45:29 (water splashing)
00:45:31 (dramatic music)
00:45:35 (water splashing)
00:45:41 (dramatic music)
00:45:51 (upbeat music)
00:45:54 (dramatic music)
00:46:00 (speaking in foreign language)
00:46:04 (dramatic music)
00:46:06 (speaking in foreign language)
00:46:10 (dramatic music)
00:46:14 (dramatic music)
00:46:17 (speaking in foreign language)
00:46:41 (upbeat music)
00:46:44 (speaking in foreign language)
00:46:49 (upbeat music)
00:46:51 (speaking in foreign language)
00:46:57 (upbeat music)
00:46:59 (speaking in foreign language)
00:47:05 (speaking in foreign language)
00:47:26 (upbeat music)
00:47:29 (speaking in foreign language)
00:47:33 - Marlboro Filter Black, pursue flavor.
00:47:41 (upbeat music)
00:47:44 (speaking in foreign language)
00:47:49 - 22, power up!
00:47:54 (upbeat music)
00:47:57 (speaking in foreign language)
00:48:01 (upbeat music)
00:48:03 (speaking in foreign language)
00:48:15 (upbeat music)
00:48:29 (singing in foreign language)
00:48:33 - Something sweet to chill.
00:48:43 Fresh and natural dessert collection,
00:48:45 spray cologne and body wash.
00:48:46 We'll need pink cupcakes, so sweet and cheerful.
00:48:49 (speaking in foreign language)
00:48:51 Indulge yourself with fresh and natural dessert collection.
00:48:54 Be sweet, be you.
00:48:56 - Wingscare.
00:48:57 This is for the ones who never go unnoticed.
00:49:00 Embracing the authentic, sharing the thrill, the emotions.
00:49:06 (upbeat music)
00:49:10 Keeping it smooth, striving for an unexpected journey.
00:49:18 (upbeat music)
00:49:23 Experiencing new sensations, expressing their imagination.
00:49:28 Always moving to a new horizon.
00:49:31 Always open to what's possible, together.
00:49:35 Camel, beyond the ordinary.
00:49:39 (speaking in foreign language)
00:49:45 (upbeat music)
00:49:48 (speaking in foreign language)
00:50:12 This is for the ones who never go unnoticed.
00:50:15 Embracing the authentic, sharing the thrill, the emotions.
00:50:21 (upbeat music)
00:50:25 Keeping it smooth, striving for an unexpected journey.
00:50:32 (upbeat music)
00:50:38 Experiencing new sensations, expressing their imagination.
00:50:43 Always moving to a new horizon.
00:50:46 Always open to what's possible, together.
00:50:50 Camel, beyond the ordinary.
00:50:54 (upbeat music)
00:50:57 (wind blowing)
00:50:59 (wind blowing)
00:51:02 (wind blowing)
00:51:04 (wind blowing)
00:51:07 (wind blowing)
00:51:10 (screaming)
00:51:16 (wind blowing)
00:51:19 (wind blowing)
00:51:31 (wind blowing)
00:51:34 - How did you find me?
00:51:44 Thank you.
00:51:50 (wind blowing)
00:51:55 (wind blowing)
00:51:58 What are you doing?
00:52:07 - I have to go back.
00:52:12 - You're hurt.
00:52:15 (wind blowing)
00:52:19 (wind blowing)
00:52:21 - I lost you.
00:52:27 (upbeat music)
00:52:30 (wind blowing)
00:52:43 (upbeat music)
00:52:46 (thunder rumbling)
00:53:09 (wind blowing)
00:53:13 (upbeat music)
00:53:16 (thunder rumbling)
00:53:29 - The technology on Krypton, Superman's home world
00:53:37 is based on manipulating the growth of crystals.
00:53:39 - Sounds like it's been purchased to me.
00:53:41 - Well, naturally, if you bring it to mind,
00:53:43 any sufficiently advanced technology
00:53:45 would be used to control the magical.
00:53:47 Imagine cities, vehicles, weapons.
00:53:50 (dramatic music)
00:53:53 - Lex, what's happening?
00:54:08 (glass shattering)
00:54:11 - Go, go, go, get to the helicopter.
00:54:16 Go!
00:54:18 Out, out, now!
00:54:19 (glass shattering)
00:54:23 No, no, no, take that thing, take that thing, go, go!
00:54:27 (Lex gasping)
00:54:30 (glass shattering)
00:54:32 (dramatic music)
00:54:36 (glass shattering)
00:54:39 (glass shattering)
00:54:46 (dramatic music)
00:54:49 (glass shattering)
00:55:00 (dramatic music)
00:55:03 (Lex gasping)
00:55:06 (glass shattering)
00:55:09 - Here.
00:55:13 (dramatic music)
00:55:16 (dramatic music)
00:55:18 - What did you do?
00:55:37 - I'm sorry!
00:55:38 - No!
00:55:39 (dramatic music)
00:55:42 (glass shattering)
00:55:45 (glass shattering)
00:55:47 (dramatic music)
00:55:50 - What did you do?
00:55:59 - I'm sorry!
00:56:00 (Lex crying)
00:56:02 (dramatic music)
00:56:06 (water splashing)
00:56:09 (glass shattering)
00:56:21 (dramatic music)
00:56:24 (water splashing)
00:56:27 (water splashing)
00:56:42 (water splashing)
00:56:47 (water splashing)
00:56:55 (water splashing)
00:56:58 (water splashing)
00:57:01 (water splashing)
00:57:12 (water splashing)
00:57:15 (water splashing)
00:57:26 (water splashing)
00:57:29 (water splashing)
00:57:34 (water splashing)
00:57:41 (water splashing)
00:57:50 (water splashing)
00:57:53 (dramatic music)
00:57:58 (water splashing)
00:58:13 (water splashing)
00:58:18 (water splashing)
00:58:21 (dramatic music)
00:58:30 (dramatic music)
00:58:33 (dramatic music)
00:58:35 (dramatic music)
00:58:38 (dramatic music)
00:58:41 (water splashing)
00:58:52 (dramatic music)
00:58:58 (water splashing)
00:59:05 (dramatic music)
00:59:08 (water splashing)
00:59:30 (dramatic music)
00:59:33 (upbeat music)
00:59:53 (singing in foreign language)
00:59:59 (singing in foreign language)
01:00:03 (singing in foreign language)
01:00:07 (speaking in foreign language)
01:00:11 (speaking in foreign language)
01:00:15 (speaking in foreign language)
01:00:19 (speaking in foreign language)
01:00:24 (upbeat music)
01:00:26 (speaking in foreign language)
01:00:30 (speaking in foreign language)
01:00:34 (speaking in foreign language)
01:00:39 (speaking in foreign language)
01:00:43 (speaking in foreign language)
01:00:47 (speaking in foreign language)
01:01:00 (speaking in foreign language)
01:01:04 (upbeat music)
01:01:28 (speaking in foreign language)
01:01:32 (speaking in foreign language)
01:01:56 (speaking in foreign language)
01:02:00 (speaking in foreign language)
01:02:03 (dramatic music)
01:02:27 (speaking in foreign language)
01:02:31 (speaking in foreign language)
01:02:55 (speaking in foreign language)
01:02:59 (speaking in foreign language)
01:03:03 (speaking in foreign language)
01:03:26 (speaking in foreign language)
01:03:30 (speaking in foreign language)
01:03:34 (dramatic music)
01:03:58 (speaking in foreign language)
01:04:02 (speaking in foreign language)
01:04:06 (speaking in foreign language)
01:04:31 (speaking in foreign language)
01:04:35 (dramatic music)
01:04:50 (swords clashing)
01:04:53 - It's kind of morbid, Perry.
01:05:19 - Always be prepared.
01:05:21 - How is she?
01:05:25 (people chattering)
01:05:39 - Oh.
01:05:40 Thank you.
01:05:45 - Lois? - Yeah.
01:05:51 - We can leave whenever you're ready.
01:05:55 I mean, you don't have to be here.
01:05:59 - Well, where else would I be?
01:06:03 - Police have surrounded the area.
01:06:05 We're going to control thousands of visitors
01:06:06 who have arrived to show their support.
01:06:08 Many are carrying homemade signs and banners.
01:06:10 - I could drive.
01:06:11 - There have been no official announcements
01:06:13 over the past few hours.
01:06:14 (people chattering)
01:06:17 - Where are you going?
01:06:33 - To the hospital.
01:06:34 - I'd be careful down there, guys.
01:06:36 It's a madhouse.
01:06:38 (people chattering)
01:06:41 - So much for parking.
01:06:49 - Do you think I can get in?
01:06:51 - You're Lois Lane.
01:06:52 They'll let you in.
01:06:53 - I wanna go with Mommy.
01:06:57 (dramatic music)
01:07:00 (car horn honking)
01:07:03 (car horn honking)
01:07:14 - I'll be right here.
01:07:15 (car horn honking)
01:07:19 (dramatic music)
01:07:21 (car horn honking)
01:07:28 (dramatic music)
01:07:31 - This way, Miss Lane.
01:07:57 (dramatic music)
01:07:59 - Mommy, is he gonna get better?
01:08:21 - I don't know.
01:08:25 - I want him to.
01:08:27 - I like him.
01:08:28 - Me too.
01:08:32 (dramatic music)
01:08:43 (dramatic music)
01:08:46 - I don't know if you can hear me.
01:09:07 They say sometimes that when people are
01:09:11 (dramatic music)
01:09:14 that sometimes they can hear you.
01:09:17 I don't know if you can hear me.
01:09:26 I wanted to tell you.
01:09:37 (dramatic music)
01:09:40 (dramatic music)
01:09:42 (dramatic music)
01:09:45 (dramatic music)
01:09:48 (dramatic music)
01:10:15 (dramatic music)
01:10:17 (dramatic music)
01:10:20 (people chattering)
01:10:39 (dramatic music)
01:10:42 (people chattering)
01:10:45 (dramatic music)
01:11:09 (dramatic music)
01:11:11 (man grunting)
01:11:16 - Look, we only have six of those.
01:11:19 - Six?
01:11:22 (man laughing)
01:11:26 I would trade 300,000 coconuts
01:11:30 and every ounce of your blood
01:11:33 for a quart of gasoline!
01:11:38 - But what will we have to eat?
01:11:39 (dramatic music)
01:11:48 (dramatic music)
01:11:51 (dramatic music)
01:12:15 (alarm beeping)
01:12:17 (people chattering)
01:12:28 (dramatic music)
01:12:34 (dramatic music)
01:12:37 (dramatic music)
01:12:40 (dramatic music)
01:12:43 (dramatic music)
01:12:46 (dramatic music)
01:12:49 (dramatic music)
01:12:51 (dramatic music)
01:13:16 (dramatic music)
01:13:19 (alarm beeping)
01:13:30 (birds chirping)
01:13:42 (dramatic music)
01:13:45 (birds chirping)
01:13:48 (dramatic music)
01:14:00 - You will be different.
01:14:12 (dramatic music)
01:14:16 Sometimes you will feel like an outcast.
01:14:18 But you'll never be alone.
01:14:21 You will make my strength your own.
01:14:26 You will see my life through your eyes
01:14:33 as your life,
01:14:35 as you see it through mine.
01:14:39 (dramatic music)
01:14:42 A son becomes a father,
01:14:53 and a father becomes a son.
01:14:59 (dramatic music)
01:15:04 (dramatic music)
01:15:07 - Good night.
01:15:32 (dramatic music)
01:15:34 - I...
01:15:43 Will we see you...
01:15:53 Around?
01:15:57 - I'm always around.
01:16:01 (dramatic music)
01:16:04 - Good night, Lois.
01:16:08 (dramatic music)
01:16:11 (dramatic music)
01:16:14 (dramatic music)
01:16:16 (dramatic music)
01:16:19 (dramatic music)
01:16:23 (dramatic music)
01:16:26 (thunder rumbling)
01:16:52 (dramatic music)
01:16:54 (dramatic music)
01:17:01 (dramatic music)
01:17:20 (dramatic music)
01:17:23 (dramatic music)
01:17:31 (birds chirping)
01:17:49 (dramatic music)
01:17:52 - Here, get some dirt on this shovel.
01:18:06 (dramatic music)
01:18:10 (dramatic music)
01:18:12 (dramatic music)
01:18:20 (dramatic music)
01:18:23 - This wasn't how it was supposed to go down.
01:18:43 This wasn't the plan.
01:18:44 - We did our part.
01:18:46 - You both gotta calm down.
01:18:47 - Nobody got hurt.
01:18:48 That was the agreement.
01:18:49 - No, you changed the plan on him.
01:18:52 - Nobody got hurt.
01:18:53 That was the deal.
01:18:54 - I don't wanna have to spend the rest of my life
01:18:55 looking over my--
01:18:56 - This was the only way we were gonna get back what
01:18:58 they stole from us.
01:19:00 Now speed up or we're not gonna make our window.
01:19:02 - Who are those guys?
01:19:19 - I don't know, that's not them though.
01:19:22 (dramatic music)
01:19:25 - I don't like this.
01:19:39 - Play cool, I'll handle this.
01:19:46 - Keep your eyes on the wood, boys.
01:19:48 - Max, stay back till we call you.
01:19:50 - Who the hell are you?
01:20:13 - Nevermind that.
01:20:14 Where's the money?
01:20:16 - Here you go.
01:20:17 - Where's the rest of it?
01:20:23 - We took our share.
01:20:24 That's your cut.
01:20:25 - Truby, Foster, let's go.
01:20:28 - That wasn't the deal.
01:20:29 - I know, Mac.
01:20:30 Yeah, well it is now.
01:20:31 - That's gotta be less than half.
01:20:33 - Come on.
01:20:34 - You're damn right it's less than half.
01:20:36 - Let's go.
01:20:37 - 20 million split four ways.
01:20:38 Three of us pulled the job, five million a piece.
01:20:40 The rest is yours.
01:20:41 - Any one of those bills could have been marked.
01:20:43 How do you expect to launder it?
01:20:44 - Let us worry about it.
01:20:46 - Whoa, whoa, whoa, whoa, whoa, relax.
01:20:48 - Where's our money?
01:20:49 - Easy, guys.
01:20:50 - Where's the money?
01:20:51 - Calm down, all right?
01:20:52 We buried the money, you kill us, nobody gets anything.
01:20:55 - Just calm down, everybody.
01:20:56 - He's bluffing.
01:20:57 - Just relax, this isn't the plan.
01:20:58 - You're right, it isn't part of the plan.
01:21:00 - Truby!
01:21:00 - Look, Foster, get in the gun.
01:21:01 - Max, relax.
01:21:02 Everybody relax.
01:21:03 Put the guns away.
01:21:04 - Put the guns away.
01:21:05 Everybody just relax.
01:21:05 - Where's the money?
01:21:06 Where's our money?
01:21:07 - Calm down.
01:21:08 - Nobody's gonna--
01:21:09 (gunshots)
01:21:11 (gunshots)
01:21:13 (gunshots)
01:21:16 (panting)
01:21:27 (gunshots)
01:21:31 (gunshots)
01:21:36 (dramatic music)
01:21:41 (panting)
01:21:43 (gunshots)
01:21:48 - Move, move, move, move.
01:21:50 (gunshots)
01:22:10 - Check the truck.
01:22:11 Go, go, go.
01:22:12 (gunshots)
01:22:15 (gunshots)
01:22:20 (gunshots)
01:22:29 (panting)
01:22:38 (dramatic music)
01:22:41 (gunshots)
01:22:46 (gunshots)
01:23:00 (gunshots)
01:23:03 (gunshots)
01:23:05 (dramatic music)
01:23:16 (dramatic music)
01:23:18 - Come on!
01:23:34 Get out of here!
01:23:35 We gotta get out of here!
01:23:37 (panting)
01:23:42 (dramatic music)
01:23:45 Let's get out of here.
01:23:52 (truck engine rumbling)
01:24:01 (dramatic music)
01:24:12 (coughing)
01:24:14 (groaning)
01:24:20 (panting)
01:24:27 (groaning)
01:24:33 (dramatic music)
01:24:36 (glass shattering)
01:25:02 - How far away from the primary crime scene?
01:25:04 - They're walking it now,
01:25:05 but it looks like it's less than two miles
01:25:06 if you cut his way through the marsh.
01:25:07 - Can we get a flyover?
01:25:09 - Not before the weather.
01:25:10 Sykes.
01:25:12 - What time did the call come in?
01:25:22 - Approximately 9.30 this morning.
01:25:24 - I don't see any breaths.
01:25:27 Any exchange of fire?
01:25:29 - Well, apparently this one here,
01:25:30 and two others that were discovered
01:25:32 by a couple of hunters over at Route 20
01:25:34 got themselves into one hell of a firefight.
01:25:36 We recovered over two dozen spent shell casings.
01:25:39 First responding officers tracked in here.
01:25:41 - Got IDs?
01:25:43 - So far we know this one would be Donovan McDonald.
01:25:45 The other two are Ike Foster and John Truby.
01:25:49 - George?
01:25:50 - John Truby.
01:25:51 - George Truby had a security badge
01:25:53 from Central City Bank.
01:25:59 The bank that got robbed downtown yesterday.
01:26:01 So what's our chances of getting anything
01:26:07 out of this guy here?
01:26:08 - It's probably best.
01:26:09 Paramedics came 50/50 when they got here.
01:26:12 - Hey, I need you guys to get him down
01:26:15 to the trauma center, all right?
01:26:17 - Yes, sir.
01:26:17 - And no one talks to this guy except with me.
01:26:21 - Yes, sir.
01:26:23 - All right.
01:26:27 - You two, have a nice trip.
01:26:28 (dramatic music)
01:26:45 (dramatic music)
01:26:48 - Law enforcement officials are following several leads
01:27:02 in what authorities are calling
01:27:03 one of the largest bank robberies in state history.
01:27:06 Over 20 million was stolen from Central City Bank
01:27:10 in the morning hours of Monday, April 8th.
01:27:13 Ike Foster and John Truby died at the scene.
01:27:16 The third subject, Donovan McDonald, remains in a coma
01:27:20 following injuries sustained during the robbery.
01:27:22 At the press conference earlier today,
01:27:27 Captain Stover of Metropolitan Police Department
01:27:29 released updated information regarding the alleged suspects.
01:27:33 - Our major crimes unit is investigating multiple leads.
01:27:37 Our preliminary results indicated
01:27:38 that one of the suspects, John Truby,
01:27:41 was employed by the security firm
01:27:42 that was contracted at Central City Bank.
01:27:45 We're still reviewing those findings
01:27:50 with our partners in the FBI.
01:27:52 We don't wanna jump the gun
01:27:53 until we have more definitive details.
01:27:56 Next question.
01:27:57 (indistinct chatter)
01:28:11 As I stated earlier,
01:28:12 this is only our preliminary investigation.
01:28:15 We're still interviewing witnesses
01:28:16 and coordinating our efforts with our partners
01:28:19 in the federal law enforcement communities.
01:28:21 It is our belief that the individuals involved
01:28:25 may have in fact planned to assassinate him all along.
01:28:28 I am certain that our associates with the FBI
01:28:33 will have more to comment.
01:28:35 (dramatic music)
01:28:39 (indistinct chatter)
01:28:42 (indistinct radio chatter)
01:29:08 - Still having migraines?
01:29:10 - Yeah.
01:29:11 - How often?
01:29:12 - All the time.
01:29:14 - Follow to put my finger with your eyes?
01:29:17 What about the nightmares?
01:29:20 - Yeah.
01:29:21 - How often?
01:29:25 - Every night.
01:29:28 - Don't you think it's in his best interest
01:29:34 to extend his evaluation period
01:29:36 at least until his long-term memory comes back?
01:29:39 - It's not my concern.
01:29:40 I don't know who we were before all this happened,
01:29:43 but maybe it's for the best
01:29:45 if you don't get those memories back.
01:29:47 Your lives were lost.
01:29:52 Do you really wanna know why?
01:29:54 - If I have to go to prison,
01:29:58 I'd like to know why.
01:30:03 (dramatic music)
01:30:06 - What about his follow-up?
01:30:15 - It's out of my hands.
01:30:16 Make sure he stays on the prescribed regimen.
01:30:21 - Yes, doctor.
01:30:23 - Thank you.
01:30:31 (upbeat music)
01:30:34 (singing in foreign language)
01:30:44 (upbeat music)
01:30:46 (singing in foreign language)
01:30:50 (gentle music)
01:31:15 (speaking in foreign language)
01:31:18 (gentle music)
01:31:43 (upbeat music)
01:31:46 (speaking in foreign language)
01:31:59 (upbeat music)
01:32:10 (singing in foreign language)
01:32:14 (speaking in foreign language)
01:32:40 (upbeat music)
01:32:43 (speaking in foreign language)
01:33:12 (upbeat music)
01:33:14 (speaking in foreign language)
01:33:20 (speaking in foreign language)
01:33:25 (upbeat music)
01:33:27 (speaking in foreign language)
01:33:32 (speaking in foreign language)
01:34:00 - How's it going today?
01:34:02 - Hmm, looks good.
01:34:05 Sure this is edible, right?
01:34:07 - Seemed fine the other day.
01:34:08 - Great.
01:34:11 (doorbell buzzing)
01:34:17 - Hey, I'm Lucas.
01:34:25 Just got in.
01:34:27 - Got?
01:34:29 Excuse me?
01:34:31 - You said got.
01:34:32 People don't get in here, they're sent here.
01:34:37 - Yeah, 72 hour psychiatric evaluation.
01:34:42 It's voluntary.
01:34:43 - Do I know you?
01:34:48 You seem familiar.
01:34:54 - What?
01:34:56 No, you don't know me.
01:34:59 But I know you.
01:35:00 - How's that?
01:35:02 - Read all about you.
01:35:04 Saw all those news stories about you and that bank robbery.
01:35:08 - Well, then you know more about it than I do.
01:35:11 - I know that you're not guilty.
01:35:14 At least not for everything they're accusing you for.
01:35:18 How long you been here?
01:35:20 What, a couple years?
01:35:21 - Seven years.
01:35:25 (people chattering)
01:35:28 - I bet you're missing life outside these walls.
01:35:33 I bet even more that you're desperate to get out.
01:35:38 What's that?
01:35:54 - What if I told you I can get you out of here?
01:35:56 - I'd say you're crazy.
01:36:00 - You mean to tell me after all this time you spent in here
01:36:04 you can't tell the difference between these nut jobs and me?
01:36:06 Damn, I'm good.
01:36:09 - How would you get me out of this place?
01:36:15 - As much as I like to take credit for all this,
01:36:19 I got some help.
01:36:24 - Why are you doing this?
01:36:25 - I got 20 million reasons.
01:36:28 - If you read my case, you'd know that I don't have
01:36:34 any memory of what happened to me
01:36:35 before I was sent to this place.
01:36:37 - Look, if you wanna get out of here, this is your chance.
01:36:45 I'd say sleep on it, but I'm being discharged tonight,
01:36:48 so you gotta make a decision quick
01:36:50 'cause the clock is ticking.
01:36:53 - Trust me.
01:36:54 - Why would I trust you?
01:36:56 You got any better options?
01:37:00 - Lunch is over, gentlemen.
01:37:03 - Dr. Nichols is waiting on you for your exit exam.
01:37:14 Let's go.
01:37:15 Yeah, let's go.
01:37:23 - Everything's gonna be all right.
01:37:25 - See you soon, man.
01:37:28 (siren blaring)
01:37:33 (metal clanging)
01:37:38 (people chattering)
01:37:52 (siren blaring)
01:37:55 (people chattering)
01:38:08 (dramatic music)
01:38:20 (dramatic music)
01:38:23 - Mac, how are you feeling?
01:38:39 - That guy was poisoned.
01:38:43 - The side effects will only last a few hours.
01:38:48 (dramatic music)
01:38:51 Here, take this.
01:38:53 It will help calm you down.
01:38:54 (dramatic music)
01:39:01 - We oughta let him go.
01:39:12 - [Man] Tom three, two, clear on channel.
01:39:13 - [Man] Hold on.
01:39:15 - [Man] Tom three, I'm clear, go ahead.
01:39:17 - [Man] Tom three, Tom three, clear.
01:39:18 - [Man] Tom three, clear.
01:39:19 - [Man] Tom three, clear.
01:39:20 - [Man] Tom three, clear.
01:39:21 - [Man] Tom three, clear.
01:39:21 - [Man] Tom three, clear.
01:39:22 - [Man] Tom three, clear.
01:39:23 - [Man] Tom three, clear.
01:39:24 - [Man] Tom three, clear.
01:39:25 - [Man] Tom three, clear.
01:39:26 - [Man] Tom three, clear.
01:39:26 - [Man] Tom three, clear.
01:39:27 - [Man] Tom three, clear.
01:39:28 - [Man] Tom three, clear.
01:39:29 - [Man] Tom three, clear.
01:39:30 - [Man] Tom three, clear.
01:39:31 - [Man] Tom three, clear.
01:39:31 - [Man] Tom three, clear.
01:39:32 - [Man] Tom three, clear.
01:39:33 (dramatic music)
01:39:36 - You done for the day?
01:39:42 - Just finishing out the week.
01:39:44 - Go ahead and sign this.
01:39:45 I'm gonna have to have you open up that bag for me.
01:39:53 - Certainly.
01:39:54 - Ladies, can I see your IDs, please?
01:39:57 - Yes.
01:39:58 (truck engine roaring)
01:40:01 - Just returning these to county.
01:40:13 Dr. Nichols signed off on it.
01:40:14 - Let's get you to open up the back as well.
01:40:21 - Okay, give me a second.
01:40:22 (horn honking)
01:40:24 - Can we hurry this up?
01:40:27 (horn honking)
01:40:29 - Come on.
01:40:32 - Dr. Koda to the ECT room.
01:40:36 Dr. Koda to the ECT.
01:40:38 - Lights out, guys.
01:40:39 - Hey, did McDonaghy move back to his room?
01:40:43 - Not that I'm aware of.
01:40:44 - Let's go, move it along.
01:40:47 - We got a problem, guys.
01:40:56 - Oh, man.
01:40:57 (horn honking)
01:41:01 (horn honking)
01:41:01 - Alicia!
01:41:02 - You're good to go.
01:41:07 (truck engine roaring)
01:41:10 (ominous music)
01:41:17 (water splashing)
01:41:24 (truck engine roaring)
01:41:27 - Hey.
01:41:33 - Yourself.
01:41:34 All right.
01:41:36 Still think I'm crazy?
01:41:38 - Mm-hmm.
01:41:39 - Come on, let's get you inside.
01:41:51 (grunting)
01:41:53 (grunting)
01:41:55 (ominous music)
01:41:58 (ominous music)
01:42:01 (camera shutter clicking)
01:42:21 (camera shutter clicking)
01:42:25 (ominous music)
01:42:28 (camera shutter clicking)
01:42:31 (camera shutter clicking)
01:42:35 (ominous music)
01:42:38 (alarm beeping)
01:42:56 (ominous music)
01:42:59 (upbeat music)
01:43:03 (women singing)
01:43:08 (upbeat music)
01:43:18 ♪ I flip it up ♪
01:43:21 (speaking in foreign language)
01:43:25 (speaking in foreign language)
01:43:29 (speaking in foreign language)
01:43:33 (speaking in foreign language)
01:43:37 (speaking in foreign language)
01:43:41 (speaking in foreign language)
01:43:45 (speaking in foreign language)
01:43:49 (speaking in foreign language)
01:43:52 (speaking in foreign language)
01:43:56 (speaking in foreign language)
01:44:02 (speaking in foreign language)
01:44:10 (speaking in foreign language)
01:44:21 (speaking in foreign language)
01:44:25 - It's fairly catastrophic retrograde amnesia.
01:44:34 - You think it was real or you think he was faking it?
01:44:36 - I believe it was real.
01:44:37 His brain imaging says it was real.
01:44:39 Every neurological test we've ever done said it was real.
01:44:43 Detective, this was the worst case I've seen.
01:44:45 It took him six months to learn how to walk
01:44:48 and another 12 just to learn how to speak.
01:44:50 A man's lucky to have survived.
01:44:52 (indistinct chatter)
01:44:57 - Let me ask you something.
01:45:00 If it wasn't an act, how'd he get out of this place?
01:45:05 Have you had any visitors lately?
01:45:09 - I've been here four years
01:45:12 and other than police investigators
01:45:13 and the occasional reporter, no one's come calling.
01:45:20 (knocking)
01:45:22 - Yeah?
01:45:23 - Just spoke to one of the night nurses.
01:45:25 She said security guard by the name of Farindel.
01:45:28 It was a no call, no show for work this morning.
01:45:31 He was also one of the last people
01:45:32 to have spoken to McDonald's.
01:45:34 - Head over to his place and tell me if you find anything.
01:45:40 - Okay.
01:45:41 - No more questions.
01:45:45 - Police are following several leads
01:45:47 in the escape of famed bank robber, Donovan McDonald.
01:45:50 Authorities are not speculating
01:45:51 how they believe McDonald got away,
01:45:53 but pursuing leads in a personal interest.
01:45:55 - I need this.
01:45:57 - Our Karen Matthews is on the scene.
01:45:59 - What do you know about your case, man?
01:46:15 - I've been asked a lot of questions over the years,
01:46:17 but it always seems like they're talking about someone else.
01:46:22 I've been accused of a lot of things.
01:46:28 I'd like to know the truth.
01:46:32 - We can help you with that.
01:46:37 This will help you relax before we begin.
01:46:44 (dramatic music)
01:46:46 - Before we begin what?
01:46:49 - There's somebody outside.
01:47:02 - Give me that.
01:47:04 (gun cocks)
01:47:07 - Get in here.
01:47:25 - Are you followed?
01:47:29 - I left behind a few breadcrumbs.
01:47:32 (sighs)
01:47:34 - Hey, Mac.
01:47:35 - You already know Farron.
01:47:37 - Okay.
01:47:43 Obviously you guys know who I am.
01:47:46 Who are you?
01:47:49 You're not a security guard.
01:47:55 You're not.
01:47:59 - Crazy.
01:48:01 (dramatic music)
01:48:03 - Are you a nurse?
01:48:04 - I was in a former life.
01:48:07 - How fast can we do this?
01:48:08 - Do what?
01:48:11 - Why don't you come with me, Mac?
01:48:18 Let's go upstairs.
01:48:19 - Now hold on a minute.
01:48:21 - No, no, no.
01:48:22 - Come on.
01:48:23 - Come on.
01:48:24 Come on.
01:48:26 (dramatic music)
01:48:29 - Let me show you something, Mac.
01:48:39 (dramatic music)
01:48:41 (dramatic music)
01:48:44 - Now most of this is public record.
01:49:03 - This?
01:49:07 - This is the important stuff.
01:49:10 (dramatic music)
01:49:12 According to the police report,
01:49:14 the lead detective was a guy by the name of Sykes.
01:49:17 - Sykes.
01:49:18 I know him.
01:49:22 He's been coming to the hospital for years.
01:49:26 Always asking me questions.
01:49:30 - Sounds about right.
01:49:37 - This is something you might be interested in.
01:49:40 The ballistics report.
01:49:48 It clearly indicates that the bullets
01:49:50 that killed Ike Foster and John Truby
01:49:53 weren't fired by any of the weapons
01:49:56 recovered at the scene.
01:49:57 So you tell me,
01:50:03 how does that happen?
01:50:06 (dramatic music)
01:50:09 - What if I didn't kill him?
01:50:12 Who did?
01:50:13 (upbeat music)
01:50:20 (upbeat music)
01:50:25 (speaking in foreign language)
01:50:29 (upbeat music)
01:50:35 (upbeat music)
01:50:38 (speaking in foreign language)
01:50:42 (speaking in foreign language)
01:50:46 (upbeat music)
01:50:48 (speaking in foreign language)
01:51:15 - We've got reports coming in from the state troopers.
01:51:17 They said have roadblocks and checkpoints
01:51:19 at State Line and the 95.
01:51:21 - All right, get her on the board.
01:51:23 - Okay, we've got another hit from a gas station attendant
01:51:25 that thinks they spotted what looks like a cargo van
01:51:27 headed southbound on Veterans Highway to the 204.
01:51:31 - That makes no sense, it'd be over by Hunter Airfield.
01:51:35 - Scrambling resources too thin.
01:51:38 My estimate's this guy's already got a massive head start.
01:51:44 - Detective, I am sure you know FBI Agent Franks
01:51:47 and this is his new partner, Carl Hicks.
01:51:50 - We already extended our perimeter route 20 miles,
01:51:55 what else would you have in mind?
01:51:57 And I thought the marshals were responsible
01:52:03 for fugitive capture.
01:52:04 - Man, you've had seven years to solve these homicides,
01:52:06 but you got nothing.
01:52:07 So, now the primary suspect is out, lands on my desk.
01:52:14 (indistinct chatter)
01:52:15 - You know, that's gonna fit in perfectly
01:52:17 with all the evidence you haven't given our team.
01:52:20 - Captain, I expect your department's full cooperation.
01:52:30 - I've already spoken to your special agent, George.
01:52:33 What you know about Central City Bank
01:52:35 could provide the missing details
01:52:37 that ties our cold case together.
01:52:39 You two have been working opposite ends
01:52:41 of this same case for years.
01:52:43 You want our cooperation, we'll expect full transparency.
01:52:46 - You'll have it.
01:52:48 - Detective.
01:52:49 - Look, the briefing we got before we headed over here
01:52:58 was limited at best.
01:52:59 You're the specialist on this one.
01:53:04 I need to know who we're going after.
01:53:06 - Is he really nuts?
01:53:09 You ever think about that?
01:53:11 Is this guy really crazy or is he putting us on?
01:53:13 - Well, seven years is a hell of a long time
01:53:18 to wait and play a game.
01:53:20 - All three of these guys lived here most of their lives.
01:53:27 Then again, you already know that, right?
01:53:31 You know more about them than we do.
01:53:38 - The bank they robbed?
01:53:40 We were told the FBI was investigating them for fraud.
01:53:43 - That's right.
01:53:45 - So what were you looking for?
01:53:48 - Okay.
01:53:52 Seems the owners of the cement factory
01:53:56 took out a $30 million line of credit
01:53:58 with their friends over at Central City Bank
01:54:00 while using the employee pension funds as collateral.
01:54:06 And before filing for bankruptcy,
01:54:08 they took annual bonuses in excess of $24 million.
01:54:12 The people who built that company,
01:54:16 high and dry.
01:54:18 - You've known about this all along?
01:54:24 - Our forensic accountants took over two years
01:54:29 looking through their books, couldn't prove a damn thing.
01:54:32 It was all handshakes and gentlemen's agreements.
01:54:35 The bank knew exactly what they were doing,
01:54:37 but they turned a blind eye to it
01:54:39 because their money was covered.
01:54:43 But without proof, there was no indictment.
01:54:45 - This is an LPT enhancer.
01:54:55 - A what?
01:54:56 - A drug that stimulates the frontal lobe of the brain,
01:54:59 which controls memory.
01:55:01 - Look, I've been stuck with every truth serum
01:55:04 and memory enhancer ever invented.
01:55:06 - Not this one.
01:55:08 - How do you figure?
01:55:12 - Because it just finished clinical trials.
01:55:14 Over 80% of the patients who took this
01:55:17 regained almost 40% of their memory.
01:55:20 - What happened to the other 20%?
01:55:23 - It died.
01:55:34 - I have no recollection of what happened to me in my past.
01:55:38 And I'm not gonna let you guys fry my brain
01:55:40 trying to figure it out.
01:55:41 There is $20 million in cash hidden out there.
01:55:47 And we believe that you know where it's stashed.
01:55:49 And we're not the only ones looking for it.
01:55:51 So if you wanna survive the next couple of days,
01:55:53 I suggest you start working with us.
01:55:54 - Hey.
01:56:02 - There's an 80% chance this stuff will work.
01:56:04 - Yes.
01:56:07 - What are the side effects?
01:56:10 - Go ahead and tell him.
01:56:21 - It's not going to be pleasant.
01:56:25 Dizziness, vertigo, possible hallucinations,
01:56:30 and those headaches of yours are gonna get much, much worse.
01:56:33 - Good news is, you remember where you buried the money?
01:56:39 And we all prosper.
01:56:40 - This doesn't work by itself.
01:56:47 We're gonna have to expose you
01:56:48 to some places from your past.
01:56:49 - So you think this is gonna release my memories?
01:57:00 - It takes about 15 minutes to start working.
01:57:02 - Okay.
01:57:03 - I'm gonna need you to remain incredibly still.
01:57:10 - You're gonna wanna bite down on this.
01:57:18 Trust me.
01:57:28 It has to be injected directly into your spinal.
01:57:33 Mack, I'm sorry.
01:57:37 This is gonna hurt my tail.
01:57:39 Hold him.
01:57:40 Breathe.
01:57:43 (screaming)
01:57:45 (upbeat music)
01:57:50 (speaking foreign language)
01:57:56 (upbeat music)
01:58:05 (speaking foreign language)
01:58:11 (upbeat music)
01:58:14 (speaking foreign language)
01:58:18 (dramatic music)
01:58:41 (people chattering)
01:58:44 - You guys have been busy.
01:59:01 - Yeah.
01:59:02 - Who's this?
01:59:07 - A hunch.
01:59:09 - All of this is still speculation.
01:59:11 Let's be clear about that.
01:59:13 - Right.
01:59:14 None of the weapons used at the crime scene
01:59:16 matched the ballistics.
01:59:18 Someone else had to be involved.
01:59:20 - How many people worked at this place
01:59:23 before they closed their doors?
01:59:25 - About 115.
01:59:26 - 115.
01:59:29 I'm sure that doesn't include contractors
01:59:34 or guys like Foster,
01:59:35 whose businesses depended upon this place, right?
01:59:39 - Yeah.
01:59:40 - Well, there's your fourth man right there, detective.
01:59:44 Every one of those people had a motive,
01:59:46 just like McDonald.
01:59:47 (upbeat music)