Beat Girl Full HD (1960) Full Movies

  • last year
Beat Girl Full HD (1960) Full Movies
Transcript
00:00:00 [no audio]
00:00:12 [music]
00:00:22 [no audio]
00:00:32 [music]
00:00:42 [no audio]
00:00:52 [music]
00:01:02 [no audio]
00:01:12 [music]
00:01:22 [no audio]
00:01:32 [music]
00:01:42 [music]
00:01:52 [music]
00:02:02 [no audio]
00:02:04 Well, Mrs. Lindon, and how do you find England?
00:02:07 Like France. There are cows in the fields.
00:02:09 And sheep in the meadows.
00:02:11 Who is meadows?
00:02:13 [laughs]
00:02:15 Oh, Paul, you are terrible.
00:02:18 People will expect confetti to fly out of my hair.
00:02:20 Oh, of course.
00:02:22 Most undignified for an old married couple, isn't it?
00:02:24 Well, five days is long enough to...
00:02:28 To cool down?
00:02:29 Oh, don't be vulgar.
00:02:31 Don't dare cool down.
00:02:33 Tickets, please.
00:02:39 How long should we be?
00:02:41 London in 20 minutes.
00:02:43 Oh.
00:02:45 You worried about something?
00:02:52 I'm just wondering.
00:02:54 About Jennifer?
00:02:56 I want to love everything that is yours.
00:02:58 Your work, the houses you build, the cities you plan.
00:03:02 But most of all, I want to love your daughter.
00:03:06 Do you think Jennifer would like me?
00:03:09 How can she help it?
00:03:11 Well, a stepmother, an intruder, it is not so easy for her.
00:03:17 Nor perhaps for you either.
00:03:19 Nicole, I'll be perfectly frank with you.
00:03:22 I find Jennifer a puzzle.
00:03:24 A puzzle? How do you mean?
00:03:26 Well, I don't understand her anymore.
00:03:29 When she was a baby, we were such good friends.
00:03:31 But now I...
00:03:33 But she's not a baby anymore.
00:03:35 She's 16.
00:03:36 She needs the understanding and affection of another woman.
00:03:40 Well, I'm sure you'll be wonderful for her.
00:03:42 She'll absolutely adore you.
00:03:44 Oh, Paul, I'm a lucky woman.
00:03:47 So lucky.
00:03:48 All at once I have a husband, a family, a home.
00:03:54 (car approaching)
00:03:56 Here we are, sweetheart. Your new home.
00:04:10 Oh, darling. How nice.
00:04:21 I'm glad you like it.
00:04:23 It's been waiting for you since the day I built it.
00:04:25 (laughs)
00:04:27 Six and six, sir.
00:04:29 Thank you very much, sir.
00:04:30 You know, your house is like you.
00:04:32 How do you mean, austere?
00:04:34 With a twinkle behind the facade.
00:04:37 Come and meet your new family.
00:04:39 Thank you, sir.
00:04:45 Thank you.
00:04:48 (door closes)
00:04:50 Well, hello, Martha.
00:04:55 Oh, Mr. Linden, welcome back.
00:04:57 And this is Mrs. Linden.
00:04:59 Oh, Mrs. Linden, ma'am, welcome home.
00:05:04 I should kiss you for that.
00:05:06 You see, I'm very French.
00:05:08 Oh, Mrs. Linden, ma'am, you're most welcome.
00:05:11 But where's Jennifer?
00:05:12 Oh, she... she was just getting dressed, sir.
00:05:14 Yes, I can hear that.
00:05:16 Jennifer!
00:05:18 She must have heard us come in.
00:05:20 Jenny!
00:05:22 She's probably shy of meeting me,
00:05:24 seeing I'm some sort of drag.
00:05:26 (chuckles)
00:05:27 She's got a big shock coming.
00:05:29 I'll go and fetch her.
00:05:31 (knocking)
00:05:39 Jenny?
00:05:42 (door opens)
00:05:44 Hello, Jenny, darling.
00:05:48 You look wonderful.
00:05:52 Three months.
00:05:54 The longest I've ever been away.
00:05:56 Seemed like years.
00:05:57 Yes, it did.
00:05:59 Well, how's the art school?
00:06:02 It's cool.
00:06:03 Study's going well?
00:06:05 Fine.
00:06:07 Congratulations on your marriage.
00:06:09 Thank you, Jenny.
00:06:11 Come and meet her.
00:06:13 Admire my taste?
00:06:18 Perhaps now the house won't seem so, um...
00:06:21 What was the word?
00:06:23 Dreary.
00:06:24 Dreary.
00:06:25 Yes.
00:06:26 Perhaps now it'll seem more fun for you.
00:06:28 Hmm?
00:06:29 Don't you think so, Jennifer?
00:06:31 Nicole, this is Jennifer.
00:06:37 I'm so happy to see you at class, Jennifer.
00:06:39 Hello.
00:06:40 I'm sure you two will have a lot in common.
00:06:43 I hope we have everything in common, Jennifer.
00:06:45 Everything?
00:06:46 That's a lot, isn't it?
00:06:48 What I mean is you won't be so lonely anymore.
00:06:50 How does that sound?
00:06:51 Fine.
00:06:52 When would you like dinner, sir?
00:06:54 Oh, from now on you'll have to ask Mrs. Linden questions like that, Martha.
00:06:58 What do you think, Jennifer?
00:06:59 In half an hour?
00:07:00 That's okay.
00:07:01 Would that be all right for you, Martha?
00:07:03 Oh, yes, ma'am.
00:07:06 Well, uh, what about a drink?
00:07:09 There's ice in the sitting room and I put out the champagne.
00:07:13 Wonderful idea.
00:07:14 See, I told you, she thinks of everything.
00:07:16 After all, it's a special occasion.
00:07:19 Oh, Martha, you're making me feel really at home.
00:07:21 How about you having a glass, Martha?
00:07:23 Oh, not if you want any dinner.
00:07:26 Come on, darling.
00:07:29 [footsteps]
00:07:32 [glass clinks]
00:07:48 Well, what do you think of it?
00:07:50 It's wonderful.
00:07:52 Very impressive.
00:07:54 This is the living room.
00:07:58 Living room?
00:07:59 Ah, but it hasn't been lived in yet.
00:08:01 Needs the feminine touch.
00:08:04 We call it organized disorder.
00:08:08 Yes, it would help.
00:08:10 Don't you think, Jennifer?
00:08:12 Maybe.
00:08:14 Well, you've made a good start.
00:08:21 Looks human.
00:08:23 I like it.
00:08:24 I only use this place for the high five.
00:08:27 And some monk will soon deal with that between us.
00:08:31 Champagne?
00:08:32 I don't drink.
00:08:33 I'm too young.
00:08:34 Sixteen?
00:08:35 Of course you're not.
00:08:37 Is she, Paul?
00:08:38 Well, as Martha says, it is a special occasion.
00:08:44 Very special.
00:08:46 Now, Jenny.
00:08:48 To us.
00:08:50 All three of us.
00:08:51 To us.
00:08:56 [glass clinks]
00:08:58 What are you reading, Jennifer?
00:09:02 It's all about jazz.
00:09:04 Not your stuff.
00:09:05 But it is.
00:09:06 Let me see.
00:09:08 Let's look at it.
00:09:14 This is all double Dutch to me.
00:09:24 "Blue Blues and Dixie" by Boulard Montgomery.
00:09:28 Oh, I know him.
00:09:29 He was the father of it all.
00:09:32 But who is this?
00:09:38 She's beautiful.
00:09:40 Who?
00:09:42 Where did you get this from?
00:09:46 What are you trying to do?
00:09:48 It's a picture of--
00:09:50 It's my mother.
00:09:51 She's beautiful, isn't she?
00:09:53 I suppose so.
00:09:54 I don't remember her.
00:09:56 That is where you get your looks from.
00:09:59 Not from this monster.
00:10:01 Jennifer, why can't you sit up properly?
00:10:06 I like floors.
00:10:08 You know, I think Martha's really quite taken to you.
00:10:11 Don't you, Jenny?
00:10:12 I suppose so.
00:10:13 I haven't thought about it.
00:10:15 What is the name of your school?
00:10:17 It's in Martins.
00:10:18 One of the best, isn't it?
00:10:20 Rumor has it.
00:10:21 Jenny's always had a talent for illustration.
00:10:23 She really draws very well indeed.
00:10:25 It must be fun doing something you like and are good at.
00:10:29 Those in the time?
00:10:31 Darling, what is in that huge box over there?
00:10:37 A body?
00:10:38 That's just about it.
00:10:40 Only that's more like a skeleton in the cupboard.
00:10:42 It's my toy, and Jennifer's jealous of it.
00:10:45 Jealous?
00:10:46 Of a stupid city?
00:10:48 A city?
00:10:49 Superman stuff, and then some.
00:10:52 What are you both talking about?
00:10:54 Well, now, you wouldn't say that I was exactly old-fashioned, would you?
00:10:57 But Jennifer thinks I'm too modern.
00:10:59 Strictly as an architect.
00:11:01 In every other sense, a square.
00:11:04 A square?
00:11:06 A little while ago, I was a creep.
00:11:08 Show me the city, please.
00:11:10 You'll be sorry.
00:11:12 She may be right, you know.
00:11:15 If I get my city, I'll be up till dawn.
00:11:18 It's my life's work.
00:11:20 It's meant more to me than anything in the world.
00:11:22 Hasn't it, Jenny?
00:11:24 Yes.
00:11:26 That's true.
00:11:28 Come, I'll show it to you.
00:11:39 But what is it?
00:11:43 Ah.
00:11:45 It's a model.
00:11:51 I've called it City 2000.
00:11:53 Grime, filth, poverty, noise, hustle and bustle.
00:11:55 These things would be unknown.
00:11:57 An almost silent place.
00:11:59 Soundproofed with the use of flying beveled walls of concrete,
00:12:03 which also serve to cut wind and rain.
00:12:06 Jennifer says it'll be like living in a tin can,
00:12:09 but...
00:12:11 I don't think that's really true.
00:12:14 You know, psychologists think that most human neuroses
00:12:17 come from too much contact with other humans.
00:12:20 Now, in my city...
00:12:22 Darling.
00:12:24 A man can be as alone as if he were 10,000 miles from anywhere in the country.
00:12:27 Paul.
00:12:29 I'd like to see Jennifer today.
00:12:31 Oh, she can put herself to bed.
00:12:33 I'll be right back. I want to know every street by heart.
00:12:36 All right, darling, don't be long.
00:12:38 (Door creaks)
00:12:40 (Knock on door)
00:12:45 What is it?
00:12:49 I came to say good night.
00:12:54 Good night.
00:12:56 You've been crying.
00:12:58 Crying? I should think not.
00:13:00 Jennifer, what is it?
00:13:02 Why have you taken such a dislike to me?
00:13:05 I'm not to blame for your father's divorce.
00:13:08 It was long before he ever met me.
00:13:10 I didn't say I didn't like you.
00:13:12 Don't be childish.
00:13:14 Why not?
00:13:16 I am a child.
00:13:19 You know perfectly well what I mean.
00:13:21 Your father calls your behaviour deplorably rude.
00:13:24 I prefer to think you're just upset.
00:13:26 Naturally I'm upset.
00:13:28 All young girls are upset when their father brings home a new wife.
00:13:34 Now, if you don't mind, I...
00:13:36 Jennifer.
00:13:38 Juvenile delinquents' first vice.
00:13:43 Other adult vices, sex and the like, are disapproved of.
00:13:47 Or perhaps we even disapprove of this.
00:13:50 I started smoking when I was 14.
00:13:53 Jennifer, I could not help falling in love with your father.
00:13:57 Love?
00:13:59 That's the gimmick that makes sex respectable, isn't it?
00:14:03 I've bought you some things from Paris. Dresses and...
00:14:06 We don't wear dresses very often. We're different.
00:14:10 Not so different.
00:14:12 Most young people in Paris prefer slacks and sweaters.
00:14:15 I wear them myself in the house.
00:14:17 You can see if you like any of mine.
00:14:19 I've got everything.
00:14:21 And if there's anything else I want?
00:14:24 I just have to ask for it.
00:14:29 Anything you'd like to borrow?
00:14:31 Go ahead. Help yourself.
00:14:36 We're about the same size.
00:14:39 A new cardigan?
00:14:43 I have 19 I never wear. See?
00:14:46 But if I feel like 20...
00:14:48 Cardigan number 20 coming up.
00:14:51 Now, if you don't mind, I've got a life class in the morning.
00:14:58 What's the matter? Embarrassed?
00:15:01 Why? I've got a nice figure.
00:15:05 I've got to go.
00:15:07 I've got a nice figure.
00:15:34 Sleep well. Good night.
00:15:37 Do you want the full treatment?
00:15:42 Sleep well.
00:15:47 Stepmother.
00:15:50 Good night, Jennifer.
00:15:56 And don't kid yourself he's in love with you.
00:16:02 He's about 32,000.
00:16:31 You know, Paul, I love your city.
00:16:34 Well, it's just the way a city ought to be.
00:16:37 Not a hodgepodge of littered-up archaicism of century pile upon century.
00:16:42 But something for modern man starting from scratch.
00:16:45 You know they're going to build this one in South America?
00:16:48 Paul. I love you.
00:16:51 Yes, I know, darling. What?
00:16:53 I love you, Paul.
00:16:55 Oh, darling.
00:16:57 And I'll never let 32,000 keep us up till dawn.
00:17:01 Tonight or any other night.
00:17:04 [music]
00:17:06 [music]
00:17:34 Hey, you. Take her place, Daddio.
00:17:37 You and your phony beatnik friends.
00:17:39 I said take her place.
00:17:41 Okay, there are other dolls.
00:17:44 So you made it, Granny.
00:17:46 Managed to give him the slip.
00:17:47 Well, well.
00:17:48 First night of the old man's home.
00:17:50 Who's bright and all here the most?
00:17:51 You're a real cat, Jim.
00:17:52 Yeah, the light-footed kind.
00:17:54 Easy stuff.
00:17:55 Hey, what's she like, this big, bad Frenchie?
00:17:57 She's French.
00:17:58 Yeah, yeah, yeah.
00:18:00 Strictly easy, isn't that?
00:18:02 Yeah, dig me. I'm a cat from the Can Cane Kennel Club.
00:18:05 A real-life Parisian poodle pompadour.
00:18:08 Is she old?
00:18:09 Ancient. 24.
00:18:11 [coughing]
00:18:13 You're at it again.
00:18:14 Well, it helps.
00:18:16 Look, I got it from the chemist.
00:18:17 Yeah, you're sure there's nothing in it.
00:18:19 No kicks out of it.
00:18:20 Of course not. It's strictly for coughs.
00:18:22 Hey, Jen, 24's not too bad.
00:18:25 How can she be so square if she's French and only 24?
00:18:28 How can you be so square when you're only 18?
00:18:30 Because it rubs off you onto me.
00:18:32 Tell us, Jen, what does she say?
00:18:34 Nothing to tell.
00:18:36 Pure lowly-hearts routine.
00:18:38 [music]
00:19:01 Oh, well, not this time.
00:19:03 [chatter]
00:19:16 Come on, Dave, make the banshee.
00:19:18 I'm music-minded.
00:19:21 [music]
00:19:24 Well, I did just what you told me
00:19:26 You told me to forget
00:19:28 To date some other baby
00:19:30 Just as though we'd never met
00:19:32 Well, I did what you told me
00:19:35 I did what you told me
00:19:38 I can't forget
00:19:40 I'm crying yet for you
00:19:43 Well, I threw away your photo
00:19:47 Just like you told me to
00:19:49 I put your letters into fire
00:19:51 And got one back from you
00:19:53 Well, I did what you told me
00:19:56 Yes, I did what you told me
00:19:59 I can't forget
00:20:01 I'm crying yet for you
00:20:04 Hang on, fellas, one time.
00:20:08 [music]
00:20:27 Well, I still go to the dance hall
00:20:29 Listen to the noise
00:20:31 I try to kid myself
00:20:33 I'm having fun there with the boys
00:20:35 Yes, I did what you told me
00:20:38 Yes, I did what you told me
00:20:41 I can't forget
00:20:44 I'm crying yet for you
00:20:47 Well done, Dave.
00:20:51 Well done, Dave.
00:20:53 Hey, the band's in if you kids want to jive.
00:20:56 Say, baby, you feel terpsichorical?
00:21:02 Let's go downstairs and fly, huh?
00:21:04 [laughs]
00:21:06 Come on, Dave.
00:21:07 No, I'm staying here.
00:21:08 Oh, come on.
00:21:09 No.
00:21:10 That boy's got it coming, too.
00:21:14 [music]
00:21:43 [music]
00:22:03 [music]
00:22:23 [music]
00:22:47 [ambient street noise]
00:23:00 Jennifer, for goodness sake, hurry up.
00:23:03 Who knows how important my conference is.
00:23:07 She's just coming, darling.
00:23:09 The school is right on the way to the conference.
00:23:11 Don't fuss.
00:23:12 You won't be late.
00:23:14 What should I ever do without you, darling?
00:23:16 What about including Jennifer in the dinner party tonight?
00:23:18 You want help with the South American tycoon?
00:23:21 She's pretty young, you know.
00:23:22 But very pretty.
00:23:23 And the foreign office man, too.
00:23:25 He'll be busy flirting with his wife.
00:23:28 You know, the contract for City 2000 should be signed this morning.
00:23:31 It'll be like a sort of celebration tonight.
00:23:34 I'd rather I get her to share it with us.
00:23:36 Oh, where is that charge?
00:23:37 She'll have to go by bus.
00:23:38 Oh, Paul, please.
00:23:41 [door closes]
00:23:42 Jennifer, hurry up.
00:23:55 Jennifer, I'll pick you up at lunchtime.
00:24:04 Lunch?
00:24:06 Don't tell me you're letting me down.
00:24:08 I forgot.
00:24:10 Bye, darling.
00:24:16 Bye, darling.
00:24:17 I'll collect you at school.
00:24:19 [car horn honks]
00:24:26 Oh, excuse me.
00:24:36 Do you know Jennifer Linden?
00:24:38 Linden?
00:24:39 Yes, about your age.
00:24:41 Blonde, round face, with long hair.
00:24:44 Oh, yes, Jennifer, the crazy one.
00:24:46 Part of that beatnik crowd.
00:24:48 Beatnik?
00:24:49 It's a gimmick from America.
00:24:51 Hopeless and sopless.
00:24:53 Where could I find her?
00:24:54 There's a cafe in Soho called The Offbeat.
00:24:56 She's always there.
00:24:57 The Offbeat?
00:24:58 Thank you.
00:25:00 [indistinct chatter]
00:25:02 [coughing]
00:25:08 Fuck, fuck, it drives me nuts.
00:25:11 I need to be running around.
00:25:12 I'll wrap up, will you?
00:25:13 This'll take care of it.
00:25:14 Look at that crazy juice don't help them.
00:25:16 Why don't you say a quack?
00:25:17 I'll drop dead.
00:25:18 You sound like you're going to.
00:25:19 I wish my old man would.
00:25:21 Running nervous like I did mine.
00:25:23 You're fooled.
00:25:24 What, him? An army-type general?
00:25:26 They don't fool, man.
00:25:27 The only right man was.
00:25:29 My war on three fronts.
00:25:31 Five editions and still going strong.
00:25:33 Creep.
00:25:34 Still, he's good for the green.
00:25:35 Show us what you got today.
00:25:37 [whistles]
00:25:39 That'll do, man.
00:25:40 Keep him on his feet for another few years.
00:25:42 [whistles]
00:25:52 Hey, Tuck.
00:25:58 Hey, Gasser, you looking for me?
00:26:00 Fall down, juvenile.
00:26:02 I'm fine.
00:26:04 I'm fine.
00:26:05 Oh, you're such a notch, aren't you?
00:26:08 I'm relaxed.
00:26:09 [music]
00:26:12 [music]
00:26:14 [chatter]
00:26:16 [music]
00:26:38 [chatter]
00:26:40 [whistles]
00:26:47 Man, she's on the button.
00:26:49 I'll say.
00:26:50 What's she doing here?
00:26:51 Are you kidding?
00:26:52 I bet she's meeting that guy that runs the strip joint across the road.
00:26:56 He's always looking for new talent.
00:26:58 What's new about that?
00:26:59 Yes, they're all the same shape.
00:27:01 That's flash fast.
00:27:02 Black and able.
00:27:03 More or less.
00:27:04 That's a pound treble in the two o'clock, two thirty, and three o'clock.
00:27:07 All right?
00:27:08 Yeah, now, point of fact, I want Daisy Wood in the three o'clock.
00:27:12 And any time...
00:27:13 Some walk.
00:27:16 [music]
00:27:18 Now, that's what I call material.
00:27:28 We were going to have lunch together.
00:27:34 So we were.
00:27:35 I called that one as I said I would.
00:27:38 Lunch wasn't my idea.
00:27:40 I realize that.
00:27:41 Hey, listen to that fractured English.
00:27:43 That's the Paris poodle.
00:27:45 More like a bloodhound.
00:27:47 May I sit down?
00:27:50 Oh, I'm so sorry.
00:27:51 Please do.
00:27:52 A swinging cat like you is always welcome.
00:27:55 How do I get a stepmother like you?
00:27:57 Simple.
00:27:58 Have a father like Jennifer's.
00:28:00 Oh, I've got a father, but he's weighed down by medals.
00:28:03 Rose is Rose. He's so old he's a general.
00:28:06 Old and dull, too.
00:28:08 Jennifer's father is nicer. He's still a young man.
00:28:11 Hey, Jen, you told her she was robbing the grave, marrying you old man.
00:28:15 I said she was Gwen Antioz.
00:28:17 Antioz, that's what you said.
00:28:19 What about jazz, you dig?
00:28:21 Rock is all right, but I prefer modern.
00:28:23 East or west coast?
00:28:24 West.
00:28:25 Which one?
00:28:26 Dave Brubeck for me.
00:28:28 She's crazy, too.
00:28:31 You are a musician?
00:28:33 Somewhat.
00:28:34 I'd like to hear you.
00:28:36 That's easy if you can hear at all.
00:28:38 He can play it cool, and he sings, too.
00:28:40 He sends me over and out.
00:28:42 Please, sing.
00:28:44 Dull for you or anything, anytime or anywhere.
00:28:47 But I'm going to rock it.
00:28:49 All right, I'm listening.
00:28:51 Stop it, Dave.
00:28:53 Why do you come here and embarrass me like this?
00:28:56 Embarrass you?
00:28:57 Don't I have a right to my own life?
00:28:59 It's none of your business.
00:29:01 We are a family now.
00:29:02 Coming here, making as if you know the score.
00:29:05 East coast, west coast, Dave Brubeck.
00:29:08 You got that out of my book.
00:29:10 Don't you rather I try to share your life?
00:29:12 I won't be spied on.
00:29:13 That's the last thing I meant to do.
00:29:16 I know why you married my father.
00:29:19 It's because he's famous, and he's rich.
00:29:23 He can give you the things you want.
00:29:25 Play it down, Dull. Relax.
00:29:27 Thank you. You're good.
00:29:29 I mean, the most.
00:29:31 But stepmother, you've only just arrived.
00:29:33 In a moment, the dance begins.
00:29:36 You got the stepmother mixed up with Cinderella.
00:29:39 Paul told you about dinner?
00:29:41 Not sure I can make it.
00:29:43 Do try.
00:29:45 So we can discuss my report card with Daddy?
00:29:48 There won't be any report.
00:29:56 Nicole.
00:29:58 Hey, did you dig that one?
00:30:04 Kenny's waiting for you.
00:30:09 Who's the pal?
00:30:11 There is no pal.
00:30:12 Just a bitch with a short memory.
00:30:15 What's that you're drinking?
00:30:16 Fruit juice.
00:30:18 Are you mad?
00:30:20 That's Greta.
00:30:21 They call her the Duttess,
00:30:22 'cause when she peels, she makes like she's doing you a favor.
00:30:25 Peels?
00:30:26 Come on, my pigeon.
00:30:28 She strips across the street in a Lego club.
00:30:31 17 shillings.
00:30:32 That's what the suckers pay for seeing her in a birthday suit.
00:30:35 Just imagine wicked old Frenchy knowing a broad like that.
00:30:38 Yes, just imagine.
00:30:41 Daddy would be most interested.
00:30:43 I owe you a great deal, Your Excellency.
00:30:48 I never thought you'd get it through.
00:30:50 The opposition have to oppose, or they would be out of business.
00:30:53 It is politics, part of the game.
00:30:55 But I can tell you, now that the contract is signed and sealed,
00:30:58 they will be very pleased.
00:31:00 As H.M.'s counselor on the spot,
00:31:02 I can tell you the leader of the opposition confirmed that himself.
00:31:05 Not a man I care to deal with.
00:31:07 My brother, you know, he went in for politics.
00:31:09 Slippery customer.
00:31:11 The ambassador and your husband are just having a nightcap.
00:31:15 Can I get something for you?
00:31:16 No, thank you.
00:31:17 It's a shame to leave so early,
00:31:19 but we're flying back at the crack of dawn.
00:31:21 I'll hurry them up.
00:31:23 You're fond of music?
00:31:26 If it's beat.
00:31:28 Jazz, you know.
00:31:29 Of course.
00:31:30 I hear they're dancing the Charleston again.
00:31:33 Shades of my youth.
00:31:34 Only dabs.
00:31:35 Not the real cats.
00:31:37 That's what I call Jenny's expresso language.
00:31:41 I'm afraid I must be very silly, but...
00:31:43 Coffee bars.
00:31:44 I must confess, I've never been in a coffee bar.
00:31:46 No, neither have I.
00:31:48 Nicole has.
00:31:49 We had lunch in one today.
00:31:51 Yes, it was fun.
00:31:53 I believe some of those places can be awful.
00:31:56 This was charming.
00:31:57 Full of young people.
00:31:58 Art students.
00:31:59 And dancers.
00:32:01 One was an old friend of Nicole's.
00:32:04 Yes, somebody I knew years ago.
00:32:07 I don't even remember her name.
00:32:09 Her name is Greta.
00:32:11 Oh, of course.
00:32:14 They call her the Duchess.
00:32:17 Very mysterious.
00:32:18 Is she really a Duchess?
00:32:19 Hardly.
00:32:20 She's a dancer.
00:32:22 Of sorts.
00:32:23 Your Excellency, may I suggest...
00:32:25 Yes, yes, we must go.
00:32:27 It has been a delightful evening.
00:32:30 And now I hope we shall see you and your husband more often in my country.
00:32:33 Go on.
00:32:38 More signs from the press.
00:32:46 I leave it to your discretion.
00:32:48 You look very pretty tonight, Jennifer.
00:32:55 I stayed and talked to your friend, Greta.
00:32:58 Really?
00:32:59 She remembered you all right.
00:33:01 She said you were a bitch.
00:33:03 Jennifer, did I hear her right?
00:33:07 Who is this woman?
00:33:08 What did you talk about?
00:33:09 We talked about striptease.
00:33:11 You talked about what?
00:33:13 Striptease.
00:33:14 Come in.
00:33:15 Can I help her if that's what she does?
00:33:23 She's Nicole's friend.
00:33:25 I haven't seen her for years.
00:33:27 She works with little girls.
00:33:28 It's quite a dump.
00:33:30 She must be pretty low.
00:33:31 That's enough.
00:33:32 They call her the Duchess.
00:33:36 Imagine, a stripping Duchess.
00:33:39 Poor Greta.
00:33:40 I had no idea she had signs so low.
00:33:42 Just imagine it, Daddy.
00:33:43 Every time Nicole's friend strips,
00:33:45 over 100 dirty old men crowd into a little room to watch her.
00:33:48 And they pay 17 shillings each.
00:33:50 That's a lot of money, isn't it?
00:33:52 Where did you learn all this?
00:33:54 This is terrible.
00:33:55 Terrible.
00:33:56 Greta used to be so talented, so ambitious.
00:33:59 All she could ever talk about was her career.
00:34:02 We began in the ballet together.
00:34:04 Ballet?
00:34:05 Do you mind?
00:34:06 If either of you were ever on your points,
00:34:08 then I'm a tightrope walker.
00:34:10 Jennifer!
00:34:12 Did you tell her I had been a dancer?
00:34:14 No, we...
00:34:15 We hadn't had much time to discuss things yet.
00:34:18 You must teach me some steps, won't you, Nicole?
00:34:22 I doubt there is much I could teach you.
00:34:24 You could always try.
00:34:28 Take it off, take it off,
00:34:32 said the boys in the rear,
00:34:34 and she unzipped her zipper.
00:34:36 Well, Nicole, what is this all about?
00:34:40 Nothing.
00:34:41 Nothing?
00:34:42 Darling.
00:34:43 You don't like her, do you?
00:34:47 I don't like her?
00:34:48 I can't understand her.
00:34:51 She hates me.
00:34:53 She's hated me ever since I set foot in this house.
00:34:56 Oh, I don't think so, darling.
00:34:58 Why won't you face it?
00:34:59 That's what I'm trying to do.
00:35:01 So let's get back to this old friend of yours,
00:35:04 the one that told Jennifer about striptease.
00:35:07 I told you about her.
00:35:09 Yes, but there's more, isn't there?
00:35:11 Isn't there, Nicole?
00:35:14 I told you we were in Bali together.
00:35:17 Now she has altered her way of life.
00:35:19 I'm not responsible for what she has become.
00:35:22 Look, I didn't say that.
00:35:24 There are lots of things that happened to us before we met.
00:35:28 Can't we talk about them sensibly?
00:35:30 The same all over the world, Paul.
00:35:33 Girls start off together,
00:35:35 have the same chances.
00:35:37 Some go straight, others go bad.
00:35:40 Treta was unlucky.
00:35:42 With me it was different.
00:35:45 I met you and I fell in love.
00:35:47 As simple as that?
00:35:49 Just as simple as that.
00:35:51 Darling.
00:35:52 (door opens)
00:35:54 (car horn honks)
00:36:16 (car door closes)
00:36:18 Go on. I'll be there in a minute.
00:36:32 Okay, be exclusive.
00:36:34 Come on, she's in a mood.
00:36:37 (car door opens)
00:36:39 (car horn honks)
00:36:41 Looks nice, doesn't she, kid?
00:36:59 Like to go in with me and see her?
00:37:01 Creep shovel.
00:37:02 Now, girlie, is that a nice way to talk?
00:37:06 For grown-ups, kid.
00:37:08 I've got money. Here.
00:37:10 You could be the Bank of England. You still wouldn't be old enough.
00:37:12 I want to go home to Mummy.
00:37:14 I've got to see Greta. We've a date.
00:37:16 I have to see her.
00:37:18 Oh? What's her name?
00:37:20 Nicole.
00:37:21 Just a minute.
00:37:23 Call Greta.
00:37:27 Greta, there's a young lady here who says she's got a date with you.
00:37:31 Name of Nicole.
00:37:33 Okay.
00:37:35 This way, miss.
00:37:38 (clattering)
00:37:41 (music playing)
00:37:44 (music playing)
00:37:46 (music playing)
00:37:49 (music playing)
00:37:51 (music playing)
00:38:01 (music playing)
00:38:13 (music playing)
00:38:15 (music playing)
00:38:29 (music playing)
00:38:31 (music playing)
00:38:41 (music playing)
00:38:51 (music playing)
00:38:53 (music playing)
00:39:03 (music playing)
00:39:13 (music playing)
00:39:15 (music playing)
00:39:25 (music playing)
00:39:35 (music playing)
00:39:37 (music playing)
00:39:39 (music playing)
00:39:49 (applause)
00:40:06 Now, gentlemen, a thrill both sides of the footlights.
00:40:09 The first of our amateur talent competitors,
00:40:11 the lovely little child of nature.
00:40:13 Now, just take your time, babe. It begins slowly, you know what I mean?
00:40:16 Build it up. Make 'em wait.
00:40:18 Keep 'em on the end of that G-string.
00:40:20 Tease 'em.
00:40:21 It's easy. Just don't look at 'em, Mummy.
00:40:23 Get it over with fast.
00:40:24 Just shut up.
00:40:26 Now, all right, you're on.
00:40:27 Now, remember, a fiver for today and a job if you really send 'em.
00:40:31 Just you watch. They'll fall right off their seats.
00:40:35 (sighs)
00:40:37 She's too young, Simon. It's a shame.
00:40:39 When did you join the Salvation Army?
00:40:41 Cut it out, Mavis. Get back to your bar.
00:40:43 Now, you really know how.
00:40:48 Well, all right.
00:40:53 (music playing)
00:40:55 (music playing)
00:40:57 (music playing)
00:40:59 [MUSIC]
00:41:09 [LAUGHTER]
00:41:19 [MUSIC]
00:41:31 Not bad, not bad at all.
00:41:33 I'm glad you approve.
00:41:35 You certainly know how to pick them.
00:41:37 For real, madame. I'd settle up in a house.
00:41:40 I'm not ready for that kind of work yet.
00:41:43 [MUSIC]
00:41:54 Promising.
00:41:56 [MUSIC]
00:42:07 Great expertise.
00:42:10 These days anyone would think you'd loathe the sight of me.
00:42:14 Kenny, what's the matter?
00:42:19 There's a girl outside to see you.
00:42:21 All right, sir, her in.
00:42:23 That's for me.
00:42:29 The tickets. Last plane Saturday night.
00:42:32 Why you want to go to Paris, I don't know.
00:42:34 It's corny.
00:42:35 Brighton's corny too, but it's nearer.
00:42:37 Yes, but Paris does things for a girl.
00:42:40 Why blame Paris?
00:42:42 That day was bitter. Quite the dish.
00:42:45 Oh.
00:42:46 Careful. It's jailbait.
00:42:48 You've got a truth in mind, haven't you?
00:42:50 I know.
00:42:51 Nauseating, isn't it? You'll have to divorce me, darling.
00:42:54 [MUSIC]
00:43:17 The name Nicole made me think you were somebody I knew.
00:43:19 Nicole married my father.
00:43:22 Oh.
00:43:23 There's more than one Nicole in the world.
00:43:26 I was with her in the offbeat this afternoon.
00:43:29 What does that prove? Where do I come into this?
00:43:31 She told me you once worked together.
00:43:33 I don't know what you're talking about.
00:43:35 Was it a joint like this?
00:43:38 Look, kid, don't bother me. I'm busy.
00:43:41 How did you like it when she cut you dead?
00:43:43 Oh, barge off. Go on, clear off.
00:43:46 You're so frightened now. Is it a view or is it...
00:43:49 Now, look here, kid, forget all this Nicole business.
00:43:52 I made a mistake. We all make mistakes.
00:43:55 I don't know any Nicole.
00:43:57 Now, clear out of here while you've got the chance.
00:44:00 What's the hurry, Grace?
00:44:02 Bring the little lady into my office and we'll all have a nice little chat.
00:44:07 (music playing)
00:44:19 Look, I can see out, they can't see in.
00:44:23 That's the only way I can tell if the girls are earning their money or not.
00:44:26 Now, you just sit down there and tell me all about it.
00:44:29 It sounds as if maybe Greta's been holding out on you.
00:44:33 I wanted to know about a friend of hers called Nicole.
00:44:36 I was supposing you'd put me in the picture.
00:44:39 He calls my stepmother.
00:44:42 Oh.
00:44:44 Did you know her, Greta?
00:44:46 Did you?
00:44:48 We used to work together in Paris.
00:44:50 Was it so hard to tell the child then?
00:44:53 Or maybe you worked in a strip club.
00:44:55 Did you strip?
00:44:57 Old answers do something like that sometime or other.
00:45:01 What else did you do in gay Paris?
00:45:04 What about the gentlemen?
00:45:07 We had friends.
00:45:11 I have a friend in you, lover boy.
00:45:14 Friends?
00:45:16 You mean customers, don't you?
00:45:19 The nearest I came to a brothel was when I came here with you.
00:45:23 Get out. Get out!
00:45:26 (music playing)
00:45:32 You'd better come back tomorrow. Greta will tell you some more.
00:45:35 Do you think there's more?
00:45:37 Oh, yes. When Greta sets her mind to it,
00:45:39 she'll tell you anything you want to hear, anything at all.
00:45:42 Well, goodbye for now.
00:45:45 Oh, wait a minute.
00:45:47 It looks easy, doesn't it?
00:45:58 It does. It takes a long time to learn.
00:46:01 Interested?
00:46:03 25 quid a week for yourself.
00:46:05 I don't need money.
00:46:07 You're so right, it isn't everything.
00:46:09 But there's a thrill in this work.
00:46:11 All the girls say so. A real thrill.
00:46:14 Besides, it's a shame to waste a nice figure.
00:46:18 See you tomorrow, maybe?
00:46:21 Maybe.
00:46:23 (music playing)
00:46:28 Well...
00:46:56 Any explanations, Jennifer?
00:46:59 What about?
00:47:01 It happens to be 3 o'clock.
00:47:03 No, it's not. It's 5-2, and I'm tired.
00:47:06 Come in here.
00:47:08 Well?
00:47:14 Where have you been?
00:47:16 Out.
00:47:18 Jennifer, I'm trying to keep my temper,
00:47:21 but I'm finding it very difficult.
00:47:24 I'm with friends, dancing.
00:47:26 When I found you weren't in your room, I was worried to death.
00:47:29 These clothes and all this muck on your face.
00:47:32 They may make you feel grown up, but you're still a little girl, you know.
00:47:36 To you, I am.
00:47:38 And if the rest of your friends like this dancer,
00:47:40 greet her that you were telling me about.
00:47:42 She's no friend of mine. Ask Nicole about her.
00:47:44 Leave Nicole out of this.
00:47:46 That couldn't suit me better.
00:47:48 But you've been to this cafe again, haven't you?
00:47:51 You're going through that corny hearts and flowers routine.
00:47:54 Don't stay out late there.
00:47:56 Little girls get into serious trouble if mixed with strangers.
00:47:58 Men are not to be trusted.
00:48:00 Jennifer, I'm trying so hard to understand you,
00:48:06 but we seem to be out of touch with each other.
00:48:08 That's no news to me.
00:48:10 But you're my daughter, my own flesh and blood.
00:48:13 I do really love you, you know.
00:48:16 You don't love me.
00:48:18 You think you do.
00:48:20 You say that so often, you make yourself believe it.
00:48:23 You don't really ever look at me. Not really.
00:48:26 None of you squares ever do.
00:48:28 You see what you want to see.
00:48:30 A bunch of teenagers lumped together under one label.
00:48:33 But we're us. Nothing to do with our parents.
00:48:36 I am me, Jennifer Linden.
00:48:38 A complete, whole, independent, living person.
00:48:41 At one time or another, all of us need to be dependent on someone.
00:48:47 Our problem is that we haven't been a complete unit.
00:48:50 But now things are different.
00:48:52 Why don't you give it a chance?
00:48:54 I prefer it this way.
00:48:56 I've been pretty lonely, Jennifer.
00:48:59 Look what it's done to you. Dried you up.
00:49:02 So you only get a kick out of that crazy city of yours.
00:49:06 What's this got to do with me and my life?
00:49:09 And where do you get your kicks from?
00:49:11 Sitting around in cafes, listening to gramophone records?
00:49:15 Driving in underground cellars and caves?
00:49:18 You are a real square, aren't you?
00:49:21 This language, these words, what does it mean?
00:49:24 It means us. Something is ours.
00:49:27 We didn't get it from our parents.
00:49:29 We can express ourselves, and they don't know what we're talking about.
00:49:32 It makes us different.
00:49:34 Why do you need to feel so different?
00:49:37 It's all we've got.
00:49:40 Next week, vroom. Up goes the world of smoke.
00:49:43 And what's the score? Zero.
00:49:45 So now, while it's now, we'll live it up.
00:49:48 Do everything, feel everything, strictly for kicks.
00:49:51 You'll find there's more to life than kicks, as you call it.
00:49:54 Oh, please, cut out the message.
00:49:56 People like you build cities,
00:49:58 but you don't begin to understand the first thing about us, who will have to live in them.
00:50:02 You'd better go to bed now, Jennifer.
00:50:04 I'm not going to try to argue with you anymore tonight.
00:50:08 But remember this.
00:50:10 If you're not going to try,
00:50:13 I'm afraid I can't. It's up to you.
00:50:16 Heads you win, tails I lose.
00:50:19 It's always the same thing.
00:50:21 I hate the lot of you.
00:50:23 I hate you.
00:50:26 I hate you.
00:50:32 I hate you.
00:50:34 Well, this is a bit too much.
00:50:44 The old creep downstairs and now you up here.
00:50:46 I wanted to talk to you.
00:50:48 I'm the same. Dialogue, too.
00:50:50 Go on. Why don't you ask me where I've been to?
00:50:53 That's easy. The offbeat club.
00:50:57 Guess again.
00:50:59 Somewhere much more interesting.
00:51:01 Jennifer, what is all this for?
00:51:06 Oh, listen. Before you break my heart, I'd like to go to bed.
00:51:10 Do you think I want to sit up half the night?
00:51:13 I should have thought you'd be used to it.
00:51:16 What do you mean?
00:51:18 Most trip joints are open until early hours, aren't they?
00:51:21 Especially in Paris.
00:51:23 What is this trip tease nonsense?
00:51:25 You're not still sticking to that old ballet story, are you?
00:51:28 Your chum Greta has quite a different angle.
00:51:31 You haven't been to that club, have you?
00:51:34 Ah. You're with me at last, stepmother.
00:51:37 Les Girls, the sultry, saucy, soho trip tease
00:51:40 starring Greta de Paris, la reine du strip tease.
00:51:43 Strip, strip, hurrah.
00:51:45 How do you like my French?
00:51:48 I had a French governess.
00:51:50 Greta and I had a long chat.
00:51:53 She told me how you worked together in Paris.
00:51:56 And what else?
00:51:58 That's funny.
00:52:00 Those are the same words her boyfriend Kenny used.
00:52:03 What else he said? What else did you both do in Paris?
00:52:07 Is there more?
00:52:09 Jennifer, what are you trying to find out?
00:52:12 What have I done to you?
00:52:14 Dig this and dig this real. I won't have you spying on me.
00:52:17 Keep out of my life and I'll keep out of yours.
00:52:20 Spying? I wanted to be friends.
00:52:23 And dig this, too.
00:52:25 I'm no part of my father's life and he's no part of mine.
00:52:28 And that goes for you, too.
00:52:30 We can't live like strangers under the same roof.
00:52:33 It's all wrong.
00:52:35 Why can't we be friends?
00:52:37 I'm warning you.
00:52:39 "Take it off, take it off," said the boys in the rear.
00:52:43 "La, la, la, la, la, la, la."
00:52:47 I'm sorry. I didn't mean it.
00:52:50 Forgive me.
00:52:52 I wasn't going back to Greta to find out the rest.
00:52:56 I was just warning you to keep out of my life.
00:53:00 Now I've changed my mind.
00:53:15 "Take it off, take it off," said the boys in the rear.
00:53:18 "And she'll live to see the..."
00:53:43 For the audition?
00:53:45 OK.
00:53:47 Good luck.
00:53:51 Yeah, that was very, very nice, what you did last night, darling.
00:54:06 But it isn't quite what we want in a club like this.
00:54:09 Now, tease, will you?
00:54:11 Try it again.
00:54:13 Tease, darling, tease.
00:54:23 How about bright and Sunday?
00:54:27 I don't like winkles.
00:54:29 What do I do with this?
00:54:33 Try it again. Tease, will you?
00:54:38 Tell Greta there's an old friend here.
00:54:41 If she's in, I'll see.
00:54:43 Nicole.
00:54:49 Well?
00:54:52 Greta, I'm sorry about the coffee bar.
00:54:55 I was so surprised to see you.
00:54:57 That's all right. I understand.
00:54:59 I was angry at first, but...
00:55:02 Oh, well, that's life.
00:55:04 So you're married?
00:55:06 Is he nice?
00:55:08 I love him.
00:55:10 I hope he's worth it.
00:55:12 Greta, a girl came here.
00:55:14 Jennifer, my husband's daughter.
00:55:17 Yes, I told her I knew you.
00:55:19 Kenny made me.
00:55:21 Kenny?
00:55:23 Yeah, he runs this place. And me.
00:55:25 He's a bastard, but I love him.
00:55:27 You see, I haven't changed.
00:55:30 What else did you tell her?
00:55:32 Nothing.
00:55:34 I'll keep her away from here.
00:55:37 It's Kenny.
00:55:39 You wanted to see me?
00:55:48 There was a young girl in here last night.
00:55:50 Seeing Greta.
00:55:52 And?
00:55:53 Leave her alone.
00:55:55 Oh.
00:55:57 May I ask who you are?
00:55:59 Her stepmother.
00:56:01 So that's what Nicole looks like.
00:56:04 You've come up in the world, haven't you?
00:56:06 I can come down to your level if I have to, Mr. Kenny.
00:56:10 So just listen to me.
00:56:12 If that child comes in here again,
00:56:15 you're going to send her home.
00:56:17 And if I don't?
00:56:19 I'll tell my husband.
00:56:21 He'll go straight to the police.
00:56:23 To begin with, the girls and the rage.
00:56:26 And with an expert like you,
00:56:28 I'm just not taking the risk.
00:56:31 Do we understand each other, Mr. Kenny?
00:56:34 Perfectly.
00:56:36 And will your husband also understand
00:56:38 when he finds out what his wife and her good friend Greta
00:56:41 got up to while they were in Paris?
00:56:43 Kenny, please.
00:56:44 And how they managed between jobs.
00:56:46 What did you tell him, Greta?
00:56:48 For goodness sake, what did you tell him?
00:56:51 Your stepdaughter will be very welcome here any time.
00:56:55 Any time.
00:56:57 Jennifer?
00:57:02 Jennifer?
00:57:05 Jennifer?
00:57:09 Jennifer!
00:57:13 [music playing]
00:57:16 [music playing]
00:57:19 [music playing]
00:57:22 [music playing]
00:57:25 [music playing]
00:57:28 [music playing]
00:57:39 [music playing]
00:57:49 [music playing]
00:57:52 Hey, looks like it's quite a ball.
00:58:03 Daddy-o, I'm over a dog.
00:58:08 Play it down, doll.
00:58:10 Well, you've got to live for the kicks.
00:58:12 That's all you've got.
00:58:13 Ah, Liv.
00:58:15 [music playing]
00:58:18 [music playing]
00:58:21 Babe, sing that number and see it cool.
00:58:39 I don't play wife.
00:58:40 Wife?
00:58:41 I said cool.
00:58:43 I'll wait.
00:58:45 [music playing]
00:58:48 Sing, Dad, sing.
00:58:58 [music playing]
00:59:07 Well, I saw you sitting there so cool.
00:59:11 Like you just came here from school.
00:59:14 Looking such a pretty sight.
00:59:16 Like a stick of dynamite sitting on a coffee bar stool.
00:59:19 You're a gasser, that's a fact.
00:59:21 And I never can relax till I've made you.
00:59:26 Baby, come on.
00:59:30 Well, I feel such a crazy clown.
00:59:32 You're the biggest thing in our town.
00:59:35 Come on, honey, it ain't fair.
00:59:37 I never get anywhere.
00:59:39 How do I melt you down?
00:59:41 When you're a gasser, that's a fact.
00:59:42 And I never can relax till I've made you.
00:59:46 Yeah, make with it now, fellas.
00:59:48 [music playing]
00:59:51 Oh, I'm not giving up this chance.
01:00:04 I don't want to lose this case.
01:00:07 Every time I make a play, baby, you just run away.
01:00:10 I never made first base.
01:00:12 A gasser, that's a fact.
01:00:14 And I never can relax till I've made you.
01:00:18 [applause]
01:00:21 Great, Dad, great.
01:00:23 Straight from the fridge.
01:00:24 I'm way out.
01:00:26 Ah, this group's not so hot.
01:00:28 Let's go and listen to the other one.
01:00:30 [music playing]
01:00:34 [music playing]
01:00:37 Put it away, creep.
01:00:49 Look, leave me alone.
01:00:50 You heard me.
01:00:51 Hey, look, cut it out.
01:00:59 If you want to fight, go and join the army.
01:01:01 That's the place for squares.
01:01:04 [music playing]
01:01:07 Hey, your medicine's neat gin.
01:01:24 Got any more?
01:01:27 So that's what the cuff was in aid of.
01:01:30 Crumb.
01:01:32 You'll have to do better than that.
01:01:34 Where'd you get it?
01:01:36 I pinch it from the sideboard.
01:01:38 Have a dry martini, General.
01:01:41 Or is yours a pinker's, me old lemon?
01:01:44 What's the matter with you, boy?
01:01:45 Why do you need that?
01:01:48 Drinks for squares, man.
01:01:50 Kid stuff.
01:01:53 Oh, something.
01:01:55 This is-- it's like the war, way down in the underground.
01:01:59 There she was, my old lady, snug as a bed bug,
01:02:03 in the dark on the floor.
01:02:06 That's where she had me.
01:02:08 She was bombed out, so that's where we lived,
01:02:10 like a bunch of scared rats underground.
01:02:14 That's the first home I ever had.
01:02:17 My mother came up to London to be with the old man on his leave.
01:02:22 Crazy.
01:02:23 One day, a doodlebug.
01:02:27 The house just went vroom.
01:02:31 She went with it.
01:02:33 The old man, of course, was a hero, a live one.
01:02:37 The desert, Italy, with D-Day to come.
01:02:40 Stiff upper lip and all that.
01:02:42 Don't cry for your mother, boy.
01:02:44 It's not manly.
01:02:46 When it was over, I played on the bombsites,
01:02:50 down in the cellars amongst the rats.
01:02:52 Yes, I tell you, man, this is a home from home for me.
01:02:56 From then on, it was strangers, morning, noon, and night.
01:03:00 Strangers.
01:03:02 I know about strangers, too.
01:03:04 Oh, well, that's in a hole, that's us.
01:03:07 The rat race rocks.
01:03:10 I belong here. I feel good.
01:03:13 This is my life.
01:03:14 That's because you're a number one female rat.
01:03:17 They'll never understand.
01:03:19 Look, whatever you want to do, it's always--
01:03:21 You're too young, son.
01:03:22 You want a neck in the park.
01:03:24 Oh, go home, son.
01:03:26 Home?
01:03:27 With the general and his whiskey and soda
01:03:29 and his those were the days.
01:03:31 Who wants the neck at home?
01:03:33 Gives me the screaming hand taps.
01:03:35 We could neck here.
01:03:37 He doesn't mean necking.
01:03:39 Yes, I do. I do.
01:03:40 That's just what I mean.
01:03:42 Lips to lips, hips to hips, you keep me horizontal,
01:03:44 your big, big love for you.
01:03:47 Oh, nuts.
01:03:48 What did you stop for? It was great.
01:03:50 I was swinging.
01:03:51 Oh, fade out.
01:03:53 You know, Dave, maybe you're right.
01:03:55 Maybe this place does give me the flying heebie-jeebies.
01:03:59 Let's have a party.
01:04:01 What?
01:04:02 Party at my place.
01:04:04 The old man's out and there's lots of records.
01:04:06 Hey, Cinderella, what about the wicked stepmother?
01:04:09 She can fly away in her room.
01:04:12 Hey, nutcase.
01:04:14 Feel like a run?
01:04:15 To where?
01:04:16 James Pan.
01:04:17 Where's that?
01:04:18 22 Exeter Street.
01:04:19 Did you hear that, slum dwellers?
01:04:21 That's Kensington.
01:04:23 Phew, swank.
01:04:24 I feel a race coming on.
01:04:26 Oh, boy.
01:04:28 I feel a big win coming, man. I'm in the mood.
01:04:35 Can I drive?
01:04:36 Oh, sure. It's all yours.
01:04:38 [Horn honking]
01:04:40 Come on, what's the matter with you? Put your foot down.
01:04:58 Stop the day, Foster.
01:05:00 What's the matter? You got the handbrake on or something?
01:05:07 Pick your car, go on, boy. Go on, go, go.
01:05:09 Come on, Santa Claus. You'll be late for Christmas.
01:05:13 Go, go.
01:05:15 I'm holding your back, you dragon.
01:05:17 Come on, pass 'em.
01:05:18 Shut your face like a possum if I wanted to.
01:05:20 But you don't, 'cause you're chicken.
01:05:22 Watch it, doll.
01:05:23 Chicken, chicken, chicken.
01:05:25 Chicken, chicken, chicken, chicken.
01:05:27 Why don't you play for screaming, Jennifer?
01:05:29 I won't scream.
01:05:30 You want to bet?
01:05:31 I won't.
01:05:32 Foster.
01:05:33 If you scream, you'll play for real, okay?
01:05:36 You're on, man.
01:05:38 Come on, Santa Claus.
01:05:41 Pick it up, boy.
01:05:45 Go on, back, back, back.
01:05:47 Go on, back, back, back.
01:05:53 Go on, man. Get that back, back.
01:06:00 Go on, go on.
01:06:05 Go on, man. Go on, fella.
01:06:07 Hey, stop him. Watch it, man. It's a bridge.
01:06:13 Watch it, you fowl.
01:06:18 Hey, he's got it. Watch it.
01:06:20 You want to pay me now?
01:06:22 More action and less talk.
01:06:33 Back, back.
01:06:35 He'd better chicken, 'cause I won't.
01:06:44 Come on, you.
01:06:51 You'll never make it.
01:06:56 Go, go now.
01:06:58 Go, go.
01:07:00 Didn't make a sound, man.
01:07:20 But the tiniest sound. But the tiniest.
01:07:22 You'll flip your lid next time.
01:07:24 Try me, Daddy-O.
01:07:27 (train whistling)
01:07:29 You didn't win your bet.
01:07:36 It isn't over yet.
01:07:38 Hey, there's a train coming.
01:07:45 Let's play chicken on the rails.
01:07:47 (train whistling)
01:07:49 (train whistling)
01:07:51 (train whistling)
01:07:54 (train whistling)
01:07:56 (train whistling)
01:07:58 (train whistling)
01:08:01 (train whistling)
01:08:03 (train whistling)
01:08:06 (train whistling)
01:08:09 (train whistling)
01:08:11 (train whistling)
01:08:13 (train whistling)
01:08:16 (train whistling)
01:08:19 (train whistling)
01:08:21 (train whistling)
01:08:47 You still didn't win your bet.
01:08:49 Ah, who wants their arms around an iceberg anyway?
01:08:52 Iceberg?
01:08:56 (indistinct chatter)
01:08:58 (jazz music playing)
01:09:03 (indistinct chatter)
01:09:05 (indistinct chatter)
01:09:07 (indistinct chatter)
01:09:09 (jazz music playing)
01:09:12 (jazz music playing)
01:09:14 (jazz music playing)
01:09:16 (jazz music playing)
01:09:18 (jazz music playing)
01:09:20 (jazz music playing)
01:09:22 (jazz music playing)
01:09:24 (jazz music playing)
01:09:26 (jazz music playing)
01:09:55 Stop it, you idiot!
01:09:57 This is a Paris model.
01:09:59 A present from the French pool.
01:10:01 (jazz music playing)
01:10:04 (jazz music playing)
01:10:06 (jazz music playing)
01:10:08 (jazz music playing)
01:10:10 (jazz music playing)
01:10:13 (jazz music playing)
01:10:15 (jazz music playing)
01:10:17 (jazz music playing)
01:10:20 (jazz music playing)
01:10:23 (jazz music playing)
01:10:26 (jazz music playing)
01:10:29 (jazz music playing)
01:10:32 (jazz music playing)
01:10:34 (jazz music)
01:10:36 (jazz music)
01:10:39 (jazz music)
01:10:42 (jazz music)
01:10:44 (jazz music)
01:10:46 (jazz music)
01:10:49 (jazz music)
01:10:52 (jazz music)
01:10:56 (jazz music)
01:10:59 (jazz music)
01:11:03 (jazz music)
01:11:06 (jazz music)
01:11:10 (jazz music)
01:11:14 (jazz music)
01:11:17 - Come on, daughter.
01:11:18 (jazz music)
01:11:23 ♪ Darling, hold me close to you ♪
01:11:33 ♪ There ain't a thing that they can do ♪
01:11:36 ♪ It's legal ♪
01:11:40 ♪ It's legal ♪
01:11:44 ♪ When you look at me that way ♪
01:11:48 ♪ It's dangerous but strange to say ♪
01:11:52 ♪ It's legal ♪
01:11:55 ♪ It's legal ♪
01:11:59 ♪ I won't be wicked again ♪
01:12:03 ♪ I'll never be bad no more ♪
01:12:07 ♪ Just think of the things that we can do ♪
01:12:12 ♪ Without even breaking the law ♪
01:12:16 ♪ Oh darling, let me never fear ♪
01:12:20 ♪ We're definitely in the clear ♪
01:12:24 ♪ It's legal ♪
01:12:27 ♪ It's legal ♪
01:12:32 ♪ I won't be wicked again ♪
01:12:36 ♪ I'll never be bad no more ♪
01:12:40 ♪ Just think of the things that we can do ♪
01:12:44 ♪ Without even breaking the law ♪
01:12:48 ♪ Oh darling, let me never fear ♪
01:12:53 ♪ We're definitely in the clear ♪
01:12:57 ♪ It's legal ♪
01:13:00 ♪ It's legal ♪
01:13:03 (audience applauding)
01:13:08 (audience chattering)
01:13:11 - You're phony just like an iceberg.
01:13:20 - Am I?
01:13:23 (upbeat music)
01:13:27 (audience chattering)
01:13:30 - Perhaps the ice is melting.
01:13:40 - Go, go, go.
01:13:49 You're warming me.
01:13:51 (upbeat music)
01:13:53 - Go on, Jane, go, go, go.
01:13:59 - Strip like a Frenchie.
01:14:00 Strip, strip.
01:14:01 (upbeat music)
01:14:03, melt, melt, melt.
01:14:05 (upbeat music)
01:14:08 Melt, melt, melt.
01:14:33 (upbeat music)
01:14:35, melt, melt, melt.
01:14:37 (upbeat music)
01:14:40, melt, melt, melt.
01:14:41 (upbeat music)
01:14:44, melt, melt, melt.
01:14:46 (upbeat music)
01:14:48, melt, melt, melt.
01:14:50 (upbeat music)
01:14:53 (upbeat music)
01:14:55 (upbeat music)
01:14:59 (upbeat music)
01:15:02 (upbeat music)
01:15:04 (upbeat music)
01:15:07 (upbeat music)
01:15:15 (upbeat music)
01:15:18 (audience cheering)
01:15:38 (upbeat music)
01:15:41 (upbeat music)
01:15:43 - Jiggy-sack.
01:15:49 - Idiot.
01:15:56 Get dressed.
01:16:03 And you, get out of here.
01:16:05 - Now Frenchie darling, you're getting stroppy.
01:16:06 Don't claim you haven't seen a dull pool before.
01:16:08 - Be a nice Paris poodle.
01:16:10 I said get dressed.
01:16:11 - Hey, hey, cadaver.
01:16:13 Cut out the watch comedy routine
01:16:14 and show us a trick or two in French.
01:16:16 That was liberty, lady.
01:16:20 Quite a liberty.
01:16:21 Now when I slap, it's no brush with a chicken's claw.
01:16:23 - Come off it, Dave.
01:16:24 - Get him out of here before I call the police.
01:16:26 Out you go, out.
01:16:28 Nobody's leaving.
01:16:32 - I said the party's over.
01:16:33 - Drop dead.
01:16:34 It's my house, now do as I please.
01:16:37 - It's your father's house.
01:16:38 I'm his wife and you do what I say.
01:16:40 Now put on your blouse and get away from that door.
01:16:43 I said get away from that door.
01:16:44 - I'll kill you.
01:16:45 - The devil's going on here.
01:16:50 - Where's your party?
01:16:52 - So it seems.
01:16:53 Jennifer, get your things on.
01:16:55 Who are these people?
01:16:56 - Jennifer's friends, boss.
01:16:58 - Now get out of here.
01:16:59 All of you, go on, get out of my house.
01:17:02 Go on, get out of it, you jiving, dribbling scum.
01:17:10 Get out of it.
01:17:11 Put on your clothes and take that muck off your face.
01:17:23 Bringing that riffraff in here,
01:17:24 what sort of a place do you think you're turning this into?
01:17:26 - That's the big laugh.
01:17:27 Why didn't you ask yourself that question
01:17:29 when you brought that woman in here?
01:17:30 - Shut up.
01:17:31 - The bally.
01:17:32 Ask her what she and Greta were up to in Paris.
01:17:34 Get her to show you how she's strict with the customers.
01:17:36 - Shut up.
01:17:37 - You and Greta and your boyfriends.
01:17:39 Tell him how much you were paid.
01:17:41 - Jennifer.
01:17:42 - And if she doesn't know that much English,
01:17:44 go and ask Greta.
01:17:46 - Don't, Paul.
01:17:47 - Jenny, I...
01:17:52 It isn't true, is it?
01:18:06 None of it.
01:18:08 It's a lot of nonsense.
01:18:10 Nicole, tell him it isn't true.
01:18:14 - All that striptease business is childish.
01:18:17 Greta and I did dance in cabaret, but...
01:18:19 - I don't mean that.
01:18:20 You know I don't mean that.
01:18:22 - With boyfriends?
01:18:25 - Customers.
01:18:27 - If you prefer.
01:18:31 Yes, that is true.
01:18:33 - You.
01:18:38 My wife.
01:18:39 But why?
01:18:42 How?
01:18:43 You lied to me.
01:18:44 - How have I lied to you?
01:18:47 Did I tell you I was a virgin before I married you?
01:18:50 Did I tell you I never been to bed with another man?
01:18:52 - But you never told me that...
01:18:54 - That I accepted the rent money instead of a bunch of roses?
01:18:58 All right.
01:18:59 I never told you.
01:19:01 Is that lying?
01:19:02 - No.
01:19:06 Maybe it isn't.
01:19:07 But you've got to tell me the truth now.
01:19:11 - Oh yes, I'll tell you.
01:19:14 Rao was my father.
01:19:16 I walked out.
01:19:18 I was hungry, but I was too proud to go back.
01:19:23 Greta showed me the way.
01:19:26 It is not easy to stay respectable on an empty stomach.
01:19:30 Poor Greta.
01:19:32 I was the lucky one.
01:19:36 You came along.
01:19:37 You came along.
01:19:39 All I ever wanted.
01:19:41 - I love you.
01:19:56 That's all I know.
01:19:59 I love you.
01:20:03 - I love you.
01:20:04 - Taxi!
01:20:14 (car door closes)
01:20:15 - Oh, man.
01:20:37 Ah, sin for that body snatchers.
01:20:43 - The joint's dead, all right.
01:20:45 - Everything's so dreary.
01:20:47 I'm bored.
01:20:48 - Come on, live dangerously.
01:20:50 - Come on, Jen, dance with me. Let's live it up.
01:21:00 - All right.
01:21:01 (soulful music)
01:21:03 (soulful music)
01:21:04 (soulful music)
01:21:06 (soulful music)
01:21:07 ♪ ♪
01:21:17 ♪ ♪
01:21:27 ♪ ♪
01:21:37 ♪ ♪
01:21:47 ♪ ♪
01:22:07 What's your hurry, baby?
01:22:09 Where'd you pick up that rubbish inside?
01:22:12 She saw me in the light and took off.
01:22:14 ♪ ♪
01:22:25 On your way, kid. You're underage.
01:22:27 Take another look. Remember me?
01:22:30 ♪ ♪
01:22:32 Okay, you win and you go.
01:22:35 ♪ ♪
01:23:04 Well, that's tricks.
01:23:06 Nearly run off my feet, huh?
01:23:08 Gotta keep the girls at home these days, eh?
01:23:10 Why do they change the law just when I'm doing so good?
01:23:13 I'll tell you there's no justice.
01:23:15 Who says?
01:23:17 ♪ ♪
01:23:23 Jennifer?
01:23:25 Nicole, she's not in her room. She's gone.
01:23:28 ♪ ♪
01:23:38 ♪ ♪
01:23:53 ♪ ♪
01:24:02 Well, somebody down there likes me.
01:24:06 I've quite given you up.
01:24:08 I didn't say for certain.
01:24:09 Oh, I'm not making any complaints.
01:24:11 It's a woman's privilege to change her mind, especially if she's beautiful.
01:24:15 You don't look so surprised. Is it new to you that you are beautiful?
01:24:19 ♪ ♪
01:24:23 Sit down.
01:24:25 Yes, I forgot.
01:24:27 You're underage, aren't you?
01:24:29 Could be quite a bit of trouble for me.
01:24:31 How?
01:24:32 You're coming here in business hours.
01:24:34 Who says?
01:24:36 Your stepmother.
01:24:38 I guess she made quite a scene threatening me with your father.
01:24:42 Oh, I forget them.
01:24:44 They drive into me like a big headache.
01:24:47 In any case, I'm on my own.
01:24:50 Just walked up.
01:24:51 And came here.
01:24:53 Oh, thank you.
01:24:55 The gang gave me the Hebe's.
01:24:57 I felt flat.
01:24:58 Well, naturally. What could those children possibly do for you?
01:25:02 You need a little help, don't you?
01:25:07 One way or another, I think I can offer you quite a future.
01:25:13 ♪ ♪
01:25:30 What the hell?
01:25:32 ♪ ♪
01:25:41 Having fun, you lousy tits.
01:25:43 Any complaints?
01:25:47 (Gunshots)
01:25:50 You think you own that bloody street, don't you?
01:25:52 I'm not fighting. Fighting's for squares.
01:25:55 It's not worth the fun, Luke. Come on.
01:25:58 ♪ ♪
01:26:15 (Applause)
01:26:24 Simon, what are those tickets doing on Kenny's desk?
01:26:27 You've been going through Kenny's private papers.
01:26:28 Now, is that nice?
01:26:30 Who's going to Paris and when?
01:26:32 Kenny feels he needs a change.
01:26:35 Change?
01:26:36 Let's face it, Greta. This is it.
01:26:39 You've got your cars and your coppers.
01:26:41 The replacement's arrived.
01:26:43 He didn't even have the guts to tell me himself.
01:26:45 Well, Kenny's got a lot on his mind.
01:26:49 He's got his hands full, as you might say.
01:26:51 I see.
01:26:53 And now I've done his dirty work, I've no more use, is that it?
01:26:59 I might have known he never cared a damn for me.
01:27:02 That's right, girl. Be sensible about it.
01:27:05 Come to think of it, what else can you do?
01:27:08 What else?
01:27:10 I should get out there and get one of those suckers to buy you a drink.
01:27:13 A good idea.
01:27:15 They were in the, uh, in the cafe.
01:27:17 When we first went in?
01:27:18 Yeah.
01:27:20 (music playing)
01:27:30 Look. That's some generous crowd, isn't it?
01:27:37 Where's Jennifer?
01:27:39 I don't know. She walked out on us.
01:27:41 Poor-eyed Alice in Wonderland.
01:27:44 Teased.
01:27:47 (music playing)
01:27:50 (applause)
01:27:52 (music playing)
01:27:55 (music playing)
01:27:58 (music playing)
01:28:01 (music playing)
01:28:04 (music playing)
01:28:32 You see, I'm not such a dangerous man, am I?
01:28:39 Two tickets.
01:28:41 Paris, last play on Saturday night.
01:28:44 You can forget all about those cheap thrills.
01:28:47 Might even have your name up in lights in the Champs-Élysées, and it really means something.
01:28:54 Does the idea appeal to you?
01:29:20 (screams)
01:29:44 Get him, please, quick.
01:29:46 Murder! Call the police!
01:29:52 Officer, there's been a murder. In our place.
01:29:57 My God. Jennifer.
01:30:00 (indistinct chatter)
01:30:12 I didn't do it. I didn't do it.
01:30:16 I didn't do it. I didn't do it.
01:30:21 Who said you did?
01:30:26 I reckon I did us all a favor.
01:30:31 Here, get on with her, quickly. Stop her.
01:30:33 Goodness sake, stop her. Don't let her get out. That's right.
01:30:35 I know she's in there. I know it.
01:30:37 There must be a back entrance somewhere.
01:30:44 Come back! Help me!
01:30:47 Jennifer. It's all right, officer. It's my daughter.
01:30:52 You're her father, are you? Yes.
01:30:54 Well, if it weren't for my pension, I'd wallop her.
01:30:56 You'd better take over.
01:30:58 Meanwhile, I'll have some particulars.
01:31:03 You'll find us here, if you want us.
01:31:06 Thank you, Mr. Vindman.
01:31:09 (sobbing)
01:31:10 Sorry, Jenny.
01:31:12 (sobbing)
01:31:14 (indistinct chatter)
01:31:18 ♪
01:31:36 Funny.
01:31:38 Only squares know where to go.
01:31:40 ♪
01:32:03 ♪
01:32:13 ♪
01:32:25 ♪
01:32:35 [BLANK_AUDIO]