Category
🎥
Short filmTranscript
00:00 [Music]
00:12 [Music]
00:22 [Music]
00:32 [Music]
00:42 [Music]
00:52 [Music]
01:02 [Music]
01:12 [Music]
01:22 [Music]
01:32 [Music]
01:42 [Music]
01:52 [Music]
02:02 [Music]
02:12 [Music]
02:22 [Music]
02:32 [Music]
02:42 [Sigh] Here I am, Miss Shiran. I was a little busy, that's why I got here so late. Is Chellis okay?
02:51 She's fine, thank God.
02:54 Can I tell you something?
03:03 Is it necessary?
03:05 This girl, Mahur, I swear she makes Chellis feel good. She's been getting better since she came. Something happened to Chellis.
03:17 You think so?
03:19 Yes.
03:21 That is to say, I think the same.
03:28 I wish I could come more often. And I think you two look good together.
03:36 Hey, listen to the things you say, I just keep you safe. It's a shame, out of my way, holy heaven.
03:44 You never realize things.
03:47 Miss Shiran, come on, don't interfere with things that don't suit you, come on.
03:51 He gets angry easily.
03:55 [Music]
04:00 [Knock]
04:10 [Footsteps]
04:25 [Sigh] Come with me.
04:29 Are you okay?
04:36 [Sigh] I can't sleep.
04:41 You were scared, weren't you?
04:44 A lot.
04:46 Has Marashli left?
04:51 A while ago.
04:53 I think I'll spend the night at the studio.
04:57 Honey, you just got here. Stay a moment. You're safe here.
05:02 Dad, I can't sleep. I can't stop thinking. I have an interview tomorrow.
05:07 It's not safe that you're out of the house.
05:09 Sadak will take me. I'll let Marashli know and he'll come stay with me.
05:16 Dad, please, I need to clear my thoughts. You should understand.
05:21 You never give up, do you?
05:25 If Marashli is with you, it's okay.
05:28 Okay, don't worry.
05:32 [Sigh]
05:35 [Music]
05:56 [Music]
05:59 [Typewriter]
06:06 Mr. Chavas, I found something in Marashli's files that may interest you.
06:12 Why would you be interested in that?
06:17 Let's investigate. I'm increasingly interested in this Marashli.
06:22 [Typewriter]
06:25 [Music]
06:29 [Music]
06:56 [Music]
06:59 [Knocking]
07:18 [Knocking]
07:21 Miss Mahur.
07:35 May I come in?
07:37 Of course. Come in.
07:40 How did you get here?
07:47 I said I'd stay at the studio. Sadak took me and I came to see you.
07:53 Is something wrong?
07:55 No. I didn't want to stay at home. I couldn't stay at the studio alone.
08:01 I decided to come see you. Of course, if you agree.
08:04 Of course, of course. Come in. Take a seat.
08:09 I'll take your jacket.
08:13 Thank you.
08:17 [Music]
08:20 Would you like some coffee?
08:27 No, it's not necessary.
08:30 Are you hungry?
08:33 I'm not hungry.
08:36 Let me do something for you.
08:38 You have nothing to do. Just stay by my side.
08:45 Well, that's easy. Easy.
08:50 You were very scared today.
09:01 I thought you were dead.
09:07 But I'm not dead.
09:10 I can see that.
09:13 Don't worry, miss.
09:15 It's not the first time I've seen Asrael.
09:20 How come you're not afraid of death, Marashli?
09:24 I mean, it's strange to be afraid of death before dying.
09:30 I never thought of it that way.
09:35 I mean, I think people are afraid of the unknown.
09:40 The feeling of emptiness.
09:43 What happens after death.
09:47 Okay, forget it. Let's not talk about death now.
09:52 Let's talk about something normal.
09:56 Something normal?
09:59 I don't know. There's no football game or news of the show.
10:04 Whatever people talk about when they're together.
10:09 I mean, a football game.
10:13 I don't watch football.
10:16 I'm not interested in football.
10:18 22 guys running after a ball.
10:20 I don't know. It's strange.
10:24 Then tell me about Kheran, Marash.
10:27 Tell me about your childhood.
10:30 You want me to tell you about my childhood?
10:32 How was your childhood?
10:35 Your mother, your father.
10:39 My childhood was beautiful.
10:46 It was very beautiful.
10:49 My parents were good people.
10:53 My father never hit me.
10:56 I don't remember raising my mother's voice even once.
11:03 And you have friends there?
11:06 There was the Tartamudo, Salim.
11:09 He had a pita restaurant.
11:12 He's not Tartamudo anymore.
11:14 He made very good pitas.
11:18 There was the blind Nesmi.
11:21 He wasn't blind, but he had no vision of the future.
11:25 My best friend was called Suleiman.
11:29 His father worked for the municipality
11:33 in the garbage collection unit.
11:36 He was embarrassed, of course.
11:39 Everyone used to make fun of that.
11:41 He was a sensitive child.
11:43 I took care of him when our friends were there.
11:46 I would tell him, "Son, that's not a bad thing.
11:49 Your father makes bread for the family."
11:52 I would tell him, "Support him."
11:54 But he cried.
11:56 Have you ever had a girlfriend?
11:59 Yes.
12:02 What was her name?
12:04 Begum.
12:07 Begum?
12:09 Doesn't that sound like someone from your city?
12:11 Good point.
12:13 She wasn't from there.
12:15 Her father was a prosecutor.
12:17 They moved around a lot.
12:20 I was a good boy.
12:23 They moved around a lot.
12:27 Did you open up to Begum?
12:30 Not much.
12:32 He was a shy boy.
12:34 We wrote each other letters, but that's all.
12:38 Letters? You?
12:40 Of course, of course. She loved it.
12:42 She wrote long letters.
12:45 I never answered her, of course.
12:48 Why?
12:51 I never wish for the impossible, Miss.
12:57 So you don't believe in miracles?
13:01 Only in the prophets.
13:04 I don't think miracles are for people.
13:11 But there are miracles in the world.
13:14 Is that so?
13:18 I've never seen one.
13:21 For example, don't you think it'd be a miracle if Shelly recovered?
13:25 In that case, I'll believe in miracles.
13:30 That's fine.
13:36 How do you know?
13:39 I don't know, of course.
13:42 But I choose to believe.
13:53 How did you find me today?
13:56 She called her father. He told me.
13:59 No, I didn't talk to my father.
14:03 I talked to him. I called him a hundred times and he had to answer.
14:06 They're going to the old brick factory in the village.
14:15 It was my mistake. I remembered it wrong.
14:24 Shelly.
14:26 We woke you up?
14:28 I'm so sorry.
14:30 What's going on?
14:32 Let's take you to bed before you wake up from your coma.
14:37 [♪♪♪]
14:47 [♪♪♪]
14:57 [♪♪♪]
15:07 [♪♪♪]
15:17 [♪♪♪]
15:27 [♪♪♪]
15:37 [♪♪♪]
15:47 Did Miss Majur spend the night here?
15:51 Yes.
15:56 What are you laughing at?
15:58 Nothing.
16:00 They slept together.
16:02 Why do you care who slept with whom?
16:06 They're too sweet.
16:08 Come on, it's embarrassing. Get back to your own business.
16:15 Look at yourself.
16:31 Miss Majur.
16:36 Ma...
16:38 Hey!
16:40 Miss, it's time to wake up.
16:45 What time is it?
16:50 It's only 8. What's wrong with you?
16:52 It's late. You have nothing to do. Let's go.
16:55 I have nothing to do. Let me sleep.
17:12 Didn't Majur come home last night?
17:15 He's staying at the studio.
17:18 Are you sure?
17:20 I don't understand.
17:23 Honey, I know I'm not getting along with Majur,
17:27 but you know I love her like my own daughter, right?
17:30 I know.
17:32 Hey, Ilhan and Ineska are old enough to make decisions about their lives,
17:38 but that's not the case with Majur.
17:41 Especially after losing his mother.
17:44 He seems to be looking for refuge.
17:46 I'm doing everything he wants.
17:48 We're always by his side.
17:50 I mean, I don't understand what else I can do.
17:52 Honey, this isn't a family matter.
17:54 Then what is it?
17:56 It's a matter of love.
17:58 Love. His love for you and his love for his family.
18:01 These are feelings he already knows.
18:03 Honey, there are people who end up with a lot of pain in their lives,
18:08 with great disappointments that they never forget.
18:10 Majur is also on this path for Marashli.
18:14 My daughter has nothing to do with that man.
18:17 I know her well.
18:20 Okay, but I'm warning you.
18:22 It's my job to keep this family afloat, even if no one wants me here.
18:26 Wait a minute. Stop.
18:28 Don't get mad.
18:30 Everyone knows what you do, and everyone doesn't care what you do.
18:33 No one can say otherwise.
18:35 Don't make me laugh.
18:36 Don't do this.
18:37 You know how much it means to me that you take care of Majur.
18:42 Then you'd better listen to me.
18:45 Well, I'll be more careful.
18:48 I promise.
19:16 Are you okay?
19:18 I'm fine.
19:19 I slept well. I mean, I didn't sleep that long ago.
19:22 Good.
19:24 Chelis also slept well.
19:28 Thank you.
19:32 Why?
19:33 I don't know.
19:34 Just thank you.
19:36 I wish you came here more often.
19:38 I will.
19:39 Why wouldn't I come?
19:41 How do you like the eggs, daughter?
19:43 Fried or scrambled?
19:45 Scrambled.
19:46 Very good.
19:48 Marashli.
19:55 Can I talk to you?
19:59 Shabaz still has my mother's videos, right?
20:07 I have to see them, Marashli.
20:09 Miss, calm down first.
20:11 She always gets into trouble and she gets us all into bigger trouble.
20:14 Wait.
20:15 I'll take care of this.
20:16 Don't worry.
20:17 Will you find them?
20:18 I'll look for them.
20:19 Don't look for them.
20:20 Find them.
20:21 I have to see them.
20:22 I'm dying of curiosity.
20:23 Miss, I said yes.
20:25 Let's eat something and go out.
20:29 My beauty.
20:34 Come on, honey.
20:40 Good morning, Mr. Neskat.
20:44 Mr. Neskat?
20:51 Is he okay? Is he sick?
20:57 Maybe.
20:59 Should I tell Mr. Asis?
21:07 If you went up those stairs and went into my father's room
21:12 and told him, "Mr. Asis, Mr. Neskat is on fire.
21:16 He's burning. He's no longer alive."
21:20 Do you know what my father would tell you?
21:22 What?
21:23 "Close the door with a key and don't let anyone in.
21:27 You could be contagious."
21:31 Good morning, Bije.
21:36 Oh, no, Bije.
21:38 This food isn't enough.
21:40 I want at least three more of this tray.
21:42 I'm starving like a wolf.
21:43 Many years feeding on lies.
21:45 Two eggs aren't enough for this belly.
21:48 Okay, I'll make them.
21:50 Stop, stop, stop.
21:51 It's a joke.
21:53 Where are my lies from last night?
21:57 Oh, here.
21:58 Here they are.
22:02 [chewing]
22:06 Ah.
22:07 Now, breakfast.
22:09 Mr. Neskat, if you feel sick, I'll make you a winter tea right away.
22:13 You'll feel better in a moment.
22:15 Hmm?
22:17 Why do you want to take care of me, Bije?
22:21 [music]
22:26 Because you're a good person.
22:28 [music]
22:32 Me?
22:33 Yes.
22:35 I think that no matter what you say, you're a very good person.
22:38 [music]
22:41 Who says what?
22:43 No.
22:45 I mean, Mr. Azi gets angry with you and sometimes drinks too much.
22:51 I understand.
22:54 I also think you're a good person.
22:58 Even though you're Sada Kinoran's daughter.
23:02 [music]
23:18 Yes, Betul?
23:19 Mahur, how are you, darling?
23:21 Fine, darling. How are you?
23:23 I'm fine, thank you. Do you know why I'm calling you?
23:26 I know, of course.
23:27 How is it possible?
23:29 Betul, I don't forget my promises. Especially to my friends.
23:32 You're great.
23:34 The cake sale is tomorrow.
23:36 I know I called you a little late, but believe me, I had forgotten.
23:39 Can you come and take a picture of us tomorrow?
23:42 Are you crazy? Of course I'll go. Send me the time and place, okay?
23:45 You're great.
23:46 You're the kindest friend in the world.
23:49 Come on, okay? Don't embarrass me.
23:51 Okay, darling. I'll send you the address.
23:53 Okay, I'll wait.
23:55 We're going to Poleneskoi tomorrow.
24:05 What's it about?
24:07 A friend is organizing a cake sale for orphaned children.
24:11 Children from nearby kindergartens will try to sell the drawings they made to try to help.
24:18 What brave children. Great.
24:22 I wonder if Chellis should come.
24:26 I mean, there will be a lot of children there.
24:28 He could have fun, of course, with your permission.
24:32 No, it's not about permission.
24:34 Shabazz is on us.
24:37 I don't know if it will be safe.
24:39 You're right. It will be a problem.
24:43 What a shame.
24:47 Well, if you're so excited about this, I mean, if you say it will be good for Chellis,
24:53 I'll have a couple of people take care of you and we'll go.
24:57 Okay, great.
24:59 He'll have a lot of fun and maybe make some friends.
25:03 He'll be happy, you'll see.
25:05 Good.
25:07 Good morning, honey.
25:13 Good morning.
25:14 Am I late?
25:15 No, no. Aicha didn't like her makeup, so they're retouching it.
25:19 Did you have to intervene for that?
25:21 A little.
25:22 You're the best. How can I thank you?
25:24 A smile on your face is enough.
25:26 Come on, let's get Miss Majur ready.
25:28 Welcome, Miss Majur.
25:29 Thank you. Hello.
25:30 Hello.
25:31 There's no need for anything extravagant.
25:33 She doesn't need it anyway.
25:36 [chuckles]
25:37 [music]
25:41 [music]
25:44 [music]
25:47 Thank you, brother. Thank you.
25:49 How are you, Marashli?
25:52 Fine, thank you. How are you?
25:54 I'm fine.
25:56 Majur looks great.
25:59 I haven't seen her so happy in a long time.
26:02 Do you think so? Could it be?
26:05 Whatever the reason, I hope it continues like this.
26:10 I'll go see Majur, okay? See you.
26:15 Okay.
26:16 When are they coming?
26:28 They should be here soon.
26:30 I wish we had more time, Ozan.
26:33 What would change if we did? We can't find a better offer.
26:37 You have what you wanted, 51%.
26:39 We should have gotten more, Ozan.
26:41 I know, but it's all we have, and you know it.
26:44 I get warnings from the banks every day.
26:46 The companies we owe them to are starting to raise their voices.
26:49 The company that sells us fuel didn't care if we didn't pay them for a year.
26:53 But yesterday they sent a warning.
26:55 Not even two weeks have passed since they paid the debt.
26:57 They're starting to attack us like wolves, huh?
26:59 The situation isn't good, Ilgion.
27:01 This agreement is the only way out, regardless of the terms.
27:04 This isn't saving the company. It's giving it away to someone else.
27:09 You're exaggerating. It's not that bad.
27:13 You don't know how bad it is, or are you trying to fool me?
27:16 I'm trying to get you out of this swamp before Uncle Aziz finds out.
27:20 As soon as we sign this agreement, my father will kill me.
27:23 Dear God.
27:24 If the company ever comes, how will he know about the details?
27:28 We'll be in charge.
27:30 Are you sure?
27:33 Don't you trust me?
27:35 Don't be stupid. I trust you.
27:37 I have someone I trust outside of you.
27:39 We're like brothers.
27:41 [knocking]
27:43 The guests have arrived, sir.
27:46 Okay.
27:47 Okay? Is there anything about the contract you want to object to?
27:52 No.
27:54 Let's end this.
28:00 Trust me, it's for the best.
28:03 [door opens]
28:04 [speaking Spanish]
28:18 [dramatic music]
28:20 [phone notification]
28:21 [dramatic music]
28:23 [dramatic music]
28:25 [dramatic music]
28:27 [dramatic music]
28:56 [speaking Spanish]
28:59 [speaking Spanish]
29:02 [speaking Spanish]
29:04 [speaking Spanish]
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29:12 [speaking Spanish]
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30:40 [speaking Spanish]
30:43 [speaking Spanish]
30:46 [speaking Spanish]
30:50 [speaking Spanish]
30:52 [speaking Spanish]
30:55 [music]
30:58 [speaking Spanish]
31:01 [music]
31:04 [speaking Spanish]
31:07 [music]
31:10 [music]
31:13 [speaking Spanish]
31:16 [speaking Spanish]
31:20 [speaking Spanish]
31:22 [music]
31:26 [music]
31:28 [music]
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32:00 [music]
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32:32 [music]
32:35 [music]
32:38 [music]
32:41 [music]
32:44 [music]
32:47 [speaking Spanish]
32:50 [speaking Spanish]
32:53 [speaking Spanish]
32:56 [speaking Spanish]
32:58 [speaking Spanish]
33:01 [speaking Spanish]
33:04 [speaking Spanish]
33:07 [speaking Spanish]
33:10 [speaking Spanish]
33:13 [speaking Spanish]
33:16 [music]
33:19 [speaking Spanish]
33:22 [speaking Spanish]
33:25 It's a fairy tale that gives us light, feeds us, raises us.
33:30 Love doesn't only surround us. Love is everywhere.
33:35 In every part of us. In our minds. In our hearts.
33:41 I don't think there's a need to meet someone and be caught at that moment.
33:47 After all, there is no right person.
33:54 I just know there are good memories.
33:57 Excuse me, you can continue.
34:19 Thank you.
34:22 Let's take a break if you want, and then we'll continue.
34:25 Maju, let's retouch your makeup in the meantime. Come on, dear.
34:30 You're here, Mesat.
34:32 Okay, I'm coming right away.
34:50 Did you bring it?
34:52 I brought it, sir. Here it is.
34:55 Thank you. Stay here. I have some things to do. I'll be back, okay?
35:08 Okay, sir.
35:10 Goodbye.
35:12 Goodbye.
35:14 [Maju's house]
35:16 Come, come.
35:40 Makeup?
35:41 Come with me.
35:43 What happened? Did I say something wrong?
35:45 I don't know. Anyway, you tell me.
35:47 What should I tell you?
35:49 Oh, stop hiding. I saw you and Marashly looking at each other.
35:54 What are you talking about? Don't be ridiculous.
35:56 We've been friends for years, Majur. I've never seen you look at someone like that before.
36:00 Are you lovers?
36:02 There's nothing between us.
36:03 I don't know, Majur. Your phone rang in the studio and you didn't make a sound.
36:08 I mean, if my phone rang, you'd kick me out of the studio.
36:11 Oh, honey, you're exaggerating. Is that your evidence?
36:15 Hey, honey, I'm only telling you this because I'm your friend.
36:18 Everyone in this studio can be lovers of that guy, but you can't.
36:23 Why not?
36:25 Because you're Majur Turel, honey. Don't you understand?
36:29 You sound like my father, Echem.
36:31 Yeah, I'm sure I sound like your father, but...
36:33 Don't you think about how your father and your brothers are going to deal with all this?
36:38 I don't think about it because it won't happen. It can't happen.
36:41 Are you sure?
36:43 I'm sure. Whatever you've seen or heard doesn't exist. Look at me and look at him.
36:47 What do we have in common with each other? It's something that can't happen.
36:51 Okay, I hope so.
36:52 That's how things are.
36:54 Miss Majur, I'm leaving. I have some things to do, but I'll be back.
37:05 Don't worry, I'll be outside.
37:07 Of course, it's okay.
37:08 Do you think he heard what we talked about?
37:19 Maybe, and what?
37:21 [♪♪♪]
37:24 Hey, where's Firuzan?
37:40 She was in the kitchen. Did I call her?
37:42 Dear God, he kicked me out of the house and she's not here.
37:45 I'm here, honey. I'm here.
37:47 Where were you?
37:48 We hardly ever go out. Why so much stress?
37:50 Do you think it's a good time to buy decorations in the middle of my business agenda?
37:54 Business agenda? I thought you were retired.
37:57 How funny. Get in.
37:58 Oh, isn't that Marashli?
38:02 Oh, dear God. Where's Majur?
38:08 What's wrong, Marashli?
38:18 Let's talk for a minute, if you have time.
38:20 We don't have time, Marashli. We're leaving.
38:23 It won't take long. It's important.
38:28 Go to my office. I'll be right there.
38:30 Asis.
38:32 He said it's important. The world won't collapse if we get there two minutes later.
38:35 I won't be long.
38:36 I'll be right there.
38:37 What's this?
38:57 If you want to kill someone, use this.
39:00 You can't walk around with a gun with a license.
39:04 It's a clean gun. It has no history.
39:06 But it's loaded.
39:14 Look. I made a mistake once. It won't happen again.
39:17 It's not right to take it with you.
39:21 You should keep it in a safe place.
39:23 You're right.
39:24 [♪♪♪]
39:26 Mr. Asis.
39:43 For the fingerprints.
39:47 You don't care about a single detail, do you?
39:50 Details are important.
39:52 Especially if your life depends on a thread.
39:54 Well done.
39:59 After all, you live with a lot of people.
40:02 It's not right to have it within everyone's reach.
40:06 I appreciate it, Marashli.
40:08 If that's all, I'm leaving before Firuzan goes crazy.
40:12 That's all.
40:13 Thank you.
40:15 [♪♪♪]
40:18 [♪♪♪]
40:21 [♪♪♪]
40:23 [♪♪♪]
40:49 [♪♪♪]
40:51 [♪♪♪]
40:53 [♪♪♪]
40:59 [♪♪♪]
41:11 [♪♪♪]
41:13 [♪♪♪]
41:24 [♪♪♪]
41:33 [♪♪♪]
41:35 [zipper zips]
41:45 [door opens]
41:48 [♪♪♪]
41:52 [zipper zips]
41:56 [♪♪♪]
42:00 [♪♪♪]
42:02 [beeping]
42:05 [beeping]
42:07 [♪♪♪]
42:10 [clicking]
42:13 [beeping]
42:21 [beeping]
42:23 [beeping]
42:25 [♪♪♪]
42:29 [beeping]
42:30 [beeping]
42:33 [♪♪♪]
42:36 [♪♪♪]
42:42 [♪♪♪]
42:47 [♪♪♪]
42:54 [♪♪♪]
42:56 [♪♪♪]
43:22 [♪♪♪]
43:24 [♪♪♪]
43:30 [sighs]
43:41 No, no responde.
43:43 Es obvio que no se escuchó.
43:46 [clicking]
43:47 [sighs]
43:50 [♪♪♪]
43:52 [♪♪♪]
43:58 [♪♪♪]
44:15 [♪♪♪]
44:17 [♪♪♪]
44:29 [♪♪♪]
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45:56 [♪♪♪]
46:06 [♪♪♪]
46:17 [♪♪♪]
46:19 [♪♪♪]
46:21 (dramatic music)