Fast Talk with Boy Abunda: Tekla, may na-OFFEND na audience habang nagpapatawa?! (Episode 255)
Aired (January 17, 2024): Malaki ang ambag ng audience kapag nagpapatawa ang isang komedyante! Para kina Boobay at Tekla, may pagkakataon na nga bang sumablay ang joke nila at naging offensive ito sa miyembro ng audience? Pakinggan ang kuwento rito!
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00:00 [MUSIC]
00:05 How much of your material is written or prepared?
00:08 How much of that is practiced?
00:10 And how much of that is spontaneous?
00:12 What is happening right there?
00:14 Yes.
00:15 For me, for example, I have a show right now.
00:19 It worked.
00:20 I can still use it on other days.
00:23 At the same time, I'm expanding it.
00:25 But you're planning it.
00:26 Yes.
00:26 I also have those.
00:27 Sometimes, I use it.
00:29 I also read about it.
00:30 For example, social media.
00:31 What's happening.
00:32 The present that's happening.
00:34 I'm also there sometimes.
00:36 I need to know something.
00:37 So I have a plan.
00:39 Okay.
00:40 You, Ate.
00:40 For me, Tito Boy, I'm annoyed here.
00:43 Once you're a comedian, you're really born natural comedian.
00:47 It comes naturally.
00:48 That's why I'm annoyed here.
00:49 Hey, comedian, make me laugh.
00:51 What do you think of the joke, "Dry Drill"?
00:52 Yes.
00:53 So, the joke has a pattern.
00:56 It has a pattern.
00:57 Yes.
00:58 So that the right crap will come out.
01:00 So that we can extend.
01:01 Like, our topic is like this.
01:02 We need to stay in that.
01:04 And it really depends on the audience.
01:06 Topic.
01:06 Yes, that's right.
01:07 It depends on the audience.
01:08 For example, if it's a fiesta.
01:09 Your energy is not for a fiesta.
01:10 If it's a return, then you're social.
01:13 For corporate events.
01:14 Yes.
01:14 Especially for corporate events, you need to know something about the company that you're showing.
01:18 Right.
01:18 Yes.
01:19 So, the audience is a big part of it.
01:22 Are there times when you're annoyed?
01:24 Yes.
01:25 You know, I have a friend.
01:26 I mean, I have a friend.
01:28 Many, many years ago, a politician was attacked.
01:32 Attacked?
01:33 Yes.
01:33 What happened?
01:34 Did someone attack you?
01:35 I was just a newbie in Tito Boy.
01:37 So, I was afraid of how I would attack people.
01:41 Because it's hard.
01:42 Because you need to take responsibility.
01:44 Your words should be inappropriate.
01:47 When you attack people, you shouldn't be offended.
01:49 I'm not used to it.
01:51 I was offended when someone threw a gun at me.
01:54 Oh.
01:54 Yes.
01:55 A gun.
01:56 A gun.
01:56 What was it?
01:57 He said, "Shh! We'll take care of your family."
02:00 I'm kidding.
02:01 No, it's true.
02:02 I was offended.
02:03 My joke to him was, "You're so loud. You should be more serious."
02:06 So, it was a bit serious.
02:07 It was a bit serious.
02:08 The attack was bad.
02:09 The attack was bad.
02:10 What was it? A plaza?
02:11 A ballroom?
02:12 It was a closed bar.
02:14 So, that's what's important.
02:17 You should learn the right words that you're going to use in your craft or performance.
02:22 What did you do, Tecla?
02:23 When you were being attacked?
02:24 I got him to say, "Sorry, I'm a comedian."
02:27 So, I went to a place like this.
02:30 So, expect the unexpected.
02:32 We say something not in common, so bear with us.
02:34 Okay.
02:35 I love your English.
02:38 You said something earlier that people think you're a comedian.
02:42 It's true.
02:43 You're a singer, you sing.
02:44 Correct.
02:44 Because you're pushing yourself.
02:46 It's like a dry throat.
02:47 It's just one joke and you're already going large.
02:50 It's a profession.
02:50 You're not an architect.
02:52 You're going to build a house.
02:53 You're a lawyer. You're going to defend me.
02:55 I totally understand that.
02:56 Because that's how you show respect.
02:59 But just as a sample,
03:01 for example, the topic is...
03:04 Give me a topic for comedy, for example.
03:06 For example, the one from other countries.
03:08 From the UFW, for example.
03:11 How do you plan that?
03:12 We're on the spot right now.
03:14 UFW, what kind of joke do you do?
03:18 How do you build the story?
03:22 How do you do that?
03:23 For example, there's a joke...
03:25 Oh, you're from where?
03:27 Oh my gosh, from Canada.
03:28 Which part of Canada?
03:29 Oh, really?
03:30 Oh, from Toronto.
03:31 Oh my gosh, the land of saging.
03:34 Yes.
03:35 Saging?
03:36 Yes.
03:37 Is there saging everywhere?
03:38 No, Toronto.
03:39 Toronto?
03:40 Toronto, saging.
03:42 Yes.
03:44 You're really funny.
03:47 How about you?
03:48 Do you know anything about Toronto?
03:49 Yeah, you want to say something?
03:50 Hello, so how are you there?
03:52 How's your life here?
03:55 Of course, you have to establish first.
03:58 Tekla, I love you!
04:00 Okay, tomorrow.
04:01 I'll pass you by.
04:02 Is life hard here?
04:05 Like that?
04:05 It's really like that.
04:06 We don't have a choice.
04:08 So it depends on how you do it.
04:10 It depends on his reaction.
04:12 If he gives in to your conversation,
04:15 you'll go straight to him.
04:16 But if he doesn't,
04:17 you'll switch to the other table.
04:19 Mostly, here, the performance of a performer
04:24 or a comedian is also important.
04:25 True audience.
04:26 Yes.
04:27 ♪ ♪
04:41 ♪ ♪