Category
🎥
Short filmTranscript
00:00:00 [gunshot]
00:00:01 Shit.
00:00:02 [gurgling]
00:00:04 Hey, buddy.
00:00:06 No, no, no, Frank.
00:00:08 You're gonna be fine.
00:00:09 Don't let them take this.
00:00:12 Yeah, okay.
00:00:16 Stay with me.
00:00:18 Come on, you're gonna be okay.
00:00:20 [breathing heavily]
00:00:21 Frank.
00:00:22 [breathing heavily]
00:00:30 [dramatic music]
00:00:33 ♪ ♪
00:00:40 [gunshots]
00:00:43 [gunshots]
00:00:46 [gunshots]
00:00:51 [gunshots]
00:00:57 [gunshots]
00:00:59 [dramatic music]
00:01:02 ♪ ♪
00:01:08 God, I hate heights.
00:01:10 ♪ ♪
00:01:17 [gunshots]
00:01:20 [gunshot]
00:01:22 [grunting]
00:01:25 ♪ ♪
00:01:32 [gunshots]
00:01:34 ♪ ♪
00:01:36 [indistinct shouting]
00:01:38 [gunshots]
00:01:41 [gunshots]
00:01:44 ♪ ♪
00:01:47 Subject lost.
00:01:49 ♪ ♪
00:01:51 [grunting]
00:01:53 [sighs]
00:01:55 ♪ ♪
00:01:58 [gunshot]
00:02:00 [sirens wailing]
00:02:03 ♪ ♪
00:02:08 [grunting]
00:02:10 ♪ ♪
00:02:16 Grace, where are you?
00:02:18 [sirens wailing]
00:02:21 ♪ ♪
00:02:24 Get to the subway, Wilson Platform 10,
00:02:26 and dump the phone.
00:02:27 They're using it to track you.
00:02:29 [sirens wailing]
00:02:32 [gunshots]
00:02:35 [dramatic music]
00:02:38 ♪ ♪
00:02:45 [gunshots]
00:02:48 ♪ ♪
00:02:55 [indistinct shouting]
00:02:58 ♪ ♪
00:03:05 [grunts]
00:03:07 ♪ ♪
00:03:08 - Hand 'em down!
00:03:10 [knocking]
00:03:11 - Don't move!
00:03:13 ♪ ♪
00:03:19 - And that's when you showed up.
00:03:21 - We had the colonel under surveillance.
00:03:23 He was selling secrets about our space programs.
00:03:26 - Well, that's interesting, 'cause Frank told me
00:03:28 he was protecting him.
00:03:29 - Did he tell you this before or after you killed him?
00:03:32 - Why would I kill him? He was a friend of mine.
00:03:34 - You're right.
00:03:36 [keys jingling]
00:03:38 [door opens]
00:03:41 - That's not what happened.
00:03:43 - I saw it with my own eyes.
00:03:45 Running out of jokes, are we?
00:03:47 - You setting me up?
00:03:49 You know what this is?
00:03:50 - All we know is that the colonel arranged
00:03:52 for a meeting in that motel.
00:03:54 And somehow...
00:03:57 you showed up and killed him, Bob.
00:03:59 - You know, this may come as a surprise to you,
00:04:02 but Frank didn't trust you guys anymore,
00:04:04 so he asked me to back him up.
00:04:06 He wanted someone from outside the agency,
00:04:08 you know, to protect the package.
00:04:10 - Who was your backup guy?
00:04:12 - I'm sorry I have to feel like not telling you
00:04:14 is the only thing keeping him alive.
00:04:16 - Hey, hey, hey, come on.
00:04:17 Come on, guys.
00:04:18 Play nice.
00:04:20 - You mind?
00:04:21 - No. He's all yours.
00:04:23 - Get those off of him, please.
00:04:25 - I can't tell if he's stupid or a really good liar.
00:04:30 Either way, MS-1 would've been good for him.
00:04:34 - Guy's a tool.
00:04:37 - Nuttin'?
00:04:38 - Yeah, I'm trying to give him up.
00:04:40 - I was sorry to hear about Frank.
00:04:42 He was one of the good guys.
00:04:44 - Snow, you gotta give me something.
00:04:46 Otherwise I can't help you.
00:04:48 Tell me what I can do to help, Snow.
00:04:51 - Uh, shoot Langrell.
00:04:53 - Anything else?
00:04:54 - Can you pick me up something?
00:04:56 - I can't.
00:04:57 What and where?
00:04:58 - I don't know.
00:05:00 Last time I saw it, it was on a train.
00:05:03 [dramatic music]
00:05:06 ♪ ♪
00:05:13 - Arriving on track five.
00:05:17 Track five on the right.
00:05:19 Look out.
00:05:20 - Hey, buddy. Hey!
00:05:22 [gunshot]
00:05:23 [all screaming]
00:05:26 [gunshot]
00:05:28 - Tell me who the backup guy was.
00:05:30 - You think I'm gonna tell you that?
00:05:31 You'll go straight to your boss.
00:05:34 ♪ ♪
00:05:40 - Well, I guess this, uh-- this conversation's over.
00:05:45 ♪ ♪
00:05:47 - It's good to see you.
00:05:49 ♪ ♪
00:05:54 - I need a Polcom tag and a trace on a name.
00:05:57 Mace.
00:05:59 ♪ ♪
00:06:06 - Mr. President.
00:06:12 - Scott, come in.
00:06:14 This is just routine. Won't take two seconds.
00:06:17 - Thank you.
00:06:20 - They check this damn thing five times a year.
00:06:23 So, what do we got?
00:06:25 - He claims it was set up.
00:06:27 - Who was he?
00:06:29 - I saw him shoot Armstrong with my own eyes, sir.
00:06:33 - What a mess.
00:06:35 - So what do you want us to do about him?
00:06:37 - I don't even want to know. Just fix it.
00:06:39 - We're pretty much done here.
00:06:41 I just need to see the first daughter.
00:06:42 - Oh, Emily has had a change in schedule.
00:06:45 She's on a humanitarian errand.
00:06:47 - Is she even in Washington?
00:06:48 - Well, not exactly.
00:06:50 - Ground control to LM-22.
00:06:52 - Amazing.
00:06:55 - Is this your first time in orbit?
00:06:57 - No. My father took me up in the Hilton orbital
00:07:00 after my mother passed.
00:07:01 - Would you like a quick briefing before we arrive?
00:07:03 - Please.
00:07:04 - MS-1 has been a very successful experiment
00:07:07 with the first 500 test cases serving time without incident.
00:07:10 Once we open for business properly,
00:07:12 we'll be able to rent space to 500,000 prisoners
00:07:15 and counting with all countries signed up,
00:07:17 all overseen by the United States of America.
00:07:19 - Which is why I'm here.
00:07:21 - MS-1 is the only supermax facility in existence
00:07:25 where there is no physical or sexual abuse,
00:07:28 breakouts, or riots.
00:07:30 - Because you put the prisoners to sleep.
00:07:32 - It's called stasis.
00:07:33 - Of course, but there are a few issues with stasis.
00:07:35 Are there not aggression due to damage to the cortex,
00:07:39 dementia, psychosis?
00:07:41 - Well, you know the press.
00:07:44 Good news, it doesn't sell.
00:07:46 Those were early teething problems.
00:07:48 The U.S. has absolutely nothing to worry about.
00:07:50 - You are entering United States airspace.
00:07:52 - Would you like to see it?
00:07:53 - I'd love to.
00:07:54 - This is penal area MS-1.
00:07:56 446 requesting identification code.
00:07:59 [dramatic music]
00:08:02 [beeping]
00:08:05 ♪ ♪
00:08:07 - LM-22, we need your report--
00:08:09 - The defense system is automatic and solar-assisted,
00:08:12 oxygen-fed, auto-lock, 100-millimeter pacifiers
00:08:16 made by Mahan Airspace.
00:08:18 - LM-22, please transmit clearance.
00:08:20 - What are they doing?
00:08:21 - Parts of MS-1 still under construction
00:08:24 and need constant maintenance.
00:08:25 - LM-22, you're on final approach.
00:08:27 Maintain your current speed and heading.
00:08:30 [dramatic music]
00:08:33 ♪ ♪
00:08:35 - Can everyone please sign in?
00:08:37 There's just a few basic precautions here.
00:08:40 Won't take long.
00:08:41 Thanks, Sam. Can I get my holster?
00:08:43 - Please keep your radiation tags on you at all times.
00:08:47 In the event of a problem, they will beep and flash yellow.
00:08:50 Would you please take the elevator to the third floor?
00:08:53 - Mr. Barnes, isn't MS-1's true purpose
00:08:56 to test the effects of deep-space exploration on humans?
00:08:59 You're better than guinea pigs with no rights.
00:09:01 - I've heard that urban legend.
00:09:03 Look, Miss Warner, these men aren't traffic offenders.
00:09:07 They've done some pretty awful things to get in here.
00:09:10 - Of course.
00:09:11 But is it purely coincidental
00:09:13 that one of the main sources of funding
00:09:15 is a deep-space exploration company?
00:09:17 Surely you don't think they're paying out millions of dollars
00:09:20 to be civically minded.
00:09:21 - Miss Warnock, I'm just an old prison warden.
00:09:24 I couldn't speculate on the motives of global corporations.
00:09:28 Anyway, isn't Milan Aerospace
00:09:30 the largest contributor to your chair of the group?
00:09:33 But one thing doesn't have to do with the other.
00:09:36 Right?
00:09:38 Sure it does.
00:09:40 [dramatic music]
00:09:42 We're gonna put on a little show.
00:09:44 You'll get to meet a couple of convicts
00:09:46 and have a scary story to tell your friends.
00:09:48 And let's just hope that when you sign off on this place,
00:09:51 we can all get back to making the world a better place.
00:09:55 After you, man.
00:09:58 This is general population.
00:10:01 [dramatic music]
00:10:04 ♪ ♪
00:10:09 - All employees in sector four, please stand clear.
00:10:13 ♪ ♪
00:10:15 - Jesus.
00:10:18 - Pretty impressive. - Yes, it is.
00:10:20 - Now, we've prepared an interview room for you.
00:10:22 - We're gonna need to have a look at that room.
00:10:24 - Well, that's fine.
00:10:25 One thing--on the prisoner's side of the room,
00:10:28 we don't allow weapons.
00:10:29 [gun cocks]
00:10:32 - Thank you.
00:10:34 Thanks.
00:10:36 - Okay? - Yeah, I'll say.
00:10:42 [dramatic music]
00:10:45 ♪ ♪
00:10:52 - Oh, there you are. - Oh, yeah.
00:10:55 I thought I could smell you coming.
00:10:56 - I'm here to tell you the good news, Snow.
00:10:58 - You're finally getting spayed.
00:11:00 Oh, congratulations. - You've been convicted.
00:11:02 First-degree murder and conspiracy
00:11:04 to commit espionage against the United States.
00:11:08 That's the setup.
00:11:09 Do you want to hear the punchline?
00:11:11 - Yeah, I'm dying to.
00:11:13 - MS-1, 30-year stasis.
00:11:15 No parole, effective immediately.
00:11:17 - And nothing about a constitutional right
00:11:19 to a fair hearing.
00:11:20 - I think you waived that right when you shot Armstrong.
00:11:23 - Oh, yeah, of course. I--I forgot that part.
00:11:25 I'm sorry. - You know what they say
00:11:27 about being put under?
00:11:28 That some minds just can't take it.
00:11:31 - Well, I'm looking forward to it.
00:11:33 - Sweet dreams.
00:11:35 [dramatic music]
00:11:38 ♪ ♪
00:11:40 - [grunts]
00:11:42 ♪ ♪
00:11:44 - [grunts]
00:11:46 ♪ ♪
00:11:48 - I don't know if I can see you, but I--I can't drive.
00:11:52 [eerie music]
00:11:55 ♪ ♪
00:11:58 - Mr. Heidel, how are you feeling?
00:12:02 [gunshot]
00:12:04 Are you experiencing any disorientation?
00:12:07 - I can't share that anymore.
00:12:08 - And what happened to your face?
00:12:10 Did you burn it? - Yeah.
00:12:12 It's a love bite.
00:12:13 - I see. - Yeah.
00:12:15 - I'm gonna ask you a few questions
00:12:17 about your experience in treatment here.
00:12:19 Do you dream while you're under?
00:12:21 - Well, I'm gonna dream about you and her.
00:12:24 - I'd appreciate it if you take it seriously, though.
00:12:26 - Well, it's very serious. It's very serious.
00:12:28 - So it says here you were convicted
00:12:30 of aggravated physical assault?
00:12:32 - No. I'm gonna say that was me.
00:12:34 That's the case here. A mistaken identity.
00:12:38 - 53 counts.
00:12:39 - I have a very familiar face.
00:12:42 You know, it's not like your face.
00:12:44 You have a very kind face.
00:12:46 You know, it's lovely. You're perfect.
00:12:48 You, uh-- I bet you got a nice smile.
00:12:50 Do a little smile for me.
00:12:52 Hey? A little smile you got.
00:12:54 - Ow! - Easy!
00:12:56 - Hawk. - Answer the question.
00:12:58 - Stay out of this, please.
00:13:00 - I saw a smile on you. Calm down.
00:13:04 [sniffles]
00:13:07 You all right in perfume?
00:13:09 - Mr. Heidel. - Answer the question.
00:13:11 - Hawk. - You're a filthy article, man.
00:13:13 You are a fine man. - You wanna test me?
00:13:15 - Sit down! - Hawk!
00:13:17 - I'll test you. - Hawk!
00:13:19 - Do you know how he was before I was convicted of e-cork?
00:13:22 - You promised me shit.
00:13:24 - Where's your crack talk at, huh?
00:13:26 - [grunts]
00:13:28 - He's got a gun.
00:13:30 [gunshots]
00:13:32 [gunshots]
00:13:34 - Hawk!
00:13:36 [panting]
00:13:46 [gunshot]
00:13:48 [grunts]
00:13:50 - [chuckles]
00:13:55 [alarm blaring]
00:13:57 - [screams]
00:13:59 - MS-1 Control, we are here.
00:14:01 [alarm blaring]
00:14:03 [alarm blaring]
00:14:06 - [whimpers]
00:14:08 [alarm blaring]
00:14:10 [alarm blaring]
00:14:14 [alarm blaring]
00:14:16 - Sir, there seems to be a fire alarm on MS-1.
00:14:20 [alarm blaring]
00:14:22 - Hide. - What?
00:14:24 - Hide. - What?
00:14:26 - Sectors four, five, and six are clear.
00:14:28 - Hello!
00:14:30 - What is she? Who? Who? What?
00:14:32 - What? Who? Who? What?
00:14:34 - Don't lay a mean model to me!
00:14:36 - Control room active.
00:14:38 [alarm blaring]
00:14:42 - Stay there.
00:14:44 [alarm blaring]
00:14:46 - Where are you?
00:15:00 - Are you all right, man?
00:15:02 - I've a hardy nose. - Come here.
00:15:04 - Get up, man.
00:15:06 - Come here.
00:15:08 - Sit down.
00:15:10 - I'm all right now. Every single one.
00:15:12 - No, I-I-I don't think I think.
00:15:14 You should think!
00:15:16 - Okay, okay, okay.
00:15:18 - Okay, okay, okay, okay. - Get it done.
00:15:20 - Caskets open.
00:15:22 [alarm blaring]
00:15:24 [alarm blaring]
00:15:26 [alarm blaring]
00:15:28 [alarm blaring]
00:15:30 [alarm blaring]
00:15:32 [alarm blaring]
00:15:34 [alarm blaring]
00:15:36 - Telecommunications, full seminor.
00:15:38 - All right.
00:15:40 - Remember, safety is our first priority.
00:15:44 It has been 364 days since our last incident.
00:15:48 Good work, team.
00:15:50 [alarm blaring]
00:15:52 [alarm blaring]
00:15:54 Please ensure you are in line.
00:15:56 [all screaming]
00:15:58 - Come on, come on, come on!
00:16:02 [all shouting]
00:16:04 [all shouting]
00:16:06 [gunshots]
00:16:08 [all shouting]
00:16:10 [gunshots]
00:16:12 [all shouting]
00:16:14 [gunshots]
00:16:16 [all shouting]
00:16:18 [gunshots]
00:16:20 [all shouting]
00:16:22 [gunshots]
00:16:24 [all shouting]
00:16:26 [gunshots]
00:16:28 [all shouting]
00:16:30 [all shouting]
00:16:32 [gunshots]
00:16:34 [alarm blaring]
00:16:36 [alarm blaring]
00:16:38 - Oh, no.
00:16:40 [alarm blaring]
00:16:42 [alarm blaring]
00:16:44 [alarm blaring]
00:16:46 [alarm blaring]
00:16:48 [alarm blaring]
00:16:50 [alarm blaring]
00:16:52 [alarm blaring]
00:16:54 [alarm blaring]
00:16:56 [alarm blaring]
00:16:58 - Hit the sleeping gas!
00:17:00 Hit it!
00:17:02 Three, five...
00:17:04 [gunshot]
00:17:06 - Whoa. Easy.
00:17:08 - [screaming]
00:17:10 [all shouting]
00:17:12 - Get up!
00:17:14 [all shouting]
00:17:16 - Hit it!
00:17:18 - [groaning]
00:17:20 - In less than an hour, all these people,
00:17:22 including young
00:17:24 Emily Warnock here,
00:17:26 will be the only thing keeping us alive.
00:17:28 - [groaning]
00:17:30 - Don't mess with your poker chips.
00:17:32 - [groaning]
00:17:34 - [grunts]
00:17:36 - MS-1, this is LOPD.
00:17:38 Do you copy? Over.
00:17:40 - What's going on?
00:17:42 - Company.
00:17:44 [dramatic music]
00:17:46 - Smoke leakage on the starboard hull.
00:17:48 Possibly A-line.
00:17:50 - Look who I found, man.
00:17:52 - Get off the door, man.
00:17:54 - Found the proper egghead.
00:17:56 - Turn on the guns. - Here you are.
00:17:58 - Turn down. - Here you go.
00:18:00 - That's clever, isn't it?
00:18:02 Okey-dokey. - Leave it.
00:18:04 - Oh, why leave it, man? Come on.
00:18:06 - I said leave it.
00:18:08 - [grunts]
00:18:10 - [laughs]
00:18:12 [dramatic music]
00:18:14 - Copy.
00:18:16 Eyes open for recon mission.
00:18:18 Establish MS-1.
00:18:20 - Let's get out.
00:18:22 - Oh, serious.
00:18:24 [dramatic music]
00:18:26 ♪ ♪
00:18:28 - [grunts] - Shorty.
00:18:30 [gunfire]
00:18:32 - Fire! Fire!
00:18:34 - All right, reload.
00:18:36 [gunfire]
00:18:38 - [shouting]
00:18:40 [gunfire]
00:18:42 - You think you're running the show?
00:18:44 Get this into your thick skull.
00:18:46 You're not running the show.
00:18:48 - Shorty.
00:18:50 [dramatic music]
00:18:52 ♪ ♪
00:18:54 [dramatic music]
00:18:56 ♪ ♪
00:18:58 [breathing heavily]
00:19:00 ♪ ♪
00:19:02 - Everybody out.
00:19:04 Now.
00:19:06 Get out.
00:19:08 Sir, within the last hours,
00:19:10 there's been a massive infraction
00:19:12 on Supermax MS-1.
00:19:14 It's a takeover.
00:19:16 - Oh, God. Emily. Is she--
00:19:18 - She's fine, according to her telemetry,
00:19:20 but the situation is critical.
00:19:22 We can have special forces up there on site
00:19:24 within six hours.
00:19:26 - To do what, exactly?
00:19:28 - I just mean,
00:19:30 what order do we give, Mr. President?
00:19:32 - What are you saying?
00:19:34 - I'm asking, are we talking about
00:19:36 saving all the hostages, or are we
00:19:38 talking about saving just one in particular?
00:19:40 Now, we can send in the Marines,
00:19:42 but we have no real idea
00:19:44 of the whereabouts of your daughter on board.
00:19:46 As soon as we launch this large-scale offensive,
00:19:48 my guess is...
00:19:50 well, she's as good as dead, sir.
00:19:52 Or...
00:19:54 - What?
00:19:56 - We can send in one man.
00:19:58 One man with one very specific order.
00:20:01 To get Emily Warnock out.
00:20:04 - Oh.
00:20:06 I'd rather castrate myself with blunt rocks.
00:20:11 Why don't you get Rupert to do it?
00:20:13 Hey, how's it going?
00:20:15 - It's the best offer you'll get.
00:20:17 - Don't get me wrong. It's a dream to have.
00:20:19 Don't get me wrong. It's a dream vacation.
00:20:21 I mean, I load up, I go into space,
00:20:23 I get inside the maximum security nut house,
00:20:26 save the president's daughter if she's not dead already,
00:20:29 get past all the psychos who've just woken up.
00:20:31 I'm thrilled that you would think of me.
00:20:33 Hmm.
00:20:35 - See you in 30 years.
00:20:37 - Hmm.
00:20:39 - Wait. Snow.
00:20:41 You should really think about this,
00:20:43 because it could benefit all of us.
00:20:47 [sighs]
00:20:49 Okay, I'm joking. I'll do it.
00:20:57 [grunts]
00:21:03 Oh, Frank's lighter.
00:21:05 - Oh.
00:21:10 - Oh.
00:21:12 [laughs]
00:21:15 [dramatic music]
00:21:18 ♪ ♪
00:21:25 - Mm.
00:21:35 Here, put this on.
00:21:37 - Oh.
00:21:43 [grunts]
00:21:45 - Oh.
00:21:47 - Please proceed to the shuttle immediately.
00:21:50 One, two, three, you are clear for takeoff.
00:21:54 - So how many prisoners exactly?
00:22:04 - 497.
00:22:06 Main rapist and murderers.
00:22:08 He'll fit right in.
00:22:10 - How do we know she's not dead already?
00:22:12 - She's wearing a telemetry medical transmitter.
00:22:14 All the First Family have 'em.
00:22:16 - Placed to live in the big white house.
00:22:18 - So we know she's alive, and she has had some blood loss,
00:22:20 but it's nothing life-threatening so far.
00:22:23 - So if I actually find her,
00:22:25 and she is alive,
00:22:27 how do we get off the ship?
00:22:29 - Easy. Hit your ride, man.
00:22:31 There's an escape pod on level five.
00:22:33 It's not on any of the schematics,
00:22:35 but you can find it on this map.
00:22:38 It'll guide you to the pod
00:22:41 and give you the access code.
00:22:43 The pod will take the two of you off MS-1.
00:22:46 Is that clear?
00:22:48 - Yeah, clear as mud.
00:22:49 - Here. - What's that for?
00:22:51 Climbing down off sidewalks?
00:22:53 - Hey, no, no, no.
00:22:55 It's explosives. You join those two ends,
00:22:57 you got a nine-second charge.
00:22:59 It's great, too, for opening heavy secure panels
00:23:01 or, uh, bulkheads.
00:23:03 - Bulkheads? - Uh-huh.
00:23:05 [eerie music]
00:23:08 ♪ ♪
00:23:15 - [panting]
00:23:18 ♪ ♪
00:23:20 I gotta get out of here. - That's enough.
00:23:22 - I gotta get out of here.
00:23:24 [both grunting]
00:23:27 - [grunts]
00:23:29 - It's okay.
00:23:31 You got to sleep now.
00:23:33 - [groans]
00:23:35 [eerie music]
00:23:38 - Anyone else?
00:23:40 ♪ ♪
00:23:43 I'm gonna need a doctor to get this stitched up.
00:23:46 ♪ ♪
00:23:50 - [sighs] Thank you.
00:23:53 - Hey, lab coat.
00:23:55 You, move! - Doc, let's go.
00:23:57 - Hey, whoa, wait. She's not a doctor.
00:23:58 - Easy there, club guy. Easy. - Okay, okay.
00:24:00 - Let's go. Get your ass up.
00:24:02 ♪ ♪
00:24:09 - Stitch it up?
00:24:13 ♪ ♪
00:24:20 - Hey, wait a second. What the hell is going on here?
00:24:29 - We're taking over.
00:24:31 - And who are you?
00:24:33 - Secret Service.
00:24:35 - I didn't hear anything about this.
00:24:37 - That'll be why they call it secret, right?
00:24:40 - What's happening?
00:24:42 - They demanded a negotiator.
00:24:44 He's prepping now.
00:24:45 They've been leaving a live feed open.
00:24:49 - This is Special Agent Scott Langrell,
00:24:51 and I'm in charge of this situation.
00:24:54 - In charge?
00:24:56 That's where you're very much mistaken.
00:25:00 - [sniffles]
00:25:02 - So there she is, right in the Hornet's nest.
00:25:05 - Let me know when you've picked up on it, won't you?
00:25:07 - When I want your opinion, I'm gonna give it to you.
00:25:11 - Okay.
00:25:13 - Hey, picked up on--on what?
00:25:16 - Oh, nothing, you know, just that they don't know
00:25:18 they've got the president's daughter. That's all.
00:25:22 So...
00:25:25 you like working in space? - Yeah, I like it.
00:25:27 - You do? You get dizzy? - Yeah, sometimes.
00:25:29 - Sometimes? Yeah, I would--
00:25:31 - Hey, Snow, how do you figure that out?
00:25:34 - Far be it from me to teach you how to suck eggs,
00:25:36 but you think they might have said something, hm?
00:25:39 And they've got her playing doctor.
00:25:41 I'm just saying.
00:25:43 - Ladies and gentlemen, can I have your attention?
00:25:46 We've prepared a little, um, demonstration.
00:25:50 - [grunts]
00:25:52 - Barnes? Hello, Barnes.
00:25:55 You look sure, man. Let me--
00:25:57 - [yells] - Listen, if you're gonna
00:25:59 shit yourself, now would be a perfect time, wouldn't it?
00:26:01 Go on, boys.
00:26:03 - No. No.
00:26:05 [yells]
00:26:07 - Here we go.
00:26:09 We have a new TV.
00:26:11 - No! - Oh, no.
00:26:12 - No! - No, no, no, no, no, no.
00:26:14 - I can help you. - Can you help me?
00:26:16 - I can help you. - You don't need to have me.
00:26:18 - I can help you. - It's about chilly out there tonight.
00:26:21 - Don't do this. Don't do--
00:26:23 Wait, wait, wait, I can help you!
00:26:26 - No. - Wait!
00:26:28 - Bye. Bye, Barnes.
00:26:32 - Bye, bye, Barnes.
00:26:34 - No! I cannot fight the girl!
00:26:36 - What about her?
00:26:38 - The girl! The girl! - The girl?
00:26:40 - She's not the girl!
00:26:42 - She's not-- [screams]
00:26:44 - Oh, man! You see the look on his face?
00:26:46 - He was about to say something.
00:26:48 - I bet you see someone like-- [screams]
00:26:50 [indistinct radio chatter]
00:26:53 - Oh, man. Okay.
00:26:56 - The clock is reset.
00:27:00 One hour and counting until the next show,
00:27:02 so I'd get my skates on if I were you.
00:27:05 - Hey, tell me you are not still thinking
00:27:08 of negotiating with these psychos.
00:27:10 - This is all over the news in six hours.
00:27:12 Then they're gonna know who she is.
00:27:14 - We should just stick to the plan.
00:27:16 - The plan? You can send your boy in if you want.
00:27:18 I'm just doing what's best for the situation right now.
00:27:20 Right? Thank you.
00:27:22 - Thank you.
00:27:24 - I'm happy not to go.
00:27:26 - You're going. - Okay.
00:27:28 - Go now. - All right.
00:27:30 [dramatic music]
00:27:33 ♪ ♪
00:27:40 - Hey, easy, easy, big guy.
00:27:49 It's all right. It's okay. It's okay. Easy.
00:27:52 - Thanks for asking for on the way.
00:27:54 Is everybody okay?
00:27:56 - For the time being, sure.
00:28:01 - We're doing our bit. I was wondering,
00:28:03 what are you gonna do for us? - Don't tell me.
00:28:05 You're looking for a hostage.
00:28:07 - That'd certainly be a good start.
00:28:09 - Hey, forage.
00:28:11 - Ain't no one leaving, mate.
00:28:13 - No. - You got it, mate. No.
00:28:15 - Can I talk to you privately for a minute?
00:28:18 ♪ ♪
00:28:21 If this works, I'll wear a tutu and pink pantyhose.
00:28:24 Snow, let's be ready, okay?
00:28:27 ♪ ♪
00:28:29 - Okay.
00:28:31 ♪ ♪
00:28:35 - This thing's contained right now,
00:28:37 but you keep blasting people out the airlock.
00:28:39 Press gets involved, and all bets are off,
00:28:42 and nobody goes anywhere.
00:28:43 Now, you look like a smart guy,
00:28:45 so I'm gonna let you in on a little secret.
00:28:46 They're gonna let you go, but do you really think
00:28:48 they're gonna let 500 convicts go?
00:28:50 You. Maybe five or six others can get out of here.
00:28:53 It's what we call breakage.
00:28:54 - Why should I give up a hostage?
00:28:56 - You know why they really ask for a hostage, don't you?
00:28:58 Because it tells them one important thing.
00:29:00 This guy's in charge here.
00:29:02 Maybe you're not the guy who makes decisions around here.
00:29:04 [door slams]
00:29:05 - Don't go there.
00:29:07 I'm definitely the man you should be talking to.
00:29:09 - Okay, all right, show me you're in charge, then.
00:29:11 Give me a hostage.
00:29:13 - Can I trust you? - You can trust me.
00:29:15 [tense music]
00:29:18 ♪ ♪
00:29:20 - Just hold on.
00:29:22 This, uh, stuffed shirt may well pull this off.
00:29:26 - Oh, Jesus, come in, golly.
00:29:28 Pick up your minds.
00:29:29 - One hostage.
00:29:31 - One? Who do you want?
00:29:33 - Whoever. Usually one of the wounded.
00:29:35 I don't know, maybe a woman.
00:29:37 - A wounded woman's always popular.
00:29:40 - Okay, we got eight principals,
00:29:42 four Lovell Rice shotguns, three Berettas,
00:29:44 Lovell semis.
00:29:47 - Your choose.
00:29:49 ♪ ♪
00:29:56 - Up. Get up.
00:29:59 - Like me? - Get up!
00:30:01 - Honey, you--you'll be fine.
00:30:03 - It looks like my plan is working.
00:30:06 Sorry.
00:30:08 [indistinct radio chatter]
00:30:10 - [chuckles]
00:30:12 - Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:30:14 What's going on here? No heart. No heart.
00:30:16 No, no, no, no, no, no heart.
00:30:17 - A decision's been made.
00:30:18 - Please, man, no heart.
00:30:19 Not that one, no.
00:30:20 Take another one.
00:30:21 - Crawl back under your stone.
00:30:24 - Don't say that!
00:30:26 This woman needs medical assistance.
00:30:28 - Come on. - I didn't realize.
00:30:29 I forgot. I just let myself run away with my shell,
00:30:31 you know?
00:30:32 You want a wounded hostage?
00:30:34 - [yells] - Back off.
00:30:36 Go and see your French cock.
00:30:38 - [yells]
00:30:40 - You want a wounded hostage,
00:30:42 and now you have one, don't you, eh?
00:30:44 Everybody's happy. Everybody wins!
00:30:46 Eh? You happy?
00:30:48 - Catherine, it's gonna be okay. - Yeah?
00:30:49 - Snow, it's gone bad.
00:30:51 - You gotta get in there, man. Get in there.
00:30:53 [dramatic music]
00:30:56 ♪ ♪
00:31:03 - Catherine, we're gonna get you home, okay?
00:31:07 Catherine?
00:31:09 - There's some guy outside climbing on board.
00:31:11 - Catherine, I just need you to breathe with me.
00:31:14 - Listen, I was just doing what I was supposed--
00:31:18 - Catherine.
00:31:20 Catherine, look at me.
00:31:21 - I--yeah, I--please.
00:31:23 - You said I could trust you.
00:31:25 - Listen, I was just gonna--
00:31:28 [gunshot]
00:31:30 - Bring them back inside.
00:31:33 - [sobs]
00:31:35 - Come on, Emily, let's go.
00:31:36 - [sobs]
00:31:39 - Come on, now.
00:31:47 - Now, do something useful.
00:31:51 Go find that man and kill him.
00:31:54 I don't wanna see you till it's done.
00:31:56 - Why don't we just kill that lunatic?
00:32:00 - Because he's my brother.
00:32:05 - Okay, hold on. Nearly there.
00:32:08 Okay, got it.
00:32:09 You need to look around, and you should see a sealed port.
00:32:13 - You got it? - Yeah, I see it.
00:32:15 - Okay, I need you to pull back on the small, quick release.
00:32:19 - Right.
00:32:20 [whirring]
00:32:23 - Are you in?
00:32:28 Snow?
00:32:29 - Snow?
00:32:33 Snow, can you hear me?
00:32:36 - Warnock.
00:32:44 There you are.
00:33:01 [whirring]
00:33:04 [grunting]
00:33:07 [grunting]
00:33:12 [whirring]
00:33:18 [grunting]
00:33:22 [whirring]
00:33:25 [grunting]
00:33:28 [grunting]
00:33:33 [whirring]
00:33:38 [grunting]
00:33:41 - Ow! Ow!
00:33:43 - Come on.
00:33:45 Wait, wait, wait. This way.
00:33:50 [beeping]
00:33:53 [gunshot]
00:34:02 - We'll be safe here.
00:34:05 Nothing getting through there.
00:34:07 - So what now?
00:34:08 - We wait.
00:34:09 This end of the marine thing won't be long.
00:34:12 - Snow, what's going on?
00:34:14 - Oh, global warming.
00:34:18 Some celebrity's getting a boob job.
00:34:20 Congress is screwing the poops again.
00:34:22 You know, same old.
00:34:24 - No.
00:34:25 - Come on, man.
00:34:26 I mean, what's going on there?
00:34:28 - Oh, yeah.
00:34:29 Well--
00:34:30 - Your wildcat smacked me in the head with a fire extinguisher
00:34:32 and locked herself in some room.
00:34:34 - So she's safe.
00:34:35 Send the cavalry.
00:34:37 [beeping]
00:34:39 - Hey, listen, Snow.
00:34:41 You stick to the plan, you better do your job,
00:34:43 or I'll hit you with a Sherman tank.
00:34:45 Got that?
00:34:46 - Sherman tank, yeah.
00:34:47 Right.
00:34:48 Toss my cable, Angle.
00:34:50 I got other things to do.
00:34:51 - Hey, Snow.
00:34:52 [engine starts]
00:34:54 [tires screech]
00:34:56 [dramatic music]
00:34:59 ♪ ♪
00:35:06 ♪ ♪
00:35:13 - The answer to all our problems lies behind this door.
00:35:21 Get me a security engineer.
00:35:25 Actually...
00:35:28 bring me two.
00:35:31 [dramatic music]
00:35:34 ♪ ♪
00:35:41 - Snow, can you hear me?
00:35:46 Snow.
00:35:47 Come on, Snow.
00:35:49 Snow, can you hear me? It's Langer.
00:35:51 I want you to go in and get her now.
00:35:53 - Uh, actually, that's a little inconvenient right now.
00:35:56 - I don't care.
00:35:58 She's losing oxygen, she's suffocating.
00:36:00 You understand?
00:36:01 - You're making this up, right?
00:36:02 - Snow, it's Harry here. This is for real.
00:36:04 At the current rate of nitrogen buildup,
00:36:07 she will be dead in how long?
00:36:09 Five minutes, maybe.
00:36:10 - Yeah, well, contrary to popular belief,
00:36:12 I'm not actually Houdini,
00:36:13 and those things are designed to be impregnable,
00:36:15 so I'm not sure what you're asking me to do.
00:36:18 [dramatic music]
00:36:21 - You all right?
00:36:23 ♪ ♪
00:36:30 [alarm blaring]
00:36:31 - Oh, no.
00:36:33 ♪ ♪
00:36:37 [gunshot]
00:36:39 - Hopefully this will short-circuit me
00:36:41 the inevitable "it can't be done" discussion.
00:36:44 I need this door open.
00:36:47 [gunshot]
00:36:48 - [grunts]
00:36:50 [knocking]
00:36:52 - You should see a ladder in front of you.
00:36:54 Do you see it? - Yeah.
00:36:56 - Okay, I need you to take it.
00:36:58 ♪ ♪
00:37:01 And then, when you're over,
00:37:03 you gotta go straight ahead.
00:37:05 ♪ ♪
00:37:09 - [grunts]
00:37:12 - And, uh, here's where it gets a little bit tricky.
00:37:16 ♪ ♪
00:37:23 I need you to get to the other side, correct?
00:37:29 - Uh, what do you want me to do, fly?
00:37:32 'Cause I think I left my cape at home.
00:37:34 - I need you to listen to this, buddy. Go.
00:37:36 - The gravity generated by the torsion system
00:37:39 will hold you up.
00:37:41 - You gotta trust me on this.
00:37:43 You should just glide right over.
00:37:45 - Really?
00:37:47 - [yells]
00:37:49 - No.
00:37:51 ♪ ♪
00:37:53 No.
00:37:55 - [grunts]
00:37:57 - Torsion system engaged.
00:37:59 - No, there is no time for hanging around.
00:38:02 ♪ ♪
00:38:07 - [grunts]
00:38:10 ♪ ♪
00:38:17 - What is that?
00:38:36 ♪ ♪
00:38:43 - Warning. Please power down.
00:38:47 ♪ ♪
00:38:50 Danger.
00:38:52 ♪ ♪
00:38:54 - Hold on.
00:38:55 Snow, can you hear me?
00:38:57 - Warning. Please power down.
00:39:00 - Reactivate the torsion.
00:39:03 - [yells]
00:39:05 ♪ ♪
00:39:07 - Torsion. - No.
00:39:09 - [yells]
00:39:11 ♪ ♪
00:39:17 - What is that?
00:39:19 ♪ ♪
00:39:24 - They're trying to get it open.
00:39:26 - Can they do that?
00:39:28 - [grunts]
00:39:30 - This may take a bit longer.
00:39:33 - That really is unfortunate.
00:39:36 ♪ ♪
00:39:40 We're gonna need a new engineer.
00:39:42 This one sprung a leak.
00:39:44 [laughter]
00:39:46 - [panting]
00:39:49 - Okay, so that was easy, right?
00:39:52 See you at the hatch? Snow.
00:39:55 ♪ ♪
00:39:57 [gunshot]
00:39:58 - You have two minutes to start now.
00:40:01 Shoot me if you want, but I can guarantee this open
00:40:04 if you give me five minutes.
00:40:05 - Good sales pitch.
00:40:07 ♪ ♪
00:40:08 - Oxygen levels depleted.
00:40:10 - Oh, God, no.
00:40:11 - Please seek medical assistance.
00:40:14 ♪ ♪
00:40:15 Please seek medical assistance.
00:40:17 - Okay, Lily. Listen to me very carefully.
00:40:20 Nitrogen is lighter than oxygen,
00:40:21 so there will be more at full level.
00:40:23 Breathe shallow but steady.
00:40:25 Keep your heart rate low.
00:40:27 ♪ ♪
00:40:31 I'm sorry.
00:40:33 [gunshot]
00:40:35 - [panting]
00:40:38 ♪ ♪
00:40:41 - Something happened.
00:40:42 Somehow she found more oxygen,
00:40:43 but that'll only give us a minute or so.
00:40:46 - Snow, you gotta get in there.
00:40:48 EEG activity declining.
00:40:50 Brain death in 20 seconds.
00:40:52 - 20 seconds. - Lost him?
00:40:53 - 20 seconds, and then this is all over.
00:40:56 - Yeah, I should've stayed in college.
00:40:59 [gunshots]
00:41:02 - Oh! Okay.
00:41:05 Hot girl on the floor, big hole in her leg.
00:41:08 - Okay, first let's get the motor going.
00:41:10 Open the medipack.
00:41:11 We need to get the defib kit.
00:41:13 15 seconds.
00:41:14 You know the counting thing?
00:41:15 It's not very relaxing.
00:41:16 Gel them, place them on the chest,
00:41:18 center under the right arm.
00:41:19 Make sure they stay on.
00:41:20 10 seconds.
00:41:22 [beeping]
00:41:24 Bingo, got an induced pulse.
00:41:26 - Seven, six--
00:41:27 - So why is there still counting?
00:41:28 - Not done yet.
00:41:29 - Find the butadermic label 20 cc's
00:41:31 serotonin norepinephrine.
00:41:33 - What the hell do I do with this?
00:41:34 - It's a neurotransmitter stimulant.
00:41:35 You've gotta push the needle through the center
00:41:37 of her right eye into the brain.
00:41:38 - Oh, come on. You're kidding me, right?
00:41:40 - Move it around until it locates the thalamus.
00:41:42 It's self-guiding.
00:41:43 Then fire it.
00:41:45 [dramatic music]
00:41:48 ♪ ♪
00:41:52 - [groans]
00:41:54 I'm gonna be sick.
00:41:57 [groans]
00:41:58 - Okay, we've got some activity.
00:42:00 - Yeah, we got activity, all right?
00:42:02 She's doing a lambada in here.
00:42:03 - Now get some air in there.
00:42:04 - What, mouth-to-mouth?
00:42:05 - Mouth-to-mouth.
00:42:07 - Here we go.
00:42:09 - [grunts]
00:42:15 - Hey, whoa, whoa, whoa, whoa, whoa.
00:42:17 It's okay, it's okay.
00:42:18 - What the hell are you doing?
00:42:19 - I am bringing you back from the dead.
00:42:21 - I was dead.
00:42:22 - Yeah, and so far, I think I prefer you that way.
00:42:25 Come on, that's enough foreplay.
00:42:26 We're gonna get out of here.
00:42:28 [dramatic music]
00:42:31 ♪ ♪
00:42:32 - You, let's go.
00:42:34 Come on.
00:42:35 Back to the kennel.
00:42:37 ♪ ♪
00:42:44 - Shit.
00:42:46 [explosion]
00:42:48 [beeping]
00:42:51 - [grunts]
00:42:54 - Watch your head.
00:42:55 [gunshots]
00:42:56 Take the next left.
00:42:58 Okay, this way.
00:42:59 - Then go about 50 feet.
00:43:01 But watch your back, man.
00:43:03 Remember Kiet.
00:43:04 - Hold.
00:43:05 Her BP's dropping.
00:43:06 She's losing too much blood.
00:43:08 - Hey, Stone, stop saying "check him in his leg."
00:43:10 - Yeah.
00:43:11 - I'll put it on the to-do list.
00:43:13 - [breathing heavily]
00:43:16 ♪ ♪
00:43:22 - You're almost there, buddy.
00:43:24 ♪ ♪
00:43:31 - I understand you're the prison's communications expert.
00:43:36 I have a job for you.
00:43:38 ♪ ♪
00:43:41 - Fuck.
00:43:42 [gunshots]
00:43:44 ♪ ♪
00:43:47 - Now, it is vitally important that you go the right way,
00:43:49 whatever you do, for Christ's sake,
00:43:51 don't go down, Mama.
00:43:52 - Harry?
00:43:54 Harry?
00:43:55 Hey, Snow, can you hear me?
00:43:56 Ah, shit.
00:43:59 They've killed transmission.
00:44:00 - Who did?
00:44:02 - The little transmission fairies.
00:44:04 What do you think?
00:44:06 Greg, what the hell is happening here?
00:44:08 - This way.
00:44:09 - Are you sure?
00:44:10 - Yeah.
00:44:11 - You don't sound sure.
00:44:12 - Well, I am.
00:44:16 It's electromagnetic lockout.
00:44:18 - Oh, Christ.
00:44:19 Find a way to get me back in,
00:44:21 'cause we're flying blind here.
00:44:23 [indistinct radio chatter]
00:44:27 - I thought you said you were sure.
00:44:30 - Really a lot of fun, you know that?
00:44:32 Come on, don't worry.
00:44:34 It's perfectly safe.
00:44:35 [gunshots]
00:44:36 - [screams]
00:44:37 [glass shattering]
00:44:39 [dramatic music]
00:44:42 - Oh.
00:44:44 Oh, you don't have to do that.
00:44:46 The simple thank you is enough.
00:44:49 - Oh, asshole.
00:44:52 - So, um...
00:44:55 what, have we lost them?
00:44:57 Oh.
00:44:59 Right.
00:45:02 Sure, eh?
00:45:03 Up you get.
00:45:05 - Thank you.
00:45:08 - [sighs]
00:45:11 - Oh.
00:45:12 Oh, yuck.
00:45:15 Oh.
00:45:17 - Hmm.
00:45:25 - Who are you?
00:45:28 Who sent you?
00:45:30 - Your old man did.
00:45:32 - My dad.
00:45:34 What did he say?
00:45:35 - Uh, well, I didn't get to meet him personally.
00:45:37 He kind of delegated you a rescue.
00:45:38 They had a big conference on the corn surplus.
00:45:40 - You're kidding me.
00:45:41 - No, no, apparently we should all be eating more corn.
00:45:44 - About my father.
00:45:45 - Oh, yeah, yeah, I made that other bit up.
00:45:47 - Did he have a message for me?
00:45:48 - Yes, you are adopted.
00:45:50 - Are you the only type of jerk
00:45:52 they found for this kind of mission?
00:45:54 - The only one stupid enough to say yes.
00:45:58 - Okay, so...
00:46:00 what's the plan?
00:46:01 Surely you have a plan to rescue the hostages.
00:46:05 - What hostages?
00:46:06 - The hostages, the staff, the guards.
00:46:08 Should I write it out in crayon?
00:46:10 - I came here to rescue you and miss an accomplished.
00:46:13 It'd be quite well, I might add.
00:46:16 - Are you just thrilled being yourself all day,
00:46:19 or is it a part-time job?
00:46:21 I'm not kidding.
00:46:22 We can't just leave them.
00:46:24 - Leave who?
00:46:25 - The hostages.
00:46:26 Ow!
00:46:28 What is that?
00:46:29 - That's to stop the bleeding.
00:46:30 And hopefully the talking.
00:46:34 - They will die if we leave them.
00:46:36 - Listen, we're not going back to rescue any hostages, okay?
00:46:38 We're getting out of here after I do one thing.
00:46:41 There, that's the plan.
00:46:42 - Are you always this obnoxious?
00:46:44 - Shh!
00:46:46 - Cheers.
00:46:50 - No, I'm just enjoying the silence.
00:46:53 - You asshole.
00:46:56 We are not leaving them.
00:46:58 - Listen, it's really very sweet of you to say that.
00:47:01 But there's not a lot of room for anybody else, okay?
00:47:03 It's kind of a VIP deal.
00:47:05 Get it?
00:47:06 - What I get is you're a selfish dick--
00:47:09 - That'll freeze the nerves in this spot for 24 hours.
00:47:14 You want some on your mouth?
00:47:17 No?
00:47:19 [dramatic music]
00:47:22 ♪ ♪
00:47:30 - Okay, see here on the map?
00:47:32 - Yeah.
00:47:33 - That's where the pod is.
00:47:34 You get in it, you fly away,
00:47:35 the good guys will come and get you, okay?
00:47:37 - Am I on?
00:47:38 - You're a big girl, right?
00:47:39 Here's an apple and a gun.
00:47:41 Don't talk to strangers.
00:47:42 Shoot them.
00:47:44 - This is the plan you agreed on with my father?
00:47:48 - Yeah, he said it'll toughen you up.
00:47:49 Apparently you need that.
00:47:50 - Well, I'm sure I'll be...
00:47:53 Fine. Where are you going?
00:47:55 - Oh, I got a hot date.
00:47:57 It's been a real slice, so good luck,
00:47:59 and good luck with the leg thing.
00:48:02 - Okay.
00:48:04 - Okay, the map, you gotta flip it.
00:48:13 It's upside down.
00:48:14 No, no, so you can see the screen.
00:48:18 - Which way is north?
00:48:19 - Okay, we're in space now, so it's not north.
00:48:22 It's port, not starboard.
00:48:25 - Thanks.
00:48:27 - You're doing great.
00:48:36 - Can I have your attention?
00:48:38 You want to get out of here.
00:48:39 Our meal ticket is a woman.
00:48:41 Now, she's been on the run for some time now.
00:48:44 We need her alive,
00:48:46 and we need her as soon as possible.
00:48:48 Now, they're gonna try and leave the station.
00:48:53 Watch everywhere.
00:48:55 - Yeah, okay, you can tag along,
00:48:57 but maybe don't--don't talk.
00:48:59 Just keep it zipped.
00:49:01 Here, give me the map.
00:49:04 - Okay, we go this way.
00:49:08 North.
00:49:10 - Shmaila.
00:49:15 [speaking in foreign language]
00:49:18 - Shmaila.
00:49:19 - Hey, why do they do that?
00:49:20 - Do what?
00:49:21 - The marking on the face.
00:49:23 - Other prisoners do it to them.
00:49:24 Let's everyone know you're a rat.
00:49:25 Here, put these on.
00:49:28 - No.
00:49:29 - They don't come in pink.
00:49:30 You can't walk past 500 wax jobs dressed like a chick.
00:49:33 - Oh, so this is part of your plan.
00:49:36 So kind of you to clue me in.
00:49:39 You can't smoke in here.
00:49:41 - All evidence to the contrary.
00:49:44 - So.
00:49:48 So what do I call you?
00:49:50 - You know what?
00:49:52 Don't call me.
00:49:55 - What's your name?
00:49:57 - Snow.
00:49:58 - Snow?
00:49:59 - Yeah, or Sir.
00:50:00 You can decide.
00:50:01 - What's your first name?
00:50:03 - Snow.
00:50:04 - Your name is Snow Snow?
00:50:07 Well, that's just ridiculous.
00:50:09 Why won't you tell me your name?
00:50:11 - I just did.
00:50:12 - No, you didn't.
00:50:15 What is that?
00:50:19 - Engine oil, coffee, some water.
00:50:21 I just got out of the toilet.
00:50:22 - And just what do you plan on doing with it?
00:50:24 - I plan on putting it in your hair.
00:50:28 - If you would like to play witness protection
00:50:31 and shampoo in toilet water, be my guest.
00:50:34 Not me.
00:50:36 - Come on.
00:50:37 It'll be fun.
00:50:38 - Not on your life.
00:50:40 - God!
00:50:41 Stop!
00:50:42 Oh!
00:50:43 God!
00:50:44 Oh, it stinks!
00:50:46 [splat]
00:50:47 Ah!
00:50:48 Enough!
00:50:49 - There you go.
00:50:51 Wasn't that fun?
00:50:53 Huh?
00:50:54 - You're a pig.
00:50:55 - Thank you.
00:50:56 - You always treat women this way?
00:51:01 - Always.
00:51:02 Only if I like them.
00:51:04 - You have any idea what my father would do to you?
00:51:06 - Ah, jeez.
00:51:07 Mad race taxes again.
00:51:09 Here.
00:51:10 Yeah, you look good.
00:51:14 Oh, something's missing.
00:51:17 - What?
00:51:18 [thud]
00:51:19 - It's okay.
00:51:20 It's okay.
00:51:21 It's only cosmetic.
00:51:22 It's only cosmetic.
00:51:23 It's nothing personal.
00:51:24 Here, look, look, look.
00:51:25 It'll probably save your life.
00:51:26 You look tough now, see?
00:51:28 [laughs]
00:51:30 Ow!
00:51:31 Oh.
00:51:32 - You really are a naughty boy, Special Agent.
00:51:38 What you thought we wouldn't find out?
00:51:40 - I don't know what you're talking about.
00:51:42 - You tell Warnock that we have his daughter.
00:51:45 Unless we get what we want,
00:51:47 you tell your boss that I've, um, 500 pent-up convicts
00:51:52 all too eager to, um, educate his little girl.
00:51:57 - Okay.
00:51:58 What do you want?
00:52:00 [dramatic music]
00:52:03 ♪ ♪
00:52:11 [coughing]
00:52:13 ♪ ♪
00:52:19 - What's happened?
00:52:20 Is Emily okay?
00:52:22 [indistinct radio chatter]
00:52:25 ♪ ♪
00:52:29 - What's going on here, man?
00:52:31 - What does it look like?
00:52:33 We're going on a hunting trip.
00:52:35 - What you gonna get her?
00:52:36 I mean, let me come.
00:52:38 - No.
00:52:39 - Don't leave me behind, man.
00:52:40 What am I going to do here?
00:52:42 - Nothing.
00:52:43 And don't do anything stupid when I'm gone.
00:52:45 - Right. - Mm.
00:52:47 ♪ ♪
00:52:54 - Okay, this is main containment,
00:52:56 so don't draw attention to yourself.
00:52:58 - What if this doesn't work?
00:53:00 - Well, then we're probably gonna die.
00:53:02 - Is that your idea of encouragement?
00:53:03 - What can I say?
00:53:04 I'm sorry it's not one of your fancy
00:53:05 presidential society functions.
00:53:07 - Where do you get these ideas about me?
00:53:09 - Well, I don't know.
00:53:10 You know, you just don't seem like the kind of girl
00:53:11 that'd go bowling.
00:53:12 - Excuse me? Bowling?
00:53:14 I happen to be great at bowling.
00:53:16 - Really?
00:53:17 You go bowling?
00:53:18 - Yeah, every Tuesday.
00:53:19 There's a lane at the White House.
00:53:21 - Yeah, that's--that's what I'm talking about.
00:53:24 - That is hardly my fault.
00:53:25 - Careful.
00:53:26 Starting to sound like your old man.
00:53:28 Here.
00:53:29 I'll even load it.
00:53:31 [electronic beeping]
00:53:33 [explosion]
00:53:35 [people shouting]
00:53:38 - Dude.
00:53:42 You're a dude, okay?
00:53:44 [people shouting]
00:53:47 - Hey, you!
00:53:49 Yeah, you!
00:53:50 [explosion]
00:53:51 [people shouting]
00:53:54 [explosion]
00:53:56 [people shouting]
00:53:59 [explosion]
00:54:02 - What are you looking for?
00:54:04 - Mace.
00:54:05 - Like the spray?
00:54:07 - No, not like the spray.
00:54:09 [people shouting]
00:54:12 [man laughing]
00:54:15 [people shouting]
00:54:18 [people laughing]
00:54:21 [people shouting]
00:54:24 [people shouting]
00:54:27 - Mace.
00:54:31 - Shit.
00:54:34 Can I help you?
00:54:36 - Uh, no.
00:54:40 Well, you--you can get out of the way.
00:54:42 - No problem.
00:54:45 Just give me the password.
00:54:48 - Oh, yeah.
00:54:49 - I like your pretty boy buddy.
00:54:52 Hmm.
00:54:53 Says he like to party.
00:54:55 - Oh, yeah.
00:54:56 Yeah, like it's 1999.
00:54:58 Don't you?
00:54:59 - Oh.
00:55:01 You don't know the password.
00:55:03 Then there's a penalty.
00:55:06 [gunshot]
00:55:07 [people shouting]
00:55:10 [gunshots]
00:55:11 - Oh, shoot the door!
00:55:13 [gunshots]
00:55:16 [people shouting]
00:55:19 - The door's jammed.
00:55:21 - I'm gonna shoot the man.
00:55:23 [gunshots]
00:55:26 [people shouting]
00:55:27 - Jesus, I thought you were a Democrat.
00:55:29 [gunshots]
00:55:32 [people shouting]
00:55:35 [people shouting]
00:55:37 - Mace, come on.
00:55:39 [people shouting]
00:55:42 [gunshot]
00:55:44 - Mace, you son of a bitch.
00:55:46 - Ow, ow, ow.
00:55:47 - You okay?
00:55:48 - Ow.
00:55:49 Oh, okay.
00:55:50 Oh, okay.
00:55:51 Bitch.
00:55:52 Son of a bitch.
00:55:53 - What the hell's wrong with you, buddy?
00:55:55 - Buddy.
00:55:56 - Buddy, you--
00:55:57 Buddy, you be no--
00:55:59 No, not to be.
00:56:00 No, wrong.
00:56:01 - What's going on, man?
00:56:04 - I know what this is.
00:56:05 It's dementia.
00:56:06 - Oh, come on.
00:56:07 He's like 35.
00:56:08 - It's from the stasis.
00:56:10 Some people just unravel.
00:56:11 - Gravel.
00:56:15 - So it is true.
00:56:16 - True.
00:56:17 - True.
00:56:18 - True.
00:56:19 - True.
00:56:20 - True blue.
00:56:21 - You mean skew to do on not to do, right?
00:56:23 No, wrong.
00:56:24 Wrong.
00:56:25 - Lullaby.
00:56:26 Lullaby, lullaby, lullaby.
00:56:30 Shit.
00:56:39 I need you to get me something.
00:56:41 - Now you're asking a crazy man where he hid a briefcase
00:56:43 that you threw away at a crowded subway station.
00:56:45 - Mace, Mace, remember the case?
00:56:46 Huh?
00:56:47 The package?
00:56:48 The train station, I threw it to you on the train.
00:56:50 Where'd you put it?
00:56:51 - Right.
00:56:52 Um, yeah.
00:56:53 No, I put it, um, yeah.
00:57:00 In my pants.
00:57:02 - In your pants?
00:57:03 - Yeah, 'cause Sister Mary, she said it was bad,
00:57:06 bad to take it out in church in front of the other kids.
00:57:09 And when you do bad things, the angels, they cry.
00:57:12 That's what Sister Mary says.
00:57:13 - It's a disruption in his cortical circuitry.
00:57:16 It's why I'm here.
00:57:17 - It's just bad news.
00:57:18 That's what it is.
00:57:22 - Come on, honey, let's go.
00:57:24 - Wait, wait, wait.
00:57:25 Why are you bringing him?
00:57:26 He's one of them.
00:57:27 He's safer without us.
00:57:28 - I need him.
00:57:29 - For what, for this phantom briefcase?
00:57:30 You'd be lucky to get a recipe for mud pies out of this guy.
00:57:32 - He's coming with us, okay?
00:57:33 End of story.
00:57:37 I know exactly what I'm doing.
00:57:45 - Let him get away!
00:57:48 - Oh, come on, god damn it.
00:57:53 - Okay, this way, this way.
00:57:56 - Put a light down there.
00:57:57 - Gotta go.
00:57:58 - Go, go, go.
00:57:59 - Gotta go.
00:58:00 - Ah!
00:58:01 - Ah!
00:58:02 - Go, go, go, go, okay, go.
00:58:05 - Um...
00:58:23 - Come on.
00:58:46 - Oh, god.
00:59:12 - Oh, god.
00:59:41 - Oh, god.
00:59:51 - Oh, god.
01:00:01 - God damn it!
01:00:26 - Oh, god.
01:00:55 - Oh, god.
01:01:06 - Oh, god.
01:01:15 - Oh, god.
01:01:25 - Oh, god.
01:01:45 - Oh, god.
01:02:05 - Oh, god.
01:02:25 - Oh, god.
01:02:45 - Oh, god.
01:03:05 - Oh, god.
01:03:25 - Oh, god.
01:03:35 - Oh, god.
01:03:45 - Oh, god.
01:03:55 - Oh, god.
01:04:05 - Oh, god.
01:04:15 - Oh, god.
01:04:25 - Oh, god.
01:04:35 - Oh, god.
01:04:45 - Oh, god.
01:04:55 - Oh, god.
01:05:05 - Oh, god.
01:05:15 - Oh, god.
01:05:25 - Oh, god.
01:05:35 - Oh, god.
01:05:45 - Oh, god.
01:05:55 - Oh, god.
01:06:05 - Oh, god.
01:06:15 - Oh, god.
01:06:25 - Oh, god.
01:06:35 - Oh, god.
01:06:45 - Oh, god.
01:06:55 - Oh, god.
01:07:05 - Oh, god.
01:07:15 - Oh, god.
01:07:25 - Oh, god.
01:07:35 - Oh, god.
01:07:45 - Oh, god.
01:07:55 - Oh, god.
01:08:05 - Oh, god.
01:08:15 - Oh, god.
01:08:25 - Oh, god.
01:08:35 - Oh, god.
01:08:45 - Oh, god.
01:08:55 - Oh, god.
01:09:05 - Oh, god.
01:09:15 - Oh, god.
01:09:25 - Oh, god.
01:09:35 - Oh, god.
01:09:45 - Oh, god.
01:09:55 - Oh, god.
01:10:05 - Oh, god.
01:10:15 - Oh, god.
01:10:25 - Oh, god.
01:10:35 - Oh, god.
01:10:45 - Oh, god.
01:10:55 - Oh, god.
01:11:05 - Oh, god.
01:11:15 - Oh, god.
01:11:25 - Oh, god.
01:11:35 - Oh, god.
01:11:45 - Oh, god.
01:11:55 - Oh, god.
01:12:05 - Oh, god.
01:12:15 - Oh, god.
01:12:25 - Oh, god.
01:12:35 - Oh, god.
01:12:45 - Oh, god.
01:12:55 - Oh, god.
01:13:05 - Oh, god.
01:13:15 - Oh, god.
01:13:25 - Oh, god.
01:13:35 - Oh, god.
01:13:45 - Oh, god.
01:13:55 - Oh, god.
01:14:05 - Oh, god.
01:14:15 - Oh, god.
01:14:25 - Oh, god.
01:14:35 - Oh, god.
01:14:45 - Oh, god.
01:14:55 - Oh, god.
01:15:05 - Oh, god.
01:15:15 - Oh, god.
01:15:25 - Oh, god.
01:15:35 - Oh, god.
01:15:45 - Oh, god.
01:15:55 - Oh, god.
01:16:05 - Oh, god.
01:16:15 - Oh, god.
01:16:25 - Oh, god.
01:16:35 - Oh, god.
01:16:45 - Oh, god.
01:16:55 - Oh, god.
01:17:05 - Oh, god.
01:17:15 - Oh, god.
01:17:25 - Oh, god.
01:17:35 - Oh, god.
01:17:45 - Oh, god.
01:17:55 - Oh, god.
01:18:05 - Oh, god.
01:18:15 - Oh, god.
01:18:25 - Oh, god.
01:18:35 - Oh, god.
01:18:45 - Oh, god.
01:18:55 - Oh, god.
01:19:05 - Oh, god.
01:19:15 - Oh, god.
01:19:25 - Oh, god.
01:19:35 - Oh, god.
01:19:45 - Oh, god.
01:19:55 - Oh, god.
01:20:05 - Oh, god.
01:20:15 - Oh, god.
01:20:25 - Oh, god.
01:20:35 - Oh, god.
01:20:45 - Oh, god.
01:20:55 - Oh, god.
01:21:05 - Oh, god.
01:21:15 - Oh, god.
01:21:25 - Oh, god.
01:21:35 - Oh, god.
01:21:45 - Oh, god.
01:21:55 - Oh, god.
01:22:05 - Oh, god.
01:22:15 - Oh, god.
01:22:25 - Oh, god.
01:22:35 - Oh, god.
01:22:45 - Oh, god.
01:22:55 - Oh, god.
01:23:05 - Oh, god.
01:23:15 - Oh, god.
01:23:25 - Oh, god.
01:23:35 - Oh, god.
01:23:45 - Oh, god.
01:23:55 - Oh, god.
01:24:05 - Oh, god.
01:24:15 - Oh, god.
01:24:25 - Oh, god.
01:24:35 - Oh, god.
01:24:45 - Oh, god.
01:24:55 - Oh, god.
01:25:05 - Oh, god.
01:25:15 - Oh, god.
01:25:25 - Oh, god.
01:25:35 - Oh, god.
01:25:45 - Oh, god.
01:25:55 - Oh, god.
01:26:05 - Oh, god.
01:26:15 - Oh, god.
01:26:25 - Oh, god.
01:26:35 - Oh, god.
01:26:45 - Where is the entourage?
01:26:46 - Gave him the slip.
01:26:47 - I need to thank for teaching me that.
01:26:49 - Nice work.
01:26:50 - You're still bleeding, Marion.
01:26:52 - And you wonder why I didn't tell you my first name.
01:26:54 - Oh, right. How about Sally? Has a nice ring to it.
01:26:57 - Yes, it does, but I prefer snow.
01:26:59 - I can't call you that. Sounds like an ice cream.
01:27:01 - Speaking of which, I believe you're only one.
01:27:04 - You know, I've got this feeling your old man's not gonna approve of this.
01:27:07 - I mean, I can't really see this going anywhere. Can you?
01:27:11 - Depends on how good you are in bed.
01:27:13 - Well, in that case, I'll give you at least ten minutes.
01:27:15 [laughing]
01:27:17 [music]