Underworld: Awakening is a 2012 American action horror film directed by Måns Mårlind and Björn Stein from a screenplay by Len Wiseman, John Hlavin, J. Michael Straczynski, and Allison Burnett, based on a story by Wiseman and Hlavin. It is the direct sequel to Underworld: Evolution (2006) and the fourth installment in the Underworld film series. The film stars Kate Beckinsale, Stephen Rea, Michael Ealy, Theo James, India Eisley, and Charles Dance.
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Short filmTranscript
00:00:00 (eerie music)
00:00:03 (eerie music)
00:00:06 (eerie music)
00:00:08 (eerie music)
00:00:11 (eerie music)
00:00:39 (eerie music)
00:00:42 - The vampire and lycan clans had been at war
00:00:47 for centuries before I was born.
00:00:49 Their endless conflict hidden from the human world.
00:00:54 I was turned by a vampire.
00:00:58 And given the strength to avenge my family
00:01:03 against the lycans.
00:01:05 (eerie music)
00:01:07 And I was good at it.
00:01:13 (eerie music)
00:01:15 Then I found Michael Corvin.
00:01:24 A human that was turned to neither vampire nor lycan.
00:01:32 But a hybrid of the two and everything changed.
00:01:35 Allies turned enemies.
00:01:41 And the vampire elders I had protected
00:01:43 for over six centuries now wanted me dead.
00:01:46 We retaliated.
00:01:49 Killed the elders.
00:01:54 And for a brief moment of time, we were safe.
00:01:57 (eerie music)
00:02:01 But then, a new darkness arose.
00:02:04 (eerie music)
00:02:06 - In the nine days since the first discovery
00:02:08 of the non-human species,
00:02:10 scores of so-called covens have been uncovered.
00:02:13 The estimates of the number of infected have skyrocketed.
00:02:16 - Military sources confirm that the primary measures
00:02:19 of defense against the non-humans
00:02:21 are based on ultraviolet light and silver,
00:02:24 which the infected appear to have fatal sensitivity.
00:02:27 - Tents have been posted at every corner
00:02:29 of the city.
00:02:30 (guns firing)
00:02:31 A test will be administered to verify
00:02:33 if you're clear of infection.
00:02:35 (shouting)
00:02:37 (eerie music)
00:02:40 - We've begun our second attack wave
00:02:53 using ultraviolet and silver nitrate munitions,
00:02:56 which are deadly to the human body.
00:02:58 - They're deadly to the infected.
00:03:00 - Due to the volatile situation,
00:03:02 martial law was declared two hours ago.
00:03:05 (guns firing)
00:03:08 - Many of us have lost loved ones to this.
00:03:11 (eerie music)
00:03:13 Please know that you cannot help them or yourself.
00:03:19 - The shocking discovery that not one
00:03:21 but two distinct species may have been coexisting
00:03:24 within human populations,
00:03:26 the existence of vampires and werewolves
00:03:28 now appear to have actual faces in fact.
00:03:31 - The city remains reluctant to share any new information,
00:03:34 but we are getting reports of what appears
00:03:36 to be a mass cleansing.
00:03:38 (shouting)
00:03:40 (shouting)
00:03:42 (gun firing)
00:03:43 - There's no cure.
00:03:45 (shouting)
00:03:47 (shouting)
00:03:52 (guns firing)
00:03:54 (shouting)
00:03:56 (gun firing)
00:03:58 (dramatic music)
00:04:01 (gun cocking)
00:04:03 (dramatic music)
00:04:06 (gun cocking)
00:04:07 (gun firing)
00:04:09 (dramatic music)
00:04:12 (roaring)
00:04:14 (dramatic music)
00:04:17 (dramatic music)
00:04:20 (roaring)
00:04:22 (dramatic music)
00:04:25 (roaring)
00:04:27 (dramatic music)
00:04:30 - The purge.
00:04:32 Human beings no longer kill each other.
00:04:35 (dramatic music)
00:04:36 We are the enemy they've been waiting for.
00:04:39 (dramatic music)
00:04:40 Escape has become our only chance of survival.
00:04:44 (dramatic music)
00:04:45 Therefore, Michael and I are leaving tonight.
00:04:49 (gun firing)
00:04:51 (dramatic music)
00:04:53 (gun firing)
00:04:54 (shouting)
00:04:56 (gun firing)
00:04:58 (shouting)
00:05:00 (dramatic music)
00:05:03 (roaring)
00:05:05 (dramatic music)
00:05:08 (shouting)
00:05:10 (dramatic music)
00:05:13 (shouting)
00:05:15 (dramatic music)
00:05:18 (shouting)
00:05:20 (dramatic music)
00:05:23 (shouting)
00:05:25 (dramatic music)
00:05:28 - Stop, get down on the ground.
00:05:31 (gun firing)
00:05:32 (dramatic music)
00:05:35 (gun firing)
00:05:37 (dramatic music)
00:05:40 (roaring)
00:05:42 (dramatic music)
00:05:45 (roaring)
00:05:47 (dramatic music)
00:05:50 (gun firing)
00:05:52 (dramatic music)
00:05:55 (roaring)
00:05:57 (dramatic music)
00:06:00 (dramatic music)
00:06:03 (shouting)
00:06:05 - Should be here any minute, get ready to go.
00:06:07 - Better hurry.
00:06:08 (dramatic music)
00:06:11 - Tango unit, moving into position.
00:06:14 (beeping)
00:06:16 - We have the hybrid in sight.
00:06:18 Hold your fire, leave this one alive.
00:06:20 (dramatic music)
00:06:23 (beeping)
00:06:26 - Target in position.
00:06:27 - Watch your flank, secure.
00:06:28 - Move, move, move.
00:06:30 - Alpha unit, position.
00:06:32 (dramatic music)
00:06:36 - Bombing silver grenade.
00:06:38 (dramatic music)
00:06:39 - Michael.
00:06:40 - Fire.
00:06:41 (gun firing)
00:06:43 (dramatic music)
00:06:45 (shouting)
00:06:47 (dramatic music)
00:06:50 (gun firing)
00:06:52 (dramatic music)
00:06:55 (gun firing)
00:06:57 (dramatic music)
00:06:59 (screaming)
00:07:01 (dramatic music)
00:07:06 (dramatic music)
00:07:11 (gun firing)
00:07:13 (dramatic music)
00:07:18 (gun firing)
00:07:20 (dramatic music)
00:07:25 (dramatic music)
00:07:30 (dramatic music)
00:07:35 (water splashing)
00:07:38 - Retrieve the bodies.
00:07:40 (water splashing)
00:07:45 (dramatic music)
00:07:47 (fire crackling)
00:07:52 (dramatic music)
00:07:57 (fire crackling)
00:08:02 - Subject team has escaped.
00:08:04 Security units on alert.
00:08:06 Subject team has escaped.
00:08:08 Security units on alert.
00:08:10 Subject team has escaped.
00:08:12 Security units on alert.
00:08:14 Subject team has escaped.
00:08:16 Security units on alert.
00:08:18 Subject team has escaped.
00:08:20 Security units on alert.
00:08:22 - Defrost sequence initiated.
00:08:25 Lowering compression in subject one cryo chamber.
00:08:28 (dramatic music)
00:08:31 (glass shattering)
00:08:34 - Defrost sequence complete.
00:08:37 - Subject two finished.
00:08:39 - Open up any chamber.
00:08:40 Nobody get away.
00:08:42 (dramatic music)
00:08:47 (dramatic music)
00:08:52 (dramatic music)
00:08:57 (dramatic music)
00:09:02 (dramatic music)
00:09:07 (dramatic music)
00:09:12 (dramatic music)
00:09:17 (dramatic music)
00:09:22 (dramatic music)
00:09:27 (dramatic music)
00:09:32 (dramatic music)
00:09:37 (dramatic music)
00:09:42 - Security violation level six.
00:09:44 All containment personnel to level six.
00:09:47 (dramatic music)
00:09:52 (dramatic music)
00:09:57 (dramatic music)
00:10:02 (dramatic music)
00:10:07 - Jacob.
00:10:08 - Subject two escaped.
00:10:09 It's somewhere in the building.
00:10:11 (glass shattering)
00:10:13 - We've got subject one in full lockdown.
00:10:16 - Give me the status.
00:10:17 - Subject one is broken free.
00:10:18 We need the flash burn immediately.
00:10:20 - No, wait.
00:10:21 Let me see.
00:10:22 (dramatic music)
00:10:27 (dramatic music)
00:10:32 (glass shattering)
00:10:34 - Put it back to sleep.
00:10:36 (dramatic music)
00:10:38 - Harry.
00:10:39 (dramatic music)
00:10:42 - Releasing maximum dose of fentanyl.
00:10:45 (dramatic music)
00:10:50 (dramatic music)
00:10:55 (dramatic music)
00:11:00 (dramatic music)
00:11:03 (dramatic music)
00:11:07 - What is this place?
00:11:09 (dramatic music)
00:11:10 - Where's Michael?
00:11:12 (dramatic music)
00:11:17 (dramatic music)
00:11:22 (dramatic music)
00:11:27 (dramatic music)
00:11:32 (dramatic music)
00:11:37 (dramatic music)
00:11:42 (dramatic music)
00:11:45 - Don't move.
00:11:47 (dramatic music)
00:11:51 (gunshots)
00:11:55 (dramatic music)
00:11:57 - Multiple casualties on level six.
00:11:59 Medical to alert status.
00:12:01 Prepare for full containment on level six.
00:12:03 I repeat, full containment on level six.
00:12:06 (dramatic music)
00:12:11 (gunshots)
00:12:16 (dramatic music)
00:12:21 (gunshots)
00:12:26 - I see her. East corridor is insecure.
00:12:28 - No, let her go.
00:12:30 She can lead us to subject two.
00:12:32 - No, don't shoot.
00:12:34 Let her go.
00:12:36 (dramatic music)
00:12:41 (gunshots)
00:12:43 (dramatic music)
00:12:48 (dramatic music)
00:12:53 (dramatic music)
00:12:58 (dramatic music)
00:13:03 (gunshots)
00:13:06 - Subject one and subject two have escaped the perimeter.
00:13:10 They are under active control.
00:13:12 Security out of gate.
00:13:14 Use extreme caution upon encounter.
00:13:16 Report immediately upon encounter.
00:13:19 (dramatic music)
00:13:21 (gunshot)
00:13:23 (dramatic music)
00:13:26 (gunshots)
00:13:31 (dramatic music)
00:13:36 (dramatic music)
00:13:41 (dramatic music)
00:13:46 (dramatic music)
00:13:51 (dramatic music)
00:13:56 (dramatic music)
00:14:01 (dramatic music)
00:14:06 (dramatic music)
00:14:11 (dramatic music)
00:14:16 (dramatic music)
00:14:21 (dramatic music)
00:14:26 (dramatic music)
00:14:31 (dramatic music)
00:14:36 (dramatic music)
00:14:41 (dramatic music)
00:14:46 (dramatic music)
00:14:51 (dramatic music)
00:14:56 - Hey, how'd you get in there?
00:14:58 You're not allowed in here.
00:15:01 The pier is closed.
00:15:03 - Since when?
00:15:05 - A long time ago.
00:15:07 Come on.
00:15:09 - How long?
00:15:12 - About 12 years ago.
00:15:15 - Since the cleansing.
00:15:17 - Why?
00:15:19 You okay, ma'am?
00:15:20 - Attention all units, code three call receiving a report
00:15:23 of an assault exit 39 underpass.
00:15:25 Possible non-human aggressor, proceed with caution.
00:15:28 CDC already en route.
00:15:30 All area units respond.
00:15:32 (dramatic music)
00:15:34 - Ma'am.
00:15:36 Hey, ma'am.
00:15:38 (dramatic music)
00:15:43 (dramatic music)
00:15:48 (dramatic music)
00:15:53 (dramatic music)
00:15:58 (dramatic music)
00:16:03 (dramatic music)
00:16:08 (dramatic music)
00:16:13 (dramatic music)
00:16:18 (dramatic music)
00:16:23 (dramatic music)
00:16:28 (dramatic music)
00:16:33 - Whoever it is, they couldn't have made it very far.
00:16:36 There's no way this attack was human.
00:16:38 - You don't know that.
00:16:40 - Don't know what?
00:16:42 The guy's shredded.
00:16:43 His throat was found over in the gutter.
00:16:45 - Just let me handle it.
00:16:46 - What's to handle?
00:16:47 This has lichen written all over it.
00:16:49 - Detective, when was the last time you heard
00:16:51 about a reported lichen killing?
00:16:54 - A couple years ago.
00:16:56 - How many years have you been with this department?
00:16:59 - What do you mean?
00:17:00 I've been here for three months.
00:17:01 - Exactly.
00:17:03 - Question me less until you know a bit more.
00:17:06 You clear?
00:17:07 - Crystal.
00:17:09 (phone ringing)
00:17:11 - Detective Sebastian.
00:17:13 - Detective, we've just received a report
00:17:14 there's been a disturbance at Antigen Labs.
00:17:17 An eyewitness says there may have been an escape.
00:17:19 They said someone jumped out of a window.
00:17:21 This is a priority investigation.
00:17:23 We need you over there ASAP.
00:17:26 - We're on our way.
00:17:28 Hey, let's go.
00:17:29 Johnson, you're the lead.
00:17:32 (suspenseful music)
00:17:35 - He's in charge.
00:17:50 - There's Detective Sebastian here to see you, sir.
00:17:55 - Where is he?
00:17:59 - In the lobby, sir.
00:18:01 - You will be relieved to know
00:18:06 that the situation is well under control.
00:18:08 - What happened?
00:18:09 - I repeat, well under control.
00:18:11 - I repeat, what happened?
00:18:13 - Ah, yes.
00:18:14 There are reports to be filed.
00:18:17 One of our test subjects attempted to escape.
00:18:19 We were forced to put it down.
00:18:22 - So nothing got out?
00:18:23 - Only a stray bullet.
00:18:25 - And the test subject?
00:18:26 - Flash burn.
00:18:27 - Will that be all?
00:18:29 - Few things to attend to, you could imagine.
00:18:32 - Doctor, we received an anonymous call
00:18:34 that something else escaped through a window.
00:18:36 - Detective, our mission at Antigen
00:18:39 is to develop ways of preventing infection,
00:18:41 not releasing it into the general population.
00:18:45 I lost my son to this disease.
00:18:48 There's no room for error with me
00:18:50 when it comes to the safety of the public.
00:18:52 If something had escaped,
00:18:53 the authorities would have been notified.
00:18:56 - You are an authority, are you not?
00:18:59 Now, if you'll excuse me.
00:19:25 - Guy in charge says it's nothing.
00:19:27 Let's go.
00:19:28 - Yeah, and he's full of shit.
00:19:30 Look at this.
00:19:33 You want me to report it, sir?
00:19:34 - No, I'll do it.
00:19:36 - I don't mind. I can do it for you.
00:19:38 All right, sir.
00:19:42 [door opens]
00:19:45 [gunshot]
00:20:00 - [coughs]
00:20:06 The prisoner that helped me escape.
00:20:08 The one you call Subject 2.
00:20:11 Was it a hybrid?
00:20:13 - Yes.
00:20:14 - What were you doing with us?
00:20:17 - We...
00:20:19 We helped the government identify the infected.
00:20:22 We were using your DNA to try to find a cure
00:20:25 to prevent another outbreak.
00:20:27 - You were told that I would lead you to the hybrid.
00:20:30 Why?
00:20:31 - Subject 2's restricted information.
00:20:34 I don't have the clearance.
00:20:37 - You're lying.
00:20:39 [gunshot]
00:20:40 - [screams]
00:20:42 No!
00:20:43 Please!
00:20:44 All I know is there's some kind of connection between you two.
00:20:47 Your brainwaves fall into sync
00:20:49 whenever you're close to each other.
00:20:51 You can see through each other's eyes.
00:20:55 Please, don't.
00:20:56 I'm the one who let you go.
00:20:58 - Now we're even.
00:21:00 [screams]
00:21:03 [screams]
00:21:07 [glass shatters]
00:21:10 [panting]
00:21:14 [gunshot]
00:21:18 [panting]
00:21:21 - What the hell was that?
00:21:34 - Creepy as what?
00:21:36 - I'm calling it in.
00:21:37 - Let's go.
00:21:39 [dramatic music]
00:21:42 ♪ ♪
00:21:49 [gunshot]
00:21:59 [birds chirping]
00:22:04 [eerie music]
00:22:07 ♪ ♪
00:22:14 [dramatic music]
00:22:25 ♪ ♪
00:22:33 [panting]
00:22:36 [gunshot]
00:22:38 - Don't.
00:22:39 - Why not?
00:22:41 - We're the same.
00:22:43 - Why are you following me?
00:22:48 - We monitor the police frequencies.
00:22:50 - "We"?
00:22:51 - Do you know what attacked that human back there?
00:22:53 Under the bridge.
00:22:55 - No.
00:22:56 [growling]
00:22:59 - Lycans.
00:23:01 What remains of them yet.
00:23:03 [growling]
00:23:05 They've been hiding down here like rats ever since the Purge.
00:23:08 Diseased and starving,
00:23:10 they rarely show themselves above ground,
00:23:12 which means that something has got them wound up.
00:23:16 Something you're not telling me.
00:23:18 [growling]
00:23:21 [eerie music]
00:23:24 [growling]
00:23:27 ♪ ♪
00:23:33 - Come on.
00:23:35 ♪ ♪
00:23:42 - [screams]
00:23:48 [gunshot]
00:23:50 [growling]
00:23:53 ♪ ♪
00:24:00 - Do you know her?
00:24:19 - No.
00:24:21 ♪ ♪
00:24:27 - They will come back in numbers.
00:24:30 - We can't leave her here.
00:24:32 ♪ ♪
00:24:37 - Come on.
00:24:39 ♪ ♪
00:24:50 - Let's try the ladder.
00:24:52 ♪ ♪
00:24:57 - Get in. Move. Move.
00:24:59 ♪ ♪
00:25:06 [growling]
00:25:09 ♪ ♪
00:25:16 - There are three of them behind us.
00:25:18 ♪ ♪
00:25:25 [growling]
00:25:28 ♪ ♪
00:25:35 [growling]
00:25:38 ♪ ♪
00:25:45 [growling]
00:25:48 ♪ ♪
00:25:55 [growling]
00:25:58 ♪ ♪
00:26:05 [growling]
00:26:08 ♪ ♪
00:26:15 [growling]
00:26:18 ♪ ♪
00:26:25 [growling]
00:26:28 ♪ ♪
00:26:35 [growling]
00:26:38 ♪ ♪
00:26:45 [growling]
00:26:48 ♪ ♪
00:26:55 [growling]
00:26:58 ♪ ♪
00:27:04 [screaming]
00:27:07 ♪ ♪
00:27:14 [growling]
00:27:17 ♪ ♪
00:27:24 ♪ ♪
00:27:30 - You drive.
00:27:32 ♪ ♪
00:27:39 [growling]
00:27:42 ♪ ♪
00:27:49 [growling]
00:27:52 ♪ ♪
00:27:59 [eerie music]
00:28:02 ♪ ♪
00:28:09 ♪ ♪
00:28:17 ♪ ♪
00:28:18 - She's not healing.
00:28:20 - We have a doctor that can help her at our coven.
00:28:24 - How did you find me?
00:28:27 ♪ ♪
00:28:29 - What's your name?
00:28:31 - Subject 2, and you were Subject 1.
00:28:36 I freed you.
00:28:39 ♪ ♪
00:28:41 Do you not know who I am?
00:28:44 They told me that I had no mother,
00:28:47 that she died when I was born.
00:28:51 I never believed it. I--
00:28:54 I felt you.
00:28:56 I saw images through your eyes.
00:28:59 But then someone outside my door,
00:29:02 they said since I was no longer a child,
00:29:05 the wait was over.
00:29:08 That I'd be dead soon,
00:29:11 and that my own mother, right next door,
00:29:14 would never even know I'd existed.
00:29:18 - What did they tell you of your father?
00:29:22 They must have told you something.
00:29:24 Do you see images through him?
00:29:26 - No.
00:29:28 Only you.
00:29:30 ♪ ♪
00:29:34 - No, please!
00:29:36 ♪ ♪
00:29:43 - She's never stepped foot outside the lab.
00:29:49 How can she possibly survive?
00:29:51 I understand the risk of reporting her escape to the authorities.
00:29:54 There's no record of her birth,
00:29:56 so questions will be asked. I'm well aware of that.
00:29:58 But if she dies, all our years of research will have been--
00:30:01 - Rather than telling me how to do my job,
00:30:03 why not take a look at your own professional conduct?
00:30:05 At how your continual need
00:30:07 to endow this creature with human traits
00:30:09 has led to the laxness of its security protocols.
00:30:12 It's not a human being, Rita. It's not your child.
00:30:15 It's not me. Coddle them, pity.
00:30:17 It's a blight of nature.
00:30:20 ♪ ♪
00:30:22 Stop worrying. It'll come back to us.
00:30:25 ♪ ♪
00:30:32 [engine rumbles]
00:30:35 [engine rumbles]
00:30:38 [engine shuts off]
00:30:40 ♪ ♪
00:30:48 [engine rumbles]
00:30:51 ♪ ♪
00:30:58 [glass shatters]
00:31:00 ♪ ♪
00:31:07 ♪ ♪
00:31:14 ♪ ♪
00:31:21 ♪ ♪
00:31:28 ♪ ♪
00:31:35 [engine rumbles]
00:31:38 ♪ ♪
00:31:45 ♪ ♪
00:31:52 ♪ ♪
00:31:57 - Get a live yard, Watson.
00:31:59 ♪ ♪
00:32:04 [speaking Russian]
00:32:07 [speaking Russian]
00:32:10 - Now you'd better pass this poor grozer.
00:32:13 [speaking Russian]
00:32:16 ♪ ♪
00:32:18 - Do you think I'm foolish enough to take you at your word?
00:32:22 No reason to fear a death dealer
00:32:25 who fell in love with a lycan,
00:32:27 who murdered two of our elders,
00:32:29 and who at every turn has betrayed her own kind.
00:32:33 ♪ ♪
00:32:35 Do you know who this is?
00:32:37 ♪ ♪
00:32:39 Yes.
00:32:41 But it was we who betrayed her, Father.
00:32:43 ♪ ♪
00:32:45 Let her through.
00:32:47 ♪ ♪
00:32:49 She's not healing.
00:32:51 ♪ ♪
00:32:57 - [grunts]
00:33:00 - She was attacked by a lover lycan...
00:33:03 two hours ago.
00:33:05 ♪ ♪
00:33:07 - Her cell repair is active,
00:33:11 but weakened.
00:33:13 ♪ ♪
00:33:15 She has no origin bite marks
00:33:20 or scars.
00:33:22 ♪ ♪
00:33:23 I've never seen a child like this before.
00:33:26 When did you last feed?
00:33:29 - Feed?
00:33:32 - Give her blood.
00:33:34 ♪ ♪
00:33:42 - Child, you must.
00:33:45 ♪ ♪
00:33:51 - [whimpers]
00:33:53 ♪ ♪
00:34:00 [whispering]
00:34:03 Slowly.
00:34:05 Slowly.
00:34:07 ♪ ♪
00:34:09 There.
00:34:11 There now.
00:34:13 ♪ ♪
00:34:17 She's healing.
00:34:19 ♪ ♪
00:34:21 And quickly.
00:34:23 - Good. Take her to my room. She needs to rest.
00:34:25 - No.
00:34:27 Look at the eyes.
00:34:29 ♪ ♪
00:34:36 - [sniffles]
00:34:39 - I never believed it.
00:34:41 They do exist.
00:34:43 ♪ ♪
00:34:45 - This is not one of us.
00:34:47 - No, it's something more, Father.
00:34:49 ♪ ♪
00:34:52 - What do you know of her?
00:34:54 ♪ ♪
00:34:56 - I was held captive at a place called Antigen.
00:35:00 One of the other prisoners freed me.
00:35:03 I believed it was Michael Corvin,
00:35:06 the only hybrid I knew existed at that time.
00:35:08 - Yes, yes, you'll like and love a long dead.
00:35:11 What is this, then?
00:35:13 - None of your concern.
00:35:16 As soon as she regains her strength, I will leave with her.
00:35:19 ♪ ♪
00:35:27 [eerie music]
00:35:30 ♪ ♪
00:35:37 [grunts]
00:35:48 ♪ ♪
00:35:56 - I used to hear stories of the Death Dealers.
00:36:00 That they were a thing of the past,
00:36:04 never to return.
00:36:07 I'm glad they were wrong.
00:36:10 - You knew who I am.
00:36:13 And yet you still brought me here.
00:36:17 Thank you.
00:36:20 - You're a fighter.
00:36:22 We could use more like you to teach us.
00:36:25 - I'm not sure your father would agree.
00:36:27 - There was a time when he would have.
00:36:29 That's why he disliked you so much.
00:36:31 I think it reminds him of the days
00:36:33 when he defended us with fire and steel,
00:36:36 rather than hollow words.
00:36:38 He knows how much we need you.
00:36:41 - I'm not a leader.
00:36:43 - But you fight for what you believe in.
00:36:45 You always have.
00:36:47 - I don't know what I believe in anymore.
00:36:49 I don't recognize this world.
00:36:52 - But you haven't changed.
00:36:54 I saw it in your eyes when you looked at the child.
00:36:58 You will protect her.
00:37:00 It's in your blood.
00:37:02 It's who you are.
00:37:05 When you leave, take me with you.
00:37:08 ♪ ♪
00:37:15 ♪ ♪
00:37:22 ♪ ♪
00:37:29 ♪ ♪
00:37:36 ♪ ♪
00:37:43 ♪ ♪
00:37:50 ♪ ♪
00:37:57 ♪ ♪
00:38:04 ♪ ♪
00:38:11 ♪ ♪
00:38:14 - You distrust me.
00:38:16 ♪ ♪
00:38:22 Of course you do. I made you feel unwelcome.
00:38:25 And for that, I'm sorry.
00:38:28 ♪ ♪
00:38:32 Those eyes...
00:38:35 they're special.
00:38:37 ♪ ♪
00:38:39 I know exactly what you are.
00:38:42 ♪ ♪
00:38:49 ♪ ♪
00:38:54 - My father says that should we survive as a species,
00:38:57 these relics will help our descendants
00:38:59 know who we were and how we lived.
00:39:01 - And what do you say?
00:39:03 - That if we continue to live as we do now,
00:39:06 and we disgrace the past and don't deserve the future,
00:39:09 we must resist the humans
00:39:12 wherever and whenever possible.
00:39:14 Between the first and second purges,
00:39:17 Lycan youth rallied in the same way
00:39:19 against the prudence of their elders.
00:39:22 Their calls for violent action carried the day.
00:39:25 The result?
00:39:27 The werewolves are nearly extinct.
00:39:31 Is that what you wish for us, extinction?
00:39:34 Yet you bring her offspring into our home.
00:39:37 Do you honestly believe the humans will allow her to remain free?
00:39:41 They will hunt her down at any expense.
00:39:44 - Then we can help protect them. - Protect them?
00:39:47 They leave tonight.
00:39:49 This isn't prudence. This is cowardice, plain and simple.
00:39:53 How dare you.
00:39:57 How dare you...
00:40:00 do so little.
00:40:02 [eerie music]
00:40:05 ♪ ♪
00:40:12 ♪ ♪
00:40:19 - I dreamt of the day we would meet.
00:40:36 Like a silly little girl.
00:40:42 [eerie music]
00:40:45 ♪ ♪
00:40:47 You're as cold as one already dead.
00:40:50 ♪ ♪
00:40:54 Yesterday, I was with your father.
00:40:59 He's only a little further away from me than you are now.
00:41:06 I went to sleep.
00:41:11 And when I awoke the next day,
00:41:14 I learned that overnight,
00:41:17 12 years had passed.
00:41:20 And instead of the only man I've ever loved,
00:41:25 I stood a car with his eyes.
00:41:29 My heart is not cold.
00:41:36 It is broken.
00:41:39 I'm so sorry.
00:41:42 [eerie music]
00:41:45 ♪ ♪
00:41:52 What is it?
00:41:54 [thunder rumbling]
00:41:56 - They're here.
00:41:58 - Stay here. Wait for me.
00:42:01 - No, take me with you. Please.
00:42:03 - I won't let anyone hurt you.
00:42:06 I promise. Lock the door.
00:42:09 - Everybody to the shelter. Now!
00:42:12 - Follow me!
00:42:14 - Now! Prepare the armory.
00:42:17 Do as I say. Go! Go!
00:42:20 Pay heed to me.
00:42:23 Now! We stand and we fight.
00:42:26 [glass shattering]
00:42:29 [men shouting]
00:42:32 [glass shattering]
00:42:35 [men shouting]
00:42:38 [glass shattering]
00:42:41 [men shouting]
00:42:44 - Move! - You're no son of a bitch!
00:42:47 [dramatic music]
00:42:50 - Stop this now!
00:42:53 - We've lived safely for years,
00:42:55 and now you've brought humans into this coven.
00:42:57 They want the girl, and they will stop at nothing to get her back.
00:43:00 - This day was bound to come, either without us.
00:43:03 - Munitions, let's go! Everyone!
00:43:05 - Are you mad? We have no more than a handful of fighters.
00:43:08 We will be annihilated.
00:43:10 - Then what's your plan, Father?
00:43:12 - Let's go! Now! Stop them!
00:43:15 - Where are you going? - To get her away from here.
00:43:17 Your father's right. I shouldn't have come.
00:43:19 - He doesn't understand what we're doing.
00:43:21 - The humans will follow us out. You just need to hold them off till then.
00:43:24 They're only here for her.
00:43:26 She's more powerful than any of us,
00:43:29 and they fear the day she discovers it.
00:43:31 - I have to get her out of here.
00:43:33 [dramatic music]
00:43:36 ♪ ♪
00:43:43 [eerie music]
00:43:52 ♪ ♪
00:44:00 [birds chirping]
00:44:03 [gunshot]
00:44:10 [roaring]
00:44:11 - Mother!
00:44:13 [gunshots]
00:44:15 [roaring]
00:44:17 - Show them our ammunition! Now!
00:44:20 Defend your city from the thunder!
00:44:22 [roaring]
00:44:25 [roaring]
00:44:28 [roaring]
00:44:31 ♪ ♪
00:44:39 [roaring]
00:44:42 ♪ ♪
00:44:50 [roaring]
00:44:53 [screaming]
00:44:56 ♪ ♪
00:45:03 - Open the door!
00:45:09 - Let's go.
00:45:13 [roaring]
00:45:16 ♪ ♪
00:45:23 [roaring]
00:45:28 ♪ ♪
00:45:35 - Move, move!
00:45:37 [roaring]
00:45:40 ♪ ♪
00:45:47 [roaring]
00:46:08 ♪ ♪
00:46:15 - We need to go.
00:46:19 [roaring]
00:46:22 ♪ ♪
00:46:29 [roaring]
00:46:35 [splashing]
00:46:38 ♪ ♪
00:46:44 - What the hell was that?
00:46:46 [roaring]
00:46:49 - Take her somewhere safe. - No.
00:46:51 - Take her. - Go.
00:46:53 ♪ ♪
00:47:01 [roaring]
00:47:04 ♪ ♪
00:47:11 [roaring]
00:47:14 ♪ ♪
00:47:21 [gunfire]
00:47:34 [roaring]
00:47:37 ♪ ♪
00:47:44 [roaring]
00:47:54 ♪ ♪
00:48:02 [roaring]
00:48:05 ♪ ♪
00:48:12 [roaring]
00:48:19 ♪ ♪
00:48:27 [roaring]
00:48:30 ♪ ♪
00:48:37 [roaring]
00:48:40 ♪ ♪
00:48:47 [roaring]
00:48:50 ♪ ♪
00:48:57 [grunting]
00:49:03 [clattering]
00:49:06 [clattering]
00:49:08 [sighs]
00:49:10 [footsteps approaching]
00:49:13 ♪ ♪
00:49:20 - Where is she?
00:49:36 - It's not gonna happen.
00:49:38 - They accepted her.
00:49:41 As a gift from me.
00:49:44 ♪ ♪
00:49:46 [grunting]
00:49:49 ♪ ♪
00:49:57 [roaring]
00:50:00 ♪ ♪
00:50:24 - Do you even know what you've done?
00:50:26 Do you have any idea?
00:50:28 - What would you have had me do?
00:50:30 Fight to the last to protect the very one
00:50:33 who brought this upon us.
00:50:35 We're defeated.
00:50:37 Our coven is destroyed.
00:50:39 My son is dead because of you.
00:50:43 Why?
00:50:46 Because he held that child of yours.
00:50:49 If they kill her, so be it.
00:50:52 - Your son died because he was fighting for all of you.
00:50:56 Because he knew that running is not survival.
00:51:00 Those were lycans.
00:51:03 Not extinct. More powerful than ever.
00:51:06 That thing was more than twice the size
00:51:08 of any lycan I've ever seen.
00:51:11 They risked showing themselves after more than a decade
00:51:14 in hiding because of her.
00:51:16 And you handed her over to them.
00:51:19 She is the last direct descendant
00:51:23 of Alexander Corvinus.
00:51:26 The only hybrid child that has ever existed.
00:51:31 Whatever it is the lycans want from her,
00:51:35 your son knew it was worth dying for.
00:51:38 ♪ ♪
00:51:43 - What are you doing?
00:51:46 ♪ ♪
00:52:13 [thunder rumbling]
00:52:16 - David.
00:52:18 ♪ ♪
00:52:26 [thunder rumbling]
00:52:29 ♪ ♪
00:52:37 [thunder rumbling]
00:52:40 ♪ ♪
00:52:48 [thunder rumbling]
00:52:51 ♪ ♪
00:52:59 [thunder rumbling]
00:53:02 ♪ ♪
00:53:10 [car alarm blaring]
00:53:13 - A force of two dozen lycans
00:53:33 attacked and destroyed one of our covens last night.
00:53:38 - You're not surprised.
00:53:40 You knew the lycans were not extinct.
00:53:44 How? - Just a feeling.
00:53:47 - I'm not good with feelings.
00:53:49 I want to know how.
00:53:51 - This is not the place for this.
00:53:54 And you're not gonna kill me.
00:53:56 - Really? - No.
00:53:58 Because you wouldn't need a fucking gun to do it.
00:54:01 ♪ ♪
00:54:03 A few years ago, the government declared
00:54:05 mission accomplished on all lycans.
00:54:08 Feds announced that we were to only focus on your kind now.
00:54:12 Three months ago, a friend of mine sent me this.
00:54:16 It arrived two days after he was found
00:54:18 hanging from his own ceiling fan.
00:54:21 200 suspected lycan captures.
00:54:24 Every case was investigated.
00:54:26 Every blood test came back negative.
00:54:28 So my friend began to wonder,
00:54:30 were they all false leads,
00:54:31 or was someone trying to protect the lycans?
00:54:34 - Helping them replenish their packs,
00:54:36 letting them regroup.
00:54:37 - What about your own department?
00:54:40 They have my daughter.
00:54:43 All I care about is getting her back.
00:54:46 If you're protecting someone, I don't care.
00:54:49 I'm not after them. I just want her.
00:54:52 - No.
00:54:53 Even if there are others in my department,
00:54:56 they wouldn't have the authority.
00:54:58 This goes much higher.
00:55:00 I believe all the way to the top.
00:55:03 - What's the bottom?
00:55:05 - What do you mean?
00:55:07 - Who administers the tests.
00:55:10 - We're a bit short on time,
00:55:11 so if you please, take a look at these.
00:55:14 This schedule will take you from the moment we adjourn today
00:55:17 straight through to the final manufacture of the vaccine.
00:55:20 If we stick to this plan,
00:55:22 inoculation should begin within three months.
00:55:25 Any questions, now's the time.
00:55:27 Because after today's surgery,
00:55:28 there will be no communication between us
00:55:30 until we meet up again in the inoculation center.
00:55:33 - Doctor, in terms of your test subject,
00:55:36 he continues to demonstrate immunity to silver?
00:55:39 - Absolutely.
00:55:40 And additional inoculations administered only as a precaution
00:55:45 have triggered side effects we never imagined.
00:55:48 Vast increases in strength, muscle mass,
00:55:52 self-healing, stamina.
00:55:55 - You said she was essential to our research.
00:55:59 - Yes, and will continue to be.
00:56:01 - How? By vivisecting her?
00:56:04 - You weren't meant to have that.
00:56:06 - I cared for this little girl all these years,
00:56:10 and you expect me to sit by while you--
00:56:13 - Harvest its genetic material?
00:56:16 I expect nothing from you.
00:56:19 I hired you to look after it,
00:56:21 and for the most part, you did an excellent job,
00:56:24 saving the lives of thousands.
00:56:28 - What are you talking about?
00:56:30 - An entire species saved from extinction.
00:56:34 [door opens]
00:56:36 [door closes]
00:56:38 - Oh, dang.
00:56:40 - [gasps]
00:56:42 [eerie music]
00:56:45 ♪ ♪
00:56:46 - [grunts]
00:56:48 [eerie music]
00:56:51 ♪ ♪
00:56:54 [thud]
00:56:56 [eerie music]
00:56:59 ♪ ♪
00:57:06 - [gasps]
00:57:15 ♪ ♪
00:57:23 [eerie music]
00:57:26 - After today, you won't have to wait so long
00:57:28 between injections.
00:57:30 - Are you sure she's ready?
00:57:32 - Estrogen level's high.
00:57:34 Intervals between menses holding steady.
00:57:37 It's come of age.
00:57:40 Everything's worked out, just as we'd hoped.
00:57:44 [inhales deeply]
00:57:46 [exhales]
00:57:48 You're the first proof of it.
00:57:51 I'm proud of you, son.
00:57:53 Now that it's with us again,
00:57:59 we'll have all the genetic material we need
00:58:01 ready for cloning,
00:58:03 enough to produce an endless supply of vaccine.
00:58:07 Imagine, our species immune to sulfur.
00:58:12 No more hiding.
00:58:14 Every lichen under our command as powerful as you are.
00:58:18 I've even begun injecting myself.
00:58:21 - I only wish Mother were here to see it.
00:58:25 - Your mother chose to remain human.
00:58:29 She abandoned us.
00:58:31 Remember that.
00:58:35 [eerie music]
00:58:38 ♪ ♪
00:58:45 [snarling]
00:58:48 - Of course, Father.
00:58:51 ♪ ♪
00:58:58 - Look, if you're right about Antitude,
00:59:00 who knows how many lichens are gonna be hiding in there.
00:59:03 The second you step foot inside,
00:59:05 you're gonna be surrounded.
00:59:06 - I'm hoping so.
00:59:09 - I know you want her back. I can help you.
00:59:12 - Why?
00:59:13 - Just tell me what your plan is.
00:59:15 ♪ ♪
00:59:22 - [breathing heavily]
00:59:25 ♪ ♪
00:59:27 [snarling]
00:59:30 [screaming]
00:59:33 ♪ ♪
00:59:38 [screaming]
00:59:40 - It's worse if you try to fight it.
00:59:42 Trust me.
00:59:44 ♪ ♪
00:59:46 - So how is it you're actually able to survive in the sunlight?
00:59:51 ♪ ♪
00:59:53 - It was a gift...
00:59:55 from a man named Alexander Corvinus.
00:59:58 - Founding father.
01:00:00 ♪ ♪
01:00:03 I used to be married to a nurse.
01:00:06 ♪ ♪
01:00:08 One day at work, she was bitten.
01:00:10 ♪ ♪
01:00:12 Nobody knew but us.
01:00:14 We lived like that for a few years.
01:00:16 ♪ ♪
01:00:18 Then came the purge.
01:00:21 The feds were conducting door-to-doors,
01:00:23 and when they knocked on ours...
01:00:25 ♪ ♪
01:00:31 She--she told me she loved me, and, uh...
01:00:34 ♪ ♪
01:00:36 Then she let the sunlight in.
01:00:39 I had to watch her burn.
01:00:41 ♪ ♪
01:00:43 [snarling]
01:00:45 - [grunting]
01:00:47 ♪ ♪
01:00:54 [snarling]
01:00:56 ♪ ♪
01:01:03 - [breathing heavily]
01:01:07 - You got me?
01:01:09 - Yes.
01:01:11 - Good luck.
01:01:13 ♪ ♪
01:01:20 - Shit, it's her! The daylight!
01:01:29 It's her! Go! - Okay.
01:01:31 [gunshots]
01:01:33 - Let's go! - Let's get it!
01:01:35 ♪ ♪
01:01:42 [snarling]
01:01:46 ♪ ♪
01:01:49 - It's her!
01:01:51 - Stop!
01:01:53 ♪ ♪
01:02:00 - Wait for me, Q.
01:02:03 - I'm ready.
01:02:05 ♪ ♪
01:02:10 - Hopscote A, repeat, Hopscote A, breach on Level 1.
01:02:13 Intruder ascending in Elevator 4.
01:02:15 We're on all levels secure and ready on that elevator now.
01:02:18 ♪ ♪
01:02:22 - Anastasia, you ready? - Yes, sir.
01:02:24 - Good.
01:02:26 ♪ ♪
01:02:33 - Security units on alert.
01:02:51 Hopscote A, intruder on Level 2.
01:02:54 - Security is quick.
01:02:56 All units, intruders ascending in the elevator.
01:02:58 - Come on.
01:03:00 Let's go.
01:03:02 ♪ ♪
01:03:09 [screaming]
01:03:22 ♪ ♪
01:03:29 - There's your Q.
01:03:39 - Copy.
01:03:41 ♪ ♪
01:03:49 [snarling]
01:03:52 [gunfire]
01:03:55 ♪ ♪
01:04:02 - They're using silver nitrate gas.
01:04:11 Bombs on all the floors.
01:04:13 It's Subject 1.
01:04:15 We need to evacuate.
01:04:17 - Fine.
01:04:19 Start a propofol infusion.
01:04:21 We're not canceling this procedure, understood?
01:04:24 We're moving it.
01:04:26 You find her...
01:04:28 and you destroy her.
01:04:30 - With pleasure.
01:04:32 ♪ ♪
01:04:45 - I'm here.
01:04:47 I got movement on a van in parking Level 3.
01:04:49 No sign of the girl.
01:04:51 - They'll be on the move.
01:04:53 Just don't lose them.
01:04:55 ♪ ♪
01:04:59 She's in the service elevator.
01:05:02 - Get her.
01:05:04 - I'm coming down.
01:05:06 [gunfire]
01:05:09 [snarling]
01:05:12 ♪ ♪
01:05:19 - Selene.
01:05:29 Selene.
01:05:31 They're heading for parking Level 2.
01:05:33 [static]
01:05:36 Selene.
01:05:37 Selene, I need to know where you are!
01:05:39 [static]
01:05:42 [gunfire]
01:05:45 ♪ ♪
01:05:50 - Oh, shit.
01:05:52 ♪ ♪
01:06:07 - Selene, where are you?
01:06:09 [snarling]
01:06:12 ♪ ♪
01:06:19 [gun cocks]
01:06:25 [eerie music]
01:06:28 ♪ ♪
01:06:36 ♪ ♪
01:06:39 I see her. I see her.
01:06:41 Parking Level 2.
01:06:42 They're loading your daughter into the van.
01:06:45 Selene, where are you?
01:06:47 [snarling]
01:06:49 - Fuck.
01:06:51 ♪ ♪
01:06:54 - Pull the light down. Stop!
01:06:56 [gunshot]
01:06:58 ♪ ♪
01:07:04 [eerie music]
01:07:07 ♪ ♪
01:07:09 - Michael. - Get her!
01:07:11 [gunfire]
01:07:14 ♪ ♪
01:07:21 - Selene, Lane has her in the van.
01:07:25 They're on the move. Where are you?
01:07:27 They are leaving with her. Do you hear me?
01:07:29 [gunshot]
01:07:31 - I'm on my way.
01:07:33 ♪ ♪
01:07:40 [grunting]
01:07:48 ♪ ♪
01:07:55 [grunting]
01:07:58 ♪ ♪
01:08:05 [grunting]
01:08:14 [gunfire]
01:08:17 ♪ ♪
01:08:24 [gunfire]
01:08:27 ♪ ♪
01:08:34 [gunshot]
01:08:36 ♪ ♪
01:08:43 [gunfire]
01:08:46 ♪ ♪
01:08:53 [gunfire]
01:08:55 ♪ ♪
01:09:01 - Come on, faster.
01:09:03 ♪ ♪
01:09:10 [tires screeching]
01:09:13 ♪ ♪
01:09:20 - Don't stop.
01:09:22 Hit him!
01:09:23 [gunfire]
01:09:25 ♪ ♪
01:09:32 [gunfire]
01:09:35 ♪ ♪
01:09:42 [tires screeching]
01:09:44 ♪ ♪
01:09:50 - Selene, you're heading for parking level one.
01:09:52 [grunting]
01:09:54 Selene, we're getting away on parking level one.
01:09:57 Do you copy?
01:09:58 - I'm coming.
01:10:00 ♪ ♪
01:10:05 [grunting]
01:10:08 ♪ ♪
01:10:15 [grunting]
01:10:18 ♪ ♪
01:10:22 - Everything okay?
01:10:24 - Levels are holding stable, sir.
01:10:26 Baseline vital--
01:10:27 [gunfire]
01:10:30 ♪ ♪
01:10:35 [gun clicking]
01:10:38 [grunting]
01:10:41 ♪ ♪
01:10:48 [growling]
01:10:50 [gunfire]
01:10:52 ♪ ♪
01:11:01 [growling]
01:11:03 ♪ ♪
01:11:06 [growling]
01:11:08 ♪ ♪
01:11:15 [growling]
01:11:17 ♪ ♪
01:11:24 [growling]
01:11:26 ♪ ♪
01:11:32 [grunting]
01:11:35 [gunfire]
01:11:39 ♪ ♪
01:11:46 [growling]
01:11:48 ♪ ♪
01:11:55 [growling]
01:11:57 ♪ ♪
01:12:04 [panting]
01:12:09 - Fuck you.
01:12:11 [grunting]
01:12:12 [growling]
01:12:14 ♪ ♪
01:12:20 [grunting]
01:12:22 ♪ ♪
01:12:29 [growling]
01:12:31 ♪ ♪
01:12:38 [growling]
01:12:40 ♪ ♪
01:12:47 [growling]
01:12:50 ♪ ♪
01:12:53 - Get away from her!
01:12:55 [growling]
01:12:57 ♪ ♪
01:13:02 [gunfire]
01:13:05 ♪ ♪
01:13:10 [growling]
01:13:12 ♪ ♪
01:13:19 [growling]
01:13:21 ♪ ♪
01:13:28 [growling]
01:13:30 ♪ ♪
01:13:35 [growling]
01:13:37 ♪ ♪
01:13:44 [growling]
01:13:46 ♪ ♪
01:13:53 [growling]
01:13:55 ♪ ♪
01:14:02 [grunting]
01:14:07 ♪ ♪
01:14:14 [grunting]
01:14:16 ♪ ♪
01:14:23 [grunting]
01:14:28 ♪ ♪
01:14:35 [growling]
01:14:37 ♪ ♪
01:14:44 [squelching]
01:14:46 ♪ ♪
01:14:48 [choking]
01:14:50 ♪ ♪
01:14:54 - It's worse if you try to fight it.
01:14:56 ♪ ♪
01:14:58 [choking]
01:14:59 Trust me.
01:15:01 [growling]
01:15:03 ♪ ♪
01:15:10 [choking]
01:15:12 ♪ ♪
01:15:19 [choking]
01:15:20 ♪ ♪
01:15:27 [choking]
01:15:28 ♪ ♪
01:15:35 [growling]
01:15:38 ♪ ♪
01:15:45 [grunting]
01:15:47 ♪ ♪
01:15:54 [growling]
01:15:56 ♪ ♪
01:15:59 - I heal instantly.
01:16:02 - I'm counting on it.
01:16:04 [screaming]
01:16:06 [gun cocks]
01:16:08 [screaming]
01:16:10 ♪ ♪
01:16:17 [screaming]
01:16:19 ♪ ♪
01:16:26 [growling]
01:16:28 ♪ ♪
01:16:31 [choking]
01:16:33 [choking]
01:16:35 ♪ ♪
01:16:42 ♪ ♪
01:16:49 ♪ ♪
01:16:56 ♪ ♪
01:17:01 - You came back for me.
01:17:04 ♪ ♪
01:17:08 - I said I would.
01:17:10 - Selene.
01:17:12 ♪ ♪
01:17:15 You should go.
01:17:17 ♪ ♪
01:17:19 - This safehouse is no far from here.
01:17:21 - Go. I'll send them on a different path.
01:17:24 Buy you some time.
01:17:26 - Thank you.
01:17:28 Come on. David.
01:17:30 ♪ ♪
01:17:33 - Are we going back in?
01:17:35 - We are.
01:17:37 ♪ ♪
01:17:44 [eerie music]
01:17:47 ♪ ♪
01:17:54 - What is it?
01:17:56 Michael?
01:17:59 - The roof.
01:18:01 ♪ ♪
01:18:06 - Though the world has changed,
01:18:09 our enemy remains the same.
01:18:12 The Lycans will rebuild
01:18:14 and will hunt for her father as they did for her.
01:18:18 ♪ ♪
01:18:19 But as they grow stronger,
01:18:22 so will we.
01:18:24 The Vampire Coven will not only survive this world,
01:18:28 we will reclaim it.
01:18:31 ♪ ♪
01:18:39 [dramatic music]
01:18:42 ♪ ♪
01:18:49 [upbeat music]
01:18:54 ♪ ♪
01:19:01 [upbeat music]
01:19:04 ♪ ♪
01:19:11 ♪ ♪
01:19:14 - ♪ Speak your mind ♪
01:19:17 ♪ ♪
01:19:19 ♪ Like I care ♪
01:19:22 ♪ ♪
01:19:25 ♪ I can see your lips moving ♪
01:19:29 ♪ ♪
01:19:31 ♪ I just learned not to hear ♪
01:19:35 ♪ Don't waste your time ♪
01:19:41 ♪ It's never enough for you, baby ♪
01:19:44 ♪ Don't wanna play your game ♪
01:19:47 ♪ Never matter ♪
01:19:49 ♪ No matter what you say ♪
01:19:52 ♪ I want it all for you, baby ♪
01:19:55 ♪ Now that I've tried everything ♪
01:19:59 ♪ I'm better painted than made of stone ♪
01:20:04 ♪ Take your time ♪
01:20:07 ♪ ♪
01:20:09 ♪ I'm not scared ♪
01:20:12 ♪ ♪
01:20:14 ♪ Make me everything you need me to be ♪
01:20:20 ♪ So the judgment seems fair ♪
01:20:24 ♪ Don't waste your time ♪
01:20:30 ♪ It's never enough for you, baby ♪
01:20:33 ♪ Don't wanna play your game ♪
01:20:36 ♪ Never matter ♪
01:20:38 ♪ No matter what you say ♪
01:20:41 ♪ I want it all for you, baby ♪
01:20:44 ♪ Now that I've tried everything ♪
01:20:48 ♪ I'm better painted than made to tear ♪
01:20:53 ♪ At my own ♪
01:20:56 ♪ For the way that it feels ♪
01:21:02 ♪ I will still remember ♪
01:21:07 ♪ When you found ♪
01:21:09 ♪ Forgotten me ♪
01:21:17 ♪ ♪
01:21:25 ♪ It's never enough for you, baby ♪
01:21:28 ♪ Don't wanna play your game ♪
01:21:31 ♪ Never matter ♪
01:21:33 ♪ No matter what you say ♪
01:21:36 ♪ I want it all for you, baby ♪
01:21:39 ♪ Now that I've tried everything ♪
01:21:43 ♪ I'll never paint till I am made of stone ♪
01:21:47 ♪ It's never enough ♪
01:21:50 ♪ It's never enough ♪
01:21:53 ♪ It's never enough ♪
01:21:54 ♪ I'll never paint till I am made of stone ♪
01:22:00 ♪ I'll never paint till I am made of stone ♪
01:22:05 [music ends]
01:22:09 [dramatic orchestral music]
01:22:13 ♪ ♪
01:22:21 [dramatic orchestral music]
01:22:24 ♪ ♪
01:22:31 [dramatic orchestral music]
01:22:34 ♪ ♪
01:22:41 [dramatic orchestral music]
01:22:44 ♪ ♪
01:22:51 [dramatic orchestral music]
01:22:54 ♪ ♪
01:23:04 [dramatic orchestral music]
01:23:07 ♪ ♪
01:23:14 [dramatic orchestral music]
01:23:17 ♪ ♪
01:23:27 [dramatic orchestral music]
01:23:30 ♪ ♪
01:23:37 [dramatic orchestral music]
01:23:40 ♪ ♪
01:23:50 [dramatic orchestral music]
01:23:53 ♪ ♪
01:24:00 [dramatic orchestral music]
01:24:03 ♪ ♪
01:24:10 [music ends]
01:24:12 [soft orchestral music]
01:24:15 ♪ ♪
01:24:23 [soft orchestral music]
01:24:26 ♪ ♪
01:24:36 [soft orchestral music]
01:24:39 ♪ ♪
01:24:46 [soft orchestral music]
01:24:49 ♪ ♪
01:24:59 [soft orchestral music]
01:25:02 ♪ ♪
01:25:09 [soft orchestral music]
01:25:12 ♪ ♪
01:25:19 [dramatic orchestral music]
01:25:22 ♪ ♪
01:25:32 [dramatic orchestral music]
01:25:35 ♪ ♪
01:25:45 [dramatic orchestral music]
01:25:48 ♪ ♪
01:25:55 [dramatic orchestral music]
01:25:58 ♪ ♪
01:26:08 [dramatic orchestral music]
01:26:11 ♪ ♪
01:26:18 [dramatic orchestral music]
01:26:21 ♪ ♪
01:26:31 [dramatic orchestral music]
01:26:34 ♪ ♪
01:26:41 [dramatic orchestral music]
01:26:44 ♪ ♪
01:26:54 [dramatic orchestral music]
01:26:57 ♪ ♪
01:27:04 [dramatic orchestral music]
01:27:07 ♪ ♪
01:27:17 [dramatic orchestral music]
01:27:20 ♪ ♪
01:27:27 [dramatic orchestral music]
01:27:30 ♪ ♪
01:27:40 [dramatic orchestral music]
01:27:43 ♪ ♪
01:27:50 [soft orchestral music]
01:27:53 ♪ ♪
01:28:03 [soft orchestral music]
01:28:06 ♪ ♪
01:28:16 [soft orchestral music]
01:28:19 ♪ ♪
01:28:27 [soft orchestral music]
01:28:30 ♪ ♪