After Roy King's gang robs a train, the men split the loot and part ways. Unfortunately for Roy, he meets and falls in-love with beautiful temptress Alicia who agrees to marry him. However, she manages to double-cross Roy and run away with his loot. Roy escapes from his predicament and re-unites with his gang. At the Mexican border, Roy catches-up with Alicia who married yet another man, river-boat casino owner Francisco Montero. Roy is hungry for Alicia, for money and for revenge. Alicia convinces Roy and Montero to join forces and follow her into Mexico where a Revolutionary leader is offering one million dollars to any mercenary who can destroy a federal Mexican Army arsenal. Of course, Roy and Montero agree with Alicia's plan. They all head to Mexico, willing to risk their lives for one million dollars. Once arrived at their destination, the unlikely partners find that the Revolutionary leader is a bit loco and the task more difficult than imagined. The million dollar reward is real alright but crosses and double-crosses ensue.
Category
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Short filmTranscript
00:00:00Meet the Baddest Man on Batman's River.
00:00:05Yes, sirree!
00:00:07He's a rattlesnake in a bowler hat, a low-down, ornery river rat.
00:00:12And my credit's up, is that he's bad clean crew.
00:00:16Take a look at his closet, beady eyes, and hear his king-sized line of lies.
00:00:21And it should come as no surprise, he's bad, bad news.
00:00:25He's bad, bad news.
00:00:27He's the baddest man on Batman's River, where virtue is a sin.
00:00:36And along the banks of Batman's River, they call this man the king.
00:00:46He's a murderous man in a dirty fight, his middle name is Dynamite.
00:00:51Although he's always most polite, he's bad clean crew.
00:00:55And if you just inquire at any bank, you're sure to find his credit's sank.
00:01:00In fact, you'll find he's beat what rank.
00:01:02He's bad, bad news.
00:01:04He's bad, bad news.
00:01:06He's the baddest man on Batman's River, where virtue is a sin.
00:01:15And along the banks of Batman's River, they call this man the king.
00:01:25He's a rattlesnake in a bowler hat, a low-down, ornery river rat.
00:01:30And my credit's up, is that he's bad clean crew.
00:01:34Take a look at his closest, beady eyes, and hear his king-sized line of lies.
00:01:39And it should come as no surprise, he's bad, bad news.
00:01:44He's bad, bad news.
00:01:46He's bad, bad news.
00:01:48He's bad, bad news.
00:01:50He's bad, bad news.
00:01:53He's bad, bad news.
00:01:55He's bad, bad news.
00:01:57He's bad, bad news.
00:02:03Say, when did you put that in?
00:02:07Right after the last King Gang hold-up.
00:02:10Fireproof and burglarproof, and only I know the combination.
00:02:17Mind turning around, please?
00:02:19Come on in and have a look.
00:02:48Solid.
00:02:52Solid.
00:02:55Solid.
00:02:56Solid.
00:03:03Boys, boys, where's your men? Put your guns away. Come on. Go away.
00:03:06Enjoy it. Hit it.
00:03:36One, two, three. One, two, three. One, two, three. One, two, three. One, two, three. One,
00:04:05two, three.
00:04:06What?
00:04:07You are hopeless.
00:04:09Think.
00:04:21Watch.
00:04:35Beautiful.
00:04:52Excuse me, gentlemen, but we're coming into Omaha.
00:04:58Odie, here is your ship.
00:05:10Do you have to get off here?
00:05:12My childhood sweetheart's waiting, and she's been waiting for a long time.
00:05:16Well, you better hurry up.
00:05:19Odie.
00:05:20You know, where you're going, you won't need this.
00:05:28Kansas City.
00:05:31Why don't you come with me to Chicago, Angel?
00:05:33I got big plans.
00:05:34I got little ones.
00:05:35House full of little ones.
00:05:37I think maybe I marry her now.
00:05:39So you're going to blow all of that on one woman?
00:05:41Her name is Annie.
00:05:42She was made in heaven.
00:05:51You look worried.
00:05:54I once knew an Annie in Kansas City.
00:05:58Annie time, Annie.
00:06:03Farewell, old pals.
00:06:05Farewell, old gang.
00:06:07Together we worked, but together we sang.
00:06:11We got to stick together, old pal.
00:06:13So we must part, and with a tear,
00:06:18Each will take with him a small souvenir
00:06:24Of all the good times we had while it lasted.
00:06:29But now the very last safe has been blasted.
00:06:35We'll drink a toast to the old gang
00:06:43As we remember every sweet band
00:06:51In with the new, out with the old
00:06:55And may all our pathways be covered with gold
00:07:01The time has come to end the refrain
00:07:06And though to part tears at our hearts
00:07:13We hope that we'll never say farewell again
00:07:32Oh, forgive me.
00:07:34I thought this was the dining car.
00:07:37Hold it, lady!
00:07:45Nice car.
00:07:48You must be a very important man.
00:07:52Out west, there's pictures of me all over the place.
00:08:00What business are you in, Mr. King?
00:08:04Um...
00:08:07Thank you.
00:08:09I transfer funds from one place to another.
00:08:25What do you admire most in a woman?
00:08:29Well, actually...
00:08:32All parts.
00:08:37What do you look for first in a man?
00:08:40Honesty.
00:08:42Uh, second.
00:08:55How long have you been a widow, Alicia?
00:08:58Oh, since the 4th of July.
00:09:02That night, we were sort of...
00:09:05Celebrating, Charlie and I.
00:09:08We could see the firecrackers going off from our bedroom window.
00:09:12Well, Charlie got a little too excited, you might say, and...
00:09:18Well, he went out just like one of those firecrackers.
00:09:24Goodbye, Charlie.
00:09:36A lady like you shouldn't be traveling alone.
00:09:40I'm not.
00:09:47So you're the lucky man.
00:09:50Happy, darling?
00:09:59If the gentleman would please remove his hat.
00:10:02As a lady person.
00:10:04Dearly beloved, we are gathered here...
00:10:15I'm panning for your thoughts, Mrs. King.
00:10:18Has there ever been any insanity in your family, Mr. King?
00:10:22You can't do this to me!
00:10:30We're supposed to be married!
00:10:35How long do you think he'll have to be committed, Doctor?
00:10:38At least six months, Mrs. King.
00:10:41Here, I want you to see that he has the best of both worlds.
00:10:45Here, I want you to see that he has the best of...
00:10:49The best of care.
00:10:59Bye-bye, darling.
00:11:15Bye-bye.
00:11:28Hello, old pals.
00:11:31Hello, old game.
00:11:34Together we'll work and together we'll hang.
00:11:39So we must say hello with a tear.
00:11:45Each bringing with him a small souvenir.
00:11:51Of all the good times we had while it lasted.
00:11:56But now there is a new safe to be blasted.
00:12:02In with the new, out with the old.
00:12:08May all of our pathways be covered with gold.
00:12:13The time has come to end the refrain.
00:12:18And we hope that we'll never say...
00:12:23Farewell again.
00:12:26Adieu.
00:12:39What will you have?
00:12:40A beer.
00:12:41A big one.
00:12:42Make it three.
00:12:45I think he's crazy bringing us back to this town.
00:12:48We knocked that bank over twice but three times.
00:12:51Maybe he ain't coming.
00:12:54Maybe he never sent for us.
00:12:57Maybe it's a trap and we have no guns.
00:12:59Let's go before they recognize us.
00:13:00Wait a minute.
00:13:01Go where?
00:13:03Who is paying?
00:13:11We're waiting.
00:13:13Yeah, we got an appointment.
00:13:15With a very important man.
00:13:17Yeah.
00:13:22Listen, bums.
00:13:23Either you pay or you don't.
00:13:26I don't care.
00:13:29Listen, bums.
00:13:31Either you pay or I'll give you something.
00:13:39Party's upstairs, boys.
00:13:51You took your time getting here.
00:13:55How do you propose we split it, Sheriff?
00:13:58Half for me and half for you.
00:14:00Oh, there's one of you.
00:14:03There's eight of us.
00:14:05That gives you one share.
00:14:07And that makes it 11%.
00:14:09Or $2,750 for you.
00:14:12It's my town.
00:14:13I sent for you.
00:14:14I won't take less than $5,000.
00:14:17Four?
00:14:20That's my final offer.
00:14:24It's a deal.
00:14:25Friends, to the dying day.
00:14:28To the end.
00:14:30To the end.
00:14:34Partner, what business are we in?
00:14:36Yeah, I can hardly wait to start working.
00:14:38Yeah, it's a new experience.
00:14:40What business are we in?
00:14:42Personal service.
00:14:45Personal.
00:14:46Sounds great.
00:14:48Personal.
00:14:49Sounds great.
00:15:13Are we going to start a revolution?
00:15:18Yeah.
00:15:29The area.
00:15:31She'll be docked in about 10 minutes.
00:15:34Boys, we're going to take a boat ride.
00:15:38Oh, uh, pepper cellar.
00:15:44Hey, where's everybody?
00:15:46No one here.
00:15:48Hey, give me a drink, will you?
00:15:51Yeah, just one.
00:15:54Come on.
00:15:58One drink.
00:16:02Give me a drink.
00:16:03Yeah.
00:16:08Drink, drink, drink.
00:16:16Come on.
00:16:46Come on.
00:17:16Come on.
00:17:46Come on.
00:18:09Then everything's arranged, Mr. King.
00:18:12Good to hear right from you, Senior Montero.
00:18:16Come here.
00:18:19Tomorrow night at this time...
00:18:22Mr. King, please.
00:18:29Listen.
00:18:30Tomorrow night at this time, the boat will have carried us to within 20 kilometers of the St. Joseph Mission.
00:18:37That's the place. That's it.
00:18:39That's what?
00:18:40Hey, King.
00:18:42Oh, the Mexican army's using the mission as an arsenal.
00:18:45All Senior Montero wants to do is blow it up.
00:18:48Why does he want us to blow it up?
00:18:50What the hell do we care? We're getting paid to blow it up, so we blow it up.
00:18:54Uh, when do we get paid?
00:18:57Senior Montero says we get paid when we get back to the boat.
00:19:01$10,000 in gold.
00:19:03How do we know he'll pay?
00:19:05I know about Senior Montero.
00:19:07If he gives his word, that's good enough for me.
00:19:09Right, King?
00:19:27I've been expecting you.
00:19:35I had a hard day at the office.
00:19:40Oh.
00:19:44I did you dirty.
00:19:46Easy come, easy go.
00:19:48You're a big man to forgive so easily.
00:19:50Your need was greater than mine.
00:19:53My conscience still bothers me.
00:19:58You're too sensitive.
00:20:00I couldn't get you out of my mind.
00:20:02So you married Montero.
00:20:04I had to forget you.
00:20:06We never did have a honeymoon.
00:20:08I'm afraid I wasn't a very good wife.
00:20:10What makes you say that?
00:20:14I could have tried harder.
00:20:16True.
00:20:18Of course, I did get you this job.
00:20:22I still think you owe me a little something.
00:20:25I often wondered what would happen if we had a second chance.
00:20:34We will.
00:20:36Aren't you getting familiar?
00:20:40We've met before.
00:20:42My husband is right out there.
00:20:45Then don't make a noise.
00:20:52You're looking for trouble.
00:20:54I've come to the right place.
00:21:05Oh.
00:21:07Oh.
00:21:35There's the ship.
00:21:36I am very thirsty.
00:21:38Can I...
00:21:57I'm sorry.
00:21:58I'm sorry.
00:21:59I'm sorry.
00:22:00I'm sorry.
00:22:01I'm sorry.
00:22:02Be quick about it.
00:22:33Sit down.
00:22:34Let go, you pig.
00:22:37I'll buy you a drink.
00:22:39I only drink with officers.
00:22:41I have gold.
00:22:47Move, old man.
00:22:48Move.
00:22:49Move.
00:22:50Move.
00:22:51Move.
00:22:52Move.
00:22:53Move.
00:22:54Move.
00:22:55Move.
00:22:56Move.
00:22:57Move.
00:22:58Move.
00:22:59Move.
00:23:00Move.
00:23:01Move, old man.
00:23:03What's your name?
00:23:04Angel.
00:23:06I am Conchita.
00:23:11I think I like you.
00:23:13That's good.
00:23:14You got only one piece of gold?
00:23:16Maybe two?
00:23:17Maybe three, four, maybe even five.
00:23:22How would you like me to get?
00:23:24Real friendly?
00:23:27Maybe we could visit the church.
00:23:29That's the arsenal.
00:23:31Going there, you get your head shot off.
00:23:34But we'll find a place.
00:23:36Conchita.
00:23:38Time to feed the animals.
00:23:59Thank you.
00:24:00♪
00:24:28How do you, fam?
00:24:34Come up, let's go upstairs. I'm sure you'll like it.
00:24:37Come on. Come on.
00:24:56Not so fast.
00:24:57You pay me now all the money you've got or I'll scream.
00:25:01Scream?
00:26:28Would you like a kiss?
00:26:36I don't trust you.
00:26:58What are you doing here?
00:26:59What's going on here?
00:27:00Perro.
00:27:01Come on, let's go.
00:27:03Maldito hijo de perro.
00:27:05Tú y todos los tuyos.
00:27:14Perro asqueroso.
00:27:20Perro asqueroso.
00:27:22Perro asqueroso.
00:27:24Perro asqueroso.
00:27:26Perro asqueroso.
00:27:28Perro asqueroso.
00:27:30Perro asqueroso.
00:27:32Perro asqueroso.
00:27:34Perro asqueroso.
00:27:39First things first.
00:27:56Perro asqueroso.
00:28:00Perro asqueroso.
00:28:02Perro asqueroso.
00:28:04Perro asqueroso.
00:28:06Perro asqueroso.
00:28:08Perro asqueroso.
00:28:10Perro asqueroso.
00:28:12Perro asqueroso.
00:28:14Perro asqueroso.
00:28:16Perro asqueroso.
00:28:18Perro asqueroso.
00:28:20Perro asqueroso.
00:28:22Perro asqueroso.
00:28:24Perro asqueroso.
00:28:26Perro asqueroso.
00:28:28Perro asqueroso.
00:28:30Perro asqueroso.
00:28:32Perro asqueroso.
00:28:34Perro asqueroso.
00:28:36Perro asqueroso.
00:28:38Perro asqueroso.
00:28:40Perro asqueroso.
00:28:42Perro asqueroso.
00:28:44Perro asqueroso.
00:28:46Perro asqueroso.
00:28:48Perro asqueroso.
00:28:50Perro asqueroso.
00:28:52Perro asqueroso.
00:28:54Perro asqueroso.
00:28:56Perro asqueroso.
00:28:58Perro asqueroso.
00:29:00Perro asqueroso.
00:29:02Perro asqueroso.
00:29:04Perro asqueroso.
00:29:06Perro asqueroso.
00:29:08Perro asqueroso.
00:29:10Perro asqueroso.
00:29:12Perro asqueroso.
00:29:14Perro asqueroso.
00:29:16Perro asqueroso.
00:29:18Perro asqueroso.
00:29:20Perro asqueroso.
00:29:22Perro asqueroso.
00:29:24Perro asqueroso.
00:29:26Perro asqueroso.
00:29:28Perro asqueroso.
00:29:30Perro asqueroso.
00:29:32Perro asqueroso.
00:29:34Perro asqueroso.
00:29:36Perro asqueroso.
00:29:38Perro asqueroso.
00:29:40Perro asqueroso.
00:29:42Perro asqueroso.
00:29:44Perro asqueroso.
00:29:46Perro asqueroso.
00:29:48Perro asqueroso.
00:29:50Perro asqueroso.
00:29:52Perro asqueroso.
00:29:54Perro asqueroso.
00:29:56Perro asqueroso.
00:29:58Perro asqueroso.
00:30:00Perro asqueroso.
00:30:02Perro asqueroso.
00:30:04Perro asqueroso.
00:30:06Perro asqueroso.
00:30:08Perro asqueroso.
00:30:10Perro asqueroso.
00:30:12Perro asqueroso.
00:30:14Perro asqueroso.
00:30:16Check the arsenal.
00:30:36Make him talk.
00:30:38Talk my friend.
00:30:42Give us a hand, Sergeant.
00:31:05We need help here.
00:31:06Fire!
00:31:36Hold it!
00:32:06Hold it!
00:32:36Come on!
00:32:38King!
00:32:55Artie!
00:32:56Yeah?
00:32:57All clear.
00:32:58Come on!
00:32:59Right!
00:33:06Let's go!
00:33:36Go!
00:33:37Go!
00:33:38Go!
00:33:39Go!
00:33:40Go!
00:33:41Go!
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00:35:06Go!
00:35:24Why don't you pull the trigger?
00:35:26We still need him.
00:35:27I can't swing.
00:35:28I ought to stay with him, King.
00:35:34I don't think that'll be necessary, Odie.
00:35:37Will it, Captain?
00:35:58You will cross to the American side.
00:36:06Yes, Your Excellency, and we will chase them on both sides of the river.
00:36:10If the American cavalry catches you, I will disown you completely.
00:36:13What do you say, Excellency? Even I may come useful to Mexico.
00:36:17If the revolutionaries had gold, you would be working for them.
00:36:22Yes, Your Excellency.
00:36:24You are nothing but a bandit.
00:36:27Yes, Your Excellency.
00:36:29Remember, Canaris, when the revolution is over, I promise to hang you.
00:36:36Yes, Your Excellency.
00:36:58Where's our 10,000, Alicia?
00:37:00There is no 10,000. It's a million or nothing.
00:37:05Is that good, King?
00:37:08Okay, I level with you.
00:37:10Why do you think we had to blow up the arsenal?
00:37:13To win the revolution.
00:37:17Stupid.
00:37:19The guns you destroyed, they will have to be replaced by the Mexican government, right?
00:37:23Right, right. Where's the million dollars?
00:37:26Yeah, give it to us again.
00:37:28The Mexican government is sending a million dollars to El Paso to buy new guns.
00:37:34The Mexican government is sending a million dollars to El Paso to buy new guns.
00:37:39And we grab the million.
00:37:41And we grab the million. That's good.
00:37:50How?
00:37:52Montero is a revolutionary, but he's also an agent for the Mexican government.
00:37:59By taking the check and cashing it for himself, he serves the revolution.
00:38:05That even makes him patriotic.
00:38:07Exactly. And then we split 50-50.
00:38:1150-50? Great!
00:38:15Where do we meet Montero?
00:38:19The boat is landing.
00:38:21So why do you need us?
00:38:23I don't trust him.
00:38:25That's bad.
00:38:27Your own husband?
00:38:29Not for a million dollars.
00:38:31She doesn't trust her own husband. Get it?
00:38:38Boys.
00:38:41I think we've been stuckered again.
00:39:20Mr. Montero here.
00:39:22Number three.
00:39:24You alone?
00:39:25There's another man with him.
00:39:38Dreaming of $25,000?
00:39:40Cut it, Odie.
00:39:43Who's he?
00:39:45I guess he had the money.
00:40:12¶ Give a man a taste of gold ¶
00:40:38¶ A match to light the fire ¶
00:40:41¶ And then you take a woman ¶
00:40:43¶ Twice a wife and twice a liar ¶
00:40:46¶ A heart of stone, a nerve of steel ¶
00:40:49¶ And a million-dollar smile ¶
00:40:52¶ A living stick of dynamite ¶
00:40:56¶ Farewell, my friends ¶
00:40:59¶ Give me a bad man's river ¶
00:41:02¶ King's taking a wife ¶
00:41:05¶ And he's got enough gold to give her ¶
00:41:08¶ And he's got enough gold to give her ¶
00:41:11¶ And she can't help me holler ¶
00:41:13¶ Ride with me once more ¶
00:41:16¶ She wouldn't lose her color ¶
00:41:19¶ A lot of men, a lot of guns ¶
00:41:22¶ It's a revolution crime ¶
00:41:24¶ All along the border ¶
00:41:26¶ Like smoke across the sky ¶
00:41:29¶ Four men out the sides alone ¶
00:41:32¶ And a girl dressed out of reach ¶
00:41:35¶ Steady hand, an eagle eye ¶
00:41:38¶ And the gold belongs to ¶
00:41:43¶ You ¶
00:42:05¶¶
00:42:36¶¶
00:42:40¶¶
00:43:03¶¶
00:43:09¶¶
00:43:20Gunshot
00:43:26Gunshot
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00:45:38Gunshot
00:45:42Gunshot
00:45:47Gunshot
00:45:49Come on! Come on!
00:45:51Gunshot
00:45:54Gunshot
00:45:56Gunshot
00:46:02Gunshot
00:46:07I don't know what you're talking about.
00:46:09I don't know what you're talking about.
00:46:11I don't know what you're talking about.
00:46:13I don't know what you're talking about.
00:46:15I don't know what you're talking about.
00:46:17I don't know what you're talking about.
00:46:19I don't know what you're talking about.
00:46:21I don't know what you're talking about.
00:46:23I don't know what you're talking about.
00:46:25I don't know what you're talking about.
00:46:27I don't know what you're talking about.
00:46:29I don't know what you're talking about.
00:46:31I don't know what you're talking about.
00:46:33I don't know what you're talking about.
00:46:35I don't know what you're talking about.
00:46:55Nothing.
00:46:59Let's go.
00:47:05Nothing.
00:47:34Surround them.
00:47:35Chuck
00:47:49Bring me Adelita
00:48:05This is a trap
00:48:36Right muchachos, you can go in now and collect the bodies
00:48:49Timurcio Luis go inside and you'll find a check for a million dollars
00:49:05I
00:49:25Hear you I do not wish to fight with you. I can tell that I coming
00:49:32Here I come
00:49:34Come on, have you got the check?
00:49:38You didn't have it on him
00:49:45You know about the check to everyone knows all these dead and no money I
00:49:51Would like to make you a deal. Mr. King. I
00:49:55Already got a deal. Look I'm a bandit and you were banks, right? Get to the point
00:50:05So we both want the same thing other people's money, right
00:50:13So you and I are on the same side we are amigos
00:50:24Who does that money come from
00:50:28the Mexican government
00:50:30and who is
00:50:31the Mexican government
00:50:33the Mexican people
00:50:35And who is the Mexican people? I?
00:50:38Am a Mexican person and who are you my friend me amigo
00:50:46So what can I do for you amigo?
00:50:49Listen that's not a Monteo. She's not to be trusted a
00:50:55bad woman
00:50:56You give her to me
00:50:58But I'll find the money. Okay, how will you do that?
00:51:02You know, yeah, I'd rather do it myself
00:51:18Did you did you catch him we caught him you see dad
00:51:23Your window again
00:51:25I'm just bad luck. You mustn't blame yourself. I'll never marry again
00:51:32Don't punish yourself
00:51:35I'm better off dead
00:51:37You mustn't give up. If only I had one good reason to go on
00:51:42You've got millions of good reasons
00:51:45He had the check on him
00:51:48I'm not looking for a change of underwear, you know damn. Well, he never had that check
00:51:55If you figured that we kill Montero and the fantasy kill us
00:52:01You can flow with a whole million and leave two dead husbands
00:52:09I'm sorry
00:52:12He never wanted me once you
00:52:17To marry me
00:52:20No money says you have the money
00:52:25Search me I
00:52:29Will you wouldn't
00:52:31I
00:52:40Never loved
00:52:43He forced you to marry I
00:52:46Had reached the end of my rope
00:52:50Took advantage
00:52:52If only I knew where to find you
00:52:56Ships and fast tonight. I hope it's not
00:53:02You
00:53:07We'll have to start at the bottom I'll scrub floors
00:53:13Climb
00:53:18You're all I I ever wanted we'll make history together
00:53:31You stay here
00:53:36You
00:53:59Get shot I slugged him he was staring us right into that bandits arms
00:54:04It's like a pretty heart stiff like a board
00:54:26Now don't tell me you're the chambermaid, all right
00:54:29I'm not the chambermaid. What are you looking for a man?
00:54:36You can do better than that
00:54:38I'm looking for Montero. You're looking in the wrong place. He's dead
00:54:43He is alive and he is on this boat, honey
00:54:47If the Montero I saw wasn't dead. He was putting on one hell of an act
00:54:52The Montero you saw was an impersonator
00:54:54What makes you say that you didn't find the bank draft on him, did you what the hell are you talking about?
00:55:00Does everyone know about the bank draft?
00:55:05You can keep a million dollars a secret movie
00:55:25I want to look into your eyes. Why?
00:55:31Damn fire. What is it this time? Where did you hide the real Montero?
00:55:39He's back in Mexico you're lying again, where is he safe from you
00:55:46Safe from me
00:55:48You worried about him?
00:55:50You worried about him
00:55:53He got what he wanted
00:55:55Then he stake you out as a hostage and let you sweat it out. You're worried about him
00:56:01It bothers you doesn't it a
00:56:05Man like that needs to be shot because of the money or because it's my husband
00:56:15Not in there
00:56:20I
00:56:31Go
00:56:43Getting stuffy in here you popped up a second too soon
00:56:47You're gonna shoot me mr. King
00:56:51You killed the man in that closet. Why don't you take your turn now?
00:56:54Yeah, I didn't kill anybody the common acquaintance of ours must have killed that man. You refer to
00:56:59Politics you're still a killer
00:57:01Man who kills for political reasons is not a killer. He's an assassin. I don't like to associate with killers
00:57:08Now I'll trouble you for that bank draft, I don't have it
00:57:11I don't have it. Where is it? It's a little complicated
00:57:16Make it simple. Perhaps. You notice the Wells Fargo officer boat is landing saw the place
00:57:22That's where I cast the draft had the money shipped to the radio shipped to who?
00:57:27By to me, of course, who else would I trust?
00:57:31That's a gun you're reaching for my tail go ahead it's not it's my receipt
00:57:37Clearly states that the receiver must be
00:57:40Positively identified as Francisco Montero, you see I told you he was safe from you
00:57:48Okay, Montero
00:57:51We'll reach Laredo together
00:57:53We are not going to reach Laredo
00:57:56not by boat
00:58:02Engine stopped running while back. We're just drifting with the currents
00:58:10You
00:58:13Had to hire your ex-husband when I married him he was a pussycat the engines wrecked somebody threw in a monkey wrench
00:58:27You know the River Angle can I make it to Laredo
00:58:31Without steam will be drifting so slow the bandits can ride in and take us
00:58:34Okay, that's a mistake
00:58:37You'd rather go to the bandits on the American side. That would be a fatal error. That's a chance. We'll have to take sweetheart
00:58:53Surrender amigo
00:58:57You are a prisoner of the revolution
00:59:04I
00:59:34I
00:59:54You have all been denounced for what for enemies of the revolution there is only one punishment
01:00:01You
01:00:03Can't mean
01:00:04This lady is my wife. She's my wife. I'm married to this beautiful. I'll settle it
01:00:12Shoot the lady lieutenant. I want to speak to the commandant. You know the commandant
01:00:18Colonel Fiera was my valid at the Academy
01:00:21well, how times have changed
01:00:24yes, but
01:00:25For old times sake I think I shall ask the colonel to have you shot
01:00:31Well, if you're a friend to be caramel
01:00:45Hey
01:00:50We meet again once more on the wrong side there you have the prisoner
01:01:01I
01:01:21Know you
01:01:23Stop the fighting squad. We're giving you
01:01:26Maybe you saw my face on the poster in America
01:01:31He's a famous bandit
01:01:34And
01:01:36How much are you worth
01:01:39$10,000
01:01:47Your friends 25,000 altogether
01:01:56I think you're holding out
01:02:02Oh
01:02:06How many times must I tell you not to interrupt when I'm interrogating I forget your excellency Oh
01:02:22Tell me again about the 1,000,000 dollar bank draft paper in the radio I
01:02:28Delivered the chicken don't break the eggs
01:02:34Smart girl
01:02:37Lock him up
01:02:58Oh
01:03:03Mercy
01:03:07Henry
01:03:27Do I know you not yet?
01:03:42Have some coffee. Oh, I'm starved. I haven't done any breakfast. What would you like?
01:03:47Colonel can I shoot him now?
01:03:52Excuse me
01:03:58Barco
01:04:00How much can I collect for you like yourself? I am poor servants of the people
01:04:06To be poor is nothing to be ashamed of on the other hand. It's nothing to be proud of
01:04:13Back off to stay alive in these times
01:04:17You must have some value
01:04:19Like me
01:04:21You
01:04:23Must have something important to say
01:04:25Hmm, I'm the goose that lays the golden eggs has to Lourdes. That's what I've been trying to tell you
01:04:33Of course
01:04:36What did I say about him the noise
01:04:38That's Paco my old friend Paco. I used to polish your boots at the Academy didn't I?
01:04:45Lock him up with the green cards, senor
01:04:49Remember Enrique no matter who wins this revolution you will end up shining my shoes again
01:05:04The Lotus
01:05:08I
01:05:10Can we do business
01:05:15What do you have my most in a woman
01:05:19Fidelity
01:05:23And second
01:05:25And second
01:05:38Don't you think we'd all be better off if we behaved in a more civilized manner
01:05:43What's that mean? What the hell does she see in you?
01:05:46I'm afraid you could never understand
01:05:49She's a woman
01:05:51She's seeing you I'm afraid you could never understand I think I'm gonna do it now now wait
01:05:58Tell you what Montel?
01:06:00You talk about being civilized
01:06:03Get a proposition
01:06:07We shake we share what why we share everything including the one
01:06:14With all the money that we're gonna get the Laredo we're planning to live in Paris
01:06:19Parle-vous francais
01:06:21You hear what he called you you're gonna stand
01:06:24See you'd have a language problem in Paris. They don't drink booze
01:06:28They drink wine to you that it tastes like perfume
01:06:31The only excitement is an evening at the Opera on Sundays is a stroll in the void of a lawyer
01:06:36The park to you where you live it up by feeding the swans
01:06:42No, I don't think you'd be happy with us well, I'd rather be dead you see
01:06:51I
01:07:21I
01:07:51I
01:07:53I
01:08:18Wonder what would Napoleon do at the time like this?
01:08:24Soldiers of the revolution your moment of glory has arrived. You are about to become a legend
01:08:29Your names will be engraved forever in the book of heroes
01:08:33Because of what you are about to do
01:08:53I
01:09:00Don't know Montero tells me that you know something about explosives we've blown up a few things
01:09:08The federal cannon I
01:09:14Find it very annoying
01:09:18Silence that cannon and I release you
01:09:24It's
01:09:26It's a deal
01:09:32First tell me your plan
01:09:35Well, I'm not gonna go charge it now that he'll wave the sword
01:09:39No, I'm sure your devilish mind is better equipped for treachery
01:09:46Thanks one to no one
01:09:48I
01:10:18I
01:10:30We are not bandits we respect the flag of truce
01:10:48Are
01:10:53You the boss amigo
01:10:56Excellency call him excellency CC
01:11:00excellency
01:11:02Wait excellency, I know these men
01:11:15But where
01:11:18Where's your spokesman
01:11:22Me excellency, why does he not speak? Yeah, why don't you speak?
01:11:30What kind of officers are you
01:11:33Where do you come from? He is my cousin. We come from the same village
01:11:38excellency
01:11:40Now I remember
01:11:42sure, I
01:11:44Saw those faces a little time back. I am positive. I know that man like my own brother
01:11:58Tell Colonel Fierro that I will only accept unconditional surrender no terms
01:12:04Understand what that means?
01:12:06unconditional surrender
01:12:11No, no
01:12:12Well, anyway, we didn't come to talk about surrender. We came for something else. What else what?
01:12:20Well, excellency, it's about the cannon it's very annoying to the colonel
01:12:27So you came to ask me to stop firing the cannon?
01:12:32Yeah, I see
01:12:34We want to buy the cannon
01:12:37You hear that our friend wants to buy our cannon
01:12:43And what will you pay for?
01:12:48A million dollars, of course
01:12:52Montero and the million dollars you have Montero in the for
01:13:00Tell Fierro that I'm not interested in his offer. No with my cannon. I will pulverize your fork
01:13:06I will get the money. I will get Montero. I will hang Fierro and shoot you all
01:13:11Remember the flag of truce excellency one minute to get back to the fort
01:13:41Oh
01:13:43Oh
01:14:09You know who they were
01:14:13I never forget a face
01:14:15Oh
01:14:41We lost we lost
01:14:45Oh
01:14:59Do you think they'd mind going down there again I
01:15:03Remember very well excellency the king gang the four gringos who blew up the mission
01:15:09So why do you do this to me?
01:15:15I told you I told you I never forget a face
01:15:26Enrique, huh? Do you know the general who is besieging us?
01:15:30Duarte
01:15:32We went to the Academy together
01:15:35Is he rich his family owns half of Mexico?
01:15:40Is he married?
01:15:46Why
01:15:49The battle is going badly can
01:15:53Last night you said you loved me. Let's be practical
01:15:59What do you want me to do surrender to Duarte never I
01:16:08Used to polish his boots at the Academy
01:16:15I
01:16:41Promise to release you. I didn't promise a safe journey to Laredo
01:16:45Where is Montero? Well, I told you to watch him. Why the hell didn't you watch him yourself worried about me gentlemen?
01:16:54Look what I found what is it what it looks like an old map of the fort
01:17:04Put your foot on that corner
01:17:06You over there
01:17:08Colonel if you please
01:17:10now
01:17:12What do you see?
01:17:16It looks like a tunnel
01:17:19Where does it lead
01:17:22To deliver and where does it start in the church? What does that suggest to you?
01:17:34Come now Colonel even though you were at the foot of the class that should mean something to you
01:17:42I've got it. He's got it
01:17:46The well runs dry we can get water from the river
01:17:50It's an escape route
01:17:53It's an escape route
01:17:58That's what I said
01:18:15Are you afraid of the dark my dear the only thing she's afraid of is poverty
01:18:45I
01:19:15I
01:19:45I
01:20:15I
01:20:45I
01:20:54Don't know excellency up
01:20:56They are very busy up there building something
01:20:59Building what I can't really figure it out
01:21:05Don't you hear it silencio
01:21:15Sounds like sawing wood and hammering nails
01:21:19Of course, they're spending that last few hours by by making their own coffins
01:21:45I
01:22:11Dreamed of riding in a car down the boulevard in Mexico City
01:22:15The crowds cheering FIERRO FIERRO Viva El Presidente
01:22:21Who did you steal it from it's a gift from a dead banker
01:22:29Come with us and ready
01:22:32but
01:22:33You already have two husbands. What would you do with me?
01:22:38I'll think of something
01:22:45What do you see
01:23:16Good bye Enrique. Do you have any last message for your wife?
01:23:24Remember Enrique a brave man dies only once
01:23:45I
01:23:47Remember the Alamo
01:24:09And that's already excellency
01:24:15Now
01:24:22We'll blast those gates open
01:24:33Fire fire at will
01:24:45I
01:25:15I
01:25:45I
01:25:50Am a bandit but you how did you get here?
01:26:00It wasn't easy
01:26:16I
01:26:28You two should be friends after all you have a lot in common me
01:26:33Alfred you shave
01:26:35Were you suggesting a switch man's picnic? Oh, what do you think I am?
01:26:40Shall we answer that?
01:26:43In a few minutes, you'll be rich you can have any girl you want. I got to work on you while you still poor
01:26:51First thing I'm gonna do is buy you a new velvet dress when it comes off
01:27:13Oh
01:27:24Mr. Francisco Monteiro signed here
01:27:42Signature checks
01:27:47You put the identification
01:28:12I
01:28:40Hear mr. Monteiro
01:28:42I
01:28:45Took him off
01:28:48Take him up
01:28:54Coming from it be right with you Jesse
01:29:12You
01:29:35How am I doing Papa just like your dear mama
01:29:42I
01:30:12I
01:30:42I
01:31:12You