Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:05 This is New York, as enchanting and imaginative as it seems, as romantic as moonlight on the ocean,
00:00:13 as beautiful as fine sculpture, as ugly as its poverty-ridden slums, as warm and tender as a mother's love,
00:00:23 as cold and impersonal as a prisoner's number. This is magnetic Manhattan, drawing to its shores thousands,
00:00:32 from east and west, north and south, far and near, some old, some young, some happy, some sad, some hopeful,
00:00:42 some disillusioned, but all seeking a way of life.
00:00:48 This is the story of fools lost in sin. Caught in the panorama of this chaotic magnet is one William Burton, alias Dollar Bill.
00:01:07 Hey, Robert. Robert! Wake up there! Hey! Go on and sleep.
00:01:18 [Sounds of walking]
00:01:32 [Sounds of walking]
00:01:59 It's Monday at Tropical Park. First away at 115 and a half. The winner post four, barmaid, 1120, 530, 440.
00:02:09 Second post 12, checkmate, 680, 460.
00:02:13 [Sounds of walking]
00:02:18 You will always find me by that door, knocking on that door up there, the door across the hall by the steps.
00:02:24 Yes, and this is the room, and there's your bed. Do you think you'll like it?
00:02:31 Yes, it's right nice down here.
00:02:34 Yeah, well, we ain't had no complaints lately. Of course, we ain't had no famous people like you, and you might be a bit particular.
00:02:42 No, ma'am, I reckon I'll stay.
00:02:44 I reckon that'll be 350.
00:02:46 What is this?
00:02:48 Mr. Lee. Mr. Isaiah Lee from Alabama, who will pay his rent. Brother Isaiah will be living here by himself.
00:03:00 I'm quite glad to make your acquaintance. I'm right fond of company.
00:03:04 Ah, if you but knew it, you were moving into some real fair company.
00:03:11 Why, that's Mr. Dollar Bill, who right now is not entered by his real name. He's a promoter.
00:03:21 He's just closing a big deal, ain't you, Bill?
00:03:25 And that stiff laying there is a no-writing-is writer you'll ever meet in New York.
00:03:32 So you see, Georgia, you have some real celebrities to live with.
00:03:37 Oh, I ain't from Georgia. I'm from Alabama.
00:03:40 Well, all right, Alabama. Then make yourself at home.
00:03:43 And through that door there, you'll find a right smart toilet and washroom in case you might want to tidy up a bit.
00:03:51 Oh, yes, ma'am. Thanks an awful lot. I like to kind of wash my feet.
00:03:55 Oh, yes, you do that. I'm sure Mr. Bill would appreciate it.
00:03:59 The apostles always washed their feet after a long journey. It sure helps a man to...
00:04:04 Oh, I'm sorry, ma'am. It sure helps a man to wash his feet when he's tired.
00:04:10 Mr. George Washington Lee from Alabama. This is a real drag.
00:04:15 Maybe I should have asked him for his record. The next time, I'll ask you for your personal okay.
00:04:23 You're pushing me around, Happy, and I don't like it.
00:04:25 I'm like you. I like a winner.
00:04:30 So?
00:04:31 I'm laying all my bets on a number one winner. He won't last long. He'll go fast.
00:04:40 A real turkey. Leading with his chin.
00:04:44 You're wrong. He's looking for a job. A working square. Scared, maybe, but still in there with his duke stuff.
00:04:54 He's still a turkey leading with his chin.
00:04:56 All right, but he's not a has-been. And why don't you get wise to yourself and find a job?
00:05:02 You don't tell me how to live.
00:05:04 And you don't tell me who to rent to.
00:05:08 I'd like to push this whole crummy joint down your throat.
00:05:12 And why don't you try?
00:05:15 [silence]
00:05:25 [The man reads the numbers on the screen.]
00:05:47 [The man reads the numbers on the screen.]
00:06:12 Oh, boy.
00:06:31 Boy, my feet sure feel better.
00:06:36 You got nice hot water.
00:06:38 Huh?
00:06:39 Hot water's nice.
00:06:41 Yeah, hot water's nice.
00:06:54 Is he sick?
00:06:55 No, dead.
00:06:56 Dead?
00:06:57 Yeah, dead.
00:07:01 You like the joke, don't you?
00:07:23 Oh, I'm sorry. I didn't mean to be rough.
00:07:26 That's his, and I don't like nobody to touch it, see?
00:07:29 I'm awfully sorry. I didn't mean no harm.
00:07:33 Oh, it's okay. Can we forget it?
00:07:36 Sure.
00:07:39 That's his life. Break that and you'll break his heart.
00:07:42 Sure.
00:07:44 Is he a great writer?
00:07:46 Sure, great. Only the squares in this town don't dig his stuff.
00:07:52 What do you mean by squares, Mr. Bill?
00:07:56 It's okay. You'll learn.
00:08:03 How's about that box there? Can you play it?
00:08:05 Oh, yes. I used to play for parties down in Monroe County.
00:08:09 Yeah? What'd you play?
00:08:11 Oh, nothing special. I sort of made it up as the wind along.
00:08:16 Knock out a number.
00:08:18 Huh?
00:08:19 Go on, play something.
00:08:21 Oh, it might wake him up.
00:08:24 Nothing should wake him up.
00:08:26 Play one of those songs you made up in Alabama.
00:08:28 Okay. If you say it's all right, Mr. Bill.
00:08:31 Don't call me Mr. Bill.
00:08:33 Just call me Bill.
00:08:35 Yes, sir.
00:08:46 Well, I woke up this morning, the lonesomeest man in town.
00:08:58 Yes, I woke up this morning, the lonesomest man in town.
00:09:10 'Cause my baby's got another lover and she's put her daddy down.
00:09:21 Don't leave me, baby. Don't leave me feeling sad.
00:09:32 Don't leave me, baby. Don't leave me feeling sad.
00:09:43 'Cause I swear your style of loving is the best that I ever, ever had.
00:09:55 You've got to keep me away. I know that long ago.
00:10:01 But why you'd want to hurt me, I will never, never know.
00:10:06 I'm lonesome, baby. Lonesome as a man can be.
00:10:16 And if you don't come back to daddy, he'll drown his body in the deep blue sea.
00:10:29 Not bad, Alabama. Not bad.
00:10:31 Who is your friend?
00:10:33 Ours, you mean. We inherited him.
00:10:35 He just dropped in from Alabama to give us a concert.
00:10:38 Decided that he likes the quarter so well, he's going to stay.
00:10:41 Alabama shake hands with Mr. Roberts.
00:10:43 He might put you in his next book.
00:10:46 I'm glad to meet you, sir.
00:10:48 I hope you ain't mad about the noise.
00:10:51 Mr. Billy had told me I could play.
00:10:53 It's all right, son. What did you say your name was?
00:10:56 Isaiah. Isaiah Washington Reed.
00:11:00 Okay, Isaiah.
00:11:02 Yeah. Incidentally, Happy stopped in while you were sleeping.
00:11:06 Says she's sick of your sleeping blues. They're getting her down.
00:11:09 And if you don't like the new rumor, you can move.
00:11:12 You paid up in advance.
00:11:14 I know. I know.
00:11:16 I hope you don't mind me, Mr. Roberts.
00:11:19 It's all right, son. We are just one happy family here.
00:11:26 What did Katie Mae do?
00:11:28 Katie Mae? Scrat. And top flight run out of the money.
00:11:32 Hey, y'all know Katie Mae?
00:11:35 Oh, yes, yes. Sure. She's an old friend of ours.
00:11:38 Well, I heard she was up there. She's from down home, you know.
00:11:41 Now, you don't say.
00:11:42 Sure. Her mama used to teach me in Sunday school.
00:11:46 See there, Roberts? I told you Katie Mae was good for something.
00:11:50 Y'all know where she is?
00:11:51 I want to see her.
00:11:53 Well, when you find her, let Mr. Bill know.
00:11:55 I'm sure he wants to see her.
00:12:04 Well, I got money for coffee and in the morning, we'll eat steak.
00:12:09 Oh, y'all talk about eating sure makes me hungry.
00:12:12 Hey, my mom fixed me a whole shoe box full of fried chicken and sweet potato biscuits to bring with me.
00:12:18 I think I got one wing left.
00:12:22 Yeah, here it is, Mr. Baberback.
00:12:24 I think it is.
00:12:26 Yeah, I got one wing and two biscuits.
00:12:30 I was saving it just in case I got hungry.
00:12:33 But, uh, y'all are my new friends now and I want you to taste some of my mom's food.
00:12:41 All right, my boy. It's very nice of you.
00:12:44 Mr. Bill and I sure appreciate it.
00:12:47 But you see, it's been so long since we had good old Alabama cooking.
00:12:51 We were afraid it might upset our digestive tract.
00:12:54 So, suppose you taste it.
00:12:56 Well, you're welcome to it.
00:12:58 That's nice. Thanks.
00:13:00 Well, I want to eat in the lunchroom anyhow.
00:13:02 I like eating in the lunchroom.
00:13:04 That's an idea.
00:13:05 Suppose you run along and eat in the lunchroom and shake some of that dust off your feet.
00:13:10 Uh, I'll wash my feet and clean.
00:13:15 Oh, cut out the chatter, Alabama. Come on, play us a number.
00:13:19 I'd be right glad to oblige.
00:13:21 You, uh, you like my playing, Mr. Bill?
00:13:23 Oh, I like it. Alabama, I think you got something.
00:13:26 And now your music, pretty.
00:13:28 Shut up, Bob. Go on and play, Alabama.
00:13:38 Betty forced her to do it.
00:13:40 No, she didn't want to do it.
00:13:42 Why did she do it then?
00:13:45 Yes, I got her number and it don't add up to one.
00:13:49 Yes, I got her number and it don't add up to one.
00:13:53 She just don't love me.
00:13:55 She doesn't love having fun.
00:13:57 Assemble, Bums. Cut out this racket.
00:14:05 Why do you play with that crumb? I could choke her.
00:14:08 Hold tight, Bill. Hang on to your sense of humor. Hang on.
00:14:12 Well, I guess I'll go get me something to eat.
00:14:18 Would you like to go with me, Mr. Bill? I'm going to look for a job.
00:14:23 How about you, Mr. Roberts?
00:14:24 No, thanks, Ike. I got some riding to do.
00:14:29 I'll be back soon as I find a job.
00:14:31 Come back anyway.
00:14:36 Say, Bill, I got a new idea for a story.
00:14:39 Boy, it's a honey.
00:14:41 A young fella started off with a pushcart.
00:14:43 Fifteen years later, he was traveling around the world in his own yacht.
00:14:47 He married and--
00:14:48 Shut up! Shut up, you fool. Shut up!
00:14:53 You're just sitting there babbling like an imbecile.
00:14:55 Talking about a story that nobody's going to buy
00:14:58 while the whole world spits in your face, you dumb turkey.
00:15:04 Go ahead. Sit there.
00:15:06 Pack away on that stinking typewriter until you're right.
00:15:09 Sit here and take the insult from that broken-down crumb upstairs.
00:15:13 Go ahead. Sit here in this jungle like an animal
00:15:18 while the whole world steps on you.
00:15:20 Well, nobody steps on Dollar Bill.
00:15:22 Take it easy, Bill. There's nobody stepping on you.
00:15:24 No more, they ain't.
00:15:26 Hold on, Bill. Your luck's bad now, but it'll change.
00:15:30 You bet it'll change, 'cause I'm gonna change.
00:15:33 I'm gonna get on top. Yeah.
00:15:36 That's that light out there on top of the bank.
00:15:38 See that light? High on top, giving out with the flashes.
00:15:42 That's me. I belong on top.
00:15:45 Up there looking down, not down here looking up.
00:15:48 When you're up there, you don't get stepped on.
00:15:51 I don't think anybody's stepping on you, Bill.
00:15:54 Who asked you to say that?
00:15:58 Where are you going?
00:16:01 To get that yacht. What do you think?
00:16:04 [music]
00:16:24 How much, Barkeep?
00:16:26 Three-sixty, Mr. George.
00:16:32 Keep the change. Thank you, Mr. George.
00:16:36 Some looker, eh, boy?
00:16:38 Ain't that the guy that works at the Two Spot?
00:16:46 Yeah, man, that's Regina, the one and only.
00:16:49 Can you imagine? Some guy gets all the luck.
00:16:52 Forget it, Mac. He's a B-29 gal and built like a free wood.
00:16:56 She ain't on your time.
00:16:58 Who's that stud with her? You don't know him?
00:17:00 That's Big Bear George from Chicago.
00:17:02 And I do mean bad.
00:17:03 See, what did I tell you? Big time.
00:17:05 Big George was known for his five kicks.
00:17:08 [music]
00:17:28 Didn't I tell you to cut out that dancing in there?
00:17:31 Dancing, man.
00:17:33 [music]
00:17:45 Well, now, ain't this a treat?
00:17:47 What you know, Dollar Bill?
00:17:50 Don't tell me you spoke to him.
00:17:52 [laughs]
00:17:53 Hey, Roy, look who's here.
00:17:55 Dollar Bill. And he's gonna buy a beer.
00:17:58 [laughs]
00:18:00 Hey, Pat, give Dollar Bill a beer.
00:18:02 Even I can buy a glass of soju.
00:18:04 [laughs]
00:18:14 Now, give me a drink.
00:18:20 And the next time, remember, I'll tell you what I'm drinking.
00:18:23 I'm sorry, Dollar, the boss says I gotta collect first.
00:18:26 Give me a drink.
00:18:27 All right, Dollar, all right.
00:18:29 [music]
00:18:35 Leave the bottle.
00:18:37 [music]
00:18:52 Hey, Dollar, you forgot to pay me.
00:18:57 Yeah.
00:18:59 Bill, don't kill him.
00:19:01 Let him alone.
00:19:04 I'll pay you, okay?
00:19:11 How much does he owe you?
00:19:13 Dollar 20's his bill.
00:19:21 Thanks.
00:19:23 [music]
00:19:33 [footsteps]
00:19:43 [footsteps]
00:19:53 [footsteps]
00:20:13 [footsteps]
00:20:23 [footsteps]
00:20:43 [footsteps]
00:21:03 I pray for your book to be blessed and sell real big, Mr. Roberts.
00:21:10 If I don't have better luck with this chapter, I'll be praying with you.
00:21:17 Did you get that, George?
00:21:19 Drop dead, will you?
00:21:21 Don't rush me.
00:21:22 I'm on my way.
00:21:24 Hey, Mr. Bill, you know what?
00:21:28 I got a job down at the lunchroom, washing dishes.
00:21:31 That's nice.
00:21:51 What do you want here?
00:21:52 Oh, please don't be angry.
00:21:54 What do you want?
00:21:55 I wanted to know if you were hurt.
00:21:57 No, I'm not hurt.
00:21:59 How'd you get here?
00:22:00 I followed you.
00:22:01 I thought I could get a chance to talk to you.
00:22:03 Who is it, Bill?
00:22:05 Some girl who paid my check at the bar.
00:22:08 My name's Etta.
00:22:09 Etta Mason.
00:22:11 How do you do, Miss Mason?
00:22:12 My name is Roberts.
00:22:14 That's Mr. Lee over there.
00:22:15 Mr. Isaiah Washington Lee.
00:22:18 I see you already know Mr. Dollar Bill.
00:22:20 Yes.
00:22:21 And she paid your check for you.
00:22:23 Boy, you did get that job.
00:22:25 Shut up there, yapping, Roberts.
00:22:27 Listen, little girl.
00:22:28 You paid my check.
00:22:29 Nobody asked you to.
00:22:31 And I thank you.
00:22:32 Now will you go home?
00:22:34 Wait a minute, Bill.
00:22:36 That's not a nice way to treat a lady.
00:22:38 I should pay you check for you.
00:22:40 That's all right, Mr. Roberts.
00:22:42 Maybe I shouldn't have come.
00:22:44 I just thought that maybe I could--
00:22:46 I thanked you at the bar.
00:22:48 And I'm thanking you again.
00:22:50 What more do you want?
00:22:54 Nothing.
00:22:55 Thanks.
00:22:56 What was the thing yesterday?
00:23:06 260 and I had 261.
00:23:08 Can you imagine that?
00:23:10 I'm going to stop playing those play ticket numbers.
00:23:14 Honey, I told my old man last night,
00:23:18 if he don't get a hit today, he better look for a new pad,
00:23:22 playing all his money on single action.
00:23:24 What's it like?
00:23:26 Well, all I know is you lay one and you pick one.
00:23:30 If you're right, you collect eight.
00:23:32 If you're like me, you're wrong, and the answer is no.
00:23:36 Good morning, Gertie.
00:23:37 A letter from Mr. Roberts.
00:23:39 Another rejection slip.
00:23:41 Put this dollar on the first figure, OK?
00:23:47 Thank you.
00:23:48 Good morning.
00:23:57 Oh, good morning.
00:23:59 I hope I'm not intruding.
00:24:01 Of course not.
00:24:02 This is a surprise.
00:24:03 Well, after last night, I didn't know it.
00:24:06 You wasn't mine, Bill.
00:24:08 He wasn't himself last night.
00:24:10 Why won't you sit down and rest a while?
00:24:13 He'll be back soon.
00:24:15 Oh, the boys are out.
00:24:17 Let's put your packages on the table
00:24:18 and make yourself comfortable.
00:24:20 Oh, I fixed a little something for you, fellas.
00:24:23 Boy, ham and egg sandwiches, cake and coffee.
00:24:28 Say, listen, little lady, who are you,
00:24:30 Bill Red Riding Hood, or am I dreaming?
00:24:33 Oh, I just thought we could all have breakfast together.
00:24:35 Wait a minute.
00:24:36 Let's get something straight.
00:24:38 Last night, you pay a check for a crazy guy named Bill.
00:24:41 Then you come here and get chased home.
00:24:43 Tonight, you're blacked with a fee for the wolves
00:24:45 who threw you out.
00:24:46 Mr. Roberts, you make me seem awful.
00:24:49 Awful?
00:24:50 Why, you're wonderful.
00:24:51 I just thought we could all have breakfast together.
00:24:54 And I'd get a chance to explain to Bill
00:24:56 why I interfered last night.
00:24:57 And he had to be out.
00:24:59 Well, you just sit right there and tell me all about it.
00:25:02 Honey, because I won't enjoy it.
00:25:04 Because you and I eat.
00:25:06 Because the coffee's getting cold.
00:25:07 We'll save something for them.
00:25:09 Uh, when did Dollaby meet you?
00:25:11 He didn't.
00:25:12 What do you mean, he didn't?
00:25:13 He doesn't know me.
00:25:15 You mean last night was the first time you saw him?
00:25:17 Oh, I saw him.
00:25:18 That is, I knew him.
00:25:20 But he didn't know me.
00:25:21 Wait a minute.
00:25:23 This thing is getting more and more complicated.
00:25:26 Now, won't you go over it again, Pa?
00:25:28 You see, it's like this.
00:25:30 About three years ago, when I was 15,
00:25:34 Bill used to visit someone in my block.
00:25:36 We kids just admire how he dressed.
00:25:39 The pretty clothes he wore.
00:25:41 And when he was laughing and happy,
00:25:43 he'd stop and give all us kids a dollar a piece.
00:25:46 I know.
00:25:47 He had a whim.
00:25:49 The old folks used to talk about him.
00:25:51 Said he was a gambler.
00:25:52 But he gave them money, too.
00:25:54 That's Bill.
00:25:56 When he's happy, he wants everybody to be happy.
00:26:00 My mother was very sick.
00:26:02 And one day, when Bill gave all us kids a dollar,
00:26:05 I took mine and bought flowers for Mother.
00:26:09 I'll always remember it.
00:26:11 It was the last time I saw her smile.
00:26:13 Poor kid.
00:26:14 I'm sorry.
00:26:15 She was so happy.
00:26:20 Said I was a good girl.
00:26:22 You are.
00:26:23 You must have had a fine mother.
00:26:26 Ma worked hard.
00:26:28 She did the best she could.
00:26:30 There was only us two.
00:26:31 What happened to your father?
00:26:32 Oh, I don't remember him.
00:26:34 He and my mother didn't stay together.
00:26:36 Who do you live with now?
00:26:38 Mrs. Anderson.
00:26:39 She was a friend of Mother's.
00:26:41 Does she take care of you?
00:26:42 Oh, she tries.
00:26:44 But I get around.
00:26:45 I know how to take care of myself.
00:26:48 Do you think it's wise to fall for Bill?
00:26:50 He's pretty fast company, you know.
00:26:53 Just like sticking your hand in a bag of loose needles.
00:26:56 Depends on the point of view.
00:26:58 Oh, I don't mean Bill is not a fine fellow.
00:27:00 Down underneath, they don't come any better.
00:27:02 I know.
00:27:03 Right now, he's a little bitter, mad at the world.
00:27:07 He's swell.
00:27:08 You really like him, don't you?
00:27:10 Oh, I don't know.
00:27:11 I suppose so.
00:27:13 What do you do?
00:27:14 Oh, I call myself a writer.
00:27:17 You see that machine over there?
00:27:19 I write.
00:27:21 But no one seems to like it but Bill.
00:27:23 He thinks I'm wonderful.
00:27:25 Are you?
00:27:28 Well, they don't like my story.
00:27:32 You've written many stories?
00:27:34 Oh, you see that box over there is full of them.
00:27:37 And the rejection slips with each one.
00:27:40 Oh, I'd like to read some of your stories sometime.
00:27:42 You're welcome.
00:27:43 Anytime you come.
00:27:44 Thanks.
00:27:46 Well, that was a nice breakfast.
00:27:48 I'll tell the boys they don't know what they missed.
00:27:51 We'll just cover this over and save it for them.
00:27:54 What time is it?
00:27:55 Oh, the clock over the bank says 10.30.
00:27:58 Well, I'd better hurry or I'll be late to work.
00:28:00 Where do you work?
00:28:01 23rd Street, the diamond sector.
00:28:03 I do piece work, operator on dresses.
00:28:05 Do you like it?
00:28:06 Oh, it's all right.
00:28:07 I make a good dollar.
00:28:09 I'm sorry, but I must go now.
00:28:11 Well, I'll tell Bill you were here.
00:28:13 Come back tonight, won't you?
00:28:14 If you'll take care of the little sneakers.
00:28:17 Goodbye.
00:28:28 Hi, bad boy.
00:28:29 You get me that rod and the juice, got it?
00:28:32 Yeah.
00:28:35 Got the stuff?
00:28:36 Here's the stuff.
00:28:37 And if you move it fast, there's more where it comes from.
00:28:41 I'll get it moved fast.
00:28:42 Don't worry.
00:28:43 Thanks.
00:28:45 So long.
00:28:46 So long, boy.
00:28:47 See ya.
00:28:51 OK, bad boy.
00:28:57 Hello, Grandma.
00:28:58 What's new?
00:28:59 I should ask you how.
00:29:00 You get around, you know.
00:29:02 You know all the pretty people.
00:29:03 Who's your friend?
00:29:04 Oh, Regina.
00:29:05 I want you to meet Dollar Bill, a great guy.
00:29:08 Hello, Bill.
00:29:09 How are you?
00:29:10 Are you as fine as you look?
00:29:12 How are you feeling?
00:29:13 Well, that you'll have to find out.
00:29:15 Hey, Pat, give the ladies a drink.
00:29:17 Regina's bad boy George's heartbeat.
00:29:20 You know him?
00:29:21 Yes.
00:29:22 But he never told me about you.
00:29:24 Where does he hide you?
00:29:25 The club two spot.
00:29:26 She works there.
00:29:27 Well, real class.
00:29:30 You're not bad yourself.
00:29:31 Where does one find you?
00:29:33 You don't have to hang me on a line, baby.
00:29:35 I'll buy the scotch anyway.
00:29:37 It's no line.
00:29:38 You're my type, champ.
00:29:40 Did you say champ?
00:29:41 A chump.
00:29:44 Oh, pardon me just a moment.
00:29:55 Excuse me, darling.
00:29:57 I want to run and pound on my nose.
00:30:00 Get it?
00:30:01 Sure.
00:30:02 You're lucky, you know.
00:30:04 Knife is right there half a month.
00:30:05 Perfect.
00:30:06 Not a flaw.
00:30:07 Yeah, let's see.
00:30:12 Get a load of that.
00:30:17 How much?
00:30:18 Two Cs.
00:30:19 Two Cs.
00:30:21 That's right.
00:30:22 That's a lot of gold.
00:30:23 That's a lot of rock.
00:30:26 I haven't got that much.
00:30:27 You haven't?
00:30:28 How much you got?
00:30:30 A C650.
00:30:32 175, huh?
00:30:34 OK, the rock's a little hot.
00:30:36 I want to unload it.
00:30:37 I'll take it.
00:30:38 OK.
00:30:44 And I tell her about working all night and about the bugs I got to serve.
00:30:48 You know what she says?
00:30:50 People don't bug you.
00:30:51 You bug yourself.
00:30:53 I'll have another drink.
00:30:54 Hey, let me finish too, come on.
00:31:02 Oh, shit.
00:31:04 [Music]
00:31:13 [Music]
00:31:23 [Music]
00:31:33 [Music]
00:31:43 [Music]
00:31:53 [Music]
00:32:07 How many times I tell you I don't allow no dancing in here?
00:32:10 Man, I don't care what you don't allow.
00:32:11 I don't put my neck on that piccolo so I'm going to dance anyhow.
00:32:14 Says who?
00:32:15 Says me.
00:32:16 Now be nice to yourself because you'll make me mad and one, two, three, I'll be over there on you.
00:32:19 Yeah, four, five, six and you'll be off me too.
00:32:21 Oh, yeah?
00:32:22 Yeah, that's who.
00:32:24 Come on over.
00:32:25 Come on.
00:32:27 I'll be over ready.
00:32:29 I'll just let you have it.
00:32:31 Who wants to dance anyway, man?
00:32:33 Well, this is a bar, not a dance hall.
00:32:35 Tell it to Cool Breeze.
00:32:36 Maybe he don't know.
00:32:37 I'm telling you, take it out of here.
00:32:38 Go ahead, you bald-headed turkey.
00:32:47 Bill, where you been, Bill?
00:32:50 Hugging the world, baby, hugging the world.
00:32:52 Bob made me stay in the UK.
00:32:54 He wanted me to be here when I told you the good news.
00:32:57 Don't hold me.
00:32:58 What news?
00:32:59 Yes, yes.
00:33:00 Oh, don't tell me Alabama I know.
00:33:03 You're the biggest square that ever left the cotton fields of Alabama.
00:33:06 Bill, you've been drinking.
00:33:08 Now how do you know?
00:33:10 I met Josh White today and he's going to give me lessons.
00:33:13 Well, can you imagine that?
00:33:15 He met Josh White today.
00:33:17 Well, I met Regina today.
00:33:20 And she's going to give me lessons.
00:33:22 Hey, Angel Fanny, buy yourself a new dress like Regina.
00:33:27 Regina's got a new dress.
00:33:29 Regina's got class.
00:33:31 Regina's got everything.
00:33:35 I'd better go now, Bob.
00:33:39 That's all right.
00:33:40 I'll talk with him.
00:33:42 Shut up.
00:33:44 You talk to me.
00:33:46 You talk to me.
00:33:48 I'm sick of you.
00:33:49 I'm sick of all your yapping.
00:33:51 I'm sick of this whole crummy joint.
00:33:54 I'm getting out.
00:33:55 I'm going to move up where people got class.
00:33:58 Yeah, class.
00:34:00 That's what I need.
00:34:01 That's me.
00:34:02 Class.
00:34:03 I've got to breathe.
00:34:11 Class.
00:34:17 On your way down, stop in the jungle.
00:34:20 Your friends will still be here.
00:34:29 And here's five Cs.
00:34:31 You'll share the drop last night.
00:34:33 Got your gun on you?
00:34:34 No, you know what happened on that.
00:34:36 Yeah.
00:34:38 I'm going to use this rod for the night, just in case.
00:34:42 Tommy, now you want to dig me the night's layout again so there won't be any slip-ups.
00:34:46 Okay, now get this.
00:34:48 You keep the motor of the car running by the warehouse curb.
00:34:52 We'll load the furs.
00:34:54 When I slam your car door, wheel away, but fast.
00:34:59 Get the stuff to our regular stash.
00:35:01 The boys there will unload.
00:35:03 And don't be careless.
00:35:06 I'll be there in a hundred grand whole.
00:35:08 If then don't pop a bad boy, I'll deliver.
00:35:31 Ah, Hollywood wants me.
00:35:33 Broadway needs me, but Harlem's got me.
00:35:36 Harlem ain't got you.
00:35:37 I got you.
00:35:41 I ain't got you with these.
00:35:42 I ain't got you with those.
00:35:43 I got you with my little, little bits of toast.
00:35:51 When you're feeling low and you don't know what to do.
00:35:57 When you're feeling low and you don't know what to do.
00:36:02 Just stay in the groove.
00:36:04 Let nothing bother you.
00:36:08 I may be small, but baby, have no fear.
00:36:13 I may be small, but baby, have no fear.
00:36:19 I can climb a hill without shifting gears.
00:36:25 I ain't good looking and I don't have waist-long hair.
00:36:30 I ain't good looking and I don't have waist-long hair.
00:36:36 But my mama gave me something would take me anywhere.
00:36:42 It's a rocky chair to rock.
00:36:44 A rubber ball to roll.
00:36:45 Takes a long toll.
00:36:46 Daddy, satisfy my soul.
00:36:48 Baby, rock me with that steady roll.
00:36:53 My baby, rock me with that steady roll.
00:37:00 Do you want to jump, children?
00:37:02 Yeah!
00:37:03 Do you want to jump, children?
00:37:05 Yeah!
00:37:06 Do you want to jump, children?
00:37:08 Yeah!
00:37:09 Do you want to jump, children?
00:37:11 Yeah!
00:37:12 Do you want to jump, children?
00:37:14 Yeah!
00:37:15 Jump, jump, jump, jump.
00:37:17 [MUSIC PLAYING]
00:37:20 [MUSIC PLAYING]
00:37:23 [MUSIC PLAYING]
00:37:26 [MUSIC PLAYING]
00:37:29 [MUSIC PLAYING]
00:37:32 [MUSIC PLAYING]
00:38:00 [PHONE RINGING]
00:38:03 Hello?
00:38:06 You don't say.
00:38:08 You don't say.
00:38:09 You don't say.
00:38:12 Who was that, Pat?
00:38:14 He didn't say.
00:38:16 By the way, Pat, you left me last night.
00:38:18 That I did.
00:38:19 Where did you go?
00:38:20 Oh, man, I went to a party and had a ball.
00:38:22 No kidding.
00:38:23 Everybody was there.
00:38:24 We played all kind of games.
00:38:25 Well, what kind of games did you play?
00:38:26 We played spin the bottle, post office,
00:38:28 all around the Mulberry Bush, ferry jumping out the well.
00:38:31 Wait a second.
00:38:32 Now, that game of ferry jumping out the well,
00:38:33 I never heard of that before.
00:38:34 How does that go?
00:38:35 Oh, man.
00:38:36 The boys get in one room.
00:38:37 The girls get in another.
00:38:38 The boys have to leave their room to go kiss a girl.
00:38:40 That's what you call ferry jumping out the well.
00:38:43 But if the girl's too ugly to kiss,
00:38:44 the boy has to give her a quarter.
00:38:47 Your wife was there.
00:38:48 She made $9.75.
00:38:50 Well, wait a second now.
00:38:51 Now, now, now, now, now, now.
00:38:52 Be careful, now, see.
00:38:53 I'll tell you what.
00:38:54 Say, but do you know what Bill told me?
00:38:55 What?
00:38:56 That a friend of his said that his girlfriend said
00:38:57 that I should--
00:38:58 Wait, wait, wait, wait a second, Pat.
00:38:59 Now, that's what you're going to get in trouble, I guess.
00:39:01 That's like spreading propaganda.
00:39:02 You got to be careful.
00:39:03 What you say to whom?
00:39:04 Oh, man, there you go using words
00:39:05 you don't even know what they mean.
00:39:06 Well, who don't know what they mean?
00:39:07 Well, what is propaganda?
00:39:08 Propaganda's false faith.
00:39:09 We're getting on the end of gossiping
00:39:10 something going here for.
00:39:11 That ain't no propaganda.
00:39:13 No, what is propaganda?
00:39:14 Are you married?
00:39:15 Of course I am.
00:39:16 How long you been married?
00:39:17 Five years.
00:39:18 You got any children?
00:39:19 No.
00:39:20 Propaganda.
00:39:21 What do you mean, propaganda?
00:39:23 Your wife's the proper goose, but you ain't the propaganda.
00:39:26 [interposing voices]
00:39:27 Tell Rocco to lay low.
00:39:44 I'm getting away from the cops myself for a while.
00:39:48 Well, listen now, George, what'd you expect me to do
00:39:50 with the cops on my tail?
00:39:51 Get them off, wise guy.
00:39:53 Get them off.
00:39:54 They jumped me before I knew it.
00:39:55 Then the traffic beat me.
00:39:56 That's why I took the path.
00:39:57 Tell it to them.
00:39:58 You're getting your cut to get the stuff through.
00:40:00 I'm doing the best I could.
00:40:02 Your best stinks.
00:40:04 I get $100,000 worth of firm, safe than a cough,
00:40:08 you let the cops cruise you.
00:40:09 Do you think you could have gotten away?
00:40:11 I'm asking the questions.
00:40:13 And I'm giving you the answers.
00:40:15 All right, you're cutting me out.
00:40:16 Well, what are you waiting for?
00:40:18 That's the first answer.
00:40:20 You've gotten straight.
00:40:21 Only you're too hot right now.
00:40:24 I gotta keep you where I can find you.
00:40:27 You're still wet behind the ears.
00:40:31 Maybe I can dry 'em up a bit.
00:40:33 Don't do me no favor.
00:40:35 I'll remember that.
00:40:37 Now you can go.
00:40:39 Just a minute.
00:40:41 Let me give you a little tip.
00:40:43 Stay away from Regina.
00:40:45 You tell Regina to stay away from me.
00:40:48 [music]
00:40:55 Darling, pay our number.
00:40:58 Any time for you.
00:41:00 [music]
00:41:27 I can't forget the very first time that we met.
00:41:35 How you just came along and made my life a song.
00:41:43 That keeps ringing, keeps me singing,
00:41:48 are the things you do to me.
00:42:02 When you are near, I find that gloom must disappear.
00:42:09 You bring me happiness along with your caress.
00:42:18 How I imagine never end by the things you do to me.
00:42:36 Yes, I've had my sorrow, but now from you I borrow
00:42:44 the thrill that will make my life complete.
00:42:53 Please don't abuse them.
00:42:57 I couldn't lose them.
00:43:02 Such precious gifts from you, my sweet.
00:43:10 So now I know to me you bring a certain gloom
00:43:18 that tells me you alone must have my heart to own.
00:43:27 Surrender to the tender little things you do to me.
00:43:41 You do to me.
00:43:44 [music]
00:44:06 [scream]
00:44:10 [music]
00:44:38 Come on, baby, let's go.
00:44:48 Hello, gang.
00:44:49 What are you doing in the jungle?
00:44:51 Hello, Bill.
00:44:52 How are you?
00:44:53 Gee, Mr. Bill, it's good to see you.
00:44:55 Gee, gee, you sure looking fine.
00:44:57 Thanks, Alabama.
00:44:58 Hello, Angel Face.
00:44:59 How you doing?
00:45:00 The boys treat you all right?
00:45:01 Oh, I'm all right, Bill.
00:45:03 How have you been?
00:45:04 Oh, never better.
00:45:05 Oh, excuse me, honey.
00:45:06 Uh, meet Etta.
00:45:07 Etta, meet Regina.
00:45:09 How are you, my dear?
00:45:11 How do you do?
00:45:13 And this is my pal, Bob, the writer.
00:45:15 What great.
00:45:16 So you're Bob.
00:45:18 I've been anxious to meet you.
00:45:20 Bill talks about you all the time.
00:45:22 He thinks you're tough.
00:45:23 Oh, you mustn't listen to Bill.
00:45:25 He's partial.
00:45:27 Never mind jiving, Bob.
00:45:28 Meet Alabama there.
00:45:29 Alabama, this is Regina.
00:45:31 She's come down to hear you play.
00:45:32 I'm right glad to meet you, ma'am.
00:45:35 Hello, Alabama.
00:45:36 Bill tells me you're good.
00:45:38 Yes, ma'am.
00:45:39 Am I?
00:45:40 Uh, thanks.
00:45:41 Oh, man, you all them things.
00:45:42 Get your box down and tune it up.
00:45:44 OK.
00:45:45 Oh, don't let me break up your checker game.
00:45:53 Who's winning?
00:45:54 Bob.
00:45:55 He's got a tricky system.
00:45:57 Always gets to the king's row first.
00:46:00 Isn't that the general idea?
00:46:04 You're speaking about checkers?
00:46:07 Of course, dear.
00:46:09 I play the game, too.
00:46:11 I bet you know every move.
00:46:14 I usually win.
00:46:17 Say, Alabama, play that new number of yours for Bill.
00:46:20 Yeah, let's see if you feel good.
00:46:22 Mr. Josh White taught me a new number.
00:46:24 Well, let's hear it.
00:46:26 Well, I don't know it so good, but you want me to play one of your oldies?
00:46:30 Oh, sure.
00:46:31 Play my old favorite.
00:46:32 [music playing]
00:46:36 (SINGING) When I went down the road to see my gal,
00:46:39 caught her loving up my best pal.
00:46:41 Said she didn't want to do it.
00:46:43 Said she didn't want to do it.
00:46:46 If she didn't want to do it, why did she do it then?
00:46:50 Yes, I got her number, and it don't add up to one.
00:46:55 Yes, I got her number, and it don't add up to one.
00:47:00 She just don't love me.
00:47:01 She just loves having fun.
00:47:04 You fool me, baby, you won't see me no more.
00:47:09 You fool me, baby, and you won't see me no more.
00:47:13 'Cause what I saw last night drove me away from your door.
00:47:18 You're no good, baby.
00:47:19 You're no good to me.
00:47:22 You're no good, baby.
00:47:24 You're no good to me.
00:47:27 You're no good, baby, so stay away from me.
00:47:32 You're real gone, Alabama.
00:47:34 Play us another.
00:47:35 You really are good, Alabama.
00:47:37 I wish I had time for more.
00:47:38 Oh, yeah, that's right.
00:47:39 You've got to get to the club, haven't you?
00:47:41 Will Alabama come too?
00:47:43 You can play a number for the customers.
00:47:45 Mm, sure, great.
00:47:47 Get under your coat, Alabama.
00:47:48 You're going places.
00:47:51 It's been swell meeting you.
00:47:53 Won't you come too?
00:47:54 Some other time.
00:47:55 We'll let Alabama represent us.
00:47:59 Goodbye, dear.
00:48:00 Too bad you can't come.
00:48:03 That's all right.
00:48:05 I've already heard you say.
00:48:08 Come on, darling.
00:48:09 I'll be late.
00:48:14 Knock 'em dead, Alabama.
00:48:16 Good luck, Alabama.
00:48:18 So long, Angie Faith.
00:48:19 So long, Bob.
00:48:29 Bill.
00:48:30 Hello, Angie Faith.
00:48:31 Where the boy?
00:48:32 Oh, Alabama went to rehearsal.
00:48:34 And Bob asked me to wait here while he went downtown.
00:48:37 Oh, I see.
00:48:40 Well, now, in that case, take this money and give it to Bob.
00:48:44 Tell him it's for his and Alabama's rent.
00:48:47 I'll put it here on the table.
00:48:52 Aren't you going to wait?
00:48:57 No, I've got to get to the track.
00:49:01 We don't see much of you anymore.
00:49:04 How are you doing?
00:49:07 I'm doing all right.
00:49:10 How are you doing?
00:49:15 [Music]
00:49:44 Have you lost your mind?
00:50:07 You're slipping handsome.
00:50:09 I've got a sneaking suspicion that Eugene is standing you up.
00:50:13 And I've got a sneaking suspicion you're right.
00:50:16 Don't let that get you down, darling.
00:50:18 She don't ring no bells in my heart.
00:50:20 I'm always around you now.
00:50:22 Yeah.
00:50:23 You know, you're smoking my eyes, baby.
00:50:25 Now, is that nice?
00:50:28 This ring you sold me is a fake.
00:50:29 The jewel is here for a purpose.
00:50:31 Oh, you're crazy.
00:50:32 Look, I want my money back.
00:50:33 Get out of my face.
00:50:34 Don't you see me talking to ladies?
00:50:35 Look, you give me my money?
00:50:36 Get out of here.
00:50:52 Give us a drink.
00:50:53 And I've told you before to keep those thumbs away from me when I'm with ladies.
00:50:57 I didn't know you was going to bother me.
00:50:58 That's all right.
00:50:59 Give us all a drink here.
00:51:19 I'll have a beer.
00:51:20 Oh, no.
00:51:21 What happened?
00:51:25 Oh, no.
00:51:26 The sports all me.
00:51:27 Believe it or not, fellas, this is going to make his fish happy.
00:51:31 Come on, Pat.
00:51:32 Give everybody a drink.
00:51:33 Let's have some champagne.
00:51:36 How about some champagne, old man?
00:51:37 Coming right up, Mr. Bill.
00:51:39 How many bottles, Pat?
00:51:40 How many bottles?
00:51:41 Serve everybody.
00:51:42 We'll count the bottles later.
00:51:43 We're going to have a real celebration.
00:51:45 Don't drink that beer, Coupe.
00:51:46 Champagne.
00:51:47 Champagne.
00:51:57 Can you imagine that?
00:51:58 I pass up two summers on a piccolo to sport him a beer, and he walks out and leaves it.
00:52:05 Hey, man, what are you trying to do?
00:52:07 Break up the jukebox?
00:52:08 Yeah.
00:52:09 Well, I'll give you your money back.
00:52:10 Well, hand it here.
00:52:14 Keep the dime, man.
00:52:16 Don't get mad at Coupe, honey, when you can drink champagne in his honor.
00:52:19 Yes, how about that one?
00:52:21 Yeah, that's cold enough.
00:52:23 Nice frame, too, isn't it?
00:52:25 Uh-huh.
00:52:27 Hey, Bill, watch it!
00:52:29 Stop!
00:52:30 [gunshots]
00:52:41 Are you hurt, Bill?
00:52:42 Hey, we're up there.
00:52:43 I'm going to get a doctor.
00:52:44 You don't have time.
00:53:03 This calls for a celebration.
00:53:05 Just think, Bob, you've got a real television celebrity.
00:53:09 Or a roommate.
00:53:10 Don't you see my chest stuck out?
00:53:11 Well, I don't start really till next week.
00:53:14 But you've got a signed contract.
00:53:16 You're in.
00:53:17 Oh, Bill will be happy when he hears this.
00:53:19 Start at the beginning, Alabama, and tell us just what the man said.
00:53:23 Well, he said at first that the man who pays for the program or something,
00:53:28 a show, something like that, he said that that man thinks I'm good.
00:53:31 He likes my playing, and he's going to give me $200 a week for 16 weeks.
00:53:37 And then he said I'd get more.
00:53:39 Boy, $3,200 for 16 weeks.
00:53:44 Alabama, you are a celebrity.
00:53:48 [Music]
00:54:14 Go ahead, Alabama, finish telling us what the man said.
00:54:17 Well, that's all he said.
00:54:19 When's your first program?
00:54:20 Well, he says about a week from today, I think.
00:54:23 Let's drink to Alabama's success.
00:54:31 Bill.
00:54:34 Bill.
00:54:36 Bill.
00:54:38 What happened?
00:54:41 I had to go back to the jungle.
00:54:48 [Crying]
00:55:00 And now, ladies and gentlemen, we bring our television audience
00:55:04 our newest talent discovery, Alabama Ike and his guitar.
00:55:19 Well, I woke up this morning, the lonesomest man in town.
00:55:32 Yes, I woke up this morning, the lonesomest man in town.
00:55:43 'Cause my baby's got another lover, and she's put her daddy down.
00:55:55 Don't leave me, baby, don't leave me feeling sad.
00:56:06 Don't leave me, baby, don't leave me feeling sad.
00:56:17 'Cause I swear your style of loving is the best that I have ever had.
00:56:29 You've got peculiar ways, I know that long ago.
00:56:35 But why you'd want to hurt me, I will never, never know.
00:56:40 I'm lonesome, baby, lonesome as a man can be.
00:56:50 And if you don't come back to daddy, he'll drown his body in the deep blue sea.
00:57:02 [Applause]
00:57:07 [Laughter]
00:57:12 You know how they went wild over your second number?
00:57:15 Yeah, they did seem to like that one.
00:57:17 And the one you dedicate to Bill was beautiful.
00:57:19 That's a swell of you, Alabama. Bill would have loved that.
00:57:24 Oh, you went over great. Josh White would have been proud of you tonight.
00:57:28 Oh, I thought he was going to be there.
00:57:30 Oh, I forgot to tell you, he sent me a telegram for the show. Here it is.
00:57:37 You read it.
00:57:42 Congratulations and welcome to the telewave.
00:57:45 Sorry I can't be with you, but we'll dig your show from Boston.
00:57:48 Signed, Josh White.
00:57:50 What do you mean, he'd dig my show?
00:57:53 That means he'll see you on television from Boston.
00:57:56 Oh, I bet he did too.
00:57:59 You is my boy.
00:58:01 Oh, Alabama, you were so good.
00:58:04 I could just hug you, or you might think I was trying to get a little fresh.
00:58:09 I saw you just as plain as, and I went to the corner bar, and they let me sit on a stool.
00:58:18 And I saw you in that big boat, and I guess I acted kind of foolish like,
00:58:23 because I said out loud, "There's my Alabama," and everybody looked at me and laughed.
00:58:29 Lady, I didn't know you went for the blues. I thought you was on the bebop kick.
00:58:34 Well, here's something else you don't know.
00:58:36 I have a bottle of wine upstairs, and I've been keeping it for years and years,
00:58:42 and I said I wouldn't open it until there was a cause for a real celebration, and this is it.
00:58:49 Alabama, you are a celebrity.
00:58:52 Anytime you can cut through Greatest Heart, you are a success.
00:58:56 A bottle of wine, Edda. Turn on the radio. This is an occasion.
00:59:04 Yes, ladies and gentlemen, you're still tuned in to Bill Owens' Saturday Night Bop Barrage,
00:59:09 and every Saturday at this time, we bring you some highlights in the news of the people,
00:59:13 the great people, our people.
00:59:15 And tonight, we take great pride in bringing you this choice bit.
00:59:19 Today, Levi Jackson, that hard-running Negro halfback, was elected to be captain of the Yale,
00:59:24 yes, I said Yale, football team for 1949. How about that?
00:59:31 Last Friday, William Burton Brown, more infamously known around this concrete jungle as Dollar Bill,
00:59:38 received in full his final payment.
00:59:41 Just follow me. Mr. Roberts, there's a gentleman here to see you.
00:59:47 How do you do?
00:59:48 I'm Bill Chase, the editor of the Hall of Heroes.
00:59:51 Glad to meet you.
00:59:52 How do you do?
00:59:53 This is Miss Vance, Miss Gibson, and my roommate, Mr. Lee.
00:59:58 Ah, Mr. Lee, I'm glad to know you.
01:00:00 I saw you last night on television, and you were wonderful.
01:00:02 Thank you.
01:00:03 Allow me to congratulate you.
01:00:04 Won't you sit down?
01:00:05 No, thank you. I really can't stay.
01:00:07 I'll tell you what brought me here.
01:00:09 My paper just learned that this notorious underdog, Palleter, Dollar Bill,
01:00:13 who was killed last week, you know, in that gun raid.
01:00:16 Don't you tell that lie.
01:00:18 Bill wasn't killed in no gun battle.
01:00:21 The man walked up behind his back, the yellow dog, and Bill had to shoot in self-defense.
01:00:28 I'm very sorry, Mrs. Vance. Perhaps I was mistaken.
01:00:31 You sure was.
01:00:33 What I was about to say, Mr. Roberts, is that I understand that you knew him very well.
01:00:37 He was my best friend.
01:00:38 I also understand that you're a writer.
01:00:40 For 25 years.
01:00:42 Well, here's what I'd like.
01:00:44 I'd like to have you do a series of articles for my paper
01:00:47 on your experiences with Dollar Bill as a friend.
01:00:49 You might call it "Dollar Bill as I Knew Him."
01:00:53 Human interest stuff, you know.
01:00:55 Mr. Chase, Dollar Bill was a fine boy who got bad grades.
01:01:01 Because I admired the good in him,
01:01:05 because I knew him better than he did himself at times.
01:01:09 Because of this, what I might write would fall far short of what your sensational paper would expect.
01:01:18 You see, Mr. Chase, I knew what he wanted in life.
01:01:24 Mr. Roberts, you're my man.
01:01:26 That's just the way I'd hope that you would feel about this.
01:01:29 I also understand that Dollar Bill called this place the jungle.
01:01:33 Don't you call my house no jungle.
01:01:35 This is a respectable house.
01:01:37 I'm sorry again, Mrs. Vann.
01:01:39 I didn't really mean to offend you.
01:01:41 What I would like to tell you, though,
01:01:43 I'd like to have you do this series of features,
01:01:46 but you need not answer my question right now.
01:01:48 You need not write about Bill.
01:01:50 Write about Harlem, the people here, the streets.
01:01:53 You've got my card.
01:01:55 Call me at your convenience.
01:01:56 Thanks.
01:01:57 I'll come to see you, Mr. Chase.
01:01:58 Thank you very much, Mrs. Roberts.
01:02:00 Goodbye, all.
01:02:01 And I'll show you out, jungle.
01:02:07 Oh, Bob, I'm so happy to hear about your success.
01:02:11 Isn't it wonderful?
01:02:13 Well, it looks like I'll be needing a secretary.
01:02:16 I think you'll make Ike a good manager.
01:02:19 How about it, Ike?
01:02:21 Well, I'd appreciate it very much, Miss Edda, if you want to do it.
01:02:26 Well, I don't know how to thank you, boys.
01:02:30 I only wish there were four of us to share all of this success.
01:02:35 That's life, Edda.
01:02:37 For every ending, there's a beginning.
01:02:42 [Music]
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