La Promesa Episodio 361 Completo - La Promesa Capitulo 361 Completo - La Promesa RTVE Serie
La Promesa Episodio 361 Completo - La Promesa Capitulo 361 Completo - La Promesa RTVE Serie
La Promesa Episodio 361 Completo: https://dai.ly/x8ywmf2
La Promesa Capitulo 361 Completo
La Promesa Capitulo 361
La Promesa Episodio 361 La Promesa Episodio Completo
La Promesa 361 Completo
La Promesa Completo
La Promesa RTVE
La Promesa Episodio 361 Completo: https://dai.ly/x8ywmf2
La Promesa Capitulo 361 Completo
La Promesa Capitulo 361
La Promesa Episodio 361 La Promesa Episodio Completo
La Promesa 361 Completo
La Promesa Completo
La Promesa RTVE
Category
🎥
Short filmTranscript
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00:11:46 Yes, I have no doubt, but even the most naughty have a limit.
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00:12:04 [Music]
00:12:25 Who's there?
00:12:27 It's me, daughter.
00:12:30 How many times do I have to tell you that I don't want visitors?
00:12:33 I'm sorry, I know. But I have to tell you something important.
00:12:38 What do you want?
00:12:42 Today is your brother Manuel's birthday.
00:12:49 Manuel?
00:12:53 [Music]
00:12:56 Do you have news of him?
00:12:59 No.
00:13:01 And that many days without knowing anything.
00:13:07 Well, be clear, father. What does he want?
00:13:15 And what does it have to do with Manuel's birthday?
00:13:19 [Music]
00:13:22 Cruz wants to celebrate a special dinner in his honor and that we are all together.
00:13:29 What kind of pantomime is that?
00:13:31 Catalina, please. Make an effort. Just this time.
00:13:35 No. I'm not going to collaborate for Cruz to make that absurd commemoration.
00:13:39 And I don't think he's going to miss me.
00:13:42 Do you want us all to be united?
00:13:47 No. What worries him is what third parties may think.
00:13:50 If there is a rumor that I don't even want to go to that supposed special dinner.
00:13:55 Catalina, loosen up a bit.
00:13:58 You don't know what we are suffering.
00:14:02 It is very hard to live with the uncertainty of not knowing if your son is alive or dead.
00:14:09 We are all full of uncertainty.
00:14:11 He's also my brother, huh?
00:14:13 I know, Catalina. Of course I know.
00:14:16 I know this.
00:14:17 As I also know that since ...
00:14:26 that your relationship broke with Pelayo.
00:14:31 Why do you bring up Pelayo?
00:14:33 Because I know that this matter is a dagger that is still stuck in your heart, Catalina.
00:14:40 I know it very well.
00:14:45 And I'm not going to cheat you.
00:14:46 And I don't wish this pain on my worst enemy.
00:14:51 This constant pressure on the chest.
00:14:53 Time will heal the wound.
00:14:58 That's what I thought, but it's not like that.
00:15:01 Why do you isolate yourself?
00:15:07 Let us help you.
00:15:10 Let us all help each other as a family.
00:15:14 I may have a good intention, father.
00:15:16 But you don't even believe those words.
00:15:20 You know perfectly well what Cruz did to me.
00:15:23 Maybe tonight is good to ease the laziness.
00:15:33 She doesn't deserve to make that effort.
00:15:36 I swore not to break the promise.
00:15:39 Until she fixed what she did and apologized to me.
00:15:42 I'm sorry.
00:15:43 If you make a small approach, she may ...
00:15:46 Don't insist.
00:15:47 My decision is firm.
00:15:49 You're not going to change your mind?
00:15:55 No.
00:15:57 Well, I won't bother you anymore.
00:16:04 Thank you for listening to me at least.
00:16:09 I'm going to bed.
00:16:10 [Music]
00:16:39 Well, today I don't have the mood to talk to you.
00:16:42 Cheer up, Candelilla, that's very strange of you.
00:16:45 Lope is also quieter than a dead man.
00:16:48 We miss you not to raise your morale a little with your jokes.
00:16:52 Well, today ...
00:16:54 Today it will be that no.
00:16:55 Come on, more work and less gossip.
00:16:57 Come on, you bastard.
00:16:59 You are going through a hundred towns with your bad manners.
00:17:04 Are you putting me down, Candela?
00:17:06 Well, yes.
00:17:07 Because there is no right for you to treat us all badly.
00:17:10 We have already found out that you have made the boys go through with all the boots in a row.
00:17:16 Nor do animals treat their companions like that.
00:17:19 Nothing of companions.
00:17:21 Now I am your superior.
00:17:24 You ...
00:17:26 You think you are a tyrant.
00:17:29 I agree with Candela.
00:17:31 We are fed up with you treating us so badly.
00:17:35 It has happened a lot with the servants.
00:17:37 Especially with Doña Pia, with Hanna and with Virtudes.
00:17:40 Ah, Virtudes.
00:17:43 That's what it's about, right?
00:17:46 Simona?
00:17:47 You will defend your daughter.
00:17:49 Well, let her know that I don't plan to have any regard for her.
00:17:52 I have every right in the world to arrest her.
00:17:55 And to kick her out on the street if necessary.
00:17:58 Abuse her.
00:18:00 How brave you are.
00:18:04 A poor girl like Virtudes.
00:18:06 That warning is not only for her.
00:18:09 It also goes for you.
00:18:11 And for all the kitchen staff.
00:18:14 Be very careful with me.
00:18:17 You may have the power.
00:18:20 But you will never be right.
00:18:23 Right.
00:18:25 And what's the point of being right?
00:18:28 Well, that's fine.
00:18:29 You.
00:18:31 What?
00:18:32 Come on, say it.
00:18:33 Come on, say it.
00:18:35 Say it!
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00:19:47 -José!
00:19:49 -What are you doing? What's wrong?
00:19:51 -Sorry, I was distracted.
00:19:52 -No, you were not. You were whispering.
00:19:54 What's wrong?
00:19:56 -I can't stand Felicia's partner. That's what's wrong with me, Salvador.
00:19:58 -Who are you talking about? Santos?
00:20:00 -Santos, yes. Who am I talking about?
00:20:03 -I don't care if you're not well, when I see you kissing her or touching her.
00:20:06 All I want is to break his face.
00:20:08 -That's exactly what he wants, Lope.
00:20:10 He wants you to try it first to be able to do it to you.
00:20:13 Don't you see how he enjoys your jealousy and your bad faces?
00:20:16 He has already taken your girlfriend away from you.
00:20:19 Don't make him happy to see you suffer.
00:20:21 -Yes, you're right.
00:20:25 -Of course I have.
00:20:26 So come on.
00:20:28 Head up and eyes forward.
00:20:30 -Okay.
00:20:32 -And my feelings are where they are, okay?
00:20:33 Those go inside.
00:20:35 But outside you have to look like a stone statue.
00:20:38 -Of course.
00:20:41 -Alonso.
00:20:53 Is there any news of Manuel and Curro?
00:20:55 -No. We still don't know anything.
00:20:59 -I promise I get up every morning hoping that a letter will arrive.
00:21:02 -Yes, they haven't written in a long time.
00:21:05 -Since the last prison battle.
00:21:07 -In any case, we don't have good news, but neither bad.
00:21:12 -It's better to live blind than to have a ray of hope, don't you think?
00:21:17 -That's true.
00:21:18 -May I interrupt?
00:21:21 -Absolutely, Maria Antonia.
00:21:22 -It will only be a moment.
00:21:24 I wanted to make sure that everything is in order for dinner.
00:21:28 -Yes, everything is in order.
00:21:29 -Wow, I'm very happy.
00:21:31 In that case, I'm going to inform Cruz.
00:21:34 I'm glad to know that we will all be there for the event, including Catalina.
00:21:37 -Good.
00:21:39 -Have you managed to convince Catalina to come to the celebration?
00:21:45 -I went to talk to her before to try to persuade her.
00:21:49 -I haven't had a conversation with her for centuries.
00:21:52 I don't know how she is still alone, locked up in that hangar.
00:21:55 She will become a woman of the caves who only communicates with animals.
00:21:58 -Little by little she will get out of that isolation.
00:22:00 -In any case, I'm glad you managed to convince her.
00:22:04 -The truth is that I haven't done it.
00:22:09 I lied.
00:22:11 She's not going to come to this dinner.
00:22:13 -Then why did you just say the opposite?
00:22:16 -I don't know.
00:22:17 My marriage has been going through a very delicate moment since Manuel and Curro's departure.
00:22:21 -Rolonzo, do you think you're going to fix things with ambushes?
00:22:24 -I don't even know what I'm saying, I don't even know what I'm doing.
00:22:26 Cruz is determined to celebrate Manuel's birthday with the whole family together.
00:22:31 But what sense does that make?
00:22:32 Why are we going to rejoice in the pain?
00:22:34 -You have not even spoken to your wife.
00:22:35 -Of course I have spoken to her.
00:22:37 But you know how it is when they are determined to do something, they don't stop until they get it.
00:22:41 -But you will have something to say, you are her husband.
00:22:43 You are the Marquis, Alonso.
00:22:44 -I just want things not to get worse.
00:22:46 That's what I'm satisfied with.
00:22:47 -But if not everyone goes to that celebration, Cruz will be angry.
00:22:50 -I know.
00:22:52 And that's why I need your help.
00:22:54 You are the only one who can convince Catalina.
00:22:56 -And why do you think she's going to listen to me?
00:22:59 -Because you have a great ascendant over her.
00:23:01 Margarita, I never ask you for anything.
00:23:04 Please.
00:23:06 -Well, I can't promise you anything, Alonso, because you know that your daughter is a bitch.
00:23:11 But I will do everything in my power.
00:23:14 It is the only thing I can guarantee you.
00:23:16 -Thank you.
00:23:19 [Music]
00:23:29 -Stop getting into my things all at once!
00:23:32 How do I tell him?
00:23:34 -Uh ...
00:23:36 Take a break and then we'll continue with that.
00:23:38 Can you tell me why you speak to me in that tone?
00:23:44 What have I done to you?
00:23:45 -You know very well.
00:23:48 -I promise you not.
00:23:49 -Isn't it true that before she took her face off in front of Doña Petra?
00:23:52 -It wasn't just for you.
00:23:54 That woman is going too far with all the service.
00:23:56 -No, I need you to protect me.
00:23:58 Like a rooster, I defend her chicks.
00:24:00 Don't be a good mother.
00:24:01 -I repeat, it wasn't just for you.
00:24:02 -I survived without her protection when I was a child.
00:24:04 I don't need anything from you.
00:24:06 -But Virtudes ...
00:24:08 -Don't defend me against Petra and against anyone.
00:24:11 -Daughter ...
00:24:12 -Don't call me daughter even!
00:24:13 How do I tell him?
00:24:17 -I don't understand why you speak to me in that tone.
00:24:19 All I want is for us to be fine and for you to get your son back.
00:24:24 -Just like you got me back.
00:24:26 You haven't been a good mother.
00:24:28 So don't come to me now with moral lessons.
00:24:30 You are immoral!
00:24:31 -It's beautiful.
00:24:52 And how much has it grown?
00:24:57 -Even if it's a bonsai, it will never stop being a tiny little tree.
00:25:00 -Naturally.
00:25:01 That's its charm.
00:25:02 But you have to admit that when you gave it to me,
00:25:04 it was nothing more than a branch in a clover.
00:25:06 -Do you realize that I take care of it with primacy?
00:25:08 -Yes, I should also take care of the care.
00:25:12 But you do it so well.
00:25:13 You are so good with plants.
00:25:15 -It's not just a matter of good hand.
00:25:17 You also have to dedicate time and patience.
00:25:20 -Well then, it's definitely much better that you take care of this.
00:25:26 -You have to admit that this variety of bonsai does not require much care.
00:25:29 It develops very quickly.
00:25:32 At a certain age, you should not waste time with eternal expectations.
00:25:38 -That goes with seconds?
00:25:42 -Not at all.
00:25:44 -In any case, I think you should not waste time, no matter how old you are.
00:25:50 -I agree with that.
00:25:54 By the way, I don't know if you are aware of the birthday party that Cruz is organizing.
00:25:59 -It's like not finding out.
00:26:01 They are all relieved with that occurrence.
00:26:04 -Well, I guess she needs to celebrate the birthday of her son Manuel.
00:26:10 -She has no feet or head.
00:26:11 Why celebrate the birthday of someone who does not know if he is alive or dead?
00:26:15 -He is alive, Ayala.
00:26:17 I will continue to think that until I have no evidence of the opposite.
00:26:21 -I'm sorry for my rudeness, but I have only told the truth.
00:26:23 -No.
00:26:24 No, because we don't know the truth, neither you nor I.
00:26:27 -What we do know is that Manuel has gone to war, not to a carnival party.
00:26:31 -Yes, obviously.
00:26:33 But I prefer to take hope no matter how weak it is.
00:26:37 So I ask you, please, not to be so honest.
00:26:40 -Okay.
00:26:43 Sorry.
00:26:44 -Anyway, even if it seems like a blunder, we will have to go to that birthday party.
00:26:51 Cruz wants no one to be absent.
00:26:53 -Of course.
00:26:54 Although we end up having fun.
00:26:58 -Having fun? Why?
00:27:01 -You yourself have said that Cruz does not want anyone to be absent.
00:27:04 I don't want to lose his face when he sees Catalina's chair empty.
00:27:07 -Well, you may have to avoid that enjoyment.
00:27:11 Because maybe Catalina will come.
00:27:14 Alonso has asked me to talk to her.
00:27:19 To try to convince her by all means.
00:27:22 -And what are you going to do?
00:27:25 -How well Maria Fernández has gotten over today.
00:27:43 -Yes.
00:27:44 -Are you okay?
00:27:48 -You've been crying, haven't you?
00:27:50 -I've had a little run-in with my virtuous daughter.
00:27:54 -I see.
00:27:56 -Nothing new.
00:27:59 -Can I help you with anything?
00:28:01 -No one can help.
00:28:03 And how are you, Monica?
00:28:08 -Well.
00:28:09 -But these hands, you have them shattered.
00:28:13 -They are only red and good, nothing more.
00:28:16 -I already found out about the work that the Marimandrajos did to you.
00:28:20 That they can't treat you like that, as if you were slaves.
00:28:23 -And what can we do?
00:28:24 If the only thing we have left is to hold on and support each other.
00:28:27 -Well, I guess you can't do anything else.
00:28:30 -That's what we're doing, to take it with the greatest possible resignation.
00:28:34 -That Petra is the key master is like a biblical curse.
00:28:38 I also tell you that it was a matter of time,
00:28:41 being how the right eye of the Marquise is.
00:28:44 -Well, but in the end, the one who is having the worst time is Doña Pia.
00:28:47 She is being choked.
00:28:49 -Well, yes.
00:28:51 -I don't know, I'm thinking that since Don Manuel and Señorito Curro left the promise
00:28:55 and went to war, everything has changed a lot.
00:28:58 -It's true.
00:29:00 I've been here all my life and ...
00:29:03 I feel like this place is very different.
00:29:07 [Music]
00:29:31 -Keep playing.
00:29:33 That melody is beautiful.
00:29:37 [Music]
00:29:39 -I'm sorry, aunt, but I'm losing my strength.
00:29:43 -Do it for me.
00:29:45 Music gives me peace.
00:29:49 -That's exactly what I was looking for.
00:29:55 A little peace.
00:29:57 I was trying to evade my mind with ...
00:30:01 with music.
00:30:05 But you can't.
00:30:06 -In some moments, yes, but then ...
00:30:12 I run into ...
00:30:15 the harsh reality again.
00:30:19 -I wish one could stop thinking at will, right?
00:30:25 I can't get my Manuel out of my head for a moment.
00:30:33 -It's a pain not to have news.
00:30:35 You don't even know if Manuel and Curro are still alive.
00:30:40 -Don't mention Curro, I beg you.
00:30:43 -But he's also fighting for his life in the war.
00:30:47 -That fool insisted on going to the front for a stupid whim.
00:30:52 And he dragged my son with him.
00:30:54 -That's not fair.
00:30:56 Manuel went to war of his own will, it's not fair that he carries Curro with all the guilt.
00:31:01 -I told you not to mention him in my presence.
00:31:03 That boy is the worst thing that has ever happened to me.
00:31:07 -I understand that you are upset, aunt, but I think you are exaggerating.
00:31:13 -Not a bit, Martina. Not a bit.
00:31:16 Manuel would never have thought of going to war.
00:31:19 If it weren't for the disastrous influence of Curro on him,
00:31:23 now my son would be here,
00:31:25 at home, safe and sound.
00:31:28 And I wouldn't spend days and nights suffering,
00:31:33 thinking that my son could be dead right now.
00:31:39 -No.
00:31:40 -Mr. Arcos, I couldn't get the duvet on until almost midnight.
00:32:08 -Well, you better get ready.
00:32:09 -I've been washing clothes and scrubbing floors all day.
00:32:12 -You did it late. Late and wrong. Don't contradict me.
00:32:19 -I don't think I did it wrong.
00:32:21 -I told you not to take me the opposite.
00:32:23 If I say you did it wrong, it's because you did it wrong. Got it?
00:32:27 -Mr. Arcos, the shirt was black and it was night, so ...
00:32:35 I may have made a mistake without realizing it.
00:32:38 -Yes, you did.
00:32:40 Maybe this maid job is too much for you.
00:32:44 If you want to quit, I understand.
00:32:47 Because when you get used to giving orders like a key mother,
00:32:50 you lose the habit of working hard.
00:32:54 Do you want to leave your job, yes or no?
00:33:02 -Yes or no?
00:33:03 Of course not.
00:33:06 -Well, next time do it better. Much better.
00:33:12 Because my patience has a limit. Is that clear?
00:33:15 -Yes, Mr. Arcos.
00:33:18 -And I've also made you come for something.
00:33:26 Don't think you're going to leave Rositas.
00:33:30 -I'm not going to leave Rositas.
00:33:32 -Cook.
00:33:35 -I've done something that wasn't to your liking.
00:33:41 -That's right.
00:33:43 When I was in the kitchen before, you left me with the word in your mouth.
00:33:47 And that's not an admissible behavior.
00:33:51 With a key mother.
00:33:54 -I didn't realize.
00:33:58 It wasn't a matter of suspicion.
00:34:00 Besides, I didn't feel a good disposition either
00:34:03 to make dinner tonight.
00:34:06 In fact, you haven't told me yet what dessert you're going to make.
00:34:10 -Well, I hadn't decided it at all.
00:34:14 -And you weren't going to make a fabulous cake?
00:34:18 -A cake?
00:34:21 -Yes.
00:34:25 -Are you ready or not? -Yes, yes, yes.
00:34:27 I'm going to make a soufflé.
00:34:31 And for that, we have to work it at the last minute
00:34:34 so that the texture is fluffy and light.
00:34:36 -Okay.
00:34:38 People here have been sleeping in their laurels for a long time.
00:34:44 And that's something I'm not going to tolerate.
00:34:47 You've had enough time to adapt to my discipline and my order.
00:34:52 Understood?
00:34:55 Understood?
00:34:56 -Yes, ma'am.
00:34:57 -Yes, ma'am.
00:35:01 -Well, let it be noticed.
00:35:03 Because I don't want to have to call you back to order.
00:35:06 I am a methodical and observant key mother.
00:35:11 But I have a small defect.
00:35:15 I can't stand employees who don't do their job well.
00:35:22 Did you understand that well?
00:35:24 -Yes.
00:35:26 -Yes.
00:35:28 -Good.
00:35:30 Now leave.
00:35:31 I have a lot to do and I can't waste time with you.
00:35:35 [Music]
00:35:39 [Music]
00:35:42 [Cat meows]
00:35:51 [Music]
00:35:55 [Music]
00:35:58 [Music]
00:36:02 [Music]
00:36:06 [Music]
00:36:10 [Cat meows]
00:36:12 [Music]
00:36:16 [Music]
00:36:20 [Music]
00:36:24 [Music]
00:36:27 -Catalina.
00:36:29 Can I talk to you?
00:36:33 -I don't feel like talking, aunt.
00:36:35 -Well, I haven't heard from you in a long time and ...
00:36:38 Anyway, I'm worried.
00:36:41 -Well, don't worry, I'm fine.
00:36:43 -Well, then why are you still locked up here?
00:36:47 Isolated from everyone.
00:36:48 -Precisely because I am recluse and alone,
00:36:50 is why I feel much better.
00:36:53 -I see.
00:36:54 Well, how are you doing with your heart issues?
00:37:00 Are you still hurt by Pelayo?
00:37:02 -Well, if everyone is determined to keep talking about him,
00:37:06 it's hard for me to stop hurting.
00:37:08 -Okay, okay.
00:37:09 Excuse me.
00:37:10 -Come on, aunt, don't point the finger at me.
00:37:14 Be clear.
00:37:15 If you've come here, it's for something specific.
00:37:18 -I haven't come to know about you, to be interested.
00:37:22 -I see.
00:37:23 And I'm trying to convince myself to go to dinner at the palace tonight, right?
00:37:28 Come on, be honest and we'll finish before.
00:37:30 You know I don't like crazy people.
00:37:32 -Okay, okay.
00:37:36 I've come to Alonso's instances.
00:37:38 -Well, you can tell my father
00:37:41 that I'm not going to go to that birthday party Cruz has organized.
00:37:44 -I think you're right, Catalina.
00:37:47 What right does Cruz have to ask you for anything
00:37:50 after everything he's done to you?
00:37:52 -I don't feel like talking about it.
00:37:54 Leave me alone.
00:37:56 I can't stand more lies and more deceit.
00:37:58 -No, Catalina, you don't include me in the mess.
00:38:00 -But if everyone is in the garlic.
00:38:02 -No, I don't.
00:38:03 -He came with the excuse of knowing about me.
00:38:06 But he just wanted to manipulate me to go to that damn dinner.
00:38:10 -I think you have a very bad concept of me, niece.
00:38:13 Because my feelings are true.
00:38:15 And yes, I miss you in the palace.
00:38:17 -I don't know if I trust his good intentions.
00:38:19 -Well, I ask you to do it.
00:38:21 -He may have a sincere affection for me.
00:38:24 But it is no less true that he moves the corner he felt towards Cruz.
00:38:27 -No.
00:38:28 No, it's not like that this time.
00:38:30 -How would I enjoy it more, aunt?
00:38:32 Seeing how much Cruz dislikes my absence
00:38:35 or how much my presence bothers him.
00:38:37 Big dilemma, right?
00:38:39 -I think it's a rudeness on your part, Catalina.
00:38:42 I think you're being very unfair to me.
00:38:44 Because I've just come to soften things up.
00:38:48 -I'm sorry to offend you.
00:38:50 But understand that I feel too pressured.
00:38:53 All I want is for you to not forget
00:38:56 that I was the one who suffered Cruz's humiliation.
00:38:58 -I know, it's very clear, niece. Very clear.
00:39:00 -Well, this is my life. And this is how I want to live it.
00:39:03 I'm not going to move from here until she fixes what she did and apologizes to me.
00:39:07 -I'm not going to move from here until she fixes what she did and apologizes to me.
00:39:09 [music]
00:39:12 [music]
00:39:40 -Excuse me. I was told you were looking for me.
00:39:42 What are you doing here? How dare you?
00:39:55 -I've come to remind you of something.
00:39:58 Since it seems you have a bad memory.
00:40:00 -I'm aware of all my debts.
00:40:03 -And also that you have a deadline to satisfy them.
00:40:07 -Yes. I'm going to pay it all. All of it.
00:40:09 -You'd better do it.
00:40:11 Because if I have to come back here,
00:40:13 it won't be just to remind you.
00:40:15 This wound will seem like a caress compared to what I'm going to do to you.
00:40:21 -Understood.
00:40:24 -You have blood on your face.
00:40:32 [music]
00:40:35 [music]
00:40:38 [music]
00:41:06 -Oh my God! What a scare! I asked for help!
00:41:08 -Yes, because opening the door with your elbow was not so easy.
00:41:11 -What a relief.
00:41:13 -I bring clean sheets for both of us.
00:41:16 -Well, for both of us and for everyone.
00:41:18 Petra hasn't let me change my clothes.
00:41:20 She has made me distribute sheets like a madwoman.
00:41:22 -If it were up to her, we couldn't even breathe.
00:41:24 -She's almost done. Paquita, give us that too.
00:41:27 -Have you managed to do everything she asked you?
00:41:30 The shopping and the shopping?
00:41:32 -Yes. Everything. Absolutely everything.
00:41:34 -India will be happy, right?
00:41:36 -Mario Mandrago is happy.
00:41:38 He just got the fight to be softer, but the fight has fallen for me.
00:41:41 Come on, we're a little late.
00:41:44 -That woman treats us as if we were her servants.
00:41:46 -She was already disgusting before.
00:41:48 Imagine now that she has the command.
00:41:50 A demon. She just needs to get her horns and tail out.
00:41:53 -Are you sure she doesn't have them?
00:41:55 -My grandmother suffers from time to time.
00:41:57 -The thing is that she doesn't make us work like mules.
00:42:00 She's all morning here and there, and on top of that she throws me the fight.
00:42:03 -I see.
00:42:05 And have you been able to put the letter in the mailbox?
00:42:09 The letter for Manuel.
00:42:10 -Oh, the letter.
00:42:12 Yes, man. Of course.
00:42:15 How could I forget such an important thing?
00:42:17 -Was there any letter from Manuel?
00:42:20 -But since I was there, I asked if there was a new mail from Teresa.
00:42:26 But nothing.
00:42:27 -It's just that it doesn't do you any good. You're a pain.
00:42:30 -Yes, but I like to know about her and how she's doing at the Duque de Abronte's house.
00:42:33 -How is she doing? Maria de Guinda. You already know that.
00:42:36 -I didn't even think that job would have been for me.
00:42:40 -Do you regret having given it to her?
00:42:42 -No. No.
00:42:44 She deserves to be happy.
00:42:46 After how bad it was with Feliciana's death.
00:42:49 -She needed to leave this palace to get over it.
00:42:52 -Although that doesn't mean that we have to have a bad time.
00:42:56 And enduring the stone is a nightmare.
00:42:59 -Of course, Teresa has gotten rid of one.
00:43:01 -Although she was the only one Mrs. Petra was fond of.
00:43:04 Maybe she could have been a little more peaceful.
00:43:08 -I don't think that would be enough, Maria.
00:43:10 -It's true.
00:43:11 -And you've gotten rid of a good one too.
00:43:15 Because we've had a day of "hold on and don't move".
00:43:17 You know that we've had to clean the floor twice.
00:43:21 -And why?
00:43:22 -Because Mrs. Petra, in case we didn't have little work,
00:43:25 she's very fond of being rude.
00:43:28 -What happened? Tell me.
00:43:29 -I'll wear the blue dress.
00:43:33 It's the one my friend Maria Antonia suggested.
00:43:36 -Mrs. Maria Antonia has an exquisite taste, of course, ma'am.
00:43:42 But I have a better proposal.
00:43:44 And I don't doubt asking for an opinion.
00:43:48 -Lately, you've been very busy.
00:43:53 I didn't want to distract you from your obligations either.
00:43:58 -Certainly, ma'am, I'm very busy as a keymaker.
00:44:02 But for me it's always an honor to attend to you on such personal matters.
00:44:07 -I see.
00:44:09 -What do you think of this proposal?
00:44:12 After all, it's about the dinner, the celebration of a birthday.
00:44:17 Although the tribute is not present, ma'am.
00:44:20 -I think it's good.
00:44:26 -I hope to have a pleasant evening.
00:44:28 Although for the good of the family I have to make an effort and put up with certain people.
00:44:33 -You mean Miss Catalina?
00:44:36 -If it were only her.
00:44:38 She will eventually return to her knife when we are finished.
00:44:42 There are others who don't even leave with hot water.
00:44:46 -Like Mrs. Margarita and Count de Ayala.
00:44:49 -I can't stand them.
00:44:52 -It's not that their presence is too pleasant for me either.
00:44:56 -They are unbearable.
00:44:59 -I wouldn't have defined them better.
00:45:04 [Music]
00:45:06 -It's an intolerable shame.
00:45:23 -I understand that it is a disgrace to clean the entrance twice in a row.
00:45:27 But you are not like that for that.
00:45:31 -That I know you, girl.
00:45:33 That you are charging against Petra because you cannot charge against what really oppresses you.
00:45:38 Isn't it?
00:45:40 -It is not the thought.
00:45:41 -That you don't easily lose your temper with a disdain for Mrs. Petra.
00:45:45 What do you have on your mind?
00:45:49 -Well, I would like to have news of Manuel and Curro.
00:45:53 -Why would I care about that?
00:45:55 -The last letters we received from them were more than a month ago.
00:46:00 -Well, I'm afraid I can't tell you how I felt.
00:46:03 Because I remember how bad I was when Salvador went to the war in Morocco.
00:46:08 -I also remember how helpless I felt for not being able to help you, so I understand how you feel.
00:46:16 -The same, Ica.
00:46:17 Sometimes I thought of Salvador and a smile was drawn on my face.
00:46:22 And sometimes I thought I could be dead and a knot was put here, in my throat, that I couldn't breathe.
00:46:29 So I understand everything perfectly.
00:46:32 But you don't lose hope.
00:46:35 -It's a bit difficult, Maria.
00:46:37 -Until you know for sure that Manuel and Curro have fallen in the war, you think they are fine.
00:46:46 Look, I thought Salvador was dead and look at him.
00:46:50 You never know.
00:46:53 -The only thing that comforts me is writing to Manuel and Curro and thinking that they are listening to me.
00:46:59 And thinking that they are here with me.
00:47:01 I know it sounds absurd, but it relieves me.
00:47:05 -Well then write.
00:47:07 Write.
00:47:09 And vent and write all the anger you have on that paper.
00:47:11 I'm going to change and take care of your work.
00:47:14 And you don't come back until you have a big leaflet.
00:47:17 -Thank you, Maria.
00:47:20 -You're welcome.
00:47:22 And besides, if it's good, you can think about publishing it.
00:47:25 I would call it "The adventure of a fallen in love maiden".
00:47:28 What do you think?
00:47:29 -You make me smile so much.
00:47:32 -Thank you.
00:47:36 -Thank you.
00:47:37 -They told me you wanted to talk to me.
00:47:58 Go to hell because I don't have time for Montserrat.
00:48:00 -I'll be clear and brief.
00:48:02 -I hope so.
00:48:03 -It's Mr. Manuel's birthday dinner and everything has to be perfect.
00:48:06 Something very difficult having to deal with that bunch of useless people.
00:48:10 -I forbid you to refer to the rest of your colleagues in those terms.
00:48:15 -He forbids you.
00:48:16 If each one did his job as God commands.
00:48:19 -Look, Mrs. Arcos.
00:48:21 That is precisely the matter for which I have brought you here.
00:48:24 The bad ways you have to address the rest of the service.
00:48:28 -I'm just trying to instill a little discipline in them, for God's sake.
00:48:32 -No, no. You treat them with humiliation.
00:48:34 With the tip of the boot.
00:48:36 But what do you intend to achieve with this attitude?
00:48:38 That everyone gets bitter and ends up leaving here?
00:48:40 That they start another strike?
00:48:42 -How dare they?
00:48:43 If they have the guts.
00:48:44 -I don't want them to reply to everything I say to them.
00:48:46 I want them to listen to me.
00:48:47 -I'm listening to you perfectly, Mr. Pellicer.
00:48:49 -Then admit that your ways are not the most correct and modify them.
00:48:52 -I'm not going to be a hammer.
00:48:54 You see? Soft and lax.
00:48:55 -I'm not telling you that.
00:48:56 What I want is that you be treated with respect.
00:48:58 -What are those voices for?
00:49:01 -Excuse me.
00:49:02 We have exalted ourselves too much.
00:49:04 They should have been more careful.
00:49:06 -If you can know what they were talking about so intensely.
00:49:09 -I was asking Mrs. Arcos not to be so rude to her colleagues.
00:49:13 That sometimes, she touches the mistreatment.
00:49:15 -I completely agree with Mr. Pellicer on that.
00:49:18 -I'm not going to be a hammer that no one takes seriously.
00:49:21 -You are very wrong, Mrs. Arcos.
00:49:23 Bad ways only instill fear.
00:49:26 They don't grant you any authority.
00:49:28 -I'm the key master of this palace.
00:49:30 And I will follow my own criteria.
00:49:32 -If you don't change your attitude,
00:49:34 I will be forced to inform the Marquises of your conduct.
00:49:38 -Go ahead.
00:49:40 Go and talk to Mrs. Marquesa.
00:49:42 See what she thinks.
00:49:44 You see how she got the last play, Mr. Maeza.
00:49:47 [Music]
00:50:02 -Dear Manuel,
00:50:04 every day without you is an eternity.
00:50:06 All the corners of the promise talk about you and remind me of you, but...
00:50:12 But you are not.
00:50:15 [Music]
00:50:19 I long to take refuge in your arms and, above all, I long for your kisses.
00:50:23 I would do anything for a kiss from you, my love.
00:50:28 [Music]
00:50:32 And we all want you to come back as soon as possible.
00:50:35 [Music]
00:50:40 I'm sure your mother only thinks about seeing you again.
00:50:43 [Music]
00:50:45 In hugging you and leaving behind all the differences that separated before your departure.
00:50:49 [Music]
00:50:54 And your father was the first to rejoice in your reconciliation.
00:50:57 [Music]
00:50:59 I have no doubt that he is looking forward to hearing you talk about some new aviation improvement.
00:51:03 Some that you have learned by watching the airplanes in front.
00:51:06 [Music]
00:51:10 I think Miss Catalina misses you so much that she spends a lot of time in the hangar.
00:51:14 I think that makes her feel that she has you closer.
00:51:18 [Music]
00:51:22 And your cousin Martina, you will see how much she has improved in her piano skills.
00:51:26 [Music]
00:51:28 I think she wants to welcome you with a great concert at your arrival.
00:51:31 [Music]
00:51:38 I hope you will return soon and you can see everyone.
00:51:41 [Music]
00:51:44 I dream of seeing you cross the threshold of the door safe and sound.
00:51:47 [Music]
00:51:51 And I count the hours left for us to hug again.
00:51:54 [Music]
00:51:57 When that happens, you will be one more year.
00:52:00 [Music]
00:52:03 Happy birthday, my love.
00:52:05 [Music]
00:52:10 I love you.
00:52:11 [Music]
00:52:16 I love you.
00:52:17 [Music]
00:52:24 I love you.
00:52:25 [Music]
00:52:30 I love you.
00:52:31 [Music]
00:53:00 Good night.
00:53:01 Good night.
00:53:02 Wow, I thought you were late.
00:53:11 I miss the hostess.
00:53:13 Do you know if it will take long to start the play?
00:53:16 I'm starving.
00:53:18 Yes, me too.
00:53:20 [Music]
00:53:30 You are very beautiful.
00:53:32 [Music]
00:53:35 Thank you.
00:53:37 You told me we were all going to be here, including Catalina.
00:53:40 [Music]
00:53:43 We have tried to convince her.
00:53:46 Margarita and I have spoken to her separately.
00:53:49 But it has been impossible to get her to twist her arm.
00:53:52 Stupid.
00:53:53 Cruz.
00:53:54 Catalina is not here, but we are all here.
00:53:58 So we are not going to make a world.
00:54:00 And let's not ruin this strange evening.
00:54:04 No, if that whore had to spoil her brother's birthday dinner.
00:54:09 Don't blame her.
00:54:11 Not even the protagonist himself, for God's sake.
00:54:15 And he has his reasons, you know that.
00:54:17 His reasons?
00:54:18 All Catalina wants is to annoy me.
00:54:20 And you know it.
00:54:22 It's about her brother.
00:54:24 For God's sake, her brother.
00:54:25 Enough, Cruz.
00:54:27 We have a lot to try to understand what we are doing here.
00:54:33 Oh yeah?
00:54:37 Is that true?
00:54:40 You don't understand anything.
00:54:45 [Music]
00:54:49 No.
00:54:50 You don't understand anything.
00:54:52 Because you are all stupid and insensitive.
00:54:56 Do you think this dinner is an extravagance of mine?
00:55:01 A whim, a nonsense?
00:55:04 Well no.
00:55:05 This is Manuel's birthday celebration and he would like us all to be there.
00:55:11 Or do you think I want to see you?
00:55:15 Or see Catalina?
00:55:17 Of course not.
00:55:20 But it's his birthday.
00:55:22 Manuel would have liked it.
00:55:38 Celebrating his birthday is the only way I have to make this anguish I feel not split in two.
00:55:46 It's the way to hold on to the idea that he's still alive.
00:55:55 Because I need him to be alive.
00:55:58 Do you understand?
00:56:00 Or you don't understand that either.
00:56:04 [Music]
00:56:09 And you can keep doing whatever you want, denying the reality.
00:56:13 Keep on with your lives as you have done all these months.
00:56:17 But one thing, one thing I tell you.
00:56:20 With me?
00:56:22 Don't count on me.
00:56:24 Enjoy your meal.
00:56:26 [Music]
00:56:50 [Birds chirping]
00:56:53 What are you doing here alone, sister-in-law?
00:57:03 Better alone than badly accompanied.
00:57:06 And right now there is no one in my family who is a rat company for me.
00:57:09 I came to ask you how you were after last night, but I see that you haven't been angry.
00:57:15 No, it's worse, I'm furious.
00:57:18 Catalina has exceeded all limits.
00:57:21 She could have had the decorum of having shown up at dinner, really.
00:57:24 That girl is a nightmare.
00:57:26 And if she doesn't want to behave with me as she should, I'm not going to do it with her either.
00:57:31 Is this a declaration of war?
00:57:33 No, I'm just saying that I'm not going to put up with that girl forever.
00:57:36 And what are you going to do?
00:57:38 Well, think.
00:57:40 Think.
00:57:42 I've been in the candlelight all night.
00:57:46 And I don't like the drift my life is taking.
00:57:49 I've missed my son and, if that weren't enough, I'm more distant than ever from my husband.
00:57:56 Well, at least you have your friend MarÃa Antonia to comfort you.
00:58:00 Thank goodness.
00:58:02 If it weren't for her, I would have gone crazy from being tied up.
00:58:06 And here the only crazy person there is Catalina.
00:58:08 And do you know what is the best place for those who have lost their judgment?
00:58:12 What are you thinking about, Cruz?
00:58:15 We have to put Catalina in a asylum.
00:58:17 And you are going to do it.
00:58:19 You are the one who has experience in these leads.
00:58:21 First you got my sister involved and then you sent me to a supposed retirement home.
00:58:28 Cruz, please. I just got here. Don't get me in this.
00:58:31 You owe me a favor.
00:58:33 I have allowed you to return to the promise despite the mess you made with the jam business, right?
00:58:39 And I put you in charge.
00:58:40 So do whatever it takes to get Catalina in an asylum.
00:58:44 I'm even going to tell you the plan.
00:58:46 As I told you, I haven't been keeping an eye on you all night, so I've had time to give you the hangover.
00:58:50 Surprise me.
00:58:52 With the excuse that some doctors are going to come and give you the report on your wife Eugenia's condition,
00:58:59 you are going to ask them to examine Catalina since they are here.
00:59:03 And when they finish, they will tell us that it is urgent to enter the asylum.
00:59:08 What do you offer, Mr. Baeza?
00:59:12 A letter from the French front has arrived.
00:59:16 You have to have faith.
00:59:25 And you have to think that both Don Manuel and Mr. Curro are going to return.
00:59:28 Mr. Curro.
00:59:30 That ingrate bastard.
00:59:32 He better not come back here.
00:59:34 He dragged that madness into him.
00:59:36 So I'm not going to let anyone in this palace be afraid of that brat.
00:59:40 Don't even think about asking Mrs. Petra for an opinion.
00:59:42 I thought that Don Romero was going to be able to contain her.
00:59:45 He has been chasing that job for years, like a lost dog.
00:59:48 Well, in the end he got the prey.
00:59:50 Hey, you're not going to report us now, are you?
00:59:52 You criticize Mrs. Petra because she wants to do things right.
00:59:55 You already have enough homework taking care of my wife day by day.
00:59:58 Well, apparently taking care of my friend also involves taking care of you.
01:00:01 What do you think if we take a step and you forget a little about this accountability?
01:00:05 Let's go.
01:00:08 I want to know what Vera was doing.
01:00:10 For laughing at the opium, what is she going to do?
01:00:12 They are dating, López.
01:00:13 Salvador, weren't you the one who told me that I had to fight for her?
01:00:16 Sometimes putting Tiara in the middle is the best way to protect yourself, but ...
01:00:19 Don't forget that in the end your place is with your family and one day you will have to come back with them.
01:00:24 But I would not do anything without your consent, sir.
01:00:27 Well, you have it right now.
01:00:29 If you get my daughter to come home, I will be eternally grateful to you.
01:00:33 Do you know what would be missing to make our journey perfect?
01:00:38 Well, that we finally formalize our relationship.
01:00:42 It's time to give our relationship a serious opportunity.
01:00:47 AVAILABLE NOW
01:00:50 [MUSIC PLAYING]