D.O.A.

Combo Film

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Transcript

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00:02:02 Can I help you?

00:02:03 I'd like to see the man in charge.

00:02:05 He's in here.

00:02:06 [Music]

00:02:14 I want to report a murder.

00:02:16 Sit down.

00:02:17 Where was this murder committed?

00:02:23 San Francisco, last night.

00:02:26 Who was murdered?

00:02:28 I was.

00:02:33 [Music]

00:02:40 Well, you want to hear me out, don't you, Captain? I don't have very much time.

00:02:44 Your name Bigelow? Frank Bigelow?

00:02:49 That's right.

00:02:52 Answer this. San Francisco APB.

00:02:56 Send a direct to Inspector Bannon at homicide.

00:02:58 Tell him we found Frank Bigelow.

00:03:00 Go ahead, Mr. Bigelow.

00:03:04 Well, this involves some other people, Captain.

00:03:09 A number of other people.

00:03:11 You tell it any way you like.

00:03:13 I live in a little town called Banning, out on the desert.

00:03:19 It's on the way to Palm Springs.

00:03:21 I have a small business there.

00:03:25 Paula.

00:03:29 Yes, Mr. Bigelow?

00:03:32 Get me a copy of Miss Hollis' '48 tax return, will you?

00:03:35 Oh, uh, you better get the '47, too.

00:03:38 Yes, Mr. Bigelow.

00:03:39 I don't think we took any depreciation on that new equipment last year.

00:03:43 No, we didn't. I remember you said we could include it all this year.

00:03:46 Sure we can.

00:03:47 Hey, Frank.

00:03:48 Yeah, Will.

00:03:49 Peterson says he wants a financial statement before he can give me my loan.

00:03:52 Hello, Kitty.

00:03:53 Hi, Will.

00:03:54 Well, I'm leaving for San Francisco today, but I'll be back in about a week.

00:03:57 I'll take care of it for you then.

00:03:58 Sure is a scorcher, isn't it?

00:03:59 Well, I've seen 'em worse.

00:04:00 Well, have a nice time, Frank.

00:04:02 Yeah, thanks, Will.

00:04:03 Paula, why don't you come down to the place and let me give you another permanent?

00:04:06 Makes your hair so much easier to manage in all this heat.

00:04:09 I can't afford it right now. Maybe next month.

00:04:11 Yeah, here it is. No, we didn't take it.

00:04:13 Well, we can do it this year.

00:04:15 You work it out any way you think fits.

00:04:17 Have a nice trip, Frank.

00:04:19 Sure, Kitty. See you when I get back.

00:04:21 Bon voyage.

00:04:22 Why don't you come down anyway, Paula?

00:04:26 We'll, uh, work out a deal on that permanent.

00:04:29 Thanks. Maybe I will.

00:04:30 [phone ringing]

00:04:34 Hello?

00:04:35 Oh, hello, Mr. Hawkins. Just a moment.

00:04:37 Do you want him to send your ticket over?

00:04:39 No, I'll pick it up myself.

00:04:41 No, never mind. Mr. Bigelow will pick it up at the station.

00:04:44 Bye.

00:04:45 I want to go with you, Frank.

00:04:52 Oh, Paula, I'm just going on a little vacation, you know that?

00:04:54 You want to go without me, don't you?

00:04:56 Be gone just a week.

00:04:57 And I suppose you've just made up your mind to take this little vacation at 9 o'clock this morning?

00:05:01 No, Paula, I meant to tell you about it a few days ago. I guess I forgot.

00:05:05 Oh, you forgot.

00:05:06 Paula, don't be like that.

00:05:08 Don't be like what?

00:05:09 You just drop a little announcement that you're going away.

00:05:11 Not tomorrow or next week or next month, but today.

00:05:14 No explanations, nothing.

00:05:15 And I'm supposed to swallow the excuse that you need a little vacation.

00:05:19 I just want to get away from town for a few days, that's all.

00:05:22 Get away from this town or get away from me.

00:05:24 Oh, Paula, please try to understand.

00:05:27 How can you ask me to understand anything like this?

00:05:29 No, I'm sorry, but I don't understand.

00:05:31 Go to San Francisco, but don't expect me to be waiting for you when you get back.

00:05:38 Paula, please, Paula.

00:05:59 Come on, turn around, look.

00:06:01 Come here.

00:06:08 Why do you do this to me, Frank?

00:06:11 Why can't you be honest with me?

00:06:13 As honest as I am with you.

00:06:15 Do you have to go?

00:06:16 I have to go, Paula. I know what I'm doing.

00:06:18 All right, go. Go anywhere you like. You can go to places for all I care.

00:06:22 Paula.

00:06:23 Paula.

00:06:27 Yes, I know. I'm being foolish.

00:06:31 Come here.

00:06:32 Come on, fix your face. We'll go down to Eddie's and have a drink.

00:06:45 All right, why not?

00:06:47 Hiya, Paula.

00:06:54 Hiya, Eddie.

00:06:55 Give us a couple of cold beers, will you?

00:06:57 Coming up.

00:06:58 All right.

00:06:59 Oh, what a relief. This air conditioning feels good.

00:07:07 I sure wish we had it in the office. It'd make working a pleasure.

00:07:10 Well, if it stays this hot, don't bother going in the rest of the week.

00:07:13 I win two races today.

00:07:14 How many did you lose?

00:07:15 You wouldn't have to ask that.

00:07:17 Kind of early for you two, ain't it?

00:07:19 Too hot to work.

00:07:20 That's what I like to hear.

00:07:21 [music]

00:07:40 Frank, you'll take me with you, won't you?

00:07:44 You will, won't you?

00:07:49 Or am I crowding you?

00:07:51 What do you mean, crowding me?

00:07:54 Maybe you do need this week away alone.

00:07:58 Maybe we both do.

00:08:00 I know what's going on inside of you, Frank.

00:08:03 You're just like any other man, only a little more so.

00:08:06 You have a feeling of being trapped, hemmed in, and you don't know whether or not you like it.

00:08:10 Look, Paula, I'm going to be honest with you.

00:08:13 I care too much for you not to be honest with you.

00:08:15 I'm as much concerned for your happiness as I am for my own.

00:08:18 I know you've had one bad experience, Frank. I know all about it.

00:08:21 But you don't know what it can do to two people, Paula.

00:08:23 And the woman always gets hurt more than the man.

00:08:26 I don't want you to get hurt, darling.

00:08:29 More than anything in the world, I don't want you to get hurt.

00:08:33 Want to hear some music?

00:08:39 All right, Frank.

00:08:41 Got a couple of nickels, Eddie?

00:08:45 Yeah.

00:08:47 This won't bother you, will it?

00:08:48 No, next result doesn't come in for half an hour.

00:08:51 I thought that by now we'd be married.

00:09:04 No, I'm not going to crowd you anymore, Frank.

00:09:08 Go to San Francisco. I don't like it.

00:09:11 But I'm convinced that you must go.

00:09:14 I want you to be very sure, Frank.

00:09:16 If it's right, and I believe it is,

00:09:19 we'll have something really wonderful together.

00:09:21 If it isn't, we should both know it as soon as possible.

00:09:26 So you see, even if I could stop you, I wouldn't do it now.

00:09:31 No.

00:09:32 Yes, sir.

00:10:00 My name is Bigelow. I have a reservation.

00:10:02 Yes, sir.

00:10:03 Here we are, sir.

00:10:08 My name is Bigelow. I have a reservation.

00:10:11 I have it, sir. It's a very nice room on the sixth floor, facing the bay.

00:10:14 Boy, this might help you enjoy your stay, Mr. Bigelow.

00:10:17 There's a little booklet on how to have fun in San Francisco.

00:10:20 Oh, thank you.

00:10:21 Very welcome, sir.

00:10:22 Thank you.

00:10:24 Say, is it always like this around here?

00:10:28 Well, this is market week, and it's the last day, too.

00:10:30 Boy!

00:10:31 Always around until you need them.

00:10:34 0517.

00:10:36 Thank you.

00:10:39 Here's a message for you, Mr. Bigelow.

00:10:41 A long-distance call came in about an hour ago from Banning, from a Paula Gibson.

00:10:44 Oh, thank you.

00:10:45 Very welcome. Show Mr. Bigelow to 618.

00:10:47 Right this way, sir.

00:10:48 Bye.

00:10:50 [music]

00:10:52 Right this way, Mr. Bigelow.

00:11:07 [music]

00:11:09 Is there anything else, Mr. Bigelow?

00:11:25 Oh, yes. You can get me a dry Manhattan and a pack of razor blades.

00:11:29 Yes, sir. Thank you.

00:11:30 Oh, and you can leave that door open.

00:11:35 Hello, operator.

00:11:37 I want to speak to Miss Paula Gibson in Banning, California.

00:11:40 That's right.

00:11:41 I'll wait.

00:11:42 [phone ringing]

00:11:43 Hello?

00:11:47 Hello, Paula.

00:11:48 Oh, hello, Frank. How was the trip?

00:11:50 Fine. Just fine.

00:11:52 Having a miserable time, I hope.

00:11:54 Well, I don't know. I just got in.

00:11:56 What was that?

00:12:00 Market week. The place is crawling with traveling salesmen.

00:12:03 You know, Charlie Anderson found out that you went away, and he asked me to go out with him.

00:12:07 Oh, really? How did he make out?

00:12:09 I'm considering it.

00:12:11 Is that what you called to tell me?

00:12:13 I'll have you know that this call is strictly business, Mr. Bigelow.

00:12:16 Did a Mr. Phillips phone you? A Eugene Phillips of Los Angeles.

00:12:19 No.

00:12:20 He will. He phoned the office three times today.

00:12:22 Said that he wanted to get in touch with you immediately.

00:12:24 He said it's most urgent and imperative that he reach you at once.

00:12:27 What did he want?

00:12:28 I don't know.

00:12:29 But he sounded deep, dark, and mysterious, and quite agitated about something.

00:12:33 Phillips, Phillips. Have we ever done any business with him?

00:12:36 Not unless you've been keeping it a secret from me.

00:12:38 I looked through all the accounts.

00:12:40 Why did you tell him you could reach me here? You know I'm supposed to be on vacation.

00:12:47 So you told me.

00:12:48 And so I told him, dear heart.

00:12:50 But the gentleman didn't seem to respect your temperamental moods the way I do.

00:12:54 He was very insistent that he speak to you before it's too late, as he put it.

00:12:58 Well, tell him you tried to get in touch with me, and I've changed my plans, and he can't reach me.

00:13:02 He won't talk to me.

00:13:04 I told him that I was your confidential secretary, but I guess I didn't sound confidential enough.

00:13:08 So I told him that he could reach you there this evening.

00:13:11 Well, call him back. If it's as important as he says it is, he'll talk to you.

00:13:14 Otherwise, he'll just have to wait until I get home.

00:13:16 My, aren't we adamant this evening.

00:13:19 All right. Shall do.

00:13:21 And Frank.

00:13:25 Yeah?

00:13:26 I... I don't quite know how to say this.

00:13:30 Say what?

00:13:32 Well, what I want to say is that there's nothing you can do that you ever have to feel guilty about.

00:13:38 Oh.

00:13:41 Sure.

00:13:43 Thanks, Paula. I'll, uh... I'll call you tomorrow.

00:13:49 Right.

00:13:52 (phone rings)

00:13:54 Paula, just put it there for me.

00:14:21 You can keep the change.

00:14:23 Thanks very much.

00:14:24 Say, um, how long has this been going on?

00:14:26 Oh, it's been a madhouse all week, but they check out tomorrow.

00:14:29 Oh?

00:14:30 I thought you were with them.

00:14:31 No, no, I'm just here on a vacation.

00:14:33 Why does everybody come to San Francisco and tear loose?

00:14:36 Excuse me.

00:14:39 Say, uh, I'm awfully sorry to bother you, but, uh, would you mind if I used your telephone?

00:14:44 No, no, go right ahead.

00:14:45 I'm just across the hall here. One of the boys is using my phone, and, uh, he's been on it for a half hour.

00:14:49 (laughs)

00:14:50 I just want to call downstairs.

00:14:51 Yeah.

00:14:52 Thank you.

00:14:53 Room service, please.

00:14:55 Hey, uh, things really picked up the last few days, didn't they?

00:14:59 You're right up much business?

00:15:00 Well, I'm not here on business.

00:15:01 Oh. Uh, hello, room service? It's Mr. Haskell in 617.

00:15:04 Yes, that's right.

00:15:05 Would you send up, uh, three more bottles of bourbon and two scotch?

00:15:08 (laughs)

00:15:09 Oh, and, uh, some more ice, too.

00:15:12 Yeah. Oh, okay, thank you.

00:15:13 You here all alone?

00:15:15 Yes, I just got in town.

00:15:16 Well, why don't you join us for a drink?

00:15:18 Well, I don't want to barge in on your party.

00:15:20 Oh, nonsense! It's not a party.

00:15:22 Just a few of the boys entertaining some buyers. You know, the usual thing.

00:15:25 A few drinks and some laughs. (laughs)

00:15:27 It's no party. Come on.

00:15:29 Well...

00:15:30 Come on, come on, come on.

00:15:31 (laughs)

00:15:32 I know what it's like to be all alone in a strange city. (laughs)

00:15:34 I'm, uh, Sam Haskell.

00:15:35 I'm Frank.

00:15:36 Frank Bigelow.

00:15:37 You think some of these guys have never been away from home before?

00:15:40 Yeah. (laughs)

00:15:42 (crowd chatter)

00:15:44 Hey, hey, hey.

00:15:45 I'm trying to get out of the...

00:15:46 Hey, will you quiet down a second?

00:15:47 I want you to meet Frank Bigelow.

00:15:49 Hello.

00:15:50 This is Jane Carlyle.

00:15:51 Hello.

00:15:52 Bill Welch.

00:15:53 How are you?

00:15:54 Mr. Welch.

00:15:55 Glad to know you, Bigelow.

00:15:56 Jane's the prettiest buyer in San Francisco.

00:15:57 Oh, hey! I resent that.

00:15:58 You don't think I believe him, Elaine.

00:16:00 Well, he's spread that from coast to coast.

00:16:01 Oh, gee.

00:16:02 Oh, but it's good for my morale anyway.

00:16:03 I'm George Cantwell.

00:16:04 Glad to know you, Mr...

00:16:05 Bigelow.

00:16:06 Bigelow, yes.

00:16:07 Right on much business?

00:16:08 He's not here on business.

00:16:09 Oh?

00:16:10 Well...

00:16:11 Well, why don't you get the man a drink before he dies of thirst?

00:16:14 How about a little bourbon?

00:16:15 Well, that's fine.

00:16:16 Bourbon it is.

00:16:17 Of course, Mr. Wallace, Inspector.

00:16:21 Yes, Mr. Wallace.

00:16:22 But, Mr. Wallace, I'll need at least a week in Cleveland to visit all my accounts.

00:16:26 I can't figure on being in Philadelphia until the 17th.

00:16:29 Eddie, will you get off the phone?

00:16:30 I want you to meet Frank Bigelow.

00:16:31 Oh, I...

00:16:32 That's his boss.

00:16:33 He's been trying for an hour to get his expense account boosted.

00:16:35 Yeah, the way this guy holds on to a dollar, you'd think they weren't printing them anymore.

00:16:38 Yes, Mr. Wallace.

00:16:39 I'm leaving here the first thing in the morning.

00:16:41 Yes, sir.

00:16:44 Oh, keep your hips loose, Harry, like this.

00:16:46 Oh, yeah.

00:16:49 How's he doing?

00:16:51 Oh, there's nothing wrong with Harry's rumba.

00:16:52 The two years ago, the Murrays wouldn't have killed him.

00:16:54 I know.

00:16:55 I was doing all right.

00:16:56 This is Sue and Harry Brandes.

00:16:58 Hello, good to meet you.

00:16:59 How are you?

00:17:00 Where'd you find her, Sam?

00:17:01 On a dance marathon?

00:17:02 She's perfect.

00:17:03 She's brilliant.

00:17:04 Now, I bet you could do the rumba.

00:17:06 Well, a little, but I'm kind of rusty.

00:17:08 Anything would be an improvement after Harry.

00:17:10 Well, how do you like that?

00:17:11 Well, here goes.

00:17:13 Hey, you're good.

00:17:15 Oh, my wife, she's a good dancer, isn't she, Big Love?

00:17:20 Oh, yeah.

00:17:21 Hey, fellas, I thought you were going to show us a good time tonight.

00:17:26 Is this doing the town?

00:17:27 That's right.

00:17:28 We practically bankrupt our stores to buy everything you've got.

00:17:31 Then you keep us in this hotel room.

00:17:33 I agree.

00:17:34 This is my last night to howl before I go back to being a dutiful housewife.

00:17:38 Well, it looks like we're stuck, boys.

00:17:41 This is where we blow all our commissions in one night.

00:17:43 Oh, yeah.

00:17:44 And you're coming with us, Big Love.

00:17:46 Oh, no, thanks.

00:17:47 You run along.

00:17:48 I've got to get unpacked and have dinner.

00:17:49 Oh, no, you're not going to get away from me.

00:17:51 Now that I've found a man who can dance, I'm going to hang on to him.

00:17:56 [music playing]

00:18:00 [music playing]

00:18:03 [music playing]

00:18:06 [music playing]

00:18:09 [music playing]

00:18:12 [music playing]

00:18:15 [music]

00:18:43 [inaudible]

00:18:45 [music]

00:18:50 Oh, cool, really cool.

00:18:52 [music]

00:19:15 Blow it. Blow up a storm, fisherman.

00:19:18 [music]

00:19:35 Stay by the fisherman. That's it. Go on, go on, go on. Get it, get it, fisherman.

00:19:38 [music]

00:19:52 [inaudible]

00:19:54 [music]

00:20:08 [inaudible]

00:20:13 Here, have a little bit of my drink, Frank.

00:20:15 Oh, thank you.

00:20:17 Excuse me a moment.

00:20:19 Where are you going, Frank?

00:20:20 Excuse me. I think you've had enough.

00:20:23 [music]

00:20:29 [applause]

00:20:34 What'll it be?

00:20:35 Bourbon and water, no ice.

00:20:37 Nice quiet place you got here.

00:20:38 Well, we hit the pitch in about an hour. That's when they really go out of their minds.

00:20:42 Who's the blonde?

00:20:46 Oh, she's one of the chicks that hangs around here. She's jive crazy.

00:20:49 Come again?

00:20:50 Oh, you ain't hip, pal. Jive crazy means that she goes for this stuff.

00:20:53 Just between you and me, I don't get it either, but I gotta listen to it.

00:20:56 They're all connoisseurs, music lovers.

00:20:58 Me, I like Guy Lombardo.

00:21:01 What's the matter with him?

00:21:02 Oh, he's flipped. The music's driving him crazy.

00:21:05 Come down, Jack.

00:21:07 Oh, don't buy me, man. I'm being enlightened.

00:21:10 Is the blonde alone?

00:21:11 Oh, sure. Society. She always comes in alone.

00:21:14 Drives a big convertible, wears a mink coat, but knows everybody.

00:21:17 But she always comes in alone.

00:21:21 Thank you.

00:21:22 I wanted to kiss you. I tried to...

00:21:26 Give me another blast, Leo.

00:21:28 What's your story, Jeanie?

00:21:30 Easy.

00:21:35 Hello.

00:21:36 Easy. Dig the fishermen.

00:21:38 That's really silk, isn't it?

00:21:40 Can I buy you a drink?

00:21:41 Sure, thanks.

00:21:42 Give me a blast, Leo.

00:21:44 I left my blast at the other end of the bar.

00:21:57 My name is Jeanie. What's yours?

00:21:59 Frank.

00:22:01 I've never seen you here before, Frank.

00:22:03 Well, I've never been here.

00:22:10 This isn't mine. Mine was bourbon.

00:22:12 Well, sure it is. You saw me pour it.

00:22:17 Give me a fresh drink.

00:22:18 Anything you say.

00:22:19 Oh, listen to that piano.

00:22:21 Feel those vibrations.

00:22:26 You don't get your kicks out of this, do you?

00:22:27 I can live without it.

00:22:30 Why do you stay here?

00:22:31 I don't know.

00:22:33 I bet I know. You're lonely in a big city.

00:22:35 Well, you don't have to go into a routine with me.

00:22:39 I've got that good company, too.

00:22:49 Say, there's some people there I want to avoid.

00:22:52 Couldn't we get out of here?

00:22:54 Let me think about it.

00:22:56 Oh, come on. How about going somewhere else?

00:22:59 Why don't you meet me later?

00:23:04 Okay. Where?

00:23:14 Call me at that number later. It's my next stop.

00:23:18 They've got a band there that'll really set you.

00:23:20 See you, Jeanie.

00:23:22 Easy.

00:23:49 Never mind, Alfred.

00:24:18 I'll be back.

00:24:19 [music]

00:24:29 [music]

00:24:49 [music]

00:25:14 Room service, please.

00:25:20 Come in.

00:25:26 Be right with you, waiter.

00:25:27 Yes, sir.

00:25:31 Rest well, sir?

00:25:32 Yeah, sure.

00:25:33 May I?

00:25:34 Go ahead.

00:25:38 It's on there for you.

00:25:39 Thank you, sir.

00:25:40 Would you like anything else?

00:25:41 No, thank you. That's all.

00:25:47 Waiter.

00:25:48 Yes, sir?

00:25:52 Take this away.

00:25:55 Is there anything wrong, sir?

00:25:56 No, no. Just take it away.

00:25:58 I don't even want to look at it.

00:26:03 Are you all right, sir?

00:26:04 Yeah, sure.

00:26:07 All right. I just had too big a night, I guess. That's all.

00:26:10 I need some fresh air.

00:26:12 Of course. Thank you, sir.

00:26:15 [music]

00:26:28 [bell ringing]

00:26:33 [music]

00:27:02 [music]

00:27:16 Lungs in good condition. Blood pressure normal. Heart fine.

00:27:20 Well, it's a good thing everybody isn't like you, Mr. Bigelow.

00:27:23 Put a stop to this sort of business.

00:27:24 I'm glad to hear it, doctor. I was a little worried.

00:27:26 Don't let a little bellyache worry you. Could be just a change of climate.

00:27:30 It isn't exactly an ache, doctor. It's kind of hard to describe the feeling.

00:27:34 Maybe it was the drinks I had last night. I might have mixed them too much, huh?

00:27:37 Let's have another look at that throat.

00:27:42 You may finish dressing now, Mr. Bigelow.

00:27:44 I want to get the results of those tests we took.

00:27:46 Thank you, doctor.

00:28:09 Mr. Bigelow, this is Dr. Schaefer.

00:28:11 Hello, doctor. How are you?

00:28:12 Sit down, Mr. Bigelow.

00:28:15 According to the information you gave Miss Wilson, you're not married, Mr. Bigelow.

00:28:18 That's right.

00:28:19 Do you have any relatives, family, anyone in San Francisco?

00:28:22 No, no one. I don't know a soul in San Francisco.

00:28:25 Where is your home?

00:28:27 What is this, doctor? Why all the questions?

00:28:29 You're a very sick man, Mr. Bigelow.

00:28:30 Sick? But you told me I was in good shape.

00:28:33 Yes, I know. But my preliminary examination didn't reveal your true condition.

00:28:37 You sound as if it's pretty serious, doctor.

00:28:39 It's extremely serious.

00:28:40 I want you to understand that we wouldn't tell you something like this unless we were absolutely certain.

00:28:44 Of course, of course.

00:28:45 You must steel yourself for a shock, Mr. Bigelow.

00:28:48 Well, go on, doctor. What is it you're trying to tell me?

00:28:50 Our tests reveal the presence in your body of a luminous toxic matter.

00:28:54 What is that exactly?

00:28:55 A poison that attacks the vital organs.

00:28:57 Poison?

00:28:58 We have no alternative but to tell you this.

00:29:00 Your system has already absorbed sufficient toxin to prove fatal.

00:29:03 I wish there was something that we could do.

00:29:06 What do you mean, wish? You mean there's nothing?

00:29:08 There is nothing anyone can do.

00:29:10 This is one of the few poisons of its type for which there is no antidote.

00:29:14 Well, this is fantastic. This is the most ridiculous thing...

00:29:17 Mr. Bigelow, you don't have very long.

00:29:20 What do you mean?

00:29:22 A day, possibly a week. Two weeks at the outside. It's hard to say exactly.

00:29:27 Well, this is impossible. I don't believe it.

00:29:29 You've made a mistake. That's it. It could be a mistake, couldn't it?

00:29:32 You... you have made a mistake. Have it to answer me.

00:29:34 Dr. Schaefer is an authority on toxicology.

00:29:36 It's been no mistake, Mr. Bigelow.

00:29:38 Do you realize what you're saying?

00:29:40 Why, you're telling me that I'm dead.

00:29:42 Do you think you can explain my life away in just a few words?

00:29:45 Why, I don't even know who you are. Why should I believe you?

00:29:48 You must calm yourself, Mr. Bigelow.

00:29:50 We want to offer you every assistance that we...

00:29:52 Assistance? Who wants your assistance? Who wants anything from you?

00:29:54 You're nothing but a couple of phonies. Why, I think you're crazy.

00:29:57 That's it. You're crazy. The both of you, you're crazy.

00:30:01 Where's the doctor?

00:30:02 You just come in here. You have to go through the medic before you come in here.

00:30:05 Get out of here.

00:30:06 Doctor, doctor, doctor.

00:30:08 What's the trouble here? What's the matter with you?

00:30:10 Doctor, I want you to examine me for luminous poisoning.

00:30:13 I'm not going to let you do that.

00:30:19 I'm going to have to get you a doctor.

00:30:21 I'm going to have to get you a doctor.

00:30:23 I'm going to have to get you a doctor.

00:30:25 I'm going to have to get you a doctor.

00:30:27 I'm going to have to get you a doctor.

00:30:29 Come right in here.

00:30:33 Yeah, you've got it all right.

00:30:42 Your system has already absorbed it.

00:30:45 Are you sure, doctor? Are you absolutely certain?

00:30:49 Couldn't there be some mistake?

00:30:55 There it is. The toxin is actually luminous in the dark.

00:30:59 Now there's no doubt about a big low.

00:31:01 I don't feel sick. My stomach is just a little bit upset.

00:31:06 Maybe it's not as bad as you think, doctor.

00:31:08 That's characteristic. With a heavy jolt, you go suddenly in a matter of hours.

00:31:12 But if the stuff is taken in a lesser degree, you last a while.

00:31:15 And then...

00:31:17 And then...

00:31:23 Give it to me straight, doctor!

00:31:25 Well, a number of things are involved.

00:31:27 The systemic condition of the individual, the amount consumed, exertion...

00:31:30 Yes. You won't feel too badly for a while.

00:31:33 Then it will happen suddenly.

00:31:35 A day, two days, a week at the most.

00:31:38 A day?

00:31:44 Two days?

00:31:46 There's nothing that can be done now.

00:31:48 If it had been caught in time, your stomach could have been washed out.

00:31:51 You've had it in you for some time now.

00:31:53 For at least 12 hours, haven't you, Big Low?

00:31:55 I don't know.

00:31:57 You don't know?

00:31:58 No.

00:31:59 Don't you know how you got it?

00:32:00 No.

00:32:01 This is no accident. Somebody knew how to handle that stuff.

00:32:03 That wax is tasteless, odorless.

00:32:05 And the amount of alcohol in your body, you must have got it from liquor.

00:32:08 I was drinking last night.

00:32:10 Arrange for your admission to the hospital immediately.

00:32:12 Of course, I'll have to notify the police.

00:32:15 This is a case for homicide.

00:32:17 Homicide?

00:32:19 I don't fully understand, Big Low.

00:32:22 You've been murdered.

00:32:24 Get me police headquarters, please.

00:32:32 Homicide Bureau.

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00:33:54 A day, two days, a week it costs.

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00:35:38 [knocking]

00:35:46 Open up.

00:35:50 Don't I tell you. Open it up or I'll break it down.

00:35:53 Where are those men? Where are those men who were here last night?

00:35:56 I don't know. There are no men here. Please go away.

00:35:58 Don't lie to me. Where are they?

00:36:00 Mister, this lady just checked in. Those men aren't here no longer.

00:36:03 They checked out of the hotel early this morning.

00:36:06 Checked out?

00:36:07 Please go away.

00:36:08 [phone ringing]

00:36:09 I'm sorry. I'm terribly sorry.

00:36:12 [phone ringing]

00:36:16 Hello?

00:36:18 Please, Mr. Bigelow, my eardrums.

00:36:21 Oh, hello, Paula.

00:36:23 Your enthusiasm overwhelms me.

00:36:25 Why haven't you phoned me or is there a quota on telephone calls up there?

00:36:29 I'm sorry. I've been busy.

00:36:33 I'll bet you have. Visiting the museums, no doubt.

00:36:36 What's happening up there that's exciting or different?

00:36:39 Nothing. Not a thing.

00:36:41 I'll bet you miss me. Bet you're too stubborn to admit it.

00:36:44 Sure. Sure.

00:36:45 You know, if you'd like me to come up, I can pack a toothbrush and leave right away.

00:36:48 No!

00:36:49 Well, you don't have to snap my head off. You could at least make a pretence of missing me.

00:36:54 I'm sorry, Paula. Of course I miss you.

00:36:58 Listen, Paula, I...

00:37:02 Paula, it's just that I don't feel like talking now. I'll call you later.

00:37:08 Don't strain yourself.

00:37:10 You phone me sometime when you feel more like talking.

00:37:14 Oh, by the way, I called that Mr. Phillips back.

00:37:17 Phillips?

00:37:18 Yes, you know, the man that tried to reach you.

00:37:20 Well, I'm afraid you'll never know why it was so important that he speak to you.

00:37:23 His office said he died yesterday.

00:37:25 Frank, are you there?

00:37:28 Did you hear me?

00:37:30 Died?

00:37:34 When?

00:37:37 Yesterday.

00:37:38 So you won't have to bother your little head about him anymore.

00:37:40 You can just go ahead and have fun.

00:37:42 Paula, what did he die from? Do you know?

00:37:46 I suppose he died from whatever people usually die from.

00:37:49 Well, didn't they tell you? Don't you know?

00:37:51 What are you getting so excited about? You said you didn't even know the man.

00:37:54 Listen, where's his office located?

00:37:56 What difference does it make? You can't talk to him now. I told you, the man's dead.

00:37:59 Paula, will you stop talking so much and tell me where his office is?

00:38:02 All right.

00:38:04 It's the Phillips Importing and Exporting Company.

00:38:10 Bradbury Building, Los Angeles.

00:38:12 Bradbury Building, Los Angeles.

00:38:15 That's right. Say, this is really a switch.

00:38:17 Listen, if you want to reach me, I'll be in Los Angeles.

00:38:19 Are you out of your mind?

00:38:20 I'm sorry, Paula. I've got to hurry.

00:38:22 Wait a minute. Where in Los Angeles?

00:38:24 The Allison. The Allison Hotel.

00:38:26 Goodbye, Paula.

00:38:27 The Allison Hotel.

00:38:28 Goodbye, Paula.

00:38:30 [Music]

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00:39:02 I'd like to see someone in charge here.

00:39:04 What is it in regard to you?

00:39:05 It's a personal matter. It's quite urgent.

00:39:07 Perhaps Mr. Halliday can help you.

00:39:08 Who's he?

00:39:09 He's our controller. Your name, please?

00:39:11 Bigelow.

00:39:12 Mr. Bigelow to see you.

00:39:14 Send him in.

00:39:15 Go right in, please. That door.

00:39:17 Mr. Bigelow?

00:39:25 How are you, Mr. Halliday?

00:39:26 What can I do for you?

00:39:29 Well, Mr. Phillips phoned my office several times yesterday.

00:39:32 I'd like to find out what it's all about.

00:39:34 You know Mr. Phillips died yesterday?

00:39:36 Yes, I know.

00:39:37 Well, I don't understand.

00:39:38 If he phoned you, didn't he tell you what it was about?

00:39:41 Well, he didn't speak to me.

00:39:43 I wasn't in my office at the time, and he wouldn't tell my secretary.

00:39:46 I'm afraid I can't be of much help, Mr. Bigelow.

00:39:49 I have no idea why Mr. Phillips tried to reach you.

00:39:51 I'm sorry you had to make the trip for nothing.

00:39:54 How do you know I made a trip?

00:39:56 I didn't say anything about Mr. Phillips.

00:39:58 I didn't say anything about making a trip.

00:39:59 I merely said he phoned my office.

00:40:00 My office could be here in Los Angeles.

00:40:02 Miss Foster.

00:40:05 Yes?

00:40:08 Didn't you mention something yesterday about Mr. Phillips speaking with Mr. Bigelow in San Francisco?

00:40:12 I said that he had phoned Mr. Bigelow's office in Banning,

00:40:14 but that Mr. Bigelow was staying at the St. Francis Hotel in San Francisco.

00:40:17 I'm sorry you misunderstood me.

00:40:19 Do you know why Mr. Phillips called?

00:40:20 No, I don't.

00:40:21 All right, thank you, Miss Foster.

00:40:22 You can understand that we've been somewhat upset around here.

00:40:26 Now, if you don't mind...

00:40:28 Did Mr. Phillips have a wife, family, anyone that could help me?

00:40:37 You can't intrude on people at a time like this just to satisfy some curiosity.

00:40:41 It isn't just curiosity.

00:40:42 Then I suggest you wait a week or so.

00:40:43 I can't wait.

00:40:44 Well, I'm sorry you'll have to.

00:40:45 Well, there's always a phone book.

00:40:47 You're a pretty aggressive fellow, Bigelow.

00:40:49 Are you quite sure that this is as important as you make it appear to be?

00:40:52 It's important.

00:40:53 Mrs. Phillips lives at the Sunset Arms Apartments.

00:40:56 Thank you.

00:40:57 I didn't tell you she's under a strain.

00:40:59 I suppose you're capable of using a little more tact with her than you demonstrated with me.

00:41:08 I think I can handle it.

00:41:09 By the way, what was the cause of Mr. Phillips' death?

00:41:11 Suicide.

00:41:13 He bit from the balcony of his apartment.

00:41:15 Pardon me.

00:41:16 Come in, Mr. Bigelow.

00:41:31 I'm Stanley Phillips, Eugene's brother.

00:41:38 Halliday phoned that you were coming.

00:41:41 This is my sister-in-law, Mrs. Phillips.

00:41:43 I'll try to make this as brief as possible, Mrs. Phillips.

00:41:46 I'm afraid I can't be of any help to you, Mr. Bigelow.

00:41:50 I haven't the slightest idea why my husband wanted to speak to you.

00:41:54 Well, I guess Halliday covered just about everything.

00:41:59 Did your husband ever mention anything about me, Mrs. Phillips?

00:42:03 Anything at all?

00:42:04 No.

00:42:05 I don't think he ever mentioned anything about me.

00:42:07 Did you ever mention anything about me, Mrs. Phillips?

00:42:10 No.

00:42:11 I can't recall Eugene ever having mentioned your name.

00:42:14 I hate to ask you this, Mrs. Phillips, but it's of vital importance to me.

00:42:27 Do you know why your husband committed suicide?

00:42:30 What?

00:42:36 You're not the most diplomatic person in the world, are you, Bigelow?

00:42:38 Were you a friend of my brother's?

00:42:41 I never met him.

00:42:42 My brother was in a jam, a pretty bad jam.

00:42:52 He was arrested two days ago.

00:42:54 He sold some iridium to a dealer by the name of Mayjack.

00:42:57 It's a very rare metal, very costly.

00:42:59 Anyway, the iridium turned out to be stolen.

00:43:02 He was released on bail yesterday, but he faced a pretty stiff prison term.

00:43:05 Men have committed suicide, the less.

00:43:07 Yes, I know. That's how the police feel about it.

00:43:09 What puzzles me, though, is this crooked deal.

00:43:11 Knowing Eugene, you wouldn't say he's the type of man to be mixed up in anything like that, now would you?

00:43:15 I told you I never met him.

00:43:17 That's right, so you did.

00:43:18 Now, what's this all got to do with you, Bigelow?

00:43:20 I don't know.

00:43:21 Let's come clean with each other, Bigelow.

00:43:23 Surely you must have some idea why my brother was so desperate to contact you.

00:43:26 I have no idea.

00:43:27 That's odd.

00:43:28 Then how could it be of such vital importance to you?

00:43:30 You seem to know the answer to everything else.

00:43:32 Maybe you know the answer to that one, too.

00:43:34 (Dramatic music)

00:43:45 There's a message here for you to call Operator 82 at Fanning.

00:43:48 Oh, thank you.

00:43:49 Show Mr. Bigelow to room 821.

00:43:51 Say, would you have the operator put this call through to my room right away?

00:43:53 I'll take it up there.

00:43:54 Hello, Operator.

00:43:57 (Phone rings)

00:44:00 Here you are. I'll call you if I need anything.

00:44:02 Thank you, sir.

00:44:03 Hello, Paula?

00:44:04 Well, Sinbad, I've just about given you up for lost.

00:44:08 Now, do you mind telling me just why you rushed down to Los Angeles?

00:44:12 I can't explain it to you just now, Paula.

00:44:15 I just can't explain it.

00:44:17 What's going on, Frank? You don't even sound like yourself.

00:44:20 Well, I'm...

00:44:22 I'm just a little tired, Paula. That's all.

00:44:25 But I miss you.

00:44:29 Oh, Frank.

00:44:32 I can't tell you how good it is to hear you say that.

00:44:34 And here I was worrying that I'd lost my charm.

00:44:37 When are you coming home, Frank?

00:44:39 Soon, Paula.

00:44:42 I'll be home soon.

00:44:44 I'll go right out and get myself a permanent so I'll be pretty when you see me.

00:44:48 Hey, guess what?

00:44:50 I found that Phillips name in your notarial ledger.

00:44:52 Notarial ledger?

00:44:56 Yes, of all places.

00:44:57 I remember now. I made the entry myself.

00:44:59 You had notarized a paper one morning before I came to work.

00:45:02 What kind of paper was it?

00:45:03 A bill of sale for a George Reynolds made out to Eugene Phillips of Los Angeles.

00:45:08 See, you see, I was right.

00:45:10 We hadn't done any business with Phillips, only indirectly.

00:45:12 What was the bill of sale for?

00:45:14 A shipment of iridium, whatever that is.

00:45:16 Iridium?

00:45:17 You mentioned at the time that this fellow Reynolds had made some kind of a deal in Palm Springs

00:45:21 and he stopped in your office early in the morning on his way north to have it notarized.

00:45:25 Wait a minute.

00:45:26 Wait a minute.

00:45:27 Wait a minute.

00:45:28 Wait a minute.

00:45:29 George Reynolds.

00:45:30 That was about six months ago, wasn't it?

00:45:31 That's right.

00:45:33 Six months ago.

00:45:34 Thanks.

00:45:35 Goodbye.

00:45:36 Goodbye.

00:45:38 Hello, operator.

00:45:40 Get that number back for me.

00:45:42 I'm going to get it.

00:45:43 I've got to talk to you, Mrs. Phillips.

00:46:06 Please, go away.

00:46:08 I want to be left alone.

00:46:10 But I found out why your husband wanted to see me.

00:46:12 It was in connection with the bill of sale.

00:46:13 Come in.

00:46:15 Thank you.

00:46:16 What do you know about a man named George Reynolds?

00:46:20 George Reynolds?

00:46:21 Yes.

00:46:22 Why, that's the man my husband claimed sold him the iridium.

00:46:24 And what did Reynolds claim?

00:46:25 Reynolds disappeared.

00:46:27 Yes.

00:46:28 About two months ago, my husband grew suspicious that something was wrong.

00:46:31 Since then, he tried in every way to locate Reynolds, but could find no trace of him.

00:46:36 But I don't get it.

00:46:37 Your husband could have proved he made a legitimate deal by showing the bill of sale he got from Reynolds.

00:46:41 Then there was a bill of sale?

00:46:42 Yes, yes, of course there was.

00:46:43 My husband swore there was, but at the time of his arrest, he couldn't find it.

00:46:47 It was mysteriously missing.

00:46:49 Well, then if your husband could have shown proof, it would have been George Reynolds who would have faced the prison term.

00:46:53 Eugene was convinced that Reynolds had stolen the bill of sale.

00:46:56 He was the only one who had reason to eliminate evidence of the transaction.

00:46:59 Thank you, Mrs. Phillips.

00:47:03 Thank you very much.

00:47:04 You've been very helpful.

00:47:06 Oh, if you'd only come sooner, Mr. Bigelow.

00:47:08 My husband might be alive today.

00:47:10 I know.

00:47:12 The only thing that puzzles me, Mrs. Phillips, is that you haven't asked how I knew there was a bill of sale.

00:47:25 Mr. Holliday isn't in. He should be back shortly.

00:47:27 I think you're the one who can help me, Miss Foster.

00:47:30 Mr. Phillips tried to reach someone else before he called me yesterday, didn't he?

00:47:33 Why don't you ask Mr. Holliday?

00:47:34 Obviously, Mr. Holliday wasn't here yesterday, or he wouldn't have had to learn from you that Phillips called me.

00:47:38 And you're the logical person to know who else, Phillips.

00:47:40 I'm sure you know who he is.

00:47:41 I'm sure you know who he is.

00:47:42 I'm sure you know who he is.

00:47:43 I'm sure you know who he is.

00:47:44 I'm sure you know who he is.

00:47:45 I'm sure you know who he is.

00:47:46 I'm sure you know who he is.

00:47:47 I'm sure you know who he is.

00:47:48 I'm sure you know who he is.

00:47:49 I'm sure you know who he is.

00:47:50 He wouldn't have had to learn from you that Phillips called me.

00:47:52 And you're the logical person to know who else Phillips called.

00:47:55 I don't believe that's any of your business, Mr. Bigelow.

00:47:57 I don't believe that's any of your business, Mr. Bigelow.

00:47:58 Don't think you're revealing anything confidential, Miss Foster.

00:47:59 I know that he tried to reach somebody else.

00:48:00 I know that he tried to reach somebody else.

00:48:01 Mrs. Phillips told me.

00:48:02 You're bluffing, Mr. Bigelow.

00:48:03 I don't know what you're after, but you're trying to trick me.

00:48:05 Mrs. Phillips didn't tell you a thing.

00:48:07 How do you know that?

00:48:08 Mrs. Phillips knows nothing about it.

00:48:10 She doesn't?

00:48:11 Well, why wouldn't she?

00:48:12 Wait a minute.

00:48:13 I was talking about George Reynolds.

00:48:15 Who did you think I meant?

00:48:16 Mrs. Phillips, who is it that Mrs. Phillips doesn't know about?

00:48:18 I told you before, that's none of your business.

00:48:19 All right, young lady, I'm going to give it to you straight.

00:48:21 Phillips was murdered.

00:48:22 Murdered?

00:48:23 I don't believe you.

00:48:24 He told me because he needed me to clear him.

00:48:25 Phillips was innocent.

00:48:26 Innocent men don't have to jump out of windows.

00:48:27 Murdered?

00:48:28 Just who are you trying to protect, Miss Foster?

00:48:29 Why are you so afraid to tell the truth?

00:48:31 I'm not protecting anybody.

00:48:32 I haven't any more to say.

00:48:33 All right, young lady, listen to me.

00:48:34 This thing is going to explode wide open.

00:48:36 If you've got nothing to hide, you better start talking.

00:48:38 Or maybe you are, Miss Foster.

00:48:39 No!

00:48:40 Well, then, come on.

00:48:41 Mr. Phillips called Marla Racoubian.

00:48:43 He went to see her yesterday morning.

00:48:45 Who's Marla Racoubian?

00:48:46 She's a model.

00:48:47 She and Mr. Phillips used to be quite friendly,

00:48:49 but he hadn't been seeing her for quite some time.

00:48:51 Come on.

00:48:52 The last couple of months, he'd been trying to locate her

00:48:53 and finally learn where she lived yesterday morning.

00:48:55 When he returned from scenery, he was terribly upset and excited.

00:48:58 That's when he had me put in the calls for you.

00:49:00 When he couldn't reach you, he went home.

00:49:02 The last time I saw him alive.

00:49:05 Give me Marla Racoubian's address.

00:49:07 I... I don't think Mr. Phillips realized I was aware of his friendship with Marla Racoubian.

00:49:13 Out of respect for him, I never intended to tell anybody.

00:49:16 I had no idea that she had anything to do with the trouble he was in.

00:49:20 I admire your discretion, Miss Foster.

00:49:24 You know, you must be pretty friendly with Stanley, Miss Foster.

00:49:27 He knew how desperately his brother tried to reach me yesterday

00:49:29 and he wasn't even here at the time.

00:49:31 And now you seem to know all about what happened in Mrs. Phillips' apartment.

00:49:35 (door slams)

00:49:36 (door buzzes)

00:49:39 - Miss Racoubian? - Yes?

00:49:44 What do you want? Get out of here or I'll call the police.

00:49:47 Go ahead, call them.

00:49:49 Go ahead, call them. Going on a trip, huh?

00:49:52 Yes, going away for the weekend.

00:49:54 Sailing for Buenos Aires tomorrow, some weekend.

00:49:56 I'll send you a postcard. Now get out of here.

00:49:58 Where are you going with George Reynolds?

00:50:00 I've never heard of him.

00:50:01 I suppose you've never heard of Eugene Phillips either.

00:50:03 Just who are you? What do you want?

00:50:05 Never mind who I am. Where's Reynolds?

00:50:07 I told you I don't know him. Now will you get out of here and leave me alone?

00:50:10 So you never heard of George Reynolds, huh?

00:50:18 And don't try to tell me that this isn't him because I've seen him.

00:50:20 If you think you can scare me, you're crazy.

00:50:22 Look, I know that Phillips came here yesterday.

00:50:24 And right after he left, he was pushed out of a six-story window.

00:50:26 Pushed? Phillips committed suicide.

00:50:28 Your playmate Reynolds murdered Phillips.

00:50:30 Then he went up to San Francisco to get me

00:50:32 because I knew about a certain bill of sale.

00:50:34 I don't know what you're talking about.

00:50:36 You're in this right up to your pretty little neck.

00:50:38 I'm not mixed up in anything.

00:50:40 Get your hands up. Drop that picture on the couch.

00:50:42 Turn around.

00:50:44 Don't get any ideas because I'm not afraid to use this.

00:50:48 Give me your wallet.

00:50:51 Frank Bigelow, Hotel Alex.

00:51:01 I know where's Reynolds.

00:51:03 I don't know. I don't know where he is.

00:51:05 Is that what you told Phillips yesterday?

00:51:07 I told him exactly what I'm telling you. I haven't heard from him in months.

00:51:09 Yeah? You're mighty careful of the picture of a man you haven't heard from in months.

00:51:11 What does the "Ray" stand for?

00:51:13 It was a pet name. Do you mind?

00:51:15 Oh, it sounds very cozy, Miss Racoobian.

00:51:17 You and Reynolds call each other pet names while you make a sucker out of Phillips.

00:51:20 Phillips made the deal because he wanted it.

00:51:22 Yeah? I'll bet you you weren't above using what it takes to help make him want it.

00:51:26 Who's paying for this trip?

00:51:28 I am.

00:51:30 Really? A first class trip to Buenos Aires on a model salary don't make me laugh.

00:51:35 Since you and Reynolds aren't seeing each other anymore, you don't mind if I keep this to you?

00:51:39 If I were a man, I'd punch your dirty face in.

00:51:43 You know, I really believe you would.

00:51:46 Oh, I almost forgot.

00:51:51 Your tickets.

00:51:53 Don't be surprised if I'm there to see you off.

00:51:56 [door opens]

00:51:58 [door closes]

00:52:00 Angelo.

00:52:19 Angelo!

00:52:21 Oh, Angelo.

00:52:25 Remember taking this picture with George Reynolds?

00:52:27 I take so many pictures, I can't remember them all.

00:52:29 This gentleman is a friend of his and would like his address.

00:52:31 We have no card on him.

00:52:33 I don't think we ought to do that.

00:52:34 He's willing to pay $20 for it.

00:52:36 That's the paper we used last year.

00:52:38 Of course you understand we usually don't give out the information about our clients.

00:52:41 I know, you're a couple of high class fellas.

00:52:43 Thank you.

00:52:44 Revealing anything confidential is against the ethics of our establishment.

00:52:47 That's right. Honesty is the best policy.

00:52:49 Of course.

00:52:50 But in your case, he doesn't must be a personal friend of Mr. Reynolds.

00:52:53 Thanks, I knew you'd come through.

00:52:55 Got it.

00:52:56 Here it is.

00:52:57 We don't have his address. He must have called for the picture.

00:52:59 But he could not be a very good friend of yours, Mr.

00:53:01 Of course his name is not George Reynolds.

00:53:03 It isn't?

00:53:05 Well, what is it?

00:53:06 It's a...

00:53:07 Huh?

00:53:09 Oh.

00:53:10 Here.

00:53:11 It's Raymond Racoobian.

00:53:13 Racoobian?

00:53:15 [dramatic music]

00:53:16 What's the news about that?

00:53:18 The picture's signed right, isn't it?

00:53:20 Yeah.

00:53:23 Yeah.

00:53:25 Thanks.

00:53:28 [gunshot]

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00:55:31 (SINGING) Your lips called me crazy.

00:55:33 Then I thought that maybe in love--

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