La Promesa - Cap 385
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TV ve DiziDöküm
00:00♪♪
00:31No.
00:33No!
00:36I want you to tell me why you're leaving so urgently and in secret.
00:39And I want you to tell me the truth this time, Maria Antonia.
00:41You're not going to like the truth, Cruz.
00:43I thought I could trust you.
00:45I just thought they had a right to know.
00:46I just had to decide, not you.
00:51Jano is getting mad at me.
00:55You have to be strong.
00:58I see her tired.
01:00Well, and paler and...
01:05And sadder.
01:07But the days here are horrible, Jano.
01:10Look, you have to think that time plays its part and that this won't be forever.
01:14I know, I know.
01:15And I'll endure whatever it takes.
01:18So that Gregorio forgets about me.
01:23And above all, so that my son is safe.
01:26That day will come soon.
01:28We haven't heard from that bastard for a long time.
01:30God hears you.
01:33The important thing now is that he recovers soon.
01:36Has your head hurt?
01:38A lot.
01:40But since you said it could be normal, I haven't worried about the truth.
01:44The pain will go away soon, you'll see.
01:47Yes.
01:48I guess when the body manages to eliminate the poison you gave me.
01:53You gave it to me.
01:56The man is very strong, very dangerous, so...
02:00I'm very sorry, Mrs. Pia.
02:01Jana, for God's sake.
02:03You told me the consequences and I always risk it, no more.
02:07Besides, I had to take it all, so that they would think...
02:11that it was real.
02:14And so much that they thought it.
02:17I should have seen the poor Vera's face.
02:19It was the first time I met her and she was terribly scared.
02:23Poor thing.
02:24I had never seen a dead person, imagine.
02:29You have been very brave, Mrs. Pia.
02:33She could have died for real.
02:35I was scared to death.
02:38But well, it's over.
02:39It's over and I'm fine.
02:42Locked up in life.
02:45But fine.
02:47Well, tell me, please.
02:48How is everything in the palace?
02:51And how is Dieguito?
02:52Do you know anything about him?
02:53Dieguito is stupid.
02:54Tell me.
02:55Yes, yes.
02:56And in the palace, well...
02:58Well, everyone is crying in his absence.
03:01In fact, we did a kind of vigil in the courtyard and...
03:05Don Romulo said some beautiful words about you.
03:08I just thought he would love to be there looking for a little hole and receive all that affection.
03:14Well, if one day this happens and we can return to the palace,
03:20I will thank you all and...
03:23And I will apologize for causing you this pain.
03:28Mrs. Pia will be back soon.
03:30And I'm sure that pain will go away as soon as you disappear.
03:35Stay here still, I'll organize all this.
03:37Fine.
03:44God.
03:50But you brought a lot of food, didn't you?
03:56Well, Mrs. Pia, it's just that...
03:59I don't know when I'll be able to come back.
04:01It's taking me a long time to leave the palace.
04:04I guess Mrs. Petra watches you all the time, right?
04:08Well, yes, like a hawk.
04:09And she doesn't even leave me alone in the shade.
04:12If I'm here, it's thanks to Don Romulo who is covering my back.
04:15Without him, this would have been impossible.
04:18He said so.
04:22Hanna, next time you come, can you bring me blankets, please?
04:26Because in this cave, suddenly it's terribly cold.
04:30Of course, forgive me, I didn't know.
04:32Next time I'll bring them.
04:33Thank you.
04:37But are you leaving now?
04:39Well...
04:44Look, I'm supposed to be in Luján doing some messages for Don Romulo, so...
04:49I can't take long to come back.
04:55You have to be strong, my grandfather.
04:58All this will pass soon.
05:02Hanna, I would give you...
05:03I would give you messages for each and every one of them.
05:06But...
05:08I'm convinced that they will return soon.
05:11And that you will be able to give them to them.
05:13And that this will only be a bad dream.
05:15That's the attitude.
05:18Hanna, I want to ask you one thing.
05:20Take good care of yourself, please.
05:22You and everyone.
05:24Gregorio doesn't want you alive.
05:26It doesn't mean that he has disappeared forever, okay?
05:34I promise we will take care of each other.
05:35Good.
05:38But you just take care of yourself.
05:48Thank you.
05:50Thank you, thank you.
05:55Look, it's done, it's done.
05:57It's done.
06:09I'll be fine.
06:11Take care of yourself.
06:38I love you.
07:08I love you.
07:38I love you.
07:39I love you.
07:40I love you.
07:41I love you.
07:42I love you.
07:43I love you.
07:44I love you.
07:45I love you.
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08:00I love you.
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09:00I love you.
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09:06I love you.
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09:09I love you.
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10:00I love you.
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10:18I love you.
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10:27I love you.
10:28I love you.
10:29I love you.
10:30I love you.
10:31I love you.
10:32What are you doing here awake?
10:36Everybody rest.
10:40We were talking about you.
10:44I hope you're well.
10:46Not exactly.
10:47Leave us alone, please.
10:49Good night. I hope you rest.
10:51Good night.
10:52Good night.
10:59Why are you looking at me like that?
11:00Are you afraid of me now?
11:02No, Cruz.
11:04But I don't think it's time to discuss anything.
11:07Let's go to bed.
11:08You'll see everything tomorrow.
11:09Either way, whatever it is.
11:10May I know why you told my friend to leave La Promesa?
11:13Calm down, Cruz.
11:14I found her leaving the palace to Urtadillas.
11:17And she told me it was you who kicked her out.
11:20Not exactly.
11:23I told her she saw you better and that her presence here wasn't so necessary.
11:27But she's my guest.
11:28And it's up to me to decide when I want her to leave.
11:31She came to make you more aware of Manuel's absence, and now...
11:34Exactly.
11:35Exactly.
11:36And Manuel is still out, isn't he?
11:39But he can't be here without Edie.
11:41He'll have his commitments.
11:42You're wrong.
11:43She just confirmed to me that she has nothing better to do than being here with me.
11:47And that honors her as a friend.
11:49But at some point, we'll have to get back to normal.
11:52But what normal are you talking about, Alonso?
11:54How can there be something normal when we have Manuel fighting for his life?
11:59Besides, what do you think?
12:00Isn't it good for her to be here?
12:02I remind you that she's a widow.
12:03And that she's very lonely.
12:04So my company is also good for her.
12:08Look, I don't know what your interests are.
12:10But I just ask you not to play with me.
12:13You've tried to kick my best friend out of La Promesa.
12:16And worst of all, behind my back.
12:18What do you think? That I wasn't going to find out?
12:20It's fine. It's fine.
12:22I'll talk to her to solve this misunderstanding.
12:25You'd better.
12:26But calm down.
12:28This is a mistake without greater importance.
12:31I'd better shut up.
12:32But I'm too angry and only bad things would come out of my mouth.
12:46Come in.
12:47Thank you.
12:49I insist, this guy is made of lead.
12:53Wait, I'll help you.
12:54Yes, please.
12:55Come on.
12:57One, two and three.
13:01Bring a pillow, please.
13:02I'm going.
13:19Oh.
13:21Thank you very much, Vera.
13:23Without your help, I wouldn't have been able to bring him here.
13:25But Salvador, he's totally unconscious.
13:28What happened to him?
13:29I don't know. I don't know.
13:30I found him lying on the floor next to Don Rómulo.
13:32And Don Rómulo didn't tell you anything?
13:35The only thing he told me is that he wasn't hit by a bullet,
13:37that it was a backstab.
13:38He's just like that because of a backstab.
13:40I know. Look, I've been left just like you.
13:43And the weird thing is that there was a broken glass bottle,
13:46right next to Lope.
13:48Are you trying to tell me that he was hit by a bottle?
13:50I'm telling you that I don't know.
13:52That Don Rómulo was in a hurry and he didn't give me any explanations.
13:56And what is that urgent thing that Mr. Baeza had to do?
13:59Vera, I don't know.
14:01You're asking the wrong person.
14:03I see.
14:04Well, I'm going to incorporate him a little.
14:07Let's see.
14:11My God, Salvador.
14:12Salvador, he's bleeding!
14:14What?
14:16I'm going to get some air to heal him.
14:18Run, run.
14:20I'll stay here.
14:46I hope you can forgive me, brother.
14:50But it was more in my thirst for revenge.
14:55Now...
14:59I'm much calmer knowing that whoever shot you was just as lucky as you.
15:08I'll always carry you in my heart.
15:12And I swear I'll never forget you.
15:15Never.
15:31Forever.
15:42We can go on.
15:45Let's finish the mission they entrusted us with.
16:16I can't comfort a friend.
16:22You are responsible for my brother being inert on the grass.
16:27Me?
16:28Yes, you.
16:29Don't be surprised.
16:31I had nothing to do with it.
16:32You and your imprudence.
16:35Look, Curro, I like you very much.
16:37But you have taken all this as a game and this is the result.
16:42José Juan, I'm sorry.
16:44José Juan, I understand your pain, but...
16:48I don't think you're being fair.
16:50Manuel, please, don't meddle.
16:52You know perfectly well that I'm right.
16:54No, you're not right.
16:56Because it had nothing to do with Paco's death.
17:00Curro, you're just a child growing up.
17:02And all this is too much for you.
17:05I was the one who held your brother until his last breath.
17:09I was the one who hugged him with all his strength.
17:12And I was the one who gave him warmth when he felt that God was taking him away.
17:16And it's me.
17:17Who knows, word for word, the last thing he said.
17:19What?
17:21Come on.
17:22Hit me.
17:23Or kill me.
17:25Do whatever you want.
17:27Nothing will bring your brother back to you.
17:30You're his shit.
17:31Enough.
17:33Enough.
17:38Enough pain. We're living now.
17:42We're not going to generate any more.
17:45I loved your brother.
17:47He was my friend.
17:48Well, you had to be more aware of where we were and act accordingly.
17:51But it was you who made me come here.
17:55If I hadn't done it, it would have been enough for you.
17:59No.
18:01None of that.
18:03That's what happened.
18:04And I'm right.
18:06You're the one who had to be dead on the grass and not my brother.
18:08That's what you were looking for here.
18:13It's over.
18:17It's over.
18:20We have a mission to fulfill, don't we?
18:24We have to help our allies, don't we?
18:30Yes.
18:32We owe it to Paco.
18:35We owe Paco a life.
18:37Not a Wolframio mine.
18:40Don't forget that.
18:42Yes.
19:09Hanna.
19:10Where have you been? I've been looking for you since last night.
19:13Well, it's just that...
19:16I went out last night because there was a full moon and I wanted to see the starry sky.
19:21Why were you looking for me?
19:22It's for you to go up to see Lope. He's gotten worse.
19:25What do you mean he's gotten worse? I thought he was better.
19:27He was better until he tried to leave the palace last night.
19:31But what do you mean he tried? Did he go out or not?
19:33He didn't go out. A setback stopped him.
19:36He fell off a cliff and lost consciousness.
19:39Are you telling me that he lost consciousness because of a setback?
19:42You realize that all this is a bit strange, don't you?
19:44I know, Hanna. Every time I have to explain it, it seems more absurd to me.
19:47But that's what Mr. Baeza told me.
19:49Mr. Baeza was with him?
19:51Mr. Baeza was next to Lope.
19:53He was lying on the floor and he told me to take him to the bedroom.
19:56And then he left in a hurry.
19:57And he didn't help you take him?
20:01Salvador, everything you tell me is even stranger.
20:04Well, if I tell you that there was a broken glass bottle next to Lope
20:07and that he himself had a wound on his head as if someone had hit him with it ...
20:10What are you saying? I don't understand anything.
20:14What I suspect is that Mr. Rómulo surprised Lope
20:17leaving the palace, from Rondón,
20:19and that he hit him with the first thing he had at hand, a bottle.
20:23That doesn't make any sense to me.
20:25Besides, Mr. Rómulo is more about using arguments than strength.
20:28Well, I would think what better argument than to hit him in the head with a bottle
20:31to avoid a bigger evil.
20:33Come on, whether this hypothesis is true or not,
20:37the fact is that Lope is convalescent.
20:38And now he has a gap in his head.
20:40I see.
20:42Go up to see him when you have a minute, please.
20:46Well, the truth is that I don't have time, but ...
20:49I'm going up now.
20:51Thank you, Hanna.
21:08Manuel.
21:10Do you think it's true?
21:13Do you think I'm to blame for Paco's death?
21:18No.
21:21Absolutely guilty.
21:25Irresponsible?
21:29Neither, cousin.
21:31The fault is this damn war.
21:34The fault is this damn war.
21:39But coming here has consequences.
21:43And I don't know if you thought about them when you did it.
21:48Now that Paco is gone, I know I didn't.
21:54Well, you are guilty of that.
21:57You're right.
21:58You were right.
22:01Holding Paco between my arms, I understood many of the things you were telling me.
22:05And you were right.
22:06In almost all of them.
22:09I feel guilty.
22:10That's no use anymore.
22:17Lesson learned?
22:21Lesson learned.
22:25Well, now the important thing is to get out of here alive.
22:28Yes.
22:29And go home with our people.
22:31Yes.
22:36Although Paco won't be able to do it anymore.
22:41He won't be able to see his parents.
22:44Nor marry Mati.
22:48And my soul breaks, Manuel.
22:58I love you.
23:02I love you.
23:09Run.
23:13Sometimes life has to shake you hard.
23:17Very hard.
23:20So that you realize that no matter how bad you've been, it's always worth moving on.
23:25Because there will always be people who will be by your side.
23:30But Paco deserved to live.
23:35We all deserve to live.
23:38Even those who fight against us.
23:41No matter how wrong they are, they also deserve to live.
23:48José Juan will be able to forgive me.
23:50José Juan will be able to forgive me.
23:57When time passes
24:00and you manage to overcome your brother's death, I'm sure
24:04he'll realize that you were there when he needed it the most.
24:11I hope so.
24:14I'm very proud of you.
24:20Why?
24:23Because helping someone die
24:26and being with him in those last moments is...
24:32It's from very generous and brave people.
24:35And not everyone has the guts to do it.
24:39His own brother couldn't.
24:45I'll never forget it.
24:46Never.
24:49Manuel...
24:51I saw him turn off in my arms.
24:54And...
24:56I felt a sense of helplessness because I couldn't do anything.
24:59I couldn't.
25:04Paco was very lucky to meet you.
25:10And Joel...
25:12I'm sure he would have done the same.
25:17And I...
25:27But I can't stop thinking
25:30that if I hadn't seen that ray,
25:33if I hadn't played him...
25:35You would have learned.
25:36I don't know, Díaz.
25:38That German had been following Díaz in the dark for days.
25:45And possibly now there are others doing it.
25:50So it would have happened anyway.
25:54Maybe not him, but...
25:59Listen to me.
26:00It will happen.
26:02It will take a while.
26:05But it will go away.
26:08The blame will go to Curro because you don't have it.
26:13Nobody has it.
26:30THE ACTRESS
26:54I'm back, Candelilla. How's the cooking going?
26:56I don't know what to say, daughter, because you've left.
26:58I wandered here, alone, with all the firecrackers.
27:01Here, by the fire, and when one had burned, the other went to boil.
27:05And from there, a sip of white wine came out.
27:08So, the truth is, I don't know if I was right.
27:11I'm sure you were, Candela.
27:15Oh, Virtu, I wasn't expecting you there.
27:18Well, you see, I was chatting with my mother.
27:21Did you say chatting?
27:23And not quarreling?
27:25That's right, Candela.
27:26The quarrels and reproaches are over.
27:30Well, yes.
27:31It's very tiring to be at odds with the people you love the most.
27:34Well, you don't know how happy I am to see you both in such good harmony.
27:39Now, yes, you both look like mother and daughter.
27:43Really.
27:44And, in part, it's thanks to you, my friend.
27:48I want to apologize for how badly we've made you go through lately.
27:52And I ... You just wanted to help.
27:55And I did nothing but get in the way of our quarrels.
27:58And I didn't do anything to prevent all this from splashing you.
28:03You know that whoever is in the way, whoever gives him the slaps,
28:08that they go to one side and to the other.
28:11We didn't realize that we were not only hurting each other,
28:15but also the people who were worried that we were doing well.
28:19Specifically you.
28:20Norma.
28:22Because I don't like to see that the people I love are having a hard time.
28:26But I didn't think about that.
28:28I believed in the center of the world.
28:30The little navel.
28:32Rather.
28:33I'm sorry, Candela.
28:35But you will be serious, right?
28:37Look, I don't want the Greeks to go back to the first exchange.
28:41No, Candela, that's not going to happen.
28:43My virtues and I have talked long and hard,
28:46and we have decided to bury our differences in a very deep hole.
28:50And there they will continue forever.
28:52I have reflected and I have realized that I cannot continue to pay for my frustration with anyone.
28:57And much less with my mother.
29:03We have already had enough bad luck in life to continue on that path.
29:09Bad luck, nothing.
29:10It is a tremendous luck to have a daughter like you.
29:15Oh, what are you giving me?
29:17A little bit of envy.
29:20Join the family.
29:23What joy.
29:27Oh, and there is another thing that I have not told you, Candela.
29:30Thank you for your advice.
29:32Stop it, huh?
29:34I don't want to get excited.
29:36It is because of people like you that I have taken strength to recover my son Adolfito.
29:42Really?
29:43Yes.
29:44I was also very happy when he told me.
29:46Well, he already knows that you have me here for what you need, daughter.
29:50Among the three of us, we will get Adolfito to come back with me.
29:57I have been examining Lupe.
29:59And how is she?
30:00Fine, she is fine.
30:02In the end it was not a serious wound, but hey, she has a gap, even if it is small.
30:06Well, if you don't know the relief that Miss Expósito gives me to hear.
30:10Anyway, you shouldn't feel guilty for a trip.
30:15Oh, it wasn't a trip.
30:17What are you insinuating?
30:20Well, look, Mr. Baeza, I'm going to be clear.
30:22Salvador told me that there was a bottle next to Lupe and that he believes that you hit his head with a bottle.
30:28But I told him that this is impossible.
30:30Well, almost nothing in this life is impossible.
30:33He didn't tell me he left.
30:35Yes, and I'm not proud of it.
30:37But the bottle was the only thing I found on hand to prevent Mr. Ruiz from going back on his feet.
30:42Yeah, a minor evil, right?
30:43That's how I understood it.
30:45But a bottle to the head?
30:46I already told you that I am not proud of it, but I did not find another option.
30:51Well, let's go to the topic that suits us.
30:53He was with Mrs. Darre last night.
30:56Yes.
30:57And how is she?
30:59Well, I would like to tell you something else, but the truth is that her condition is worrying.
31:02Yeah, she must not be eating as she should.
31:05I'm not just talking about her appearance, which is obviously very deteriorated, but she also has a very low mood.
31:11Yeah, I'm sorry for all this she's telling me.
31:14What can we do to cheer her up?
31:17Well, I don't know, I guess she will continue to act as we are doing, visit her more,
31:21and show us encouragement with her so that everything is clearer.
31:25She has already said that Mr. Castillo has not given signs of life again.
31:28Yes, she has said it.
31:29Yeah, and that hasn't made her happy?
31:31Well, actually, she doesn't trust everything.
31:34And I don't blame her for it, no.
31:36The truth is that it is worrying that that bastard has not given signs of life, it is not reassuring.
31:41Rather, it resembles the calm that preceded the storm.
31:45Well, of course, we were much calmer when we knew where he was and when he was going to appear.
31:51I think the time has come for us to start spreading the rumor that Mrs. Pia died in her town.
31:56So, finally, Gregorio will leave her alone.
31:59I don't think it's too soon.
32:01Maybe it is, yes, but I think we have to move Ficha as soon as possible because Mrs. Pia ...
32:05I don't know if she's going to be able to take it anymore.
32:07Yeah, I understand.
32:08In fact, as we speak, I think I will spread ambiguous information so that no one knows exactly what happened,
32:14but that Gregorio is convinced that she has died.
32:17Let's see if Mrs. Darre leaves Mrs. Darre alone at once.
32:19That yes, first I have to talk to Mr. Marqués to see if he gives us a good look.
32:25Mrs. Arcus.
32:27Mr. Baeza, Mario and Germán are looking for you on the floor of the gentlemen.
32:32Do you know the reason?
32:33No.
32:34Go up and find out.
32:37Thank you, Mrs. Arcus, I'm going right now.
32:42This woman is like a ghost.
32:44She appears everywhere as if she came out of nowhere.
32:47She is a specter of the Averno, of course.
32:51Hey, Mr. Baeza, you didn't tell me why you were in such a hurry when the López incident happened.
32:57Salvador told me you were running away.
32:59Yes, the truth is that if I was in a hurry, I didn't have time to lose.
33:04Okay.
33:09Let's toast to all the good things that await us.
33:12With lemonade? Leave yourself a glass of wine.
33:15I'd rather not, Candela.
33:17Let's see, even if it's a mistela, it's soft.
33:20Candela has said no.
33:23I haven't said anything.
33:25The lemonade is great, come on.
33:28Let's toast to everything that has to come.
33:34I've already told you that you didn't have to give me an ashtray.
33:38I've seen it, I remembered you.
33:40Hello.
33:41Oh, how beautiful, the love.
33:44That's it, that's it, beautiful.
33:48And what is this contagious joy for?
33:51So that my mother and I have made peace.
33:56In the end, it was useful that we didn't get so tired and didn't fall asleep, right?
34:00Well, yes, you have put my head like a drum, but in the end it was worth it.
34:06Well, good is what comes to an end.
34:12And are you toasting with lemonade?
34:16Well, they won't have a couple of glasses for us, right?
34:19Of course, Salvador, let the lemonade run.
34:23And it's not just because these two are good that there is also another great news.
34:30One that has to do with a beautiful boy.
34:34Is there someone pregnant?
34:36Where are you going, kid?
34:38If we are already more grandmother than mother.
34:42That boy is already raised.
34:46I'm going to get my son back, Adelfito.
34:50Well, that does deserve a toast.
34:52And I give those who are thirsty.
34:53Of course, we have to celebrate it.
34:55For Mrs. Simona, for Virtudes, for Adolfito and for everything.
35:00And for me.
35:02For my little girl.
35:09What are you playing at?
35:12Why did the number come last night?
35:15It was not a pantomime.
35:17I just did what you asked me to do, to leave the promise.
35:20Or do you forget that you kicked me out?
35:22I didn't ask you to leave like that.
35:25You did that freely and out of bad faith.
35:28Bad faith? Really?
35:29Yes. You could have left without creating controversy and saying goodbye to your soul friend, but no.
35:34You did it on the sly and without giving any explanation.
35:38Well, if I did it like that, it's because it hurts me to have to leave.
35:41I feel like leaving and never seeing you again.
35:44Don't go there.
35:45It may be uncomfortable for you to hear it, but it is what it is.
35:49I'm in love with you, Alonso de Luján. How do I have to tell you to make you understand?
35:54Let's say this was a misunderstanding that we have to forget.
35:56Forget it? I can't forget you. You're always in my thoughts.
36:02Call it obsession. Call it obsession or call it love.
36:06I lean more towards the latter.
36:09But every day that passes is more intense, Alonso.
36:12As I get to know you, I get more attached to you.
36:16My husband, may he rest in peace, was a good man.
36:19But he was not like you.
36:21No. He was not so delicate and so honest.
36:26Nor so honest, nor so ...
36:28I'm flattered that you have me in such high regard.
36:31But ours is impossible.
36:33Even your rejection drives me crazy.
36:35But don't you see that this story ended before it started?
36:37Any other man would have given up.
36:40But not you. You are different, Alonso.
36:44Don't go on.
36:46I don't want to be abrupt with you.
36:47You can't be abrupt if you value it.
36:49But you won't be able to appease my love.
36:52On the contrary.
36:53Because all that respect and integrity that you feel for your wife,
36:56the only thing it does is make you grow up, Alonso.
36:58Stop talking nonsense, please.
37:00Well, yes. This love may seem nonsensical to you.
37:03But I swear it's the most real thing I've felt in a long time.
37:06It's stronger than me, Alonso.
37:09And I'm sorry, Cruz. I'm sorry.
37:12But I can't fight him.
37:16Please, Alonso. Please.
37:20Don't kick me out. Let me keep the promise.
37:25Okay.
37:27But I'll do it for Cruz.
37:29I don't want another fight with her.
37:32You'll stay until things calm down and the waters return to their course.
37:35Just until that moment.
37:36Thank you.
37:39Thank you.
37:41Thank you.
37:47Let's see what inspiration you bring me.
37:59Ma'am.
38:01What are you doing here?
38:03Well, I was looking for you all over the palace and I was desperate.
38:07But I was told you were up here, in your room.
38:11Why are you looking for me? Did you do something else?
38:15Yesterday, I heard your conversation with Hanna about ...
38:21about the cicuta.
38:26Well, I'm sorry if we said something inconvenient.
38:29I know there are times when we talk too much and no one should have found out
38:33that Mrs. Pia ended up so badly.
38:36Obviously, Pia's death had a great impact on me.
38:40But that's not it, Maria.
38:44Well, then I'm in the dark.
38:47Because I can't stop thinking about what you were talking about,
38:50about Martina and Conde de Ayala.
38:53Do you think my daughter is capable of being guilty of poisoning?
38:59It was a talk for talk.
39:01You know that the service is very shady sometimes.
39:04But I already asked you how Pia's life was taken.
39:09But I'm sure it was out of curiosity.
39:12A talk for talk, I've already told you.
39:14Well, Maria, let's check it out.
39:18Let's go.
39:22Ma'am, please don't tell anyone that I told the secret of Mrs. Pia's death.
39:27That Marquez told us explicitly not to say anything and to be very discreet.
39:33Where are we going?
39:35You'll see.
39:42Miss Catalina, it's me, Adriano.
39:45Open up, please.
39:46One moment.
40:02I hope I haven't interrupted you.
40:05Not at all.
40:07I'm glad to see that you've come and you don't hold a grudge against me.
40:11Grudge?
40:13Yes, I was afraid that I would have bothered you,
40:15that I would have disobeyed your advice to leave this refuge and return to the palace.
40:21Miss, I would never get angry with you for something like that.
40:23I already told you that I wasn't going to insist on that anymore.
40:26In fact, I would feel a little disappointed if you let yourself be manipulated so easily.
40:30The decision to return to the palace is yours.
40:32It's only up to you.
40:34I appreciate that you are so tolerant.
40:37It is not a characteristic that usually predominates in men.
40:40Well, every man is a world.
40:45And you are an unconventional one.
40:50If I have come this far, it has been to tell you that I have finally managed to pay off the debt of the loan that my father asked the bank.
40:57I'm glad.
40:58You have taken a great load off your shoulders.
41:00You already know how heavy the debts are.
41:02Especially here.
41:04So I've taken a good load off my shoulders.
41:06Congratulations.
41:08Now you can focus on what is truly important, which are your lands.
41:13I admit that after selling his necklace, I have some money left.
41:18Money that is free of dust and straw.
41:21I don't owe anything to anyone anymore.
41:24That's why I feel a sense of freedom that you can't imagine.
41:28I understand you perfectly.
41:30So I don't owe you anything either.
41:32That's why I give you the money that is left after selling your necklace.
41:39No, no. I don't want you to give me anything back.
41:41It's yours, miss.
41:44You better invest it in your farm.
41:49Really?
41:50Of course.
41:54I won't insist.
41:56I promise you that I will make good use of this money.
41:58I don't doubt it.
42:01I remember that when Tadeo told me about you, it was to ask for my help.
42:06To lend you a hand and get you out of the mess you were in.
42:10And I, like a fool, rejected his hand.
42:15Well, I didn't give it to you either.
42:17I have to be frank.
42:19Yes, but I prejudged her negatively.
42:21And that's why I apologize.
42:23And I prejudged you too.
42:26If we get something out of each other, it's that you can't judge without knowing each other.
42:30Not in that case.
42:31It's better not to judge at all.
42:35Who was going to tell us a few weeks ago that we were going to be like this,
42:38chatting so amicably?
42:41It was not foreseeable that her mood would change that way either.
42:47I have to tell you that her face has changed since I met her.
42:52I hope for the best.
42:53Much better.
42:56I didn't erase that smile.
43:02You know, I have the feeling that you know me much better than many of my closest family members.
43:08Is it because you have allowed me to meet you?
43:11Which I appreciate.
43:13I also feel happier.
43:16And I see the future with more optimism.
43:18Perhaps it is because I have received news from the front,
43:21and that my brother Manuel and my cousin Curro are safe and sound.
43:26Well, as safe and sound as you can be in a war, of course.
43:29Which is not little.
43:31I'm glad that we can finally see some light,
43:35between both Nubarron and you and me.
43:49Come on, Maria.
43:50Search. Search everywhere.
43:52Search the room from top to bottom.
43:55I'm already doing it, ma'am.
43:56But come on, I've already told you that I don't think we're going to find any jars with any wine.
44:00Well, I hope so.
44:02Well, deeper.
44:03That there is nothing left to look at.
44:06Ma'am, I don't know if it seems right to me to search the personal belongings of Miss Martina.
44:11Wouldn't it be better if we talked to her?
44:13No, I'm her mother and I'm telling you.
44:15I need to know if my daughter has done anything wrong.
44:17As you will understand, she is not going to come and tell me, just like that.
44:21Maria, please.
44:22Brighter.
44:23Brighter, because that way we won't find anything.
44:25Let me see.
44:28Let's see, what's that circuit like?
44:31I don't remember very well, because I've only seen it once,
44:34and because Hanna showed it to me, like this, sharp.
44:36No, but it will be easy.
44:37Easy to recognize, I say.
44:39To recognize it first, you have to find it.
44:42Maria,
44:43Maria,
44:44Maria, and what color is it?
44:46Will you know that, at least?
44:47I don't remember very well.
44:49But come on, it's not here.
44:51How is Miss Martina going to have a bottle of poison hidden?
44:55Ma'am, I regret everything I said about the supposed interest of Miss Martina in the circuit.
45:02Well, Maria, keep looking, please.
45:04A little more.
45:13There seems to be something here.
45:19Maria.
45:31Martina.
45:44Martina,
45:46I hope you can forgive me for not writing to you all this time.
45:52I know you must be angry with me,
45:56and you're right.
46:02As you can imagine,
46:04many things have happened here,
46:08and almost none good.
46:11Among the good ones is that
46:13I have realized that
46:15I have missed you,
46:18and I don't want to deceive you.
46:21It has been very difficult for me to assume it.
46:32Maybe I was wrong.
46:36I don't know.
46:37Maybe I was wrong.
46:41Maybe I never had to come to this stupid war.
46:48Or maybe I did.
46:51Because then I would never have seen so clearly
46:55that I have never stopped needing you.
47:08That I have never stopped loving you.
47:19I have never stopped needing you.
47:30Come on, Martina.
47:31Come on, Martina.
47:35I know you must be angry with me, but
47:38I don't want it.
47:41I don't want this to be like this.
47:44Through a letter.
48:01Between the medication and the beating,
48:03Lope has to be more over there than over here.
48:06He has had to take the bed by the neck.
48:08He will get better after the rest.
48:10Well, at least his wounds will heal.
48:13By the way, I have to congratulate you.
48:15It was very good to do the healing,
48:16as if you were an expert nurse.
48:18I would simply be your example.
48:20And I have done what I saw you do.
48:22It's not a matter of being attentive,
48:24but it has to be skillful and careful.
48:27And you have to be careful.
48:29Skillful and careful.
48:32In fact, if I can't attend the first healing,
48:34you could do it.
48:35You're going to do it perfectly.
48:36No, no.
48:37Don't give me that responsibility.
48:39My blood is still giving me chills.
48:42What I have noticed is that Mr. Baeza
48:44hit Lope in the head
48:46to prevent him from leaving.
48:48It's something very violent for him.
48:50It's not typical of Mr. Baeza we know.
48:53I guess I wouldn't find another solution.
48:56Yes, but only if you don't love things by heart.
48:59Well, I guess even the best teacher
49:01can have a problem.
49:03It's just that Lope is also more stubborn
49:05than a donkey.
49:06And to convince him at that time ...
49:08Difficult task.
49:09Not to mention that it is almost impossible.
49:12The best argument, a bottle shot in the ass.
49:14And the discussion is over.
49:15Well, at least it wasn't a very long gap.
49:18Also, it would be better if Lope
49:19stayed asleep for the moment.
49:21If he didn't get up,
49:22he would try to get out of bed
49:23by all means.
49:25Another bottle shot and Easter.
49:27Come on!
49:29Even so, I'm going to continue to see how it is.
49:32Well, yes, because the same thing has woken up
49:34and you can find it by putting on the mandí.
49:43And what's wrong with you?
49:44You have a very funny smile.
49:48Nothing happens to me.
49:50It's just that ...
49:52Anyway, I don't stop reading the letter
49:54that Manuel sent me over and over again.
49:57You know it from head to toe, don't you?
49:59And apparently it tells you things
50:01in the sea of Bonica.
50:02Well, the truth is that it is a sweet and bitter letter
50:04at the same time.
50:05On the one hand, it talks about the future that awaits us and ...
50:10And on the other hand,
50:11it talks about that maybe that won't happen
50:13and he won't come back.
50:15But hey, it's normal.
50:16In the end, they are in a war.
50:18I just want all this to happen and that ...
50:21that I can have him again
50:22in my arms again.
50:25What are you doing with your fingers?
50:27Why are you so nervous?
50:31It's just that I can't get it out of my head
50:33about the cicuta thing.
50:34That Mrs. Margarita has caught me before
50:36and has made me an interrogation
50:37that not even the Civil Guard.
50:39An interrogation?
50:40About what?
50:42It is known that she did not hear you and me
50:44talk about the blissful cicuta.
50:46And she made me go to Miss Martina's room
50:49and check it from top to bottom
50:51to look for the blissful fracuito.
50:53I see.
50:54And I guess you didn't find anything, right?
50:58What?
51:00Well, yes, yes, I found something, yes.
51:04There was a jar very similar to the one
51:06that Gregorio left to Mrs. Pia.
51:10Are you sure the jar was the same?
51:12Look, of course.
51:14You taught me how to forget it.
51:15Besides, I made it very clear in the jar.
51:18Cicuta.
51:19In big.
51:21Yeah, but what is a jar like that going to do
51:23in Miss Martina's room?
51:25That's what I ask myself,
51:26that I don't get the question out of my head.
51:28But come on, if before you pointed out
51:30that Miss Martina was to blame
51:31for the poisoning of Conde Ayala,
51:34now with this, tell me.
51:37And did Mrs. Margarita say
51:39what she was going to do about it?
51:41She took it to the devil,
51:43so she won't face it.
51:50Yes.
52:10They told me you were looking for me.
52:13Yes, it's urgent.
52:15Well, as you can see, I haven't even changed.
52:17Well, I was counting on seeing you at lunch,
52:19but they told me you had gone to ride.
52:21Yes.
52:22Yes, I needed to clear myself.
52:23In fact, I've come to the river.
52:25It's been a long time since I've gone so far.
52:28Have you eaten?
52:29Well, I asked the cooks
52:31to make me some emparedados.
52:34But talk.
52:38What's going on?
52:39You look like something serious.
52:43My mother is making me nervous.
52:49What's that?
52:51Cicuta.
52:53The poison that has caused Ignacio's discomfort.
52:56I don't understand.
52:57What are you doing with that bottle?
52:59Well, you tell me, Martina, you tell me.
53:02I found it in your room,
53:04hidden in one of your boxes.
53:06What were you doing,
53:07looking through my things?
53:08I don't understand.
53:09I think you're the one who has to give me explanations,
53:11not the other way around.
53:12Daughter, please answer.
53:14What were you doing with this bottle?
53:16I have no idea what you're talking about.
53:18Martina.
53:20If what you're insinuating
53:21is that I could have something to do
53:23with Ayala's poisoning,
53:24I'm telling you she's completely wrong.
53:26Stop lying, daughter, please.
53:28But I'm telling you the truth.
53:30Do you think I'm capable of doing something so terrible?
53:33I don't know what to think anymore.
53:35All I know
53:36is that I found this poison in your room.
53:49I found this poison in your room.
53:59If I had to tell you
54:01who in the house
54:02has sworn an oath with the Count,
54:04I would only think of one man,
54:07Miss Martina.
54:09That's why it's sensible to investigate.
54:11Yes, but not starting from the basis
54:13that Miss Martina is the culprit.
54:15Well, but she's the main suspect.
54:17I had stayed in Lujan last night.
54:20Oh, what a shame. You won't be able to continue with your bets.
54:23Salvador, you don't understand. That agent is not used to being planted.
54:26Well, more in my favor.
54:28But it would have hurt more one of those sticks to which you have to get used to that agent with which you get together.
54:32Salvador, I don't need your nonsense.
54:34Well, you're going to listen to them.
54:36Martina had that poison, right?
54:37Stored in his bedroom.
54:39Someone must have put it there.
54:41You know the count of Ayala and the captain of the Mata.
54:45They are two wolves who are going to skin their cousin, who is a lamb.
54:49With your speech, all you've shown is that that kiss we gave you still matters to you.
54:53Well, of course it matters to me.
54:55Because if it reaches my wife's ears, it could be the end of my marriage.
54:59I don't know. Not a single word is going to come out of my mouth.
55:01I know, but that's not enough.
55:03I'm asking you for time.
55:05I promise I'll bring you the truth.
55:06For me, the truth is very clear.
55:08If Martina's name is stained, she will never be able to remove that stigma.
55:11Are you listening to yourself, Margarita?
55:13Remove that stigma?
55:15What if it takes my life?
55:16You don't know how much I've prayed for you to be alive.
55:21And for you not to be mad at me.