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00:00♪♪
00:30The time has come for me to give you back your scapular.
00:34I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:38Lope, you don't understand.
00:39Well, no, I don't understand. That's why I need you to explain it to me.
00:41What if he knows more than we think?
00:44Do you think Mrs. Arcos has the slightest idea of what really happened?
00:48I have information that will surely be of great interest to you, Don Gregorio.
00:53If he's going to tell me that Pia is dead, the rumors have already reached me.
01:03That fool has had the worst possible ending because of his stubbornness.
01:08No, if I called him, it's precisely because I don't give you a hint of credibility to that rumor.
01:17What does he say?
01:18That I really believe that the supposed death of Pia has not been without a pantomime,
01:25borne with the help of some of his companions.
01:29And why would they do something like that?
01:31It is not clear. To deceive you, to leave at once and leave you alone.
01:37Where do your suspicions arise?
01:40Although you don't have to know everything, I've been to so many places.
01:44And Pia never left her town.
01:46Pia never left her town.
01:49Supposedly she died here on the promise.
01:51And then they took her body so that no one could say goodbye to her.
01:57The excuse they gave was that they didn't want the scandal that could occur
02:04when it was known that Pia had taken her life here, inside the palace.
02:11It's strange.
02:14It's strange, yes.
02:16Yes.
02:17And after that, I've seen several times that Hanna came out of the palace unconscious,
02:22with some messages for Mr. Baeza, of which I had not been informed.
02:27Everything very mysterious.
02:29Despite being the one who takes care of the maids, Mr. Baeza gives orders to Hanna behind his back.
02:37That's right.
02:39And as I already told you, it has been something constant.
02:41If you are right, they will have Pia hidden near here and someone will be taking care of her.
02:51That's it.
02:52And I think it could be Hanna, who will be bringing her food and everything she needs.
02:57Has Mr. Baeza given you any justification for being the one who gives Hanna the orders?
03:05Yes.
03:07Yes, he has given them to me.
03:09But when I did it, I found it uncomfortable, even annoying.
03:15If you are right, it's not strange that you are, of course.
03:19But that's not all.
03:21Later, Hanna was surprised to see us rummaging through the blankets where we keep the bedding.
03:26And then another one, in the kitchen, filling a pot.
03:31What excuse did he give you?
03:33That maid is too awake and always comes out well from the pressure.
03:36She doesn't fool me.
03:41The first thing is to check if Pia really died.
03:46And I know how to do it.
03:48Can I help you with something?
03:51Keep an eye on Hanna.
03:54Don't let her leave the palace under any circumstances.
03:59Don't worry.
04:01I won't take my eyes off her.
04:06Let's go.
04:36Let's go.
05:06Let's go.
05:37Let's go.
05:55Tell me.
05:57Please.
06:03I don't want Santos.
06:06And I've never loved him.
06:09He is vain and arrogant.
06:17Then why are you still dating him?
06:20Because I have no choice.
06:24Vera, I don't understand.
06:27What forces you to continue with him?
06:29Lope, please, don't ask me any more questions because I can't tell you anymore.
06:32Vera, don't you realize that this is crazy?
06:35That you can't be with someone you don't love.
06:40It's true that I can't do anything else.
06:45That's all you're going to tell me.
06:47You're not going to tell me anything else.
06:51What's wrong? Don't you trust me?
06:55Vera, I'm devastated.
06:57Devastated.
06:58First you leave me when I thought we couldn't be happier.
07:01And you don't know how much that hurts me.
07:03And me.
07:06Because you left me broken.
07:10Why do you keep hurting us both?
07:12Why?
07:16Okay.
07:19But...
07:22But don't ask me to tell you more than I'm going to tell you.
07:25And...
07:26And...
07:28Don't try to meddle or say anything to Santos.
07:33Promise me.
07:42Yes.
07:44I promise you.
07:46I'm doing all this because...
07:50Because Santos knows something about my past that no one else can know.
07:54And he has me at his mercy.
07:59Vera, you can't allow him to mistreat you.
08:02I do what I can. I try to stop him.
08:05What Santos is doing has a name, Vera.
08:08And it's called blackmail.
08:10That bastard is blackmailing you and you can't allow it.
08:13Much less allow him to take advantage of you and touch you if you don't want to.
08:17Because all of this is going to go further.
08:20Because a blackmailer
08:21Because a blackmailer
08:23never conforms, Vera.
08:25Never.
08:27He's always going to want more.
08:30I've been able to stop him so far.
08:32You said it.
08:34So far.
08:38Vera.
08:45There will come a day when he does something to you that you'll regret for the rest of your life.
08:51And I'm afraid that day is very close.
09:21Vera.
09:31No!
09:33No, son.
09:35Son, son!
09:36Manuel.
09:37Manuel!
09:39Manuel!
09:41Ma'am?
09:42No!
09:43Son!
09:44Ma'am, are you okay?
09:45Son!
09:46Manuel!
09:51Ma'am! Ma'am!
09:53Wake up, ma'am!
09:55Ma'am!
09:57What about my son?
09:59He's in the palace right now, in his room.
10:01He was having a nightmare.
10:06I know that.
10:07What are you doing here?
10:09I heard screams from the corridor,
10:11and I got scared, so I decided to come in.
10:13Well, you can go now.
10:15Yes, ma'am.
10:17Bring me breakfast.
10:19Somebody's at the door.
10:50I brought you a little gift
10:52from my trip to Puebla de Tera.
10:54It's nothing, just a detail.
10:56I thought you'd like it.
10:58So here you go.
11:00Open it.
11:07It's made of silver.
11:09Maybe it's not the most luxurious jewel in the world,
11:11but when I saw it,
11:13I knew it had to be for you.
11:15It's elegant
11:17and delicate,
11:19like you.
11:24Thank you.
11:44What?
11:46You don't know what I brought you.
11:48Me?
11:50Yes, you.
11:52A gift from your friend.
11:56It wasn't hard to get it.
11:58Juana, thank you so much.
12:00You have no idea how much this means to me.
12:02To write to that loser you love so much.
12:04If only I knew.
12:06How did you get it?
12:08I can get almost anything in here.
12:12But how did you do it?
12:14With effort.
12:16Look, if we have something here, it's time.
12:18So tell me in detail.
12:22Okay.
12:24I'll reveal my tricks to you.
12:26I already told you that sometimes my head hurts a lot.
12:28Yes.
12:30You told me you even throw up because of the pain.
12:32And those times,
12:34they usually take me to the infirmary,
12:36they put me on a stretcher and give me a pill to soothe me.
12:38I spend hours there.
12:40I'm not following you.
12:42The thing is that
12:44when I'm at the infirmary,
12:46a nurse always accompanies me.
12:48But since I fall asleep,
12:50sometimes the nurse leaves.
12:54No, every time I go there, my head hurts.
12:56So sometimes I don't take the pill
12:58and I fall asleep.
13:00Uh-huh.
13:02Then they leave me alone
13:04and I can wander around the whole infirmary.
13:06There they have a closet
13:08where they keep everything.
13:10Also paper and pencil.
13:12Uh-huh.
13:14But what I've told you, keep it between you and me.
13:16No, no, don't worry. I'm not going to tell anyone.
13:18What I was thinking is
13:20how I'm going to send the letter
13:22once I have it written and we can't get out of here.
13:26That also has a solution.
13:30The warden here likes pesetas more
13:32than a fool.
13:34So if you have any money, everything is arranged.
13:36I don't have a penny,
13:38but I'll think about how I do it later.
13:40What I have to do now is
13:42write the letter and get it out of here
13:44no matter what.
13:52And the river swept away
13:54with everything that was in its way.
13:56And I ... I fell apart.
13:58And Manuel began to hug
14:00and pull his head out over the water,
14:02trying to breathe.
14:06Ma'am, bring your breakfast.
14:10And how did that nightmare end?
14:12Thank goodness
14:14I woke up.
14:16Well, they woke me up.
14:18Oh, María Antonia, you don't know what it was.
14:22I was ... I was soaked in sweat.
14:24It was horrible.
14:26I couldn't stop shaking.
14:28It's normal for you to dream things like that, ma'am.
14:30Your son is at war
14:32and we are all living it very tensely.
14:36Can you tell me what tension you have?
14:38Well, I ...
14:40The one of scrubbing the floors?
14:42Or the one of ironing the sheets?
14:46It was just a way of speaking, excuse me.
14:48Well, I hope you learn to speak better.
14:50Or rather, that you learn to be quiet.
14:52Cruz, please.
14:54The girl just wanted to cheer you up.
14:56I don't need the cheer of a baby shower.
15:02Take the breakfast, I don't feel like it anymore.
15:04It's okay.
15:06You don't have to come back.
15:08I'll stay with the Marquise.
15:10Yes, it will be better.
15:18Come on, leave that bed.
15:20Let's go for a walk.
15:22The air in your face will do you good
15:24to forget that nightmare you had.
15:26Yes, it will do me good.
15:28Come on.
15:30Let's go.
15:34Let's go.
15:42Were you calling me?
15:44Yes. Close the door and come in.
15:52So?
15:54What do you say?
15:58Petra.
16:00Petra.
16:02I don't want you to go around
16:04saying that absurd theory of yours
16:06that I poisoned myself.
16:08Absurd?
16:10Yes, absurd.
16:12Based only on your delusions.
16:16Well, I'm getting more and more
16:18accurate, Ignacio.
16:20For example,
16:22I've already found out
16:24what Miss Martín bought
16:26at the boutique.
16:28She bought some menthol pills.
16:30The pharmacist himself told me.
16:32How naive you are.
16:34Do you really think
16:36that man can tell you happily
16:38that he sold poison to a young lady?
16:40Don't you think he would get into a huge mess?
16:42But there's something else.
16:46For example,
16:48the email you received
16:50shortly before suffering
16:52that horrible poisoning.
16:54Do I get a lot of correspondence?
16:58Ignacio, but it wasn't a letter.
17:00It was a package.
17:04I don't know what you're talking about.
17:08Yes, you know it well.
17:10It was a package
17:12of those in which
17:14you receive
17:16some of those medicines
17:18that you sometimes take for pleasure
17:20and that, as far as I know,
17:22are a bit suspicious.
17:24Especially if you use it
17:26for other purposes.
17:28You're an ignorant.
17:30You don't know anything.
17:32Since I've been
17:34taking care of your correspondence
17:36for a while,
17:38I know much
17:40more than you should.
17:42Who you write to,
17:44who writes to you
17:46and what they tell you,
17:48what they send you
17:50and how much you pay
17:52for certain things.
17:54There's one thing I don't understand.
17:56What do you care
17:58about what happens to Martina?
18:00Why are you defending that girl?
18:02You're right.
18:04I don't care what happens to that spoiled brat.
18:06So?
18:08Do you do all this just to annoy me?
18:10To make my life impossible?
18:12Maybe.
18:14And I assure you
18:16that I just started, Ignacio.
18:18What will the Marquis think
18:20when they find out about your actions?
18:22And Margarita?
18:24Margarita will never look at you
18:26again in her life.
18:30Very well.
18:32I agree.
18:34Speak. Say whatever you want.
18:36But be clear about one thing.
18:38If I fall,
18:40you'll fall with me.
18:42Me?
18:44And tell me
18:46how you plan to do it.
18:48How? I'll tell everyone I'm your son's father.
18:50Feliciano's.
18:52You'd throw stones at your own roof.
18:54A noble
18:56who takes advantage of a poor maid,
18:58leaves her pregnant and doesn't recognize her son.
19:00Tell me
19:02how your dear Margarita
19:04would look at you after that.
19:06And how do you think Cruz will react
19:08when I tell her you asked me to come here
19:10to show that she tried to kill Curro
19:12and that by trying to kill him
19:14she ended up killing our son?
19:16I'll tell them it's a lie
19:18because you didn't come here because I told you nothing.
19:20Maybe not.
19:22But will you deny the rest?
19:24Whatever it is,
19:26it would be the word of a maid
19:28against that of a count
19:30and you no longer have Cruz by your side to defend you.
19:32Who do you think
19:34they'll believe?
19:38Good morning.
19:44Is the lady sick?
19:46She hasn't had a bite.
19:48No, she's not sick.
19:50She's just in a dog mood because she had a nightmare
19:52that left her very upset.
19:56Well, it seems
19:58you don't have much appetite either.
20:00They won't look for me
20:02because they don't want to eat.
20:04I have enough with what I have, with what's mine,
20:06to get mad at some capricious
20:08and sloppy ladies.
20:10And what's wrong with you?
20:12Your in-laws
20:14are very powerful.
20:16It's because of the economic solvency
20:18they asked Virtudes, right?
20:20That's right. Although more than solvency,
20:22they should call it soltency.
20:24Because these people, you know what they want?
20:26They want to be released.
20:28But what are you talking about?
20:30My daughter's in-laws
20:32have asked my Virtudes
20:34to give them 550 pesetas
20:36to give back to her son.
20:38But that's the money her in-laws asked for.
20:40That's right.
20:42Can Virtudes give back so much money
20:44with her in-laws' money?
20:46Impossible. Not in three lives.
20:48Well, I think in a few weeks
20:50she could get it.
20:52What are you thinking? Are you going to rob a bank?
20:54You're not going to realize anything.
20:56Of course she realizes. That's why I'm telling her,
20:58Mrs. Candela.
21:00I know Virtudes can't get it on her own,
21:02but maybe all of us,
21:04if we all work together ...
21:06A collection?
21:08Like the one you made to pay for my son's surgery?
21:10The truth is that
21:12if I did it for one eye,
21:14what less, right? You do the same for an innocent creature.
21:16Yes.
21:18My dear Adolfito.
21:20Besides, this would be half the money
21:22that that surgery was worth.
21:26Do you think
21:28everyone will want to help?
21:30Of course.
21:32Not to mention her mother and grandmother.
21:34Dersavea.
21:36How long does Virtudes have to get the money?
21:38Ideally, it would be in two months.
21:40That's when she's going to work
21:42at the village priest's house.
21:44Well, you'll see how
21:46when she has to go to work at Don Fermín's house,
21:48she's going to go with Adolfito.
21:50And her father-in-law will see what virtues he has.
21:52Solvency.
21:54Solvency.
21:56And whatever it takes.
21:58Well, no more talking. Now we have to tell everyone
22:00and we have to save too.
22:02Well, all the less
22:04Maria Mandrao, huh? She's capable.
22:06She talks to Virtudes' in-laws
22:08to tell them to ask for a thousand pesetas
22:10instead of five hundred.
22:12You'll see, Mrs. Simona,
22:14how soon she'll be with Adolfito again.
22:22The marmalade business
22:24never ceases to give penguins benefits.
22:26And all thanks to the fact that I'm in charge.
22:28I already gave them
22:30before you took them.
22:33This war
22:35is a magnificent business opportunity
22:37that we have to take advantage of.
22:39Yes, take advantage.
22:41Are you thinking of investing more money?
22:43Don't count on me.
22:45Well, you can always ask for a loan.
22:47I don't see it.
22:49Of course you don't see it.
22:51You should have exploited your business better a long time ago.
22:53For example, if you sold your wheat
22:55abroad, I would pay you much better.
22:57And leave our neighbors without flour to make bread?
22:59Or with the prices skyrocketing?
23:02No, I can't act like that.
23:04If we start playing with people's bread,
23:06this is going to end very badly.
23:08But those are not ways to do business.
23:10Look, brother-in-law,
23:12in this, as in many other things,
23:14we don't agree.
23:16So let's leave it.
23:18Let's change the subject.
23:26What do you think if we talk...
23:28I don't know.
23:31About women?
23:33No, about a woman.
23:35About Maria Antonia.
23:38What's going on with Maria Antonia?
23:40I expected you to tell me.
23:43I haven't seen her in days.
23:45And why do I have to know what's going on with her?
23:47Because I haven't seen her
23:49since the day I found you arguing
23:51in the greenhouse.
23:53What a coincidence, don't you think?
23:55Don't talk nonsense.
23:56Did you feel like you were having
23:57one word higher than the other?
23:58Lorenzo, I'm fed up with your insinuations.
24:01I don't have to explain anything to you.
24:10Well, wait a minute.
24:12Before you start eating,
24:14I want to give you an order from Mr. Marquez.
24:17I want you to buy Rajatabla.
24:19No one wins if they buy Doreno, Mr. Baeza.
24:21Well, I'm going.
24:24If any of you go to Lujan
24:26and ask for Mrs. Darre,
24:28you have to answer that she died in her town.
24:33I've already been asked.
24:35And what did she say?
24:36Well, I acted stupid and I'll go somewhere else.
24:39From now on, you have to answer
24:41what I'm telling you,
24:42without going into details.
24:44I'm not going to say a word about it.
24:47I get sad just thinking about it.
24:50And what do we do if they ask for details, Mr. Baeza?
24:52The people of Lujan are very curious.
24:54Against the vice of asking, the virtue of keeping quiet.
24:58You only know what I'm telling you,
25:00so you don't have to tell me anything else.
25:03It's very difficult for me to talk about Mrs. Pia
25:05knowing that we will never see her again.
25:07Everyone.
25:09Yes.
25:10She has left a very big void.
25:15It is true that it was very sad,
25:17but not everything is a shame.
25:19In fact, now we have an opportunity
25:20to bring some joy to the promise.
25:24We could help Virtudes to get her son back.
25:28Explain yourself, Miss Expósito.
25:30Look, the grandparents of the child have asked Virtudes
25:33for a certain amount of money, as a guarantee.
25:37Neither more nor less than 550 pesetas,
25:39one after the other.
25:41And my poor daughter has neither, nor will she have.
25:45But we could collect it to help them.
25:48Ah, well, I think it's an excellent idea.
25:51Well, you're not going to get me out of it.
25:53Well, it's not mandatory either.
25:55Anyone can do it.
25:58Of course I will help, Hanna.
26:00She too.
26:02Count on me.
26:03And with me, of course.
26:04And me too, of course.
26:05I want Simona to be able to enjoy her grandchild soon.
26:11I don't know what to say.
26:13Thank you very much from the bottom of my heart.
26:24I see that everyone is very hungry today.
26:28Eat and shut up.
26:37Well, I ...
26:40I wanted to apologize.
26:42We can know why, Mrs. Arcos.
26:44Yes, of course you can.
26:48I know that Mr. Pellicer and I have our differences.
26:53And, well, sometimes one gives an order and the other the opposite.
26:58Well, yes.
26:59Unfortunately, it has happened several times.
27:02That's right.
27:03And with that, what we have achieved is to confuse the service.
27:08And I have been forced to intervene to avoid unnecessary harm.
27:13Of course, I am aware that we cannot continue like this.
27:16And from now on, I would like Mr. Pellicer and I to achieve
27:21to reach this agreement.
27:25I also want the same.
27:28It seems very sensible of you, Mrs. Arcos.
27:31I appreciate the initiative.
27:33And how it would also be sensible for us to start eating the lentils
27:37because they are starting to get cold.
27:52You have no idea what I miss you, Curro.
27:56And the desire I have to hug you.
27:59I pray every day for you to return soon from that healthy and safe war.
28:05When that day comes, we can lead a life like the one before, but happier.
28:10Because now we will know how to love each other better.
28:14I will know how to love you better.
28:18My life without you is boring and lonely.
28:21I hardly talk to anyone.
28:23I remember every moment how lucky I was to have you by my side
28:26and how blind I was for not knowing how to see my luck.
28:32I, Curro, I don't know if I should tell you this
28:36because you will have enough with your problems.
28:39But I need you to know, I can't hide something like this from you.
28:43Yes.
28:47My life, Curro, is now very different from the one I had when I wrote to you for the last time.
28:52And that's only a few weeks ago.
28:55But everything has gotten worse.
28:58I'm not even alive in the promise, but locked up in a sanatorium
29:01where they treat me like a madwoman capable of committing any atrocity.
29:05And they force me to take pills every day.
29:09I guess you can't imagine how I ended up here.
29:12Sometimes I think about it and it seems to me to be in a nightmare
29:15that I will one day wake up from, but unfortunately this is my reality.
29:22It all started because someone poisoned the count next door.
29:26And who do you think they accused?
29:29Yes, me.
29:32They accused me of wanting to kill him for wanting to marry my mother.
29:35I know that if you had been in the promise, you would have defended me, but you weren't.
29:40Or I would have accepted to be admitted to this center
29:43or the count of Ayala would accuse me in front of the civil guard.
29:46I don't know what would have been worse, because in front of justice
29:49I could have tried to prove my innocence, but here...
29:52I'm surrounded by women who have lost their hearing and there are days when I...
29:59I...
30:00I remember your poor mother.
30:03I remember everything you told me about her.
30:06And I'm afraid that if I'm still locked up, I'll end up like her, but...
30:10But I want to be strong.
30:12Get out of here.
30:14And that when you come back from that war, we'll be together forever.
30:18That's why I'll fight to prove that I'm innocent.
30:22You fight to get out of that war alive and that we can love each other as we deserve.
30:34I have been told that when the king went to rest at the farm,
30:37the queen accompanied the princess of Sarsal on a horse ride through St. Ildefonso.
30:43Poor princess. Her husband is in prison and at the hands of the English.
30:48Well, that princess has her husband in Gibraltar.
30:51I mean, close by. I'm sure they'll let her visit him.
30:54That's why he's here, in Spain.
30:58Salvador, since you're here,
31:01do you know anything about that rumor that has reached us that Mrs. Darre has died in her town?
31:07Well, we've also heard something, but so far it's just rumors without confirming.
31:12Mr. Baeza is trying to find out more.
31:15Well, have him inform me.
31:17And tell the rest of the service that we feel a lot about the end of poor Pia.
31:22I suppose they will be very affected.
31:24Yes, sir. Mrs. Darre was very loved by everyone.
31:29It has been a great loss, without a doubt.
31:34I'm sure God has already taken her in his bosom and is finally resting.
31:39Shouldn't we have a mass for her soul?
31:42I don't think Mrs. Darre's soul needs many masses to go up to heaven.
31:48But I'll talk to Mr. Fermin when I go to Wuhan.
31:52I'll see when, although I'm not in the mood today.
31:56Are you still upset about that nightmare?
32:01The truth is that I feel better, but I'm still a little impressed, to be honest.
32:06Has something happened?
32:09Nothing, a bad night. A scary night.
32:14She had a terrible nightmare and woke up screaming.
32:18It is not necessary to go into detail, dear.
32:21And what did you dream of? If you can tell.
32:25With my son Manuel.
32:28And it is natural, given the circumstances you are living.
32:32Well, depending on who. I'm sure Lorenzo doesn't have nightmares, does he?
32:37Well, some of them, yes.
32:39Although, as I suppose you well know, you don't need to be asleep to have bad dreams.
32:45Cruz, it is normal for a woman to have nightmares.
32:47Even so, you should avoid creepy scenes.
32:51And have dinner at least two hours before going to bed.
32:53So that I have time to digest.
32:56And avoid wine and liqueurs at night.
32:58Exactly, and that it is not very hot in the room.
33:01I have heard that a hot bath before going to bed also helps.
33:04Well, enough! Enough!
33:07Can you get into your business and leave me alone once and for all?
33:12I'm tired of so much advice to tell me how to lead my life or how I have to face Manuel being in front of me.
33:17Cruz, everyone does it to help.
33:19Well, it doesn't help me at all, Maria Antonia.
33:21It would help me more if you took care of what really matters.
33:25For example?
33:27For example, find out how the poison got to Martina's room.
33:30Well, that's clear.
33:32No, it's not clear, Ignacio.
33:34You have locked up that poor girl so that they take care of her while you investigate, right?
33:39Who is investigating here?
33:42Who?
33:44Is there anyone who wants to know what really happened?
33:47Cruz, I think you are exaggerating.
33:49Lorenzo, you don't even need to talk.
33:51I really didn't expect anything from you.
33:54But you, Margarita.
33:57Do you want to do something for your daughter, yes or no?
34:00Of course I do.
34:02Your daughter is locked up in a asylum and you are not doing anything to get her out of there.
34:06Stop accusing me.
34:07Cruz.
34:08What can I do?
34:09I don't know, I don't know, but something, Margarita, something.
34:15And you, Ignacio?
34:17I don't see you very concerned about investigating anything.
34:20Cruz, it's not necessary.
34:21Yes, it is necessary.
34:23It is necessary because I am at home.
34:26Period.
34:47Oh, how cold it is here, miss.
34:50The cold gets into your bones.
34:53It's not that bad.
34:54Yes, it is.
34:56You are going to catch something bad here.
34:58Good thing I brought you a hot plate of lentils.
35:01Thank you very much, Simona.
35:04But I have a stomach that I can't eat anything.
35:07And that?
35:09Well, so many things.
35:12My brother.
35:14The situation at home.
35:17But above all, that my cousin is locked up in a asylum.
35:21No.
35:22And not being able to do anything to avoid it.
35:25I have heard that it is a center of great category.
35:28Yeah, and I'm the one who says it.
35:30Ayala, I don't believe a word of that man.
35:33But I don't think Mrs. Margarita realizes that her daughter is being taken care of badly.
35:39My aunt seems to me to be losing her mind because of that man.
35:43How can they put an innocent girl in such a place?
35:46I understand that she is angry and upset, but ...
35:49But don't say that, because in the end she is going to make you bitter.
35:54Well, yes, it may be.
35:57The truth is that lately I have been going from trouble to trouble.
36:01And who do you have a problem with, miss?
36:05Well, look.
36:07I had it with Cruz for receiving Adriano at the palace.
36:10He insulted us, humiliated us.
36:14Who do you think he is?
36:16Always above everyone else.
36:18You know how the Marquise is.
36:22On top of that, he made me face my relationship with Count Daniel.
36:25At this point.
36:27And what did you tell him?
36:29Well, much less than I should have told him.
36:32But I got angry, I got mad and ...
36:35And that eats me up inside.
36:37No, don't get mad, miss.
36:40It is very easy to blackmail someone when you catch him with the scythe.
36:44The difficult thing is to get up when one falls.
36:48And you always do that.
36:51That was before.
36:52And now too, you'll see.
36:55You believe in my strength more than I do, Simona.
36:58I have reasons to do so.
37:01You are not one of those who bow their heads.
37:05If what worries me is Adriano.
37:07Well, the poor guy is not to blame for anything.
37:10He had to be shocked.
37:12Yes, but at least it seems that he did not take it badly.
37:15He even has an affair with it.
37:19You know what, miss?
37:22Every time you name this boy,
37:25a smile is drawn on his face.
37:28Me?
37:29What are you talking about?
37:31Miss, we have known each other for many years.
37:38You've got me well.
37:42Well, you're right.
37:45Yesterday, Adriano and I kissed.
37:49I knew it.
37:52But what am I doing, Simona?
37:54This story doesn't make any sense.
37:56And why not?
37:58Because it's crazy.
37:59After what happened to me with Count de Añil,
38:02what do I do with another man?
38:04I shouldn't be with him.
38:06Listen to me, miss.
38:08I'm going to tell you ...
38:09But I'm a fool.
38:11An idiot who doesn't know what he's doing.
38:13Shut up for a moment, miss.
38:16I'm sorry to talk to you like that.
38:18But I can't stand hearing you speak ill of yourself.
38:23Let's see.
38:24Don't you realize that you can't turn things around so much?
38:28Don't think so much.
38:31And listen only to your heart.
38:33It is very big and very wise.
38:36I'm telling you now.
38:47Have you finished writing the letter to Tomás?
38:50Yes.
38:52I've written three pages on both sides.
38:56My wrist hurts from writing everything.
38:59And have you thought about how to pay the jailer?
39:07Do you think this bracelet would work?
39:12It's ...
39:15It's beautiful.
39:17The young man I sent the letter to gave it to me as a gift.
39:20I really appreciate it.
39:22But right now the important thing is that my letter reaches him.
39:26So do you think it will be useful to pay the jailer?
39:37Yes.
39:51Well, I don't know how Mrs. Darre will be, but I haven't seen her in days.
39:56But the last time she got a lot of water and food, right?
39:59Well, yes, but I've been doing calculations and ...
40:03It may not be enough.
40:06If it's not the end of it, of course.
40:08She was very down-to-earth and in the end she is there alone.
40:12So I'm afraid she could do something crazy.
40:14No, no. Mrs. Darre is a very sensible woman.
40:17I know, but in the end she has been there for a long time and also ...
40:20She has not seen her son for a long time.
40:22So I'm afraid the worst.
40:24Don't be greedy.
40:25No, I see you as soon as we can find you a more comfortable place.
40:29And when will that be?
40:30In no time at all.
40:31You'll see.
40:32In Lujan, people are already talking about Mrs. Darre's death in her town.
40:36Now we just need this to reach Mr. Castillo's ears.
40:39Well, we also need him to act as we want him to.
40:42And he will. Trust me.
40:45As soon as Mr. Castillo believes that Mrs. Darre has died,
40:48he will go to the town to check that the tombstone is there,
40:50and as soon as he sees it, Mrs. Darre will be out of danger.
40:53Yeah, but ...
40:54Days can pass for that.
40:56And I need to see her before.
40:58Besides, Petrán won't leave me and I can't go to the cave.
41:01Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
41:05you see how the vigilance goes down.
41:07She's calmer.
41:08Well, God willing, because if not ...
41:10You'll see how it is.
41:11Very good.
41:13Mario, why have you arrived like this?
41:15Like this? Walking?
41:17It's about putting one foot, then the other, then the other again,
41:20and that's how it works.
41:23What are those scary faces for?
41:25You look very pretty.
41:26No, no, nothing has happened.
41:28Nobody is scared.
41:31Well, if you say so, Mr. Baeza.
41:33Hanna, Mrs. Petra has said that we both have to go to the laundry,
41:36that there is a lot of laundry to wash.
41:37I also have to go to the laundry?
41:38Yes, we have to wash blankets and napkins.
41:41And this time she said it in a very good way.
41:43Barely without shouting.
41:44Well, that's weird, look.
41:45Well, yes, it's weird, yes.
41:47But I heard Mrs. Petra apologize for something that usually happens.
41:50No, I was surprised too.
41:52Well, as soon as I finish the rooms, I'll go to the laundry.
41:55Very good, Miss Expósito.
41:56Well, then we will finish clarifying this matter.
42:00Good.
42:01Shall we go?
42:03Let's go.
42:08A little house?
42:10Nothing important.
42:23Hello.
42:26Maybe you're going to think I'm a bit heavy with so many visits.
42:29No, never.
42:32I really like your visits.
42:45What are you wearing there?
42:46A game of tabas that I made for a friend's daughter.
42:50Do you want to see it?
42:51Yes.
42:55Let's see.
43:01They are not as sophisticated as their pieces, but ...
43:11They look like they are made of bone.
43:13They are made of bone.
43:15With the hind legs of a lamb.
43:17And you also painted them?
43:19Yes.
43:20As you can see, I'm not so good with the brush, but I did what I could.
43:24Well, they look very nice on you.
43:27And is the game very complicated?
43:30Not as much as your chess.
43:33For me, for sure.
43:34Have you never played tabas?
43:35No.
43:36I've heard about them, but I've never played or seen them play.
43:40Well, it's easy.
43:42In short, you have to take the tabas and throw them.
43:45And as they fall, that's how they will go in the game.
43:48Like with the dice?
43:49Not at all.
43:50Because you also have to take them as they have fallen.
43:55But they don't have six sides, like the dice.
43:57No.
43:58They have four.
44:01Look.
44:03This is GT.
44:06Pance.
44:08Verdugo.
44:10And king.
44:11Here, the chance does not matter, but the ability of the player.
44:15So it's like chess.
44:18I wouldn't say so.
44:21You know what?
44:22I challenge you.
44:25But miss, what need does it have to come out defeated
44:27if you told me a minute ago that you've never played this?
44:29Defeated?
44:31Well, we'll see.
44:32I'll be the first to throw.
44:34Let me finish explaining the rules better.
44:36You're already explaining it to me while we play,
44:38that you learn better.
44:39I throw.
44:42Well, what?
44:43Have I won?
44:47I better explain the rules to you because this makes no sense.
44:51Whenever you want, sir.
44:53Fine.
44:57Well, do you know that Queen Helena of Montenegro
44:59has ordered to build a hospital with 300 beds for war prisoners?
45:03That's a lot of beds.
45:04But of course, thousands die in that war.
45:10I'm sorry, Hanna.
45:12Are you sure nothing happens to the ladies?
45:16Maybe it can happen to them.
45:18I know it and everyone knows it.
45:20Including Mrs. Marquesa,
45:22who was unbearable today.
45:25Come on, Mom.
45:26Always today.
45:28But today I was about to tell her
45:30that I also had the right to be destroyed.
45:33Because in the end, Manuel is my fiancé.
45:36What?
45:37Well, I didn't tell her in the end, Maria.
45:40Good thing, Mom, because with how weird she is, I see you capable.
45:43What do you mean weird? I'm not weird.
45:45No, Nina.
45:46You're weirder than a green dog.
45:51Well, if she's weird, so what?
45:53What do you want me to do to her, Maria?
45:54With everything I'm going through?
45:56Mrs. Pia just passed away.
45:58Manuel and Curro are in a war.
46:00Yes, that's the reason for being sad.
46:02But I'm talking about you being very weird.
46:07What am I weird? Tell me.
46:08Come on.
46:10Well, look.
46:11To begin with, you're very thoughtful.
46:12You eat snacks.
46:13You're gossiping with Mr. Baeza.
46:16And you do mysterious things for him.
46:18Maria, I'm not gossiping with anyone.
46:20I talk to Mr. Baeza from time to time because
46:22it comforts me to talk to him, that's all.
46:24And what about the messages?
46:28They're simple orders.
46:30I'm behaving exactly the same way
46:32anyone would behave in my situation.
46:35I don't know if I believe you.
46:36You're weird.
46:38Come on, you are weird.
46:41Well, think whatever you want.
46:49But do you think that the stairs
46:51at the entrance of the service are clean?
46:55I did give them until they shone.
46:59What will they shine?
47:00It doesn't even look like you gave them water.
47:03But if I've made them shine step by step ...
47:05Well, you can't see it.
47:06They're ruffled.
47:08I don't care how I do things,
47:09you're always going to get in the way of my work.
47:12How dare you, you fool?
47:14What I hear.
47:15It seems to me that you enjoy scolding me.
47:17Did I do something to you?
47:20But do you really have the audacity
47:21to ask me for explanations?
47:25It wouldn't be too much.
47:28Well, I'm not going to bother answering you.
47:32For two reasons.
47:36The first, because I don't give explanations to the maids.
47:39Understood?
47:41And the second,
47:44because I know you're not going to last long in this house.
47:46I don't ...
47:47I know you're going to go to town to work for the priest.
47:50What did you think, that he wasn't going to find out?
47:52No, no, it's not safe.
47:53It's just a possibility.
47:55First I have to get my son back.
47:58Do you want to leave here?
48:00Don't worry.
48:01No one is going to stop you.
48:03You can pick that door for me right now.
48:05No, Mrs. Arcos.
48:06I still plan to stay for a while.
48:10You plan.
48:12So we're here to fulfill your wishes.
48:14No, that's not it.
48:15Get out of that door right now
48:16and go scrub the stairs until they shine like a mirror.
48:20Let's go.
48:25And close the door.
48:26Close the door.
48:43Look at him, he looked stupid and he turns out not to be.
48:48But what are you doing?
48:49Don't you see that letter is not convenient for us?
48:52I thought so.
48:53You should have thrown something out of the golden stick.
48:55It's ignorant, you'll see.
48:56Well, let's keep playing.
48:58It's better this way.
49:00The truth is that the mayor and the key man are arguing all day.
49:03They treat us like cows without a fence.
49:05When one says white, the other says black.
49:07Well, I don't think so.
49:09The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
49:12one doesn't know who to obey.
49:14It's a bit of an uncomfortable situation.
49:17In the end, we always end up paying the same, the ones below.
49:20But hey, it seems that they have already signed the peace.
49:23The good thing is when we all work with the same goal.
49:25Right, Salvador?
49:27I love the 40s.
49:29We're on a roll, huh?
49:30I told you you should have thrown something out of the golden stick.
49:32You're in a bad mood, Vera.
49:33Do you want to leave me alone?
49:35It's just a game.
49:36Even if it's a game, you have to play well.
49:38You're in a bad mood, Vera.
49:40Well, what did you want?
49:41For us to come and see you argue?
49:43Do you know what I'm telling you?
49:44I'm leaving.
49:45I came to have a good time.
49:47Not to be bitter.
49:50Let's go.
49:52Let's go.
50:12Cruz, I finally find you.
50:15Did you need me for something?
50:17Yes.
50:18I wanted to apologize.
50:20This morning we have all been very unfortunate,
50:22telling you what you should or should not do
50:24so as not to have nightmares.
50:26If only it were this morning.
50:30As if a mother who has a son at war
50:32was able to decide what she wants to dream of.
50:37Are you looking for something, Ignacio?
50:40Because this way of giving me the ears is a bit crude,
50:42even for you.
50:44We are friends.
50:45It is normal to support each other among friends.
50:47You and I have not been friends for a long time,
50:49so stop giving me the ears, please.
50:51I just pretend to be kind.
50:56With some interest, sure.
50:59But from me,
51:00after having admitted Martina to a asylum,
51:02you will get nothing.
51:06I already warned you.
51:08If something bad happens to my niece,
51:09I'll finish you off.
51:12Come on, Cruz.
51:13I think I have the right to have the main suspect
51:15under control of my poisoning while I investigate.
51:19Investigate, you say?
51:21Well, tell me how you do it,
51:22because I don't see you moving a finger.
51:25But what else do you want me to do?
51:28Well, whatever.
51:30Except wait for the answers from heaven to fall on you.
51:41Petra.
51:43Come closer.
51:50Mrs. Marquesa and I were talking about
51:52everything that happened with Martina.
51:54You know, my poisoning.
51:57And what does it take from me?
51:59Well, we both want to get to the bottom of the matter.
52:03And I've heard that you have some information
52:06about this sad matter.
52:09Me?
52:12Come on, tell me.
52:14Do you know anything that might interest Mrs. Marquesa?
52:16Or has the cat eaten your tongue?
52:27I can't get my head out of my face, can I?
52:29Damn it.
52:31Now that you mention it, Maria,
52:33I have to tell you something.
52:35Mr. Baeza told me to be a little clearer.
52:38A good understander doesn't need many words.
52:41And you're better than good, Mr. Pellicer.
52:43If so far I have wanted to convey my confidence in your worth,
52:47know that this can change at any time.
52:50You acted without heart and with a lot of selfishness.
52:53That's the truth.
52:54Well, enough.
52:55I'm a little fed up with so much hypocrisy.
52:57You're a lynx looking at the straw in someone else's eye
52:59and not looking at the beam in the cross itself.
53:01When that letter gets to Curro's hands,
53:03he'll know where you are
53:04and he'll know that you still want to kiss him after all.
53:07I hope so.
53:13Um...
53:15One moment.
53:18Do you know his name?
53:20I'm very distressed. I don't want anything.
53:23This situation is getting out of hand.
53:24But Cruz,
53:26I have a bad feeling that something bad is going to happen
53:29if it hasn't already.
53:31Hanna?
53:32What's going on?
53:36My God.
53:38I need you to be my eyes
53:40and my ears
53:41in the promise.
53:43Count on it, Mr. Castillo.
53:45But now leave.
53:47It's convenient that no one sees you around here.