Remont 1986
Category
🎥
Short filmTranscript
00:01:00The situation is such that I don't know what to think about it.
00:01:17Anyway, I don't know what this situation is for good.
00:01:24As the Secretary General of the ONZ, you should not approach the issue in this way.
00:01:32As the Secretary General, from the top of my vision, I am now familiar with the situation.
00:01:47And I will think about it.
00:01:59So, what conclusions have you come to?
00:02:05Somewhere in the world, a mistake has been made.
00:02:14An impasse.
00:02:18If you are now thinking about it, then remember that this impasse is flying in a spiral far away.
00:02:27And you are now feeling what I am feeling.
00:02:32An impasse.
00:02:35Come and take advantage of the phone.
00:02:40Don't be afraid of the phone. I haven't seen it with my own eyes.
00:02:44I will give you the numbers. 42, 28, 67.
00:03:02Give me the headphones.
00:03:10The dormitory? Let's say 211.
00:03:18Sebin...
00:03:22Guess who's talking.
00:03:27Do you have something to write?
00:03:31Tell me the apartment number on the door.
00:03:4611.
00:03:48It's clear. Cicely Åšniegocka street, 7 divided by 9.
00:03:55The apartment? You'll be surprised. 11.
00:04:06Oh, I almost forgot.
00:04:10Think of a girlfriend.
00:04:14I'll keep my word. Hurry up. See you soon.
00:04:22Things are tense. Go to the store and bring me something interesting.
00:04:31These are not transfers. There's no story here.
00:04:36We got the bill and it has to be done.
00:04:41What are you staring at? You're inviting people.
00:04:45The prosecutor may come in.
00:04:49Why aren't you talking? What do you want?
00:04:57You know why I respect you?
00:05:03Because you're honest to me.
00:05:06Everything will be fine. We won't die.
00:05:11Let's get to work.
00:05:16I'm pissed off. There's nothing to hide.
00:05:31What do you mean?
00:05:37Are these women on the level?
00:05:40Who?
00:05:42You're a gentleman.
00:05:44What do you mean?
00:05:46Can I afford such a risk?
00:05:49You're a very decent girl.
00:05:53Am I?
00:06:02I'll go to the bathroom and wash my hair.
00:06:05No one forbids you.
00:06:11Wait. Don't hurry.
00:06:15Let's take off the jacket.
00:06:32What about the ceilings?
00:06:34We're not going to lie.
00:06:38Do you want to surround yourself with your emotions?
00:06:42Get to work.
00:07:01Mickiewicz.
00:07:08He was right.
00:07:10He had no luck with women.
00:07:13One woman betrayed him.
00:07:17A great man.
00:07:19Was he right?
00:07:21A woman gave birth to him.
00:07:24She betrayed him.
00:07:26What does he have to do with it?
00:07:31A woman with no luck.
00:07:34His opinion about women is shit.
00:07:37He was right.
00:07:40I'll give you an example from my wife.
00:07:43She's always right.
00:07:45I loved and I was loved.
00:07:47That's how it happened.
00:07:49I can speak about it.
00:07:51I'd better not.
00:07:53That's a different matter.
00:07:55There are other women, too.
00:07:57Mr. Beryn.
00:07:59Especially those women who are loved by men.
00:08:04A man gave birth to her.
00:08:06She's not afraid of him.
00:08:08She's not afraid of him.
00:08:10She's able to betray him.
00:08:14That's why women have great qualifications.
00:08:20A woman should be a woman.
00:08:23A man should be a man.
00:08:26Everyone at his level.
00:08:29I'll go to the store.
00:08:32I'll bring something.
00:08:41Someone's knocking on the door.
00:08:43With a key.
00:08:45With a key?
00:08:47It's not good.
00:08:49Take the brush.
00:08:51It's impertinent.
00:08:53Where did she come from?
00:08:55What is it, Mr. Janek?
00:08:57Good morning, Miss Stewardess.
00:08:59Let me kiss your lovely hand.
00:09:03Welcome, Miss Stewardess.
00:09:06Nothing's done.
00:09:08Nothing's started.
00:09:10Nothing's ready.
00:09:12We were just discussing the same thing.
00:09:15Be fair, Miss Stewardess.
00:09:17Who painted the flower shop?
00:09:19Me.
00:09:20Were you satisfied?
00:09:21Yes.
00:09:22You'll be satisfied now.
00:09:24Check if the color is good enough.
00:09:27Don't talk to me, Mr. Janek.
00:09:30I'm not talking to you.
00:09:32I just want to be sure if everything's as it should be.
00:09:35Don't you see any changes in the colors?
00:09:38The bedroom is pink.
00:09:40The dining room is ivory.
00:09:42The bathroom is glazed.
00:09:44The kitchen is cozy, with flowers.
00:09:46Remember about the lamps.
00:09:48The bedroom is gray, broken.
00:09:50The ceiling is neutral.
00:09:52It means white.
00:09:53White.
00:09:54Right, Mr. Janek?
00:09:55Yes.
00:09:56Don't you think it'll be too sad?
00:09:59Yes.
00:10:00It'll be too sad.
00:10:02What do you suggest?
00:10:03I'm just thinking.
00:10:05I have an idea.
00:10:07First of all, Mr. Janek,
00:10:09the walls should be yellow.
00:10:12Almost gold.
00:10:13And the cut-outs should be
00:10:16cardinal purple, I think.
00:10:19And the ceiling...
00:10:21I don't know.
00:10:22I can feel it.
00:10:24Light blue.
00:10:28It'll be perfect for the chapel.
00:10:31Yes, I think so too.
00:10:33Maybe it'll be completely white.
00:10:36It'll be a hospital again.
00:10:38More dirty, less practical.
00:10:40You know what?
00:10:41Excuse me, Mr. Janek.
00:10:43Do you have a color for the ceiling?
00:10:46You know, a sky.
00:10:49I can do it.
00:10:50What about the walls?
00:10:52The walls?
00:10:54That's a different matter.
00:10:56Make it a meadow, not a wall.
00:11:00Without a trail.
00:11:01Definitely without.
00:11:02It'll be gnawing.
00:11:03What will be gnawing?
00:11:04The blue with the green.
00:11:05Does that mean it's impossible?
00:11:07I'd reject it.
00:11:08Too bad.
00:11:09I'll give you an answer tomorrow.
00:11:12I had to meet you somewhere.
00:11:15Why?
00:11:16It's possible.
00:11:17I'm from Warsaw.
00:11:18You're from Warsaw.
00:11:20I can't remember
00:11:22where I saw you.
00:11:24You look familiar.
00:11:26No wonder.
00:11:27He's an actor.
00:11:29Really?
00:11:30Yes.
00:11:31It just happened.
00:11:33A decent mother is unpunished
00:11:35and her son became an actor.
00:11:38If you're an actor,
00:11:40I'll offer you something.
00:11:42The ceiling will be under the sky
00:11:44and the walls under the sand.
00:11:46It won't be gnawing.
00:11:48That's right.
00:11:49Sand, sand, sand.
00:11:51And the Baltic Sea above our heads.
00:11:54I know where I saw you.
00:11:56At night, under a golden duck.
00:12:01I should be in the theater by now.
00:12:04I need to change.
00:12:06What are you talking about?
00:12:08We were supposed to discuss furniture.
00:12:11Furniture?
00:12:12Here you are.
00:12:20I've never sat in such a comfortable chair.
00:12:24Is it on fire?
00:12:26Sit down.
00:12:29So?
00:12:31How do you feel in your new home?
00:12:34You're talking to me as if you were a man.
00:12:39It's a matter of a man to a woman.
00:12:47Is this the piano?
00:12:49Yes.
00:12:58Thank you.
00:13:08Do you have a key?
00:13:10My daughter keeps the key.
00:13:13And a hair clip?
00:13:16A hair clip?
00:13:18Yes.
00:13:29I'll hold it with my finger.
00:13:33No, no, no.
00:13:35Give me the hair clip.
00:13:37I've done it before.
00:13:45I see I'm dealing with someone.
00:13:48A wilder man.
00:13:52He's like this.
00:13:54A painter, a good musician,
00:13:57and an agent of a tobacco plantation.
00:14:05I'll play something for you.
00:14:07Sing something, Izdzisław.
00:14:12Little girls,
00:14:16little bells,
00:14:20little males,
00:14:24little girls.
00:14:31You're not serious, Izdzisław.
00:14:34Yes?
00:14:35What's serious?
00:14:37Tell me, Krysia.
00:14:39It's completely out of tune.
00:14:41Do you have a tuner?
00:14:43What's the problem?
00:14:46Mrs. Krystyna,
00:14:48I'd like to congratulate you on your husband.
00:14:51Thank you very much.
00:14:53When is the wedding?
00:14:55It was planned for the 25th.
00:14:57But it's Christmas Eve.
00:14:59It's a long time.
00:15:00No, on the first day of Christmas.
00:15:02I'm not writing, I'm postponing it.
00:15:05I was wondering
00:15:08whether we should do it on the first week of the carnival.
00:15:11There will be a lot of people at the wedding.
00:15:13A lot of candidates for marriage.
00:15:16Take a normal Saturday.
00:15:19A Saturday, a Sunday off.
00:15:22A Monday, and that's it.
00:15:25You know...
00:15:26Krysia, I'm going to Czechoslovakia.
00:15:29Remember?
00:15:31I know you're going to Czechoslovakia
00:15:34to see a Polish film.
00:15:36Izdzisław is going to see a film.
00:15:38How nice.
00:15:40Why don't you go with him to Czechoslovakia?
00:15:44He doesn't want to.
00:15:46No problem.
00:15:48Please.
00:15:49I said, no problem.
00:15:51Go.
00:15:52Of course.
00:15:53Why don't you go?
00:15:55I'll go.
00:15:56But I have to finish everything here
00:15:58and then I'll be able to come.
00:16:00Izdzisław is supposed to be there until the 20th.
00:16:04Who's going to prepare the wedding?
00:16:07Besides, nothing is decided yet.
00:16:09It's Christmas,
00:16:11there are a lot of candidates for marriage.
00:16:13Nothing is ordered.
00:16:15This can be done in one move.
00:16:17For you, Mrs. Krysia.
00:16:19Especially for you.
00:16:20Besides, you know what else?
00:16:22Some preparations, some...
00:16:25I can't live with Izdzisław in an apartment
00:16:28where nothing is ready.
00:16:30This renovation is a deep reserve for me.
00:16:33I'm not a woman,
00:16:35I spend my wedding nights in a hotel.
00:16:37I warn you that this is not a tragic story.
00:16:39No, no, no, Mrs. Krysia.
00:16:41I'm not sure.
00:16:42Izdzisław, get up.
00:16:44Give me your paw.
00:16:47I'll show you around the apartment.
00:16:49Please.
00:17:00What are they doing there?
00:17:02They're kissing.
00:17:04I have to tell you something.
00:17:06We were very lucky.
00:17:08There was no last resort.
00:17:10But it could have been.
00:17:11Don't lie to yourself.
00:17:12It could have been impertinence,
00:17:14it could have been an epithet,
00:17:15or even a radio station.
00:17:17If Sabina and her friend were here...
00:17:20Do you realize what we've avoided?
00:17:22Avoided?
00:17:23It's not said yet, sir.
00:17:25Fluid tells me,
00:17:26the unidentified human seventh sense
00:17:28that Sabina and her friend are on their way.
00:17:30So what do we do?
00:17:31You have to be smart, not me.
00:17:32Mr. Janek,
00:17:33can one of you go to the bedroom?
00:17:36What happened?
00:17:38I have questions for you.
00:17:40Go, take a look.
00:17:41Take out the plaster.
00:17:43Mr. Janek.
00:18:09Sir,
00:18:10I was playing a game with this sand.
00:18:13I don't know if it's going to be good.
00:18:15Sand, sand.
00:18:16What sand?
00:18:17Sir,
00:18:18I don't have time
00:18:19to play with your creative thoughts.
00:18:21If you decide,
00:18:22it will be done.
00:18:24Speaking among us,
00:18:25it's not like that yet.
00:18:27It's not like that because
00:18:28the heart of the matter
00:18:29is not whether it's going to be sand.
00:18:31I haven't decided yet.
00:18:32You don't have to decide today.
00:18:34You can give an answer tomorrow,
00:18:35or even the day after.
00:18:37I'll tell you now.
00:18:38I'll tell you differently.
00:18:39I'll tell you even differently.
00:18:41I have a dream
00:18:42and I'd like to inspire you.
00:18:47Inspire me?
00:18:52You have very high aspirations.
00:18:56I'm very sorry
00:18:57that I spoke like that
00:18:58without precedence.
00:19:00Sir, I'm honest
00:19:01and I speak like a Pole.
00:19:04That's nice,
00:19:05that's good.
00:19:06But personally,
00:19:07I don't think
00:19:08there would be a hurry.
00:19:11Excuse me?
00:19:12Yes?
00:19:13Thank you very much.
00:19:15But you don't trust me.
00:19:16I don't know you,
00:19:17so I know you partially.
00:19:19But we understand each other.
00:19:22I'm not Pruderyk, sir.
00:19:24What are you trying to say?
00:19:28Actually,
00:19:29I'm not able to answer.
00:19:30No, sir, no, no.
00:19:31Actually,
00:19:32the word, actually,
00:19:33it's not sand.
00:19:34Actually,
00:19:35what does it mean?
00:19:36It's a minus.
00:19:37As they say in Warsaw,
00:19:38a circus,
00:19:39so something came out of it.
00:19:40There must be
00:19:41absolute purpose in everything.
00:19:43Taking into account
00:19:45the duty
00:19:46I'm responsible for,
00:19:49the honor of a painter,
00:19:51the steel military discipline at work,
00:19:56I'm forced to thank you.
00:19:59Thank me for what?
00:20:01I don't know a painter
00:20:02who would refuse.
00:20:04That's a good suggestion.
00:20:06Krysiu!
00:20:08Let me talk to him for a moment.
00:20:19Excluded.
00:20:20What?
00:20:21I said excluded.
00:20:24Excuse me?
00:20:25I said excluded already.
00:20:27Excluded already.
00:20:33Someone is very rude here.
00:20:36Miss Janka,
00:20:38let me see if my friend
00:20:39can deal with plaster.
00:20:41All right?
00:20:48You know, Krysiu,
00:20:50I'm from Oman.
00:20:52That's strange.
00:20:53Yes, it is.
00:20:55Yes, it is.
00:20:56I'm the first one
00:20:57to come to this house.
00:20:58And I'm greeted by affront.
00:21:00What are you talking about?
00:21:03I come out
00:21:04with a certain initiative,
00:21:06right?
00:21:07Not because it's bad,
00:21:08but because it's good.
00:21:10If you don't understand that,
00:21:12you're obviously
00:21:14thick-skinned.
00:21:19It's a pity I have to let you go.
00:21:22Please leave.
00:21:23Leave.
00:21:26I'm leaving.
00:21:27Please.
00:21:30Stay.
00:21:38Hug me.
00:21:41It's hard for me
00:21:42to hug you right now.
00:21:45These are, Krystyna,
00:21:46men's stories.
00:21:48You shouldn't interfere
00:21:49even if a man
00:21:50isn't right.
00:21:52Hug me.
00:21:55Hug me.
00:21:57All right.
00:21:59Give me a kiss.
00:22:04If you want to rule,
00:22:05ask Mr. Stasia
00:22:06to send him to the shop.
00:22:09It doesn't have to be Mr. Stasia.
00:22:10I can do it myself.
00:22:12Then we'll go together.
00:22:15As you wish.
00:22:16We'll be right back, gentlemen.
00:22:22I'll be right back.
00:22:29I'm drenched like in London,
00:22:32in complete darkness.
00:22:34Do you think I'm sweaty like a church mouse?
00:22:36Why do you think you're sweaty?
00:22:38I feel like...
00:22:40ping-pong.
00:22:42I have to
00:22:45use the phone.
00:22:49Call me.
00:22:51I feel sorry
00:22:52for the poor girls.
00:22:53Such a pleasure they missed.
00:22:58They lost a lot.
00:23:00But unfortunately,
00:23:01that's the truth.
00:23:04I feel sorry for them.
00:23:15I have better news for you.
00:23:17The power plant isn't working anymore.
00:23:20What?
00:23:24What do we have left?
00:23:27As much as a geologist should have.
00:23:29To make a good face for a bad game.
00:23:34Everything went as it should.
00:23:36Already in the fridge,
00:23:37that is, in the water,
00:23:38with raspberry juice.
00:23:44Give me a fresh newspaper.
00:23:45This one is mint.
00:23:47Here's a worthy deed
00:23:49of Baltazar's honor.
00:23:52Mrs. Zdzisław,
00:23:53will you allow me to kiss
00:23:55your lovely hand in a cultural way?
00:23:58As you wish.
00:23:59Mrs. Krystyna,
00:24:00will you allow me to kiss your beautiful hand?
00:24:02No, no.
00:24:03Not from the top,
00:24:04but from the bottom.
00:24:07You allow yourself too much.
00:24:09From my point of view,
00:24:10politeness and piquancy
00:24:11don't appear in my head.
00:24:13I only surround
00:24:14my emotions,
00:24:15my imagination
00:24:16with the beautiful world of women.
00:24:18The miracle of this earth
00:24:19is the beautification of the world.
00:24:21The beauty of one's body
00:24:23fascinates,
00:24:24fascinates.
00:24:25What are you talking about, Mr. Janek?
00:24:27Fascinates with the greatness of thought,
00:24:29with the wisdom of raising children,
00:24:31with the wonder of looking at a woman.
00:24:35The goddess of happiness
00:24:37is in every direction.
00:24:39The good hostess of the house
00:24:40has a great experience
00:24:42in the heart.
00:24:43You are quite strange,
00:24:44like a chick for spring.
00:24:46Why?
00:24:47This is not a fantasy,
00:24:48this is not the invention
00:24:49of mental hallucinations.
00:24:50My opinion of women
00:24:52is additional.
00:24:54And Mickiewicz, right?
00:24:56He was not right.
00:24:57A woman is a waste of air.
00:24:59A great man.
00:25:00Was he right?
00:25:01Sir, don't worry so much.
00:25:03Intelligence keeps me on my feet,
00:25:06enlightening me with culture,
00:25:07enlightening me
00:25:09with full understanding.
00:25:11Sir,
00:25:13sir,
00:25:16Mickiewicz,
00:25:21yes,
00:25:23he was a very outstanding Pole
00:25:25and a man who shits on his own literary tradition
00:25:28is a piece of shit.
00:25:29You have to agree with this.
00:25:30What?
00:25:31What?
00:25:32What?
00:25:33You have a terrible look in me
00:25:34like a sword blade.
00:25:35Zdzisław is also a bit of a romantic.
00:25:38Poles' dreams
00:25:40are always romantic.
00:25:43What a man would like to have.
00:25:48And what can I dream of?
00:25:50I have never met such a beautiful woman.
00:25:53How so?
00:25:55He said he had such beautiful women
00:25:57that his friends died of jealousy.
00:26:00What?
00:26:01What?
00:26:02You have to be handsome like you used to be.
00:26:05Sasiu, you'd better go to bed.
00:26:13Good, good, good.
00:26:14It's good that it's cold.
00:26:15It's good that it's cold.
00:26:16Good, good, good.
00:26:17You'll be under the roof.
00:26:20Why are your hands shaking so much?
00:26:22Nerves.
00:26:26Well, that's symbolic.
00:26:28Fair enough.
00:26:30For this.
00:26:32For this.
00:26:33For this repair, indeed.
00:26:35Eh, what repair?
00:26:36The repair will be done.
00:26:38The repair will be done.
00:26:40The repair will be done.
00:26:42The repair will be done.
00:26:44To the health of the young couple.
00:26:46Mr. Young and Mr. Young.
00:26:48What will I do if I fall in love?
00:26:50Nothing.
00:26:51I'm free.
00:26:52All the best.
00:27:06My daughter has a paid apartment.
00:27:09An 18-year-old child,
00:27:11whom I receive at the Żoliborz Gardens this year.
00:27:14My son has two rooms with a dirty kitchen.
00:27:16I've worked all my life.
00:27:18I've given up my youth.
00:27:20And now I have to marry the man I love.
00:27:25No, no, no.
00:27:27Krzysiek, don't cry.
00:27:28Don't cry.
00:27:29Give me your paw.
00:27:30You're a nice woman.
00:27:31There, there.
00:27:32Sit down, sit down.
00:27:40Gentlemen, are you dissatisfied in any way?
00:27:45No, why?
00:27:46Everything is so-so.
00:27:48Or a pause.
00:27:50I'll tell you something.
00:27:52When you drink,
00:27:54you look at the ceiling.
00:27:56Are you always so sad?
00:27:58Because I'm not happy.
00:27:59Maybe you're a complainer.
00:28:01We Poles are always complainers.
00:28:03I'm also a complainer.
00:28:05Everything comes to you lightly.
00:28:07What does lightly mean?
00:28:08You're protected everywhere.
00:28:10A beautiful woman gives you feelings
00:28:12and you're going to Czechoslovakia.
00:28:16Here you are.
00:28:20This lady is very nice to me.
00:28:25And this lady, as she says,
00:28:30as she feels,
00:28:33as she is,
00:28:35if it's true,
00:28:38well, no woman has ever loved you.
00:28:42Jakub Cuxwierer.
00:28:44I was charming as a German.
00:28:48I was very liked by women.
00:28:50Red belt, black letters,
00:28:52train conductor.
00:28:53All my buttons were shining
00:28:55like in the Lampasa army.
00:28:57And the Warsaw women,
00:28:58as they liked me,
00:28:59in steam locomotives,
00:29:00on the steps,
00:29:01on the bridges,
00:29:03in wagons and on the wagons,
00:29:04in the winter period.
00:29:06I was very well-dressed.
00:29:09Really?
00:29:11When a woman is seen with her eyes,
00:29:14she reacts immediately.
00:29:16Krysiu, is it possible?
00:29:18Mr. Janek,
00:29:19please tell me
00:29:20what will happen to the terracotta?
00:29:22It will lay down.
00:29:23It will lay down completely.
00:29:25Mr. Stasiuk,
00:29:26why are you pouring so much?
00:29:27Will you turn over normally?
00:29:29Jesus!
00:29:30So far I haven't turned over
00:29:33and I hope I won't do it again.
00:29:36No, it's not an argument.
00:29:38Well,
00:29:40let's finalize the matter
00:29:42and get to work.
00:29:45Thank you very much for your attention.
00:29:47Wait, wait, sit down, sit down, sit down, sit down,
00:29:49sit down, sit down,
00:29:50Mr. here, here.
00:29:51Krysiu, what is it?
00:29:52Tell the gentlemen what's going on.
00:29:54Listen, my dear,
00:29:55dear friends,
00:29:56my dears,
00:29:57thank you very much.
00:29:58Wait a minute, Krystyna,
00:29:59we have just settled down
00:30:00and we have to get up.
00:30:01What's going on?
00:30:02There is a fire.
00:30:03Mr. Stanislaw,
00:30:04don't distract the gentlemen from their work.
00:30:06You will still have the opportunity
00:30:07to discuss with Mr. Janek.
00:30:09You will meet at the wedding.
00:30:10Thank you very much.
00:30:11And when are we supposed to meet?
00:30:12Well, sir,
00:30:13it will be as scheduled.
00:30:14Yes,
00:30:15except that I won't be like this.
00:30:16For me, it doesn't matter.
00:30:18You can come in a shirt.
00:30:19No,
00:30:20I will be in Stanislaw's brother's smock.
00:30:22The necessity on my part
00:30:23is to look like a queen at your wedding,
00:30:25because you are a princess,
00:30:28dear Mrs. Krystyna.
00:30:29I don't care about that.
00:30:30No, no, no, Krysiu,
00:30:31it seems to me
00:30:32that it should be done modestly.
00:30:34And if modestly,
00:30:35I don't have to borrow a smock
00:30:37from Stanislaw's brother.
00:30:39I think that Mr. Stanislaw is right
00:30:41that he wants to do it modestly.
00:30:43Modestly?
00:30:44How modestly?
00:30:45Leave me alone.
00:30:46I don't give a damn.
00:30:47And what am I going to do with this money?
00:30:50What are we going to do?
00:30:51Dzisiu,
00:30:52I've been waiting for such a husband for so many years
00:30:54and what,
00:30:55am I going to put him in a bun?
00:30:56Yes, yes,
00:30:57if I have 10-20 years of life ahead of me,
00:30:59what am I going to have fun with?
00:31:01And leave me alone,
00:31:02I don't want to.
00:31:03I told you,
00:31:04I want to live.
00:31:05I want to reflect the wasted years.
00:31:07Give me a bench.
00:31:08Damn, no, no, no,
00:31:10none of these things.
00:31:11I want to have fun,
00:31:13invite your friends.
00:31:15But don't overdo it.
00:31:16Three times a month,
00:31:17that's how I calculated it,
00:31:18you'll have it for your friends.
00:31:20What, what?
00:31:21Stanislaw,
00:31:22I want to have fun,
00:31:23invite your friends,
00:31:25I want us to receive guests.
00:31:27But don't overdo it.
00:31:28Don't overdo it.
00:31:29You don't have to spend more,
00:31:30just a litre on the head and that's it.
00:31:33And what of it?
00:31:34And what of it?
00:31:35And the guest stays normally for two days,
00:31:37so the next day is free.
00:31:39That's right, Stanislaw.
00:31:41Let him keep these remarks to himself.
00:31:44I may not take a vote.
00:31:47I can see it.
00:31:49I can see Zdzisław
00:31:51in this house
00:31:52with his mistress.
00:31:53No, no, no, no,
00:31:54no, no, no, no,
00:31:55I'll show him I won't take a vote.
00:31:58You will.
00:31:59You will.
00:32:00No, no, no, no,
00:32:01He'll wish for a breakfast at the inn.
00:32:03No, no, no, no,
00:32:04I'll get him used to it,
00:32:05so will his mistress.
00:32:07Two ladies will knock at the door in the morning,
00:32:09you'll just say at what time,
00:32:11right, Lidia?
00:32:12No, no, no, no,
00:32:13no, no, no,
00:32:14I want to live intensively.
00:32:16Oh, Mrs Krystyna,
00:32:17you must be careful with that.
00:32:18And when the cherry blossoms fall,
00:32:20you'll smash it to the ground,
00:32:22because it's not those years anymore.
00:32:24A friend has spoken,
00:32:26God bless him.
00:32:28Mr Janek,
00:32:29you're doing me such a favor
00:32:30that it's the end of the world.
00:32:32No, no, no,
00:32:33because it's a certain risk.
00:32:34If you don't want to be my enemy,
00:32:36please don't say that.
00:32:38But I say it with all my heart.
00:32:39But with all your heart,
00:32:40Krysiu,
00:32:41you won't be any enemy,
00:32:43because Mr Janek
00:32:44is truly Mr Janek.
00:32:46And he won't embarrass you in front of people,
00:32:49and he won't burn something at the top of the palace
00:32:51at the end of the wedding.
00:32:52In the palace?
00:32:53Yes, yes, yes, yes.
00:32:54I personally think
00:32:55we'll have a banquet in the palace.
00:32:57It's terrible, so stiff.
00:32:59There, in that souterrain.
00:33:01But it depends on who will be there.
00:33:03It's always stiff.
00:33:05I've already been there.
00:33:06But it depends on the guest, Krysiu.
00:33:08And there you go down to the wine lamp.
00:33:09That's right.
00:33:10But it's only for those
00:33:11who make wishes.
00:33:13That's right, and we...
00:33:14And we...
00:33:15I'm a star!
00:33:16Listen!
00:33:18Ten cars, four people each,
00:33:20and we have 40 guests.
00:33:22Krystyna,
00:33:23but let's be honest right now.
00:33:25How many guests do you want to have?
00:33:26Okay?
00:33:27Because for me,
00:33:28it's rather a small expedition.
00:33:29And right now,
00:33:30I see that in this whole story,
00:33:31from my side,
00:33:32there will be,
00:33:33well, I don't know,
00:33:34four, five,
00:33:35and I don't want more at all.
00:33:36I don't want more.
00:33:37I don't have any friends.
00:33:38And you know that, Krysiu.
00:33:40You know that.
00:33:42Krzysiu,
00:33:43that's not true.
00:33:45We have Irena from Wrocław.
00:33:47We have many other people.
00:33:49You know what?
00:33:52I really like you.
00:33:55I would like
00:33:57it to be something so beautiful.
00:33:59But maybe in another place,
00:34:01in another city,
00:34:02we'll do it.
00:34:03Zakopane?
00:34:04No, no, definitely not.
00:34:05Sopot?
00:34:06No, no, Sopot isn't good either,
00:34:07because there's a cathedral.
00:34:08There's a cathedral in Wawel, in Krakow.
00:34:09But I don't know
00:34:10if they have weddings there, ma'am.
00:34:11Well, there's the bell of Sigmund.
00:34:13It's a church.
00:34:15Listen,
00:34:16maybe we'll go to Czechoslovakia.
00:34:19That's also good.
00:34:20Yes!
00:34:21Yes!
00:34:22It's a wonderful idea.
00:34:24We'll do it in Czechoslovakia.
00:34:27No, no, no.
00:34:28They won't let you get married there.
00:34:30No, they won't.
00:34:31They will.
00:34:32In the embassy.
00:34:33No, no, no.
00:34:34They're getting married.
00:34:35In the embassy.
00:34:36Yes, yes.
00:34:37You're getting married in the embassy.
00:34:38We'll do it.
00:34:39And the ambassador himself is getting married.
00:34:42I don't want it to be stiff.
00:34:45Listen,
00:34:46I'd like it to be with sentiment.
00:34:48I have so much sentiment in me.
00:34:50After all,
00:34:51with getting married,
00:34:52I wouldn't have any difficulties.
00:34:54On a donut,
00:34:55on a donut,
00:34:56on a donut.
00:34:58What an artist you are.
00:35:00That's what counts.
00:35:02Mr. Zdzisiu,
00:35:03do you realize
00:35:04what a blessing you've met?
00:35:06Yes.
00:35:07Krystyna,
00:35:08do you know what I see right now?
00:35:14I see Mr. Janek,
00:35:16how Mr. Janek sees
00:35:18how I fly up to the mountains
00:35:21in a plane,
00:35:22a jet plane.
00:35:24And Mr. Janek sits down
00:35:26and waves his hand
00:35:28and thinks that he sees himself like that.
00:35:32And I'm pleased.
00:35:34Mr. Janek,
00:35:36Mr. Janek,
00:35:37my friends are my friends.
00:35:42You will also be in this plane
00:35:44and we will all fly up
00:35:46to the sun.
00:35:48After all this mess,
00:35:50we take our loved ones
00:35:52and we fly.
00:35:54But where?
00:35:56No matter what,
00:35:57we'll find out on the spot.
00:35:59Here you are,
00:36:00we'll find out on the spot.
00:36:14Quiet, quiet.
00:36:15A bell.
00:36:19No,
00:36:21it seemed to me.
00:36:23No, a bell, a bell,
00:36:24there was a bell.
00:36:25Nothing comes to mind.
00:36:31A bell again.
00:36:37Mr. Janek, you will be kind.
00:36:39Mr. Stasiuk, you will be kind.
00:36:41Me?
00:36:42Why me?
00:36:44You will create,
00:36:45if you are so wise.
00:36:46Gentlemen,
00:36:47they are bidding in some way.
00:36:49Gentlemen,
00:36:53I'm sorry,
00:36:54I have to use the table.
00:36:56I'll use it too.
00:36:58Gentlemen,
00:36:59I'm sorry,
00:37:00I have to use the table.
00:37:29I'm sorry.
00:37:47And where are the painters?
00:37:50They went to the toilet.
00:37:53Who was it?
00:37:54Nobody.
00:37:55They have to turn off the hot water.
00:37:59Why are you so hopeless?
00:38:02Me?
00:38:03Yes, you.
00:38:05I think.
00:38:08I think,
00:38:09so I am.
00:38:13So, as they say,
00:38:14cogito ergo sum.
00:38:19I think,
00:38:20Krystyna,
00:38:22that sometimes it's like
00:38:24I don't exist anymore.
00:38:27I think so,
00:38:28when I think.
00:38:30They didn't have money,
00:38:32but they had time.
00:38:36The utility of a social manager
00:38:38is obvious.
00:38:40The utility of an artist
00:38:42is problematic.
00:38:45Then you need a woman
00:38:47who is soothingly sentimental.
00:38:50Soothingly sentimental,
00:38:52that's the only word.
00:38:54That's the only word.
00:38:57All women
00:38:58are soothingly sentimental.
00:39:02After all,
00:39:03life is not that easy.
00:39:05There are 13,300 elements.
00:39:08What kind of women did you have?
00:39:11Maybe it will surprise you,
00:39:13but I think there were.
00:39:17Women in my life
00:39:18who played some role.
00:39:20What kind?
00:39:21What kind?
00:39:22The same.
00:39:24It depends
00:39:25which way you look at it.
00:39:28But they took money out of your pocket.
00:39:31And very well,
00:39:32because they were poor girls.
00:39:34When they feel the force,
00:39:35they know you.
00:39:36I am, contrary to appearances
00:39:37and circumstances,
00:39:38terribly happy.
00:39:39A decent woman
00:39:40would have taken you
00:39:41to the dentist
00:39:42a long time ago.
00:39:53This is
00:39:56a personal divorce.
00:40:00Besides,
00:40:01I am not 20 years old.
00:40:03Besides,
00:40:04you are not 20 years old.
00:40:07I am who I am,
00:40:08but
00:40:09I can stand it.
00:40:15I wonder
00:40:17if it is possible
00:40:19to change my life.
00:40:21What?
00:40:23It is not possible.
00:40:25I do not believe
00:40:26in mental altercations.
00:40:28Where can you find
00:40:29another stupid idiot?
00:40:32I will not look for her.
00:40:34You are the last woman
00:40:36in my life.
00:40:38Maybe the last one
00:40:39is too much.
00:40:41I think,
00:40:42Krystyna,
00:40:44that I should be alone.
00:40:47You know,
00:40:48what do you think?
00:40:52I cannot sleep with a woman.
00:40:57I hate sleeping with a woman.
00:41:00I sleep alone.
00:41:02I do not know.
00:41:03I can stretch my leg
00:41:04one way or another,
00:41:07but when someone hugs me,
00:41:09I feel hot,
00:41:11stuffy.
00:41:13I do not know.
00:41:14I am not a woman.
00:41:16Maybe women like
00:41:17to sleep with anyone,
00:41:18but I hate
00:41:19sleeping with anyone.
00:41:22I do not like
00:41:23to sleep alone.
00:41:28I like to sleep alone.
00:41:32With anyone?
00:41:35I am sorry.
00:41:36I am very sorry.
00:41:38You are sitting,
00:41:39you are hot,
00:41:40and I am making your life.
00:41:42I am buying a flat,
00:41:44I am making your life,
00:41:46I am giving up your taste,
00:41:47I am agreeing with everything,
00:41:48I am giving you free money,
00:41:50I am like a hen
00:41:52I am whiting you
00:41:53even in front of my own children,
00:41:54and you are telling me such things.
00:41:56You are crazy.
00:41:57Yes, I am.
00:41:58I am crazy, Krystyna.
00:42:00Do not be angry.
00:42:01It would make your head spin.
00:42:03Do not be angry.
00:42:04Do not be angry
00:42:05that I am always
00:42:06being fooled,
00:42:07old and still stupid.
00:42:08I will give you back
00:42:09everything you have given me.
00:42:10I am very curious.
00:42:11How?
00:42:12Everything.
00:42:13How much?
00:42:14More than money.
00:42:15More than money?
00:42:16Certainly not.
00:42:17Besides,
00:42:18please,
00:42:19pay me.
00:42:20But that is not
00:42:21what it is all about.
00:42:23Pay me for this shame,
00:42:24for this mockery,
00:42:25for being so terribly disappointed
00:42:27in you.
00:42:28Pay me!
00:42:29At a certain age,
00:42:31emotional investments
00:42:33are unethical
00:42:35and unfair.
00:42:41You can lose your mind
00:42:43when you are 18
00:42:46or for someone
00:42:47who is 18.
00:42:53Oh, you bastard.
00:42:55If you want to
00:42:57slap me in some way,
00:42:59I prefer you to spit in my face.
00:43:13I love you.
00:43:16I love you.
00:43:19I love you.
00:43:22I love you.
00:43:43I love you.
00:43:59Why should an artist
00:44:01disturb the audience?
00:44:05If an artist disturbs the audience,
00:44:08the disturbed audience
00:44:10will leave the theatre,
00:44:12take a bus,
00:44:13a tram,
00:44:14or a taxi,
00:44:17if she is more wealthy.
00:44:20And the disturbed one
00:44:21will go home.
00:44:23And that's the end of the story.
00:44:33Oh, you bastard.
00:44:37What is this?
00:44:40In the whole country.
00:44:42Oh, you bastard.
00:44:45I hate you.
00:44:47I hate you.
00:44:51I hate you.
00:45:00Do you believe
00:45:01I will catch a wild duck?
00:45:04I believe you.
00:45:05And a hare?
00:45:06Why not?
00:45:08Why not?
00:45:11Thank you very much.
00:45:14And back to politics.
00:45:18Do you know
00:45:20how many gangs there are in Japan?
00:45:22I'm curious.
00:45:24150,000 people.
00:45:27What a hardworking nation.
00:45:30Excuse me,
00:45:31is this washable?
00:45:33It will come off.
00:45:35Japan, Japan, Japan.
00:45:37You know, India is a big country.
00:45:41And with us, it's even very big.
00:45:45Even with them, we are Europe.
00:45:48Let's agree that
00:45:49India is a completely separate topic.
00:45:51First of all,
00:45:53how can a normal person
00:45:54exist in a turban on his head
00:45:56and in such a heat?
00:45:57Because you're warming up there.
00:45:59In general, such Hindus are
00:46:01neither white nor black.
00:46:02It's not known
00:46:03how to talk to such a person.
00:46:05You take into account
00:46:07the beautiful Hindu world of India.
00:46:09Since we are so familiar
00:46:11with the situation...
00:46:13Wait a minute.
00:46:14Let's separate two things.
00:46:16Love and politics.
00:46:19Returning to the topic.
00:46:21If they believe in cows,
00:46:25it probably means something.
00:46:28Specifically, what do you mean?
00:46:30Specifically, nothing.
00:46:32Listen.
00:46:33If an adult person
00:46:35wears rags on his head
00:46:37or lies on his nails all day,
00:46:39he has no chance with me.
00:46:43I disagree.
00:46:44A person is judged
00:46:46by his behavior
00:46:49and eroticism.
00:46:52How about a gasoline dispenser?
00:46:54No, it's a waste of face.
00:46:57You're right.
00:46:59A person makes money
00:47:00with his face on his face.
00:47:02There will be no prostitutes.
00:47:04He'll go to the wedding himself.
00:47:07I'm sorry to observe you
00:47:09in this way,
00:47:11but why are you laughing?
00:47:13When I look at you, I have to.
00:47:16A woman doesn't always
00:47:18shine with the form
00:47:20of her mental qualifications.
00:47:22She did it
00:47:23from the speed of thought,
00:47:25from the vibration of the mind.
00:47:28Yes,
00:47:30if you think about it,
00:47:32we all got,
00:47:34as you say,
00:47:36the vibration of the mind.
00:47:38I'll tell you more.
00:47:40I understood it before.
00:47:42Since this world is crazy,
00:47:44a clown leaves the stage.
00:47:49And that's when I met
00:47:51Miss Krystyna.
00:47:53She demands only one thing from me.
00:47:55I don't want to be a pig
00:47:57in front of her.
00:47:59I don't want to be a pig
00:48:01in front of her.
00:48:03You can't.
00:48:07Everything is good
00:48:09that serves to victory.
00:48:11That is,
00:48:12all grips are allowed,
00:48:14regardless of being honest
00:48:16to yourself
00:48:18and your closest family.
00:48:21I personally
00:48:22agree with that.
00:48:25Thank you.
00:48:34And what would the manager say
00:48:36if here,
00:48:38at this moment,
00:48:40two women
00:48:42appeared?
00:48:45Only two?
00:48:47Well, two beauties.
00:48:51Okay, but what for?
00:48:56And the spiciness
00:48:58doesn't appear in your head?
00:49:03No, no, no.
00:49:05Definitely not.
00:49:14What worries me the most,
00:49:16gentlemen,
00:49:18is longing.
00:49:22As the years go by,
00:49:24the longing
00:49:26gets less and less.
00:49:28My heart is beating.
00:49:30Yes, it is.
00:49:32There's no need to lie.
00:49:34And in this situation,
00:49:36Miss Krystyna would be
00:49:38a husband to me.
00:49:46And how old is she?
00:49:48My nice
00:49:50capitalist?
00:49:52How much does spring count?
00:49:55I have 4.4,
00:49:57and she gives me 4.7.
00:50:00Well,
00:50:02you look serious.
00:50:09You are very nice,
00:50:11very nice.
00:50:13Sir,
00:50:15I met this lady
00:50:17by chance,
00:50:19and she, you know,
00:50:21before I realized it,
00:50:23she offered me this kind of situation.
00:50:25I mean, our life.
00:50:27That she is in this situation.
00:50:29That she should be my
00:50:31Georges Saint.
00:50:34Everyone should be
00:50:36such a Miss Georges Saint,
00:50:38whom he deserves.
00:50:40And what do you risk?
00:50:42I consider
00:50:44appearance
00:50:46and mental values.
00:50:48No, no, when it comes to
00:50:50appearance,
00:50:52she has cold feet.
00:50:58Let's call it
00:51:00a transaction.
00:51:02In the perspective of time,
00:51:04would it be good
00:51:06or bad?
00:51:08What kind of transaction?
00:51:11Marriage.
00:51:14Because I don't know
00:51:16my character so well yet,
00:51:18I don't know
00:51:20how it could end.
00:51:22And what do you think about it,
00:51:24Mr. Stasiuk,
00:51:26because you are younger than me,
00:51:28don't you think?
00:51:30I'm not enigmatic.
00:51:32I wouldn't want
00:51:34to break something.
00:51:36Sir, I'm wondering
00:51:38about one thing at the moment.
00:51:40Let's say I got married.
00:51:42I got married.
00:51:51You became a skydiver.
00:51:55Excuse me?
00:51:57A skydiver.
00:51:59That's right.
00:52:01Let's say I did it
00:52:03in my imagination.
00:52:05But in fact
00:52:07it's important
00:52:09whether she could be
00:52:11a friend or not.
00:52:13I don't care
00:52:15how she looks,
00:52:17how she dresses,
00:52:19how she speaks.
00:52:21I don't take it into account.
00:52:23In all this
00:52:25there could be
00:52:27a brilliant friendship.
00:52:29You know what I mean?
00:52:31What is friendship?
00:52:33I'm curious.
00:52:35I'm hungry.
00:52:37Can you give me
00:52:39something to eat?
00:52:41I'm very nice and very good.
00:52:43What will she benefit from it?
00:52:47I'm the best kisser in Poland.
00:52:51Benefit?
00:52:53Regret.
00:52:55Deception.
00:52:57I don't know women.
00:52:59I'm only terrified
00:53:01by the problem of an aging woman.
00:53:03Janek,
00:53:05do you realize
00:53:07how old you'll be when you're 60?
00:53:09I know
00:53:13I'll be 60 too
00:53:15and I'll be a gynecologist.
00:53:17I'll imagine
00:53:19Mr. Stasz
00:53:21when he's 70.
00:53:23Mr. Stasz,
00:53:25do you realize
00:53:27what you'll be?
00:53:29What, did I kill my mother and father
00:53:31to get to 70?
00:53:33I'd rather be short but happy.
00:53:35Wait a minute.
00:53:37You can plan it
00:53:39from the top,
00:53:41with a lot of premeditation.
00:53:43Why do I care?
00:53:45Let's take a thing like a donkey.
00:53:47A donkey,
00:53:49ladies and gentlemen.
00:53:51A woman.
00:53:53No, not a woman.
00:53:55An authentic donkey.
00:53:57She can sit in a beer,
00:53:59get drunk in a glass of Coca-Cola
00:54:01or raspberry juice.
00:54:03And that's the end of the story.
00:54:05I don't know if in the category
00:54:07of a fly, a cicada, a scorpion, a tarantula
00:54:09a donkey is,
00:54:11I mean, isn't,
00:54:13the greatest danger.
00:54:15In Europe.
00:54:17That's right, a donkey, ladies and gentlemen.
00:54:19A Dutchman.
00:54:21Why don't oranges grow here?
00:54:23Let's say you're making money.
00:54:25You own a villa with a garden,
00:54:27a car, let's call it luxury,
00:54:29a wife with a big bust,
00:54:31and you're thirsty.
00:54:33And you drink juice,
00:54:35water with essence,
00:54:37and all of a sudden,
00:54:39you have a small creature in your throat
00:54:41and you suffocate.
00:54:43No, no, no.
00:54:45That's fate.
00:54:47Accidents happen to people.
00:54:49They do, they do.
00:54:51But there's a heroic death,
00:54:53a hopeless one, a stupid one.
00:54:55And so on and so forth.
00:54:57And there's a difference,
00:54:59eighteen hundred.
00:55:01And there's a narrow one, sir,
00:55:03grey, green, and blue with a shiny head?
00:55:05There is.
00:55:07It's more emotional.
00:55:09A man should be modest with it.
00:55:13You go to the forest and eat a sloth.
00:55:15A man of death
00:55:17doesn't choose.
00:55:19Ah, doesn't choose.
00:55:21Doesn't choose, doesn't choose.
00:55:23I don't know if he doesn't choose.
00:55:25Yes.
00:55:27Because love disturbs us a lot
00:55:29in this life.
00:55:31In which we're heading
00:55:33to death,
00:55:35living amazingly.
00:55:39Amazingly.
00:55:43That's what it's about.
00:55:45To be amazing.
00:55:53When something is light,
00:55:55life is not always as it should be.
00:55:59You know, I'm most
00:56:01troubled by the fact
00:56:03that I'll be, I mean,
00:56:05I'd be so rich.
00:56:07Thanks to your capitalism.
00:56:09That's right.
00:56:13Even the devil
00:56:15will give birth to a rich child.
00:56:17Like a poor man in a dance.
00:56:19It's an orchestra of
00:56:21shits.
00:56:23Yes.
00:56:25Money,
00:56:27isn't it, is a luxury.
00:56:29It gives life
00:56:31great emotions in every way.
00:56:33Sir,
00:56:35the point is
00:56:37that everything is good
00:56:39that serves to
00:56:41in the end, if authentically,
00:56:43if the man has already
00:56:45chosen
00:56:47to be good.
00:56:49To be good.
00:56:53And it's not about
00:56:55the career,
00:56:57no.
00:56:59The point is
00:57:01to realize
00:57:03some kind of
00:57:05dreams.
00:57:07It's not about
00:57:09the man appreciating me.
00:57:11No.
00:57:13The point is
00:57:15that I know
00:57:17I haven't wasted my life.
00:57:19I'm sorry, gentlemen.
00:57:23Sir,
00:57:25are you crying?
00:57:29Yes, sir,
00:57:31I'm crying.
00:57:35We could have
00:57:37an extra-marital relationship.
00:57:39A second chance
00:57:41may not come.
00:57:43Beautiful conditions,
00:57:45a room,
00:57:47a car,
00:57:49a house,
00:57:51a girl,
00:57:53a room, everything.
00:57:55And what?
00:57:57It's a melange.
00:57:59Mr. Stasiuk,
00:58:01to know that something is sweet
00:58:03and not to try it is absurd.
00:58:21A necessity is
00:58:23a necessity.
00:58:27A diplomatic escape.
00:58:31What?
00:58:33Iron is necessary
00:58:35if you want to have a luxury
00:58:37with a body friend.
00:58:39Sir, I can't laugh.
00:58:41They show up here,
00:58:43and this one is not a match.
00:58:45Bare,
00:58:47anti-feminine,
00:58:49Indian.
00:58:51Sir,
00:58:53what is it like?
00:58:55What's the hurry?
00:58:57We'll dry Mr. Zdzisław
00:58:59under the iron, he'll dry up,
00:59:01he'll fall on his knees
00:59:03and apologize for his happiness.
00:59:05And if he doesn't?
00:59:07Unfortunately,
00:59:09it will be explained to him
00:59:11so that his nature will turn for the better,
00:59:13that is, for our benefit.
00:59:15You don't know
00:59:17great diplomacy,
00:59:19sir.
00:59:21Well, well,
00:59:23what is it?
00:59:25Great diplomacy is
00:59:27Mr. Poker,
00:59:29spying with one joker.
00:59:31Take care of it.
00:59:37Sir,
00:59:39this is
00:59:41old fox,
00:59:43imaginative art.
00:59:47And?
00:59:55And how?
01:00:01Beautiful.
01:00:05But what a weak man
01:00:07he is.
01:00:11What a weak,
01:00:13fragile creature.
01:00:17People are demoralized,
01:00:19in my opinion.
01:00:23We're losing our way,
01:00:25for heaven's sake.
01:00:27One says,
01:00:29the other says,
01:00:31what are you, stupid?
01:00:33It's a crisis.
01:00:35And you know,
01:00:37when you go to the toilet,
01:00:39one asks the other,
01:00:41how much did you pay
01:00:43for that hole
01:00:45I decided,
01:00:47Jasiu,
01:00:49shoot the walls in gold,
01:00:51the ceiling in violet,
01:00:53all according to the wishes
01:00:55of Mrs. Krestynka.
01:00:57Kotari, let there be
01:00:59purple caroling.
01:01:01It's a wonderful thing.
01:01:03It doesn't concern me anymore.
01:01:05I'll stand upright
01:01:07in front of my eyes.
01:01:09No, no, Jasiu,
01:01:11this is the fifth, maybe eighth,
01:01:13proof that I should be
01:01:15authentically alone.
01:01:17You say, in the heat,
01:01:19in the chaos of thinking,
01:01:21but the flames have engulfed you.
01:01:23Janek, a man is not a slave.
01:01:25If you agree with me,
01:01:27it's not his.
01:01:29No slave has created anything yet.
01:01:31A man must be financially independent.
01:01:33A man must be
01:01:35authentically free.
01:01:37Like every woman,
01:01:39she will require
01:01:41a certain stabilization,
01:01:43a certain planning of life.
01:01:45I don't want that.
01:01:47Stabilization destroys your personality,
01:01:49takes away your fantasies,
01:01:51cuts your wings.
01:01:53Think before you decide
01:01:55to turn around.
01:01:57What is a turn around?
01:01:59A man stands in front,
01:02:01then makes a backward turn,
01:02:03but this backward turn
01:02:05can also be a turn around.
01:02:07A man looks.
01:02:09blink, blink, blink...
01:02:11eyes are gay.
01:02:13special signs?
01:02:15no signs like
01:02:17AB629458
01:02:19hop, hop, hop...
01:02:21hop-hop-hop
01:02:23hop-hop
01:02:25But, heaven,
01:02:27having a quiet view of life,
01:02:31it's not impossible...
01:02:33No, Janek, no.
01:02:35I don't want to play.
01:02:37I want to be! Do you understand? To be!
01:02:40But it is necessary that you apologize to Mrs. Krystyna in a gentleman's way.
01:02:44No, I don't want to. Why should I apologize?
01:02:47I prefer to stay here, in a nice company, Janek!
01:02:53This is the policy of an ostrich. You have to go to her.
01:02:56No, I won't go. I won't force you.
01:02:58In the name of what?
01:02:59In the name of everything.
01:03:00Well, I don't know, in the name of a sorely wounded woman, so that it doesn't happen to her.
01:03:04You are playing with fate.
01:03:06And when she puts her head in the oven and lets the gas out, you saw then that you already had a house.
01:03:10Who?
01:03:11A plum tree.
01:03:12You will water it with azalea or other boiling water.
01:03:14You saw then that you already had a house.
01:03:16Yes, it may be true.
01:03:18And the next epilogue.
01:03:20A woman has all the virtues, advantages and advantages, but also disadvantages.
01:03:23Nature gave her such a coolness.
01:03:26Disappointed in feelings.
01:03:28Convinced.
01:03:29In a sensitive place.
01:03:30Able to turn into a poisonous beast.
01:03:32So what do you think I don't know about it?
01:03:33Well, you can't go back now.
01:03:35The woman paid for it.
01:03:36She got an extra apartment.
01:03:38She decided to retire.
01:03:39I don't know.
01:03:40Damn, I don't know.
01:03:41I can't.
01:03:42I don't know.
01:03:43And apart from that, from the point of view of my opinion,
01:03:47speaking between us,
01:03:49she is a sun,
01:03:51but chic,
01:03:53elegance,
01:03:54a charming phenomenon,
01:03:56refined,
01:03:57shaped,
01:03:58responsible for all aspects,
01:03:59a requirement of a man.
01:04:01The beauty of creation completes its beauty.
01:04:04Cat movements,
01:04:05flexibility,
01:04:06a living miracle.
01:04:07It should be your personal dream.
01:04:09You have to be moral.
01:04:10You can say that.
01:04:11Damn, Olek, I don't have an iron, I have a vacuum cleaner.
01:04:14Even better.
01:04:15Load this vacuum cleaner into the contact.
01:04:17It will dry better on the figure.
01:04:18Wait, wait, wait, wait.
01:04:19Leave me alone.
01:04:20Wait a minute.
01:04:21No discussion.
01:04:22Let's be people.
01:04:23The woman is being dramatic.
01:04:24Well, I have to be a man.
01:04:27So what?
01:04:28Dry?
01:04:29Wait a minute.
01:04:30Janek, do you think she will apologize?
01:04:33I don't think anything.
01:04:34Well, why should I apologize to her?
01:04:36Because you are a serious man.
01:04:38I'm right, Mr. Stasiuk?
01:04:39I wouldn't want to hit someone,
01:04:41but I will.
01:04:42It looks stupid without an apology.
01:04:45Yes?
01:04:46Yes.
01:04:47That's what you think?
01:04:48But how should I apologize to her?
01:04:50Give me your hand.
01:04:52The woman is most sensitive
01:04:54if you rest your eyes on her beautiful palm.
01:04:57It doesn't hurt that you take her property in your hand,
01:05:01i.e. the handle,
01:05:02and in a delicate way.
01:05:04Tell me, what do you feel?
01:05:07She will free herself.
01:05:10Then the woman really likes to be touched.
01:05:13She is a woman.
01:05:14She is a woman.
01:05:15She is a woman.
01:05:16She is a woman.
01:05:17She will free herself.
01:05:19Then the woman really likes a lot of politeness,
01:05:22delicacy, and so on.
01:05:24Going along the dotted line,
01:05:25you have to illuminate the truth with a life-giving,
01:05:27imaginative views.
01:05:30As long as you have already obtained the handle,
01:05:32you have to kiss it secretly.
01:05:35You arouse emotions in a given beauty.
01:05:37You are alone.
01:05:41Nice words.
01:05:42Every woman listens with pleasure.
01:05:45When you get closer,
01:05:46you look with your eyes closed,
01:05:48and she feels it herself.
01:05:49Just remember not to let go of this inspiration,
01:05:51this charm,
01:05:52this femininity.
01:05:56Then you have to lick her classic lips.
01:06:00It doesn't matter if she feels two tongues in her mouth.
01:06:03It doesn't bother her.
01:06:05Then, what makes a woman most sensitive...
01:06:08I'm sorry,
01:06:09what makes a woman most sensitive
01:06:11is when she takes in her lips her chest emotions.
01:06:14Finally, you kneel on your knees in front of beauty.
01:06:21Someone...
01:06:24is crying at the door.
01:06:42Miss Krystyna,
01:06:44you're finally here.
01:06:48Mr. Zdzisław,
01:06:49please move.
01:06:51You see,
01:06:52a woman reaches out her hand to you.
01:06:54Mr. Zdzisław...
01:06:57Miss Krystyna,
01:06:58please be a man.
01:07:01Mr. Zdzisław,
01:07:02please be human.
01:07:05Don't rush your beloved into the grave.
01:07:08Mr. Zdzisław,
01:07:09what can I ask you for?
01:07:11Where can I find something better?
01:07:13You won't find anything better.
01:07:14Love is the most beautiful flower of life, sir.
01:07:18Let's look at it realistically.
01:07:20God forbid I catch you every now and then.
01:07:23I'll take away the water from your feet and hands.
01:07:25Who will be watching over you then?
01:07:27Who will close your eyes?
01:07:31Miss Krystyna,
01:07:32please smile at your fiancé.
01:07:35I beg you.
01:07:36Put your hands together.
01:07:41Beautiful.
01:07:42You did it in a wonderful, cultural way.
01:07:45Mr. Zdzisław,
01:07:46now you.
01:07:49Beautiful.
01:07:50Say it again.
01:07:51Say it again, Mr. Zdzisław.
01:07:53Don't be rude.
01:07:55Are you a mummy?
01:07:59Krystyna...
01:08:01Zdzisław...
01:08:03Yes?
01:08:05Zdzisław...
01:08:07Yes?
01:08:10Zdzisław...
01:08:13Krystyna...
01:08:18I've made up my mind.
01:08:25I think...
01:08:26No, it's not about that.
01:08:29I already know how it should be.
01:08:51You've gone mad.
01:08:55Yes, I've gone mad.
01:08:57I already know...
01:09:00how it should be.
01:09:02The sun,
01:09:05Krystyna.
01:09:06A lot of the sun.
01:09:09So the ceiling is yellow.
01:09:13And the walls...
01:09:16Not the sand, Krystyna.
01:09:18Not the sand.
01:09:23I've already made up my mind.
01:09:48The river.
01:09:51The river is flowing.
01:09:55And we're sitting by the river,
01:09:57watching how it flows.
01:10:03Yes, Kristyna?
01:10:07Is there a river?
01:10:10Yes.
01:10:11A river.
01:10:13A big river.
01:10:16Can't you see it's flowing?
01:10:23Someone's calling.
01:10:26Let them call. We're not here.
01:10:29Yes.
01:10:31We're not here right now.
01:10:34No, not right now.
01:10:38We're not here at all.
01:10:41We're not here anymore.
01:10:45There's a bell.
01:10:48What's so strange about that?
01:10:51We're not here either?
01:10:54Absolutely not.
01:10:57It can't be.
01:11:00Which means...
01:11:05we can't open it.
01:11:14We can't open it.
01:11:44We can't open it.
01:12:14We can't open it.