Doctor.Who.2005.S10E04
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TVTranscript
00:00So, Felicity, Harry, Harold, Paul, everyone, this is Bill, your new housemate, be nice.
00:18Six bedrooms.
00:19I've got audio equipment, so some extra space would be good.
00:22I'd quite like underfloor heating.
00:23This is bedroom five, it hasn't got a door, and bedroom six, it's just through there.
00:38As you can see, this offers more space.
00:49What do other people do?
00:58Other people have money.
01:01Forgive me, but are you looking for somewhere to live?
01:04Oh, wow.
01:05Check the tower.
01:06I'm afraid the tower is unsafe.
01:07Bill, look at it.
01:09Yeah, but why is it so cheap?
01:10This place is great.
01:11The rooms are huge.
01:12Can I move in tonight?
01:13My holes are kicking me out.
01:14Yes, yes, of course.
01:15So, you'll sign the contract?
01:16Yes.
01:17Bill?
01:18Bill?
01:19Bill?
01:20Bill?
01:21Bill?
01:22Bill?
01:23Bill?
01:24Bill?
01:25Bill?
01:26Bill?
01:27Bill?
01:28Bill?
01:29Bill?
01:30Bill?
01:31Bill?
01:32Bill?
01:33Bill?
01:34Bill?
01:35Bill?
01:36Bill?
01:37Bill?
01:38Bill?
01:41Bill?
01:43Bill?
01:45Bill?
02:03Wicked.
02:37♪♪
02:47♪♪
02:57♪♪
03:05No, no, no, no, no, stop.
03:07Stop!
03:08-♪♪
03:18-♪♪
03:28♪♪
03:38♪♪
03:48♪♪
03:58♪♪
04:03Three, two, one.
04:08-♪♪
04:16-♪♪
04:26♪♪
04:36-♪♪
04:46-♪♪
04:57-♪♪
05:07-♪♪
05:17-♪♪
05:27-♪♪
05:37-♪♪
05:47-♪♪
05:57-♪♪
06:07-♪♪
06:17-♪♪
06:27-♪♪
06:37-♪♪
06:47-♪♪
06:57-♪♪
07:07-♪♪
07:17-♪♪
07:27-♪♪
07:37-♪♪
07:47-♪♪
07:58I keep thinking there's gonna be one of those bookcases
08:00that you pull special books in.
08:02It's a secret passage.
08:03Yeah?
08:04Spooky.
08:05Huh.
08:06♪♪
08:11Thanks.
08:12♪♪
08:16Met Pavel on my first day.
08:18Often does this.
08:19Sits in his room for days.
08:21Says it gets him in the zone.
08:23All these lot are empty.
08:26♪♪
08:30Yeah, this is nice.
08:31I picked my room before I'd even seen up here.
08:34Thought you wanted the tower?
08:36Yeah, I wish.
08:37Can't find a way in.
08:39There's a freshers' party in the park tonight.
08:42This lot aren't interested, but it could be fun.
08:47Or not.
08:48But either way, I was saying we should throw our own party.
08:52You know, pop up, freestyle.
08:55Boom.
08:57Yeah, sounds good.
09:05See you later, then.
09:06Sure.
09:09♪♪
09:13Here you go, Mum.
09:14My own place.
09:16You're proud?
09:19Thanks.
09:20Thanks.
09:21♪♪
09:28-♪♪
09:30-♪♪
09:35-♪♪
09:40Stop it.
09:41There's no living puddles or weird robots, big fish.
09:48It's just a new house.
09:51And people you don't know.
09:54Not scary at all.
10:01-♪♪
10:07-♪♪
10:13You always get nervous when there's no reception.
10:15Like something bad's going to happen.
10:17Let's get a landline.
10:18Landline?
10:19What is this, Scotland?
10:20Actually, I was unpacking just now and heard this tapping.
10:25Little footsteps, like in the room above.
10:27What?
10:28Ooh.
10:30Maybe it's a little doll that's come to life.
10:32Or maybe a massive, freaky spider.
10:35Probably just a mouse.
10:37Yeah, we know.
10:38Just messing with mice.
10:39If there's mice, I'm leaving.
10:44What's that?
10:45Pavel?
10:46Pavel's upstairs.
10:50Paul, go and have a look.
10:52Why me?
10:53You're physically the biggest.
10:54And the most expendable.
10:59It's in the kitchen.
11:02It's all right, I'll go.
11:17-♪♪♪
11:22-♪♪♪
11:26Maybe it's just the central heating.
11:28-♪♪♪
11:34-♪♪♪
11:39There isn't any.
11:40I thought you'd gone home.
11:42Me too.
11:43Is it any work?
11:44Central heating.
11:45I've been looking around inside and out.
11:47Very interesting.
11:48Lots of wood.
11:49Why are you still here?
11:51Do you know what that is?
11:53That's an oil-burning heater.
11:56You might need it.
11:57There's no washing machine either.
11:59The hob is from the 30s.
12:01Thank you very much.
12:02Power sockets will not take your devices.
12:04Oh, I thought it was just my room.
12:06No, no, no, no.
12:07They are out of date.
12:09What's that smell?
12:12Is that Chinese food?
12:14I love Chinese.
12:15Doctor.
12:18There might be a few old things,
12:21but we just need to update him.
12:23It's not like there's some massive mystery going on.
12:25Did you hear the trees creaking outside when we arrived?
12:28Yeah.
12:29It was the wind.
12:30There wasn't any wind.
12:34You should find another house.
12:35No, I don't think so.
12:37The rooms are really big.
12:38Exactly, and it's still the best place for the money.
12:41I'll just call the landlord.
12:42Sort it out.
12:43You can't. No reception.
12:44Okay, so I'll go down the hill.
12:48Hi.
12:52Didn't hear you come in.
12:54For a man such as myself, discretion is second nature.
12:57So, a gathering.
12:58You're all here.
12:59No, except one.
13:01Pavel's upstairs.
13:03And one in addition.
13:04He's the doctor.
13:05Doctor?
13:07He's my grandfather.
13:09Assisting with the relocation?
13:11That's right, yeah.
13:12It's a heartbreaking experience
13:14to leave one's charge behind all alone in the big, wide world.
13:17Indeed, yes.
13:20You got children?
13:21I, yes, a daughter.
13:23But I'm most fortunate she's still under my protection.
13:26So long as that's the case, I'm most content.
13:29So, now, I was calling to see if everything's satisfactory.
13:33Actually, there are a few things.
13:35Yes, I see. Go on.
13:36No central wall sockets are on.
13:38And a landline.
13:39And some curtains.
13:40Carpets.
13:41Have you got a cat?
13:51A cat?
13:55Yeah, Harry said that he heard some noise upstairs, like walking around.
14:00No cats.
14:02No pets.
14:04You understand I won't be able to do any of this tonight.
14:07But as soon as possible, yes.
14:09Knock on wood. Do what I can.
14:11That's another thing.
14:12This house is really creaky.
14:14Everything you touch is like...
14:16It's unavoidable, my dear.
14:17How do you get into the tower?
14:18You don't.
14:22The tower is specifically excluded from the terms of our agreement.
14:27Oh, right.
14:28Well, thank you.
14:30No tower. Got it.
14:31Right.
14:32Hi.
14:38Are you staying here tonight?
14:40Yeah.
14:41No, he's not.
14:42I'm not sure.
14:43There's no reason to.
14:44Probably will.
14:45There isn't a bed, so...
14:47All right.
14:49Sorry, excuse me. Sorry, sorry, sorry.
14:53Who...
14:55Who's the Prime Minister?
14:58I beg your pardon?
14:59Margaret Thatcher. Harriet Jones.
15:01Wilson, Ethan.
15:04I think it's better to leave your granddaughter here with her friends.
15:07They seem respectable.
15:08And I'll keep an eye, of course.
15:17I'll attend to your requirements in the morning.
15:19In the meantime, sleep well.
15:22I take it back.
15:23You're fine.
15:24He's weird.
15:26Oh, the washing machine.
15:35He's weird.
15:40He's not there.
15:44He's not there.
15:46He's not there.
15:48He's not there.
15:49He's not there.
15:52That's it.
15:54That's the noise I heard.
15:56Fascinating.
16:06It's just pipes.
16:08I'm going to bed.
16:09Yeah, I might go myself.
16:10Me too.
16:11I'm locking my door, though.
16:13Grandfather?
16:16Hello.
16:17Yeah.
16:18Perhaps you should leave now.
16:19No, I'm fine.
16:20Well, at least go and sleep outside in the car.
16:25Are you two tired?
16:26Well, I was...
16:27Good. No, I'm going to hang about with Simon.
16:29Harry.
16:30Florence.
16:31Felicity. Yeah, why?
16:32Well, we're going to chill.
16:33Yeah.
16:34Okay, yeah.
16:35Put some tunes on, yes.
16:36Yes.
16:37I'm good at making friends.
16:38Give me your phone.
16:39Why? There's no reception.
16:40Phone.
16:47I love this.
16:48Do you know who this is?
16:49Do I know who this is?
16:51Yes, I know who this is.
16:52Yes, it's Spotify, so it's probably random.
16:56Mix.
16:57You like a little mix?
16:58Oh, clearly she does.
16:59Look, there's a whole playlist here.
17:01Can I have a word, please?
17:08Want to see a doctor?
17:09There's nothing going on.
17:10Nothing weird, nothing alien.
17:13Just an old house and a dodgy landlord,
17:16which is pretty standard for students.
17:19I'll see you later for more exciting TARDIS action,
17:21but basically, this is the bit of my life that you're not in.
17:26Do you know what I mean?
17:28I know what you mean.
17:30Thanks.
17:31So, up the wooden hill you go.
17:35Sleep well.
17:36Okay.
17:37Maybe before you do, you should check on your friend
17:38who hasn't been seen for a day
17:40and who has strange music coming out of his room.
17:42They said he just does that.
17:43Nobody just does anything.
17:46You're not leaving, are you?
17:48No.
17:50Your friend will probably be fine.
17:52Knock on wood.
17:54We need to have a talk about your taste in music.
17:57Coming up?
17:58Yeah.
18:10Oh, this freaky Scooby-Doo house.
18:14Well, if you get scared in the night,
18:17you know where I am, yeah?
18:19What?
18:20Just if you need any of my help,
18:22or, you know, whatever, you know.
18:24Yeah, I get that you're into me,
18:28but, sorry, you're not my type.
18:32Just, I tend to go for girls, usually, so...
18:35Oh. Oh, right.
18:37I was never out by a chance. Awesome.
18:39Jase, stop. This is what I'm talking about.
18:43This stuff really freaks you out, doesn't it?
18:45No, it's just annoying.
18:47Oh.
18:48Go to bed.
18:49Sure.
18:56See you in the morning.
18:58Night, then.
19:01Why didn't you get room next to me, like we said?
19:03What? I don't know.
19:05It doesn't mean anything.
19:07I'm not cool enough, is that it?
19:09No, shut up. These are my mates, too.
19:12Paul, not funny.
19:15Do you fancy him?
19:17No. Who? Paul, why? No.
19:20Hey, it's not funny.
19:27Paul?
19:31Are you OK?
19:33Me?
19:34Come on, we got the joke.
19:41All right. It's fine.
19:43OK. See you in the morning.
19:48What?
19:50Er, what's going on?
19:54Paul?
19:58Oh, we should get the doctor.
20:00Why? What's he going to do next?
20:03Just a normal day, just a normal day.
20:15Do you like this music, Doctor?
20:17Reminds me of Quincy Jones.
20:20I stepped in for him once.
20:22The bassist he'd hired turned out to be a clarge, neon death,
20:25and Vock, or what was worse, he couldn't play.
20:29This is very interesting.
20:31The door.
20:32Because it isn't.
20:33Isn't?
20:34A door. Anymore.
20:36Try to open it.
20:40Come on. Shireen did it a minute ago.
20:44So it's locked.
20:45No, look.
20:47It's completely sealed.
20:49I don't understand.
20:52The shutters.
20:53What about them?
20:54Closed by themselves.
21:02Sealed.
21:03So, we're trapped.
21:05Maybe that's the idea.
21:07What do you mean?
21:09What's the idea?
21:10I don't know.
21:11I don't know.
21:12I don't know.
21:13I don't know.
21:14I don't know.
21:15I don't know.
21:16I don't know.
21:17I don't know.
21:18I don't know.
21:19I don't know.
21:20What's that?
21:23No, no, no, no.
21:24There's something in here.
21:25I can't be trapped.
21:26I can't be...
21:27Wait.
21:37Come around now.
21:38I can't be trapped.
21:43Great.
21:44Now we're stuck here.
21:46What, are you trying to stop her?
21:48Listen.
21:50Listen.
21:58Please.
21:59Come on, please.
22:00Come on.
22:15What's happened to her?
22:17What's going on?
22:19Do you think it's like she said?
22:20A thing?
22:21Maybe.
22:24And so is it out there now?
22:25Or in here?
22:26Or both.
22:27I'm scared.
22:28Don't be.
22:29Why not?
22:30It doesn't help.
22:36Who's there?
22:49Oh, my God.
22:50Pavel.
22:59Pavel.
23:01Do you think he can hear us?
23:06It'll be okay.
23:08Is this what happened to Paul?
23:10Did we call an ambulance?
23:11There's no reception.
23:12I mean, we sort the record out.
23:14I don't know.
23:15I don't know.
23:16I mean, we sort the record out.
23:18Oh, no, no.
23:19Wait, wait, wait.
23:20Wait, wait.
23:23Is it something to do with the music?
23:30Did someone do this to you?
23:34I have no desire to intrude,
23:36but I felt there was a problem.
23:38How did you get up here?
23:39It's sealed shut.
23:40Music can be pleasant,
23:41but a simple repetition like that
23:43is merely a distraction from the inevitable.
23:46Hope is its own form of cruelty.
23:48Pavel.
23:49No, wait.
23:50Put it back.
23:55Oh, look.
23:58He's released.
24:01Mercy at last.
24:03Beautiful, isn't it?
24:06Nature-contained.
24:09He's preserved in the walls,
24:11in the very fabric of the building forever.
24:14So the house has eaten people.
24:16We must all pay our dues.
24:19But not you.
24:20Correct.
24:22I am the exception.
24:27For I am your landlord.
24:31You came here, you signed the contract.
24:34And now...
24:35And now...
24:39It's time to pay.
24:44Go.
24:51What was that noise?
24:52That tower.
24:53It was at the back of the building.
24:55Logically, the door should be at the end of this corridor.
25:00Look for a way in.
25:03Indiana Jones, come on.
25:06Come on.
25:10Yes.
25:11The tower.
25:15What if something has got into the wood?
25:19Into the laths behind the plaster?
25:21Into the very fabric of the house?
25:27Wood nymphs.
25:29Tree spirits.
25:32Triads.
25:34Anything's possible.
25:40Doctor, what are you doing?
25:42We need to get out.
25:43Call the police.
25:45Who's there?
25:47Doctor, you're provoking it.
25:49It's getting louder.
25:50Wake up.
25:51Wake up.
25:57Oh.
25:59I was explaining something quite different.
26:00You know, like a gaseous creature of microscopic...
26:02Did you see it move through the wood?
26:04Interacting at a cellular level.
26:05This must be alien.
26:07It's got to be alien.
26:08What are you doing here?
26:09You're on your holidays.
26:10Harry, get a matchbox.
26:11A matchbox?
26:12All right, a shoebox.
26:13Don't let it get away.
26:14What do you mean, alien?
26:16Poor little one.
26:17Doctor.
26:19Oh, be careful.
26:20Come on, where's that box?
26:21Doctor.
26:22What?
26:28Now, this starts to make sense.
26:30Yes, try it.
26:33We need to get out.
26:38We can't.
26:39Hey, in here.
26:43What's the point of hiding in a cupboard?
26:46It's not a cupboard.
26:56What are they?
26:58Look like insects, but you're saying they can shut doors, trap us.
27:02Well, they're not just in the wood.
27:05They're becoming the wood itself.
27:07Total infestation.
27:09Infestation of the dryads.
27:10You're talking like you've seen things like this before.
27:13No, actually.
27:14But you said they were alien.
27:16Well, they could be native to this planet, but I've never seen them before.
27:20Have you?
27:21That's what they're called, dryads.
27:23Well, that's what I'm calling them, yes.
27:25You've gone crazy.
27:26Well, I can't just call them lice, can I?
27:32Shh.
28:02There's something behind there.
28:04Father?
28:06Is that you?
28:21Maybe it belonged to a family that used to live here.
28:25How do they have six boxes?
28:29Tenancy agreement.
28:31Same as ours.
28:34Six signatures.
28:36Jake Christie, Annie Wren, Jonathan Frost.
28:40What's the date?
28:421997.
28:44Sarah Tiller, Mark Hope Thorne, Carl Richards.
28:47They move in.
28:49Relax.
28:51Go to their rooms.
28:55Then panic.
28:59Infestation.
29:05Doctor.
29:151977.
29:181957, every 20 years.
29:23There's something come in.
29:25Good.
29:28Let's go.
29:35Christie, Wren, Frost, Tiller, Hope Thorne, Richards.
29:41Fine young men and women.
29:44As were all the others.
29:48Where are they?
29:50In the house.
29:51What?
29:52Where?
29:53We haven't seen them.
29:54He means, they're in the house.
29:58The wood, Harry.
30:00You don't think I haven't considered the consequences, Doctor?
30:02So why do it?
30:07My daughter was dying.
30:09What are you talking about?
30:11Nothing could be done.
30:15Until these creatures saved her.
30:20We'd do anything to protect her.
30:23Your daughter, she's here, she's in the house, isn't she?
30:25Indeed.
30:28And she must survive.
30:30We have to get out.
30:32Go.
30:33Harry, stay with me.
30:34Go back, Harry.
30:36Go back.
30:40Doctor.
30:42Get him out.
30:53God rest his soul.
30:55Bill, is Bill all right?
30:57Have a bit more concern for yourself, Doctor.
30:59Your advanced age means you have less energy, less...
31:03matter.
31:04But they will take what they can get.
31:07The insects are keeping your daughter alive.
31:09How does that work?
31:11Come on, call these off.
31:13Maybe I could help.
31:15I'm a doctor.
31:18Are you okay?
31:19Are you okay?
31:23I haven't had visitors in such a long time.
31:29My name is Eliza.
31:32I'm Bill.
31:34This is Shireen.
31:35Hey.
31:43I'm pleased to meet you.
31:45Bill.
31:50What?
31:52You got something?
31:53What?
31:54Just...
31:56Just there.
31:59I'm a celebrity, get me out of here, yeah?
32:02Bill?
32:07Cockroaches.
32:08I don't want a gap here in Morocco.
32:10No problem.
32:11Let's go.
32:12Shireen?
32:15Oh, no.
32:16Oh, no.
32:17Oh, no.
32:18Oh, no.
32:19It's in my foot.
32:23Shireen!
32:29I don't understand, she's...
32:31It's upsetting, I understand.
32:34But father says we have to survive.
32:43Eliza, do not fear this man.
32:46He says he might be able to make you well.
32:51Bill, how are you?
32:53Yeah.
32:54Yeah, I'm okay.
32:56Shireen.
32:57Eliza.
32:58Yeah.
32:59How are you two?
33:00In brief, he's our dad.
33:01He's been keeping alive with the bugs for about 70 years.
33:03Your friends are the food.
33:04I said that I could help.
33:10Now, you must be Eliza.
33:12How are you feeling, Robin?
33:14I am quite well.
33:16Administer your treatment, Doctor.
33:18Well, what's the medical history here?
33:19What happened?
33:20Eliza, you were very ill.
33:22Yes?
33:25The doctors had...
33:28given up on you.
33:30And then one day, your father brings you a present.
33:32Where did you find them?
33:33What, on the roof in the garden?
33:36You find the insects.
33:39You bring them into the house
33:40because you want to show them to her,
33:42presumably just to...
33:44just to amuse her.
33:47I mean, you couldn't have known what they were.
33:49Can you help her or not?
33:50I am helping.
33:51This is me helping.
33:52How did you find out their unique abilities?
33:56Did you bring them in here?
33:57You brought them in here, right.
33:58But what activated them?
34:00You use a tuning fork now, but...
34:02Pavel had that record on of violin...
34:04High-pitched sounds, yes.
34:13Soothes her to sleep.
34:16High-pitched sound.
34:19You leave your daughter alone for the night,
34:21or so you believe.
34:24The music wakes them.
34:25They set to work.
34:27And in the morning, you find her revitalized.
34:31Just...
34:32It's like wooden.
34:35You realize there's a way she can survive.
34:38Enough!
34:39No, wait.
34:40Doctor, that doesn't make sense.
34:42Okay, don't interrupt.
34:43I'm doing my thing here.
34:44Why would he pick up insects from the garden
34:46and bring them in to see his ill daughter?
34:48Everyone loves insects.
34:49I don't.
34:50They're fascinating.
34:51Okay.
34:52Secondly, he's not wood.
34:56He's just like us.
34:57He's...
34:59Yes.
35:00So if he's her father,
35:02and she was preserved 70 years ago...
35:06No flies in you, Brill.
35:08And no bugs in you.
35:11I do not understand.
35:13I forget, you see.
35:14Your human lifespan, it's not long, is it?
35:17Do not let them trouble you.
35:19But you remember the past, Eliza.
35:21My...
35:23father...
35:25he knows what's best.
35:29I'm sorry.
35:30I'm sorry.
35:32I'm sorry.
35:33He knows what's best.
35:35Yes, the lice preserve the appearance and the voice,
35:37but not so much the memories.
35:39He's not your father, am I right?
35:41No!
35:42Stop talking!
35:43Father, what's the matter?
35:46I don't understand.
35:48Your father would have had better things to do
35:51than play with insects in the garden.
35:55But he isn't your father.
35:57When you were ill,
35:58he was sent out of the house by the doctors
36:01failing to save his mother.
36:03His...
36:05mother.
36:10Eliza, he's your son.
36:15Your loving son.
36:28My son.
36:32Forgive me.
36:36Forgive me.
36:47When you saw what the creatures had done,
36:49you understood, didn't you?
36:52The lice could keep your mother alive
36:54if you protected them,
36:56tamed them,
36:58fed them.
37:01If you could save the one who brought you into this world,
37:03wouldn't you?
37:09Your silence is a confirmation.
37:14I did what you told me
37:15because I thought you knew best.
37:19And I...
37:21I am your mother.
37:23And you...
37:27All these children you've taken.
37:30You told me it was necessary,
37:33that we had no choice.
37:35That's right, it was.
37:36It meant we could stay together.
37:38Don't you understand?
37:39We were happy.
37:41I kept our lives a secret.
37:44And a secret we must remain.
37:53You have brought her nothing but misery
37:55and confusion.
37:57You will be taken
37:59like the others.
38:07Okay.
38:08Now's the time for the plan.
38:10Is that no plan?
38:11Info dump and busk?
38:12Stop busking.
38:13Eliza, people have died
38:15and will continue to die
38:16unless you stop all this right now.
38:18How can I stop it?
38:20You're the parent.
38:21You're in charge.
38:30That's it.
38:35Do what I say.
38:36I control you.
38:39No.
38:41It's me.
38:44I control them.
38:47Eliza, finish them now.
38:49Take them or you'll die.
38:51They'll destroy you.
38:52What's the point of surviving
38:54if you never see anyone,
38:55if you hide yourself away from the world?
38:58When did you last open the shutters?
39:12It's the freshest party in the park.
39:14Exactly.
39:15New France, fireworks.
39:17That's what life should be.
39:20I remember.
39:24My son.
39:28Leave my side at last.
39:32Go and see the world.
39:34No.
39:35I don't want to.
39:37If you won't finish them...
39:41I will!
39:47My little boy.
39:49This has to end.
39:51No.
39:52We mustn't end.
39:53We have to destroy them.
39:55It's our time.
39:59No.
40:01I don't want to.
40:05No.
40:07No.
40:10Thank you.
40:20I got you.
40:22Is that...?
40:24Yes, your friend.
40:25She's restoring them.
40:29Come on.
40:33You're gone.
40:34Are you okay?
40:37You're fine.
40:39How about the others?
40:40Come on.
40:48We need to get out.
40:49Now!
40:50Now!
40:57Wrong way! Wrong way! Wrong way!
41:04I'm going to the deposit.
41:06Oh, man, that's our house.
41:09Gone.
41:13Right, you lot.
41:14Back to the estate agents.
41:17Better luck next time.
41:26Well, here he comes.
41:28You're being cheerful. I'm against cheerful.
41:30Bill told me you went on a little adventure.
41:33You see?
41:34I see what?
41:35Well, you don't have to go to outer space to find monsters.
41:39There's plenty of things want to kill you right here on Earth.
41:42Result.
41:43Actually, I'm not that hungry.
41:45Well, I am.
41:46Obviously.
41:49Okay, you can take the rest of the night off.
41:51Go on. Go and do whatever it is you do.
41:53Actually, what do you do?
41:54No, never tell me that.
41:56Yeah, I just want to have a look at this.
41:58Our friend inside's been a little restive lately.
42:01I can sort that out.
42:03No, it's all right. I don't mind.
42:04Good night, Nardole.
42:09Right.
42:11Right.
42:12Good night, sir.
42:14See you in the morning.
42:23The piano.
42:25You've put a piano in there. Why?
42:28Good night.
42:30Oh, you don't learn, do you, sir?
42:41Hey.
42:43Do you want dinner? I've got Mexican.
42:47Look.
42:49I know you miss it all.
42:50But I'm stuck here, too, you know?
42:52We're both prisoners.
42:54So what do you say? Dinner?
42:58And I've got a new story for you, too.
43:01There's a haunted house of woodlice from space.
43:04And lots of young people get eaten.
43:13I'm coming in.
43:20Mining station. Chasm.
43:22Forge. Crew of 40.
43:24Yes, sir.
43:26We've got a problem.
43:27We've got a problem.
43:29We've got a problem.
43:31We've got a problem.
43:32Forge. Crew of 40.
43:33Hello?
43:35Four survivors.
43:37One distress call.
43:39They were killed by their own suits.
43:41That means there's 36 corpses walking about this station.
43:45If we want to keep breathing, we have exactly one option.
43:48None of us have more than 3,000 breaths left.
43:51Then stop wasting them.
44:02You
44:04You
44:06You
44:08You
44:10You
44:12You
44:14You
44:16You
44:18You
44:20You
44:22You
44:24You
44:26You
44:28You