Salón de té La Moderna - Ep 186
Salón de té La Moderna - Ep 186
Transcript
00:00A few hours later
00:14Honey!
00:20I'm glad you're here
00:24Don't worry
00:27I'm back
00:30I'm anxious inside
00:33I haven't been able to sleep all night
00:36You've been asking me how I was and what I was doing
00:39I'm fine
00:42The truth is that going through the trance of being detained
00:46is not only my desire, but my worst enemy
00:48The important thing is that you've stayed strong
00:50and you've had no choice but to let him go
00:53I've been calling all night
00:56to see if they told me anything
00:58to know if they were going to let you go
01:00and I haven't gotten an answer
01:02They must have had enough of me
01:05Tell me, what happened?
01:07Have they interrogated you? Have they pressured you?
01:09Yes
01:12And the truth is that
01:16they've used me to their fullest
01:19The inspector has tried
01:21to rip me off
01:23what he wanted to hear
01:26Inigo, being detained is not a shame
01:28but from now on you must be very careful
01:30so as not to raise new suspicions
01:32That's it
01:33Don't give them excuses
01:34so that they can take you back to that dungeon
01:37Don't worry
01:38I'll try not to make any suspicious move
01:42The inspector is
01:44very manipulative
01:46and I have the feeling
01:47that he's gotten rid of me
01:50He almost forces me to confess
01:53Really?
01:55Yes, he forced me to confess
01:57the resentment I feel for Carla
01:59after everything that has happened to us
02:01and he also put a confession in front of me
02:04to affirm it
02:07My God
02:08That man has no limits
02:09or scruples of any kind
02:11Luckily he didn't manage to break me
02:13I drink a lot
02:15Well, as I said
02:16from now on, be cautious
02:19Well, I'm going to go
02:21I'll have a lot to talk about
02:23They want to be alone
02:25Goodbye
02:26Goodbye, Jacob
02:27Thank you for everything
02:40I can't believe what he's telling me
02:42Well, you can believe it, Esperanza
02:44He was kicking me out
02:45and not cleaning as he wanted
02:47You see
02:48Starting with threats
02:50But come on
02:51I don't know why I'm surprised
02:52because Mrs. Lázara has been a bug
02:54since the first moment
02:55she came in through that door
02:57And how have you handled it?
02:59Well, remembering her orders
03:01and putting them into practice
03:02which, by the way,
03:03were quite useful to me
03:06Now I just have to see
03:07what Mrs. Teresa
03:09and Mrs. Lázara think of my work
03:12Oh, my mother
03:13What's wrong?
03:15That if they judge you
03:17they're also judging me
03:20I hope they leave me in a good place
03:22They're not going to say
03:23I'm a bad teacher
03:25or that they can't give me responsibilities
03:27I did the best I could
03:29and I had a good time
03:31I don't know, I hope I left her in a good place
03:33I can't know what they think
03:35but I left her alone
03:36so she could drink soup in peace
03:39Commandment 4?
03:44Never clean the tables
03:46if there are customers
03:47and if it's in the reservation
03:48don't even try
03:49Very good
03:50The last one
03:51The last one, I think it was...
03:53When you see Mrs. Teresa
03:54show her mane
03:55have it all clean
03:56like a patina
03:58We'd have to invent one
03:59for Mrs. Lázara
04:00Well, don't worry
04:01If you pass the test
04:03we'll do it together
04:05There it is
04:12Well
04:13You've done a good job, Marta
04:15At least in my opinion
04:16Although it's clear
04:17that Mrs. Lázara
04:18has the last word
04:19as the new manager of the place
04:22I couldn't agree more
04:23with you, Teresa
04:25Marta has worked hard
04:27She has shown
04:28that she is capable
04:29of being a cleaning lady
04:31in this classroom
04:32Now she just needs
04:33to talk to Don Fermín
04:34and tell him
04:35that she has passed the test
04:36satisfactorily
04:38So I don't have to wait
04:39a month to know
04:40if I have a job?
04:41In principle, it's yours
04:43I imagine Don Fermín
04:44will approve it
04:45But yes
04:46He can say it loud and clear
04:47that she is already
04:48one more employee
04:49of the modern one
04:50with full rights
04:51I'm so proud of you
04:53You have shown
04:54that you have taught yourself
04:55how God commands
04:56to fight against dirt
04:58Well, the merit
04:59is also a bit of mine, isn't it?
05:00Can you tell Don Fermín?
05:12It could only have been
05:13Mrs. Bárbara
05:16Do you think so?
05:18I don't know
05:19She is very sad
05:20because of her daughter's loss
05:21I don't know if she has the energy
05:22to conspire in that way
05:24No, I don't understand
05:25her suffering
05:27But she is the only person
05:28who wants to see me locked up
05:29no matter what
05:31even if I am innocent
05:34She is just as stubborn
05:35as her daughter then
05:39She has also put the police
05:40against me
05:41and she has convinced Fabio
05:43that she has killed Carla
05:45Of course
05:47If she has put the police under pressure
05:49she will do it
05:50with all the people
05:51close to her
05:53Both Fabio and Mrs. Bárbara
05:54know very influential people
05:57you know, judges, prosecutors
06:00and they will easily
06:01go against us
06:03But yes
06:04Mrs. Bárbara
06:06is very much like her daughter
06:08and she will not stop until she destroys me
06:11She won't make it, love
06:13Look
06:14What you have to do now
06:15is recover
06:16and be calm
06:18They won't find anything
06:19love
06:21And if they find it
06:22the lawyer will take it apart
06:27I also thought like you
06:28but
06:29I have seen you
06:30exhausted
06:33I will only be calm
06:34when I find the person
06:35who did it for real
06:38Of course
06:40But what I want
06:42is to relax with you
06:45You had a good night
06:47Love
06:49I would like nothing more
06:50but I have to tell you something
06:52What?
06:53Something that happened
06:54in Madrid-Cabaret
06:56and it is very serious
07:15What about you?
07:16How are you?
07:17I would be better
07:18if you didn't ask me
07:19every five minutes
07:21No, woman
07:22I worry because you are my friend
07:24and the one in there
07:25is almost my nephew, right?
07:26Shut up
07:27and with your mouth shut
07:28I'm still nervous
07:29thinking that
07:30Elias
07:31heard you yesterday
07:33No, woman
07:34I speak lower
07:35don't get like that
07:36Besides
07:37if Elias had found out
07:39he wouldn't have been
07:40quiet, precisely
07:41Let's see if he will realize
07:42about you
07:43because of the mood swings
07:44that you have
07:45Mood swings
07:46and appetite
07:47I don't get anything
07:48with the nerves
07:49I haven't even had breakfast today
07:50and that is not my thing
07:53Look, there is no harm
07:54in coming back
07:55after this step
07:56you were going to end
07:57the existences of the salon
08:01Here you are
08:02I finally find you
08:03By the way
08:04yesterday I was thinking
08:05about something
08:06and I was thinking
08:07about you
08:08and I was thinking
08:09about you
08:10and I was thinking
08:11about one thing
08:12I heard you saying
08:13that someone
08:14was pregnant
08:15and it seemed to me
08:16that it was you
08:17Trini, Trini
08:18you are pregnant
08:19No, no, Trini
08:20Trini is her cousin
08:21who is also called Trini
08:22and that Trini
08:23is the one
08:24who is in a good
08:25state of hope, Elias
08:26Her cousin
08:27who is called Trini?
08:28Yes
08:29What a coincidence
08:30If she has a daughter
08:31she is called Trini
08:32the magic kings
08:33will have to go
08:34with a manual
08:35at home
08:36Elias always
08:37Let's see
08:38What do you think
08:39Nothing
08:40Mrs. Teresa
08:41Trini has a cousin
08:42who is called Trini
08:46You have a lot of
08:47creativity in your family
08:48so no
08:49No
08:50But the thing is
08:51that they are on
08:52their break
08:53but you are not
08:54so come on
08:55to work
08:56At your service
09:02I am very happy
09:03for you
09:04Thank you
09:06And don't worry
09:07about me
09:08I'm not going to say
09:09anything
09:11How long have you been here?
09:12Eight or nine weeks
09:14That's why
09:15I still don't notice much
09:18I'm afraid
09:19that I'll be like my mother
09:20who became like a cow
09:22And what are you going to do?
09:23Are you going to tell
09:24that you are married to Miguel
09:25and that you are waiting
09:26for a baby?
09:27If I do that
09:28I'll lose my job
09:29so
09:30Come on
09:32That's why Miguel
09:33is so worried
09:34about adding the salary
09:35We are thinking
09:36about what to do
09:37to try to solve
09:38this situation
09:39but we need both salaries
09:40And it's true
09:41that sooner or later
09:42I'll have to stop working
09:43so
09:44I don't know
09:45I'd love to be able
09:46to help you
09:54Thank you very much
09:55Goodbye
10:01Good morning
10:02Good morning, dear
10:04Is there any news?
10:05Yes
10:06But you won't like it
10:08Sit down
10:10Don't go
10:11I'll buy you less
10:16They've released Iñigo
10:18How is that possible?
10:20Apparently Inspector Jiménez
10:21interrogated him
10:22exhaustively
10:24but he hasn't found
10:25conclusive evidence
10:26to continue detaining him
10:27Is there another person
10:28with his reasons
10:29his opportunity
10:30and his cold blood
10:31to want to kill my daughter?
10:34It could only be him
10:36Yes, I agree with you
10:38but the evidence
10:39isn't enough
10:40to keep him in the dungeon
10:42From what I understand
10:43Iñigo has a good lawyer
10:44who will help him
10:45with his situation
10:47He won't have
10:48as few scruples as he does
10:50I wonder
10:51if it wouldn't have been more effective
10:52to have the case tied up
10:53before encouraging
10:54his detention
10:55Sooner or later
10:56it will fall
10:57I have no doubt
10:58I'm sure
10:59it will
11:00My acquaintance
11:01the Director General
11:02of Security
11:03pressured Inspector Jiménez
11:04even though Jiménez
11:05thought it was premature
11:07But
11:09in the end
11:10the threats Iñigo
11:11made to your daughter
11:12are serious
11:13but not enough
11:14He has to be
11:15a very good lawyer
11:16They're treating him
11:17with a consideration
11:18that a vulgar murderer
11:19like him
11:20doesn't deserve
11:22They should have
11:23forced him
11:24to confess
11:25somehow
11:28I can't think of
11:29what we can do
11:30now that he's free
11:31Maybe I'll meet
11:32with the Inspector
11:33to see what possibilities
11:34we have
11:37Don't bother
11:39I have my head
11:40in other matters
11:43They just called me
11:45We can take care
11:46of Carla's body
11:52It's time
11:53to say goodbye to my daughter
11:56I'm very sorry
11:59I want to see her
12:00and bring her home
12:06I want her to be here
12:07where we'll meet
12:08after so many years
12:09apart
12:12Here, where we've shared
12:13so much
12:17I want her to have
12:18a dignified and beautiful
12:19farewell
12:22that reflects
12:23the kind of woman she was
12:26and the emptiness
12:27she'll leave in me
12:31I love you
12:43The doctors have told me
12:44that we have to do
12:45a few more tests
12:46but the most likely
12:47is that she won't be able
12:48to sing again
12:49It's terrible
12:51for everyone
12:52but especially for Inés
12:53because
12:54it's her biggest dream
12:55Yes
12:57And even more
12:58now that she was
12:59released
13:01And well
13:02how is she?
13:05We haven't told her
13:06anything yet
13:07until we have all
13:08the definitive evidence
13:10But I confess
13:11that it will be very difficult
13:12for me to transmit
13:13such unpleasant news
13:17I know that Inés
13:19is special to you
13:21so I imagine
13:22that you'll be going
13:23through a bad time
13:25That's right
13:27I try to focus
13:28on helping her
13:29but I can't forget
13:30what happened
13:33And César
13:34how did it happen?
13:35Exactly
13:38Somehow
13:39I chose the glass of champagne
13:40that Inés was drinking
13:42That's horrible
13:44But do you know
13:45how it happened?
13:47Unfortunately
13:48it could only be
13:49a human error
13:51But I can't forget
13:52that I'm responsible
13:54But haven't you spoken
13:55to the waiters?
13:56With the cleaning staff?
13:58Not with everyone
13:59yet
14:02But what do you use
14:03to clean the glasses?
14:05I'm sorry
14:06but I think it's very strange
14:07that Legia got there
14:08and even more
14:09without diluting
14:12I can't know
14:13what happened
14:17I don't know
14:19Maybe the problem
14:20came from the winery
14:21that they bottled
14:22champagne with Legia
14:24Well, don't blame yourself
14:26From experience
14:27I know that
14:28no matter how hard
14:29you try
14:30to be above
14:31your employees
14:33it's impossible
14:34to control everything
14:36And maybe
14:37there's a mistake
14:39Thank you, Don Íñigo
14:42As the owner
14:43of Madrid Cabaret
14:44I'm going to be responsible
14:45for all the medical expenses
14:46and whatever is needed
14:48You know
14:49I get along very well
14:50with your uncle
14:51Absolutely
14:52You don't have to pay anything
14:53As the manager
14:54of Madrid Cabaret
14:55I think it's up to me
14:57I'll pay the full cost
15:00What we're going to do
15:01is return all those
15:02boxes of champagne
15:03to their supplier
15:04And I want you to do it
15:05as soon as possible
15:06Call me today
15:07and give it back
15:08We'll find another house
15:09that serves us champagne
15:10Okay
15:12I'll do that
15:13as soon as I get to the place
15:14And now, if you'll excuse me
15:18Don Íñigo
15:21Doña Matilde
15:26Don Íñigo
15:38I thought you were looking at him
15:39in a very strange way
15:43I think César
15:45doesn't tell us the whole truth
15:49Why would he do something like that?
15:57Antonia
15:58How are you going to get
15:59those sandwiches?
16:00I have Don Amalio
16:01who hasn't had breakfast
16:02and he's hungry
16:03and he's called me twice
16:04You'll have to give me
16:05some time
16:06because I can't find the cheese
16:07with so much reorganization
16:08Oh
16:10A whim
16:11from the new manager
16:13I mean
16:14what you're saying
16:15about the new manager
16:16Antonia, right?
16:17All I'm saying
16:18is that
16:19with all the time
16:20I've been working here
16:21which is many years
16:22we've never had a manager
16:23nor have we needed one
16:24How long will it take
16:25for us to get together?
16:27You promised me
16:28that you'd promote me
16:29to chief of staff
16:30but in front of Don Fermín
16:31he said no
16:33That doesn't mean
16:34that I don't intend
16:35to promote you
16:36I'm very aware of that
16:37I said it
16:38and I'm keeping it
16:40But the changes
16:41have to go little by little
16:42Elías
16:43First
16:44the team
16:45has to realize
16:46that I'm going to be
16:47the new manager
16:48and then
16:49it'll be up to you
16:50Elías
16:51What?
16:52Take the sandwich
16:53to table 6
16:54I'm very happy
16:55Boss
16:56Don Amalio
16:57will have to wait
16:58because there are
16:59more important things
17:00I was talking to Antonia
17:01about the new changes
17:02of the management
17:03and well
17:04I don't know
17:05Antonia
17:06a little bit
17:07yes
17:08What?
17:09No, no
17:10I've only said
17:11that let's see
17:12how long it takes
17:13for us to adapt
17:14to having Dona Lázara
17:15around here
17:16with so much command
17:17so much organization
17:18and so much punch
17:19I was telling him
17:20that the changes
17:21are always for the best
17:22that they're good
17:23What I'm missing
17:24is patience Elías
17:25but that always
17:26happens to me with you
17:27See?
17:28And with an extraordinary
17:29sense of humor
17:30Well, see
17:31Dona Lázara's things
17:32are all advantages
17:33that she doesn't realize
17:34Yes, I'm not saying
17:35that it's not
17:36the only thing I'm saying
17:37is that everything changes
17:38because you need
17:39an adaptation, right?
17:40Like it happened
17:41when Matilde left
17:42or like it happened
17:43when Marta came back
17:44Yes, but
17:45let's see
17:46for not belittling Antonia
17:47those positions
17:48don't have the same
17:49impact on the staff
17:50right, boss?
17:51Don't get me
17:52It's natural
17:53for things to change
17:54for people to change
17:55I'm sure
17:56Don Fermín has chosen
17:57Dona Lázara
17:58because of her
17:59great communicative
18:00and organizational skills
18:01Yes, what we need
18:02to do is to wake up
18:03as the woman said
18:04from the first day
18:05that the more we work
18:06the better things will turn out
18:07and she was right
18:08And here you are
18:09preaching with the example
18:10without stopping working
18:11Hey
18:12and how are you
18:13so aware
18:14of the things above?
18:15It's true
18:16because you're
18:17so focused on the subject
18:18Of course
18:19because you know
18:20that I'm a great observer
18:21Let's see
18:22You have to be blind
18:23to not realize
18:24that Dona Lázara
18:25leaves her skin here every day
18:26I'm not saying it to myself
18:27Don Fermín said it
18:28Yes, that woman
18:29is very observant
18:30What a great virtue she has
18:32What about Don Fermín now?
18:35Well, because
18:36lately they talk
18:37as if they were
18:38very good friends
18:39Oh, really?
18:40And was the conversation
18:41very long?
18:42Well, I don't know
18:45I'm going to take
18:46the mixed ones
18:47to Dona Mario's table
18:48and when I see myself
18:49I'm going to want
18:50a pinot
18:51And the cheese
18:54Let's go
19:07Yes?
19:09Excuse me
19:11Dona Lázara
19:12I've sent for you
19:13because I have to go
19:14with my niece
19:15to the notary
19:16to close
19:17the transfer
19:18of the gramophone store
19:20I don't think it will be long
19:21before I return
19:22Is she well?
19:24Well, no
19:25No
19:26After what happened
19:27to my niece Inés
19:29I haven't found the strength
19:30to get out of bed
19:32It's not for less
19:33My soul has fallen
19:34to my feet
19:35when I found out
19:36How is your niece?
19:38Well, she's a young woman
19:39with courage
19:40She will overcome this trance
19:41I'm sure she will
19:42Yes
19:43Give her my regards
19:45Very kind, Dona Lázara
19:46Thank you
19:47That...
19:49That's what I think it is
19:51Well, if you think
19:52it's an entrance
19:53for the inauguration
19:54of the bullring
19:55of Las Ventas
19:56Well, yes
19:57It's true
19:58What a surprise, Dona Lázara
20:00I didn't know you were
20:01a fan of the art of spoons
20:03Very much
20:04Well, this promises
20:05to be a historical event
20:06Of course
20:08Of course
20:09It's a great opportunity
20:10to spend a good afternoon
20:11of bullfighting
20:12I was also thinking of going
20:14Does that mean
20:15you're not going?
20:16No, no
20:17After what happened to Inés
20:18I don't have the body
20:19for parties
20:20It took me
20:21to get out of bed
20:23Giving up something
20:24you love
20:25to take care of your own
20:26says a lot about you
20:28But think that this
20:29is something unique
20:30that will never happen again
20:32I don't know
20:33It's the whim
20:34Believe me
20:35I have valued the pros
20:36and the cons
20:37But if something happens
20:38No, no, no
20:40Nothing has to happen
20:41to Miss Inés
20:42She's very strong
20:43Besides, with how good
20:44and affectionate she is
20:45I'm sure that if she finds out
20:46that you're not going
20:47for her
20:48she's going to feel very guilty
20:50Thank you for your encouragement
20:51Mrs. Lázara
20:52But no, I don't have
20:53I don't have soul
20:54and body
20:55for any of that
20:57Think that if you go
20:58to the event
20:59that will cheer you up
21:00And if you are
21:01encouraged
21:02then your niece too
21:04I see
21:06Mr. Fermín
21:07I'd like to ask you
21:08for a consultation
21:10I'll be back later
21:11No, no, no
21:12No, no, no
21:13Teresa, what's wrong?
21:15No, I don't want to bother you
21:17You're not going to bother us
21:18We were just talking
21:19about our things
21:20Imagine what a nuisance
21:22Teresa, if you have
21:23something to say
21:24I'll tell Mrs. Lázara
21:25I have to go
21:26Are you okay, Mr. Fermín?
21:28I can tell you
21:29what has happened
21:31If I find it appropriate
21:32Of course
21:34Sit down
21:38Look how difficult
21:39it was
21:40But the good thing
21:41is that you're happy
21:42And how happy
21:43this hope is
21:44I don't give myself away
21:45all the time, Antonia
21:46What do I have to look like?
21:47You won't say it for me?
21:49Of course I'll say it for you
21:51With everything you've suffered
21:52and look
21:54about to go up to the altar
21:57By the way
21:58Do you think you'll be able
21:59to fix the bass for me
22:00after the chicks ate?
22:01Of course, I'll fix it
22:02right away
22:03I already told you yesterday
22:05By the way
22:06Have you already sent
22:07all the invitations?
22:08Let's see if someone
22:09is going to forget
22:10Ask for telegrams
22:11and letters
22:12I've already notified
22:13my cousin Candelaria
22:14my cousin Lucia, Maria
22:15Well, I've even notified
22:16my uncle Enrique
22:17The famous uncle Enrique
22:19I can't wait to meet him
22:23Aguavar!
22:25But what?
22:26In the end, you don't listen to me
22:27Esperanza, for God's sake
22:28No, woman
22:29That's with the comas
22:32Esperanza
22:33I already recognized you
22:34as a cleaning teacher
22:35Please leave me alone
22:36Teacher?
22:37Teacher of what?
22:38I'm an expert
22:39Look how she takes out
22:40the light from the floor
22:41Oh!
22:42Of course
22:43Because she's great
22:44and she already has experience
22:45as a cleaner
22:46Or do you think
22:47she does everything well for you?
22:49You spend all day
22:50on top of her
22:51Marta
22:52I'm on top of you
22:53all day
22:54Eh?
22:55Come on, tell her
22:56what I've taught you
22:57about the broom
22:58It's nice to hear you
22:59Do you see?
23:00Do you see how she doesn't
23:01leave her alone?
23:02She has her like a parrot
23:03I'm sure
23:04she would work
23:05much better without you
23:06Take that away
23:07Right now
23:08Who would stop
23:09two kids from going to school
23:10and going back to work?
23:12It's fine, Antonia
23:13It's fine
23:14But when Esperanza
23:15works so hard
23:16She's a pain in the ass
23:17Marta
23:18Tell her something
23:19that she's doing wrong
23:20Let's see
23:22When it's time
23:23to make it shine
23:24don't leave any marks
23:25No, please
23:26Please, no
23:27Don't continue
23:28Shut up
23:29She's talking
23:30Come on
23:31Number three
23:32Why don't you complain
23:33about cleaning the display?
23:34Don't complain
23:35about cleaning the display
23:36because more war
23:37will come to you
23:38You see?
23:39What a head
23:40She's better than bread
23:41As long as she doesn't
23:42get her head
23:43as bad as hers
23:47I don't know
23:48what you're laughing about
23:49You're going to stop laughing
23:50when Mr. Fermin
23:51puts a plaque here
23:52with my name
23:53Mrs. Esperanza
23:56Cleaning lady
23:59She's so funny
24:00But I don't know
24:01what you're laughing about
24:02Let's see
24:03There's a cleaning department
24:04We're two people
24:05and if I'm the one
24:06who divides and distributes
24:07I'll have to put
24:08the plaque here
24:09Sorry, I didn't say anything
24:10Of course, of course
24:11Sorry, sorry
24:12Sorry
24:13Cleaning lady
24:16Let's go, Marta
24:17I don't know what you're laughing about
24:18These are two envious people
24:28Bye
24:32What was the commandment
24:33number six?
24:36I'm armed
24:37Watch out
24:38Watch out!
24:45You can't imagine
24:46how sorry I am, Cesar
24:48When I found out
24:50I couldn't believe it
24:52Me neither
24:53I still can't believe it
24:55And to think that
24:56when I left Inés
24:57she was in a plethora
24:59I've rarely seen
25:01an artist
25:02with such a sincere
25:03smile
25:05She didn't deserve
25:06what happened to her
25:08But well
25:09there's no turning back
25:11It's better to think
25:12she'll smile again soon
25:14Look, Cesar
25:16I'll be honest
25:18I'm worried
25:20about the show
25:22The rehearsals
25:23are about to start
25:24Cesar
25:25I'm sorry
25:26Just give her
25:27a couple of weeks
25:28so she can recover
25:29I'm sure she'll recover
25:31I don't know
25:32if I can do that
25:34You also have a business
25:36Put yourself in my place
25:38Of course I'll put myself
25:39in your place
25:40But if you're really
25:41betting on Inés' talent
25:42don't rush
25:44There's only a couple
25:45of rehearsals left
25:46We'll know right away
25:47how much the throat injury
25:48affects her voice
25:53I can't do that, Cesar
25:55I'd really love
25:56to do it
25:57but I can't
25:58But no, no
26:00The shows
26:01can't be stopped
26:02Make it clear
26:03Inés is a very strong woman
26:04and I'm sure
26:05she'll sing again
26:07Let's suppose that
26:09I'd have to go through
26:10a rehabilitation process
26:11and I know what I'm saying
26:12Cesar
26:13The vocal cords need
26:14rest,
26:15get the tone back
26:16and time
26:18Too much
26:19I'm being honest
26:22Do you understand?
26:29Of course I do
26:32But I'm very angry
26:34Think about it
26:35There are a lot of artists
26:36in Nómina
26:37and every day
26:38I have the show stopped
26:39it costs me money
26:40and it's not little
26:42Don Agustín
26:44If Inés sang again
26:46would you give her
26:47another chance?
26:49Cesar
26:50I never forget
26:51a good voice
26:52and the DNA
26:53stayed inside me
26:55I hope she recovers
26:56I hope she recovers
26:59I have your word
27:01Of course
27:04If I see her
27:06please encourage me
27:08I will
27:09Thank you
27:10You're welcome
27:21Madrid Cabaret, tell me
27:22What?
27:25Wow, Marcel
27:27Of course we have to talk
27:30No, the sooner the better
27:32Why don't we do it
27:33this afternoon?
27:37Perfect
27:38You know where to find me
27:52Of 10
27:53Cañete has been
27:54Of 10
27:55A know-it-all
27:56a spy
27:58I'm glad
28:01Don't you trust Cañete?
28:02He assured me
28:03he'd be a tomb
28:04with all this
28:05Yes, yes
28:06I'm glad
28:07Especially for you
28:08You've been going after him
28:09all night
28:10Me?
28:11After dinner
28:12I fell asleep
28:13I didn't talk in my sleep
28:14No, you didn't
28:15but I'm telling you
28:16you went after him
28:17all night
28:18and I
28:19couldn't sleep
28:20I'm sorry, love
28:21I'm sorry
28:23What's wrong?
28:24Nothing, nothing
28:25I'm just...
28:27I was thinking
28:28about doing
28:29a demonstration
28:30of
28:31Fajas, Corgés
28:32and others
28:33here
28:34tomorrow
28:35Something very intimate
28:36just to present
28:37Madame La Fajete's
28:38rubber range
28:41Alone, he says
28:42My God
28:43You make me feel
28:44much calmer
28:45My love
28:46It's going to be
28:47a very intimate thing
28:48Look, I'm going to start
28:49with the slogan
28:50There are many imitators
28:51but like Madame La Fajete
28:52there's only one
28:54Exactly
28:55and then
28:56I don't know
28:57I'm going to try
28:58a model
28:59I'm going to do
29:00a demonstration
29:01I also have
29:02an assistant
29:03who's going to do it
29:04wonderfully
29:05Really?
29:06Do you have
29:07a new assistant?
29:08Well
29:10If it's like
29:11Madame La Fajete
29:12there's nothing
29:15Well, I'm just saying
29:16that if Don Salvador
29:17wants to appear here
29:19there's nothing
29:20to worry about
29:21He's out
29:22Everything is under control
29:23Don Salvador
29:24is going to miss
29:25the demonstration
29:28Well, and now
29:29Trinidad
29:30if you don't mind
29:31I have to try
29:32some of the products
29:34But well, man
29:35I've seen you
29:37I've seen you a thousand times
29:38with the suit
29:39You always go with the suit
29:40Do you always go
29:41with the suit?
29:42You must have a lot
29:43No, I don't have a lot
29:44but what I have
29:45I spend it on suits
29:46You see
29:47And on books
29:48And now on suits too
29:49Right, Elias?
29:50Right, yes
29:52Well, I hope
29:53the presentation goes well
29:55I'll leave you
29:56with the suits
29:57That sounds weird
29:58Well, I'm leaving
29:59Bye
30:01Bye, Trini
30:05Come on, Elias
30:06Let's move
30:07We have to choose
30:08which models
30:09we're going to present
30:10in the demonstration
30:11Well, you're going
30:12to try them
30:13I've only come here
30:14to help
30:15Because in me
30:16there's the product
30:17clearly
30:18and in you
30:19I'm sure they look...
30:20Are you calling me fat?
30:21No, not fat
30:22Thin with a belt
30:23It's not the same, Miguel
30:26Look, look, look
30:32It's small
30:33It doesn't fit
30:36I can't believe it
30:37But what was the choice
30:38in the cup?
30:39I don't know
30:40Maybe it was
30:41someone's carelessness
30:42in cleaning
30:43It's not clear
30:44But who's going
30:45to clean a cup
30:46with bleach?
30:47I don't know
30:48There must be
30:49a good explanation
30:50Sometimes you're unlucky
30:51And poor Inés
30:52Anyway
30:53Well
30:54I'll come and see her
30:55as soon as I can
31:01It's a shame
31:02that you left
31:03so early
31:04I'm going to work
31:05there again
31:06Yes
31:07The truth is
31:08it's a shame
31:09that we won't
31:10meet again
31:11And don't think
31:12I'm going to miss
31:13going to work
31:14I met a girl
31:15who was a bit shy
31:16and had to work
31:17because of her family situation
31:18but I got used
31:19to the showbiz
31:20But you've done
31:21a lot of things, Laura
31:22And of course
31:23what I least imagined
31:24was that I'd find my way
31:25in advertising
31:26and that we'd have
31:27our own business
31:28I'm so jealous
31:29I only clean
31:30from here to there
31:31And I don't complain
31:32And your uncle
31:33helps you?
31:34Yes
31:35He'll come with us
31:36to the notary
31:37to sign the transfer
31:38He supports us
31:39and he's also
31:40part of the business
31:41It's a shame
31:42that we won't
31:43meet again
31:44I'm so jealous
31:45I only clean
31:46from here to there
31:47And I don't complain
31:48I only clean
31:49The truth is
31:50that we're in a dream
31:51You're very brave
31:52opening your own
31:53business
31:54Thank you so much
31:55Marta
31:56We're going to try
31:57to make it
31:58a very special place
31:59Because apart from
32:00selling gramophones
32:01and records
32:02we'll also have
32:03a photo studio
32:04in the back
32:05I want you
32:06to make me a portrait
32:07Of course
32:08As soon as we open
32:09Yes, well
32:10now we have to
32:11put them up to date
32:12The gramophones
32:13and the records
32:14Yes
32:15I'm sure you'll
32:16put them both
32:17on a parquet
32:18You also have
32:19each other
32:20for any problem
32:21Yes
32:22This project
32:23is like our
32:24little creature
32:25Yes
32:26We're the mothers
32:27and Mr. Fermin
32:28the boss
32:29or the uncle
32:33I'm so jealous
32:35You get along so well
32:36and you have so much fun
32:39Meeting Celia
32:40has been a gift
32:41for me too
32:42The best gift
32:43of my life
32:47I know that look
32:48What are you talking about, Marta?
32:49You look at Laurita
32:50the same way
32:51Antonio looks at Mr. Pietro
32:53No, I look at Laura
32:54the same way
32:55I look at you
32:56or someone else
32:57Well, I think
32:58you do it with
32:59a special shine
33:00Marta
33:01You're wrong
33:02Laura is
33:03my friend
33:06It's not right
33:07to say those things
33:08It's...
33:09It's bad
33:11Do you want tea?
33:12Yes, of course
33:34Are you okay?
33:35Did you hurt yourself?
33:36No, no, no
33:37I'm fine
33:38but thanks to you
33:40Thanks, Cañete
33:41Now let's get back to work
33:48Are you sure you're okay?
33:49Was it a good back and forth?
33:51Yes, I'm fine
33:52But I don't know
33:53what you were doing here
33:54because that's not your place
33:56My place is where I need it
33:58And right now
33:59what you need is...
34:00Look, leave him alone
34:01Please, don't start
34:02Because if they hear us...
34:04Don't worry
34:05I have everything under control
34:06I'm watching
34:07On the stairs, here...
34:09The important thing is that you're okay
34:10You don't have any cramps
34:11or flexions
34:12or sudden movements
34:13You're not okay
34:14Look, I'm fine
34:15but I still need to know
34:16that I'm not
34:21Let's see, you two
34:22Do you know
34:23what you're bringing?
34:26What are we bringing?
34:27Women?
34:28Sweets
34:31Why are you so interested
34:32in Trini, Cañete?
34:34We're all here
34:35for whatever
34:36we need, ma'am
34:37I'm not asking you
34:38what your relationship
34:39with Marta is
34:41I'm not flirting with Marta
34:42as if I was
34:43dancing a choti with her
34:45Flirting?
34:46Yes, flirting
34:48Do you think
34:49I haven't seen you on the stairs?
34:51Come on, tell me
34:54Look, if we're going to tell you
34:57but not a word of this
34:59Trini
35:00has a problem
35:03Her shoes rub
35:04a lot
35:05A lot
35:07So I was putting them
35:08on the stairs
35:10and, of course,
35:11the movement
35:12just happened
35:13Yes, of course
35:14The movement
35:15is when it hurts the most
35:16So, since it hurts the most
35:17she did me a favor
35:18Right
35:20Or do you think
35:21I fell for it?
35:22Well, ma'am
35:23if you've asked
35:24we'll answer
35:25Let's see
35:26If anyone knows
35:27about shoe rubbing
35:28it's me
35:29And you don't tell me
35:31Look
35:32I'll tell you the truth
35:33but don't say anything about this
35:34I was telling Trini
35:35that a very distinguished
35:36client
35:38left without paying
35:40Five pesetas
35:41Nothing more
35:42and nothing less
35:43Oh my God
35:44I'm speechless
35:45What a face
35:46this man is
35:47And of the disgust
35:48he got dizzy
35:49and almost fell
35:50Thank goodness
35:51I was there
35:52to help her
35:53Yes, yes
35:54Is that the reason
35:55for so much secrecy?
35:57Well, what a disappointment
36:03Look
36:04For God's sake
36:05Stop being so careful
36:06But Trini
36:07I couldn't help it
36:08I feel bad
36:09just thinking that
36:10something happens to you
36:11or the creature
36:12Look
36:13You'll feel worse
36:14if everyone finds out
36:15about my condition
36:16So, do me a favor
36:17Look, Trini
36:18I try
36:19but I don't promise anything
36:20There are other
36:21safer
36:22and better
36:23options
36:24for you
36:25Really?
36:26What are they?
36:27Like
36:28quitting your job
36:29for example
36:31This salon
36:32looks safe
36:33but it has its dangers
36:34and the important thing
36:35is that you're okay
36:36Look, I'm not kidding
36:37I'm quitting my job
36:38I'm not kidding, Cañete
36:39Got it?
36:40Well, then
36:41I have to keep
36:42keeping an eye on you
36:43and I won't admit
36:44to any argument
36:45Health is first
36:56What a nightmare
36:57Oh my God
36:58What a nightmare
37:02Let me go
37:11Relax, Cesar
37:13I tried to stop it
37:15I tried that
37:16they wouldn't hurt you
37:17and Ines
37:18but it was impossible
37:19But you've done
37:20a great job
37:21Seriously
37:22For God's sake
37:23They wanted to scare you
37:24And you decided
37:25not to tell me anything
37:26You're much worse
37:27than I thought
37:28I'm here to warn you
37:29but it was already too late
37:30When I came
37:31How are you?
37:33How would you be after they ruined your life?
37:36You know it could have been much worse.
37:38I told you to get out of this city.
37:40And you should have listened to me.
37:42Do you want me to thank you for the warning?
37:46Follow orders.
37:48It would be good for you and for her.
37:50I was about to debut in a show that was going to change her life.
37:54God!
37:56It was a very bad accident, yes.
37:59You know that the bosses don't like slip-ups.
38:02They make us pay, very expensive.
38:06You are very lucky that she is already in the way.
38:08If not, it would have ended a long time ago.
38:10If you want there to be no more serious consequences,
38:13limit yourself to following orders.
38:15Understood?
38:20I'll call you to organize the next show.
38:23I'll call you to organize the next show.
38:54Thank you very much.
38:55Today is a very sad day, especially for Mrs. Bárbara.
38:59She doesn't know how much her presence here means to her.
39:05Excuse me for a moment.
39:07I'll be right back.
39:13I'm sorry.
39:14I'm sorry.
39:15I'm sorry.
39:16I'm sorry.
39:17I'm sorry.
39:18I'm sorry.
39:19I'm sorry.
39:20I'm sorry.
39:21I'm sorry.
39:23I'm sorry.
39:36I've been watching you for a while and I'm worried.
39:39Do you need anything?
39:41What happens today, as soon as possible.
39:48I don't know if I can do this, Fabio.
39:51And on the other hand, I don't want them to take her either.
39:55Because when they do, I know I'll never see her again.
39:58Bárbara, we have to be strong.
40:00Your daughter's memory is not less deserved.
40:02Yes, I know, I know.
40:04I know.
40:08But Carla didn't deserve to end up like this.
40:14What a shame.
40:16What an atrocity.
40:17What they have done to my poor girl.
40:20My child.
40:23These wild acts will receive their due punishment.
40:26You have to be comforted.
40:28I couldn't see her, Fabio.
40:30I couldn't.
40:31I couldn't look at her body.
40:33I couldn't do it.
40:44Why don't you go to your room and rest?
40:47I can take care of the guests.
40:51No.
40:54I don't want to.
40:55No.
40:58Now.
41:05That's it.
41:06The tears and regrets are over.
41:10I'm going to say goodbye to her the way she deserves.
41:14With all the smells, you know?
41:20I'm not going to lower my head.
41:23I understand you, dear.
41:25But you should rest.
41:27Really.
41:28Even if it's half an hour.
41:29No.
41:30No.
41:33I'm going to be here until the last minute.
41:36Saying goodbye to my daughter.
41:46Good afternoon.
41:48Good afternoon.
41:50Good afternoon.
42:09Mrs. Bárbara.
42:10I'm here to give you my condolences for your daughter's death.
42:14And to tell you that I want you to find the person responsible for this
42:19and add to the consequences of her actions.
42:21Excuse me.
42:23I think it's best if she leaves.
42:25You end my daughter's life
42:27and you have the nerve to come and rub it in my face.
42:30Ma'am, please calm down.
42:32How dare you come here?
42:34Miserable.
42:39Antonia, doesn't it seem to you that you have to put up with Mrs. Esperanza all day as if she were your parrot?
42:44Well, she's over it.
42:46The important thing is that you've passed the test and that you're already working at La Moderna.
42:50And how can I be happy?
42:52The only thing is that I have to put up with the lady all day with the cleaning lady, boss.
42:57Honey, but that goes with the salary.
43:00Just like Mrs. Vampira has put up with it.
43:02I see.
43:03Me too.
43:04Well.
43:06Antonia, does it matter to you to finish?
43:08I have to go to the mercery before they close me.
43:11Your dress is not going to fix itself.
43:14By the way, have you told Pietro yet?
43:18Well, no, I haven't told him yet.
43:20The truth is that between the bakery, the wedding, and that it is a delicate issue, I have not done it.
43:27Yeah, but Pietro is very good.
43:29I'm sure he doesn't care if he marries the dress of his first wedding.
43:32It's true.
43:33Well, I don't know how Marta will feel.
43:35But I will try to tell him with all the love in the world.
43:39I'm sure it's fine.
43:40I'll be right back.
43:44Come in, Pietro.
43:46Hi, Vampira.
43:47See you at dinner time.
43:49All right.
43:50Hi, Antonia.
43:51Hi.
43:54How are you? Any news?
43:56A few news.
43:58I have met with Marco, my friend, to take a look at the machines of the bakery.
44:04They are old, but they will hold up.
44:07In the end, he will find out about the bakery in the middle of Madrid.
44:10And what else is there?
44:12That's it.
44:13We have made the decision.
44:16Pietro, have you thought about quitting your job?
44:18Because starting a business is very risky.
44:21Antonia, what other option do we have?
44:24And in the eyes of Mr. Fermin, who is not going to lift the ban on married women.
44:29Yeah, but that's my business, not yours.
44:31You don't have to quit your job, Pietro.
44:33You are very well considered.
44:35I know.
44:37I don't want to be mean, Antonia, but do you have any doubts?
44:41No.
44:43What I don't want is to mess with Mr. Fermin.
44:46That maybe, in such a hurry ...
44:50And what do we do?
44:51I don't see another solution.
44:53The only thing I ask of you is that you don't say anything to Mr. Fermin until we are sure about the bakery.
45:00Please.
45:02It's worth it.
45:05Come here.
45:07Come here.
45:09Come on.
45:10But you'll have to hurry.
45:13Because I don't like to lie to Mr. Fermin.
45:16Fabián.
45:17Come on.
45:18Come on.
45:19Bravo.
45:24Are you here to make sure you have done your job well?
45:26No, Barbara.
45:28How dare he show up here?
45:30Mr. Fabián, really, I didn't want to provoke all this.
45:33Ah, isn't this provoking?
45:36To rub our faces in the face of all of us who are watching Carla here.
45:41That you walk on your own, despite being the murderer?
45:45I'm sorry he keeps accusing me of the death of his daughter.
45:49But that accusation has no basis, and that's why I'm here.
45:53To show my goodwill.
45:55You will be miserable.
45:56Well, that's fine.
45:57Please, it seems that he has come to provoke.
46:00Fabio, what I want is to say in front of all the people who are here crying over Carla's death.
46:06That I didn't kill her.
46:08And it's true that Carla and I were...
46:11Distanced.
46:13But I would never want an end like this.
46:17The end you chose.
46:20Ma'am, no matter how much I deny it, I am innocent.
46:22And proof of this is that the police have set me free.
46:25Of course, you can easily deceive the police.
46:28Not a mother.
46:30I'm not cheating anyone, ma'am.
46:31There is no evidence against me.
46:32There is no evidence against me.
46:34That there is no evidence does not mean that you are not the culprit.
46:38Here I tell you in front of everyone.
46:41Sooner or later, they will find that evidence.
46:44And then...
46:46Then you will pay for everything you have done to my daughter.
46:51I understand that the pain for your daughter makes you talk like that.
46:55It's just that I need a culprit, and he has chosen me.
46:59Don't play the understanding game with me.
47:01I'm not playing anything, ma'am.
47:03And I really tell you that I understand you perfectly.
47:05We have something in common.
47:07We both want to find the person behind this cruel murder.
47:11Because Carla did not deserve an end like this.
47:14You will be cynical.
47:15Out there in the garden, I heard you threaten her.
47:19Inigo, leave.
47:20I will not repeat it to you.
47:22I do not intend to use this police station to give an image of innocence among others.
47:26But what I have not heard.
47:28Leave this house, right now.
47:32Fine.
47:33I'm leaving.
47:35But a murderer is still out there.
47:37While we are not doing anything here.
47:39And that's because you, Mrs. Bárbara, and you, Mr. Fabio.
47:41They accuse me of being Carla's murderer.
47:43Because you are.
47:45Look, if that suits you to cry at the request of your daughter, go ahead.
47:49But I remind you that while they tell me that I am the murderer.
47:53The real culprit is still out there.
47:57And this is not a way to do justice, Carla.
48:02Good afternoon.
48:18Uncle Fermi is determined to keep me company at all hours.
48:22He even wants to miss the inauguration of the bullring.
48:25Well, I'll talk to him to get rid of the bulls.
48:28But you have to promise me that you will take care of that voice.
48:32No.
48:34Can I have a few more words?
48:36Well, five.
48:38But take it into account.
48:41I'm sorry to have ruined your joy, Laurita.
48:44Inés.
48:46You have taken the five words so seriously that I have not understood what ruined joy you are talking about.
48:51You should be happy about your gramophone store.
48:55And now you only think about my throat.
48:58Look, if you don't want me to worry about your throat, stop talking right now.
49:02You'll see that everything will be fine.
49:05I'm going to open.
49:18Cesar.
49:19Laurita.
49:20Can I see her?
49:21Yes, come in.
49:28I'll leave you alone.
49:33I know it's late.
49:36Sit down.
49:44I needed to know how you were.
49:47How would you be if you discovered that you could never again devote yourself to your passion?
49:54Have you heard the doctor?
49:57They have to do more tests.
49:59It's too early to have a safe diagnosis.
50:02No one would pay to hear me sing with this voice, Cesar.
50:07Your vocal cords have to deflate.
50:12Is Agustín aware of what has happened to me?
50:16Yes.
50:17He sends you a lot of encouragement.
50:20And...
50:22He didn't tell you about the contract?
50:25Because with my throat like this,
50:28we'll have to postpone everything, right?
50:30The rehearsals, the premiere, everything.
50:34He didn't tell me anything about that.
50:39He's going to find another singer, right?
50:42That's it.
50:50I'm very sorry about the accident.
50:52Don't be silly.
50:56What happened to me wasn't an accident.
51:00He chose Cao in my cup because someone wanted to poison me.
51:04And surely Martel is behind all this.
51:08Isn't he?
51:13And I wish you had never let him enter Madrid, Marietta.
51:20And I wish I had never met you.
51:25What you're saying is not true.
51:28I love you very much.
51:31You warned me with the story of the scorpion you told me.
51:36And you were right.
51:38Your nature would come to light.
51:43In the end, you and Martel are the same.
51:47I'm not that scorpion anymore, and I'm not thanks to you.
51:54Cesar, you're armed.
51:58You're just like them.
52:01Let me explain why I have a gun.
52:03No.
52:05Go.
52:08Go, please, and don't let me tell you again.
52:14Very well.
52:16We'll talk tomorrow, calmly.
52:18No, you don't understand me.
52:21I don't want to see you ever again.
52:25Never again, Cesar.
52:31What you're saying is not true.
52:47No.
52:51Inés, how did it go?
52:54Inés.
52:56It's over.
52:57The truth is over.
53:00I love you.
53:11They told us we have to wait for the inflammation to go down to do more tests.
53:15But are you afraid of the worst?
53:17Yes.
53:18You were at the police station.
53:20Why didn't you do it?
53:21I didn't do anything, I have nothing to fear, and that's why I went.
53:23To prove that I have nothing to hide.
53:26The newspaper says they have arrested a suspect in the crime.
53:29And you thought Iñigo was that suspect.
53:32Don't worry, Antonio.
53:33Yes, it's him.
53:35I want him to go to Madrid-Cabaret and observe everything.
53:37I think Cesar is hiding something from me.
53:39He's asking me to spy on him.
53:41I'm asking him to be my eyes.
53:43I don't know, could he install me here?
53:44Here in my office, you mean?
53:46Yes, of course.
53:47Well, I understand that his niece Laurita is no longer going to use him.
53:50Maybe I could take his place.
53:52His table?
53:53Did he hit you with Trini again?
53:55Do you want to know what's going on with Trini?
53:56Yes, of course.
53:57If I tell you what's going on, will you stop being silly?
53:59Yes, tell me, tell me.
54:01It looks like you've been alone for a while.
54:03I'm here, gathering ideas for my new place in Seville.
54:07I have taken as an example Don Jacobo.
54:10Don't tell me you haven't told Pietro yet that he's going to marry the same dress as his first wedding.
54:15Well, no, I couldn't.
54:16I was going to do it, I promise, but the bakery thing came up.
54:19What do you want me to tell you?
54:20Why don't we go to the square together?
54:22Unless I have another companion.
54:24No, no, no, no.
54:25No, I don't have one.
54:26I would be delighted if it were you.
54:28When a student passes an exam, who is in merit?
54:31The student who studied or the teacher who taught her the lesson?
54:34Why do you ask me?
54:35I came to put two coffees.
54:37One cup at a time.
54:38Do you know what I'm telling you?
54:39You put the coffees.
54:41What have you done for my sister to break up with you overnight?
54:44Because I'm not going to insist on Inés, but I think I deserve an explanation from you.
54:50I'm sorry.
54:51I'm sorry.
54:52I'm sorry.
54:53I'm sorry.
54:54I'm sorry.
54:55I'm sorry.
54:56I'm sorry.
54:57I'm sorry.
54:58I'm sorry.
54:59I'm sorry.
55:00I'm sorry.
55:01I'm sorry.
55:02I'm sorry.
55:03I'm sorry.
55:04I'm sorry.
55:05I'm sorry.
55:06I'm sorry.
55:07I'm sorry.
55:08I'm sorry.
55:09I'm sorry.
55:10I'm sorry.
55:11I'm sorry.
55:12I'm sorry.
55:13I'm sorry.
55:14I'm sorry.
55:15I'm sorry.
55:16I'm sorry.
55:17I'm sorry.
55:18I'm sorry.