Salón de té La Moderna - Ep 222
Transcript
00:00No, I'm not.
00:01What?
00:02I'm not.
00:03What does that have to do with anything?
00:04You're a coward.
00:05You're going to grow up, you're going to have fun.
00:06You're going to be a great man.
00:07Look, I still don't want to go to jail.
00:08I'm going to get out of here and I'm going to go to law school, and I'm going to
00:09go to the law school and I'm going to get a degree.
00:10I have nothing to do with you.
00:11It's not me, it's not me.
00:12I have to do what I have to do.
00:13I have to make a choice.
00:14You can't change the one thing that you do, you have to make a choice.
00:15You have to make a choice.
00:16It has to be you.
00:17It has to be you.
00:18a great professional offer came up in a very bad personal moment.
00:22Look, Celia, it's not my fault I don't correspond to your feelings,
00:25and I'm the one who's going to pay the price.
00:27I know.
00:28But I didn't decide to fall in love with you.
00:29Yes, but you decided to leave.
00:32I need to leave because I need to forget you.
00:38Can I know what's going on here?
00:48Celia, I thought you were my sister.
00:59Come in.
01:13If you came to pick up Inés, she's not here.
01:16Have you gone for a walk to get some fresh air?
01:19No, I came to see you.
01:21I wanted to ask you a favor.
01:23When I was about to close, I got a phone call.
01:26It was the new supplier with whom we were supposed to meet tomorrow.
01:31I have it on my agenda. If you came to remind me, I haven't forgotten.
01:35I didn't come to remind you.
01:37I came to let you know.
01:39He called to tell me that he had a problem and that he had to postpone the meeting.
01:43I said yes, but then I remembered that I had already met with Iñigo.
01:48With Iñigo for what?
01:50To finalize the details of the visit of Marcial Lalanda and his friends to the Madrid Cavalry.
01:56Could you take care of it?
01:59Yes, of course. What can I do? Someone will have to go.
02:06Laura, if I'm finally leaving, I don't want to let you manage that business.
02:13If you're finally leaving?
02:15I thought it was something definitive.
02:17In fact, I was going to tell you that we have to talk to my uncle as soon as possible.
02:20With your uncle for what?
02:22What do you mean for what?
02:23Well, first of all, because he has to know.
02:25And second, because maybe I don't want to take care of the business alone.
02:28Well, in any case, I'm going to tell your uncle.
02:30So don't worry.
02:31No, no, that's not what worries me.
02:33What worries me is that you're playing with me.
02:35Because one day you want to leave, the next you don't have it clear.
02:38But it's not easy to make this decision.
02:40And you think it's easy not knowing what will happen to my future?
02:42Do I have to organize my future or not?
02:44Ah, your future. And what about mine?
02:46But how can you be so selfish, Laura?
02:49Look, I don't want to argue.
02:51Well, you're already doing it.
02:56Do you want an answer?
02:58I'm definitely leaving.
03:00It makes no sense to stay by your side.
03:02Thanks for helping me decide.
03:05Wait.
03:06Celia!
03:07Of everything we've lived, of everything we have,
03:09there's only one thing I can't give you.
03:11And you decide to leave the boat.
03:13Tell me, who's the selfish one?
03:15Don't forget about the meeting.
03:38Pietro, you know you can trust me for anything.
03:43I know, Marta, that I can trust you, but...
03:46I don't want to worry you.
03:48Well, maybe it's a little late, because I'm already worried.
03:53And I think it's better to know what's going through your head than to imagine it.
03:56Because one always gets the worst.
03:58And this time you're right.
04:01Lucia doesn't want to go back to Italy.
04:04What do you mean she doesn't want to go back to Italy?
04:06She doesn't want to go back to Italy.
04:07And what did you tell her?
04:09I didn't say anything.
04:10Because she caught me with my foot changed and I didn't know how to react.
04:14But where is she going to live?
04:16She won't be with you?
04:17Of course not.
04:19And what did Antonia tell you?
04:21Nothing, nothing.
04:22I didn't say anything because I haven't told her yet.
04:24She doesn't know anything and I don't know how to do it.
04:28You see, Marta?
04:30If something can go wrong, it will go wrong.
04:33I'm going to work.
04:34See you later.
04:36Good morning.
04:39Good morning.
04:40What are you doing here already?
04:43The days you come to clean, I can't sleep from the excitement.
04:47Do you really think it's going to be of any use to you to be so clumsy?
04:50I don't know, but the one who gets up early is the help, right?
04:55Well, have you already spoken to your father?
04:57Or do you still think that all I want is to take you to the court?
05:00He hasn't brought it up to me, but that doesn't mean anything either.
05:02My father is a man of fixed ideas.
05:04And what kind of man are you?
05:06Of those who let themselves be intimidated or of those who face them?
05:09I am of fixed ideas.
05:10I don't have many, but the ones I have are mine and I plan to fight for them.
05:15And I'm going to show my father how much I appreciate you.
05:18And you too.
05:19Well, look, I don't need anyone to defend me from something I haven't planned to do.
05:22Like, for example, in Gattusarte.
05:24You insist on pretending you don't like it, and that's because you like it.
05:28Like in Desdén con el Desdén.
05:30A work that Miguel recommended to me and that, by the way, you should read.
05:35And the protagonists end up together.
05:37Of course, like you and me.
05:41Hey, are you going to Miguel and Trini's party tonight?
05:44Because if you don't go, I'm not going to go.
05:46Well, look, I'm going to tell you one thing.
05:48If you see me, it's because I've gone.
05:50And if you don't see me, it's because I haven't gone.
05:56Let's see, let's see, how is that?
06:05As you can see, in the column on the right are all the things we've already got for the party.
06:10And in the column on the left, the things that are missing.
06:13Almost nothing.
06:14Well, sometimes the smallest things are the ones that take up more time.
06:18Besides, Marcial de Alanda doesn't want the decoration to be bullfighting.
06:22He says he's had enough.
06:23No, I think it's reasonable, yes.
06:25I assure you he's a pretty unpredictable man.
06:28And I don't mean it in a bad way, okay?
06:30Okay.
06:33Hey, Matilde.
06:34Hi, both of you.
06:35What are you doing here?
06:37If you want to talk to Ñigo alone, I can come back another time.
06:41It's not a problem.
06:42No, don't worry, Celia, stay.
06:44What I have to talk to Ñigo also concerns you.
06:48I've been thinking and I'd like to propose something to you.
06:52Of course, sit down.
07:01Well, we're all ears.
07:03Well, I thought I'd like to be part of the party organization.
07:08If you admit me to your team, of course.
07:10Well, of course.
07:13What things do you have, Matilde, of course.
07:15But you didn't have a job in the salon.
07:17I've talked to Don Fermín, so don't worry.
07:19And since I don't have much to do these days, he's given me permission.
07:22Don Fermín's good guy, always so understanding.
07:26Then perfect.
07:28Well, then.
07:29I've been doing a conscientious research on Marcial Lalanda.
07:33And I've discovered very interesting things.
07:37Things like what?
07:39For example, did you know that he starred in a movie?
07:44No, I didn't know.
07:46And what's the title of that movie?
07:48Viva Madrid, which is my town.
07:51It sounds familiar.
07:52Yes, yes, yes, I was about to go see it.
07:54But in the end, because of work, I couldn't and they took it from the box office.
07:57It's a shame, because Carmen Bianze acted and I love that actress.
08:01I also like her a lot.
08:03And what I've come up with has to do with her.
08:06What do you propose?
08:08I thought we could invite Carmen Bianze and the director of the movie, Fernando Delgado.
08:14Well, I think he'd love to meet him, especially if he doesn't expect it.
08:18As a kind of surprise?
08:20It would be very exciting.
08:22What do you think?
08:25Well, I can only think of one thing.
08:28Get up, please.
08:33You've just turned another party into a memorable event.
08:37Congratulations, Matilde.
08:38Thank you, Celia.
08:39Well, I'll leave you to it.
08:41I have a lot of things to do.
08:43Thank you very much for everything, Celia.
08:45You're welcome.
08:46Goodbye.
08:54Call me Optimist, but I'd say what just happened here is a sample of...
08:59Of what?
09:01Don't get me wrong, Ñigo.
09:02All I want is to help Celia and you, the man I love.
09:11And now, Mr. Optimist, you should give me a kiss, because I've earned it.
09:25Kiss.
09:30The dinner with my former classmates at the faculty will be canceled, too.
09:34Are you sure?
09:35But that day is sacred, it's the only date that can't be changed.
09:38Inés, I've told you I don't want to see anyone all week.
09:42Very well, then we only have the meeting with the gallery's businessmen.
09:46On the agenda is the renewal of the contract of the maintenance company,
09:50and I have it marked as a priority matter.
09:52Well, you don't see it anymore.
09:53Inés, keeping my schedule means that you relocate my appointments, not that you question them.
09:58That's all.
10:01Do you really think I don't realize how sad you are?
10:05In addition to keeping your schedule, I'm your niece.
10:08You can trust me and tell me what you need.
10:10I know, I know, darling, but it's not important.
10:16Yesterday you told us that Mrs. Lázaro is not what you thought, and that you had to digest it.
10:21And it is clear that you are not doing it very well.
10:25Uncle, you are always there when I need you.
10:28You have helped me face my problem with the voice, and thanks to you I have managed to overcome it and move on.
10:35Inés...
10:36We have to support each other, the people who love us.
10:40And I am one of them, uncle.
10:43Hello.
10:44Excuse me, Mr. Fermín.
10:46At your service.
10:47I have brought you these herbs from the herbalist.
10:50Thyme, ginger, mint and regaliz.
10:53I suppose they are good for the throat.
10:55They enrich the steam baths.
10:57Anyway, I won't interrupt you anymore.
11:00I'll stop by your house later to continue with the voice exercises.
11:04At the same time as yesterday?
11:05Yes.
11:06Perfect.
11:07Yes, yes.
11:08I hope so, because I want to thank you for these complicated moments, when you laugh at the situation.
11:16But you don't have to thank me for anything.
11:18I really do.
11:19I do it with pleasure.
11:20In any case, why do you say that these are complicated moments?
11:24Well, at work, sometimes...
11:26things get complicated.
11:28I don't know.
11:29I don't know.
11:30I don't know.
11:31I don't know.
11:32I don't know.
11:33I don't know.
11:34Things get complicated.
11:36It's just that my uncle won't attend the meeting with the businessmen.
11:42Mr. Firmino, I suppose you have plenty of reasons, but I would like to remind you of its importance.
11:49We are going to try...
11:50Yes, the renewal of the maintenance contract with the company in charge of the gallery.
11:55Yes, that's it.
11:56I don't know.
11:57And as you know, it's not a trivial matter.
11:59Besides, your opinion is fundamental.
12:01Agustín, I don't feel well.
12:03It's nothing serious, but I think I'm going to take the week a little more calmly than usual.
12:09And regarding the meeting, I give you my vote.
12:12I fully agree with your criteria.
12:16Okay.
12:17I hope you recover soon.
12:18In any case, I hope you can attend your niece's performance next Thursday.
12:23Thursday.
12:24Next Thursday.
12:25Thursday.
12:28Keep a chair next to you.
12:30I'm not going to miss it.
12:33Thank you again.
12:34And if you haven't had breakfast, I invite you to my house.
12:40Thank you, Agustín.
12:41But I think I should spend the afternoon with my sister instead of me.
12:46Why do you say that?
12:48Well, because Laurita is her girlfriend and she will have her obligations with her.
12:52And I can do the exercises alone, really.
12:54No, no, no.
12:55The specialist was strict with that.
12:56You need help to continue with your treatment.
12:59In addition, one of the obligations I have with my girlfriend is to worry about her sister.
13:06And Laurita understands this perfectly and knows that her health is the priority right now.
13:13Very good.
13:14But still ...
13:15Still, see you later.
13:30The first industrial racket front, with simultaneous entry and payment corresponding to taxes,
13:42opened in Madrid in 1917, with a squad of 16 professional women,
13:51which increased to the 45 that exist today.
13:56How is your body?
13:58Well, regular.
13:59The new Madrid Front, which ...
14:03Where are we going there, girl?
14:05It has restaurants, hairdressers, salons and terraces.
14:09A real social club.
14:12You will not see yourself in one like that again.
14:14Do not hesitate to visit it.
14:19You don't say anything?
14:20Would you like something?
14:22Oh my God.
14:23It will be the best bachelor party ever organized.
14:27The voice will be heard and everyone will want to know who was born the organizer.
14:32Don't you just get happy being the godmother?
14:35By the way, changing the subject,
14:38don't you think it's very strange that the vampire didn't come yesterday or today?
14:42It's not her own, unless she's sick.
14:45And you were the last to see her leave, so ...
14:48Did she have a bad face?
14:49Well, she didn't.
14:51She had red eyes, as if she had cried.
14:53The vampire crying?
14:55Why didn't you tell me?
14:57Are you sure?
14:58Very sure.
14:59It's that the fight was about Hordavo.
15:01Well, and grab the males.
15:03Teresa and Cañete were there too.
15:06Teresa and Cañete?
15:08But don't worry, because I haven't been left with my arms crossed.
15:11I asked Elías to get information from Cañete about what happened there.
15:15And what did he say?
15:17Not yet.
15:20What?
15:21From Palique?
15:22Yes.
15:23No.
15:25Yes.
15:26Yes.
15:27Yes.
15:36I was telling Esperanza that it seems very strange to me
15:39that Lady Alhazara didn't come yesterday or today.
15:41Of course.
15:42And if anyone can know the reason, that has to be you,
15:45who is in charge of that.
15:47Well, yes, I'm in charge, but I don't know anything.
15:49She is my superior, so you don't have to give me explanations.
15:52But you were also in Mr. Fermin's office.
15:55Do you know if something happened between them?
15:57I just happened to see her go out.
15:59With tears in her eyes, this can confirm it.
16:01What if I can confirm it?
16:03The only thing I can confirm is that you are a couple of snitches.
16:06And that it's time to get back to work.
16:08Besides, what Lady Alhazara does or does not do,
16:10we don't care, we don't have to care.
16:12No, if we don't worry, but...
16:15You seem to be enjoying this topic, huh?
16:18Me?
16:19Let's see, Esperanza is not a way of saying things.
16:21Although you are right.
16:22Because, let's see, given the circumstances,
16:25and to calm our spirits a little,
16:28could you tell us what happened in that office?
16:31I would have said the same, but with my left hand.
16:33Well, it's going to be that no.
16:39But hey, are you already erasing Pepinillos again?
16:42He's going to give you a hard time, woman.
16:44But since when do you have your hobbies?
16:46Well, I've always inherited it from my father, come on.
16:48Well, for a while.
16:50And come on, both of you to work.
16:59What are you doing?
17:01Pepinillos.
17:03Well, so you can understand, boss.
17:05The Lucha Leones is a fight between two opponents,
17:08holding hands on the belt,
17:10using strategies called mañas,
17:13to knock down the opponent and throw him to the ground.
17:16Well, that's where the idea of having more maña than strength comes from.
17:19That's great, Elias.
17:21And who are you going to bet on?
17:23Miranda Debro's big man or Miguel the bookseller?
17:27I'm not going to bet on anyone.
17:29And I think it's very bad that you have appointed Miguel
17:31to that fight without his consent.
17:33But how long will that giant take to tear his head off?
17:36Let's see, to begin with, it's not a violent sport.
17:39And as I just told you,
17:41it's about maña, not brute force, boss.
17:44But let's see, no matter how much maña Miguel has,
17:47he has no experience in the matter.
17:49As soon as that giant takes off his belt,
17:51he's going to put it into orbit.
17:53Besides, I don't see him very excited about the subject.
17:56Well, I think it's a perfect plan, boss.
17:59Besides, it came out of my research.
18:01Look, if you promise me you won't say a word,
18:04I'll tell you.
18:13I know a way to talk to my mother.
18:16Yes, it's...
18:18It's a way for her to hear us from heaven
18:22and answer us.
18:25Today we can't do it because we don't have what I need,
18:28but tomorrow, if you want,
18:31you'll be able to see it with your own eyes
18:34and you'll be able to talk to your mother.
18:36Do you promise?
18:38I promise.
18:47Mother?
18:49How was the morning?
18:51Did you see anyone interesting in the gallery?
18:53Interesting?
18:55I guess you mean Matilde.
18:58Well, it turns out that yesterday I met her.
19:02I didn't want to tell you,
19:04but I have a pinch in my stomach that I don't like at all.
19:07She was too kind.
19:09Kind?
19:10Well, forget it.
19:12I've come to bring it to you on the way.
19:15The train to Lisbon, where you'll spend the night,
19:17and the next morning you'll take a boat to Cuba.
19:20Of course, in a luxury room.
19:25I thank you very much, Mother,
19:28but I won't need them.
19:31What are you saying, Carla?
19:33That I'm not going.
19:36I have something in my hands.
19:38Something that you can't even imagine.
19:41As you understand, I can't leave it half-way.
19:43I hope you understand.
19:44What I understand is that you're exhausting my patience.
19:47And what's worse, Fabio's too.
19:50Tomorrow you'll take that train and there's nothing more to talk about.
19:53And how are you going to force me?
19:55Are you going to call the police to have me escorted to the station?
19:59Besides, as far as Fabio...
20:00As far as Fabio,
20:02I think you're taking it too lightly.
20:05Maybe he's the one who ends up calling the police
20:08and ends up reporting us.
20:09Oh, please.
20:11Don't make me laugh, Mother.
20:13Fabio's not going to do anything.
20:16And do you know why?
20:17Because he's as involved as you and me.
20:21If he were to report me to the police,
20:23who do you think he'd tell?
20:25That he knows I've been alive for days,
20:28but he was giving me a little chance to escape?
20:31Or worse, that he suddenly lost his patience?
20:36Or worse, that he was organizing everything with you,
20:39but he suddenly realized that that wasn't right
20:42and he's very sorry.
20:44Tell me, Mother.
20:46Which of those options is the least stupid?
20:50Don't you realize you're playing with fire?
20:53Your only chance is to listen to me and leave tomorrow.
20:56And don't you realize that I'm not afraid?
20:59And that I'm not going to leave until I finish what I've started?
21:02Which, by the way, I assure you will be something extraordinary.
21:07Supernatural, I would say.
21:10And what about me?
21:12Because I am afraid.
21:14Because your irresponsibility is putting me in danger.
21:18And for the love of God, Carla, I don't want to go to jail.
21:21I'm asking you, please.
21:23For everyone's sake.
21:25For everyone's sake, I have to finish what I've started.
21:29You're a fool.
21:31I'm starting to think you've lost your mind.
21:34It was never Matilde, it was you.
21:37Close the door when you leave, please.
21:50Well, what do you think?
21:52Brilliant or not?
21:54Montero.
21:56Well, I think there's something unusual about you, Elias.
21:59Well, you see.
22:01You have to keep the secret from me.
22:03Because you only know Elvita, and now you.
22:05Don't worry, I'll keep it from you.
22:07But I'll tell you again that I don't see Miguel very excited about that.
22:10Well, I don't think he's the only one.
22:12Don Fermin also says that.
22:14He's the one who's not excited.
22:16I've seen her, heavy-armed, low-cut, dragging her feet.
22:19And that's weird.
22:21That's something strange about him.
22:23Because that's something that characterizes him.
22:25It's his grace and elegance when he walks.
22:29And now...
22:31Besides, he's been locked up in the office for many hours.
22:34And I'm starting to worry.
22:36So I'd appreciate it if you could give me some information on your end.
22:39Boss.
22:41If he's going to die, I have the right to know.
22:43What are you saying, animal? He's not going to die.
22:45Then what's wrong with him?
22:47Because Esperanza heard the rumor.
22:49When Mrs. Lázaro was in the office.
22:51And coincidentally, you were in that office.
22:53So do me a favor, let go.
22:55Well, look.
22:57It's a coincidence that I have nothing to tell you.
22:59Not when you asked me before.
23:01Not when you ask me now.
23:02Not when you ask me later.
23:04You're making a snowball out of a rain drop.
23:07Mr. Fermin is fine.
23:09He's wearing a suit.
23:11Cañete, I'm going home.
23:13Do me the favor of transmitting it to Teresa as soon as I see her.
23:16Very well.
23:20Elias, take a look at the terrace, please.
23:22Of course. Go.
23:27I have the uncomfortable feeling that everyone is looking at me like I'm asking for an explanation.
23:32Especially Elias.
23:35He's unable to continue in the office.
23:38He keeps going back and forth with Mrs. Lázaro.
23:40I don't understand.
23:42Anyway.
23:44I trust your discretion.
23:46As always, Mr. Fermin.
23:58Mr. Fermin.
24:00Mr. Fermin, I beg you to listen to me.
24:02Mrs. Lázaro, this is very embarrassing.
24:04Don't you think?
24:05I'm very sorry, but I can't resign myself to losing him.
24:08I can't resign myself to losing everything we've built together all this time.
24:12Because don't deny me, Mr. Fermin,
24:15that everything we've lived has been real
24:17and that the affection we've felt for each other is sincere.
24:20So, please, let me explain myself.
24:24So, please, let me explain myself.
24:27She had her chance when I called her to my office.
24:30Why didn't she do it then?
24:32How? In front of two employees? Teresa? Cañete?
24:36No. I'm sorry, Mr. Fermin.
24:38But that wasn't an opportunity. That was a trap.
24:41And I think I have every right in the world to ask you to listen to me.
24:45I mean, in the lion's fight,
24:48you have to grab the other guy by the belt and throw him to the ground.
24:52Exactly.
24:53Well, that's much better than the pair of shoes you'd have to wear in boxing.
24:58Let's see, Tini.
24:59If Miranda's big man grabs me by the belt,
25:02the most probable thing is that he throws me to the ground
25:04and hits me against the wall.
25:06Yeah, well.
25:07And if the lion's fight happens,
25:10you have to grab the other guy by the belt and throw him to the ground.
25:14What if he's sorry for you?
25:16What if you tell him that you've always been a clumsy and sick kid?
25:21Ah, of course. You're right.
25:24I'm going to tell everyone that I'm sick and that I can't go to my own farewell.
25:27Very good idea.
25:28No, no, no, no, no, no, no, no, no.
25:30Because if you're sick so you don't go to the farewell,
25:33you'll also be sick so you don't go to the wedding,
25:35and we'll have to delay the wedding, and this is never going to end. Never. Never.
25:38Yeah, but if I break my skull, I won't be able to go to my wedding either.
25:41Do you think I like the farewell that Esperanza has prepared for me?
25:45I don't like sports.
25:47What's the point of hitting a ball with a racket?
25:51And what's the point of going to see it?
25:53Well, if you want, I'll change it for you.
25:55Well.
25:56At least no one is going to grab you by the belt and make you fly against a wall.
26:00Well.
26:01By the way, do you know anything about Don Salvador?
26:04Or are there still no signs of life?
26:06Nothing.
26:07I don't know if that's a good thing or a bad thing,
26:10and if I'm going to say goodbye.
26:11The thing is, I don't have the body for parties.
26:13David and Goliath.
26:15The other one.
26:16What are you saying?
26:17I was thinking about how you can defeat Miranda de Ebro,
26:20and I remembered the story of David and Goliath.
26:23Do you want me to throw a stone at him with a wave?
26:27All I want is for him not to be the first boyfriend who doesn't survive his farewell.
26:31Well, the first fake boyfriend who doesn't survive his fake farewell.
26:37Salvita.
26:39Your father hasn't called to congratulate me yet,
26:43or sent me any gift.
26:46Don't you find it strange that he hasn't told us anything,
26:48knowing that Trin and I are getting married tomorrow?
26:50I know it's normal.
26:52And it is.
26:53Come on, Salvita, you have to be honest, son.
26:56His job is in danger.
26:58Your father is going to fire him.
27:00Couldn't you talk to him and have him tell you something, at least,
27:02so we can get married in peace?
27:04I'll try, but I can't promise you anything.
27:06He hasn't talked to me for two weeks.
27:08What about you?
27:09Where are you going to hide when you're getting married in the village?
27:13We'll hide at home and pretend we're not there.
27:16And after a few days, the nightmare will be over.
27:19It's not a very elaborate plan, but it makes sense.
27:23Well, I'm going to make a message.
27:25See you tonight.
27:27Think about David and Goliath.
27:30I'm sure that Miranda de Ebro's great-grandson has a weak spot,
27:33like all the giants.
27:35Well, actually, I think David and Goliath's story...
27:39I think Goliath was a little myopic,
27:41and that's why he didn't see David very well.
27:43What you have to do is move quickly so he can't see you.
27:46Like this, like this.
27:47What are you doing?
27:48Try it, try it.
27:49Like this, like this.
27:50Change feet.
27:51To one side, to the other.
27:52Come on, Trini, go.
27:53Try it.
27:54That's it.
27:55Go, go, go.
27:56So he can't see you.
27:57One side, the other side.
27:58That's it.
27:59Forward, backward.
28:00Go.
28:06Good afternoon, Antonia.
28:08Good afternoon.
28:09How was your day?
28:11Good, good.
28:13What I like most about this corral
28:15is that the neighbors can say hello and see us.
28:18Yes, yes, really.
28:21I'm glad you felt comfortable among us.
28:25A lot.
28:26But don't talk about the past, please.
28:30Didn't Pietro tell you?
28:33Didn't Pietro tell you?
28:36We will continue to be neighbors.
28:39And I hope that one day even friends.
28:43What are you talking about?
28:46Pietro hasn't told me anything?
28:49Antonia, I've been thinking about it for a long time
28:52and I have no doubt.
28:54I have made the firm decision to stay and live in Madrid
28:57and not separate from my husband.
29:00After all, we are still officially married
29:03and it doesn't seem possible that this can be broken.
29:06And honestly, Antonia,
29:08I have no intention of doing it.
29:11Quite the opposite.
29:13What are you talking about?
29:14That as long as there is a possibility,
29:16no matter how small,
29:17that Pietro and I can recover what we lost,
29:21I will fight for it with all my strength.
29:23And you know why, Antonia?
29:25Because it's fair.
29:28And you, as a woman like me, you know it perfectly well.
29:33I just forget a very important detail.
29:37Pietro loves me.
29:40And you forget another one.
29:42My husband has only used you to alleviate his pain.
29:47And I am infinitely grateful.
29:50But it's a matter of time before he realizes.
29:53Realize what?
29:55That I am the love of his life.
29:57The real one.
29:58The original one.
30:00And that he will never be able to fight against such a strong feeling, Antonia.
30:05Lucia, you don't know what Pietro and I have shared.
30:09What we have built together.
30:11It's true, I don't know.
30:13But what I do know
30:15is that Pietro has not dared to tell you that I stay in Madrid.
30:18Doesn't it seem a little strange to you?
30:22Good afternoon.
30:27Good afternoon.
30:44You haven't noticed?
30:46That Elias has no remedy?
30:48Yes, I realized a long time ago.
30:50No, you have to breathe a much fresher and much cleaner air
30:54since Sara is not here.
30:57What is Elias doing talking to the watchman?
31:02He is determined to find out what happened to the vampire.
31:05And we already know Elias.
31:07Until he gets it, he won't stop.
31:09Well, Trinidad and Esperanza have also been asking me questions,
31:12but I have cut them dry.
31:14The same thing you had to do with him.
31:16Well, look at that face.
31:18If what you had to be is happy and content.
31:21I don't have this face for Elias.
31:23And I'm not sure we did the right thing.
31:26The right thing with whom?
31:27With that woman.
31:29No matter how bad the vampire is,
31:31what we have done to her is still a stabbing.
31:34The good thing, Cañete, and everything she has done, have you forgotten?
31:37I thought we were together on this.
31:39Also agreeing that we had to stop her.
31:42Don't you feel bad?
31:44Not a little bit?
31:46No, I'm not going to feel bad.
31:47What I feel is relief because this woman is no longer here.
31:50And also satisfaction.
31:51Because we have acted for everyone's sake.
31:53Especially Mr. Fermin's.
31:56Come on, they had to give us a medal and everything.
31:59Don't make that face, man.
32:01Bosses, I have fresh news.
32:04The watchman told me that he has seen Mr. Fermin leave La Moderna
32:07and that he went to the street and was waiting for Mrs. Lázara.
32:10What, what, what? What about Mrs. Lázara?
32:12At least they had a brief conversation.
32:14And they have gone together.
32:16Mrs. Lázara was at the door of the tea room.
32:19Yes, as if such a thing.
32:20Yes, yes, the watchman also told me that he was dressed up as usual.
32:23But let's see, this woman was not sick.
32:25Let's see if they have argued like two little turtles and they are going to get out of here much stronger.
32:30Come on.
32:31Well, boss, cheer up, man.
32:33And Mrs. Teresa, you too.
32:35I know you care about them.
32:37But long live love.
32:41Long live.
32:50Okay.
32:51Please put your hand on your chest and the other on your abdomen.
32:58The idea is that you control your breathing little by little.
33:04So, breathe in.
33:06And when you breathe out, pronounce the sound Z.
33:10Intense.
33:12That's it.
33:14Intense.
33:15Slow.
33:17A little slower.
33:20Sorry.
33:23Very good.
33:27You should ...
33:28Do you allow me?
33:29Yes.
33:31Chin inwards.
33:32That's it. Crown to the sky.
33:33And shoulders.
33:34That's it. Backwards.
33:35Perfect.
33:37Go ahead.
33:40Perfect.
33:41I'm going to have to tell Miss Juanes that you are a spectacular patient.
33:47Well, because you have more patience than a saint.
33:50Okay.
33:51Now we're going to do the exercise backwards.
33:56So, breathe in.
33:58And when you breathe out, pronounce the sound Z.
34:02Soft.
34:03Soft.
34:06And little by little that sound is gaining intensity.
34:09Intensity.
34:15Breathe in.
34:19What happened?
34:20Did a butterfly come in?
34:25Through the window.
34:26No, no. It was me.
34:27No, no. Please.
34:29No, no. It's very good.
34:30I think it's a very interesting contribution.
34:34It reminded me of the butterfly that in spring is going to pollinate a flower.
34:44You're making it up, Agustín.
34:46No, no. I'm an insectologist.
34:48Oh, insectologist.
34:49Ornithologist.
34:50Ornithologist.
34:52An amateur.
34:54Really, Agustín, you're taking too much trouble for me.
34:57No.
34:58Trouble is when you do something you don't feel like doing,
35:01but I want to come here to torture you while I pretend to be a language specialist.
35:08Laurita is very lucky because if she takes such good care of me,
35:11I can't imagine what she'll do with her.
35:15Sorry.
35:16Sorry.
35:17Really, that sounded out of place.
35:19What I'll do with her?
35:20I don't know.
35:21No, no, no. It's very good.
35:22No, no.
35:23We have to clarify this.
35:25Uh-huh.
35:26Uh-huh.
35:27This is not a personal matter.
35:29So?
35:30Professional.
35:31Ah, professional.
35:32I'm defending my investment in the future function of the court of Pharaoh.
35:37I would do this for any member of the cast or for a horse if it comes on stage.
35:43Or for a stork if it comes on stage.
35:46I'm sure.
35:49Oh, really.
35:50Hi.
35:51I brought a snack.
35:52I don't know if you won it.
35:54Why are you laughing?
35:56Well, Agustín compared me to a horse and a stork.
36:01Or a stork, I don't know.
36:04Can I...
36:07explain it?
36:09Are you working or doing a book?
36:11Well, I think both.
36:13With a little bit of laughter, everything goes better, right?
36:17How are you?
36:19Good.
36:20In a bit of a hurry, because today I have a bachelor party of a co-worker.
36:24We're going to see some racket players.
36:26Some what?
36:27I'll explain it to you now, having a snack.
36:30Well, aren't you going to give me a kiss?
36:44I'm so glad you wanted to come see me.
36:47You're keeping our secret, aren't you?
36:49Yes.
36:50You know no one can find out.
36:53I was dying to see you.
36:55I can't stop thinking about what you told me.
36:58That you could get us to talk to our mothers.
37:02That's why we're here.
37:04Because I want to show you.
37:06But...
37:08First I have to know if you're ready.
37:10If you're old enough.
37:12I am.
37:14Very good.
37:15I trust you.
37:18Look.
37:20Do you see these posters?
37:24The yes, the no and the Virgin's stamp.
37:27Yes, what do we have to do?
37:29It's very simple.
37:32When you want to ask your mother something, close your eyes and the Virgin will answer you.
37:42She's very old.
37:45Because she's been helping girls like you who want to talk to their mothers for many years.
37:54And...
37:55Can I ask her anything?
37:57Yes.
37:58But they have to be simple questions.
38:01That can be answered with a yes or a no.
38:04Like, for example...
38:06Mother, is it true that I'm talking to you?
38:09Do you understand?
38:11And...
38:12If you show fear, the Virgin will notice it and won't want to transmit that fear to your mother.
38:18So you have to be very prepared.
38:21I'm not afraid.
38:24Very good.
38:26Close your eyes and ask the Virgin.
38:31Concentrate.
38:34Mother...
38:36The first thing I want to know is...
38:39if it's okay up there.
38:42Can't I change the question?
38:45I think you can.
38:52Mother...
38:56I'd like to know...
38:59if it's okay up there.
39:04If I've found a father.
39:10You can open your eyes now.
39:21Your mother answered very quickly.
39:27But really, I'm talking to my mother.
39:29That's how the Virgin wanted it.
39:33Can I ask her more questions?
39:36Clarita...
39:38As many as you want.
39:40CLARITA
40:01Well, can you tell me where you are?
40:04I told you before I left, Elias, but you don't listen to me.
40:06I went out with Laurita and Matilde to get a taxi.
40:09Do you think it's a good idea to have the two of them together?
40:13We were going to spend the weekend alone.
40:15Now we have to wait and see.
40:17Wait and see.
40:18Don't complain or they'll come looking for you.
40:21Don't tell me about Mrs. Lázara.
40:23I tried to find out the truth.
40:25It was for everyone's sake.
40:26You like to see Mr. Fermin like a snitch.
40:29But now we know they've reconciled.
40:31No, we don't know.
40:36Are you two being looked for?
40:40I don't know how to thank you for the wonderful bachelor party you've prepared for me.
40:44It's the least you can do for a great friend with whom you've lived so many adventures.
40:48Well, one more than the other.
40:50Don't forget, in life, when they say your name through the megaphone,
40:54you have to compete with the grain.
40:56For Miranda Lebron!
40:59Don't miss anything. We have to celebrate this.
41:02For Miranda Lebron!
41:05Hey, hey, hey, hey.
41:07And who wants to make another indy?
41:09For Miguel.
41:10I was impressed. I was impressed.
41:12Your gesture of terror, your strategy.
41:14It was...
41:15For Miguel!
41:16For Miguel!
41:23Yes, Miguel.
41:24That look of terror you put on looked real and all.
41:27A good strategy.
41:28Although later it was useless.
41:30And it looked like you were going to faint.
41:32And then the big man comes out and says,
41:34congratulations for the bachelor party.
41:36You knew the joke too?
41:38Of course.
41:39Salvita, Cayet and I knew it.
41:41The chosen ones.
41:42The chosen ones.
41:51Oh my God, poor Elias.
41:53Let's see if they're going to make him worse than he is.
41:56Hey, are you sure you haven't had enough of the big man?
41:59Me?
42:00I was a little nervous at first.
42:02I got a little dizzy and I thought I was going to die.
42:04What are you whispering?
42:06I can't hear you with the music.
42:07Nothing, I was telling him that we had a great time at the front door
42:10and that everything was great.
42:12Yes.
42:13Now what you have to do is recommend me as a farewell party expert.
42:17Of course, Esperanza.
42:18But tell us.
42:19Tell us how it was with the racketeers.
42:21Well, we had a misfortune because the gentleman didn't want us.
42:24Well, he passed me a ball.
42:26Yes, a palm of the head.
42:28I almost never get it.
42:31Well, you don't know how strong those women are.
42:33They would be good companions in La Moderna.
42:35Because at least that way we would save some money.
42:39What?
42:40I don't understand you.
42:41Of course, serving the ensaimadas to the racketeers.
42:46Come on, come on, I'll introduce you.
42:48Is he single?
42:50I think so.
42:51Then I'm going.
42:53Come on, come on, come on.
42:56Marta, will you tell me a dance?
42:59But only if it's like friends.
43:01What's the difference?
43:02Because as you pass, I shake you.
43:04I didn't remember that we weren't together.
43:23My friend.
43:24My friend.
43:26By the strength of your hug, I would say that you missed me, right?
43:30You don't know how much.
43:31Come in, man, come in.
43:37I see that it looks very good.
43:40Sevilla is treating you very well.
43:42Tell me, how's everything over there?
43:45Inigo, I think it's time to say goodbye.
43:47Don't you think?
43:48I think it's time to say goodbye.
43:50Don't you think?
43:51I think it's great, but tell me, how's it going over there?
43:54Well, the truth is that I can't complain.
43:56The business is going very well.
43:58The weather is great.
43:59The people are great.
44:00The food is great.
44:03But it is true that my two friends, my only family, are here.
44:08Nothing is perfect.
44:11And where is Matilde?
44:12Well, Matilde is on a bachelor party.
44:15With her friends from La Moderna, but they will be back soon.
44:18And Clarita, how is she? Is she around?
44:19Yes, she's in the bedroom sleeping.
44:22Jacobo, I thank you very much for coming so quickly.
44:26Well, due to the urgency with which you called me,
44:28I couldn't do anything but take the first train.
44:30The truth is that I have not stopped thinking during the trip
44:33that it could be such a serious matter.
44:36Sit down, please.
44:41What happened?
44:43You see, it's about Carla.
44:48Matilde and I are convinced that the calcined corpse she found
44:55was not her.
44:58No, but that can't be true.
45:03It's impossible.
45:05Jacobo.
45:07Carla is alive.
45:09And we want to know where she is hiding.
45:12In her house.
45:17In her house.
45:23I thought you would be at Soltar Aditrini's farewell.
45:26Yeah, and I thought you would be at Miguel's.
45:30No, I was in the mood to attend a Lioness fight.
45:34I think it was something like that.
45:36Yeah, and me to go to a racket player.
45:40Anyway, I thank you for coming.
45:42I wanted to take advantage of Marta's absence
45:45so we could talk in peace.
45:48Well, if Lucia doesn't interrupt us, of course.
45:52She won't.
45:53I don't know what to believe anymore.
45:55And who?
45:57What do you mean?
46:01Antonia, did you tell me to come so we could discuss again?
46:05Not only do I have to see how things get complicated with Lucia,
46:08now with you too.
46:10Oh, sorry, I didn't know you were the only victim in this situation.
46:15What did you want to talk to me about?
46:20As far as I know, the two of us have been at La Moderna all day
46:24and we've only exchanged a couple of words, right?
46:27Yes, to ask for a couple of trays, that's it.
46:30So I don't understand why I had to find out about her and not about you.
46:35Yes, because when I got there I was looking forward to hearing the big news.
46:40What big news?
46:41Her firm decision to stay in Spain.
46:45I was hoping you would tell me, but...
46:49But no, I had to find out about her.
46:51Why, Pietro?
46:53I'm sorry, Antonia, but it's not the first time she's told me she wants to stay here.
46:56And we've already talked about it.
46:58No, but this time it's different.
46:59Because now she has no doubt, quite the opposite.
47:03I thought I could solve it.
47:06And what did she tell you exactly?
47:09That it's only a matter of time before you both recover what you had
47:13and that she's in no hurry because she's convinced you feel the same way about her.
47:17And it's not true, Antonia, it's not true.
47:19And you know it.
47:20No, I don't know, Pietro.
47:22I don't know because I don't know what to believe anymore.
47:24Because you say one thing and then you do another.
47:26You live with that woman, you listen to all her sorrows, you justify her all the time.
47:30Pietro, what's next?
47:34You're being very unfair to me.
47:35I'm being unfair to you?
47:36Yes, because you know that the consulate could report me.
47:39No, sorry, the consulate doesn't force you to live with her.
47:42That's your decision, so take it.
47:46Take it!
47:48Maybe it's the best decision.
47:50It's true, because she's your wife, right?
47:53She's your wife and I'm nothing.
47:55That's why...
47:56Antonia, please.
47:58Get out of my house.
48:02Get out, please.
48:06Get out, Pietro, please.
48:07Yes, yes, I'm going, I'm going.
48:13Get out.
48:26Hi, honey.
48:30Jacobo.
48:32How are you?
48:34Good.
48:36Hi.
48:37How was the bachelor party?
48:39Good, it was interesting.
48:41I'm glad you had a good time.
48:43I'm sorry I'm not so effusive, but I'm still digesting the news that Inigo gave me.
48:50I was commenting on Jacobo's arguments, so we think Carla is still alive.
48:54Incredibly, we are convinced.
48:58The only problem is that we need to prove it before justice.
49:01That's right.
49:02And that would make sense of what happened to Matilde.
49:05Well, if Carla is hiding in her parasite, she will be hidden enough so that it is impossible to access her.
49:14That's what we believe.
49:15It has to be an unknown and inaccessible room for the service.
49:19And of which only Mrs. Barbara is aware.
49:22And since her false death she has been there.
49:24Except when she has gone out to cause my hallucinations.
49:30And what is the plan?
49:32Because I suppose you will already have one.
49:36Let's sit down.
49:44That's why we called you.
49:46Because only you can help us.
49:48The idea is that you watch the palace discreetly.
49:51While we show ourselves close to Mrs. Barbara.
49:54Something that, to her surprise, she has already begun to do.
49:57Yes, we will make her believe that we have passed page.
50:00So that she relaxes and, with a little luck, lowers the guard.
50:06I think it's good.
50:08I'm looking forward to going back to action.
50:11The countdown has begun.
50:22I'm very proud of you.
50:25Do you think she will be in Madrid too?
50:27Of course. She will always be with us.
50:30I know. And now that I can talk to her, I'm much happier.
50:36Wait, what is that, that you can talk to her?
50:38Because of Lucia, I'm going to lose Antonio.
50:41I think that woman won't let him go, even if he comes to get the shower that Italy sends.
50:45I think something is happening here and that it is something ...
50:47Well, it's not good.
50:48Well, woman, don't get into the worst.
50:50Mrs. Lázara has made trouble again.
50:52Look, it's true that there was an accident.
50:54It is true that the employee who suffered it was under my orders.
50:58And it is also true that we were all overcome by the excess of work we had.
51:03I don't know, I don't know if I should believe Mrs. Lázara.
51:06I should have told you all this much earlier.
51:08I was talking to Jacobo. He has given me great news.
51:11And what is it about?
51:12Well, he has been able to rent a room in a house that is in front of Carla's parasite.
51:18In other words, he can control who comes in and who leaves.
51:21Totally.
51:22He can't go up.
51:23Fabio told me he was going to stop by the house.
51:25It's not a good idea for him to see you.
51:26Besides, at this point he will think you are on your way to America and not here playing a loner.
51:31I wanted to check what I suspected.
51:33How long did you think you were going to make fun of me?
51:35At this point, all I want is for the whole truth to be known.
51:39That woman shows up in our lives, annoys us at the wedding.
51:41She gets into Pietro's house and now she says she doesn't even throw hot water at him.
51:44Do you believe it?
51:45If Pietro doesn't decide, I'll knock on the door and I'll go on with my life, I've already told you.
51:50What happens is that, well, it's a very acute situation.
51:53Come to the gynecology, my little boat, Santa Lucia.
52:08Did you think we weren't going to notice or what?
52:10One thing is to be discreet and another is to want to deceive us.
52:14Well, Clarita, what do you want to ask your mother today?
52:17Mother, are you okay up there?
52:23Can you ask her what you have to do to go with her?