La historia de Juana - Cap 16 Completo
La historia de Juana - Cap 16 Completo
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00:00I assure you that nothing happened with Gabriel.
00:02Sir Gabriel, for you.
00:04I come to warn you that I will not have mercy on you
00:06if you do not disappear from our lives on your own.
00:09I'm not going back to the brewery anymore.
00:11Gabriel!
00:14What are you doing here?
00:16What are you doing here?
00:23Sorry, I think it's better if you talk in the truck.
00:30Okay.
00:41Well, be careful, these cars attract a lot of attention.
00:44Attentive.
00:47What am I doing here?
00:48That's what I'm asking you.
00:50But you know that your presence confirms that I did well
00:52when I came to look for Juana.
00:54You are very wrong.
00:55I have never been unfaithful to you.
00:57I never said that, but I know you perfectly well, Gabriel.
01:01And I know that if it were true
01:02that you have nothing to do with Juana, you wouldn't be here.
01:05Nor would you have hired him at the brewery.
01:08Now it turns out you're spying on me.
01:12It was Camila, right?
01:14Of course.
01:15She's in charge of misinforming you.
01:18What does that matter?
01:19The one who is not misinformed is that Juana.
01:22Because I just made it very clear to her
01:23that I will not allow her to involve you.
01:25Because you are mine, Gabriel.
01:28Sweet dreams.
01:38I'm going to tell you something amazing, sweetheart.
01:42Listen, baby.
01:44I think Mrs. Paula came to see you
01:46because she wants you to take pictures
01:48of some event of the Ladies of Charity, don't you?
01:51Yes, yes.
01:53Yes, yes, Abud.
01:54In fact, that's what she came to ask me.
01:56See? I told you, every child has their cake under their arm, honey.
02:02Yes, you're absolutely right.
02:04I feel a little nauseous. I think I'm going to lie down for a little while.
02:07Julia!
02:07What?
02:08Julia, what happened? Come here.
02:10There's a stream of mud and some carcasses.
02:13You shouldn't have come.
02:15Of course, and leave you the way free.
02:16The way free for what? I already told you there's nothing between Juana and me.
02:21Okay, very good. I know you well.
02:23Look me in the eyes and tell me the truth. What's going on between Juana and you?
02:28She doesn't know I'm in the process of insemination.
02:31That's the girl who was mistakenly inseminated.
02:33The future mother of her son.
02:35This is a play on fate that's making us Juana and me.
02:39See?
02:40You can't tell me the truth, then something is going on between you two.
02:43That's precisely why I came.
02:45Because of that.
02:46Because of the rumors that have been made and that's why I had to quit the brewery.
02:50It's unfair to me.
02:51Oh, it's unfair to you?
02:52Yes, because she's an extraordinary worker.
02:54She did a perfect job on the anniversary.
02:59I didn't hire her, Paula.
03:00It was David.
03:04In fact, David is in love with her.
03:06If you don't believe me, you can ask him.
03:09Whatever, Juana doesn't make you indifferent.
03:11No, of course not. I have a lot of affection for her.
03:14I haven't met a person like her in a long time.
03:17You know what?
03:20Let's keep talking about this at home.
03:31My love.
03:33Baby, what's wrong? Why are you crying?
03:36Can you tell me now?
03:37Because that story about Grandma, I just can't believe it.
03:43What can I tell you?
03:45Gabriel's wife came and she complained.
03:48She told me horrible things.
03:50And the worst thing is that everything is for free.
03:53Because nothing has even happened between Gabriel and me.
03:56Mom, I swear we haven't done anything to disrespect anyone.
04:01You know me. You know I wouldn't do it.
04:05I can't deny that seeing him moves me a lot.
04:12Mom, please. I swear I haven't done anything.
04:17Forget about it. Anyway, I quit.
04:22He's married, my love.
04:23I know. I know he's married.
04:27It's not even just him. It's you.
04:31Well, his wife.
04:34A woman, Camila, at work.
04:36And David.
04:37They told me I was in love with him and I couldn't say anything.
04:40I was like an idiot.
04:42But he's been a prince with me.
04:46No, my love. You're the princess.
04:50You're the princess, my love.
04:53You can't be crying over a married man.
04:58I see you.
05:11What's up?
05:12Hi, I'm Gabriel Rubio. I'd like to talk to Juana.
05:15Come in.
05:17Thank you.
05:18You're Gabriel Rubio, the owner of the brewery, right?
05:20Yes.
05:21Did something happen to Juana? Why?
05:23No, I just need to see her.
05:25No, Felipe. Juana is in her room. She came back because she felt bad.
05:29Oh, look. Hello.
05:31Hey, excuse me, but what's going on with Juana today?
05:35Because a while ago your wife also came to pick her up.
05:38What's going on?
05:39No, nothing's going on. She's fine.
05:41I just need to see her for a minute.
05:43I don't think that's a good idea.
05:47No.
05:48Yes, because she came for some photos for a charity event.
05:54But now that I'm seeing her here, it seems like I was wrong.
05:58What's going on?
05:59Felipe, why don't you take Mom to the kitchen?
06:01I'll take care of the man here.
06:03Yes, Mom. Let's go.
06:05No, no, let's go to the kitchen.
06:07Excuse me, but in the kitchen I'm going to listen the same way
06:10because in this house the walls speak.
06:12And besides, in this family there are no secrets.
06:14So I'll stay here.
06:15Look, I just want to clarify my relationship with Juana.
06:18Don't think things that aren't.
06:19Although people are saying other things.
06:21Actually, I don't think there's anything to clarify, right?
06:23As far as I know, you and Juana only have a work relationship.
06:26Or what are you talking about, Mom?
06:28No.
06:29Let's see. I think I'm getting things mixed up. Sorry.
06:32Yes, and I think it's best if you leave right now.
06:35Gabriel?
06:45I'm intrigued by the photographer you're talking about.
06:49Do you know anything about her?
06:50About Juana?
06:52Let's see.
06:53I know that David hired her to do all the graphic design
06:57and then something happened and Enriqueta went to the office
06:59because the engineer Gabriel wanted to talk to her.
07:02So she went to talk to him and didn't come back.
07:05Maybe my brother-in-law didn't want her to be in the company?
07:09I don't know.
07:11Why?
07:12No, no. I mean, it's nonsense.
07:14You see, there's a lot of gossip.
07:16No, but not about that.
07:18The one who's madly in love since the first second he saw her
07:21is David, my boss.
07:23Well, ex-boss.
07:25With the fact that now they put me as the boss of the area I was managing.
07:29Well, well.
07:34What do you think?
07:38About Camila?
07:42Now she's in my area.
07:45The one I used to do all the public relations.
07:49It's a shame.
07:51Hi.
07:53Juana, I owe you an apology because I think
07:56I messed things up.
07:58And I just wanted to talk about what happened at the brewery.
08:01What happened? Did you disrespect Chaparro or what?
08:04What happened to my granddaughter?
08:05I think the best thing is for her to leave, sir.
08:07It's the best, right?
08:10Gabriel.
08:12Come with me upstairs. We have more privacy there.
08:14No, no, no, no, no.
08:15Upstairs is Tuti's room.
08:16And where there are rooms, you don't get close to any man.
08:19No.
08:20Let's go to the rooftop.
08:21Where they can't hear us.
08:23Come, come with me.
08:27Excuse me.
08:28Come in.
08:31Can one of you explain to me what's going on?
08:39Don't even look at me, huh?
08:40Why are you laughing at me?
08:41You, you do know.
08:42Why didn't you want them to do it or what?
08:44No, don't look at me either.
08:45The only thing I know is that when two people talk,
08:47and there's Fum, I'm going to...
08:49What do you mean Fum?
08:50Let's see, let's see, let's see.
08:51What is this about Fum?
08:57Well, welcome to my office.
09:00It's a little different from yours, but...
09:03I like to come here when I have an idea,
09:05or when life gets on my nerves.
09:08I come to the rooftop.
09:10Wow.
09:12You threw a commercial slogan.
09:13Yes.
09:15I love it.
09:16It's very pretty.
09:17Well, maybe it's an idea.
09:18And I got an idea for the campaign against ASTRO.
09:22Well, I don't work in the brewery anymore.
09:24I don't know why you said that.
09:25Juana.
09:27Please.
09:29Come back.
09:35Is that what you came to tell me?
09:37That I should come back?
09:39Yes.
09:42Despite everything they say about us?
09:46Knowing that I'm in love with you?
09:52It wouldn't be so easy to come back.
09:54I know, but I know how important this job is to you and your family.
09:58Besides, I don't want to be blamed for you not coming back to your job, please.
10:01No, but no, this is not your fault.
10:03The only one who started dreaming and imagining things was me.
10:07But the good thing is that your wife came and brought me down to earth.
10:11Well, she shouldn't have come.
10:13It was wrong.
10:14I don't see it wrong.
10:16I see a woman who came to defend what is hers,
10:20defend what she loves.
10:21You lack respect.
10:22Okay.
10:24Well, yes, because I fell in love on my own,
10:26but she probably thinks that you feel something for me,
10:29which is completely absurd.
10:31I mean, she doesn't have a foot or a head.
10:33Juana, Juana.
10:34I care.
10:36A lot.
10:38Do what you imagine.
10:43I don't know...
10:45I don't know how good it is for you to tell me those things.
10:48The truth.
10:50I care.
10:52Besides, we're still friends, right?
10:58Look, I don't...
11:01I don't want to make up ideas,
11:03and I know it was wrong to get excited with you,
11:06and I really owe you an apology because I...
11:09I wake up every day and I wonder if it will be possible, and...
11:15Nothing.
11:16I say the same thing every day, which is no.
11:19That it's not possible.
11:27Oh, well, yes.
11:29Juana is in love with Gabriel Rubio.
11:32But how? Since when?
11:34Well, since I couldn't sleep at home, she stayed at the brewery.
11:38Let's see, let's see, let's see, let's see, let's see.
11:40Please, don't make me excited, my daughter,
11:42because you see that my blood pressure goes up.
11:44Count well.
11:45Let's see.
11:46Did Juana lack respect?
11:47Because if so, right now I go up and...
11:49I'm fed up.
11:50No, no, you're not going anywhere.
11:52Wait, what happened? Did something happen?
11:54Well, nothing, what they're thinking.
11:56So?
11:57The only thing that did happen is that my girlfriend fell in love for the first time,
12:00and it was impossible.
12:02I don't want to make you feel bad for what I feel.
12:05I'm going to take care of that.
12:06All I ask of you is that you be honest.
12:08Well, we're going to keep being friends.
12:10Of course we're going to keep being friends.
12:12I don't want you to take me out of your life.
12:14I want to be close to you.
12:15Of course, if you allow me.
12:17Well, don't tell me those things, because...
12:19So I'm starting to get the idea that maybe one day you could fall in love with me.
12:22I know that's not true.
12:24You're married, and I'm pregnant.
12:26We're on completely different paths, and...
12:29Juana, I need to talk to you.
12:30I want to be with you.
12:33But you already have someone.
12:34And...
12:36Well, it's okay.
12:40And even if it weren't, I know you'd never be with a woman who's pregnant with someone else.
12:44Speaking of which, what did you decide?
12:48Are you going to have your baby?
12:52Would that change anything?
12:54I mean, would it be easier to love me if I wasn't pregnant?
12:59Of course not. That's how I met you.
13:01That's how I learned to love you.
13:02What do you think?
13:05You know what?
13:07You made me realize that...
13:10I wanted to keep the baby.
13:12It's the best decision you could have made.
13:14Besides, that unites us.
13:18Why do you say that?
13:22Wouldn't it separate us?
13:31What happened?
13:33Did you go to the photographer's house?
13:34Yes, you don't know. It was horrible.
13:36You should have seen the neighborhood, the house, and then that woman who...
13:40She offered me some sweets that she made herself.
13:42Oh, no, no, no. That's disgusting.
13:44And there was the photographer's table with her stupid face.
13:47And?
13:49Well, nothing. I made it very clear to her that Gabriel was mine.
13:52You should have seen him.
13:53He told me that nothing had happened between Gabriel and her,
13:56and that he was very clear that he was my husband.
14:00Oh, and he also told me that she wouldn't return to the brewery.
14:04Okay, but what I don't understand is why you talked to me with so much crisis.
14:08No, it's just that you don't know what happened when I left that place.
14:11I found Gabriel.
14:13I went to see her.
14:15What?
14:17Let me tell you that my pregnancy unites us more than separating us.
14:22I don't know, I think it's very crazy.
14:25I don't think so.
14:27Why not?
14:29Because I think love comes.
14:31I don't think love comes.
14:33It just comes in different ways, but that's how it is.
14:40For me, the only love that is very clear in your life is the one you have for having a child.
14:47That's why Paula and you are going to adopt, right?
14:51Excuse me?
14:55Father Jose is my friend.
14:56He asked me if I would be interested in giving my baby to him.
15:01And you know what I thought?
15:03That you would be the only person who would give it to him.
15:08Do you really think that?
15:12Well, yes, I thought about that at the time,
15:16but obviously what I feel for you complicates everything,
15:19and I don't know, it would be very strange to give my impossible love
15:22something that is so mine, so, so, so part of me.
15:28Can I do something?
15:31What?
15:36I can.
15:38I've never felt a life inside another life, so...
15:45I don't know if you feel a lot, but...
15:48I don't know if you feel a lot, but...
15:50I don't know if you feel a lot, but...
16:14So, since you came and left Gabriela there, in that house, did you go in to look for her?
16:18Well, yes.
16:21And did you talk to her and the girl became the victim?
16:24To put her more against you?
16:26Of course!
16:28That's what the photographer wants.
16:30That you are the bad one in the story.
16:32And she...
16:33Camila, please.
16:35I also talked to Gabriel and he also told me that nothing had happened between them.
16:40And you believed him?
16:43I don't know what to believe anymore.
16:44Look, maybe his behavior is so strange with that little girl because...
16:50he's living a moment of tension, you know?
16:53You see that he has the investigator who hired,
16:56the one who is looking for his pregnant wife, even under the rocks?
17:00It's that, surely.
17:04Come on, mom, you're going to make a hole in the floor.
17:07Come on, just say it.
17:10I don't understand how Juana went crazier than Jenny.
17:14Which Josefina Sosa? I didn't get it.
17:16No, no, besides, falling in love with a guy just because he let you sleep on a sofa?
17:21Do you remember, mom, that there is love at first sight?
17:24What first sight, my daughter?
17:27For God's sake!
17:29I mean, what aren't you seeing?
17:32This woman, Paula, the husband of this man, came to complain to Juana.
17:36And I don't understand why he complains if nothing happened between them.
17:40The truth is that yes, my mom is right, I also think that.
17:42No, what barbarity.
17:44Besides, look, no matter how much I turn around and around,
17:47this woman, look, is a famous model.
17:50Yes, she's really pretty, mom.
17:52Well, yes, but what I'm going to say is that it doesn't fit me, it doesn't fit me.
17:55Juana has nothing to do between these two and in the world of these people.
17:58Well, whatever, mom,
18:00here the president of the brewery is here on the roof with our Juana.
18:03Oh, you know what?
18:05Well, let's stop this right away, right?
18:07Let's go up there.
18:09Come on, let's go.
18:10Stay still.
18:13Are you okay?
18:15Yes.
18:17It's just that
18:19it's amazing to me that a life can grow inside another.
18:24It's amazing.
18:26It's something magical.
18:29Well, it seems beautiful to me that you are moved by a baby that is not yours.
18:34The truth.
18:37Here the only beautiful person is you.
18:40For having gone the hard way.
18:43And having decided to have that baby.
18:46And you were also very brave to tell me how you feel about me.
18:50Thank you.
18:52We're friends, right?
18:54And I'll work on something else.
18:58If it happens to me.
19:00Let's do something.
19:02Look, I know that this job is very important to you.
19:04Juana, go back to your position.
19:07And make the gossip bigger?
19:08It doesn't matter what others say, for God's sake.
19:11I promise you that I will keep my distance.
19:14What do you say?
19:16Can't you promise the same?
19:18And so we can keep our friendship.
19:21What do you say?
19:26Well.
19:28Mr. Rubio, I think that was enough for today, right?
19:31Why don't you leave?
19:33Yes, as my son says, they already talked enough.
19:35Yes, I think it was enough, right?
19:36And besides, Juana, you don't live alone.
19:39And on behalf of everyone, I think it's better if she leaves in January.
19:43And why don't you talk to the investigator directly
19:48so he can give you news about this pregnant woman?
19:52Compared to that, Juana is insignificant for Gabriel.
19:57No.
19:59No, I don't think Juana is insignificant for Gabriel.
20:02In fact, I know.
20:03He told me himself that he has feelings, I don't know, affection.
20:08Something like that, towards her.
20:10And I remind you that my husband hasn't slept in my bed for a long time.
20:16I have to go.
20:18I can't disappear for so long.
20:20He's not going to take me seriously.
20:22Wait for Porfirio to take you.
20:24I'll let him know.
20:27I'm glad you came.
20:29The truth is, I wouldn't have forgiven myself if you left and I never saw you again.
20:32I still think it's best if you don't see each other again.
20:35Mom!
20:39What? She's your mom?
20:41I thought you were sisters.
20:43Look, buddy, I'm going to give you some advice here.
20:46I don't want Juana to suffer because there's going to be a problem.
20:49Don't worry, we all want the best for Juana.
20:52What a beautiful home you have.
20:54Besides, Juana and I agreed on something and we're going to fulfill it, right?
20:57Yes, that's right.
20:59Very good.
21:01I'm going to the office.
21:03Excuse me.
21:06Your mom already told me how you feel about that boy.
21:09And if I were you, I wouldn't go back to that brewery, not even drunk.
21:13Mom!
21:14What?
21:15Can't you keep a secret?
21:21Juana, please answer.
21:23It's urgent.
21:25Call me.
21:31Dani.
21:33I feel terrible.
21:35Juana left because of me. I shouldn't have confronted her.
21:38David, it's because Juana knows perfectly well that Gabriel Rubio...
21:45That Gabriel Rubio is an impostor.
21:47She knows it, I know it, you know it, and everyone knows it.
21:50Let's see, let's see.
21:52Gabriel is married, yes.
21:55Look, between us, don't tell anyone.
21:58Gabriel and his wife are not very well, let's say.
22:01What?
22:02They're not well.
22:07Let's see, let's see, let's see.
22:09At least let me explain.
22:11David was the one who hired me to work at the brewery.
22:13Gabriel had nothing to do with that.
22:15Oh, David, such a cute boy.
22:17Besides, he's not married.
22:19It's not the least of it, Mom.
22:21No, no, it's not the least of it.
22:23What happens is that you see a married man and you let yourself go like the donkey, but Juana is different.
22:26Let's see, the only thing I don't want to know is that they make fun of you.
22:29No, look.
22:31Everything that's going on at the brewery is because of that time I fell asleep there,
22:34but absolutely nothing happened between me and him,
22:36and I already explained it to everyone and they're still making things up.
22:39Yes, the problem is not because of Agua Lleva, and it did happen.
22:41Of course.
22:42You fell in love with that man.
22:44Don't pretend that the Virgin speaks to you.
22:46Oh, what a shame.
22:48Now I understand why that woman came to ask you to paint your line with her husband.
22:51Let's see, absolutely nothing has happened between Gabriel and me.
22:53We're friends.
22:55Let's see, can't I have a friend because he's married?
22:57Are you sure you don't have any other interests?
22:59Look, I never agreed with your mother, but now I'm going to agree, look.
23:03That man wants something from you.
23:06I don't know why.
23:08Because of a woman, not because he already has her, my daughter.
23:15According to what I can find out from this girl, the photographer, Juana,
23:19is that the one who hired her was David,
23:22because it turns out he's in love with her.
23:25What? So your sister is hallucinating?
23:28No, I don't know.
23:30I don't know why Gabriel also wanted to talk to the photographer, according to what I was told.
23:33Of course, Gabriel and David are very good friends, maybe that's why.
23:36But you know, right now that's not what worries me.
23:39I come from ASTRO to talk to Abel,
23:41and they are very concerned about the rise in the sales of Estrella Rubio.
23:44Since you had to leave the warehouses to be sold,
23:48it has gone to heaven.
23:50Yes, but ASTRO is going to make a very strong advertising campaign to sink it.
23:55Let's hope it works.
23:57But what if it doesn't?
23:59Then they will take other measures, son.
24:05What we can't deny is that Juana, when she goes face to face, she goes with everything.
24:10Ah, well, it's that her grandmother came out.
24:12With her mother's heart.
24:14Yes, that's why everything Juana has lived here around you.
24:17Even that day she met Gabriel,
24:19she apologized to you for arguing with her, and she went home.
24:22Who was going to say that man was going to come into her life, right?
24:25Yes, but whoever that man is, we have to respect,
24:28because the only one who will decide what to do is her.
24:30If she goes back to the brewery, if she doesn't come back, it's her decision.
24:34Did you really go to Juana's house to convince her to come back to work?
24:38Yes.
24:40I think it's too much.
24:42I don't think so. If it's something good for her, it's fine for me.
24:45Sorry to meddle where I don't care, but don't you think there are so many rumors about something?
24:51Exactly, because of the rumors and gossip.
24:54You can ruin a person's life, and I think it's unfair.
24:57Do you think because of those rumors, I don't know, she has given up?
25:02If not, why else?
25:05Maybe because she's interested in you, Gabriel.
25:08Yes, Gabriel.
25:11It's this part of here.
25:14Do you understand the legal clause?
25:17Not much, really.
25:19I want to be alone with you.
25:22Rogelio, please.
25:26You do know that you owe this office to me, right?
25:29Look, that's explained here.
25:31Yes, I thank you very much, but that doesn't give you the right to...
25:34To make you mount me?
25:36I think so.
25:38Well, if you don't want to do it because of this,
25:41then do it to keep your position in the service industry.
25:51Read a little.
25:58I like it when you get violent, but when we're alone...
26:01Please, not here.
26:03Carlos, Gabriel is back.
26:06And he assured me that Juana Bravo will return to her position in the brewery.
26:10Look, Gabriel went to look for Juana personally.
26:14That means he has a very special interest in that girl.
26:17Look, Enriqueta, it's not like that.
26:19Oh, no? Then how is it?
26:21Explain it to me.
26:23Because for me, Gabriel Rubio has a very particular interest in Juana Bravo.
26:26Gabriel simply took care of her and is protecting her.
26:29Well, I don't like it.
26:30Let's see, when David insisted on hiring Juana, he should have been firmer.
26:34Something told me, my sixth sense, that Juana is full of gossip, gossip.
26:39Let's see, let's see, don't get into that.
26:41Because that gossip is over.
26:43Now, if you want to talk about gossip,
26:45the one that is in fashion is the comic that everyone brings to the office
26:48because of the kiss you gave yourself with a stranger in the elevator.
26:54Look, in the end, Saul asked me to bring him more sweets.
26:58Has he already sold all the chagas?
27:00Well, I guess so.
27:02The only thing I didn't like was that he didn't want to give me the money.
27:05It seems to me that he wants to steal the profits.
27:08Oh, Pepito.
27:10Here, I don't want you to get to school without eating at recess.
27:13Thank you, Mrs. Fina.
27:16Now, a while ago, in the line of the race that gets out here,
27:20there is a very fine woman.
27:23And? What is that?
27:24Well, she was very pretty,
27:26but she didn't want to buy me a candy.
27:30Not even a candy.
27:32She was very stingy.
27:34And that I left her the door of the day.
27:36Look at that.
27:38Well, go Pepito, I don't want you to be late for school.
27:40Come, I give you your blessing.
27:43I love you.
27:45Mrs. Josefina!
27:47How are you? I was looking for you.
27:49The door was open and I came in.
27:51Hello, little girl.
27:52How are you?
27:54Oh, how delicious.
27:56Did you miss Felipe or what?
27:58No, I just remembered you.
28:00I brought you these creams.
28:02For me?
28:03Yes, look, I'll explain.
28:04They are very good, I use them.
28:06These are for the hands and for the face.
28:08They are super moisturizing.
28:10This is for the legs.
28:12Oh, thank you.
28:13This is for the gloves.
28:14Do you have gloves?
28:15Well, no, but I have several.
28:17Well, this is going to be good for you.
28:18Hello.
28:20What happened?
28:22Look what Yadira brought me.
28:24Oh, it's very cute.
28:26Well, I'll leave you alone.
28:28Excuse me, my daughter.
28:30I also have some creams for you.
28:32Come to my house.
28:34I'm going to put you on my chest.
28:36Hydrate, hydrate the skin.
28:53Happy to work together again.
29:03You are so perfect.
29:11You are very wrong.
29:13I never trust you.
29:23I'm only calling you because Gabriel has already returned to the brewery.
29:27With that woman?
29:29No, not now.
29:31He came back alone.
29:41You didn't even show up.
29:47You can't tell me you're so focused.
29:52Well, in this company that my father inherited from me and in the most important thing I have in life.
29:58In Juana and my son.
30:00Juana?
30:01Yes, Juana.
30:03I have to confess that now that I found out that she is going to be the mother of my son, I feel more attached to her.
30:08It is logical.
30:10But before this was known, you already had very strong feelings for her, even if you refuse to deny it.
30:17I know.
30:18I know, I had never felt it, but damn it.
30:21God, I'm a married man.
30:23Do you know what Paula is going to do when she finds out that Juana is the mother of my son?
30:27Even worse.
30:29What is Juana going to do when she finds out?
30:31No, I already tried to tell her.
30:33I tried, but she told me she was in love with me and I couldn't.
30:36In addition, she was always emphatic in saying that if the father of her son appeared, he would go far, that he would never return.
30:43And you think Juana would do something like that?
30:45Yes.
30:47Yes, she would.
30:49And what scares me the most is that she thinks that everything we have lived has only been to take care of my son, not her.
30:54How did you convince her to stay?
30:57We reached an agreement.
31:00We reached an agreement that we were going to keep our distance here at the brewery.
31:06I don't know if I can.
31:08The truth is, I want to be closer to her every time.
31:19What's up?
31:21Hi.
31:30Well, well, well.
31:33At last, the star of this restaurant arrives, the most beautiful, the most ...
31:37What happened, my queen? All good?
31:39Well, as long as I don't run out of work, everything is perfect.
31:42But I'm changing and nothing happens.
31:46Nothing happens. Come on.
31:48Come on.
31:53I'm coming.
32:01Detective Chava.
32:03How are you, how are you?
32:05Come in, come in.
32:07Thank you, thank you. Excuse me, excuse me.
32:09With your permission.
32:11Please sit down.
32:13Thank you very much. No, it's not necessary.
32:15I didn't come as a detective.
32:17No? No.
32:19To tell you the truth,
32:21last time I didn't come as a detective either.
32:24Because they are questions.
32:26Yes, yes.
32:28What, what ...
32:30Let's see, let's see, Detective Chava.
32:32Slowly.
32:34Yes, right?
32:36Slowly, I'm in a hurry.
32:38Tell me, calm down. What do you want?
32:40Look, can I see Jenny?
32:42Oh, of course.
32:43Just that she's not here right now.
32:45She won't let me.
32:47No, look, she's at work.
32:49Yes, yes, she works there.
32:51At the countess.
32:53She knows where, right?
32:55Yes.
32:56Do you want the address?
32:57Yes.
32:58Oh, yes?
32:59If you were so kind as to provide it.
33:00Of course, yes.
33:01Don't you like a cup of tea first?
33:02For the ...
33:03Really?
33:04Distilled?
33:05With pleasure.
33:06Let's have a tea or a coffee.
33:07Distilled, distilled.
33:08Yes, yes, yes.
33:09Or tea.
33:10You drink a lot of tea.
33:11Look, Jenny, let's get to the point.
33:12I don't like that you're out there giving things to my mom to throw in her bag.
33:16Oh, but that's not a bad thing.
33:18No, what do you mean it's not a bad thing, honey?
33:20It is a bad thing.
33:22Because you don't know her, but you put ideas in her head that aren't true.
33:27They told you that you look very handsome.
33:29No, daddy, come on.
33:31That's why we talked from the beginning and I told you, come on, let's go see each other.
33:34But without commitments or thinking that these are romantic dates.
33:37And you said yes, right?
33:39I mean, you and I are nothing.
33:40Nothing.
33:50And, well, I go out and sitting in the living room of my house is Gabriela's wife.
33:55What? What did she say to you?
33:57Well, she threatened me and basically asked me to, well, she didn't ask me, she told me to stay away from her husband.
34:04Oh, no, well, that's ugly.
34:06No, and it doesn't end there. She left and guess who arrived?
34:09Gabriel.
34:11Gabriel, Gabriel, the engineer, Gabriel.
34:13Gabriel, the meromero?
34:15Gabriel, the engineer, Gabriel the meromero.
34:17Well, nothing, she asked me not to quit the brewery and she promised me that if she did, she would stay away from me.
34:31Ready, Gabriel.
34:35Camila, what are you doing here at this hour?
34:36Waiting for you to go together.
34:38I don't think it's a good idea, I don't feel well.
34:41I don't know if I'm going home or to drink something.
34:43Oh, I can have a drink with you, I don't have a problem, I'll go with you.
34:46Camila, not because you're Pablo's friend means that we have to be together.
34:52Excuse me?
34:54I say it because I know you're filling his head with ideas about my friendship with Juana.
34:58Let's see, Gabriel, about Juana and you, I run through the corridors.
35:00Pablo is my best friend, I can't take my eyes off him.
35:03But I'm also your friend, you can trust me.
35:06I don't have to give you explanations.
35:08I recommend that if you want to continue working in this home, don't meddle in my private life.
35:25The best tequila in the house, huh?
35:28Enjoy.
35:37All good?
35:39All perfect.
35:45And who told you where I worked? You know that harassment is a crime, don't you?
35:49No, but I'm not harassing you, my genius.
35:51Well, I just wanted to come for a drink and that's it.
35:54And what did he bring you? A glass of water? A glass of water with rain?
35:57Ah, a glass of ice so that when it melts, you can still see me, right?
36:01How about a beer?
36:03Blond?
36:04Cold beer, please, right?
36:07A beer, please.
36:16Thank you.
36:18Cold beer, well, you finish it and you go where you came from.
36:21Why are you so rude to me, my genius?
36:24Because I don't like to be watched, look.
36:26No, no, I don't want to watch you, much less, I just wanted to come for a drink and the coordinates of the place,
36:31well, I got them with work, you know, Josefina.
36:34Well, it's just that I don't like to be watched.
36:36How long have we been watching each other?
36:38Me?
36:40The women of my family, the Bravos, are respected, we are not pets.
36:42Hey, but I respect them.
36:44Not that I told you, this...
36:46What's up, my genius?
36:49No, no, I mean...
36:51Ah, my genius.
36:53Genius, good.
36:55How does the parrot do it?
36:57Parrot, parrot, genius, genius.
36:58Parrot, parrot, genius, genius.
37:02Jenny, is this man bothering you?
37:04No, no, it's just that I don't know how to laugh because he was imitating a parrot.
37:07Yes, but I don't pay you to laugh.
37:10I pay you to attend tables and wait for the customers.
37:13Three lines below, my brother, no, this, please.
37:16Don't speak badly of the staff in front of the customers, especially.
37:20This is my restaurant.
37:22And the rules, I eat them.
37:24If you don't like it, there's a supermarket around here.
37:25There you can buy a beer and drink it at home.
37:46Come in, Mr. Memo.
37:48This house looks like the president's palace because so many people have come to visit today.
37:52It's late, but I just closed the business.
37:55No, don't worry, Mr. Memo, I'm not mad at you.
37:58Look, there it is.
38:00Ah, what?
38:02Well, that's the money, right?
38:04Your money, the money for the sale of the sweets.
38:06It's a gift. I wanted to come personally to give you that money.
38:09Just the fact that I wasn't going to ask Pepito, Pepito, please.
38:12No, why?
38:14Imagine, right? He's going to revive all the bad guys of the night.
38:19So much money?
38:20That's right, that's right.
38:22The sale is a success and it's quality.
38:25And I understand that when there is quality, it is paid.
38:28Could it be that he is buying them for you, Mr. Memo?
38:34So I bring you the shrimp broth and the cheese.
38:37But eat it quickly, because you didn't like my boss at all.
38:40Hey, I like that you already took the one from you.
38:43And what do you think?
38:45You are his employee, not his slave.
38:47We sent him an inspection of the work criteria.
38:48Salvador, don't start.
38:50It was very difficult for me to get this job so that I no longer have it.
38:53Besides, I don't want to put up with my mom's mouth.
38:55Why are you so stubborn?
38:57Stubborn?
38:58Yes.
38:59Me, stubborn?
39:01What's wrong with you?
39:03Stubborn, where did you get that word?
39:05Stubborn.
39:18Let's go.
39:34Good evening.
39:36Good evening.
39:38I want to go to bed. I had a pretty heavy day.
39:42Can we talk for a moment?
39:44Is it necessary? Paula, I don't want to argue.
39:46No, no, no. I don't want to argue or fight or anything.
39:50Besides, you said we would talk at home, so ...
39:53I don't want to talk about Juana anymore.
39:55I already understood what happened with the photographer
39:58and why you were so worried that you would lose your job.
40:03I'm glad you understand.
40:06Actually, I'm here to talk about a more important topic.
40:09About our son.
40:11Our son?
40:13Yes.
40:14The case of the girl who was inseminated by mistake.
40:17You told me that the detective was going to deal with her.
40:20Did you find her?
40:22Do you know who she is?