La Historia de Juana - Capitulo 19
Category
📺
TVTranscript
00:00After having all the information,
00:02it wasn't hard for me to come to the conclusion.
00:05Paula told me about what happened at the health center
00:08where the wrong woman was examined by accident.
00:11And well, we've all noticed the special relationship
00:14you have with Juana.
00:16And then this unusual report comes out.
00:21Juana, the Virgin.
00:25Everything makes sense.
00:27Wow, you're intrepid.
00:29Among other qualities, the truth.
00:31But I would rather define myself as a woman...
00:34detail-oriented.
00:36And after analyzing everything I've seen,
00:39I dare to confirm it.
00:42Now I understand all the interest you have in Juana.
00:46And well, bringing her to work here,
00:49having her 24 hours a day,
00:53keeping an eye on her and controlling her...
00:57My God, this is all on you.
00:59You're corroborating something I haven't confirmed.
01:02What if I ask her?
01:04I mean, because I think at this point
01:06she should know she's pregnant by mistake.
01:08No?
01:09The question here is...
01:15Does she know the mess she's in is yours?
01:19Does she know the mess she's in is yours?
01:31I want to apologize.
01:32I shouldn't have behaved like that with you.
01:34I'm glad you liked the job offer, engineer.
01:37But if you don't mind,
01:39they're waiting for me and we have a lot of work today.
01:42Excuse me.
01:49Thank you.
01:55Juana, Juana!
02:01I loved what you did.
02:02I liked it more than what I did.
02:04That idea of values, friendship,
02:06the prizes in the corchulata.
02:08That's awesome. I love it.
02:10And it made me think of ideas for new hashtags,
02:12like the hashtag,
02:13Get the beer and win.
02:14That's amazing!
02:15Thank you so much.
02:17I want to show you how I did it.
02:19I wanted to mix it with my original photos
02:22and I wanted to add a lot of color,
02:24something like that.
02:25That's more or less the first sketch.
02:28It's nice, right?
02:29It's a story design.
02:30I'll send it to you by e-mail. Perfect.
02:32I don't like you meddling in my private life.
02:34I would never do anything to hurt you, okay?
02:37I'm telling you things face to face, Gabriel.
02:39Why don't you trust me?
02:41Yes, Juana is the woman who was pregnant by mistake.
02:43And no, she doesn't know what's waiting for my son.
02:47Please, I'm begging you.
02:49Keep this a secret.
02:51I'm going to tell Paula.
02:52I just haven't found the time.
02:55I understand.
02:56And you're not telling her because you think
02:58Juana is going to take advantage of this?
03:00No, she's not like that.
03:01Is that what you think?
03:02As a woman, I'm telling you.
03:03If she finds out, she's going to think
03:05that all the interest you have is for the baby.
03:07No, if she finds out, she's going to leave.
03:09And I'm never going to see her again.
03:11Please, you know how important it is for me to be a father.
03:14Don't intervene.
03:17Gabriel, listen to me.
03:22Don't you realize what's going on with you?
03:47My love, I was waiting for you.
03:51For what?
03:52To tell me how you cheated on my mom with Camila?
03:56Be very careful how you talk to me, Paula.
03:58I'm your father.
03:59Yes, you're also my mother's husband.
04:01I should be ashamed of you.
04:03Dad, for God's sake, you're my age.
04:04I could be your daughter.
04:05You could be my daughter, but you're not, Paula.
04:09And I'm not going to put up with any more insults from you.
04:12You have no idea.
04:13I know what I saw.
04:15You know what you saw.
04:17If I were you, I wouldn't trust what I see so much.
04:21Because you haven't wanted to see that Gabriel isn't good for you.
04:26Don't confuse things.
04:27What's mine with Gabriel isn't the same.
04:29Oh, no?
04:30I think that if you're already a big girl,
04:32you're old enough to know.
04:35I, Paula, am not going to put up with insults from you.
04:39You're old enough to know.
04:42I, Paula, for the love of my children,
04:45so that they wouldn't suffer,
04:48I stayed with a woman I don't love.
04:52And you, Paula,
04:54there's a possibility that Gabriel doesn't love you the way you deserve.
05:00Do you want to repeat your mother's story,
05:03Paulita?
05:09It can't happen again, Camila.
05:11I'm sure I haven't given you a message to confuse you this way.
05:14The message is that you're not okay with Paula.
05:16You're going to divorce her.
05:18And you know perfectly well that the situation with Francisco
05:20before she disappeared is the same with me.
05:22What does that have to do with it?
05:23Paula is not the woman who deserves you.
05:25Please don't tell.
05:26This ends here.
05:28I would have done the impossible to give you a child.
05:30She did it.
05:31No.
05:32She made you believe that, but no.
05:34I would have done the impossible.
05:39I would have done the impossible.
06:09I would have done the impossible.
06:31What can I say, partner?
06:34Now they've really hit us hard.
06:40Oh, poor thing.
06:44Tomorrow will be another day.
06:51I'm sorry about the movie.
06:52I'm sorry because I couldn't answer your message.
06:54I'm very busy at work.
06:55Don't worry.
06:56Sorry.
06:57We'll go another day.
06:58No, man.
06:59Tomorrow.
07:00See you tomorrow.
07:01We'll go tomorrow.
07:02And if we leave early, okay?
07:03Yes.
07:05Good night.
07:06See you tomorrow.
07:07Tomorrow.
07:22Ready, young people.
07:24Don't cry.
07:26Cheers.
07:35Don't you stop promoting the most expensive tequila on the menu?
07:38Because the more they drink, the more tips they get.
07:41Oh, my favorite.
07:44Oh, sorry.
07:46You know, I'd like to invite you out one of these days.
07:51To me?
07:52Yes, to you.
07:54As long as it's not Xochimilco.
07:56Xochimilco?
07:57No, Regina.
07:59No, no.
08:00Regina.
08:01No, no.
08:02I'd take you to a more intimate place.
08:04More flirtatious.
08:07Okay.
08:08Fine.
08:09As always.
08:10Fine.
08:14One or two, boss?
08:15Two, son.
08:18There you go.
08:20Thank you.
08:21This is the sauce, the cream.
08:23Good afternoon.
08:24Good afternoon.
08:25Hello, daughter.
08:26Sit down for dinner, my love.
08:28Oh, no, grandpa.
08:29I'm really tired, to be honest.
08:30I had a really heavy day at work.
08:32And besides, I still had to go to college to take an exam.
08:35But well, I'm going to take a shower.
08:37No, sit down.
08:38First you have dinner and then you take a shower.
08:40A quesadita.
08:41Oh, I even got scolded.
08:43Well, that's why you don't think well.
08:45Okay.
08:47Mmm, delicious.
08:49Hey, I had a great day at work today.
08:51Oh, yeah?
08:53They accepted my idea for a new campaign.
08:55Oh, that's cool.
08:56Well, if you don't have a boss.
08:58It's good, isn't it?
09:00And you guys, what's up? What gossip?
09:02Um, nothing.
09:04Oh, well, yes.
09:06Yes.
09:07What?
09:08Your mom had a romantic date with Salvador.
09:13Salvador, the cop?
09:15Detective Castillo.
09:17Don't record it.
09:18Oh, that date was worth it, boss.
09:20No, I don't think so.
09:22That one does move Jenny's carpet.
09:24That's why I don't like her.
09:26You'll see.
09:27I think the love has already come to your mother's life.
09:29Look.
09:30In fact, I invited him to dinner.
09:33Wow.
09:34And I already put all the corn for the pozole and everything.
09:37I'm going to make him a tamale.
09:39Everything very tasty.
09:41Oh, Grandpa, what can I tell you?
09:44I really think that the luck of the women of this family is the same.
09:48Pregnant very small, in love with a man who does not belong to us.
09:52And...
09:55Like this.
09:57Oh, a little low.
09:59But hey, I'll eat it in my room.
10:00I promise.
10:01Bon appetit.
10:04Come on.
10:05Get some rest, bitch.
10:07Come on, you see that she has a very happy face.
10:09She wants to spoil her life.
10:12Let's see, come on.
10:13Keep it.
10:14Hide it on the other side.
10:16I don't see it right now.
10:17And this too, because it's going to get dirty.
10:20Eduardo, I'll go with you.
10:21What do you eat, boss?
10:43Can I sit down for dinner?
10:45Or are you going to deny me dinner?
10:47Do whatever you want.
10:49My love.
10:50Good night.
10:51How nice that you arrived.
10:52I was waiting for you for dinner.
10:53Come sit down.
11:11Why so quiet, Paula?
11:15Well, I was waiting for dinner alone with my husband.
11:17But since you're here, let this dinner count as the farewell dinner.
11:21Since you're leaving my house tomorrow.
11:23Yes, I will always be very grateful to you for opening the doors to your house.
11:28Of course, my dad would have made you a better farewell, right?
11:31Oh, no.
11:33It's just that my dad doesn't want to say goodbye to you.
11:35On the contrary.
11:36Oh, Paula.
11:38Always living in your bubble.
11:41Inventing things that don't exist.
11:44But hey, you know you'll always count on me.
11:47Especially if you find out about things that...
11:52About unpleasant things.
11:54That bring you down to your reality.
11:56Don't worry.
11:57My biggest problem is leaving this house tomorrow.
11:59Oh, look.
12:00I thought your biggest problem was keeping your husband.
12:02Camila, please.
12:03It can be a peaceful farewell.
12:04Both of us.
12:05Gabriel and I have our problems.
12:08But despite everything, we still have a perfect life.
12:10And we don't need a storm to pollute our family environment.
12:14Your life isn't perfect, Paula.
12:16And in your family environment,
12:18there are things that you can't even imagine.
12:28What the hell are you talking about?
12:29What is it that I don't suspect?
12:30Tell me what I don't know.
12:31Well, I think we need to go to sleep, right?
12:33Speak!
12:34I'm tired of the three of us.
12:35Okay.
12:36Are you going to take your eyes off me?
12:38Because you don't want to see your reality?
12:40Or what are you going to do?
12:41Speak, Camila.
12:46Stay with Lando.
12:51Excuse me.
12:57No, well, my mom was absolutely right
12:59when she told me that she was very wrong
13:01when she brought that snake into our house.
13:03Do you know what she was talking about
13:05when she said that there are things that I don't suspect?
13:09No idea.
13:10What is clear to me is that neither you nor I know Camila completely.
13:14Camila.
13:22How is it that Paula is going to adopt a baby
13:24to prevent Gabriel from leaving her?
13:26Is she crazy?
13:27She's terrified of losing her perfect life.
13:30Oh, please.
13:31She's going to do whatever it takes
13:32so that Gabriel doesn't leave her.
13:34Did that bastard already talk to her about a divorce?
13:36Yes.
13:38Of course.
13:39That's why Paula proposed the adoption.
13:41Paula deserves something better than Gabriel Rubio.
13:45Especially now that her kingdom is going to collapse at any moment.
13:48Do something with the brewery.
13:53You just make sure to convince Paula
13:55that the best thing for her is to leave Gabriel.
13:59Okay?
14:08It's Camila. Leave your message.
14:10Where are you, Camila?
14:11Why don't you answer or return my calls?
14:14You know I want to see you.
14:16I'll wait for you wherever you are so I can breathe your body.
14:22You're shameless, Rogelio.
14:26Do I lack respect in my own house?
14:29With that woman who has the same age as your own daughter?
14:32You're disgusting.
14:39I'll help you.
14:41Thank you.
14:43Hey, Gabriel.
14:45Thank you for welcoming me to your house.
14:47And I hope our relationship wasn't affected by what happened in...
14:52Nothing happened.
14:54We're going to turn the page.
14:55I want us to have a good work relationship.
14:58And it will be.
14:59I don't know if she's going to arrive early
15:01because with everything about the move, it's going to be a little difficult for me.
15:04It's okay. She can arrive at any time you want.
15:08You should be ashamed of having that woman as a lover.
15:13What?
15:15Why do you do it?
15:17Why do you make yourself feel young?
15:20You're still the same old man, with all those years on top of you.
15:24And let me tell you something.
15:26That kind of women, the only thing they look for in men is...
15:31Pathetic men like you.
15:33Making them money.
15:36Not anymore.
15:37I'm not going to allow you to disrespect me and humiliate me anymore.
15:40Not anymore.
15:41You're never going to leave me, Amparo.
15:44You're completely dependent on me.
15:46You like the good life.
15:48Do you want to keep it?
15:49Accept me as I am.
15:51And if you don't want to, there's the door.
15:55You're leaving my house and my life.
16:11I mean, but at what moment?
16:14When I arrived, the magazine was there.
16:17Let's see.
16:18Juana Bravo, known as Juana the Virgin,
16:21is a young woman from the neighborhood who has been touched by the hand of God while still being a virgin.
16:27What?
16:28So our Juanita is pregnant?
16:31I mean, but what is that about being a virgin, please?
16:33And how do you do that?
16:35Oh, Berta.
16:37Well, I think it's a joke because these magazines are pure gossip.
16:40Yes, right? And besides, well, that's it.
16:42I mean, let's put a candle on Juana and make her an altar in the office, right?
16:48No, I have an idea.
16:49Or let's make a new IPA.
16:51Juana beer, the miraculous beer.
17:07And you, Josefina, why so beautiful?
17:10What?
17:11Don't you see I already slept a lot and I invited you to go out or what?
17:14Oh, don't be silly.
17:16No.
17:18And Juana?
17:19Well, she got up very early and went to work.
17:21It's just that since you weren't going out, we couldn't touch the issue of the magazine.
17:24Well, it will be another time.
17:26Where are you going or what?
17:27Well, I have a matter to fix.
17:30And what is it?
17:31Well...
17:33Oh, I know, my son.
17:35Don't forget that Chavita arrives at dinner tonight.
17:38I want you to be here.
17:39You already told me that I'm going alone and I don't miss that, mom.
17:43Hey, be careful.
17:45I know, I'm going to get the umbrella.
17:49And even though they don't talk right now about everything that happened with Rogelio,
17:54I don't trust Camila.
17:58I feel that at any moment she's going to go with Paula and tell her everything about Juana.
18:01Well, go ahead, don't give her the pleasure.
18:03Tell her everything about Paula.
18:04She knows what happened with Juana.
18:06She knows that Juana is in love with me.
18:09And how are your feelings about us?
18:11I already asked Paula to get a divorce.
18:14I can't stay there anymore, uncle.
18:16What I feel for Juana is important.
18:22I'm going.
18:23I'm going.
18:25I can't trust you.
18:31And this of the Miraculous was true?
18:34Well, I don't know, but in the magazine it says that if you touch the tattoo, it fulfills everything you ask for.
18:40You never know what they smell like.
18:42But right now you're insinuating that Juana is a witch.
18:45Oh, well, if that's the case, they're not with Enriqueta anymore, are they?
18:48They're with Juana.
18:50Here you come and you touch her arm with the tattoo.
18:53Oh, yeah?
18:55Hello.
18:56Hello.
18:57And this meeting, why didn't anyone tell me?
18:59That the beer was taken out by another ad?
19:03I'll be right back, I'm going to make you your coffees.
19:05And I'm going to clean myself.
19:13Were you making fun of Juana?
19:15Well, we weren't making fun of each other, we were just commenting.
19:18Yes, yes, I mean...
19:25Really, what does Juana have to do to be left alone?
19:27All the gossip about her with the engineer, after her hiring here, and now this?
19:32Really?
19:39Yesterday Juana's design was approved and everyone congratulated her.
19:42I think that's why she deserves a minimum of respect, right?
19:44Or what does she have to do to be left alone?
19:48I don't know.
19:56Well, it's very spectacular, the drawing, right?
19:59No, I don't know.
20:00It's not professional.
20:02Thank you.
20:17Good afternoon.
20:19I'm here to see the engineer, Gabriel Rubio.
20:22One minute, your name?
20:24Josefina Bravo.
20:31Good afternoon.
20:32Good afternoon.
20:33Good afternoon.
20:34Good afternoon.
20:35Good afternoon.
20:36Good afternoon.
20:37Good afternoon.
20:38Good afternoon.
20:39Good afternoon.
20:40Good afternoon.
20:41Good afternoon.
20:42Good afternoon.
20:43Good afternoon.
20:44Good afternoon.
20:45Good afternoon.
20:46Good afternoon.
20:47Good afternoon.
20:48Good afternoon.
20:49Good afternoon.
20:50Good afternoon.
20:51Good afternoon.
20:52Good afternoon.
20:53Good afternoon.
20:54Good afternoon.
20:55Good afternoon.
20:56Good afternoon.
20:57Good afternoon.
20:58Good afternoon.
20:59Good afternoon.
21:00Good afternoon.
21:01Good afternoon.
21:02Good afternoon.
21:03Good afternoon.
21:04Good afternoon.
21:05Good afternoon.
21:06Good afternoon.
21:07Good afternoon.
21:08Good afternoon.
21:09Good afternoon.
21:10Good afternoon.
21:11Good afternoon.
21:12Good afternoon.
21:13Good afternoon.
21:14Good afternoon.
21:15Good afternoon.
21:16Good afternoon.
21:17Good afternoon.
21:18Good afternoon.
21:19Good afternoon.
21:20Good afternoon.
21:21Good afternoon.
21:22Good afternoon.
21:23Good afternoon.
21:24Good afternoon.
21:25Good afternoon.
21:26Good afternoon.
21:27Good afternoon.
21:28Good afternoon.
21:29Good afternoon.
21:30Good afternoon.
21:31Good afternoon.
21:32Good afternoon.
21:33Good afternoon.
21:34Good afternoon.
21:35Good afternoon.
21:36Good afternoon.
21:37Good afternoon.
21:38Good afternoon.
21:39Good afternoon.
21:40Good afternoon.
21:41Good afternoon.
21:42Good afternoon.
21:43Good afternoon.
21:44Good afternoon.
21:45Good afternoon.
21:46Good afternoon.
21:47Good afternoon.
21:48Good afternoon.
21:49Good afternoon.
21:50Good afternoon.
21:51Good afternoon.
21:52Good afternoon.
21:53Good afternoon.
21:54Good afternoon.
21:55Good afternoon.
21:56Good afternoon.
21:57Good afternoon.
21:58Good afternoon.
21:59Good afternoon.
22:00Good afternoon.
22:01Good afternoon.
22:02Yes?
22:10Hey.
22:11Yeah?
22:12Juana came home early, right?
22:13I can't even breathe,
22:14I'm tired.
22:15It looks like they got some idea
22:16to set up a bar campaign.
22:17Really?
22:18Yeah!
22:19I'm telling you,
22:20Juana knows a lot.
22:22She's got magic,
22:23didn't I tell you?
22:24So, didn't she market any in the morning?
22:25Uh?
22:26Well, she left very early.
22:28Hey, and the one who came out here,
22:30very perfumed and very pretty,
22:32was Josefina.
22:33And that?
22:34And she didn't want to tell me where she was going.
22:35How?
22:36I think that lady has something.
22:38She's going to give us a surprise.
22:39You'll see.
22:40Oh, no.
22:42It's just gossip.
22:43In a week, everyone will forget.
22:45Guys, girls!
22:47Please come closer for a minute.
22:49Thank you.
22:50Well, after the gossip
22:53in the cafeteria,
22:55I'd like to give Juana a minute
22:58and ask her if she wants to express herself,
23:01tell us what she feels,
23:03and that we all listen to her.
23:04Yes, in fact, well,
23:06just to avoid more gossip and gossip,
23:08I think the best thing is to tell the truth.
23:12Yes, I'm pregnant.
23:13No, the father doesn't exist.
23:15And, well, all those miracles and stuff
23:18are things that people in my neighborhood invented.
23:20And that's it.
23:21Well, Juana, but you can't wait
23:23for us to believe that you're pregnant,
23:25but you're a virgin.
23:26Yes, no, neither.
23:27Vivi and Susana, please.
23:30Obviously, it's made up.
23:32Let's see.
23:33Juana, please, you don't have to give us explanations.
23:37What matters here is your job, not your private life.
23:39So, please, everyone, get to work.
23:41Let's stop gossiping, okay?
23:43We have a lot of things to do.
23:45The campaign, for example.
23:46So, get to work, please.
23:48Thank you.
23:50Thank you, David.
23:53Thank you.
24:03Thank you.
24:06Hello, ma'am, how are you?
24:07Hello.
24:08I'm Inés, the executive assistant of the blond engineer.
24:11Oh, that's good, miss,
24:13because I've been standing here for about 45 minutes
24:15and that lady, all she does is put on eyelashes.
24:18Oh, it's just that, as my partner explained,
24:21to be able to see my boss,
24:22you need to make an appointment,
24:23at least one week in advance.
24:25What?
24:26And what if it was the Pope?
24:27This man makes beers, for God's sake.
24:29Yes, but he's a very busy man.
24:32Well, look, I'm much busier
24:34and I've been standing here for 45 minutes.
24:37So, go up and tell him I'm coming.
24:39Of course.
24:40What did he say his name was?
24:43Josefina Bravo.
24:44Of course.
24:45If you want, you can sit down.
24:46No, I don't want to be sitting anymore.
24:47I've been sitting for a long time.
24:48Thank you.
24:49I'm going to see what I can do.
24:50I'll be right back.
24:51Excuse me.
24:55Well, as you can see,
24:56the beer war has benefited ASTRO.
24:59Sales have gone up a lot.
25:00Yes, but it's not that our clients are betraying us.
25:04What happens is that ASTRO
25:05is in many more sales points than we are.
25:07It's in food services, liquor stores,
25:08supermarket events.
25:09That's why they're stronger than us.
25:11And that shows that they are behaving like mobsters.
25:14These numbers are the result of the manipulation
25:16of the distributors, not the consumer.
25:18That's right.
25:19That's why I like the idea that Juana proposed more and more.
25:21That you already accepted, Gabriel.
25:23I think that with that,
25:24it will make our clients talk for us
25:26and claim our presence in booths and in shops.
25:29Yes.
25:30Manuel.
25:33Please, I want you to go with Carlos
25:35and report to me
25:36why they are not accepting our beer to be able to sell it.
25:39But my dad should take care of that, right?
25:42Rogelio is very busy talking to the ASTRO guys.
25:45So, Gabriel, we'll take care of you.
25:47Manuel, let's go.
25:48Thank you.
25:50Of course.
25:53Excuse me.
25:54After you.
25:59I'm glad you liked Juana's proposal.
26:03Do you trust her?
26:05Well, as a professional, yes.
26:07But I'm still worried.
26:10Why?
26:11This morning at the cafeteria,
26:13several of her colleagues bullied her.
26:16This magazine came out.
26:17The one that talks about many things.
26:20With the subject of...
26:22Juana the Virgin.
26:24Could be.
26:26Excuse me for the interruption.
26:28Engineer, at the reception is Mrs.
26:31Josefina Sosa de Bravo,
26:32who says she won't leave until you receive her.
26:34Bravo? Like Juana?
26:36Yes, she is Juana's grandmother.
26:41Hey, last night, with all the relaxation of the magazine,
26:44I asked you how it went with your date with the cop.
26:50What?
26:51I almost left him blind.
26:53Did he want to get away?
26:54No, man.
26:55No one gets away with me.
26:58It's weird.
26:59It's like...
27:01He wanted to know everything about me.
27:02He asked me everything.
27:03And he told me something I didn't like.
27:05What did he say?
27:07According to him, he says
27:08that I get into fights with men.
27:10That I find them responsible
27:11and lack of commitment.
27:12Like my dad?
27:13What's up?
27:15What?
27:16What, what?
27:17What?
27:18Well, you know that sometimes they say
27:20that the truth doesn't hurt,
27:22but it's uncomfortable, right?
27:23What truth?
27:24That cop doesn't know anything about me.
27:26Not what I think,
27:27not what I feel,
27:28not what I want.
27:29And don't even start.
27:32You'll know.
27:33Hey, I already paid Instagram.
27:34What?
27:35Is it going to be visualized or what?
27:36Well, the boss who invited this cop.
27:38Oh, no.
27:39Let's have a family dinner,
27:40so put on your best glasses.
27:42I'm going.
27:43Follow him, follow him.
27:47See you later.
27:54David, look, I wanted to show you.
27:59This is the sketch
28:01in which I am working with René.
28:03Let's see if you like it.
28:04Look.
28:06It's great.
28:07Yes, it's nice, right?
28:08I love it.
28:09The color handling and...
28:10The cork.
28:11Yes, it's cool, right?
28:12It has a movement.
28:13Yes.
28:14Yes, it's nice.
28:15Oh, how nice you like it.
28:16Hey, Juana,
28:17since you're here,
28:18I mean,
28:19I know you went through the page,
28:21but I didn't want to stop telling you.
28:23I had nothing to do
28:24with the magazine in the cafeteria.
28:26I promise you that...
28:27No, don't worry.
28:28I really never,
28:29never doubted you.
28:30It's just that evil people
28:31are the ones who take the bad out of the trash
28:33to hurt others.
28:35But...
28:36You know what?
28:37The truth is,
28:38I feel a lot calmer.
28:40That's it.
28:42You're admirable.
28:44My Juana.
28:46What do you mean, my Juana?
28:47I'm nobody's.
28:49Well...
28:50It's your baby.
28:51It's my baby.
28:54Well, I'm glad you liked it.
28:55I'm going to keep working.
28:56I loved it.
28:57Thank you.
28:58Thanks.
29:09Señora Josefina,
29:11una disculpa por haberla hecho esperar.
29:14¿Le ofrecieron algo de tomar?
29:15No, no se preocupe.
29:16No quiero nada.
29:18Y además hubiera esperado todo el día
29:20si hubiera sido necesario.
29:22Qué amable.
29:23Lo que pasa es que tengo un día bastante complicado,
29:25pero la escucho.
29:27Espero no sea nada grave.
29:29Es muy grave.
29:30Cuando un tipo juega con los sentimientos de mi nieta
29:34y le hace la vida de cuadritos,
29:36y la enamora,
29:37no sé para usted,
29:38pero para mí es bastante grave.
29:41Entiendo su preocupación.
29:43No, no entiende.
29:44No creo que usted entienda nada.
29:47Mire nada más a su entorno.
29:50Mire nada más a su esposa.
29:54¿Dónde piensa usted poner a mi nieta
29:57en medio de todo este mundo?
30:07David, Juana, qué bueno que los veo.
30:10Voy a tener que retrasar la junta con mi jefe.
30:13Pero acabo de hablar con él.
30:15Me dijo que le trajera la propuesta
30:16para que nosotros pudiéramos continuar, ¿verdad?
30:18Sí, pero es que se le presentó
30:19otra reunión de último momento.
30:22¿Y es alguien muy importante o...?
30:24Creo que sí,
30:25porque suspendió todo para atenderla.
30:30¿Para qué no se va?
30:32¿Para qué no se va?
30:34¿Para qué nos hacemos tontos?
30:37Si mi nieta está enamorada de usted,
30:40es por su culpa.
30:42La aseguro, yo jamás hice nada
30:43para que eso pasara.
30:45Ay, por favor.
30:48Cuando una mujer se enamora de un hombre,
30:51no es de gratis.
30:53Es porque ese hombre
30:55la hace a uno sentir diferente,
30:58la hace sonreír,
31:00la hace sentir especial.
31:01¿Por qué le hizo esto a Juana?
31:03Juana no se lo merece.
31:05Por favor, no se ponga así.
31:07Le juro, yo quiero lo mejor para Juana.
31:10Entonces, ¿por qué no se aleja de ella?
31:12¿Por qué no se va con su mujer?
31:15¿Por qué no hace su vida?
31:17¿Por qué no la deja en paz?
31:19No puedo.
31:20¿Por qué?
31:22Porque en estos momentos,
31:23Juana es la persona más importante
31:24que tengo en la vida.
31:27¿Ah, sí?
31:29¿Qué, se va a divorciar
31:30o qué?
31:32Lo que hay entre Juana y yo
31:34en estos momentos no está muy claro.
31:36¿Y va a dejar a su esposa?
31:40Ya le pedí el divorcio.
31:42¿Ah, sí?
31:45¿Y qué?
31:46¿Se va a casar con Juana?
31:49Lo que pa...
31:51Ya le comenté lo que no sucede.
31:55No está muy claro.
31:57No, no, no, sí está bien claro para mi nieta,
31:58porque ella sí está enamoradísima de usted.
32:01Y lo que yo siento por ella es muy especial.
32:04Es extremadamente fuerte.
32:06Jamás había sentido esto que siento por nadie.
32:10Y hablé con ella y llegamos a un acuerdo
32:12que nos íbamos a respetar,
32:14que íbamos a mantener nuestra distancia.
32:16Eso estamos haciendo.
32:18Mire qué bonito.
32:20¿Sabe una cosa?
32:23En esta casa,
32:25nosotras ya estamos cansadas
32:26de tipos como usted,
32:29que no toman ningún tipo de responsabilidad
32:32cuando el problema pasa.
32:35De esas personas que dicen que lo aman a uno,
32:38pero de boca para afuera,
32:40como típico farsante.
32:42Así que aléjese de Juana,
32:45porque esta no es la familia para usted.
32:49Déjenos en paz.
32:51¿Le queda claro?
32:56Sí.
33:04Pasa.
33:11¿Qué te parece nuestro nidito?
33:15Ya sé que tal vez no es tan rimbombante como esperabas,
33:18pero bueno,
33:20la verdad es que pensé
33:22que si era algo más lujoso,
33:24la gente se iba a preguntar
33:27cómo es que puedes pagarlo.
33:31Está perfecto,
33:33más que no tengo dónde ir después de lo que Paula vio.
33:37Mejor así, ¿no?
33:44Aquí conmigo vas a tener todo lo que quieras.
33:46A ver, Rogelio,
33:49te aclaro que aunque no tenga que caerme muerta,
33:53yo manejo las acciones de Francisco.
33:56Además, ya es hora de que nos vayamos a la cervecería.
33:59Y no quiero que hable de nosotros.
34:01Así que tú te vas por tu lado,
34:03yo me voy por el mío.
34:05¿Ok?
34:07Quiero que me tomen en serio.
34:09No como tú.
34:11Yo te voy a tomar como yo quiera.
34:16Qué bueno que ya me conoces.
34:19Sabes que me gusta cuando te pones difícil.
34:27Bueno, mejor
34:30nos tomamos ahorita tú y yo, ¿eh?
34:34¿Sí?
34:48Me decía usted que no lo conocía,
34:51sin embargo,
34:54usted legalizó
34:56el documento que le otorga
34:58poder amplio y cumplido
35:00a la señora Camila Dermos
35:02para transaccionar libremente
35:04con las acciones de su esposo.
35:06Lo tuvo que haber visto,
35:08al menos el día de la fe.
35:11Lo que dije es que no lo conocía de antes,
35:14pero un día se presentó en mi despacho
35:16y me pidió que redactara ese documento.
35:18Oiga, y ¿se presentó?
35:20Digo, ¿cómo la habrá encontrado?
35:23¿Por internet?
35:25De todas las abogadas de México,
35:29usted tiene cinco estrellas en sus reseñas.
35:33O quizás, tal vez,
35:35el señor Rogelio Fuermayor
35:37la habrá recomendado.
35:40Eso puede ser.
35:43Porque según entiendo
35:45y consta en expedientes y actas,
35:47usted es la abogada personal
35:49del señor Fuermayor.
35:51Sí, así lo soy.
35:53Ahí está.
35:59Pues, por lo pronto,
36:01eso es todo, licenciada Regina.
36:03Con mucho gusto.
36:05Muchas gracias.
36:13Paula.
36:15Hola, mamá.
36:17Solamente quería avisarte
36:19que Camila ya se fue de mi casa
36:20y que esa corriente
36:22se está revolcando con mi papá.
36:24¿Qué?
36:26¿Cómo lo sabes?
36:28Lo oí dejarle un mensaje.
36:30Además, no puedo hacer nada
36:32para impedirlo
36:34porque me dijo que si lo dejo
36:36me va a dejar en la calle.
36:43¿Abu?
36:45¿Qué haces aquí?
36:47Confirmar lo que ya sabía,
36:48que no tienes nada que hacer aquí.
36:50Vámonos, con permiso.
36:52Vámonos.
36:54¿Qué haces aquí?
37:01Hola.
37:03Todo bien.
37:05Venía con Juana a entregarte la propuesta
37:07para que la firmaras,
37:09pero salió doña Josefina.
37:11Estuvo muy raro.
37:13¿Le dijo algo?
37:15Nada, salió como tromba,
37:16¿dónde está?
37:18La metió en el elevador.
37:20Estoy cerrado.
37:28A ver, ¿ya te relajaste?
37:30¿Me vas a decir que hablaste con el ingeniero rubio?
37:32Bueno, que tú querías agua, ¿no?
37:34Ya tomaste.
37:36Lo dije para que me soltaras.
37:38¿Ah, sí? Bueno, pues ya te agarré.
37:40Vámonos.
37:42Déjalo.
37:44Yo no me voy a ir, estoy trabajando
37:46con el ingeniero rubio.
37:48¿Y en la casa qué tal?
37:50¿Gabriel para acá, Gabriel Traya,
37:52tu amor imposible, no?
37:54¿Sabes qué amo?
37:56Ahora entiendo a mi mamá.
37:58¿Toda la vida la has querido controlar?
38:00Pues déjame te digo que si no funciona,
38:02alas bravo, nadie nos dice qué hacer,
38:04y mucho menos otra bravo.
38:06Pues yo soy sosa.
38:08Lo bravo lo heredé de tu abuelo para que te lo sepas.
38:10¿Y tú estás ciega o qué te pasa?
38:12¿Es igualito a todos los hombres
38:14que le han tocado a tu mamá?
38:16Ya me vas a decir qué te dijo.
38:18Ay, no sé, no sé, mi hijita.
38:20Todo fue muy confuso,
38:22porque es de los que hacen como engaños
38:24y enredan las palabras.
38:26Lo único que sí me percaté es que dijo algo
38:28que me pareció muy fuerte.
38:30Dijo que en este momento tú eras
38:32la persona más importante de su vida.
38:34¿Gabriel dijo que yo soy
38:36la persona más importante de su vida?
38:38Sí, y es una mentira tan grande
38:40como este edificio, fíjate.
38:42Porque entonces le pregunté,
38:44y entonces usted se va a divorciar
38:46de su esposa.
38:48Sí, pero...
38:50Vamos, vamos, vamos.
38:52A ver cómo se siente.
38:54Vamos.
38:56No me faltes al respeto.
38:58¿Te volviste loca?
39:00¿Cómo le dices que se separen
39:02de su esposa y se case conmigo?
39:04Pues sí, este hombre no está dispuesto a eso.
39:06Tú no tienes nada que hacer conmigo.
39:08No, la que no tiene nada que hacer aquí eres tú.
39:10No quiero ser gruesero,
39:12pero están gritando demasiado.
39:14Toda la gente las está viendo,
39:16todas las mentiras que me dijo,
39:18y no tienen nada que hacer aquí,
39:20en este momento se van conmigo.
39:22No, yo no me voy a ir a ningún lado,
39:24yo no soy una niña y tú no vas a controlar mi vida.
39:26Yo lo único que quiero es que se tranquilice tu abuela
39:28y no sé cómo hacerle.
39:30¿Sí? A ver, ¿tiene un anillo de compromiso
39:32en el bolsillo del pantalón?
39:34¡Toro, ya!
39:36¿Que no te das cuenta que me estás humillando?
39:38¿Por qué me estás haciendo esto?
39:40Está bien, me voy.
39:42Los dejo, háganme como quieran.
39:44Pero si algo malo le pasa a mi nieto,
39:46¿qué voy a hacer?
39:50Oye, tranquila, tranquila.
39:52Con el tiempo lo va a entender, ya.
39:55Perdón.
39:57Juana.
40:00Ey, déjala ir.
40:02Toda la gente te está viendo.
40:04No, dile a Enriqueta que Juana se sintió mal
40:06y que tuvo que salir a tomar aire.
40:08Ah, ¿te vas a ir con ella?
40:09Sí.
40:15No sé qué voy a hacer.
40:17Si tu papá me abandona, me quita todo,
40:19no sé qué voy a hacer.
40:21Quiere que me trague sus humillaciones,
40:23que acepte a Tamila como su amante.
40:25Yo no puedo.
40:27Yo no puedo competir con eso.
40:29Tranquila, mamá.
40:31Debe encontrarnos alguna solución.
40:33No, no, no, no hay soluciones.
40:35Tu papá tiene el poder, tiene el dinero,
40:37tiene todo.
40:39Pero no vamos a permitir que mi papá ni Camila
40:41se salgan con la suya.
40:43Eso te lo prometo.
40:52¿Qué haces aquí?
40:54¿Pasó algo?
40:56Sí.
40:58Ya me enteré de la actitud descontrolada
41:00que tienes con Camila.
41:05Ya hablaste con tu madre.
41:06Te advierto que si la abandonas,
41:08ya no seré parte de tu plan personal
41:10para hundir a la cervecería Rubio.
41:12A mí no me amenaces.
41:15Que además aquí las cosas no están nada bien.
41:18Cervecería Rubio ya está respondiendo
41:20ante los ataques de la cervecería Astro.
41:22Y los efectos van a ser inmediatos.
41:25Sí, ya me enteré.
41:27Ah, qué bueno que lo sabes.
41:29Porque el GAL también ya se puso las pilas
41:31junto con Gabriel.
41:33Y están preparando la demanda
41:34que se dio en el autódromo.
41:36Tenemos que hacer algo ya
41:38para que bajen las acciones.
41:40Y ya tengo esa solución.
41:43Vamos a introducir una bacteria
41:45en los estanques de la cerveza Rubio.
41:48¿Qué?
41:53Juan, espérate.
41:55Espérate, por favor.
41:57No debiste seguirme.
41:59De por sí todo el mundo está hablando de nosotros
42:01con lo de la revista.
42:02¿Qué revista?
42:04Espérate.
42:06Esto no tienes por qué vivirlo sola.
42:08Lo quiero vivir contigo.
42:10Gabriel, prometiste mantener distancia.
42:12Julio, si esa promesa es una tontería.
42:14Entonces no la vamos a cumplir.
42:16No.
42:18Porque necesito cuidarte.
42:20Necesito protegerte, saber que estás bien.
42:23Si me lo permites.
42:32Te quiero.