La Promesa Ep 385 Completo - La Promesa Cap 385 Completo - La Promesa RTVE Serie
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00:00I wanted to thank you from the bottom of my heart.
00:02I haven't done anything that I wouldn't have done
00:04with a good partner.
00:05I was in a very big problem.
00:07But, well, who has all the credit here is Mr. Baeza.
00:10He has also done his part,
00:12but with you everything is different.
00:14They have taken good care of Adolfito for a long time.
00:17I'm sure they think that leaving him in my hands
00:20is a cowardice.
00:21Martina, it can be whatever you want,
00:23but he's not a murderer.
00:24He's not a murderer.
00:25He's not a murderer.
00:26He's not a murderer.
00:28Martina, it can be whatever you want,
00:29but he's not a murderer.
00:30And above all, she's your niece.
00:31She's a slut.
00:32So, if something serious happens to her because of you,
00:35I assure you that I will do my best to destroy you.
00:37You'll see that when Gregorio sees his tombstone,
00:40you'll see that those rumors are true.
00:42And when he thinks that I'm dead,
00:44it will be forever.
00:46I want you to be attended to,
00:48and above all, controlled.
00:50At least until we find out what happened.
00:52That's why I think the most sensible thing
00:54would be for you to go to a sanatorium.
00:59But what do you mean, a sanatorium?
01:01What does that mean?
01:03Father, please don't let them lock me up in a asylum.
01:05Ignacio, my daughter is not disturbed.
01:08So I don't see what sense it makes
01:10to lock her up in an asylum.
01:11I've never talked about that.
01:13I said sanatorium.
01:14Which is still a euphemism
01:16because my niece doesn't have a thesis or anything like that.
01:19A mental sanatorium, you know.
01:22Where sick minds heal.
01:25That's right, yes.
01:27And what's the difference with a sanatorium?
01:29Well, the place I've been recommended
01:32has the best specialists.
01:34Doctors who will not only take care of Martina,
01:36but who will help her
01:38go over everything that happened.
01:41Maybe that
01:43gives us clues about what happened.
01:47And determines her responsibility.
01:49Entering her with that aim is like shooting flies.
01:53Well, my proposal is what it is.
01:55And the truth is, I don't understand why there is so much commotion.
01:57I'm being very generous.
01:59After all, we are talking about entering a season
02:02in a clinical institution.
02:04Nothing comparable to spending time in prison.
02:07I'm sorry to have to speak in such a crude way,
02:09but let's not fool ourselves.
02:11An accusation of attempted murder
02:13with the evidence we have
02:14could take Martina to prison for many years.
02:18It seems to me that Ayala's reasons
02:20are more than acceptable.
02:23If, as he says, this transcended
02:25and reached the authorities,
02:26things would be very bad for Martina.
02:29Therefore, the proposal to enter her in a sanatorium
02:31is, as the count says, sensible and generous.
02:34Yes, of course.
02:35What are you going to say?
02:36That you have your wife in one of these ...
02:38You don't even know when.
02:40This is a really rude assumption,
02:42even coming from you.
02:43Please, let's not complicate the matter
02:45unnecessarily.
02:48I have put a proposal on the table.
02:51Either that or the Civil Guard.
02:56Now it's your decision.
03:21I love you.
03:51I love you.
04:21You will be a matter of luck.
04:24We are like a leap to the future.
04:28We are love when life is lived or death.
04:32A path in which to travel.
04:36And the promise will be a matter of luck.
04:46It was not necessary, Petra.
04:48Well, miss,
04:49here we can talk more calmly.
04:51And for me it is an honor that you want to deal
04:53with a matter of such importance with me.
04:58Although the truth is,
04:59I don't know how I could help you.
05:02Neither do I, but well, we'll see.
05:04That's why I'm here.
05:06The truth is that my knowledge of Count de Ayala
05:09is reduced to the little deal I have had with him.
05:13I don't know who his enemies are,
05:15or if he has them.
05:17But you worked as his secretary for a while.
05:21Well, secretary, miss, that's a lot to say.
05:25I'm just a simple maid who was asked
05:28to help the count in certain tasks.
05:31Especially with his correspondence, as you have mentioned.
05:34Because that's what interests me precisely.
05:37I don't think I understand, miss.
05:42If you, Petra, read the letters of Ayala,
05:45you wrote others to his dictation.
05:47That gave you access to certain information.
05:51Can't you think of anything in those letters
05:53that could explain what happened to him?
05:55Some kind of grudge, resentment?
06:03I'm sorry, the truth is,
06:05I can't be of more help to you, miss.
06:10Although, nevertheless, yes.
06:16The truth is, miss,
06:18it has nothing to do with the correspondence of the count.
06:21And well looked at, it was more my impression than anything else.
06:25But there is something that caught my attention from the beginning.
06:30It is that Count de Ayala showed a lot of interest in the promise.
06:34And not only in the palace.
06:36Also in the farm and its possibilities of ...
06:39I don't know how to say it.
06:41Exploitation possibilities.
06:42Yes, yes, that's what the count said.
06:45I guess it's something that doesn't matter.
06:48Not necessarily, but ...
06:51I admit that I don't know what relationship he may have
06:53with the cause of the poisoning.
06:55Well, miss, I'm not saying he has.
06:58I'm just pointing out something that caught my attention.
07:02Of course, of course. And I thank you.
07:05Please continue.
07:07Well, you see, at first I thought
07:10that all that was mere curiosity.
07:14But soon I realized that what about Count de Ayala was pure interest.
07:18Because, for example, he did not stop talking about practical things.
07:23He said that all the possibilities that the promise offered
07:26were mostly wasted.
07:33And then ...
07:36Then there was something else that also caught my attention a lot.
07:44It was you, miss.
07:46It is known that Mr. Ignacio and Mrs. Margarita
07:50did not tolerate each other.
07:52That is to say, with delicacy.
07:54And yet, overnight,
07:57Mr. Ignacio stopped harassing Mrs. Margarita
08:00and began to go to her company
08:02and dance the water for her on the smallest occasion.
08:07Yes, it is true that I don't know when they began to intimate.
08:10It was all very sudden.
08:15And soon after,
08:17Mr. Ignacio announces that he is madly in love with her
08:20and his intention to marry her.
08:23And you were surprised by his change of attitude?
08:25Yes, very much.
08:27But as I later understood the reason ...
08:32I hope you tell me right away because you disgust me.
08:38But you, miss,
08:40I am convinced that precisely during those days
08:43the count knew that Mrs. Margarita was the owner
08:46nothing more and nothing less than a quarter of the promise.
08:50So he proposed to seduce her,
08:53to marry her.
08:54And that way,
08:56everything had gone according to his calculations.
09:00It was where he wanted to be.
09:02And the pieces where he had planned.
09:05All but one.
09:08Martina.
09:09Precisely.
09:11Count Dallala was,
09:13although all the whims,
09:15whims and gifts that had served him
09:17to earn the favor of his mother,
09:19had not given him any affection for his daughter.
09:22Because Miss Martina
09:23refused in a roundabout way that her mother marry him.
09:28And Count Dallala realized that
09:30Miss Martina had become an obstacle for his plans.
09:34And as time went by,
09:36in a more and more unsavory gap,
09:42or so it seemed,
09:44because now everything indicates that it will cease to be.
09:52Do you mean that the count
09:55made it seem like something that is not?
09:59Oh, miss.
10:01Who am I to say anything?
10:04You.
10:07You draw your own conclusions.
10:11Yes.
10:17I thank you for your trust and I do not take away your reason.
10:20The lackeys and the mozos
10:22have to give accounts to the mayor,
10:24but the next time Mrs. Arcos asks for explanations,
10:27you tell her.
10:28Are you sure, Mr. Meza?
10:29Yes, yes, yes.
10:30You do it.
10:31For the good of all, tell her.
10:33Understood?
10:35High and clear, sir.
10:36I hope so.
10:37You may leave.
10:42God bless you.
10:44I was starting to worry.
10:45It's very late, sit down.
10:47I know.
10:48That's why I came to see you for the first time.
10:50It was a shame to leave Mrs. Álvarez alone, I guess.
10:53Well, yes.
10:54The truth is that much more and more.
10:56And Mrs. Arcos?
10:58What's going on with her?
11:00Well, nothing.
11:01I left with the rumor that she had heard something from us.
11:04The truth is that when she asked where I was going,
11:06her blood boiled.
11:07And I thought she had discovered us,
11:09but then you came up with the notion of the Lord and ...
11:13The first thing that came to mind.
11:15Well, thank goodness.
11:16The truth is that woman does not leave us even in our moments of rest.
11:19Well, in this case there is nothing to worry about.
11:21Mrs. Arcos, all she wanted was to complain
11:23because I would have sent her to Wuhan
11:25without having consulted her before.
11:27My God.
11:28Yes, she is upset because she says we act behind her back.
11:31What do you think?
11:32Well, it seems to me that she has reasons.
11:35It's like the fox that complains
11:37that the owner of the hen throws stones at him.
11:41What's wrong with you?
11:42No, nothing.
11:44I like your sense of humor.
11:46I always like it.
11:47Well, the fox we are talking about
11:50also wanted to comment on the matter of Mrs. Carranza and her son.
11:54I tell you all this to reassure you.
11:56If Mrs. Arcos had known something about Mrs. Darre,
11:59she would not have let us know.
12:01So she doesn't know anything or suspect anything.
12:03Well, thank goodness.
12:05And now the important thing.
12:07How is Mrs. Darre?
12:09Is she well?
12:10Did she take all the food?
12:11Was she able to find the blankets in Wuhan?
12:13Yes, I took everything, but ...
12:15The truth is that I found her very weak and quite weak.
12:18She was in a bad shape when I arrived.
12:20But then she went to drink Mrs. Simona's broth and ...
12:23The colors came out even of the semblance.
12:25That broth is an apostolic blessing.
12:27And I'm going to confess one thing to you.
12:29Sometimes I go down to Hurtadillas at night to the kitchen
12:32and I have a cup like this, without permission and without need.
12:39Everything in order then?
12:40Yes ma'am.
12:42Today I have ordered Lope to take care of the inventory of the pantry
12:46and I am pleased to inform you that we have enough canned provisions for a month and a half.
12:52You don't know how happy I am.
12:54And also, to make sure that there was no possible mistake, I have asked her to repeat the task.
12:58Very well.
13:00I have also commissioned a maid who, during the cleaning of the palace these last few days,
13:05will take note of those furniture that will need some arrangement.
13:09But almost everything is in very good condition,
13:12beyond some small imperfection such as some seats of the furniture of the greenhouse.
13:18But I have already given orders to start with the arrangements tomorrow.
13:22Splendid, Petra.
13:24I give myself for informed.
13:26And then there are the rumors, such as the case of Virtudes, Simona's daughter ...
13:31Stop, stop.
13:32I don't need all those details.
13:34Do you think I don't have enough with the things that matter?
13:41The desperate situation with my niece,
13:44the brawl with my husband, which does nothing but avoid me,
13:48not to mention that my son is in a war where thousands of men die every day.
13:52Excuse me, ma'am.
13:56As you will understand, the misdeeds of the service matter very little to me right now.
14:01While it is the work done by me, as if they were killed.
14:06With the permission of the lady.
14:17Come in.
14:23Has something happened?
14:26Hayal has taken advantage of the dinner to make us a proposal.
14:51Good morning.
14:52Yesterday I left a lot of clothes here to mend.
14:55Do you know where they left it?
14:56They are there. The rest is mine, I have to get everything later.
14:59Thank you.
15:09Good morning.
15:11Good morning.
15:12My father has asked me to go buy some things in Wuhan.
15:16The problem is that there are too many for one person.
15:21So I have shown it to you and he has given me permission to go with a lacayo or a maid.
15:27Why don't you come with me to Wuhan and so we take a walk or chat together for a while?
15:34If you want, and you dare, we can take a little longer and go to a tavern to drink something,
15:42a hot chocolate.
15:43I don't know, Santos.
15:46If what worries you is the return, I can talk to Mrs. Petra to give her a good excuse and that there is no retaliation.
15:52No, that's not it.
15:54Cheer up, come on.
15:56I wish I could. The plan seems very tempting to me, but I have a lot of work.
16:00Are you sure you can wait?
16:02No. In fact, all these clothes had to have been re-mended.
16:05They were accumulated yesterday and you can see how I am.
16:08And with all this, at least I have all morning.
16:10But ...
16:11Santos, leave it.
16:12You know how demanding Mrs. Arcos is and the last thing I want is to start the day putting her against me.
16:19Sure.
16:32Martina. Martina, you have to eat.
16:37I don't say much, but don't stay on fasts.
16:40If you don't eat, you'll end up feeling worse.
16:42I just can't. Catalina, I really can't. I have a closed stomach and I can't eat anything.
16:47That's fear.
16:48Of course it's fear. How can it not be fear? Wouldn't you be afraid?
16:52Well, yes, of course I would. No, no.
16:55I didn't mean to say that.
16:56They want to take me to a sanatorium. And I know they call it that, but it's actually a asylum.
17:02And I know those places are horrible and I know it by heart, that your mother has been in them all her life.
17:07This doesn't have to be the same.
17:09I know they're all the same.
17:10Don't pretend you're going to go. It's not all said and done yet.
17:13I have no choice. They've already decided for me that I can't deny myself, I can't hide in the hangar.
17:19Look, I hope you don't have to go.
17:23But if in the end you're sure that your mother won't let you enter a place like the ones Curro described to you.
17:30Neither she, nor my father, nor me. Martina.
17:34Do you know what's the worst?
17:40The food.
17:46The worst thing is that when I leave, if I ever leave, I will never take my stigma off.
17:55In all the hangars, I will no longer be Martina, I will be Martina the crazy.
18:00I haven't gone in yet and you're already thinking about what will happen when you leave.
18:04I just don't know how I got here.
18:07I'm not a murderer and I'm not crazy and you're giving yourself away for nothing.
18:13I'm sorry. I'm really sorry.
18:17I'm sorry.
18:18I'm sorry.
18:35Hi.
18:37Hi.
18:38Are you very busy? I don't want to entertain you and make you fall for my fault.
18:43No. Yes, I almost have nothing left. I have to sew this and this.
18:47In the meantime, you can stay if you want.
18:51Can you believe that until I got here, I thought that the rich people, when they took off their socks, threw them away?
18:57Well, now you see that they don't.
18:59Well, I don't understand it.
19:00Because they are rich, right?
19:02Why don't they put on a new one and here, peace and then glory?
19:05What's the point of sewing a sock to make it last longer?
19:09They don't sew them. Someone has to sew them.
19:12Yeah, but it's not worth it. You'll see.
19:15How does it show that you don't know how much a pair of rich people's socks cost?
19:19Oh, what's that?
19:21Of course, what's that?
19:24And how are you? Are you still getting better?
19:28Yes, I'm much better.
19:30My back hurts a bit, but I had to wait after the beating they gave me.
19:35What worries me is something else.
19:37What?
19:39Well, we prepare the food down here, but the stomachs are up there, you see?
19:44And if breakfast or half comes back, it means that there is something that is not going well and I don't understand very well what it is about.
19:50Do you know if something has happened?
19:52I don't know, but I've heard that yesterday Count Ayala must have said something to Miss Martina, which shouldn't be a small thing.
19:58It's the same.
20:01Well, it's the same, yes.
20:03I don't know, I haven't heard anything.
20:05But well, it's also true that I never found out anything.
20:09What's wrong?
20:11Do you find it funny that I don't find out anything?
20:13I think it's true.
20:15Yeah.
20:18And now what's wrong with you?
20:20Well, I just realized that I have three kilos of peas in those ruins.
20:24No, don't laugh because these suns should be out by now.
20:27I have to go.
20:29Wait for me to come with you and I'll give you a hand.
20:31And that's it.
20:33Let's go.
20:36Let's go.
20:52From what I see, Count Ayala left things very clear.
20:55Either they swallowed you with the sanatorium thing or he went straight to the Civil Guard to report.
20:59Well, all this reminds me of the baroness of Grazalema when she threatened Mrs. Marquesa.
21:04Well, yes. Something similar happened when the lady tried to strangle her.
21:09Anyway, I feel sorry for Miss Martina.
21:12She was so excited so recently because I told her to write a letter to Manuel Iacurro and ...
21:18She thought it was a good idea and got excited.
21:22We just have to pray for her.
21:24Because she has a future, a black man like coal.
21:27Well, yes.
21:31And speaking of prayer, how was your free afternoon?
21:35My free afternoon? What free afternoon?
21:37Yes, the afternoon you went to the church to put a candle to the Virgin, for Curro and for Manuel.
21:42Ah, well ...
21:46Well, the truth is that it was good. Good, good. It was good.
21:49The church was half-empty and well ...
21:53I took the opportunity to ask for everyone.
21:56Well, your prayers were answered.
21:59And why did you come back so late?
22:02Well, because I was taking a walk around town and suddenly it got dark so ...
22:07So I decided to have a drink at the tavern for dinner.
22:10Ah.
22:12Well, what about here? Has something happened that I didn't like?
22:15Don't you think what I told you about Miss Martina is not enough?
22:18No.
22:19Well, then María Mandrago set up a good virtue for her when she went in search of her son.
22:24Didn't she let her go?
22:25Well, yes. Miraculously, she let her go.
22:28And because it was her free afternoon. And because she didn't know where she was going.
22:31But something was suspicious. With so much hug and so much farewell.
22:34Well, I think that sooner or later she will find out.
22:37That she always finds out everything.
22:39Well, yes, for sure she will find out. Come on, and more now.
22:41And more now? Why?
22:43For two reasons.
22:45The first, because since she has been a keymaker, she has been watching more than before.
22:49Come on.
22:50It seems to me that she is a permanent guard.
22:53And the second because of Santos.
22:55Indeed. That he is going with the occupied account.
22:58Well, look, I think those two get along so well because they are just as bad.
23:02So you have to be very careful with what we tell Santos.
23:06Because it is clear that Petra will find out later.
23:11What's wrong with you?
23:14Because I was remembering ...
23:17That when I was in La Verbena with Salvador, with Santos and Vera.
23:20That you already know how I get when they give me a couple of wines.
23:23Come on, that I start shitting and I don't stop.
23:26María, but you didn't say anything to her, did you?
23:30Knowing me, Hanna ... No, Nina.
23:34You too, right?
23:36Yes.
23:38Everything.
23:45Well, well, well.
23:47Well, well, what?
23:48No, how are you?
23:50Now that you are again in the low funds.
23:54You are always so thoughtful.
23:55No, no. Seriously.
23:57How about this side of the law? Do you adapt?
24:00Well, the truth is yes.
24:03I feel very good, Salvador.
24:05It's been a long time since I felt so good.
24:07I'm waking up wanting to work, to be with my colleagues, to cook new recipes.
24:13Everything.
24:14Well, I'm glad, that's very good.
24:16Yes, the only problem is that ...
24:18I feel a little back pain, but I think that's normal.
24:22Why don't you ask Hanna for one of her miraculous ointments?
24:25I'm sure you'll heal before you take it.
24:27Like Benitez's purge.
24:28Look, he did know about pottings.
24:31Yes.
24:32Yes, yes, I think I'm going to ask Hanna for some advice.
24:35Sure, man. Ask her.
24:37I'm sure she has some remedy for you.
24:41Let's see.
24:42No.
24:43Come on, what is mine?
24:44I'm talking about your back.
24:47The other thing is that you keep getting into Reyes and Timbas.
24:50Neither Hanna nor Santa Hanna will believe you.
24:54Yes.
24:57I still don't know how I ended up in there.
25:00I don't know.
25:02Well, you knew how to get out.
25:04That's the important thing, right?
25:06No.
25:08I didn't know how to get out, Salvador.
25:10If I got out, it was thanks to you.
25:12And above all, thanks to Mr. Baeza.
25:15He looks good, but he's twice as good as he looks.
25:20But I assure you I've learned my lesson.
25:24That's for sure.
25:27I've always trusted you, Lopez.
25:31I'll make sure you know.
25:34Even if it's just so I don't let you or Mr. Baeza down.
25:37Mr. Baeza.
25:41I just hope you'll forgive me.
25:45Of course, Lopez.
26:01I've told you I don't like you getting close to me.
26:03I just want to tell you something.
26:05Yes, I guess.
26:06Alonso, I just want to tell you about a letter I received from some good friends of mine in Madrid.
26:10What you're telling me is very interesting, but I can't talk to you right now.
26:14Would you rather we talk about it later?
26:16I have a lot of things to do. I can't promise you anything.
26:28Puzzle solved.
26:30I've been wondering where you've been all lunch.
26:34I was barely hungry and I've decided to eat something here.
26:39Can I ask you what's on your mind, Maria Antonia?
26:44I appreciate it, but I don't think you can help me.
26:49Is it because of the last attack on Martina yesterday?
26:52Well, there's only one reason.
26:54But yes, it's heartbreaking what happened to that girl.
26:58What future awaits her?
27:00A very dark one, certainly.
27:03But you said you weren't like that for a single reason.
27:06No, the other one is that since Alonso invited me to leave, I feel like an intruder in this house.
27:14It's natural.
27:16It could seem that everything would be solved when Cruz intervened and demanded that I stay.
27:21But no.
27:23But Alonso accepted it.
27:25We talked about it and agreed that it was still a misunderstanding and to make a new account.
27:30But there is still a lot of tension between us.
27:33Especially on his part.
27:35And not only with me.
27:37Also between him and Cruz.
27:39And that worries you?
27:41Well, yes.
27:43And not only because I think all this could affect my relationship with her,
27:46but because I also suffer from all those possible disagreements between them.
27:50I wouldn't like his marriage to be ruined by all those disputes.
27:54Don't blame yourself.
27:57The situation in the palace is part of the problem.
28:00The Marquises are very tense about everything that is happening to Martina.
28:04Not to mention that they have Manuel in front of them.
28:07It is logical that Alonso does not show himself at all kind, but neither with you nor with anyone.
28:12Well, that's bad consolation, isn't it, Captain?
28:15I also tell you, as a consolation, that if you manage to talk to him, you will be able to reach an understanding.
28:24Yes, I am also of that conviction.
28:27But as things are, being able to talk to Alonso is practically impossible.
28:31Among other things, because he constantly avoids me.
28:34I understand.
28:36Is there anything I can do to help you?
28:38No, I don't think so.
28:41I think so.
28:44What do you mean?
28:45You know, I think the constant presence of the Marquise is what makes Alonso not completely relax.
28:53And?
28:55That if you want to have the opportunity to have a normal conversation with Alonso, that happens because ...
29:02Because Cruz disappears.
29:06Let's see, I don't know where you want to go.
29:09I can distract her.
29:12I'll take her for a walk, or whatever I can think of.
29:14And I'll leave you free to solve your problems with Alonso once and for all.
29:20No, I'm not sure that's a good idea.
29:23People understand each other when they talk.
29:27You may be right, yes.
29:29I have it.
29:31Leave it to me.
29:42But let's see, they are from the town, we know them.
29:45What's the problem in signing up?
29:47Do you mean what's good about that, Salvador? It's a football club.
29:50Well, what's wrong with it?
29:52You know, if the club is a football club, it's because those who found it want to play football.
29:56And neither you nor I know how to play.
29:58But you learn, Lope.
29:59Salvador, I have no interest in learning how to play.
30:02But you haven't played in your life.
30:03Well, that's why. Another reason not to learn.
30:06Besides, I don't see myself.
30:07And I don't have the ribs to start exercising.
30:10The ribs, no, but you don't need them, you have the feet, right?
30:12I'm telling you no, that's it.
30:14Well, it's fine, it's fine.
30:18And now I'm leaving because I have to continue with my homework.
30:20But I don't forget.
30:22Yes.
30:37This morning he was in Lujan, making some messages.
30:41Well, very well.
30:44And while he was in Lujan, a little bird told me that Vera has been helping you in the kitchen.
30:53What do you have to say about that?
30:57Nothing.
31:00And now, if you'll excuse me.
31:03What was Vera doing in the kitchen?
31:07Helping me get rid of peasants.
31:10Since when do I have to give you explanations about anything?
31:14Do you have anything wrong with that?
31:17Leave my girlfriend alone.
31:20Do you understand?
31:21Leave me alone.
31:24Whatever you have with your girlfriend is your business.
31:27And if you don't trust her, it's not my fault.
31:45Actually, her daughter left not so long ago.
31:47This is the second night.
31:49And with what happiness do you say, girl?
31:52If you want, I say it with a smile on my face.
31:54Well, you can try to see that you are always getting worse.
31:57But this time I think I have more than enough reasons.
32:01Well, Mrs. Simona, it's no use torturing yourself with possibilities.
32:04Before ignorance, the best is not going to get anything.
32:06Is that what I say?
32:08That's very easy to say, but it's not that simple.
32:10But her daughter is a very awake girl.
32:12Don't worry about her.
32:13She may have arrived in a hurry and would have preferred to stay in Lucerna's fonda
32:18to spend the night, to arrive in the morning with a better time.
32:21Well, let's hope that's not the case.
32:23Because I had dinner once in that fonda.
32:25One tower and one sardine.
32:27I will not forget that.
32:29I don't know if it was the fault of the sea or the mountain.
32:31But the sentence was served.
32:34Miraculously, I'm not going to the garden that night.
32:37More bad fatigue.
32:39Maybe it was indigestion.
32:41Are you calling me a glutton, Mr. Pellicer?
32:43No, no, no, for God's sake.
32:45That's what I thought.
32:47No, I assure you that I would never insinuate something so disrespectful, Mrs. García.
32:53Revenge, Ricardo.
32:55I was hungry.
32:57Don't give me that look, Mrs. Pellicer.
32:59Forgive me.
33:01But don't tell me that your face wasn't to pee on a sardine.
33:05I would prefer you to leave me hungry right now, Candela.
33:08Anyway, you don't have to have dinner at Lucerna's fonda, even though I sleep there.
33:11Don't you want to go to bed early?
33:14Well, Mr. Baeza, I prepared some snacks for you so you didn't have to eat out.
33:18But how will you understand?
33:20After a day and a half of your snacks, you won't even remember.
33:23I don't think so.
33:25I prepared seven for you.
33:27Two of pork loin, two of bacon, two of chorizo and one of paletilla.
33:29And according to the way I wrapped them, they have to last until tomorrow.
33:32Well, then the girl won't go hungry.
33:34You have prepared some abundant and forceful snacks.
33:37Blessed be my Lope, who is so much.
33:38No, yes, that's true.
33:40But this is very strange.
33:42She should be back by now.
33:44And if things have gotten complicated for her ...
33:46Don't be a whiner, Simona.
33:49I should have gone with her.
33:51Because I could have helped convince her in-laws to respect me and we get along very well.
33:55It's no use regretting something you could have done in the past, Mrs. Martínez.
33:58Besides, Mrs. Arcos would have been inconvenienced by your absence in the kitchen.
34:02With all due respect, Mr. Baeza,
34:04I don't care about the inconveniences that Mrs. Petra has caused me in this matter.
34:08Yes, yes, if we cared about what she says or says, we would be bitter.
34:13Well, whether we like it or not, Mrs. Arcos is the master of keys.
34:16What we have to do is not make it easier for her to get into trouble.
34:19Yes, of course, and you are her superior.
34:22I would like to ask you one thing.
34:24What thing?
34:27Let me leave now for my daughter so that she can help her in her task.
34:31Look what real agony, huh?
34:33Mrs. Martínez, I think the most prudent thing is to wait for your daughter to return.
34:36But this is very strange, Mr. Baeza.
34:39Please.
34:43Okay.
34:45You are a blessed man.
34:47Yes, but you will leave tomorrow morning.
34:49If your daughter has not returned until then, then she has permission to leave.
35:02Have you seen Cruz?
35:04I can't find him anywhere.
35:06Lorenzo had agreed to have dinner with a superior of his, who happens to be in Lujan and who ...
35:12and who has been a military observer in the front.
35:15And he has asked Cruz to accompany him to that dinner.
35:18In case the other one has any news about Manuel's battle, right?
35:21Yes, I guess he doesn't know anything new, but ...
35:25And how did you go to dinner with them?
35:29I would have loved to.
35:32But Lorenzo does not want to deceive his guest, the man prefers to be discreet.
35:36Because of the neutrality of Spain.
35:39The fewer people know that he has been in the front, the better.
35:42A cautious man, it seems.
35:44Yes, and I was going to retire.
35:47Well, I can always stay here alone.
35:53Wouldn't it be very gentlemanly of me?
35:56No.
35:58It wouldn't be.
36:00And in any case, Lorenzo, you will continue to avoid me.
36:04There is too much tension lately.
36:07I mean, between us.
36:09Are we really going to allow your misunderstanding and a little touch to spoil everything?
36:15Because it would not be beneficial for us, but it would not be for anyone.
36:20Wouldn't it be better if we lowered our guard and treated each other again naturally?
36:27The promise needs harmony and understanding to return.
36:34You may be right.
36:37We already have enough real problems to complicate everything with something so easy to solve.
36:44It couldn't be more.
37:03I love you.
37:34Martina, daughter.
37:36The time has come.
37:39The time for what?
37:50The time to go to the sanatorium.
37:54No, no, no.
37:56Please, don't make it more difficult.
37:58This is also very painful for me because you are my daughter.
38:00It can't be, it doesn't make sense.
38:03There has to be a way to prove that I am innocent.
38:07There isn't.
38:09There isn't.
38:11This is ...
38:13This is the best solution, or at least the ...
38:16the least bad.
38:19I promise you that the count ...
38:22has traveled heaven and earth to find a place in a wonderful place.
38:26It is a residence with all the amenities.
38:27It is a first-class sanatorium, daughter, so you can get ...
38:31I don't have to get well, I'm not crazy, I don't have to cure myself of anything.
38:34Please, don't take me to such a horrible place, please.
38:37Martina, listen to me.
38:39I'll go with you, I promise I'll go with you.
38:41And if the place is as horrible as you think, I will never leave you there.
38:44Do you hear me? Never.
38:47It's not important, daughter.
38:49It's not important.
38:52Mother, please.
38:53Please.
38:55If you love me, don't leave me in that place.
38:57If you love me the most, please don't leave me in that place.
38:59Of course I love you, you are what I love the most.
39:01You are what I love the most in this world, Martina.
39:03You are what I love the most.
39:06And that's why I ask you to let me help you, daughter.
39:10Everything will be fine.
39:12No.
39:13Everything will be fine.
39:14No.
39:15I love you.
39:21I love you, Martina.
39:28I love you.
39:40First, we're going to serve a soup.
39:42Then, spoon and plate.
39:44Well, and one less service.
39:46Is it true?
39:47Yes, that of Miss Martina.
39:49How could they have taken her like that? Poor thing.
39:52Besides, in the middle of the night.
39:53She wouldn't have time to say goodbye to anyone.
39:55There is no right.
39:57Well, but Miss Martina is a very strong and very smart young woman.
40:00So she can do all that and she's home before it's expected.
40:04I hear you.
40:05Of course, Maria.
40:06Yes.
40:07Besides, I'm convinced that sooner or later the truth about the poison will be discovered and who is behind the matter.
40:13Are you sure it's not Miss Martina?
40:15Because Miss Martina is not a murderer.
40:17So there will be no evidence against her and she will be back right away.
40:20Exactly.
40:22Well, I have to go back to the kitchen to check the soup.
40:25I'll go with you.
40:27Of course.
40:37You don't understand either, do you?
40:38Well, no.
40:39The truth is that no.
40:41If they see the glory together.
40:43Do you realize that the phrase ends?
40:45One, the other and the other, the one.
40:48Anyone who doesn't know they broke up a while ago would think they are still dating.
40:52Well, yes. Of those boyfriends who fight very little.
40:54Not like us.
40:56It's a joke.
40:58A little chance, huh?
41:00If he looks for me, he finds me.
41:03How am I going to fight with you?
41:05With how beautiful you are and how outstanding you are.
41:07It wouldn't make sense.
41:09Going back to Lope and Vera.
41:10What doesn't make sense is that they are not together.
41:12Well, yes.
41:13Let that girl continue with the cretin of Santo.
41:16Especially when she doesn't love him.
41:18Because the one she is in love with is from Lope.
41:22Have you realized that you and I also ...
41:25Did we finish the phrase?
41:26Yes.
41:28Yes, I had realized, yes.
41:30You are very smart.
41:32Very smart.
41:33Well, yes.
41:42Yes.
41:48It's not that I thought you were a good mother, but this is already ...
41:50Let me go, Cruz.
41:51Please.
41:52Take your daughter to Rastras.
41:54In the middle of the night.
41:55Without even allowing her to say goodbye to her family.
41:58Because you haven't even stopped saying goodbye to me.
42:00When you know that I consider her like another daughter.
42:02Well, I already feel pretty bad.
42:03Like for you to come to me with your reproaches.
42:06And do you know what outrages me the most?
42:08That someone doesn't obey your will?
42:09That when I was still fighting for Martina.
42:12You were her mother.
42:13You had already given up.
42:14I did not resist what I could.
42:15Please.
42:17I tried to dissuade Ignacio when he said he was going to the Civil Guard.
42:20But it was useless.
42:21Because you had already claimed from the beginning.
42:22No.
42:23No.
42:24That is not true.
42:25Of course it is not true that it is allowed to be taken to a asylum.
42:28Well, I have made the best decision for Martina, given the circumstances.
42:32The best?
42:33It will be for another person, but not for your daughter.
42:35Well, I have done what I could.
42:36Cruz.
42:37I have done what I could.
42:38So don't overwhelm me.
42:39Oh, you are overwhelmed.
42:40Poor girl.
42:41Cruz, leave me alone.
42:44Do you know how Martina will feel these days?
42:48What?
42:49You have no heart.
42:50Look at yourself in the chest before saying that.
42:53How do you think your daughter will feel?
42:55Sad to the point of despair.
42:56And on top of that, locked up in that horrible place.
42:58No, it's not a horrible place.
43:00Because I have accompanied my daughter.
43:02And it has ...
43:03It has magnificent gardens.
43:04And the rooms are very cozy.
43:06And it also has an excellent medical setting.
43:08But what are you saying?
43:09Don't you realize that this is what they say
43:11to silence the conscience of the relatives
43:13who leave their madmen there as if they were broken dolls in a junkyard?
43:18I want you to be clear about one thing, Margarita.
43:21You can decorate it as much as you want.
43:23You can call it whatever you want.
43:24Sanatorium, if that makes you calmer.
43:26But I have made a couple of calls and I know what that place really is.
43:30And it's not a retirement home, like the place they took me to.
43:32No, of course not.
43:34Because it is a clinic for behavioral ailments.
43:37I'm talking to you with cause awareness, Margarita.
43:39It's a madhouse, let's see if you find out.
43:41Shut up!
43:42Shut up!
43:43Maybe with this you have avoided the scandal and the dishonor of prison.
43:47But I don't even want to imagine how Martina will get out of that ...
43:51clinic for behavioral ailments, as you call it.
43:54If she ever gets out.
44:02I don't know what you told her, but you managed to destroy her.
44:05It's the truth.
44:06I only told her the truth.
44:08Did you know this?
44:10Did you know they were going to take her last night?
44:11Of course not.
44:13Otherwise, I wouldn't have offered you dinner.
44:15I would have loved to see how you faced those two.
44:18They could have taken Catalina instead of poor Martina.
44:22Are you outraged about your niece?
44:25You still don't understand?
44:26Yes.
44:28Not only have I not been able to help her,
44:30but on top of that, just as they take her, I have the other one back.
44:34My stepdaughter.
44:35With her airs and her face of repapalo, for God's sake.
44:39And I have to put up with her.
44:40If it were only her.
44:42What do you mean?
44:44That her visits are also there.
44:46What visits?
44:47Cruz, your stepdaughter is still seeing that labriego with whom she was seen in the hangar.
44:52I don't know what labriego you're talking about.
44:54It doesn't matter.
44:55The thing is, now that she's not locked up in the hangar,
44:57she's going to see him here.
44:59So any day you'll find yourself with a kid playing the piano.
45:08But where are you going, Simona?
45:10I can't wait any longer here, Candela.
45:13Simona, for God's sake.
45:15I'm sure the girl was fine.
45:17And it's just that things are getting a little longer than we expected.
45:20A little longer?
45:21No.
45:23Don't move, Lese!
45:25Let me go, I'll lose my job!
45:26I won't let you go!
45:28Candela, don't get on my nerves.
45:30Simona, use your brain.
45:32What brain?
45:33If I don't know anything about my virtues,
45:35I don't even know where she is and what happened to her.
45:37The most normal thing is that she's on her way.
45:40And what can happen then,
45:41is that if you go there and she comes here,
45:43she's going to cross you and see us.
45:47That's also true.
45:48Of course I'll tell you.
45:49Tell me!
45:51But no.
45:52I'd rather cross with her and take longer to see her,
45:55then risk something happening to her and take longer to look for her.
45:58You're a big head.
46:00Besides, I have Mr. Baeza's permission.
46:01So you, Chitón.
46:03Hey, hurry up.
46:04Ale, go away.
46:05I've already tried.
46:07Can you tell me what those screams are coming from?
46:08How does Maria Mandrago hear you?
46:10Nothing.
46:12Simona is going to look for virtues.
46:14Virtues? But why? What happened?
46:15Well, that's what I want to find out.
46:17What does she want to find out?
46:18But she suspects something.
46:19No, she doesn't.
46:20Then?
46:21She herself.
46:22She's dead and dead to the same thing.
46:23That's why.
46:24And she's still in agony.
46:27Well, I'll continue with what you want, Candela, but I'm leaving.
46:29Well, go away.
46:31Virtues?
46:41What happened?
46:42Maria.
46:45Maria.
46:46What happened?
46:48Maria.
46:53Maria.
46:57Maria.
47:12I came back to the palace because I knew she needed me.
47:16I wanted to help her, but ...
47:19But I have failed.
47:22I have absolutely failed.
47:25Miss, but it has been a very short time since you came back.
47:27Why are you talking about failure?
47:29You haven't been able to fix anything, much less fail.
47:32The bad thing is that there is no more time, Adriano.
47:36Last night ...
47:38Last night they took her to a asylum.
47:40I found out this morning.
47:43My God.
47:45I'm sorry.
47:48I will never forget yesterday.
47:51Yesterday you were with her?
47:53Yes.
47:55And I ...
47:57I tried to comfort her.
47:59But I didn't know how.
48:01If at least I could have said goodbye to her.
48:09Miss.
48:11Yes.
48:22But what is this?
48:24Come on, man.
48:25What I needed to see.
48:28Who is this scoundrel?
48:29And what is he doing here?
48:40Do you want to do me the favor of coming in?
48:43What I don't understand is why we have to talk here.
48:47And what's wrong with this place?
48:49No, it's not that, but was it necessary to come here?
48:52Yes.
48:54Why?
48:55Don't rush.
48:57And now you will understand.
49:04Are you sure that Mrs. Arco has given you permission to enter her office?
49:09I have her permission.
49:18Don't look at me like that.
49:20What's wrong?
49:22I look at you like the boyfriends look at their girlfriends.
49:26I don't like it when you look at me like that.
49:28Yesterday you told me that you couldn't come with me to Lujan because you had a lot of pending tasks.
49:36Of course.
49:38There wouldn't be that many.
49:40What?
49:42That there wouldn't be that many.
49:45Santos, I don't know what you mean.
49:47They told me that you were in the kitchen all day, beating up Byzantium.
49:51You were in the kitchen all day, beating up Byzantium.
50:01With Lope.
50:08And don't bother denying it.
50:13I wasn't going to do it.
50:14Better.
50:16Why?
50:19If everyone sees you.
50:21That's not true.
50:24Yes, it is.
50:27They also told me that you didn't stop laughing.
50:30That's not true either.
50:32The last time you laughed with me, I think it was the day of the funeral.
50:37It must have been for something that Maria Fernández or Salvador said.
50:42Look, Santos, I don't know.
50:43What do you know?
50:47I don't remember either.
50:48I don't remember either.
50:50But I'm sure it wasn't for something I said.
50:54Santos, I don't know what you mean.
50:58Do you like being with Lope?
51:03Do you enjoy his company?
51:06He's just a partner.
51:09Just that?
51:12Just that.
51:13And then this is a thing of the past?
51:15Yes.
51:20Now you're my girlfriend.
51:23Yes.
51:24Say it.
51:27Say it!
51:30I want to hear it.
51:35Now I'm your girlfriend.
51:39To know if it's true.
51:45I would have liked you to love me, you know?
51:49But you've made it clear to me over and over again
51:52that that's not going to be possible.
51:55That you'll never love me.
52:01This is all I have left.
52:06Santos, please.
52:07Santos, please let me go.
52:14You can always imagine what Lope's hands are like.
52:18Lope's lips.
52:30You should thank me.
52:32A woman less generous than me
52:34wouldn't have put up with two unbearable people like Tomás and you.
52:37This conversation...
52:38You shut up, Gañan.
52:40Get out of here.
52:41You're not going anywhere, Mariano.
52:43I couldn't see the place well.
52:45It's true that they greeted us with a lot of cordiality,
52:48but I don't know if it's a rude greeting.
52:50I did a lot of research before I left for that place.
52:53I have to talk to a doctor.
52:55Please, it's a mistake that I'm here.
52:57If I could talk to a doctor, please.
53:00Start by getting dressed, please.
53:02It would be better if you do it on your own.
53:03In the darkest of nights,
53:05there's always a ray of light.
53:07Always.
53:09At least I don't have to put up with your daughter Catalina anymore.
53:11That's the ray of light.
53:13What?
53:15I wouldn't leave a poor creature
53:17in the hands of a stupid and insincere woman like me.
53:20No, no, no.
53:22Don't talk like that, daughter.
53:24I'm sure there's a way to convince them.
53:27Yes, there is.
53:29There's a possibility.
53:31It's an impossible one.
53:33I just want you to understand
53:35that this is going too far.
53:37You can't avoid it, Alonso.
53:39I know this is affecting our good relationship.
53:41But how can it not affect our good relationship
53:43if you take advantage of any opportunity
53:45to try to get close to me?
53:47This can't happen again, Maria Antonia.
53:49Never again.