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03:25¿Qué haces aquí?
03:26Padre.
03:30Pensaba que nunca volverías a la casa.
03:32Llegó el momento.
03:36Aunque solo fuera para ver que todo sigue igual por aquí.
03:40Os habéis enzalzado nada más veros.
03:42Estábamos hablando de Martina.
03:44Simplemente tenemos puntos de vista distintos sobre el asunto.
03:47Tenemos que hacer algo por ella, como sea.
03:50Lo vamos a intentar.
03:52No será fácil, pero lo vamos a intentar.
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25:01¿Cómo me ve?
25:03Pues bien guapa.
25:05Ya verás cómo Salvador se va a quedar impresionado
25:07en cuanto te vea.
25:08¿Tú crees?
25:09Pues claro que sí.
25:11Y ponte algo de chaqueta que va a hacer frío.
25:13¿Estás segura de que no te quieres venir?
25:15Mira que va a haber orquesta, tómbola, churros...
25:17Santos.
25:19Verdad.
25:21No lo digas que me pone mal cuerpo.
25:23Yo no sé cómo la Vera sigue con ese malaje
25:25y no la ha mandado ya a tomar viento fresco.
25:27Si tan desagradable te parece,
25:29¿por qué vais con él?
25:30Pues porque antes de que nos pudiéramos negar,
25:32él ya lo dio por hecho.
25:33Y se fue.
25:34Sin darnos la opción a réplica.
25:36Así que vais con muchas ganas, ¿no?
25:39O quiero ir, pero no con él.
25:41Pues conmigo no cuentes guapa.
25:43Lo que necesita una buena jarana es la señorita Martina.
25:46Bueno, la verdad es que sí.
25:48Al menos se olvidaría de sus penas.
25:50No dejo de pensar que fue por mi culpa.
25:52Igual si no le hubiera hablado de la cicuta...
25:55Bueno, María, pues deja de darle vueltas a eso.
25:58Ya, eso quisiera yo, pero no puedo.
26:00Pero ya lo hemos hablado.
26:01La señorita Martina no ha tenido nada que ver con ese envenenamiento.
26:04Ya, pero Hanna, no sé...
26:05Pero nada.
26:07Yo sinceramente creo que es inocente.
26:09Ya, y yo también.
26:11Y ojalá pudiera hacer algo más por ella.
26:15Si estuvieran aquí Manuel y Cuorro seguro que sería más fácil.
26:19Pues sí, removerían cielo y tierra para ayudarla.
26:24A ver si he terminado de una vez esa maldita guerra.
26:28Bueno, pues por lo menos sabemos que están bien por las cartas.
26:32Y al final la señorita Catalina salió de la ratonera esa.
26:35Están entrando rayitos de luz entre tanta penumbra.
26:38Y me voy ya.
26:40Que entre tantas chacharas voy a llegar tarde a la verbena.
26:46Marca, ¿te hago una barra con Santos?
26:48Enseguida voy a bailar yo con ese malaje.
26:51Ya está.
26:59¿Es una alegría que la señorita Catalina decida vivir de nuevo en la casa?
27:03Sí, la verdad es que sí.
27:05El problema es que dijo que era algo temporal.
27:08Que estaba aquí solo para ayudar a la señorita Martina.
27:11¿Usted cree que volverá a meterse en ese inmundo hangar?
27:15Pues espero que pasa unos días y le quite esa idea de la cabeza.
27:18Pero con esta mujer nunca se sabe.
27:21Todo es posible.
27:24¿Es que vas a salir?
27:26¿Tengo yo pinta de ponerme a esa berenjena?
27:29No, no, ¿verdad?
27:30Pues eso es que voy a salir.
27:32Y vosotras dos y López me voy a tener que echar un capote.
27:35Para que nadie se dé cuenta de que estoy fuera.
27:38¿Ya has perdido loremos?
27:40¿Viste cómo se puso la marimandrajos?
27:42Porque López estuvo baldado en la casa.
27:44¿Y tú?
27:45¿Y tú?
27:46¿Y tú?
27:47¿Y tú?
27:48¿Y tú?
27:49¿Y tú?
27:50¿Y tú?
27:51¿Y tú?
27:52¿Y tú?
27:54¿Y tú?
27:55¿Y tú?
27:56¿Y tú?
27:57¿Y tú?
27:58¿Y tú?
27:59Y tú.
28:00Los hay que ir a dormir.
28:03¿Y tú?
28:04¿Y tú?
28:05¿Y tú?
28:06No, pero...
28:07¿Y tú?
28:08¿Y tú?
28:09¡Ni siquiera te voy a dormir!
28:11¿Y tú?
28:12¡No!
28:13No, no, no, no.
28:14¡No!
28:15¡No, no, no!
28:16No me vas hablar con mi chica.
28:17¿No?
28:18No, no, no, no, no, si está…
28:19And I'm going to do some things.
28:24You're very mysterious. What are those things?
28:27Things to get the son back to Virtute.
28:33But what are you going to do?
28:35Something that will be good for you.
28:38It will make your son love you in a few days.
28:42Be careful, Candelilla. This is a very delicate matter.
28:45You let me do what I want.
28:49Better if you don't tell me.
28:51Trust me, Simona.
28:53Are you sure I'm going to do everything I can
28:55to get the boy back to Virtute and that's it?
28:59No, I don't doubt it.
29:00Hell is full of good intentions.
29:04A woman of little faith. Trust me.
29:06Leñe, this matter will be solved today.
29:11I'm leaving.
29:13And you know,
29:14if Mari Mandrago shows up here, I'll tell her I have a loose gut.
29:20Goodbye.
29:33Good morning. Welcome to La Promesa.
29:35Thank you for welcoming me to my own home.
29:38Do you mind?
29:45I see that you have woken up very early.
29:47I also have the habit of getting up early.
29:50I like to have breakfast in peace and solitude.
29:53Well, this time I think I'm going to bother you a bit.
29:56But look, so we can take advantage and chat.
29:59Of course.
30:02I am very happy that you have decided to leave your retirement.
30:05I'm sure your cousin Martina feels good to have you here.
30:08I have left only for her.
30:12I'm sure your father feels good too.
30:14He has noticed how much you miss him.
30:17He could come visit me whenever he wanted.
30:19He was just a few meters from here.
30:22From what I've heard, you didn't like receiving visits, not even his.
30:27But hey, you're back and we're all very happy.
30:31Are you sure?
30:32Well, my friend Cruz is not so happy to see you here.
30:37Quite the opposite.
30:41I am your adult person.
30:43I'm sure you will resolve your differences by talking.
30:46She and I have nothing to talk about.
30:49But I will try to live in peace because that is what my father has asked me.
30:53I see that you have become as combative as when you left.
30:56Yes, I did.
30:58In any case, I want you to know that I am not upset because you did not want to receive visits at the hangar.
31:06Look, the truth is that I don't care if you're upset or not.
31:09We can stop pretending to each other.
31:12Do we have to be so frank?
31:14An excess of sincerity can be a cruelty.
31:17It can be.
31:18But I prefer you to know that I am as excited to see you as I am to see your friend Cruz.
31:23And I guess the same thing happens to you.
31:25You guess a lot.
31:27I think we shouldn't waste energy on pretending what doesn't exist.
31:31Let's reserve our strength to help Martina.
31:35Enjoy.
31:59It is a luxury that Mrs. Petra watches you all the time, right?
32:03Yes, like a hawk. And she doesn't even leave me alone in the shade.
32:07If I'm here, it's thanks to Don Rómulo who is covering my back.
32:10Yes, this would have been impossible without him.
32:13Good that you say so.
32:24Hanna.
32:25Can you tell me what are you doing there?
32:27Planted like a twig.
32:29Are you paid to work?
32:31Well, not for you to look at the mosquitos.
32:34I'm ironing the clothes, ma'am.
32:41And are the dresses I sent you to starch ready?
32:45Well, the truth is not. Because you haven't given me time, but I realize ...
32:49No. You do it when I send it to you.
32:51Because if I ask you for some starched dresses, it's because I want them now.
32:55No later.
32:56Understood?
32:58Yes, ma'am. As soon as I finish ironing, I'll do it.
33:02Wait.
33:04I'm not done with you yet.
33:06You've been ironing for several days now.
33:10Not doing what I tell you, or doing it wrong.
33:13Neither ...
33:14Don't reply to me!
33:15Or was it okay to iron Mrs. María Antonia's dress?
33:20Honestly, I think so.
33:22You think wrong!
33:24The same lady complained when she saw it.
33:26But she's a slob and she's in a hurry.
33:29In that case, I'm sorry.
33:30Well, stop feeling and do your job well.
33:33Because if you continue like this, you're going to have a very serious problem.
33:36And I won't tell you anymore.
33:38But what are these voices coming from?
33:41That I'm doing my job.
33:43And what does it consist of? Screaming?
33:44Making these sluts do their jobs.
33:47But you think that insulting and gossiping are ways to get nothing.
33:51Now are you going to tell me how to treat the maids?
33:56Or do I just tell you how you have to deal with the sluts?
33:59I just remind you that in this house the manners matter.
34:01And that the authority is not involved with education.
34:05Are you calling me rude?
34:08I'm just telling you that I don't want voices.
34:11And I don't want you to get my attention in front of a maid.
34:15What do you want?
34:16Do I lack respect?
34:17What I want is for you to rehabilitate yourself.
34:19And behave in the ways that are presupposed to you.
34:22And I want you to stop insulting me.
34:25Who do you think you are?
34:27But how can you speak to me in that tone?
34:29Well, forgive me.
34:31Excuse me, I ...
34:33I wanted to say that all this was my fault.
34:36That Mrs. Arcos is right and ...
34:40And that's it, you can leave the subject alone.
34:43I love you.
34:54It was a lot of fun tonight, we had a great time, right?
34:57Yes, it was entertaining.
34:58And it was a very good idea to invite María Fernández and Salvador.
35:01Yes, María is very funny.
35:03I had never had the opportunity to go out dancing with her.
35:05You were also very comfortable with Salvador.
35:07You were very comfortable with everyone except me, Vera.
35:11I don't know why you say that.
35:12Yes, you know.
35:13When you wanted to go out dancing, you rejected me or you made a face.
35:17And when they talked to you, you didn't even listen to me.
35:19That's not true.
35:20No, of course it's true.
35:22You were with me like bitter.
35:24And as soon as I moved away to buy you a ticket to La Tómbola or an apple with caramel,
35:29you immediately started laughing with your friends.
35:31Well, I don't know, María would say something funny.
35:33You know that's not why, Vera, don't lie.
35:36Well, yes, it's something else.
35:38You know perfectly well what's going on between us, so I don't understand how this surprises you now.
35:42Oh, and you admit it.
35:44It's nothing new.
35:45That I don't want to dance with you, well, no.
35:47That I don't care what you have to say, well, neither.
35:50So don't keep insisting on all this because my patience has a limit.
35:53Don't worry, Duchess.
35:55I remind you that here I am the one who has the pan on the handle.
35:58To a certain extent.
36:00Because you can force me to accompany you to the town, to walk, but you will never govern my feelings.
36:06Well, I don't care if you don't love me either.
36:08You'll end up doing it.
36:11That's not the problem.
36:13The problem is that if you continue like this, I'm going to end up hating you.
36:16You're on fire today, aren't you?
36:18I'm just reminding you what's going on in case I had forgotten you.
36:21I'm not going to give you more than I'm already giving you, Santos.
36:24And I arrived when Catalina was having breakfast in the first hour.
36:35I'm sure she got up early so as not to run into anyone.
36:38At least with me.
36:39Well, the plan didn't work out because she had to hold me for a while.
36:42But did you talk about something?
36:44Not much.
36:46And that I was the most charming.
36:48It's not worth making an effort with that impertinent.
36:53She told me that you had agreed on a temporary truce.
36:56Later, more for Alonso than for me.
36:58I don't care how that bitch is for years.
37:02She's not very nice.
37:04Not very welcoming either.
37:06Trying to be nice to her is like hitting a wall.
37:10Before, when you talked to me about her, I thought you were exaggerating.
37:13But you were right. She's a spoiled brat.
37:16Well, I'm glad you've opened your eyes.
37:18It's never too late if the fortune is good.
37:21Yes.
37:23You reacted in time, yes.
37:25But by the hair.
37:26Because you almost left the promise without saying goodbye.
37:30You still haven't forgiven me for that insensitivity.
37:33I'm still hurt, yes.
37:35Although, you know how hard it is for me to get angry with you.
37:39It relieved me to hear it.
37:41You should know that later, when I thought about what I was about to do,
37:45I knew I had behaved like a schoolgirl.
37:47I still don't understand why you wanted to leave like that.
37:50Without saying goodbye.
37:51Now I know what I did wrong.
37:53That one must leave places like a lady.
37:56That's it.
37:57That the goodbyes to the French woman are not made for us.
38:01I'm not going to do that again, I promise you.
38:04But if at some point you feel that I'm abusing your hospitality,
38:08tell me.
38:10Abusing you?
38:12Come on, man. There are many other names on that list before you.
38:15Starting with Ignacia.
38:18The count is delaying his stay a lot, isn't he?
38:21And creating many problems.
38:23However, you came to accompany me and ...
38:27And you don't know how well it has done me to have you here, in these difficult times.
38:31You don't know how happy it makes me to know that I'm being useful to you.
38:36Alonso.
38:37Come here for a moment.
38:42Tell me.
38:44Maria Antonia and I were talking about the other night,
38:47when she tried to leave the promise.
38:51I would like to know that ...
38:53that misunderstanding between you is solved.
38:56Yes.
38:57For my part, everything is solved.
38:59As far as I'm concerned, too.
39:01Everything is spoken and clarified.
39:03Well, I'm glad to hear that.
39:05I didn't like to think that my husband and my best friend were not on good terms.
39:14Understood.
39:15Then go in search of Mr. Pellicer and make yourself at his disposal.
39:22Hey, Mr. Maeza.
39:23Leopoldo is sick.
39:25Yes, yes.
39:26Based on wines and anisettes, from the Verbenas of Lujan.
39:29Well, I don't want to talk about that.
39:31What do you want?
39:32Give him the thanks.
39:34Again?
39:35He already gave them to me yesterday.
39:37Maybe I went too far with the blow I gave him on the head,
39:40and I made him lose his memory.
39:42No, no, no, no.
39:43Because I remember it perfectly.
39:45But still, I wanted to thank you again.
39:47Well, being born is being grateful.
39:49But you are thanking me every day.
39:51And I would like to leave this behind and look ahead.
39:54Mr. Baeza, you are not aware, but you have saved my life.
39:57Now we go from thanks to exaggerations.
40:00I'm telling you the truth.
40:02What I had to pay was a lot of money.
40:04Well, that debt is settled.
40:06Forget it.
40:07And I'm going to pay it all, I promise.
40:09No, Miguel, don't worry about the quarters.
40:12I'm not going to threaten you.
40:14And I don't intend to borrow that money.
40:16No, Mr. Baeza.
40:17I'm going to give it back to you until the last penny.
40:19I swear.
40:20No, stop swearing.
40:21I take it as a payment that you have learned the lesson.
40:24The lesson is learned.
40:26And for life.
40:27I have it engraved in my memory.
40:29Very good.
40:30Well, if you really want to thank me,
40:32thank your colleagues for everything they did for you.
40:35My colleagues for everything they did for you while I was in bed.
40:38I know.
40:39They have behaved like blessed souls.
40:41They did the possible and the impossible so that this would not transcend.
40:44They gave their lives for you, especially Miss González.
40:48I know.
40:49I'm going to thank her when I meet her.
40:51That's what you have to do.
40:53And for my part, if you don't thank me again,
40:56I will thank you.
40:59Go to work.
41:05Thank you.
41:16Excuse me for having brought you down to the service floor.
41:19I know it's not appropriate,
41:20but I wanted to avoid any kind of confrontation with the Marquise.
41:23Don't worry.
41:24I understand your prudence.
41:25I know things are a bit tense
41:27and I didn't want them to get worse because of me.
41:29Okay, but the next time I come to visit the palace,
41:32I will receive you at the noble floor.
41:34As you wish.
41:35It was just to help.
41:37I understand.
41:38But I'm not afraid of my stepmother.
41:40And I don't care what she says or does.
41:43Okay, I'll take note.
41:45There you have Don Tadeo.
41:48Thank you.
41:55Miss,
41:56I'm glad you're no longer in the hangar.
41:59But you don't know how scared I was.
42:02And that?
42:03Because I went to look for you there and when I didn't see you,
42:06I thought something had happened to you.
42:08Family matters.
42:10That's why I'm back.
42:11But it's not a final decision.
42:14You know my opinion.
42:15I don't think it's a place for a young lady like you.
42:19Well, we'll see.
42:20Now all I care about is helping my cousin.
42:24You always help your neighbor.
42:27Now your cousin a few days ago Adriano,
42:30giving him his necklace.
42:33Is he aware?
42:34Of course.
42:36He told me straight away.
42:38He's very happy because ...
42:40because he was finally able to pay off his debts,
42:43thanks to his gift.
42:45He couldn't let it go to waste.
42:47Besides, I've also gained something from all this.
42:50Yes.
42:51May your income system not collapse.
42:54Much better.
42:56Adriano's friendship and the satisfaction of doing something for someone who needed it.
43:00Well, yes.
43:01And it has helped you to return to Palacio.
43:04I've already told you that this is a family matter.
43:07You disgust me.
43:09It's my cousin Martina.
43:10What's going on?
43:13They accuse her of using cicuta for reprehensible purposes.
43:18Cicuta?
43:20That's right.
43:22Are you sure you haven't been confused with another plant?
43:25I understand that the cicuta leaf is very similar to the parsley leaf.
43:30No, they found a jar in your room.
43:32There wasn't much room for confusion.
43:34That cicuta was not found in nature.
43:38And you think it must have been found elsewhere.
43:42In a pharmacy, for example, right?
43:44I know she went to the pharmacy before the poisoning.
43:48Do you know if the doctors are still prescribing it?
43:51In ancient Greece it was used to kill convicts.
43:55In high doses it is deadly.
43:58But its controlled use is used to cure diseases such as herpes or bone pain.
44:05Yes, but you haven't answered my question.
44:07I think it was prescribed before, but now there are safer and less dangerous remedies.
44:14But you said it could be obtained in a pharmacy.
44:17I guess so, but I really don't know.
44:21I've never needed to go to the pharmacy to buy cicuta.
44:26And could you try to buy it?
44:29What do you mean?
44:31Could you tell the pharmacist if I sell you a jar of cicuta?
44:39Well ... I guess so.
44:45That man likes pesetas more than a stupid pencil.
44:49And if I have money in the way, he will give me cicuta and whatever I want.
44:55Well ...
45:03Candela, how did it go? Who did you talk to?
45:05What's going on with my son?
45:07Calm down, calm down, one by one.
45:10Don't get upset.
45:11Stop being mysterious and tell us at once.
45:14Did it go well?
45:17It went very well!
45:19But what did you do?
45:21Let's see, little by little.
45:23Let me explain.
45:24What?
45:25It's not explained.
45:26Let's see.
45:27For now, I went to talk to Mr. Fermin.
45:31And I told him about the problem we have here.
45:34Did he tell you everything that happened to me?
45:36No, not everything.
45:38What is necessary.
45:39The point is that I have said that you are a very good girl.
45:42Very hardworking and very honorable.
45:45And he told me that this is normal, being Simona your mother.
45:50Mr. Fermin values me a lot, things like that.
45:53A well-fed priest is always a grateful priest.
45:57The bread is from Calatrava that we have given to the man.
46:00Well, the point is that later I told him that you were looking for a job
46:05so that you could have a day off and take care of your son.
46:09And does he know who could give me a job like that?
46:12Of course he knows.
46:13He's going to give it to you himself.
46:15What? The priest?
46:17Do you remember?
46:19We were talking about how Filippa had to go to her town
46:22to stop taking care of the priest in a few months.
46:25Oh, my mother.
46:26And the priest is going to want my daughter to take care of him.
46:29But the truth is that the man had already thought of a woman.
46:32But I started to hit you,
46:34telling him that I took the virtue for the total job.
46:37I convinced him.
46:38What a golden piquito you have, Candelilla.
46:40But are you sure?
46:41Of course I'm sure.
46:43So you're going to have a house here in Luján.
46:46You will be able to take the child to the town school
46:48and you will also be aware when the child leaves school.
46:51It's a job that I haven't even painted for you, my daughter.
46:54Of course.
46:55You have to tell me if you get the job,
46:57because we will have to close the deal with Don Fermín.
46:59Well, of course I love you, Candela,
47:00and I also want to give you a big hug for what you have done.
47:03Hug me, but don't push me too much,
47:05that I bring the ribs of the diligence.
47:08I'm on fire.
47:12Oh, the girl.
47:14The girl.
47:44The girl.
47:50Can I know what you're doing, Hanna?
47:53Well, I'm going to get some food.
47:57For whom?
47:58Well, who else? For me.
48:01I see.
48:03Haven't you had enough with dinner?
48:06Well, I haven't had time to have dinner with the others.
48:11And that's why I came to see if you were free.
48:13And where have you been?
48:14So that I don't give you time to have dinner with your colleagues.
48:18Well, I'm starving.
48:19I'm starving for the new dresses you asked me to starve.
48:23Look, Mrs. Petra, in the end, with so much homework,
48:25you will understand that not everything will arrive.
48:27If you applied, I would give you time.
48:29But since you don't have air, these things happen to you.
48:33Well, the thing is that right now I'm starving
48:36and I want to eat something before going to bed.
48:39Okay.
48:41Eat.
48:42But leave the kitchen as you found it.
48:45I don't even want to see a crumb on the floor.
48:47Be careful, if there is any crumb, give it to me.
49:13Well, today I saw a picture in the newspaper
49:19of the infant Mr. Alfonso with the infant Mr. Álvaro
49:22taking off in one of those airplanes, very similar to Manuel's.
49:26Well, I don't understand how the infant came up with
49:28getting on his son in one of those.
49:30Well, you know, even the royal family flies.
49:33And you, who made poor Manuel look green because of his hobby.
49:36Well, I didn't make him look green either, Lorenzo.
49:38We didn't make him look green, we just drove him around.
49:41Because flying is dangerous, whether Manuel does it or the king of Spain.
49:44I agree, those crumbs are very fragile.
49:46Well, they won't be so much when the infant himself gets on one of them to his son.
49:49Well, we can change the subject.
49:51I don't like talking about airplanes.
49:52Well, what do you want to talk about, sister-in-law?
49:54Because you can't talk about war in this house either.
49:56You leave us very little margin.
49:57If you don't mind, I'd like to talk about me.
50:01Of course, Martina.
50:03What do you want to tell us?
50:05I know that lately you've been thinking about my ...
50:10my problem, so to speak.
50:13Well, yes, daughter.
50:14Because I don't have anything else on my mind.
50:17Well, I wanted to insist on my innocence.
50:20Because I would be unable to try to poison neither the count nor anyone.
50:24You don't have to say that, Martina.
50:26At least to me.
50:27I know that the count goes crazy accusing you.
50:32You have the support of almost all of us who are here.
50:37Thank you.
50:38But what good will it do me if in the end I am socially condemned?
50:41No.
50:42That's not going to happen.
50:43And how do you know?
50:44Because the count ...
50:45Go on, go on.
50:48You were talking about me, weren't you?
50:51Ignacio, why did you get out of bed?
50:53You have to recover.
50:55Don't worry about me.
50:57I'm much better than others would like.
50:59I didn't poison him.
51:01Repeating a lie a thousand times is not going to make it true.
51:04What is true?
51:05Your truth.
51:08I have made a decision.
51:11There are those who recommended me to solve this in private.
51:14It is the most sensible thing.
51:16I think we have a very different vision, you and me, of what sensibility is.
51:19And what are you going to do? Set up a scandal?
51:21I don't want to do it.
51:22But I have no choice.
51:24If I don't do something, no one will ever know exactly what happened here.
51:30And what are you going to do?
51:32The right thing.
51:33As I have always done in my life.
51:36I can't allow anyone who has tried to kill me, whoever it is, to be unpunished.
51:45So I have decided to put this matter in the hands of the Civil Guard.
52:00I remember that right now I don't live in a hangar.
52:03What else would I want? That you had stayed there.
52:05And if I did, it would be only to lose sight of her.
52:09It is obvious that one of the two is left in this house.
52:12You were very worried about me, Lope.
52:15I know.
52:18But here Mr. Baeza has all the merit.
52:21Yes.
52:22He has also done his part.
52:24And I have thanked him.
52:27But with you everything is different.
52:30Don't worry, Martina.
52:32I will get to the truth, whatever it takes.
52:36Do you promise me?
52:37Do you have my word?
52:39Trust me.
52:42There is no one I trust more than you.
52:44I don't know for sure when I will leave.
52:49There is no one I trust more than you.
52:52I don't know for sure when I will leave.
52:54In the meantime, I intend to continue with my tasks.
52:57Well, very responsible on your part.
52:59Yeah.
53:00Unless Mrs. Arcos makes it clear.
53:03Nobody takes me seriously.
53:04They don't even bother to inform me when a maid comes in or out.
53:07They laugh at me.
53:08First, Mr. Baeza.
53:10He says so because of the march of virtues.
53:12Among many other things, yes.
53:14He went to his parents-in-law's house to get his son back.
53:18But Chichupino is not dead.
53:22Do you want me to forget what happened?
53:24Martina can be whatever you want, but she is not a murderer.
53:27And above all, she is your niece.
53:28That's right.
53:29She is a slut.
53:31If you attack her, you attack me.
53:33So if something serious happens to her because of you,
53:36I assure you that I will do my best to destroy you.
53:40Mrs. Pia.
53:44Mrs. Pia?