¿Ganar o Servir? De vuelta al Pasado | Capítulo 7 - video Dailymotion

CANAL13

Ganar o Servir tuvo un apasionante séptimo capítulo con competencias, peleas, seducción y muchas risas.

Transcript

00:00:00Let me introduce myself, this is officer Patricio Basalo.

00:00:10Today, I'm here so you can give security to your men.

00:00:14And I'm here to instruct you.

00:00:17Who do you least trust in your team?

00:00:20Mariela.

00:00:22Mariela because she was in another team.

00:00:24So she changed teams and I don't know.

00:00:26This is not my team.

00:00:27So she's like a spy.

00:00:30She can think that I'm bringing and taking things.

00:00:34What are you going to do?

00:00:35Well, okay.

00:00:36We form a line.

00:00:40It doesn't matter.

00:00:41Tell me if you're going to regret it.

00:00:42You're going to cry.

00:00:44I'm not afraid of you.

00:00:46Why? Because the guard is going to be talking shit.

00:00:48Are you going to be afraid of that?

00:00:49Go fuck yourself.

00:00:50Tell me what happened.

00:00:51I was looking for someone to fight and I found someone to fight.

00:00:54What you don't know is that I know how to respond.

00:00:57I PSYCHED!

00:01:00Kiss me.

00:01:02There's no camera.

00:01:04He kissed me in the face!

00:01:06I saw it!

00:01:07No one saw it!

00:01:08Another one!

00:01:09No one saw it but look.

00:01:11I kissed him in the face.

00:01:13Another one!

00:01:16I've been in an accident in the car.

00:01:20I went for seven months with a semi-liquidίνscent condition.

00:01:23And I've fallen on my bed.

00:01:24Strong.

00:01:25No.

00:01:56Good evening. Welcome to the first meeting of the losing team.

00:02:06My nominee is Fallon.

00:02:11As I said before, I came to win,

00:02:14leaving out the affection, the friendship we have formed.

00:02:17I thought about it strictly as a strategy.

00:02:19I want to win, so that's why my vote.

00:02:21Let's go to the competition, then.

00:02:25Well, Cindy, I don't want her to go blue for any reason,

00:02:28and neither does Fallon.

00:02:29I understand your reasons that you don't want her to go blue.

00:02:33According to the recount of the votes, Cindy,

00:02:35you would have the majority of the vote.

00:02:41Lunch, please.

00:02:43Here in the kitchen.

00:02:45The ladies can't be here.

00:02:48Here in the kitchen.

00:02:50The ladies can't be here.

00:02:54Why are you meddling?

00:03:01Why are you meddling?

00:03:04Do you need a screen?

00:03:06It's a joke.

00:03:08No, it's not a joke.

00:03:10What happens is that you can't stand

00:03:13that another person is...

00:03:15Cleaning.

00:03:17...generating other things.

00:03:19She has to come in and meddle.

00:03:21She can't stand that there's no one else

00:03:24paying attention to her.

00:03:26Go and sleep there, like you've been doing all afternoon.

00:03:29You don't command, gentlemen.

00:03:31Get out, my love, get out.

00:03:33Goodbye.

00:03:35And you're forbidden to enter the house.

00:03:37And a quick lunch, my love.

00:03:39We're hungry.

00:03:44Claudia told us that she doesn't like her.

00:03:47She doesn't like who?

00:03:49That she doesn't like her.

00:03:51No.

00:03:53I'm sorry, but she does like her.

00:03:55You think so?

00:03:57Yes, she just told me.

00:03:59But does she like you?

00:04:01No, what are you saying?

00:04:05Mariela, can we talk now?

00:04:07No, no, enough.

00:04:09Let's talk like grown-up women.

00:04:11You think so?

00:04:13You do things that you don't like to be done.

00:04:15If I hear that they attack my profession,

00:04:17which is something I'm deeply proud of...

00:04:19Do you attack back?

00:04:21In the same way?

00:04:23I don't.

00:04:25For me, there, you acted wrong.

00:04:27I feel like you can't speak well.

00:04:29Because all the time you have something to say

00:04:31to defend yourself.

00:04:33I don't attack first.

00:04:35You don't do anything.

00:04:37I've never attacked anyone.

00:04:39Do you have an answer for everything?

00:04:41What do you want me to do?

00:04:43If it's my way of being,

00:04:45I won't change it in two or three days.

00:04:47An epic competition

00:04:49in the arena of winning or serving.

00:04:51Very good, boys.

00:04:53Are you ready?

00:04:55Then, for honor and glory,

00:04:57three, two, one,

00:04:59win or serve!

00:05:03The first five minutes begin.

00:05:05The participants are

00:05:07with a 45-degree slope.

00:05:15Today we will meet a great winner

00:05:17and, of course, a new nominee

00:05:19in winning or serving.

00:05:27Good evening and welcome

00:05:29to the beginning of a new week

00:05:31in winning or serving back to the past.

00:05:33This is just beginning,

00:05:35but the first conflicts

00:05:37have already begun

00:05:39among our participants,

00:05:41who have begun to unbury

00:05:43old conflicts of the past.

00:05:45Tonight we will also live

00:05:47a very sensual moment

00:05:49in a separate pajamas of the girls.

00:05:51In the meantime,

00:05:53the men will train in action

00:05:55in the arena of competition,

00:05:57where, of course,

00:05:59you can see the roosters.

00:06:05I came as a mega changed.

00:06:07No, nobody changes.

00:06:09The essence is here.

00:06:11The person does not change his essence.

00:06:13This was like this.

00:06:15They told me, who is the person

00:06:17of this group that could betray you?

00:06:19I chose Mariela.

00:06:25They asked me, and I'm not going

00:06:27to choose the girls,

00:06:29and I have already formed

00:06:31a deeper friendship with her.

00:06:33This is a game.

00:06:35I had to choose someone.

00:06:37And she started.

00:06:39I'm going to do the same.

00:06:41She chose me, and I don't bite.

00:06:43And she also said, but it's a game.

00:06:45And the other one started with the threats.

00:06:47I started with this one.

00:06:49Don't cry.

00:06:51I'm not afraid of you.

00:06:53Why?

00:06:55Ordinary.

00:06:57Broken.

00:06:59Yes, yes, always.

00:07:01No, no, no.

00:07:03Connect first.

00:07:05I told her I was a spy.

00:07:07Because I'm from the other team.

00:07:09But we're together.

00:07:11No, it's easy.

00:07:13I'm going to be here,

00:07:15taking and bringing.

00:07:17I tell you one thing,

00:07:19this country is as it is

00:07:21by ignorant, extremist people.

00:07:23No, you can't talk about this.

00:07:25No, you can't say this.

00:07:27Those are extremes that come

00:07:29One day, Gaby was saying that Fran

00:07:31And she told me, my sister,

00:07:33don't mess with me.

00:07:35I don't know what's going on.

00:07:37But I tell you, if she keeps talking to me,

00:07:39I'm going to have to fight her.

00:07:41I don't want to talk to her.

00:07:43As this situation was happening,

00:07:45the girls started to talk

00:07:47that they should throw her out

00:07:49for not respecting the fair play.

00:07:51Why?

00:07:53Because of Claudio with the fan club.

00:07:55Get ready for the shock.

00:07:57Let's talk to him.

00:07:59I don't know, but I love that they fight a little.

00:08:01I avoid the conflict.

00:08:03I don't let it happen to me.

00:08:05If Tome Busco finds me,

00:08:07I'm fighting all the time.

00:08:09Thank God you didn't see me like that,

00:08:11because you wouldn't think I'm so stubborn.

00:08:13No, but I heard something there.

00:08:15I was open.

00:08:17And how?

00:08:19I'm going to look for that shotgun.

00:08:21The good thing is that Piola

00:08:23gets on my nerves.

00:08:25It's like you don't clean your feelings.

00:08:29Tell her, I'm going to clean there.

00:08:35Excuse me, excuse me.

00:08:37Yes, I'm going.

00:08:39I'm going to start cleaning here.

00:08:41Please, if you can move from here.

00:08:43Can you move from here, please?

00:08:45My lord, go over there, please.

00:08:47The lunch, please.

00:08:49Here in the kitchen.

00:08:51The ladies can't be here.

00:08:53Why do you get involved?

00:08:55Because we are hired.

00:08:57Who gets involved?

00:08:59It's not a joke.

00:09:01She needs a screen.

00:09:03She needs a camera.

00:09:05She jumped at the shot.

00:09:07I think she needs a camera.

00:09:09She jumped at the shot.

00:09:11It's a joke.

00:09:13You tell me that I need a camera.

00:09:15You tell me that I need a camera.

00:09:17You tell me that I need a camera.

00:09:19You tell me that I need a camera.

00:09:21You tell me that I need a camera.

00:09:23I don't understand anything.

00:09:25It's a joke.

00:09:27It's a joke.

00:09:29It's a joke.

00:09:31What happens is that you can't stand

00:09:33that another person is...

00:09:35Cleaning.

00:09:37...generating other things.

00:09:39She has to get involved.

00:09:43You are too funny.

00:09:45You won me over.

00:09:47I'm a fan.

00:09:49She can't stand that there is no other

00:09:51attention center than her.

00:09:53Because you are an attention center?

00:09:55You are an attention center?

00:09:57You?

00:09:59Go and sleep there like she did all afternoon.

00:10:01You, to start, serve.

00:10:03You don't command, gentlemen.

00:10:05Go away, my love, go away.

00:10:07Goodbye.

00:10:09And you are forbidden to enter the house.

00:10:11And a quick lunch, my love.

00:10:13We are hungry.

00:10:15It's a joke.

00:10:17Don't make me angry,

00:10:19because I'm going to die.

00:10:21I don't understand.

00:10:23What happened with the Falun Gong?

00:10:25She came and I was sitting

00:10:27talking to the host.

00:10:29I thought it was a joke.

00:10:31I told her not to hang out

00:10:33with this kind of people.

00:10:35It was a joke, a joke.

00:10:37It was a joke.

00:10:39Bye.

00:10:41Bye.

00:10:43Because she has 3,000

00:10:45realities and she doesn't do anything.

00:10:49She didn't come to me.

00:10:51I have my degree abroad.

00:10:53I have my career abroad.

00:10:55I don't care.

00:10:57I don't care to tell her.

00:10:59I don't know the curriculum.

00:11:01It's not necessary.

00:11:03It's ugly.

00:11:09She has realized.

00:11:11Now this is the demonstration

00:11:13and now...

00:11:15Gala, her friend.

00:11:17I told her I was here.

00:11:19She is crazy.

00:11:21The house is for the gentlemen.

00:11:23You work here

00:11:25because we hire you.

00:11:27You are looking for a camera.

00:11:29You are telling me

00:11:31I need a camera

00:11:33and you start fighting.

00:11:35I don't understand.

00:11:37They call me from Spain.

00:11:39Where are you from?

00:11:41Do you think

00:11:43she is going to look at me

00:11:45and humiliate me?

00:11:47We are serving.

00:11:49We are in the same situation.

00:11:51How ridiculous.

00:11:53How stupid.

00:11:55Gala.

00:11:57Don't go like that again.

00:11:59What kind of girl are you?

00:12:01She was your friend.

00:12:03I don't know if she is doing

00:12:05a prank.

00:12:07She is telling me

00:12:09I need a camera.

00:12:11Do you know what she gives me?

00:12:13Shame.

00:12:15That's why I started laughing.

00:12:17Shame.

00:12:21I'm going to talk to her

00:12:23because I don't understand.

00:12:25She doesn't want your friend.

00:12:27The triangle is great.

00:12:29Thank you, Amanda.

00:12:33I'm hungry.

00:12:35I'm hungry.

00:12:37I can't believe

00:12:39you don't understand the joke.

00:12:41I've been looking at you.

00:12:43Do you know what happened yesterday?

00:12:45I told you.

00:12:47You have a way of saying things

00:12:49you don't know.

00:12:51Don't fight with me.

00:12:53That's how I talk.

00:12:55I can't adjust my voice

00:12:57for some people.

00:12:59I was talking to him

00:13:01and you made the joke.

00:13:03When did you change?

00:13:05When did you change?

00:13:07When did you change?

00:13:09With one word?

00:13:11No, Gala.

00:13:13We haven't talked.

00:13:15She saw me.

00:13:17You have to be ready

00:13:19to go in.

00:13:21You are crazy.

00:13:23You are on the floor.

00:13:27You have to take out

00:13:29all that energy.

00:13:33Let her talk.

00:13:35Let her talk.

00:13:39It was a joke.

00:13:41I'm sorry.

00:13:45I have another personality.

00:13:49I'm not going to bother you anymore.

00:13:51I'm not going to make a joke

00:13:53because you're not going to let it go.

00:13:55I didn't understand

00:13:57if something negative was happening

00:13:59or not.

00:14:01That hasn't happened to us.

00:14:03I swear.

00:14:05It was a joke.

00:14:07That's why I didn't go.

00:14:09We were laughing.

00:14:11It was a joke.

00:14:13If I haven't fought with anyone

00:14:15I'd rather go

00:14:17because I didn't understand.

00:14:19Not everyone has to understand humor.

00:14:21It's not an attack.

00:14:23I'm not saying you're right.

00:14:25That's why I'm not going to make a joke.

00:14:27You're very defensive.

00:14:29If we talked about it yesterday

00:14:31why are you fighting with Oriana?

00:14:33Don't fight.

00:14:35It's not a conflict.

00:14:37That's why I'm here.

00:14:39I always say things

00:14:41and I don't like to be negative.

00:14:43He has fallen for you.

00:14:45He likes you.

00:14:47Remember that

00:14:49they used to send you kisses

00:14:51and you didn't even catch it.

00:14:53You used to catch it.

00:14:55You didn't even let it go.

00:14:57That's why I'm here.

00:14:59I remember it.

00:15:01You make me feel like

00:15:03I'm doing reality shows

00:15:05with my head in the ground.

00:15:13What's up?

00:15:15Did you talk?

00:15:17It was a joke

00:15:19but I didn't understand it.

00:15:21It was a joke.

00:15:23I didn't understand it.

00:15:25It was a joke.

00:15:27I don't know her well

00:15:29and we're getting to know each other.

00:15:31I didn't understand the joke

00:15:33and then I didn't understand it.

00:15:35Do you think she's stupid?

00:15:37No.

00:15:39Oriana and Juan

00:15:41had a conflict

00:15:43and I lost my mind.

00:15:45I don't want this anymore.

00:15:51We're crazy.

00:15:53We're crazy.

00:15:55We're crazy.

00:15:57We're crazy.

00:15:59We're crazy.

00:16:01We're crazy.

00:16:13As for her mood,

00:16:15there are people that don't get it.

00:16:17She doesn't get it.

00:16:19Right.

00:16:21to do more.

00:16:23More inside, more sensitive.

00:16:25Do you understand?

00:16:27I don't know.

00:16:29What's going on, Mariela?

00:16:31Nothing.

00:16:33Come here.

00:16:35No, no.

00:16:37I don't want you to feel anything.

00:16:39No, really.

00:16:41Why are you crying?

00:16:43I don't want to cry.

00:16:45You are crying.

00:16:47I'm calm.

00:16:49I'm doing this because my face is peeling off.

00:16:53I don't know how to hug, but I don't want you to feel bad.

00:16:57We can argue.

00:16:59I understand.

00:17:00But I don't want it to affect your health.

00:17:02That's why you should cry and throw up.

00:17:05The only thing I ask of you is not to meddle in my profession or my job.

00:17:09Because that has nothing to do with what we're doing here.

00:17:11Aha.

00:17:13Your profession is meddling in other people's lives.

00:17:15I mean, I have every right to answer.

00:17:17I work at Farandula.

00:17:19Wow, that's a lot.

00:17:20Many years.

00:17:21That's why.

00:17:22A lot of years meddling in other people's lives.

00:17:24And how much damage have you done?

00:17:25I'm sorry.

00:17:26And I'm pregnant.

00:17:27Camila, you came here to take revenge on me for all the things that a million journalists

00:17:32and people like you have said.

00:17:33No.

00:17:34I'm not going to let you.

00:17:35Revenge?

00:17:36I'm not going to let you.

00:17:37But don't take revenge on Santurrón.

00:17:38I'm sorry, but I'm not Santurrón and I don't have to prove it to you or anyone else.

00:17:42But don't meddle in my profession.

00:17:44I've also worked at Farandula.

00:17:45They used me and they made me.

00:17:48Of course.

00:17:49Have you ever worked at Farandula?

00:17:51In the mornings.

00:17:52To talk about economy.

00:17:55Hey, please.

00:17:56People know you.

00:17:57I haven't talked shit about anyone or families.

00:18:01I don't know, I would be so sure.

00:18:02I know what I am and what I will be.

00:18:04That's why I have faith in me.

00:18:07I don't need more.

00:18:09Just love gives me time.

00:18:14Yo me sano con tu compañía.

00:18:27It's time for the men to show their prowess in the arena of competition.

00:18:31Yes, in the next few minutes we will know who is who in this game.

00:18:39In the event that we coincided for a common brand,

00:18:41it was a place where we could share not only with us, but with other friends.

00:18:46We don't care about these details.

00:18:48I'm giving you a prologue so you can be entertained.

00:18:50Ah, okay.

00:18:51So, logically, you are in Brazil.

00:18:55I think the whole situation is good to have a great time.

00:18:59And we can say that there were fluid exchanges.

00:19:02We can say that there were energy exchanges, but not the ones you think.

00:19:07No, not fluids, I'm talking about saliva.

00:19:10So, when you talk, you spit saliva, right?

00:19:12Ah, maybe a kiss?

00:19:19Oriana.

00:19:20What?

00:19:21We kissed.

00:19:22Alone.

00:19:24And she kisses well.

00:19:26Well, she kisses well.

00:19:29I gave her some tips.

00:19:30What?

00:19:31Good, good.

00:19:32I gave you some tips.

00:19:34Some tips on how to kiss?

00:19:36Of course.

00:19:37Later you remind me because I don't remember.

00:19:39Hello!

00:19:40Mega direct proposal.

00:19:42You love it, don't you?

00:19:43My mother-in-law killed me.

00:19:46Since I don't live the love story with anyone, let them live it in front of me.

00:19:53Today I come from a process very similar to yours and very difficult.

00:19:57So, of course, maybe if someone does something like that to you, you might start crying.

00:20:03You know what?

00:20:04I don't understand what's going to happen.

00:20:05On the contrary, what hurt me was that she offended my work.

00:20:08That someone comes up to you and kisses you.

00:20:10And you say, but what did I do to you?

00:20:12We are all characters.

00:20:13Well, the only thing I did was that she started talking to the gentleman,

00:20:16that the animals, and the blonde.

00:20:18And when I saw her cry, I tried to explain to her so she wouldn't cry.

00:20:21But only so she wouldn't cry because I didn't want to see her cry.

00:20:24Mariela, can we talk now?

00:20:26Ah, go ahead.

00:20:27No, no, no.

00:20:28But enough.

00:20:29Let's talk like adult women.

00:20:30Do you think so?

00:20:31No, why?

00:20:32Without the spirit of...

00:20:33Yes, you can.

00:20:35Never in my life, in my intention, and I was talking about it with Cami,

00:20:37I didn't mean to make the other person feel bad.

00:20:40What hurt me was that she offended my work.

00:20:44But let's talk about us.

00:20:45Enough.

00:20:46I can tell you a constructive criticism.

00:20:49You do things that you don't like to be done.

00:20:52And if I hear that they attack my profession, which is something I am profoundly proud of...

00:20:56You attack it back.

00:20:57In the same way.

00:20:58I don't.

00:20:59For me, there...

00:21:00Because it came from a free attack.

00:21:01You acted badly.

00:21:02Got it?

00:21:03For you, it's justifiable.

00:21:04It's like...

00:21:05The end justifies the...

00:21:06Look, I'm a human being.

00:21:07The end justifies the means.

00:21:08For me, no.

00:21:09I feel like you can't speak well.

00:21:10Because all the time you have something to say to defend yourself.

00:21:11Got it?

00:21:12I act with reason.

00:21:13I don't act without justification.

00:21:14If you attack me, you'll never get anything back from me.

00:21:15Well, Mariela.

00:21:16If you think it's like that, then it's fine.

00:21:17Stay calm, because I'm not here to fight.

00:21:18You already...

00:21:19You got me a little.

00:21:20I mean, me with you, less.

00:21:21For me, the one who spiked with a game...

00:21:22I'm not here to fight.

00:21:23I'm not here to fight.

00:21:24I'm not here to fight.

00:21:25I'm not here to fight.

00:21:26I'm not here to fight.

00:21:27I'm not here to fight.

00:21:28I'm not here to fight.

00:21:29I'm not here to fight.

00:21:30I'm not here to fight.

00:21:31I'm not here to fight.

00:21:32I'm not here to fight.

00:21:33I'm not here to fight.

00:21:34I'm not here to fight.

00:21:35I'm not here to fight.

00:21:36I'm not here to fight.

00:21:37I'm not here to fight.

00:21:38I'm not here to fight.

00:21:39I'm not here to fight.

00:21:40I'm not here to fight.

00:21:41I'm not here to fight.

00:21:42I'm not here to fight.

00:21:43I'm not here to fight.

00:21:44I'm not here to fight.

00:21:45I'm not here to fight.

00:21:46I'm not here to fight.

00:21:47I'm not here to fight.

00:21:48I'm not here to fight.

00:21:49I'm not here to fight.

00:21:50I'm not here to fight.

00:21:51I'm not here to fight.

00:21:52I'm not here to fight.

00:21:53I'm not here to fight.

00:21:54I'm not here to fight.

00:21:55I'm not here to fight.

00:21:56I'm not here to fight.

00:21:57I'm not here to fight.

00:21:58I'm not here to fight.

00:21:59I'm not here to fight.

00:22:00I'm not here to fight.

00:22:01I'm not here to fight.

00:22:02I'm not here to fight.

00:22:03I'm not here to fight.

00:22:04I'm not here to fight.

00:22:05I'm not here to fight.

00:22:06I'm not here to fight.

00:22:07I'm not here to fight.

00:22:08I'm not here to fight.

00:22:09I'm not here to fight.

00:22:10I'm not here to fight.

00:22:11I'm not here to fight.

00:22:12I'm not here to fight.

00:22:14I'm not here to fight.

00:22:15I'm not here to fight.

00:22:16I'm not here to fight.

00:22:17I'm not here to fight.

00:22:18I'm not here to fight.

00:22:19I'm not here to fight.

00:22:20I'm not here to fight.

00:22:21I'm not here to fight.

00:22:22I'm not here to fight.

00:22:23I'm not here to fight.

00:22:24I'm not here to fight.

00:22:25I'm not here to fight.

00:22:26I'm not here to fight.

00:22:27I'm not here to fight.

00:22:28I'm not here to fight.

00:22:29I'm not here to fight.

00:22:30I'm not here to fight.

00:22:31I'm not here to fight.

00:22:32I'm not here to fight.

00:22:33I'm not here to fight.

00:22:34I'm not here to fight.

00:22:35I'm not here to fight.

00:22:36I'm not here to fight.

00:22:37I'm not here to fight.

00:22:39I'm not here to fight.

00:22:40I'm not here to fight.

00:22:41I'm not here to fight.

00:22:42I'm not here to fight.

00:22:43I'm not here to fight.

00:22:44I'm not here to fight.

00:22:45I'm not here to fight.

00:22:46I'm not here to fight.

00:22:47I'm not here to fight.

00:22:48I'm not here to fight.

00:22:49I'm not here to fight.

00:22:50I'm not here to fight.

00:22:51I'm not here to fight.

00:22:52I'm not here to fight.

00:22:53I'm not here to fight.

00:22:54I'm not here to fight.

00:22:55I'm not here to fight.

00:22:56I'm not here to fight.

00:22:57I'm not here to fight.

00:22:58I'm not here to fight.

00:22:59I'm not here to fight.

00:23:00I'm not here to fight.

00:23:01I'm not here to fight.

00:23:02I'm not here to fight.

00:23:03I'm not here to fight.

00:23:04I'm not here to fight.

00:23:05I'm not here to fight.

00:23:06I'm not here to fight.

00:23:07I'm not here to fight.

00:23:08I'm not here to fight.

00:23:09I'm not here to fight.

00:23:10I'm not here to fight.

00:23:11I'm not here to fight.

00:23:12I'm not here to fight.

00:23:13I'm not here to fight.

00:23:14I'm not here to fight.

00:23:15I'm not here to fight.

00:23:16I'm not here to fight.

00:23:17I'm not here to fight.

00:23:18I'm not here to fight.

00:23:19I'm not here to fight.

00:23:20I'm not here to fight.

00:23:21I'm not here to fight.

00:23:22I'm not here to fight.

00:23:23I'm not here to fight.

00:23:24I'm not here to fight.

00:23:25I'm not here to fight.

00:23:26I'm not here to fight.

00:23:27I'm older.

00:23:28Something he told me later.

00:23:31What?

00:23:32I don't understand.

00:23:33It's weird.

00:23:34He must be aggressive in bed.

00:23:37You say?

00:23:38Yes.

00:23:41Yes, I swear.

00:23:42With respect.

00:23:58Yes.

00:24:20Men of the house, how are you?

00:24:24Well.

00:24:25That's how I wanted to hear you.

00:24:26Today they will face the field of play, a hard and extreme competition.

00:24:32Today we will live a milestone on this path that they have already begun to walk.

00:24:37Welcome men, and I also take the opportunity to greet the ladies who are present today to observe this great competition.

00:24:46The words are over, the discussions are over, everything said in the last hours,

00:24:50all the ideas about who is the strongest, the time has come to decide and to know it here in the field of play.

00:24:59Now we enter the real game.

00:25:03Speaking of that, Sergio, I remind you that whoever obtains the last place

00:25:09automatically becomes the third nominee of the week, sinking to Blue Mary and Cindy.

00:25:16On the other hand, the servant who obtains the best place will have the privilege of changing roles

00:25:22with one of the gentlemen who has had a worse performance than his.

00:25:27You know it then, we are going to compete, we are going to give the best of us

00:25:31and a concrete opportunity has come to show who is who in this game.

00:25:36I want to greet the captains, welcome Coca, welcome Pangal.

00:25:40Let's see, Pangal, this situation is interesting.

00:25:42For the first time you face other important winners of competitions of this style.

00:25:47There is Coca on one side, there is Gonzalo Vegas on the other.

00:25:50Who is the rival to win here, according to your impression?

00:25:53I think the rival to win is Luis, since he has been talking a lot about the other reality that he is going to win,

00:25:57stories on social networks.

00:25:59What happens with Gonzalo?

00:26:00No, Gonzalo is a machine, Gonzalo has reached the finals of two realities, has won one.

00:26:04I always said before that I admired him.

00:26:07Coca too, very capo, Claudio.

00:26:09He reached the semifinals, he was also a competitor who always stepped on my heels.

00:26:13In some competition he beat me.

00:26:14And we are going to see Ozzy today, how powerful he is.

00:26:18Coca, good afternoon. Captain, how are we?

00:26:20Very good, mentalized.

00:26:22Mentalized?

00:26:23Yes, totally.

00:26:24Many have talked about your strength, right?

00:26:27But also many have mentioned the issue of your age, that you are already older, that I don't know what.

00:26:32Do you come to cover your mouths through this competition?

00:26:36I'm going to follow the phrase, let yourself be surprised.

00:26:40There is no impediment to reach the semifinals of a reality that everyone expects.

00:26:46Thank you very much, Coca.

00:26:48Very good afternoon, Luis, how are you?

00:26:50We meet again in this competition field where you have shown your talent many times.

00:26:55But now with new competitors.

00:26:57Who is your rival to beat among your teammates?

00:27:01Clearly here the competitors, Gonza, Austin, Coca, Claudio also won a reality.

00:27:06They are also the most difficult rivals that this reality has.

00:27:10But that's why I came.

00:27:11The road is long. Here the important thing is who reaches the final and who wins the reality.

00:27:15Very kind, Luis.

00:27:16Hi Austin, how are you? Good afternoon.

00:27:18How are you, Carlita?

00:27:19Do you have experience in this?

00:27:21I've been doing it for many years.

00:27:23I've been a little out of training.

00:27:25I fully trust my abilities.

00:27:27I feel that I can do very well in this test.

00:27:29Who will be your rival to beat?

00:27:31I haven't seen them compete.

00:27:32If I had a rival, it would be myself.

00:27:34I would lean for the strongest.

00:27:36And who is the strongest for you?

00:27:38Well, there is a lot of talk about Pangal, Claudio, Gonzalo, Coca too.

00:27:44And Luis.

00:27:45I think some of them would possibly be my most direct rival.

00:27:49Botota sometimes surprises, Poeta doesn't.

00:27:52We are here.

00:27:54Yes, they are here.

00:27:56Here we are with great winners and gladiators of competitions of this type of adventures.

00:28:03Good afternoon, Gonzalo. How are you?

00:28:05Good, Carla. Thank you.

00:28:07Are you going to surprise us, Gonzalo?

00:28:09I hope to surprise you.

00:28:11I think the rival to beat is Claudio Valdivia.

00:28:13Yes?

00:28:14I think Claudio is a very strong rival.

00:28:16He is much calmer.

00:28:18Do you beat him today?

00:28:19I think it could go well.

00:28:20I don't know if I will win, but ...

00:28:21But was he better than Claudio, yes or no?

00:28:24I'm a good guy, that's enough for me.

00:28:26How humble, Gonzalo.

00:28:27How are you?

00:28:28Good afternoon, Sergio.

00:28:29Hello.

00:28:30Very good.

00:28:31Poeta.

00:28:32Good afternoon, Sergio.

00:28:33Good afternoon, Carla.

00:28:34You have been a reporter, a lover, a sports enthusiast.

00:28:37But you are going to leave that figure and you enter the field for the first time.

00:28:41How do you see this game and what do you think will be the position in this competition?

00:28:45It's the first time I'm going to have a competition of this nature.

00:28:48But as long as I get out of this test and it's not to throw me down, I think that's going to be the most important thing.

00:28:55I feel that mentally I have prepared well, regardless of whether it is physical, but we are going to give our best.

00:28:59Votota, how are we?

00:29:00I'm nervous.

00:29:01I mean, I'm anxious.

00:29:02Before entering the stage, I always have nerves.

00:29:04So when the nerves go, Claudio everything, as they say.

00:29:07Claudio.

00:29:08But also in the past program, in the past reality, but in many competitions and games, you surprised.

00:29:15I tell the rest of the teammates.

00:29:17Watch out with Votota.

00:29:18She didn't believe it herself, but you did it on different occasions.

00:29:23Do you think you can do well with this game today?

00:29:26Look, I've always said, I don't know if winning, but not losing.

00:29:29Are you better than a poet?

00:29:31Totally.

00:29:32Okay, we've been able to talk, we've been able to laugh, but also to manifest the desire to win and who to beat.

00:29:41Today we are going to know who is the strongest, who is the weakest.

00:29:46And you, from your homes, will be able to watch, win or serve.

00:29:51Please, participants, pay close attention, because here comes the explanation of today's game.

00:29:59Each competitor will be on a platform on the pit and will have to position himself lying on a panel that has a step to hold on, holding his own weight.

00:30:09The platforms will start in a position of 45 degrees and at 5 minutes they will move to 60 degrees.

00:30:15After 5 minutes, the platforms will move to 80 degrees.

00:30:21The first participant to fall into the water will be the second nominee of the week.

00:30:28Very well, gentlemen, let's give them a big round of applause before entering the arena of the competition.

00:30:35And to tell you once again, someone will become a winner, someone will lose.

00:30:40He will have to face a new elimination process and will be the most recently nominated.

00:30:46Guys, I invite you to give your best and I also call you to take positions.

00:30:51Let's go, let's go!

00:31:01Epic competition in the arena of winning or serving.

00:31:05A cartel of gladiators and winners of just past.

00:31:10Today the words run out, we enter the action.

00:31:13Very well, boys, are you ready?

00:31:16Yes!

00:31:17So, for honor and glory, 3, 2, 1, win or serve!

00:31:24The first 5 minutes begin.

00:31:27The participants are on a 45-degree slope.

00:31:31Every 5 minutes the slope will increase.

00:31:345 minutes, then the slope will go to 60 degrees.

00:31:37Then 5 more minutes and the slope will go up to 80 degrees.

00:31:42And there are our competitors starting this battle.

00:31:46Today we will meet a great winner and, of course, a new nominee in winning or serving.

00:31:52You live this through the screens of El Trece.

00:31:55Although only a few minutes have elapsed, the players are starting to get tired.

00:32:03But there is maximum concentration.

00:32:05Any false move can cost the place.

00:32:11Austin begins to move, somehow accommodating his body.

00:32:16Meanwhile, Poeta, we see him very, very calm.

00:32:19Gonzalo also with some discomfort.

00:32:21Botota also makes some gesture.

00:32:23Coca, very calm.

00:32:25Why talk about Luis Mateucci, who seems to be technically resting on this slope?

00:32:31But there are each of the gladiators in this competition.

00:32:35There is Claudio Valdivia, who seems to be taking a nap.

00:32:38Also Palengal, very calm.

00:32:40What will happen?

00:32:41These are the first moments, these are the first minutes of this competition.

00:32:45A 45-degree slope.

00:32:47Remember, 5 minutes and increase the intensity.

00:32:50Sergio fights with his own weight.

00:32:54With his own weight.

00:32:56Because when the ramp begins to rise, the weight will do its own thing.

00:33:02It will cause an absolute fatigue effect.

00:33:05It will cause an absolute fatigue effect.

00:33:08And remember that in the play area, heat, humidity, everything is to be seen.

00:33:14We have been living this for 3 minutes.

00:33:19It is the first individual competition of men in winning or serving.

00:33:27Gonzalo moves, observes what is happening in front of him.

00:33:30He also observes the production, the cameras.

00:33:33Will it be discomfort or will it be that he is very calm?

00:33:36Pangal, Pangal, watch out there.

00:33:39Because indeed now he is filming with one arm.

00:33:42But he has thrown himself up a lot, he has tried to accommodate himself.

00:33:46He does not look happy with the test.

00:33:51In a situation quite similar to Claudio Valdivia too.

00:33:53He released an arm, rests.

00:33:56There he is, careful with Poeta.

00:33:58Poeta seems to be losing his concentration.

00:34:03But who knows, this is his first time, anything can happen.

00:34:07We have reached the time, we are going to move the ramp to 60 degrees.

00:34:13We leave at 45, we go to 60 degrees.

00:34:16And this will clearly change the composition of the game.

00:34:19Here they tell us, we are ready.

00:34:223, 2, 1, attention, we change the structure.

00:34:27Hold on.

00:34:29We go to 60 degrees.

00:34:31There they are, the girls scream, hold on, boys.

00:34:3560 degrees, careful there.

00:34:38He begins to feel the weight, Botota is slipping.

00:34:41The same Luis Mateucci, the stoic Poeta.

00:34:44Really surprising the Poeta in the resistance and apparent comfort of his performance.

00:34:51Watch out with Valdivia too.

00:34:54Bengal concentrated, Coca concentrated.

00:34:57Austin, the same.

00:34:59This is what we observe here on the edge of the field,

00:35:02regarding the face of our competitors.

00:35:05Clearly nobody is absolutely comfortable.

00:35:09Claudio moving a lot.

00:35:13And we make a quick tour.

00:35:15Gonzalo Máxima, Botota seems to have fallen asleep.

00:35:18Watch out with Valdivia, something is happening to him.

00:35:21He is uncomfortable or has put his body in another position,

00:35:24trying to balance or move the weights of his body.

00:35:29Meanwhile, the Poeta is still there, in an almost inexplicable position.

00:35:36Because the rest have all the arms a little more contained,

00:35:41but he is very stretched.

00:35:42Watch out with Bengal, who is also suffering from discomfort.

00:35:45Botota seems to have acquired a certain performance that keeps him very calm.

00:35:50Coca seems to be sleeping.

00:35:52Coca does not move.

00:35:54And watch out with Claudio.

00:35:56The discomfort is apparent in Claudio.

00:35:59Gonzalo Vegas practically calling the room service to bring him a soda.

00:36:06He looks very calm.

00:36:08Watch out with Valdivia.

00:36:09He keeps moving his limbs, trying to accommodate the body.

00:36:14Watch out, what Claudio does is risky.

00:36:17Uy, Gonzalo doing strength.

00:36:20Claudio keeps climbing.

00:36:22The truth is that we do not understand what he wants to do.

00:36:25But look at the rest of the competitors.

00:36:29I think he is giving signs that the discomfort is actually winning him.

00:36:34He is totally perplexed, Poeta.

00:36:36He is almost, almost ...

00:36:39He is not lazy, he does not move, he does not breathe.

00:36:42Sorry, it's his first time.

00:36:44It's his first time.

00:36:45Watch out, something happens with Pangal.

00:36:47And it seems that this first time he is enjoying it because so far he has absolute comfort.

00:36:53Incredible what Poeta.

00:36:55Perhaps also the lightness of his body can make this test easier for him.

00:37:00But we will see what happens when we move the structure again and raise the difficulty.

00:37:06Eight minutes and counting.

00:37:09Claudio Valdivia continues to move his limbs.

00:37:12Will it be part of his technique?

00:37:15I have doubts.

00:37:16The truth, well, today everything can happen because the fatigue is winning.

00:37:20But so far the ones who have had the most movement, Claudio, a little Pangal.

00:37:26But so far they are all the same.

00:37:28Some with both legs together, others ...

00:37:34Uy, watch out with Poeta, watch out with Poeta.

00:37:36What happened with Poeta?

00:37:37Uy, watch out with Poeta.

00:37:38No, no, no, no, no.

00:37:39There it is, Poeta signed up again.

00:37:41We are all Poetas this day.

00:37:43It's his first time, it's his first time.

00:37:46He measures himself in competition.

00:37:48We already said it, with gladiators from just before.

00:37:52And he stays there.

00:37:54Something very impressive is that no one has said a word.

00:37:57No one has spoken a word.

00:37:59It's like all these gentlemen, who never lack a theme.

00:38:04Today they managed to keep silence.

00:38:06He played with Poeta.

00:38:07Pangal moves, Claudio Valdivia moves.

00:38:10Look, it seems that the green sector is the most complicated in this day.

00:38:16Botota is also suffering or moving to resist.

00:38:23Poeta giving a fight against himself.

00:38:27Nine minutes, gentlemen.

00:38:29There it is.

00:38:30Watch out, Poeta.

00:38:31Watch out, Poeta.

00:38:32Sign up, Poeta.

00:38:33There it goes, Poeta.

00:38:34It has fallen, ladies and gentlemen.

00:38:38Therefore, it becomes the third nomination this week to win or serve.

00:38:44The girls of the competition, the ladies, give a round of applause.

00:38:48Watch out for Claudio Valdivia.

00:38:50We are going to move.

00:38:51Botota also fell.

00:38:52And we are going to move the structure now to 80 degrees.

00:38:56Well done, Botota.

00:38:57Well done, Botota.

00:38:58Well done.

00:39:04Three, two, one.

00:39:06We move the structure to 80 degrees.

00:39:08Get ready.

00:39:09Watch out.

00:39:10Here things get heavy.

00:39:12Watch out for the six participants who remain in competition.

00:39:17On the one hand, there is Claudio Valdivia, Pangal, Austin, Luis Mateucci, Coca Mendoza and Gonzalo Vegas.

00:39:25Six players, I would say, experts, skilled, with a trade.

00:39:33But everyone also begins to feel the rigor of this test.

00:39:37A lot of mental concentration.

00:39:39Look, for the first time, Coca Mendoza stretched his legs.

00:39:43He left that area without...

00:39:46Claudio Valdivia fell.

00:39:48Claudio Valdivia has fallen.

00:39:51Coca is climbing.

00:39:53I think what motivates Coca the most this day is to cover his mouth to the rest of his teammates

00:39:58who have talked a lot about his age.

00:40:01They have called him technically old several times.

00:40:04Taking away from his experience and his trajectory, weight and courage.

00:40:10But there he is.

00:40:11They are still in competition, ladies and gentlemen.

00:40:13There he is, Gonzalo Vegas.

00:40:14Look at his face.

00:40:15Look at Coca.

00:40:16Look at Luis Mateucci.

00:40:18There is Austin, also very calm.

00:40:20Pangal, also relaxed.

00:40:22Watch out for Coca.

00:40:23Watch out for Gonzalo.

00:40:24Gonzalo has a red face.

00:40:26He is very red.

00:40:27But look at Coca Mendoza's technique.

00:40:29He fell.

00:40:30Luis Mateucci fell.

00:40:32Luis has fallen.

00:40:35Gonzalo fell.

00:40:37And this is a fight between Coca Mendoza, Pangal and Austin.

00:40:43Watch out for Coca.

00:40:44Look at Coca, how he turns around.

00:40:47Well, there are three players left in competition.

00:40:50The three without gloves.

00:40:52How much will the temperature, the friction be affecting?

00:40:55I have the impression that Coca is slipping.

00:40:58The hands, the perspiration too.

00:41:00He begins to play against Pangal, complicated.

00:41:03And look at Austin.

00:41:04Austin.

00:41:05Calm.

00:41:06Calm, as if he were ...

00:41:08Coca Mendoza fell.

00:41:10This is a game between Austin and Pangal.

00:41:13Here we will meet the great winner.

00:41:15Two members of the sovereign team.

00:41:18Two of the gentlemen face each other today.

00:41:20There they are.

00:41:21The girls also deliver the victories to the participants.

00:41:24Watch out for Pangal.

00:41:26He moves.

00:41:27Austin seemed very calm.

00:41:29Austin said he was missing training.

00:41:33Watch out for Pangal's technical gesture.

00:41:35Ladies and gentlemen, Austin becomes the winner of this,

00:41:39the first individual competition of men in winning or serving.

00:41:44Congratulations.

00:41:45Thank you.

00:41:46To the water.

00:41:47Good, Coca, good.

00:41:48To the water.

00:41:49Throw yourself.

00:41:50Throw yourself, Austin.

00:41:58Thank you.

00:42:05In any competition that is presided over,

00:42:08there is always a great winner and a loser.

00:42:11And in this, the first individual competition of winning or serving,

00:42:14today we applaud Austin.

00:42:16The first winner among the gentlemen of winning or serving.

00:42:20Yes, ladies and gentlemen.

00:42:22Congratulations, Austin.

00:42:25Let's talk about this.

00:42:27What is your feeling, Austin? Congratulations.

00:42:29Happy.

00:42:30I feel that the test helped a lot to break the ice.

00:42:33Yes, I'm a little confident because I'm very good at resistance.

00:42:37Likewise, congratulations to my teammates.

00:42:39I thought that many of them were going to fall on the way very quickly

00:42:42and they really surprised me.

00:42:43Congratulations once again, Austin.

00:42:45The flamboyant first great winner of the men's individual competitions

00:42:49in winning or serving.

00:42:52He is full of laughter.

00:42:53We have fooled everyone.

00:42:55One who is in a very good rhythm

00:42:57and who seems not to be very happy or calm with this result

00:43:01is Luis Mateucci. Luis.

00:43:03Like being 5 minutes, 10 minutes, that's not my thing.

00:43:06But I knew that, for example, Austin could take the lead here

00:43:10because he is used to this type of test.

00:43:12But beyond the group challenge, there was also a duel with your lord.

00:43:17You lost him.

00:43:18Yes, I heard him screaming there.

00:43:20He just wanted to beat me.

00:43:22But the second, we know it's no use.

00:43:25But it's the same for the second, fourth, fifth or sixth.

00:43:28But hey, if he's happy with that, here you have to congratulate Austin

00:43:32and no one else.

00:43:33So congratulations, little brother.

00:43:35The other one is useless.

00:43:36Pagar, how are we?

00:43:37Fine, Carlita.

00:43:38Something to answer him?

00:43:39Nothing, just that I beat him.

00:43:40So much that he spoke, that he spoke, that he spoke, that he was the best.

00:43:43But have you ever lost any individual competition?

00:43:46I lost a lot in year zero.

00:43:47Claudio beat me several times.

00:43:48As I did in the team, I had other skills.

00:43:53And these are the ones that cost me the most.

00:43:55It seems that Luis and you get along well.

00:43:57Totally.

00:43:58I want to know what's going on in Claudio Valdivia's mind.

00:44:01Because we watched you closely and you were one of those who showed the most discomfort.

00:44:05You moved a lot.

00:44:06It was a kinetic fight all the time.

00:44:09Yes, all the time.

00:44:11From start to finish, I didn't know how to hold, what muscles I had to use.

00:44:18I tried to support myself with the plant of the skin, I put it under the gluteus,

00:44:22I was uncomfortable, then I let go, I saw Pagar, who was relaxed, and I was trying to fight.

00:44:27Maybe in this test I should have been a little stronger mentally, but it's the first one.

00:44:31Botota, I have to congratulate you.

00:44:34Thank you very much, Carlita.

00:44:35How did you find your performance?

00:44:36Because it could have been that with these tremendous competitors you would have fallen very easily.

00:44:43But you resisted well.

00:44:45I think it's very difficult to hold your own weight.

00:44:50Besides, in a way that I have never hung like this in my life, not even doing exercise.

00:44:56So I feel super good, I feel happy.

00:45:00I thank my girls because they gave me a lot of encouragement.

00:45:03Very well, unfortunately, the one who does not make happy accounts of this first time is the poet.

00:45:08Who has transformed together with Cindy and Blue Mary into a new nominee.

00:45:13Poet, what are your impressions?

00:45:16The truth?

00:45:18I didn't expect to last more than five minutes in a first instance.

00:45:24I mean, look, they're toothpicks, they're already broken.

00:45:27My goal, I mean, mentally, I heard that he was stoic, was to try to last until the second season.

00:45:32I was close, I think I was a little short of 60 seconds, if my memory serves me right.

00:45:38But that's it, I'm happy.

00:45:41Now, there's something complicated.

00:45:43You are nominated.

00:45:44Yes, of course.

00:45:45How do you face this?

00:45:46Look at it with the greatest possible centralization and with the height of the look.

00:45:50That's it.

00:45:51Well, we witnessed a great show.

00:45:53The truth, a great performance, they surprised us.

00:45:57Of these and so many other tests they will have to face.

00:46:02Now, I told you at the beginning and you already remember some of that, right?

00:46:08Coca Mendoza, you were the best of the servants.

00:46:17That will give you the right, Coca, I don't know if you remember it very well,

00:46:21to exchange roles between the gentlemen who had a worse performance than yours.

00:46:27Are we clear?

00:46:28That is, today you have two options, between the poet and Claudio Valdivia.

00:46:35I think Claudio would be happy here.

00:46:38No, I'm thinking of Claudio because he sent me a lot when he was...

00:46:42He sent me a lot when he was...

00:46:44In fact, he took the role of team captain.

00:46:48Already?

00:46:49So...

00:46:51Claudio is going to...

00:46:55We remind you then.

00:46:57Coca Mendoza, from this moment on, becomes Mr. Claudio Valdivia.

00:47:02You will be a servant.

00:47:04Only, only roles.

00:47:06Only roles.

00:47:08It's not a team change.

00:47:10Short.

00:47:11I see you very upset, Claudio.

00:47:13It doesn't bother me to be a servant, but he owes it to me.

00:47:17Very well.

00:47:18We inform you, Claudio, that from this moment on you will be Oriana's servant.

00:47:24We congratulate the great winner of this competition again.

00:47:27Hosti, the first gentleman, received the title.

00:47:31The best among the best in the first individual competition.

00:47:35Men in winning or serving.

00:47:37Guys, thank you very much.

00:47:39Ladies, thank you very much.

00:47:41We start to say goodbye, Carla.

00:47:43Thank you very much, Sergio.

00:47:44Thank you, Sergio.

00:47:45Now you can go back home.

00:47:47You're crazy.

00:47:48Why?

00:47:49You're crazy.

00:47:50There are many people who will see this and say, no, I'm not going to betray you.

00:47:52I'm not going to betray you, comrade.

00:47:54You sent me to die.

00:47:55Come on, Botota, come on.

00:47:56You made me a servant.

00:47:58You made me nothing good as a servant.

00:48:00Nothing.

00:48:08Claudio told us that he doesn't like her.

00:48:11He doesn't like who?

00:48:12He doesn't like her.

00:48:14No.

00:48:15That's why I'm sorry, because he does like her.

00:48:18Do you think so?

00:48:19Yes, he just told me.

00:48:20No.

00:48:21Do you like him?

00:48:22No.

00:48:23What are you saying?

00:48:24Come on.

00:48:25He likes everything I have.

00:48:27Yes, in any case.

00:48:28They are men, by the way.

00:48:29They don't think like that.

00:48:30They think with their heads down.

00:48:31No, but he is above all like that.

00:48:33He is too much.

00:48:35Coquita is going to be able to eat well.

00:48:37That's good.

00:48:38Just fideos for Coca.

00:48:40Right, so he can eat the damn thing.

00:48:50Let's applaud.

00:48:51Fuck yeah, but I'm not going.

00:48:54You can be a captain now.

00:48:56You are.

00:48:57You are.

00:48:58You are.

00:48:59You are.

00:49:00You are.

00:49:01You are.

00:49:02You are.

00:49:04That's the important eleri mogi.

00:49:11What's up Julian.

00:49:14I began to cooperate in this place and started jumping like a newt.

00:49:17It's just like.

00:49:19No, they are solid.

00:49:20Yes, yes.

00:49:21No, they are solid.

00:49:23Because in terms of weight they are heavier than us.

00:49:29Mateo! What's up, Mateo?

00:49:33How are you, Mateo? Come here!

00:49:37I was taking a shower with warm water, I had a conditioner, a tub, hot water, with rose petals.

00:49:46I had a good view with the girl, and now I'm seeing how you are there.

00:49:53Mateo is a new guy, isn't he?

00:49:56He's a good guy. In the team, we don't have his potential.

00:50:04I think that with the team we have, with Austin showing his power, we're going to get here.

00:50:17I'm really grateful to be at this table in front of…

00:50:21Coca!

00:50:23Coca, we're going to ask you one more thing as gentlemen.

00:50:27From now on, you are a gentleman, and behave as you are.

00:50:30Hey, this is delicious!

00:50:36Come on, Coriana!

00:50:37Camila!

00:50:38Camila!

00:50:39Camila!

00:50:40Camila!

00:50:41Camila!

00:50:42Camila!

00:50:43Camila!

00:50:44Camila!

00:50:45Camila!

00:50:46Camila!

00:50:47Camila!

00:50:48Camila!

00:50:49Camila!

00:50:50Camila!

00:50:51Camila!

00:50:52When I started to feel better, and it was just the soda cookies, and water, and everything, light,

00:50:59I get a plate of noodles.

00:51:03It was hard. I had my hair down.

00:51:08I ate, I lay down, I ate, I ate, without knowing what was happening.

00:51:11There were headlines.

00:51:13In the covers of the dialogues.

00:51:15Coca Mendoza eating noodles.

00:51:18All the television.

00:51:20They were eating noodles.

00:51:22No, that was Coca Mendoza.

00:51:24They were eating noodles.

00:51:26Fix it, let's see.

00:51:32Claudio, I just want you to serve him.

00:51:35I mean, you have to do it like this.

00:51:37The noodles in his mouth.

00:51:38Since it's hard for him, and he usually puts his hair in.

00:51:40First, give him the ponytail.

00:51:42No, no, fix his hair.

00:51:43Fix his hair so that it doesn't get full of hair.

00:51:46All the spoon.

00:51:47Don't you know how to serve spaghetti?

00:51:55In his mouth, in his mouth.

00:51:57Airplane, airplane.

00:52:05He's going to crash, he's going to crash.

00:52:06Mr. Coca, open your mouth.

00:52:09I can't open it anymore.

00:52:12I can't open my mouth anymore.

00:52:14Here, here's the spoon.

00:52:16Open your mouth, sexy.

00:52:17Sexy, let's see.

00:52:18Franco, the servant.

00:52:19How do you do it?

00:52:20Me?

00:52:23That's not sexy.

00:52:29Put the good water in, girl.

00:52:32No, Coca, please.

00:52:33Are you going to the end or what?

00:52:36He's going to crash.

00:52:37He's going to crash, Julio.

00:52:42I think it was the other person.

00:52:44Where was he?

00:52:45Adriana must be looking at him.

00:52:47What are you doing?

00:52:48Are you going to put the beds together?

00:52:49But clearly.

00:52:51No, nothing happened yet, man.

00:52:53I don't know, but...

00:52:54No, no.

00:52:57For what?

00:52:58For Claudio?

00:52:59Yes, for Claudio.

00:53:00Don't repeat it to see if it's enough.

00:53:02And then say, what's left?

00:53:04To my love.

00:53:06Between jokes and jokes, the truth is done.

00:53:15What's the food?

00:53:16Pantruca.

00:53:17Do you like it?

00:53:18It's shit.

00:53:19Where's the paper?

00:53:20Are you going to put it on top?

00:53:22Here?

00:53:23Thank you.

00:53:24Hey, don't you like the soup?

00:53:30Three, yes, but a little piece.

00:53:32I'm going, I'm going, I'm going.

00:53:34Good evening, how are you?

00:53:35Good evening.

00:53:36Mariela, the list can be rewritten.

00:53:38I'm in the mood, right?

00:53:40What's missing?

00:53:41Because one was served.

00:53:43It's clean.

00:53:45This is coca.

00:53:46No.

00:53:47No, by the way.

00:53:48No, oh my God.

00:53:49The coca is eating.

00:53:50And God on top.

00:53:52Coca?

00:53:53What coca?

00:53:58Bye.

00:54:00Dress like a man, you're going to look so handsome.

00:54:02Do you want to see me as a man?

00:54:03Yes, I'm going to see you as a man.

00:54:06I think it's great.

00:54:07Enjoying the comforts of the house.

00:54:09You are the captain of the team.

00:54:10We want you to stay because he does a lot of things when he's here.

00:54:15Now I was about to say no.

00:54:17I'm going to take my cart.

00:54:18I'm not going to do anything.

00:54:20I think I have to wash.

00:54:21Oh no, but I'm not going to throw water at you.

00:54:34I apologize to you.

00:54:35I was concentrating and sleeping.

00:54:36And you and the chimneys.

00:54:38What did you see of me?

00:54:39It was natural.

00:54:40When you were sleeping.

00:54:41It was a fair fight.

00:54:42Ah, this one.

00:54:44You're going to regret it.

00:54:46Are you going to cry?

00:54:48I'm not afraid of you.

00:54:49Why?

00:54:50Because the lighthouse is talking there.

00:54:51And that?

00:54:52Are you going to be afraid?

00:54:53Broken.

00:54:54Yes, yes, always.

00:54:55She's already fighting with what you said.

00:55:00It's a conversation.

00:55:01You're playing.

00:55:02What do I say?

00:55:03You're right.

00:55:04Did you live in La Frangola?

00:55:05Yes.

00:55:06It's true.

00:55:07But did you study?

00:55:08There are a lot of people who live in La Frangola and they didn't study anything.

00:55:10First of all, you don't have to put the title on the table.

00:55:13Nobody.

00:55:14Because that doesn't make you more or less person.

00:55:15Exactly.

00:55:16For me, a respectable person, a person with values.

00:55:18Not what I studied.

00:55:19Something like that.

00:55:20Well, I didn't define any profession.

00:55:21I can do everything in life.

00:55:22Exactly.

00:55:29They're going to fight.

00:55:31They're going to throw me in the face that I don't work in La Frangola.

00:55:35As if abortion were a crime.

00:55:37In addition, with people who have lived this all this time.

00:55:41All day for the shit.

00:55:49I don't want to walk on my back now.

00:55:51Get in, get in.

00:55:52I'm going to pass out.

00:55:54Good morning, uncle.

00:55:55Good morning.

00:55:59You're exaggerating.

00:56:01Yes, the lady who invited him.

00:56:03Really?

00:56:04Yes.

00:56:05What's wrong with you?

00:56:06No.

00:56:07No.

00:56:08What's wrong with you?

00:56:13Uncle, stop.

00:56:14It's been a year.

00:56:15A year that they won't let him in here.

00:56:16Fran.

00:56:17Yes, there is.

00:56:18Look at that coconut.

00:56:20Look.

00:56:21No, I don't have to.

00:56:23How sexy.

00:56:24But does your wife let you kiss another man?

00:56:27Yes, all the time.

00:56:28No problem.

00:56:29Look.

00:56:31Uncle, I mean, if I were your wife, I would fuck you a lot more.

00:56:36It's just that it's very painful.

00:56:38It's very painful.

00:56:42Hey, hey.

00:56:44Get out of there.

00:56:49Get out of the shower.

00:56:53Cami.

00:56:54Right away.

00:56:55Cami.

00:56:56Your lady is calling you.

00:56:57What are you doing at this time?

00:56:58Are you playing with my partner?

00:57:00For you, never.

00:57:01I'm always available.

00:57:02Excuse me.

00:57:03I'm going to help you wash your hair.

00:57:04Hey.

00:57:05Now.

00:57:06I'm going to wash my hands, then, to do it.

00:57:12I love it.

00:57:13Ah, good.

00:57:18Can my daughter bathe me?

00:57:20Yes, of course.

00:57:21When she finishes with me, she loves me like that.

00:57:23Look how beautiful she is now.

00:57:24She's like a Barbie, but a bad Barbie.

00:57:26You're a Barbie, but from the chestnuts.

00:57:29Hey, and do you like women?

00:57:31Do you like women?

00:57:32Or do you only like men?

00:57:33Only me.

00:57:34Or do you only like men?

00:57:35No, I mean, in the sexual field.

00:57:37Sex with women.

00:57:38That's why.

00:57:39Normally.

00:57:42But it's just that I'm very open in that sense.

00:57:44I, well.

00:57:45Exactly.

00:57:46I'm going to go with a girl.

00:57:48Hey, who do you want?

00:57:49Hey.

00:57:51I do.

00:57:52You do.

00:57:53You too?

00:57:54Yeah, but it's different.

00:57:55Because Cami, Cami lives it.

00:57:56Don't tell me it's something else.

00:58:01I've dated two girls.

00:58:02How many?

00:58:03Two.

00:58:04But Cami, you don't like women.

00:58:07No, now I like both for 50 and 50.

00:58:09I've never dated a woman.

00:58:11I like men.

00:58:12But.

00:58:13I like women.

00:58:14Women, fuck, well.

00:58:15I'm successful with men.

00:58:16With men, no.

00:58:18I feel the impact, baby.

00:58:24This girl is terrible.

00:58:25Hey, thank you very much.

00:58:26You're so sexy.

00:58:27Yeah.

00:58:28Thank you for imitating me.

00:58:30We were listening to you.

00:58:31You were with a woman.

00:58:32And you made her look good.

00:58:33And you gave her a hard time.

00:58:34No.

00:58:37I said that.

00:58:38I said that for me personally.

00:58:40What I like the most in the world are men.

00:58:43I love men.

00:58:44I've always been with men.

00:58:45I love them.

00:58:46But on the homosexual side, I really need a woman.

00:58:49Like, that happened to me.

00:58:52I've never been with a woman in a relationship.

00:58:53No.

00:58:54Do you have sex with a woman?

00:58:55No, I haven't.

00:58:56But I can make a threesome.

00:58:58Oh, my God.

00:59:29I'm telling you, the whole table is washed.

00:59:31Perfect.

00:59:32Excuse me.

00:59:33Are you a waitress?

00:59:34Because you should be there, baby.

00:59:35Let's go.

00:59:36Let's go.

00:59:37I don't want to be looking at your hands.

00:59:38Let's work.

00:59:39Keep working.

00:59:40Let's go, ma'am.

00:59:46Surprise!

00:59:52I'm more than proud.

00:59:53Yes.

00:59:54No, no, no, no.

00:59:55It's not like that.

00:59:56You know why?

00:59:57Why?

00:59:58Yes.

00:59:59Because thanks to you and the poet, these gentlemen, excuse me, right?

01:00:03Who are a little bit like, you don't understand.

01:00:06Strong.

01:00:08They were desperate.

01:00:11Because, imagine the quotation marks, humiliation.

01:00:15I have no idea why.

01:00:16Simply because they defined that there were some, is that right?

01:00:20Yes.

01:00:21Who were weaker.

01:00:22That's fine.

01:00:23Weak, some.

01:00:24Weak.

01:00:25It's a joke, you can laugh.

01:00:27Well, I have the surprise.

01:00:29I suggest that the gentlemen go to the place they deserve.

01:00:36Well, then.

01:00:38You release.

01:00:39Yes.

01:00:40Go to the kitchen.

01:00:42Yes.

01:00:43Together with Mariela.

01:00:45And you also accompany.

01:00:47And bring some wonderful vegetables.

01:00:51To which a poet in 200 more years is going to make a poem.

01:00:56Already.

01:00:57It's a fashion.

01:00:58Already.

01:00:59Already.

01:01:00Wow, that cat, where did you get it from?

01:01:02Yes, look how.

01:01:03It's a cat.

01:01:04I have like five.

01:01:05Five of these.

01:01:06Do you only have one?

01:01:07No, I had two, but one at home.

01:01:09But a simple one.

01:01:10Ah.

01:01:11But is that your natural hair?

01:01:12Or do you also have extensions?

01:01:13Ah, well, well.

01:01:14No, yes.

01:01:15I have extensions.

01:01:16But why do you use so many extensions?

01:01:18I only do it when I'm going to a party.

01:01:20Because.

01:01:26Look how wonderful.

01:01:28Pure poetry.

01:01:30With gargoyle and elegance always.

01:01:32Sorry, my arms are a little tired.

01:01:34But you.

01:01:35Look, look.

01:01:37I didn't think about it.

01:01:38I didn't think about it.

01:01:39Never again.

01:01:40Never again.

01:01:41Thank you.

01:01:42Thank you for giving me tranquility.

01:01:43Of course.

01:01:44Please, you now break and start delivering to your colleagues, colleagues and colleagues.

01:01:58Now, yes, sir.

01:01:59You can do whatever you want.

01:02:00You can go home.

01:02:01No.

01:02:02Not here.

01:02:03No.

01:02:05No.

01:02:06No.

01:02:07No.

01:02:08No.

01:02:09Let's make a cut of onion.

01:02:10The important thing is that you have to get the squares, no more than one centimeter.

01:02:11In small squares.

01:02:12Without crying.

01:02:13No.

01:02:14No.

01:02:15No.

01:02:16No.

01:02:17No.

01:02:18No.

01:02:19No.

01:02:20No.

01:02:21No.

01:02:22No.

01:02:23No.

01:02:24No.

01:02:25No.

01:02:26No.

01:02:27No.

01:02:28No.

01:02:29No.

01:02:30No.

01:02:31No.

01:02:32No.

01:02:34No.

01:02:44This is not square, he said in another one.

01:02:48Claudia likes to be here?

01:02:49You like.

01:02:50Do you like Claudia being here?

01:02:52No.

01:02:54We will miss you.

01:02:56We will miss you.

01:03:02This is the challenge.

01:03:04I need you to call Camila.

01:03:06Just tell her to come now.

01:03:08Okay.

01:03:10Camila.

01:03:14Margarita.

01:03:16Let's go.

01:03:18You have the mission

01:03:20and the privilege

01:03:22to attend to the gentlemen.

01:03:24What we are going to do now

01:03:26is called the tea time.

01:03:28But the tea time

01:03:30in Great Britain is tea and champagne.

01:03:32You lead.

01:03:34You make the effort.

01:03:36You go to her.

01:03:38Go to bite.

01:03:40You bite.

01:03:42No, no, no.

01:03:44Let's go.

01:03:48I have wonderful news.

01:03:50I leave you

01:03:52one of the servants

01:03:54who will explain

01:03:56what this little

01:03:58feast is about.

01:04:00Thank you very much.

01:04:10This is the champagne that will be served

01:04:12directly from the United Kingdom.

01:04:14That's it.

01:04:18Hi, Amanda.

01:04:20It's my bed.

01:04:22Have fun.

01:04:24I'm understanding the lyrics.

01:04:26Did you see?

01:04:28No, I didn't like the lyrics.

01:04:30No, no, no.

01:04:32Tell me.

01:04:34You are wonderful, Amanda.

01:04:36How did you do it?

01:04:38But I'm going first.

01:04:40I'm slow.

01:04:42You have all night.

01:04:44Are there three or one?

01:04:47You guys were great.

01:04:49Let's cheers for Austin.

01:04:51For winning the competition.

01:04:55First, I want to congratulate you.

01:04:57And I want to congratulate the poet

01:05:01who did it.

01:05:04It was a really difficult show.

01:05:06I'm sorry to have interrupted.

01:05:08You talk when we let you talk.

01:05:11No, no, no.

01:05:13No, no, no.

01:05:14No.

01:05:15No.

01:05:16No.

01:05:17No.

01:05:18No.

01:05:18This is very good.

01:05:20I'm going to say another speech.

01:05:21Cheers for the fine Claudio.

01:05:23No.

01:05:24No.

01:05:27Chau.

01:05:29Oh, my God.

01:05:30Good night.

01:05:31Good night, Peter.

01:05:32Have a good dream.

01:05:35Oh, no.

01:05:35Cheers to the ladies.

01:05:36Oh, you liars.

01:05:38Cheers.

01:05:38To you.

01:05:39Cheers to the servants.

01:05:40Cheers.

01:05:41We're worthless.

01:05:41We're not worth anything.

01:05:45They're drinking.

01:05:46But it's champagne, a piece of shit.

01:05:48You know how much I like champagne.

01:05:57Let's send the cry of resistance, Botota.

01:05:59Of course.

01:06:00Sorry.

01:06:02Resistance!

01:06:03Resistance!

01:06:04Resistance!

01:06:05Resistance!

01:06:06Resistance!

01:06:07Resistance!

01:06:09The first inappropriate behavior I've seen of you.

01:06:12My boss...

01:06:14Your boss?

01:06:15My boss's name.

01:06:16No, I gave him permission to take it.

01:06:21Tonight, ladies and gentlemen, you'll live a special pajama party of the time.

01:06:26In which the men will also present to them their best weapons of seduction.

01:06:34Did you learn anything from the talk we had?

01:06:36I don't think Claudio listens to us.

01:06:37No, he doesn't.

01:06:38Did you decide to give away the stuffed animals?

01:06:40Yes, I did.

01:06:41I'm going to give them away to a foundation.

01:06:42It's good to tell stories when you go out with girls.

01:06:45Don't try to make them feel bad.

01:06:46Don't make them feel bad.

01:06:47Never make them feel bad.

01:06:48You have to make people feel good.

01:06:49Always, always.

01:06:50When you tell a girl, for example,

01:06:52Hey, I have this in my book.

01:06:53Oh, what are you doing?

01:06:54I'm a poet.

01:06:55Recite one for me.

01:06:56You haven't won one yet.

01:06:57This one?

01:06:58No, you can't give her a tray.

01:06:59I couldn't give her a tray.

01:07:00No, no.

01:07:01In fact, I do it a little.

01:07:02Maybe when you're at home, there's something more intimate.

01:07:04Yes.

01:07:05You recite one for her tonight.

01:07:07Tell her, fuck, she's going to like this one.

01:07:09Botota!

01:07:10Sir, who are you?

01:07:11I have information for Botota.

01:07:13Botota!

01:07:14Botota!

01:07:15I need Botota Fox, please.

01:07:16Botota!

01:07:17Botota!

01:07:18How are you?

01:07:19Botota, do you have an email?

01:07:20For Botota Fox.

01:07:21It's me.

01:07:22I have this message for you.

01:07:24Thank you very much.

01:07:25I need you to read it out loud, please.

01:07:27There?

01:07:28Yes.

01:07:29Let's go.

01:07:30Good night.

01:07:31Good night.

01:07:32Thank you very much.

01:07:37Attention, please, guys, ladies and maids.

01:07:42What?

01:07:43I mean, only women.

01:07:45Tonight, you will send, and all men, both men and maids,

01:07:52will be at your disposal.

01:07:55You are all invited to a...

01:07:58Pijama Party!

01:07:59Pijama Party!

01:08:04The men will show their best weapons of seduction.

01:08:10You will decide who is the Don Juan to win or serve.

01:08:17José Miguel Navarrete, Botota Fox, will be invited to join the party with the women.

01:08:22Do you accept?

01:08:23Of course.

01:08:24Are you ready?

01:08:27Get ready, because the Pijama Party is coming!

01:08:36Pijama Party.

01:08:37Pijama Party.

01:08:38All the women.

01:08:39I imagine here, right?

01:08:40And the men, we have to seduce them.

01:08:48Everything is here.

01:08:50You have to start changing now.

01:08:54Pijamas, girl, I was in the pijamas.

01:08:57No, better.

01:09:02Let's see, can I try your wig?

01:09:04But, oh my God!

01:09:05But I have to put like a bun.

01:09:07Like the worst dresser.

01:09:08Let's see.

01:09:09How do you get along with her?

01:09:10Bad.

01:09:11Don't you care?

01:09:12I love her.

01:09:13Doesn't it affect your son or not?

01:09:14The best thing is to put on a wig before dyeing your hair.

01:09:18But still, the healthiest thing would be that they get along well, that they could share, right?

01:09:21Yes.

01:09:22I don't care.

01:09:28I look like an old woman with the wig.

01:09:30I had blond hair.

01:09:31No, no, no.

01:09:32Walk like this.

01:09:33No, no, no, no.

01:09:35No, no, no, no, no, no.

01:09:38No, no, no, no, no, no.

01:09:39Look, girl.

01:09:41Beautiful.

01:09:42Beautiful?

01:09:43Do you want to sleep with me tonight?

01:09:52Do you get angry?

01:09:53Do you get angry?

01:09:55Sometimes.

01:09:57What makes you angry?

01:10:00For example, not sleeping.

01:10:02Oh, that's bad.

01:10:03What do I see in you?

01:10:05You're sociable.

01:10:06I am sociable.

01:10:07But in the morning I'm like…

01:10:10Give me some time.

01:10:11Of course.

01:10:12Something like that.

01:10:13Not always, not always.

01:10:14It depends on when and where you wake up.

01:10:16Exactly.

01:10:17How do you like people?

01:10:18Real people.

01:10:19What kind of people are your friends?

01:10:21People who are not fake.

01:10:22Do you understand?

01:10:23In general, I'm attracted to people who are more simple.

01:10:25My friends are not like people from…

01:10:27Not so many people from the TV or in the club.

01:10:30I like people who are more simple.

01:10:33Grandpa, is that your perfume?

01:10:35No, it's my sweat.

01:10:38Because it smells like you.

01:10:39When I sweat, it smells like this.

01:10:43It smells like me.

01:10:50It smells like…

01:10:51Like me?

01:10:52Yes, like cream, soap.

01:10:55You're clean.

01:10:58You don't have that many pimples here.

01:11:02You don't have pimples, do you?

01:11:03Yes, I have a lot.

01:11:04Where?

01:11:05Here.

01:11:06But not here.

01:11:10I do, I do.

01:11:11This is going to be horrible.

01:11:12No, I can't do it.

01:11:26What's up, sister?

01:11:30My finger hurts.

01:11:32No, I love it.

01:11:35I'm not going to let you play with my feelings.

01:11:38If you're playing with me,

01:11:40and I look beautiful,

01:11:41I actually look like a bastard.

01:11:43You're going to have a good time.

01:11:46Eat it, you son of a bitch!

01:11:54Hello!

01:11:57Here comes the villain.

01:11:59Where are you?

01:12:02Hello!

01:12:03What's up?

01:12:05A new member!

01:12:08How are you?

01:12:09My name is Amanda.

01:12:11I can't believe it.

01:12:12I had no idea Amanda was your daughter.

01:12:15You're like two drops of water.

01:12:18My mother is Amanda.

01:12:20Amanda.

01:12:21Amanda.

01:12:22Okay, what's your name?

01:12:23Amanda.

01:12:27Girls, we have a call.

01:12:34Are you mad at me?

01:12:35No, of course not.

01:12:37I've never seen you scream before.

01:12:39I don't want to talk to you.

01:12:41No?

01:12:48Seriously.

01:12:49What?

01:12:50I want to talk to you later.

01:12:51Come on, talk to me.

01:12:53No, I don't want to talk to you.

01:12:55I don't know.

01:12:56But seriously.

01:12:58Respect.

01:13:00A few hours later...

01:13:05How did that interaction go?

01:13:08I didn't get it.

01:13:09They were getting into it.

01:13:11You killed him.

01:13:12Did you tell him to fuck off?

01:13:14Yeah.

01:13:16But Claudio said...

01:13:18No, I didn't.

01:13:19I told him.

01:13:20Yeah?

01:13:24Is there action here?

01:13:25That's what I wanted.

01:13:26What a mess.

01:13:27There was no romance.

01:13:28Amor!

01:13:29Romance is considered...

01:13:30En serio?

01:13:34Cuenta la verdad.

01:13:35Te quiero servir.

01:13:36No, a ver, romance tampoco.

01:13:38Todavía no le pongamos etiqueta.

01:13:40Pero hay algo.

01:13:41Algo hay.

01:13:42Algo hay.

01:13:43Algo está fluyendo.

01:13:44Y me gusta su forma de ser, hay química, pero...

01:13:45Y ya se lo comió anteriormente.

01:13:47Nos besamos.

01:13:48Ya se lo serviste.

01:13:49En Brasil...

01:13:50Y quieres comértelo entero?

01:13:51Ah, ya se lo sé.

01:13:53Eso es lo que estoy intentando descubrir.

01:13:55De momento, tiene buena pinta el pastel.

01:13:59¿Me pones con la palo un poco atrás?

01:14:01Pero...

01:14:07Oye, ¿quién nos va a esperar esta noche?

01:14:09Porque yo tengo que preguntar por todas las chicas.

01:14:11Mira, vamos a hacer una pijamada entretenida.

01:14:13Vamos a jugar.

01:14:16Vamos a necesitar espacio.

01:14:17Entonces lo que vamos a hacer, las señoras en sus camas

01:14:20y las sirvientas aquí, en el baúlcito.

01:14:23Chicos.

01:14:28Necesito que ustedes lleven la champaña,

01:14:30todas las cosas para como agasajar a las cabras, ¿ya?

01:14:33Todo.

01:14:34Pero hagan, hagan un chopo,

01:14:35hagan un chopo así como desfilando

01:14:37y luego unos movimientos sexys.

01:14:39¡Ah!

01:14:40¡Uy!

01:14:41¡Uy!

01:14:42¿Pero cómo es eso?

01:14:43Eso sería prohibido.

01:14:47Hoy día, en el baúlcito,

01:14:50hoy día, en esta pijamada,

01:14:52vamos a puro servirnos.

01:14:54Chicos, vamos.

01:14:56Que entre, por favor, el bebécible y la comida.

01:15:08Chiquillas, hoy día, en nuestra pijamada,

01:15:11vamos a utilizar un poco a los hombres.

01:15:13Les vamos a hacer puros juegos para que se lo buscan.

01:15:15Porque hoy día, lo que vamos a hacer,

01:15:17lo que vamos a hacer es escoger al más don Juan.

01:15:19Me encanta, ya.

01:15:20Solo les quiero decir una cosa.

01:15:22A Poeta le dije que me hiciera su paso prohibido

01:15:24y ¡oh, vaya!

01:15:26Ese cabro, yo creo que se está haciendo pronto con nosotras.

01:15:29Tiene potencial.

01:15:30Tiene talento, tiene talento.

01:15:32Pero mete a ese cabro.

01:15:33Hay que potenciarlo.

01:15:34Hay que potenciarlo.

01:15:38Cambio, sale Mendoza.

01:15:40Entra Claudio Valdivia, señor.

01:15:43Se aburrió de Silviente.

01:15:46¿Te enojaste conmigo?

01:15:50Lo que pasa es que ustedes se cagan de la risa

01:15:52y a mí la hueá me tiene...

01:15:53No, este hueón me da risa que yo lo quiero ganar, pero después...

01:15:56Ya, porque a mí no se va a ponerse tan grave tampoco la hueá.

01:16:00No me afecta ir al lado de los circuitos, para nada.

01:16:03¿A veces afecta la decisión?

01:16:05Sinceramente, sí.

01:16:07No me afecta el servir, no me afecta nada.

01:16:09Creo que la decisión que tomaste fue muy buena.

01:16:12Y tú no lo podías ver por el lado de que la decisión que se tomó era de broma.

01:16:16Es que ¿cómo me lo tomé? Eso.

01:16:17Tomó como que...

01:16:19¿Te da risa la situación?

01:16:21Pero es que a mí no me da risa, hueón.

01:16:22Por eso te digo, pero es que son posturas diferentes nomás, hueón.

01:16:25Pero bueno, y se te respetan.

01:16:26Pero yo creo que la cosa está muy grave, hueón.

01:16:29Para ti no es grave.

01:16:31Bueno, por eso son posturas diferentes.

01:16:32Para mí sí, hueón.

01:16:35Bueno, no quiero discutir con ninguno, no quiero pelear con nadie,

01:16:38pero bueno, distancia hay.

01:16:40Acá hay una cosa.

01:16:41Los amigos también te clavan el puñal.

01:16:46No, hueón.

01:16:47Sí, es cierto.

01:16:49Este hueón es cizaña.

01:16:50Este hueón se cae al ladito.

01:16:51¿Es cizaña?

01:16:52Cizaña. Argentino Diego.

01:16:56¿Qué tendría que tener un galán para ti?

01:16:58O un Don Juan.

01:16:59Amando.

01:17:00Amando.

01:17:01Me gustan que sean jubilados, que tengan dinero y tengan humor.

01:17:04Un hombre que esté en una casa de reposo.

01:17:07Amanda.

01:17:09Amanda, eres tú, eres de una coalición.

01:17:12Mi estudiante favorita.

01:17:16¿Tú también eres la favorita?

01:17:17No me vaya a abrazar.

01:17:20¿Por qué tanto ruido?

01:17:21Mire, si ustedes están en una actividad,

01:17:24yo les dejo, porque hay que ser inclusivo,

01:17:26y me voy a acostar poniéndole los minutos.

01:17:28¡Pero cuándo!

01:17:31¡Amanda!

01:17:32¡Amanda!

01:17:33¡Amanda!

01:17:34¡Amanda!

01:17:36¿Qué es esto?

01:17:37¡Amanda, andabas con la abuela!

01:17:40Nos sentamos y empezamos, porque esto es una clase,

01:17:42hay que hacer una cosa así, si no yo no me quedo.

01:17:48La chica se menciona.

01:17:51Camila, quiero que saques un papel.

01:17:59Vamos a hacer pasar uno a uno a los galanes.

01:18:02Para que nos defilen primero que todos.

01:18:04¿Qué galanes?

01:18:05Los que están allá.

01:18:06Es lo que había.

01:18:07Vamos a llevar primero a Austin.

01:18:13Queridas, Austin mide un metro ochenta.

01:18:19¡Bravo!

01:18:21Veintinueve años.

01:18:23Cara de niño en un cuerpo de hombro.

01:18:27¿Hay una canción esa?

01:18:28Y así, esta noche de Ti Llamada, nos modelamos.

01:18:52¡Gracias!

01:18:56¡Gracias!

01:19:07Permiso.

01:19:09Tiene treinta y nueve años, un metro ochenta y seis de puro sabor.

01:19:14Le encanta el peligro y lo extremo.

01:19:18Y este es el desfile de Pancal.

01:19:27Tiene un limón.

01:19:41¡Cuida tu templo!

01:19:50¿Quién tiene la pregunta para Pancal?

01:19:53Eres el Tarzán de esta hacienda.

01:19:55¿Quién sería tu Jane y quién sería tu Monochita?

01:20:00Yo quiero ver a la chiquitita ahí.

01:20:01¿Cuál?

01:20:02Yo.

01:20:03Sí.

01:20:05Y mi Monochita allá.

01:20:07¿Quién sería Monochita?

01:20:08Tú.

01:20:11Imagínate con las dos.

01:20:13¿Has hecho alguna vez un trío?

01:20:14Sí.

01:20:15¿Y cómo ha sido la experiencia?

01:20:16Buenísima.

01:20:17¿Y cómo crees que sería la experiencia con las dos?

01:20:19Atómica.

01:20:20Las dos tienen como química.

01:20:21¿Ya?

01:20:22Sí, imagínate.

01:20:23¡Oh!

01:20:24¡Saco aplauso!

01:20:25¡Gracias Pancal por la honestidad!

01:20:28¡Coca!

01:20:30¡Vamos! ¡Vamos!

01:20:32Una pijamada tiene que ser con gritos.

01:20:34¡Coca!

01:20:35¿Así?

01:20:36Tiene que ser parte de la pijamada.

01:20:39Este es el desfile de Coca Mendoza.

01:20:48Ahora me toca a mí.

01:20:49¡No!

01:20:52Usted está casado.

01:20:53¡No, no, no!

01:20:54¿Por qué le creía?

01:20:56Viene su esposa.

01:20:57Usted no es su esposa.

01:20:58Yo no quiero tener problemas después.

01:21:00¿Qué está haciendo?

01:21:01Yo no lo voy a mirar.

01:21:02No lo mire.

01:21:03No lo mire mejor.

01:21:04¡No, no, no!

01:21:16¿Quién tiene las preguntas para Coca?

01:21:20Si fuera stripper o actor porno.

01:21:25Strippers son los hombres de vida nocturna

01:21:28y se desnudan para la dimensión de las novedades.

01:21:31Precioso, me encanta.

01:21:32¿Cómo te llamarías y cuál sería tu poder o herramienta?

01:21:36El cacique de granitos.

01:21:38¿Cuál sería tu herramienta?

01:21:39La flecha.

01:21:40La flecha.

01:21:41O la lanza.

01:21:42¡Oh!

01:21:43Un aplauso para ella.

01:21:44Muchas gracias.

01:21:45Te volveremos a ver.

01:21:47¡Luis!

01:21:49Luis.

01:21:54Él es Luis Mateo.

01:21:55Y este es su desfile.

01:21:57¡Vamos, guapo!

01:21:58¡Muy artístico!

01:22:12¿Qué es lo más raro que te han hecho en la intimidad?

01:22:15Algo.

01:22:19¡Cállate, cállate!

01:22:23¡Poeta!

01:22:25¿Más de todo?

01:22:27¿Qué pasó, Michael Jackson?

01:22:28No, usted tranquilidad.

01:22:30¡Rico!

01:22:31¡Miau!

01:22:32Un romántico empedernido.

01:22:35Con versos que enamoran y una fiera por descubrir.

01:22:41Me encanta esta canción.

01:22:45Y todo así, como que...

01:22:47Intimida el poeta.

01:23:01¡A la mandalo!

01:23:17¡Oh!

01:23:20¿Tiene que tocar el soporte?

01:23:22Todavía no.

01:23:25Tiene que haber para todas.

01:23:28¡A ver ya!

01:23:43¿Paso prohibido?

01:23:47¡No!

01:23:55Ok, ¿quién tiene las presentaciones?

01:23:58¿Podrías relatar un encuentro sexual, amoroso, en estilo partido de fútbol?

01:24:05¡Qué difícil!

01:24:08Se va acercando Fran.

01:24:09La mira Oriana.

01:24:11Con sutileza.

01:24:12Se acercan.

01:24:13Se toman del cuello.

01:24:14Van acercando sus bocas.

01:24:15Están poquito tibiamente.

01:24:17Se está calentando este compromiso.

01:24:19Se toman de la cintura.

01:24:21Se abrazan.

01:24:22Se acuestan en la cama.

01:24:24Se besan.

01:24:25Rozan sus piernas, su cuerpo.

01:24:27¡Oh!

01:24:34Muy bueno.

01:24:35Muy bueno.

01:24:39Realmente tan lucido.

01:24:40Muchas gracias, poeta.

01:24:41Te volveremos a llamar.

01:24:43Oye, sigue por ese camino.

01:24:44Sigue por ese camino.

01:24:45Muy bien.

01:24:47¡Claudio!

01:24:52Él es Claudio Valdivia.

01:24:56¡Adelante!

01:24:57¡Vamos!

01:24:58¡Lúcete!

01:24:59¡Lúcete!

01:25:06¡Eso!

01:25:08¡Ay!

01:25:09¡Ay!

01:25:10¡Ese saco!

01:25:20¡Madre, madre, madre!

01:25:26¡Ay!

01:25:27¡Dios mío santo!

01:25:31¡Me la va a reventar mi marido en la casa!

01:25:34¡No, no lo puedo!

01:25:39¡El beso, el beso, el beso!

01:25:41¡El beso!

01:25:49Él tiene las preguntas de clave.

01:25:51¿Con cuál de nosotras te pasan cosas?

01:25:53Me pasan cosas con dos.

01:25:56Con Blue Mary y con Fran.

01:26:00¡Dos pies!

01:26:02¡Una niña!

01:26:05Podría ser un trío.

01:26:06¿Te gustaría?

01:26:07Me encantaría con ellas dos, sí.

01:26:09¡Un aplauso para Claudito!

01:26:10¡Bravo!

01:26:16Esto fue como la previa.

01:26:17¿Qué?

01:26:18Que ahora, yo, con un sobrecito, le vamos a hacer hacer cosas al hombre.

01:26:23¡Por favor, mira!

01:26:24¡Justo venía!

01:26:25¡Mira qué coincidencia!

01:26:29Mira, aquí en este sobre hay muchas actividades.

01:26:33Voy a sacar al azar una que sea para ti y la tienes que hacer, ¿ok?

01:26:37¿Estás preparado?

01:26:39Sí, listo.

01:26:42¡Miren, miren! Malpensadas.

01:26:45Este joven deberá cantar para las señoras.

01:26:48¿Te gusta cantar?

01:26:49Sí, me encanta, me encanta.

01:26:51¿Qué canción vas a cantar?

01:26:52Se llama La Reina.

01:26:54Estoy pensando en ti, parezco un idiota.

01:26:58Mira, trajeron la versión peruana de Mateo Gucci.

01:27:01Cantante.

01:27:02Pero se lo pasea.

01:27:03Y ahora sí, baila la cara.

01:27:10Es como una goma.

01:27:11Ay, no me digas eso, que siempre me lo dices.

01:27:17¿Qué pasó?

01:27:18Es que el joven es tan humilde.

01:27:21Gala, ¿qué pasó?

01:27:22¿Te gustó la canción?

01:27:23Sí, creo que no he escuchado ninguna canción tuya.

01:27:25Bueno, esta es la que yo invito a vos.

01:27:31Pangal.

01:27:36Deberás tomar una ducha sexy mientras bailas.

01:27:40¡Pangal! ¡Pangal! ¡Pangal!

01:27:43¡Pangal! ¡Pangal! ¡Pangal!

01:27:53¿Ya?

01:27:55Sí.

01:28:09¡Igualdía!

01:28:19¡Pangal! ¡Pangal! ¡Pangal!

01:28:23Oye, qué hermoso foto.

01:28:25¿Sí?

01:28:26Qué foto más hermosa.

01:28:30Lo hizo con gargo y elegancia, lindo.

01:28:32Lo felicito. Me sorprendió.

01:28:34Muy bien.

01:28:35Tengo que decir las cosas como son.

01:28:37Gracias, te pasaste.

01:28:41¿Ustedes creen que a mí me gusta hacer esto?

01:28:43No.

01:28:44Claro que no.

01:28:45Es parte de mi trabajo.

01:28:46Obvio.

01:28:47Lo chico.

01:28:48¿Sí?

01:28:54Y deberás actuar como operador de una línea erótica.

01:29:00¿Has hecho eso alguna vez?

01:29:01No.

01:29:02¿No? ¿Te gustaría intentarlo?

01:29:03Sí.

01:29:04¿Siempre hay una primera vez?

01:29:05Obvio.

01:29:06Me gusta.

01:29:07Pásame el teléfono.

01:29:08¡Rireita, boluda!

01:29:09¿Aló?

01:29:10Hola.

01:29:11Hola, ¿qué tal?

01:29:12¿Cómo estáis?

01:29:13Bien, ¿y vos?

01:29:14Bien.

01:29:16Ven a escuchar, ven a escuchar.

01:29:18¿Qué haces?

01:29:19Acá, en la oficina.

01:29:20¿Haciendo qué?

01:29:22Pensando en vos.

01:29:24Yo también.

01:29:25¿Qué color de lencería estás usando?

01:29:27Adivínalo.

01:29:28¿Rojo?

01:29:29No.

01:29:31¿Blanco?

01:29:33No.

01:29:36Se quedó dormido.

01:29:40Se cortó.

01:29:41Vamos a la segunda llamada, vamos a la segunda llamada.

01:29:47Buenas noches.

01:29:48Buenas noches.

01:29:49Buenas noches.

01:29:53Tengo una situación acá.

01:29:56¿Qué tipo de situación?

01:29:57Necesito ayuda.

01:29:58¿Qué tipo de ayuda?

01:29:59¿Qué tipo de ayuda me ofrece?

01:30:02¿Te está pasando algo con esa voz?

01:30:03¿Te estuviste tocando?

01:30:04Un poco.

01:30:06Estás mojada, ¿no?

01:30:08Digo, ¿salís de la ducha?

01:30:09El guardajo, me parece.

01:30:12Se quedó dormida.

01:30:14Se quedó dormida.

01:30:15Se quedó dormida.

01:30:16¡Bien!

01:30:18Muchas gracias, Luis.

01:30:22¡Coquita!

01:30:26Deberás hacer dominadas con pelota, pero sin polera, ¿viste?

01:30:29Somos buenas contigo.

01:30:30¡Bien!

01:30:32Gracias.

01:30:44¡Vamos!

01:30:47Poeta.

01:30:51Deberás imitar a Luis Mateucci y hacer su paso insignia.

01:31:06Deberás hacer un baile sensual a una señora con una silla como elemento.

01:31:11Ya.

01:31:12¿A quién?

01:31:13A la Blue Mary.

01:31:15A la Blue Mary.

01:31:24¡Cántenlo más chiquito!

01:31:30¡Qué pesado!

01:31:32¡Qué pesado!

01:31:36¡Eso!

01:31:44¡Eso!

01:31:49¡Eh! ¡Eh! ¡Eh! ¡Eh!

01:31:51¡Bien!

01:31:53¡Bravo!

01:31:57¡Venga, por favor!

01:31:58Vamos a hacer la votación.

01:31:59Tendré que escoger al mejor.

01:32:00Sí.

01:32:01¿Ya? ¿Está difícil?

01:32:02Difícil.

01:32:03Pásate la boca.

01:32:08En esta pillamada queríamos hacer algo para divertirnos un rato

01:32:12y para elegir al más galán o al Don Juan de esta casa.

01:32:16Realmente se la jugó.

01:32:17Gracias por la buena onda.

01:32:18Le pusieron...

01:32:20Le pusieron mucha energía.

01:32:23¿Les gustaron las cosas que hubieron?

01:32:24¡Sí!

01:32:25Me encantó.

01:32:26Es un ganador.

01:32:27Bueno, vamos a escoger el que conquistó el corazón de la chiquilla.

01:32:30Vototas.

01:32:31Tu voto. ¿Para quién es?

01:32:33Para Austin.

01:32:34¡Austin!

01:32:36Mariela.

01:32:37Está difícil.

01:32:38Yo me quedo con mi capitán Pangal.

01:32:40¡Pangal!

01:32:41Un voto para Pangal.

01:32:44Te dejo a Pangal.

01:32:48A mí me gustaron sobre todo las de Austin y Pangal,

01:32:52pero voy a elegir a Pangal.

01:32:57¿Cami?

01:32:58Está difícil.

01:33:00Estoy entre Claudio y Pangal.

01:33:03Ya, Pangal.

01:33:07Todos lo hicieron bien.

01:33:08Algunos destacaron más que otros,

01:33:10pero me voy a quedar con Pangal.

01:33:13¿Gala?

01:33:14Yo estoy también entre Pangal y Austin.

01:33:18Igual sí me encanta el oído, me convence mejor.

01:33:22Pero, pero, pero...

01:33:23Como no me encantó el oído, no me convenció del todo,

01:33:26entonces yo creo que Pangal.

01:33:29¡Fallon!

01:33:30Pangal.

01:33:32Mi voto es para Austin.

01:33:33¡Pangal!

01:33:34Pangal lo hizo perfecto.

01:33:37¡Momento!

01:33:38Aquí se decida todo.

01:33:39Amanda.

01:33:40Ese voto vale por dos.

01:33:44Podría decir que voy a votar por todos, pero no.

01:33:46Aya.

01:33:47No.

01:33:48Yo votaría por don Claudio y por la señorita.

01:33:51¡Ah!

01:33:52¡Muy bien!

01:33:55Para decir algo, estoy preocupado.

01:33:56¿Por qué?

01:33:58Desde que llegó Austin, mi amigo ha cambiado.

01:34:01Está triste.

01:34:02Está triste.

01:34:03Está triste 2.0 ahora.

01:34:05Estoy todo preocupado por mí.

01:34:07Pero me nombré, me nombré, me nombré.

01:34:09Hermano, tranquilo, ganaste, fetejaste y ganaste.

01:34:14Y ya tenemos un ganador.

01:34:16Por favor, Pangal, ponte acá.

01:34:18¡Bravo!

01:34:21Tengo un regalo para ti.

01:34:23Es una exquisita botella de vino.

01:34:25¿Ya?

01:34:30Darles las gracias.

01:34:31Ojalá que lo hayan pasado súper bien.

01:34:33Y quiero decirles algo, queridos participantes.

01:34:37Después les va a tocar a ustedes.

01:34:41Buenas noches.

01:34:42¡Bien!

01:34:43¡Bravo!

01:34:54Buenas noches, descansa.

01:34:55Y...

01:34:56Adiós.

01:34:57A seguir en Canal 13.

01:34:59Porque Canal 13 es el canal de los realities.

01:35:02Adiós.

01:35:03Chao, chao.

01:35:05Cuida tu templo.

01:35:07Bueno, lo que quiera, Bill.

01:35:09Lo que quiera.

01:35:12Chao.

01:35:23Estuvo entretenido.

01:35:25Sí, ¿cierto?

01:35:27Sí, obvio.

01:35:37No.

01:35:39Sí, sí.

01:35:42No, no, no, ya.

01:35:45Esa no es de nosotros, amigo.

01:35:48Bueno, que se joda por pelotudo. No valga.

01:35:50¿Eso es de proteína?

01:35:51Ravioli con salsa.

01:35:53Es de nosotros.

01:35:55¿Qué se yo? Estos son...

01:35:57Ellos no están honestos.

01:35:58Tráenlo.

01:35:59¿Qué te enoja? Si esta weá es de los señores.

01:36:02Yo puedo decir que eso es nuestro.

01:36:03¿Y qué?

01:36:04No sea tan pelotudo, boludo.

01:36:07Ellos primero.

01:36:13Si el Luis quiere ravioli, que se sirva ravioli.

01:36:16¿Por qué él quiere?

01:36:17Yo no tengo idea.

01:36:19Sí, pues hagámosla pegar bien.

01:36:21Sí, pues.

01:36:26El Mateo ya no habla.

01:36:27Está...

01:36:28Oye, si tiene hambre.

01:36:29Pero ya va a ser un pelotudo el Luis de aquí.

01:36:31Sí.

01:36:33¿Eh?

01:36:34¿Qué quieres?

01:36:35No, no le pido nada.

01:36:36¿Queres un like?

01:36:45Ya yo me voy a acostar, chiquillo.

01:36:47¿Qué?

01:36:48¿Qué?

01:36:49¿Qué?

01:36:50¿Qué?

01:36:51¿Qué?

01:36:52¿Qué?

01:36:53¿Qué?

01:36:54¿Qué?

01:36:55¿Qué?

01:36:56¿Qué?

01:36:57¿Qué?

01:36:58¿Qué?

01:36:59¿Qué?

01:37:00¿Qué?

01:37:01Me voy a acostar, chiquillo.

01:37:05Ya.

01:37:06Yo me voy para allá.

01:37:07Chao, chiquillo.

01:37:08Descansen.

01:37:09Que sueñen con los angelitos.

01:37:20Mañana va a ser un...

01:37:23Debería ser un día intenso de enojado.

01:37:31Buenas noches.

01:37:32Hasta mañana.

01:37:46Bueno.

01:37:48Se acabó esta.

01:37:57Que me gusta porque la vida tiene inicio.

01:37:59Que suerte.

01:38:01Que a vos la genética te acompaña.

01:38:09Acá a la derecha.

01:38:10A la derecha.

01:38:30¿Ahora?

01:38:31¿Con la cantante?

01:38:32Ella dice que eres excepcional.

01:38:33Sí, pero ahora estoy bajo presión.

01:38:35A ver.

01:38:36Vamos.

01:38:38Está finadito.

01:38:39Toma.

01:38:43No puede ser.

01:38:44Sí.

01:38:45¿Qué?

01:38:46Nos sentemos a tomar desayuno.

01:38:47No, están tres pedazos de fruta y un café.

01:38:50Y tú vas para afuera.

01:38:51Mantequilla, mermelada, palta, café, jugo, miel.

01:38:56Ey, ándate.

01:38:57Ándate.

01:38:58Tenemos que empezar a exigir.

01:38:59Sale.

01:39:00No, no.

01:39:01Todo mal.

01:39:02Se pueden retirar, por favor.

01:39:03Coca.

01:39:04Ya, po.

01:39:05Estamos en reunión.

01:39:06Estamos en reunión de equipo seria.

01:39:10¿Pero qué es lo que propones hacer?

01:39:11Yo opongo que si viene la Amanda, le digamos, po.

01:39:14Se están robando todo.

01:39:15Y por eso dicen que están tan cómodos, ¿sabes?

01:39:17Pero no les falta nada.

01:39:18Claro.

01:39:19Pero entonces tenemos que hablarlo.

01:39:20Pero claro.

01:39:21Tiene una cara de lobo increíble.

01:39:23¿Peligroso o un lobo tierno?

01:39:24Tierno, pero peligroso.

01:39:26Es como raro.

01:39:28¿Te incomoda que esté acá o todo bien?

01:39:30¿Por qué me incomodaría?

01:39:32Te pregunto si te incomoda.

01:39:33No me incomoda.

01:39:34Ya, listo.

01:39:35Si me incomodara, no estaría ahí ni cerca mío, créeme.

01:39:38O sea, ¿te gusta que esté cerca de ti?

01:39:40No, no dije eso.

01:39:41Dije, me parece que me incomoda.

01:39:43Me pongo nerviosa.

01:39:45Ya.

01:39:50¿Y por qué usted tiene mejor desayuno que el de nosotros,

01:39:53que no lo entiendo que somos los señores?

01:39:55Porque no somos flojos como usted y no nos levantamos tan tarde.

01:39:57Pero si usted se dedica a hacer mi programa, hombre.

01:39:59Cuando gané.

01:40:00Perdón.

01:40:01Haciendo las cosas.

01:40:02Perdón.

01:40:03Me paso.

01:40:04No, ese fue la mierda.

01:40:05La palta ha sido el gran problema.

01:40:08A mí me da un poquito de ataque ver que este tipo de cosas que está pasando...

01:40:12No, es que sabe...

01:40:14Lo único que quiere es llamar la atención y agota el grupo.

01:40:17Mariela, yo creo que usted como periodista,

01:40:19seguramente en el futuro va a ser maravillosa.

01:40:21Amanda...

01:40:22Salga.

01:40:23Perfecto, salga.

01:40:24No, no, no.

01:40:25Salga, salga.

01:40:26Está rompiendo la energía.

01:40:27Eso, perfecto.

01:40:29Menos es...

01:40:30Más.

01:40:32Y nosotras como las viejas del vizillo.

01:40:34Sí, nos da.

01:40:35Creo que ya me voy a aburrir.

01:40:36Como vieja Lissandra.

01:40:41Entró alguien.

01:40:44Este güey ando que ninja.

01:40:47Tenemos que defenderlos.

01:40:49Son piratas.

01:40:57Aleluya, si fue el siguiente.

01:41:00Andá pa' al lado.

01:41:01No, no.

01:41:07Dale, Luis.

01:41:08Se lo prepararon para esto.

01:41:10Vamos, a que detengan.

01:41:15A mí déjame ese.

01:41:16Con vikingo.

01:41:17A vos estoy encontrándote.

01:41:18Ay, ay, ay.

01:41:19Cuidado, cuidado.

01:41:22¿Quién eres tú?

01:41:23Yo soy el señor Poeta.

01:41:25Señor Poeta, a ver, una policía.

01:41:27No, no sé quiénes son ustedes.

01:41:28Primero presentense.

01:41:32Me gusta, me gusta.

01:41:35Prepárense que vamos a iniciar con las mujeres.

01:41:40Mariela, adelante.

01:41:43Camila.

01:41:44¡Sí!

01:41:48La verdad es que esto va a ser un combate bastante tenso,

01:41:50por lo que podemos analizar por las miradas.

01:41:52Se han agarrado, se han agarrado.

01:41:55¡Pele!

01:42:05¡Listos! ¡Mátense!

01:42:24Subtítulos realizados por la comunidad de Amara.org

¿Ganar o Servir? De vuelta al Pasado | Capítulo 7

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