La promesa - Temporada 3 - Ep 386
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00:00You think this behavior is decent?
00:05What are you talking about?
00:06We were not doing anything.
00:10That you work in La Promesa
00:11does not give you the right to have such indecorous behavior.
00:15People live here, not cows or pigs.
00:18I was just supporting her, ma'am.
00:22I see.
00:24You were offering her a very close support.
00:27Stop insinuating.
00:29I'm telling the truth.
00:31Or weren't you hugging when I surprised you?
00:33Adriano has already told you that it was a gesture of support.
00:35Of course.
00:37I see you have these gestures between you.
00:40Come on, thank goodness I didn't come later
00:42because I would have found you supporting each other even more intimately.
00:45You are a dirty and ill-conceived.
00:48In that small town where you were,
00:50you could do whatever you wanted.
00:52But here you are in a palace
00:54and we live decent people.
00:55Well, enough insults.
00:56Stop dirtying La Promesa with visits of ...
00:59obscene sluts.
01:01Don't humiliate me anymore.
01:03Besides, I will bring the palace to whoever I want.
01:06Not at all.
01:08I remind you that this was my house long before you arrived.
01:11Do you mean when I married your father?
01:14And I saved you from being a miserable orphan?
01:18You should thank me.
01:20A woman less generous than me
01:22would not have put up with two unbearable people like Tomás and you.
01:26Two sluts who have ruined my life.
01:28I think this conversation ...
01:29You shut up, Gañan.
01:31Who gave you permission to speak?
01:33Get out of here.
01:36You're not going anywhere, Adriano.
01:39It's for the best, miss.
01:41I don't want to make things worse than they are.
01:47You are very wrong if you think I am indebted to you for marrying my father.
01:51On the contrary.
01:52But what are you saying, ingrate?
01:54That since you came to this house, you have only brought evil.
01:57You are a viper who poisons everyone around you.
02:01No, don't look at me like that.
02:03I will never forget all that nonsense.
02:05Because of you, I ended up in the hangar.
02:07How little those readings and suffragette flames have served you.
02:12All to fall down in front of the first one who looked at you, right?
02:15Shut up.
02:16You succumbed to Pelayo's love and put my whole family in danger.
02:19I hope you have learned your lesson.
02:22You are now going to fall at the hands of this ignorant coward.
02:26It's better to be worse, Catalina.
02:29For that, you had better have stayed in that filthy hole.
02:32I assure you that in this palace, no one missed you.
02:50As soon as they found out that I was coming with the intention of taking Adolfito,
02:55my parents-in-law did not let me pass the threshold of the door.
02:59Come on, you are no longer welcome at his house.
03:02But until now they had let you see him when you went to visit him, right?
03:06That's right.
03:08But now he won't even be able to continue being like that.
03:11Maybe he picked them up out of nowhere and they got defensive.
03:14No, Hanna.
03:16I don't think they change their mind over time.
03:19How was the boy?
03:21Did he find out about the trifle?
03:24I don't know.
03:26They didn't even let me see him.
03:28But that's an unfair virtue, that you are his mother.
03:31Well, they did.
03:33They made the excuse that I was very upset and that Adolfito would notice it.
03:37These people are starting to like me very, very bad.
03:42But you insisted, daughter.
03:46No, Bea, how did I get?
03:48You know me well when I get mad at my mother.
03:51Not even with those?
03:53The only thing I got was for them to get even more relieved.
03:56My father-in-law made it very clear to me that he would never let me take Adolfito from there.
04:00You have no right, huh? He's your son.
04:04They say I lost him because of my bad head.
04:06They think I have shown with growth that I am not capable of raising a child.
04:10How inhuman.
04:13Well, but those are things of the past, Virtudes.
04:16And people change.
04:19Do you know the worst of all?
04:23That I put myself in my father-in-law's shoes and I would do the same as them.
04:26I would not leave a poor creature in the hands of a stupid, insincere woman like me.
04:31No, no, no, no, no.
04:33Don't talk like that, daughter.
04:35Mother, your words pierced my chest like a dagger, but they are true.
04:40I cannot deny the mistakes I have made.
04:43You are no longer the same, Virtudes.
04:45Well, no, everyone deserves a second chance.
04:49You have to forgive yourself, daughter.
04:53Don't worry.
04:55I'm sure there is some way to convince them.
04:58It's just that now we can't think of anything.
05:01Yes, there is.
05:03They gave it to me themselves.
05:06Then there is a possibility.
05:10It's an impossible.
05:12Or not, huh? There is nothing impossible in promising.
05:15Here we all raise our shoulders and do whatever it takes to bring Dorfito back.
05:21I appreciate your intention, but you can't do miracles.
05:27Well, if you mean that two wings don't come out and she flies away, then no.
05:31Almost as difficult as that.
05:33Well, tell us about it once.
05:35Yes, you have us on the hook.
05:39My in-laws will only agree for my son to come back to me
05:44if I prove an economic solvency that I don't have.
05:48And what does that mean?
05:52What do you want to see if you have the possibility?
05:54I don't have them, nor does almost anyone have them.
05:59My own in-laws don't either.
06:01A child only needs love and pampering.
06:04Money is not that important.
06:10Well, let's see. Let's see what this conclave is up to.
06:13Oh no. We were just chatting a little, Mrs. Petra.
06:16Well, stop nagging and let each one return to their task.
06:21Is that clear?
06:23Shall we go?
06:40A year later
07:06God!
07:07I don't know where you're going with those bullets.
07:09I should have broken his face.
07:11Lope, please tell me you haven't gotten involved in a fight again.
07:15Well, yes.
07:16But for God's sake!
07:17It was to defend someone who had no alternative, Salvador.
07:20Okay, okay.
07:21Calm down and tell me what happened.
07:31I surprised Santos by trying to rape Vera.
07:35What?
07:36He was touching her without her consent.
07:39I don't know what would have happened if I hadn't arrived in time.
07:42How can you be so unwilling?
07:44I didn't ...
07:45No, no, it wasn't me. I lost my mind.
07:47I grabbed him by the neck and I don't know what I would have been able to do if it hadn't been for Don Ricardo.
07:51You did it, unless you abused Vera.
07:53Yes.
07:54And Don Ricardo prevented me from killing him.
07:56Because he separated us and stopped the fight.
07:58Because if he didn't ...
07:59And he didn't give his son what he deserved.
08:01Well, no, Salvador, no.
08:03Because Santos has denied the oldest and Vera has not dared to contradict him.
08:08You have to talk to Don Romulo about all this.
08:10And I can't do that, Salvador.
08:11It would be assaulting Don Ricardo's authority.
08:13And I have nothing against Don Ricardo.
08:14But as you said, he is Santos' father.
08:16And that conditions him irreparably.
08:19Yeah.
08:20I guess for a father it has to be very difficult to assume that your son is a bad beast.
08:26Talk to Don Romulo, really. Listen to me.
08:33Don't.
08:45It's okay.
08:47I'm going to talk to him.
08:50Besides, Mr. Baeza asked you to trust him.
08:53And if he doesn't find out about this first-hand event, he's going to get angry.
08:59What do you want?
09:00Do you want another shot in the head?
09:04Well, no.
09:06I prefer to have him by my side, so he doesn't see how strong he is.
09:10I still feel the blow he gave me.
09:23I'm sorry, because I had my head everywhere, except on the walk.
09:26It's okay.
09:27Sometimes fresh air is not an infallible remedy to alleviate worries.
09:32I can't get my head off what Cruz said about the place where Martina was admitted.
09:36Don't you realize that this is precisely what he is looking for with his comments?
09:41It seems a lie that at this point you still don't know that the Marquis enjoys your suffering.
09:47I know, but what if it's true?
09:49If the place is worse than we think?
09:51It's not.
09:52You saw the facilities yourself.
09:54And you saw how kind the staff was, including the doctors and nurses.
09:58I don't know, we arrived too late.
10:00I couldn't see the place well.
10:03It's true that they greeted us very cordially, but I don't know if it's a rude greeting.
10:08I don't know what they're hiding behind their smiles.
10:10They are the best in their field, Margarita.
10:12Believe me, I did a lot of research before I left for that place.
10:17I understand your concern, but you must put it aside.
10:20We do all this for the sake of your daughter.
10:22Yes, that's what I want to think, but ...
10:24No buts, Margarita.
10:26We had to do something.
10:27Your daughter was not well and you know it.
10:29Those ups and downs were not normal.
10:31Those robberies of violence.
10:32First, he slapped me.
10:34Then he destroyed my bonsai.
10:35I know, I know.
10:36And the last thing he did was try to poison me.
10:39Well, Ignacio, stop this now.
10:41You talk about her as if she were a murderer.
10:43No, I have never said that.
10:45What's more, I don't even think he wanted to end my life.
10:48But it's obvious that she was upset.
10:51I know that your daughter is the first to suffer with all this.
10:53Margarita, but you must give in to the evidence.
10:55You yourself found the cicuta in her bedroom.
11:02Martina is where she should be.
11:05There they will help her to deal with her demons.
11:08And to resume her life as a renewed person.
11:11No, Ignacio, I just want her to be fine.
11:13And don't think that I have abandoned her.
11:16You abandon her?
11:17What ideas do you have?
11:19Your daughter knows perfectly well that all you want is the best for her.
11:49I love you.
12:05You haven't put on your uniform yet?
12:07I have to talk to a doctor.
12:09Please, it's a mistake for me to be here.
12:12If I could talk to a doctor, please.
12:15The clothes are not as elegant as the one you are used to wearing.
12:18But I promise you it's very comfortable.
12:20No, you haven't heard me, I'm afraid.
12:23I have to see a doctor urgently.
12:25And if you don't look for something, I'll go look for it.
12:27Please.
12:29Start by getting dressed, please.
12:31It will be better if you do it on your own.
12:34Don't be scared.
12:36Once you've been a good girl and you've put on your uniform,
12:39I'll let the doctor know.
12:41Okay?
12:47Thank you.
12:55They look perfect in this vase.
12:58Good afternoon.
13:00Alonso,
13:02what do you think of the flowers I picked in the garden?
13:05Leave us alone.
13:07You can't repeat what happened last night.
13:11I know we both wanted the same thing.
13:13You're wrong.
13:15And it's the second time you've acted so impulsively.
13:18I didn't see you complain.
13:20I'm a gentleman.
13:22And I left before telling you something really offensive.
13:25You're a gentleman and I'm a lady.
13:30I'm sorry.
13:32I'm sorry.
13:33I'm a lady.
13:36I don't intend to be rude.
13:39I just want you to understand that this is going too far.
13:42I can't help it, Alonso.
13:44What about the feelings? They don't count.
13:47I know this is affecting our good relationship.
13:50But how can it not affect our good relationship
13:53if you take advantage of any opportunity to try to get closer?
13:58This can't happen again, Maria Antonia.
14:01Never again.
14:03Never again.
14:07You can keep talking and arguing about me.
14:10Whatever you're doing.
14:12I told Maria Antonia I have some matters to attend to on some lands.
14:16And I have to go.
14:19If you'll excuse me.
14:20Bye.
14:32Are you okay?
14:34Yes.
14:51Juana!
15:01My name is Juana.
15:03I'm going to be your roommate.
15:07Are you going to sleep here with me?
15:10I was staying in another room.
15:12But they've decided to move me here
15:14because it seems our ailments are similar.
15:17So we could be roommates.
15:18I'm fine.
15:20Me neither.
15:22Precisely because of that.
15:24Because we're both fine.
15:26We're going to get along great.
15:28I shouldn't be here.
15:30Relax.
15:32This place isn't as bad as you think.
15:34I don't care how it is.
15:36I just want you to look at me.
15:38Let me know when you get there.
15:40I'll give you some advice.
15:42Do everything they ask you to do.
15:44It's the best way to show them you're okay.
15:46Put on your uniform.
15:48I'll help you.
16:11I'm sure we're going to be great friends.
16:16Yes.
16:34Mr. Baeza, I need to talk to you.
16:36Yes, of course.
16:38Sit down.
16:46Well, you tell me.
16:50I feel obliged to tell you
16:53my version of the incident I had with Santos this morning.
16:56I have no knowledge of any incident.
16:59It would be the first version I receive.
17:02He hasn't told you anything, Mr. Ricardo?
17:05Not everything he tells me.
17:07You will be a novelty to me,
17:09so please don't delay because I'm getting impatient.
17:11Maybe he hasn't told you anything
17:13because we're not just involved, Santos and I.
17:15There is a third person,
17:17but I would prefer to keep her out of it.
17:19No.
17:21Tell me, who is it?
17:25Vera.
17:27Well, tell me in detail about that incident, Mr. Ruiz.
17:31Yes.
17:33Mr. Baeza, if I'm so interested in talking to you directly,
17:36it's because I don't want you to confuse my attitude with Santos,
17:39with the tensions and fights I've been having
17:41because of my bad head.
17:42I understand.
17:44Mr. Baeza, I trust you a lot, a lot.
17:46Even more after the generosity you have shown
17:48by saving my debts.
17:50It's an honor not to have hidden.
17:52I don't want to disappoint your trust again.
17:55And you're not doing it,
17:57but you are putting my patience to the limit.
17:59Please, you can tell me at once.
18:01I surprised Santos by trying to force Vera.
18:04And if I didn't intervene,
18:06I'm sure I would have abused her.
18:08That's what you're telling me.
18:09Are you sure?
18:11Because it's a very serious accusation.
18:13I'm very sure, Mr. Baeza.
18:15That's why I faced him with a clean hand.
18:17And I assure you that I have not done anything.
18:19No, no, yes, I believe you.
18:21I believe you and I thank you for your frankness.
18:23That happened in the palace.
18:25Yes, Santos took refuge in the office of the key lady
18:27to act with impunity.
18:29I was passing through the corridor and I heard them.
18:31And he surprised you.
18:33That's right.
18:35Mr. Baeza, I don't know what would have happened
18:37if I hadn't intervened, I don't know.
18:39Mr. Baeza, Santos is a bastard.
18:41The one who takes care of his language, Mr. Ruiz.
18:44And now, please, continue with your story
18:47with all the details.
18:59Well, talk.
19:01How did the rice pudding come out?
19:03You have no words left, huh?
19:05You have to take another spoonful
19:07to see if you like it, Ana.
19:10It's that you embroider it, Simona.
19:12You have caught the point well, huh?
19:16This is exquisite.
19:18It is insuperable, Mrs. Simona.
19:20You are both exaggerated.
19:22No, what we are is sincere.
19:25It's that you embroider it, you embroider it.
19:28The one who whistles the rice pudding
19:30is Miss Martina.
19:32I wish they had let me prepare a pie for her
19:35with a little bit and take it to that sanatorium.
19:36I don't know.
19:38Look at that Erenio Santona, huh?
19:40If they are taken out of here at night
19:42and everyone's back,
19:44as if to let him take the dessert.
19:46I hope he's fine wherever he goes.
19:48Well, I heard Mrs. Margarita say
19:50that the place had many comforts, so ...
19:52All the less when you go out when you feel like it.
19:54That's true.
19:56None of those patients are there for pleasure.
19:58But that's a luxury prison.
20:00But a prison at the end of the day.
20:02May I?
20:04Go, go.
20:06I say goodbye for a moment
20:08and you start talking.
20:10And you?
20:12Eating dessert again?
20:15Why do you say again?
20:17Don't you remember that a few nights ago
20:20I caught you stealing food in the kitchen?
20:24I was hungry.
20:27Girl, if you had told us,
20:29we would have prepared something for you.
20:31Well, I didn't get that much either.
20:33They were leftovers that were not bad.
20:34Liar.
20:36You had a full plate.
20:40It's just that ...
20:42That's why they disappeared in the works.
20:45Girl, next time let me know
20:47or we'll think you're a rat.
20:49You're absolutely right. I'm sorry.
20:51You're forgiven.
20:53If you're caught before, you're a liar.
20:55It's not that, Mrs. Petra.
20:57I'm not a thief either.
20:59I just got caught a little
21:01because I hadn't had dinner that night
21:02and I was hungry, that's all.
21:04It's clear.
21:06Don't think about it anymore.
21:08But it's just that ...
21:10when you're a snitch,
21:12you get caught first and foremost.
21:14I do it too, huh?
21:22Oh, my God.
21:32What are you doing?
21:38Take these letters to the post box at the first hour.
21:41I will, sir.
21:43They are important.
21:45They have to do with the meetings I had
21:47with some farmers this morning.
21:49I hope they are not due to the anarchist movements
21:51that some of our fellow countrymen are suffering from.
21:54No.
21:56One thing, Romulo.
21:58Do you know if there is any news about my niece Martina?
22:00I haven't had a chance to talk to her mother.
22:03I have no evidence, sir.
22:05My latest news is that Mrs. Margarita
22:07left her well installed in that sanatorium.
22:09I see.
22:12But if you allow me,
22:14I would like to give you an opinion on that matter.
22:17And I realize that it is an opinion
22:19shared by most of the service.
22:21Well, go ahead.
22:23We know the lady well
22:25and it seems impossible to us
22:27that she is capable of doing something like
22:28tempting someone's life.
22:30I suppose you know that they found the bottle of poison
22:32in your belongings.
22:34Even so, sir, we fully trust your innocence.
22:38I see.
22:41I don't want to be indiscreet, sir,
22:43but that gesture of yours of beating
22:46has to do with this unfortunate matter.
22:49You know me too well, Romulo.
22:51I can't lie to you.
22:54And can I ask specifically
22:55what worries you so much
22:57in case I could be of help?
23:00Well, I don't know if it was a good idea
23:02to bring her into that sanatorium.
23:05I'm afraid that the opposite effect will occur
23:07and that hospitalization
23:09will end up seriously damaging her.
23:11It's a totally understandable fear.
23:13And the worst thing is that
23:15Martina's thing is just the drop
23:17that fills the glass.
23:19Lately, a general atmosphere
23:21of bitterness and sadness
23:23has settled there.
23:25I suppose that in the face of adversity
23:27is when the family has to be more united.
23:29Of course, it is always easier
23:31to overcome the bad streaks
23:33with the support of the loved ones.
23:35Well, the opposite is happening.
23:37Everyone is going crazy.
23:39The tension and the discord
23:41have even shaken my marriage
23:43and the situation was no longer good.
23:45I'm sorry, sir.
23:47I feel more and more distant from Cruz.
23:49And the worst of all
23:51is that I don't know how to remedy it.
23:53You see how love
23:55I know how much you love your wife.
23:57I still remember how much she suffered
23:59when she was hospitalized
24:01in that retirement home
24:03and you had to stay away from her.
24:05Being without her was terrible.
24:07It was a few weeks,
24:09but they seemed like an eternity to me.
24:12How did we get here, Romulo?
24:16Where is that love?
24:26Mr. Marqués is still departing with Don Romulo.
24:29At this time?
24:31When they leave,
24:33I want them to make a tour
24:35of all the premises of the palace
24:37and make sure that all the lights are off
24:39and the windows are closed.
24:41We always do.
24:43Well, with more attention if possible.
24:45The storm is approaching
24:47and I don't want them to make the trip
24:49just to find a badly closed window.
24:51You can start with the task.
24:52Wait a moment, Santos.
25:00Well, you tell me, Father,
25:02what do you have to tell me?
25:04I was hoping you would be the one to give me an explanation.
25:07You have nothing to tell me
25:09about the incident I witnessed this morning with Vera.
25:12You've been avoiding me all day.
25:14But I'm not going to lie down
25:16until you clarify this behavior.
25:18There is nothing to clarify.
25:20Are you sure?
25:22You haven't changed your ways.
25:24No, don't blame me for things that have no reason.
25:26The incident was Lope's fault and his jealousy.
25:28Nothing else.
25:30I'm not talking about Lope.
25:32I'm talking about Vera.
25:34And I'm not going to allow such an attitude.
25:36And this is the second time
25:38I've called your attention to this matter.
25:40There won't be a third.
25:42But both that time and this time
25:44Vera already explained that there was no abuse,
25:46but simply...
25:48But do you think I'm an idiot?
25:50I myself had to fire you from another house
25:52because of a woman.
25:54Are you going to force me to do the same in this one?
25:56Don't compare situations that have nothing to do with it.
25:58I'm not going to allow a woman to be abused
26:00while I'm in charge.
26:02But Vera is my girlfriend.
26:04She doesn't seem to understand.
26:06Actions speak louder than words, Santos.
26:08Then don't ignore the act
26:10that Vera has explained to you over and over again.
26:12The evidence that it was nothing more than a matter of lovers.
26:14Boyfriends get angry,
26:16reconcile, kiss, get angry again.
26:19Maybe he's been away from a woman for so long
26:20that she has forgotten him.
26:23Don't meddle where they don't call you.
26:25I'm asking you, please, Father.
26:27So, are you telling me
26:29that you haven't fallen into the vice of the past?
26:32The past is more than forgotten.
26:34Right now I'm in a wonderful relationship with Vera.
26:38She should be happy for me.
26:41If it doesn't matter,
26:43I'm going to continue with my obligations.
26:45And as we keep talking,
26:47the storm is going to hit us.
26:48I'm going to make an appointment.
27:19Good night.
27:23Good night.
27:31I miss you, Cruz.
27:36I don't know why.
27:38We live under the same roof.
27:42Sharing rooms is not the same as being together.
27:49I miss our long conversations
27:51until late at night
27:53with a glass of Jerez in hand.
27:58I miss our laughs
28:00going over the issues of the day.
28:03Laughs that used to end here,
28:06in your bedroom.
28:08What do you want, Alonso?
28:11I'd like to spend the night with you.
28:14What?
28:17I think it would be good
28:19for the two of us to sleep together.
28:22How can you be so selfish?
28:24Do you only think about yourself?
28:26It's not about that.
28:28It's about you.
28:30It's not about me.
28:32It's about you.
28:34It's about you.
28:35It's not about that.
28:37Don't you realize I'm restless?
28:39Of course.
28:41I know you're not having a good time.
28:43Neither am I.
28:45But that's why we have to be together,
28:47as we've always done.
28:50Talking about the past,
28:52the present
28:54and, of course, the future.
28:56The future?
28:59What future? The one that awaits Martina?
29:02Now that Ignacio and Margarita's coward
29:04have sent her to the asylum?
29:06You have to calm down.
29:08When did I tell Ignacio to stay?
29:10Really.
29:12But what's the point of getting rid of you like that?
29:14It's a disaster, Alonso.
29:17But you have to try to see the bright side.
29:22In the darkest of nights,
29:24a ray of light always falls.
29:26Always.
29:28You're right about that.
29:31At least I don't have to put up with your daughter Catalina.
29:34That's the ray of light.
29:38What do you mean you don't have to put up with her?
29:41This morning, I saw her hugging a labriego.
29:45And we had some words that were a bit out of tone.
29:49What?
29:51It seems she has decided to return to the hangar.
29:53What have you done?
29:55This is a decent house, Alonso.
29:57I can't let your daughter hug the first guy she meets.
30:00Don't talk like that about my daughter.
30:02What's next?
30:04Now that we managed to get her out of there.
30:07Well, yes.
30:09But if she's not able to behave like God commands in this palace,
30:11it's better if she stays in her hole.
30:13Enough, Cruz.
30:15Are you going to support her, like you've always done?
30:20And you're the one who came to bring up positions, right?
30:34Yes.
30:55Aha.
30:57So, a van.
30:59Yes, yes, yes.
31:00They've found several affected plants.
31:02And it's urgent to fumigate before it's too late.
31:06I see.
31:08And now you want my maids to take care of the mess?
31:11Well, what I want is for us to take care of the matter,
31:13which is why you and I are here.
31:15Look, I can't be aware of everything.
31:17If they had been more attentive,
31:19with a simple rag or soap water,
31:21that plague of gunpowder could have stopped.
31:24It's not the time to look for culprits,
31:26but to get down to work.
31:27Yes, but now it's just some simple plants.
31:30Next time it could be something more serious.
31:32But it's...
31:34It's impossible to keep a calm conversation with you.
31:37You always have to argue about everything.
31:40This is not a competition, Mrs. Arcos.
31:42You and I work as a team,
31:44and we have the same goal,
31:46and that is that the promise service works efficiently.
31:49Look, we do agree on that.
31:52Well, thank goodness.
31:54Then understand that all I want
31:55is that some maids help the lackeys
31:57to take the plants outside
31:59to fumigate them there,
32:01far from the men's rooms.
32:03Yes, but I have already told you
32:05that at the moment I cannot dispense with anyone for that task.
32:07That is an unforeseen event, for the love of God.
32:09Well, settle it with your lackeys,
32:11who seem to have more free time for that kind of task.
32:13Are you...
32:15Are you able to get the most tempered out of Quicio?
32:17What do I have to do to make them come to their senses
32:19and understand that everything I tell you is not an affront?
32:21You deny me all the help I ask for.
32:23If I ask you for help to clean the crystals,
32:25I already told you that my maids were busy
32:27changing the bedclothes in the rooms.
32:29I know, I know.
32:31I know, all your maids are always very busy.
32:33That's right.
32:38Look,
32:40all I want is that some maids
32:42help to take those plants outside.
32:44And if you do not obey,
32:46I will be forced to talk to Don Rómulo.
32:49All right.
32:51But know that he is not a good companion
32:53to complain to the superior.
32:55You are really going to teach me
32:57how to be a companion.
33:00But you do not understand
33:02that if you and I do not agree,
33:04we are going to give contradictory orders
33:06that this will put at risk
33:08the good functioning of the house.
33:10Look, I have already told you that
33:12that is the only thing that coincides with you,
33:14that the fundamental thing
33:16is that the gentlemen are well attended.
33:18But for that to happen,
33:20the first thing you have to do
33:22is stop meddling in how I organize my maids.
33:23Is that clear?
33:53Yes.
34:24Besides, what does it matter what they say?
34:26No, I don't care what they say, Catalina.
34:28But?
34:30But I don't want your name to be mentioned.
34:33Nor do I want the Marquises to think
34:35that I'm taking advantage of the situation.
34:50Now, with more reason, I can't believe it.
34:51Miss, I want you to have it.
34:53I don't need it right now.
34:55I know you don't want to accept it,
34:57but do it for your cousin.
34:59But it's too valuable.
35:01Valuable was the necklace you gave me
35:03to sell it.
35:05And there was not a second to fix it.
35:07That's different.
35:09It was a jewel I didn't even want.
35:11But your scapular
35:13does have sentimental value.
35:15So you weren't alone.
35:21No.
35:31So you spend days in that shack like a vagabond
35:34and now you have the nerve to come and face us?
35:37Stop meddling.
35:39Forget how insufferable you are.
35:41That I meddle?
35:43It is clear that this lock has not managed to lower your fumes.
35:52Father, leave me alone, please.
35:55I don't want to be with anyone.
35:57I came last night
35:59when I found out you had returned to the hangar,
36:01but you were asleep and I didn't want to wake you up.
36:04I heard you knock on the door,
36:06but I didn't want to talk to anyone.
36:08I didn't want to yesterday, nor do I want to now.
36:22Cruz has already told me.
36:24I don't want to talk about her.
36:28I hate her.
36:30I didn't have the right to get involved in that way.
36:32And less to my guest.
36:34I'll take care of it.
36:37I've come to show you my support
36:39and to remind you that regardless of how you get on with my wife,
36:42the promise is your home.
36:44I don't want to talk about her.
36:46I hate her.
36:48I didn't have the right to get involved in that way.
36:49The promise is your home
36:51and you don't have to run away from it.
36:53I don't run away,
36:55but I don't feel comfortable under the same roof as Cruz.
36:58You haven't done anything wrong
37:00and your life is at risk,
37:02not locked up in this place.
37:05Come back, please.
37:07I shouldn't have come back.
37:10What you shouldn't do is come back to this place.
37:15I went to investigate Martina,
37:16to find out the truth
37:18and to prove that she was innocent,
37:20but it was useless.
37:22I'm useless.
37:24No, you're not useless.
37:26Of course not.
37:28I'm fine in this hangar.
37:30You're not fine, Catalina.
37:32You're not fine at all.
37:34Look at the time.
37:36You were still in bed.
37:38I didn't feel like getting up early.
37:40I don't believe you, daughter.
37:42You're not like Leonor,
37:44who hates getting up early.
37:47You like being active,
37:49even before the sun rises.
37:52How many times have you gone down to have breakfast with the servants
37:55when we were all in bed?
37:57How many?
37:59Until Cruz arrived.
38:05Father, it doesn't bother us anymore.
38:09We have to assume that Cruz and I are incompatible
38:12and that we need to be away from each other.
38:17Come.
38:22I'll leave you alone.
38:32I guess you'd like to know that your cousin is okay.
38:37Margarita spoke to the sanatorium this morning
38:40and it seems that she had a good night.
38:41Thank you for the information.
39:12Let's see if the soap takes away this penetrating smell.
39:16I'm not surprised that the tulip dies with this insecticide.
39:19It seems very strange to me
39:21that such small bugs can harm the plants so much.
39:24Let's see if any of them are saved.
39:26Although most of them already had yellowish and quite dry leaves.
39:30You'll see how the fumigation ends up saving them.
39:37Here.
39:42But, well, wasting time again.
39:45The ladies' rooms have to be finished before lunch.
39:49Unless they want to retire to rest and are not ready yet.
39:52And what do you want us to do with traces of poison on our hands?
39:56For some reason, I didn't want the maids to work with those pesticides,
40:00but of course, Mr. Pellicer knows everything.
40:03And that has just arrived, like who says.
40:05As if we hadn't had enough poisons already with that damn bug.
40:09Who told you about that bug?
40:11The Count of Ayala?
40:13And Pia?
40:16I've heard that the bug causes a very agitated death,
40:21with convulsions and sweats.
40:24Who was the first to approach Pia's body?
40:28It was you, wasn't it, Vera?
40:30Yes, it was me, Mrs. Arcos.
40:33I still remember that moment with horror.
40:36She was lying on the floor and she was so rigid and so cold.
40:40Well, I don't think it's necessary to relive such painful moments, do you think?
40:45And does anyone know what she did that last day?
40:49No.
40:51No idea.
40:53And how come no one knew Pia's intentions?
41:06VIRTUDES
41:11Virtudes, have you already cleaned the greenhouse, taking advantage of the fact that it has been cleared of plants?
41:17Until the last corner,
41:19that with so much green of Norma there is no one to enter that jungle.
41:22Thank you very much, Virtudes.
41:24Well, I wanted to ask you, how was your visit to your in-laws?
41:27In the end, I stayed longer than I expected.
41:30Well, then I guess it was pretty good, right?
41:33Not as much as I would have liked.
41:35Ah.
41:37Sorry, but I prefer not to go into details.
41:40No, no, I don't want to investigate more about life and make you feel uncomfortable.
41:44What I did want to tell you,
41:46is that I preferred not to tell Mrs. Arcos anything about her departure to work at Don Fermín's house.
41:51And that?
41:53I prefer to wait to address that issue when we have the exact dates and we can look for a replacement.
41:58It may not be necessary for you to look for her, Mr. Pellicer.
42:02And that?
42:04Well, because I may not leave here.
42:08I thought it was a sick decision.
42:11It's not that I don't want to leave, on the contrary.
42:14But everything depends on my in-laws and for now they are not collaborating much.
42:18I'm sorry.
42:22I would give myself a few more days before informing Mrs. Petra about my departure.
42:27Would you mind?
42:29No, no, not at all, of course not.
42:31Thank you, Mr. Pellicer.
42:33Thank you.
42:56Satisfied with the cleaning of your room, Ignacio?
43:00Not at all.
43:02The service has left a lot to be desired lately.
43:09Wow.
43:11You don't feel well attended.
43:14Well, look, no.
43:16Because the cleaning of my bedroom is still left for the last hour of the morning.
43:22It's not to disturb your sleep.
43:26I remind you that you are still convalescent.
43:29Petra, in life I have gotten up at lunchtime, not even being sick.
43:37When the previous keymaker was in charge, this type of carelessness did not happen.
43:42Wow.
43:44You insinuate again that they are premeditated.
43:49In any case, I will personally give the order to fix your room first.
43:54All in detail.
43:56And now if you leave me with my affairs.
44:04Are you feeling better, Ignacio?
44:08I'm getting better.
44:10Although slower than I would like.
44:13I hope this poisoning does not leave me with sequelae.
44:16At least my poor intestinal health.
44:25Can you tell me what this is all about, Petra?
44:29I can't stand these games.
44:31Tell me right away what you want to tell me.
44:36Congratulations.
44:39The plan has gone perfectly.
44:42What are you talking about?
44:44You know it very well.
44:47About your poisoning.
44:51Don't you want to go and stop?
44:53So that we both know that Martina did not poison you.
44:58Oh no.
45:00So who did it?
45:03Nobody.
45:06It was you.
45:08You were the one who bit that twisted plan to get rid of Martina.
45:17Congratulations, Ignacio.
45:18You have the free road to marry Margarita.
45:49What?
45:51I already knew that such a hasty way of acting was not going to bring problems.
45:54What do you mean by hasty?
45:56That way of taking the body from here and to that burial.
46:00Because whoever acts in a hurry at night is that he has something to hide.
46:05The pill, what pill? I'm not sick, I don't need any pill.
46:08I told you to take it.
46:11If my daughter is there, it is for a reason of weight and you know it.
46:14Yes? For a blackmail to which you have lent yourself?
46:16Without offering a minimum of resistance?
46:18No, there was simply no other option.
46:20Don't tell me that, Margarita.
46:22Tell your daughter when you go to see her in three or four weeks.
46:25I'm worried about your well-being.
46:27Especially if that well-being is committed by someone like Alonso.
46:31You have been like this precisely since the night I kept Cruz busy so that you could solve your matters.
46:36Are you going to throw me in the face again that I have returned to the hangar?
46:39You threw her out of this house.
46:41I only made her walk around with a coat through the palace rooms.
46:44That is not true.
46:46It's time for me to give you back your scapulari.
46:52Like this.