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Short filmTranscript
00:00:00Everyone, the weather is really nice today. Thank you very much for gathering so many people.
00:00:06I am Honma Seijiro, the Minister of Health and Welfare.
00:00:12Thanks to everyone's warm support, I was able to serve as a minister. Thank you very much.
00:00:19On this day, October 3rd, it was around the time of deepening autumn.
00:00:25At 10 a.m., in front of Hakui Station, there was a speech by Honma Seijiro, a great doctor from this district.
00:00:35It's not a lie! It's the truth!
00:00:39It's not a lie! It's the truth!
00:00:46The Story of the Long Distance Memory
00:00:52Ryuji Sugimoto has been serializing his long-distance memory in the local newspaper, Kanazawa Nichinichi.
00:01:00Sugimoto was originally from Tokyo, but moved to Kanazawa City.
00:01:05Sugimoto dedicated his life to his long-distance memory.
00:01:10I'm sorry, I'm late by 30 minutes.
00:01:17I'm sorry, I'm late by 30 minutes.
00:01:22The Story of the Long Distance Memory
00:01:33Sekinohara in Noto is a place with many graves due to the karst terrain.
00:01:39There is a torii on the way to Itadaki, which creates a suspicious atmosphere.
00:01:46The bodies of the two were found next to Azumaya, next to the torii.
00:01:55A woman appeared in a restaurant near Sekinohara, where a man and a woman were buried.
00:02:02I'd like a bowl of seafood ramen and katsudon, please.
00:02:06Yes, ma'am.
00:02:10It was a mistaken woman.
00:02:13The woman read the local newspaper and the serialized novel of Ryuji Sugimoto.
00:02:18She closed her eyes to her long-distance memory.
00:02:30Sir.
00:02:34I think it's very good.
00:02:37Is that so?
00:02:39It's nice to have a cute girl follow a girl.
00:02:44Can you extend the serialization for half a year?
00:02:47Half a year?
00:02:49Yes.
00:02:51I'm glad.
00:02:54I'm sure my wife will be happy, too.
00:02:58That's your wife's gift, isn't it?
00:03:01That's right.
00:03:03She sent it to me just before she died.
00:03:09I'm sorry I'm late.
00:03:11I applied for a marriage site in Tokyo.
00:03:13I was supposed to have a meeting today.
00:03:15I was supposed to have a meeting for an hour.
00:03:17But I couldn't get it back.
00:03:19I'm sorry, sir.
00:03:24It's good that you're late.
00:03:27But why are you my assistant?
00:03:33You're studying novels, aren't you?
00:03:36You can't do that.
00:03:41You have to write your own novel.
00:03:47Yes, sir.
00:03:52The body of No and Sekinohana was left here for nearly 10 days.
00:03:59Meanwhile, three letters arrived at the Kanazawa Daily News.
00:04:07Sir.
00:04:09These letters...
00:04:21I'm going to read the novels.
00:04:24I'm going to read the novels.
00:04:27I'm going to read the novels.
00:04:30I'm going to read the novels.
00:04:35Send it from the newspaper on the 4th of October.
00:04:40Tokyo, Setagaya, 5, Tokuji, 3, 2, 4.
00:04:45Shio Tameshiko.
00:04:50I wonder where the Tokyo woman read my novel.
00:04:54Maybe she downloaded it on the Internet.
00:04:57Maybe she came to the hotel or hotel after the domestic bullet train opened.
00:05:01Maybe she read the Kanazawa Daily News.
00:05:04But why did she send it to me from the newspaper on the 4th of October?
00:05:26If you want to read my novel,
00:05:28it's normal to want to read it from the first volume, not from the middle.
00:05:32It's strange, isn't it?
00:05:35Sir.
00:05:37Did Director Hattori send this letter?
00:05:43For what?
00:05:44I want to know why.
00:05:47Did Hattori say anything about Kaga?
00:05:51No, nothing.
00:05:53He said it was either you or Yuzo Matsumura.
00:05:57I don't know. I'm not related to him.
00:06:01Kaga isn't a teacher.
00:06:03That's why he wrote this letter to make sure you don't lose your ability to read and write.
00:06:13Here it is.
00:06:16Tokyo, Setagaya, 5, Tokuji, Shio Tameshiko.
00:06:21That kind of woman doesn't exist.
00:06:32Shio Tameshiko
00:06:41There she is.
00:06:51Is Mr. Shio Tameshiko here?
00:06:55How do you know Mr. Shio?
00:06:58I'm Tasaka, the assistant of Mr. Ryuji Sugimoto, a novelist.
00:07:02Mr. Shio Tameshiko wrote me a letter to thank me.
00:07:07Is that so?
00:07:08Your mother is sick. She's been taking care of her.
00:07:14He's not here right now.
00:07:17I'd like to say hello to him.
00:07:20He works at a shop called Rubicon in Ginza at night.
00:07:23Rubicon?
00:07:25Rubicon is a luxury club in Ginza.
00:07:32Oh, beautiful lady.
00:07:35Who are you looking for?
00:07:37Is Mr. Yoshiko Shiota here?
00:07:41Mr. Yoshiko?
00:07:51Excuse me.
00:07:53Is Mr. Yoshiko here?
00:07:56Excuse me.
00:07:59Shio Tameshiko
00:08:18I don't want to think about the past.
00:08:21It's getting interesting.
00:08:23Really?
00:08:24Yes.
00:08:25It's getting interesting?
00:08:27Yes.
00:08:28It's getting interesting.
00:08:31But we have to change the plot.
00:08:35I see.
00:08:37But Mr. Shio is happy, isn't he?
00:08:41I don't know.
00:08:43He was strict with my novel.
00:08:47I was angry, too.
00:08:49Your novel has no humanity.
00:08:54Mr. Sugimoto is going to win this year's Kaga Award.
00:08:58I'm a newbie.
00:09:00I've never heard anything like this.
00:09:03What are you talking about?
00:09:04He's your best friend.
00:09:05Let him win.
00:09:07Ikeno, do you like her?
00:09:11She has Fujiko.
00:09:14Don't joke.
00:09:15Tasaka is my assistant.
00:09:19You're my assistant.
00:09:22Your novel is getting interesting.
00:09:26I see.
00:09:27You're after Fujiko.
00:09:30I'm going to win.
00:09:33I don't want to think about the past.
00:09:41Excuse me.
00:09:49Yes?
00:09:50Oh, it's you.
00:09:52What are you doing here?
00:09:54Who do you think is next to me?
00:10:00Good evening. I'm Yoshiko.
00:10:03Aren't you coming to see me today?
00:10:06Mr. Tasaka has been waiting for you.
00:10:11He's surprised.
00:10:16I'll call you later.
00:10:21He's a fan of yours.
00:10:27This is him.
00:10:29He's handsome.
00:10:31He's a doctor.
00:10:32He's nice.
00:10:34When did he come?
00:10:39I don't remember.
00:10:43I'll bring him next time.
00:10:47Is this the doctor?
00:10:49I'm sure he's here.
00:10:51But he didn't say anything about the letter.
00:11:00He's staring at me as I'm leaving.
00:11:05He's scared.
00:11:06He's smiling.
00:11:08He's got a black smile.
00:11:16Wave your hand.
00:11:18Don't take too many pictures.
00:11:21I don't like being photographed.
00:11:24Doctor?
00:11:26She's beautiful.
00:11:29I'm sure she wrote the letter.
00:11:32But she's a creepy woman.
00:11:36It's strange that she sent me a four-day newspaper.
00:11:40If you want to read my novel,
00:11:42you have to send it to me.
00:11:46What does that mean?
00:11:51Doctor?
00:11:53Doctor?
00:11:54Can you hear me?
00:12:00Thank you for reading my novel.
00:12:07Thank you for reading my novel.
00:12:12Thank you for reading my novel.
00:12:16Sugimoto didn't want to read his own novel,
00:12:20so he didn't read the newspaper.
00:12:24Sugimoto's intuition as a philosopher
00:12:27became a memory for Yoshiko.
00:12:30That's why he wrote this letter.
00:12:37That's why he wrote this letter.
00:13:00Good morning, Mom.
00:13:03Have some coffee.
00:13:18No.
00:13:22No.
00:13:25No.
00:13:33No.
00:13:39Thank you for reading my novel.
00:13:45I look forward to working with you in the future.
00:13:52I thought it was a long-distance memory novel.
00:13:57It was an unexpected letter for Yoshiko.
00:14:02It felt like something extra had jumped in.
00:14:07It was a long-distance memory novel.
00:14:12It was an unexpected letter for Yoshiko.
00:14:17It felt like something extra had jumped in.
00:14:22It was an unexpected letter for Yoshiko.
00:14:27It felt like something extra had jumped in.
00:14:32Mom, when did you get back from Kanazawa?
00:14:35It was the first train in the morning.
00:14:37Take your clothes off.
00:14:38The president of the park, Mr. Mori, asked for you.
00:14:40Good morning, Mom.
00:14:42I was surprised.
00:14:44I thought it was someone else.
00:14:46What? Who? It's obvious.
00:14:49You're suspicious.
00:14:53Here.
00:14:55Are you reading the Kanazawa Daily?
00:14:58I thought I had to know about you.
00:15:02When I told you I was going back to Tokyo, you cried and stopped me.
00:15:06When you became a secretary, you said you'd make me a prime minister.
00:15:09Don't think you've fulfilled your duty just because you became a minister.
00:15:11Don't quit being a secretary.
00:15:13I told you.
00:15:15My wife had a miscarriage and was in shock.
00:15:17She wanted to go back to Tokyo.
00:15:19Then I told you to call your wife to Hakui.
00:15:21I'll build a house for you, so stay in the neighborhood.
00:15:24It's too late.
00:15:26What are you doing?
00:15:32On October 13, a man and a woman were found dead in Seki-no-Hana.
00:15:38According to their ID cards, the man is Shoda Sakuji, 40, a security guard at a department store in Tokyo.
00:15:47The woman is Fukuda Umeko, 30, from the same department store.
00:15:56The woman was found dead in Seki-no-Hana.
00:16:00It could be a miscarriage.
00:16:02I'll check.
00:16:04It could be a miscarriage.
00:16:17Toro no Ono.
00:16:20It's not a stupid thing to know.
00:16:23Really?
00:16:25Did you say Toro no Ono?
00:16:27Yes.
00:16:29This is Korogi.
00:16:31I'm sorry.
00:16:33I'm sorry.
00:16:35The meeting starts at 3 p.m., right?
00:16:38It's already 4.30 p.m.
00:16:41Which one of you took Kagasho?
00:16:44Teacher!
00:16:47I'm sorry for not being able to help you next year.
00:16:57Thank you for everything.
00:17:00Did Matsumura-san take Kagasho?
00:17:03No.
00:17:04Who?
00:17:05Kaori Teranishi, who is famous for Chiyobo.
00:17:09Is it the story of Chiyobo, the mother of Toshitsune?
00:17:13Why? It's not funny at all.
00:17:17I found a dead body in Seki-no-Hana.
00:17:23A dead body?
00:17:25It's a man from Tokyo.
00:17:27I was the president until two years ago.
00:17:32The woman...
00:17:36He ran away.
00:17:39The deceased man is Shoda Sakuji, 40 years old.
00:17:43He's a security guard at a department store.
00:17:46He lives with his wife, son and daughter.
00:17:50The woman is Fukuda Umeko, 30 years old.
00:17:54She's a salesperson at the same department store.
00:17:57They were seen drinking tea from Seki-no-Hana.
00:18:05Are they lovers?
00:18:07That's what I think.
00:18:09Is it a murder?
00:18:11Shoda Sakuji and Fukuda Umeko's bodies were found to be a murder...
00:18:16...after the trial was dismissed.
00:18:27The newspaper was published on October 15.
00:18:32Shoda Sakuji, a security guard at a department store in Tokyo...
00:18:37...and Fukuda Umeko, a salesperson at the same department store...
00:18:40...were found to be lovers.
00:18:43The deceased was found to be a drug addict.
00:18:52I'm so happy.
00:18:55I'm so happy.
00:18:57Shoda Sakuji committed suicide with a woman.
00:19:27Shoda Sakuji committed suicide with a woman.
00:19:32Shoda Sakuji committed suicide with a woman.
00:19:37Shoda Sakuji committed suicide with a woman.
00:19:43That was wonderful.
00:19:45Thank you.
00:19:46It was like a flute.
00:19:48A flute?
00:19:50Was it a famous flute that Nobunaga Oda had?
00:19:53You're praising me too much.
00:19:56I feel better now.
00:19:59You feel better?
00:20:00Yes.
00:20:01That's great.
00:20:04You paid a lot of money...
00:20:06...and you even played the flute for me.
00:20:09Thank you so much.
00:20:18I'm sure you'll have a good memory next year.
00:20:23This is getting more and more interesting.
00:20:25Really?
00:20:27Josh is good.
00:20:29Pheromone is good too.
00:20:38What's wrong? You look strange.
00:20:44I got a letter from Shioda the other day.
00:20:54What is it?
00:21:02I don't want to remember the past anymore.
00:21:06I don't want to be alone anymore.
00:21:10That's rude.
00:21:13Shioda Yoshiko was a woman who wanted to be alone...
00:21:18...because she didn't want to remember the past.
00:21:21Yes.
00:21:22It's more interesting now.
00:21:24Novels are getting more and more interesting.
00:21:28This reader didn't read the newspaper...
00:21:31...because he wanted to read my novel.
00:21:39You're saying that Shioda Yoshiko didn't want to read the past...
00:21:44...but read the Kanazawa Daily News for some other reason.
00:21:49Yes.
00:21:50She didn't read my novel.
00:21:52I think so too.
00:21:54Your novels are getting more and more interesting.
00:21:58It's getting boring.
00:22:00It's a lie.
00:22:01I thought you would understand my language.
00:22:06Kanazawa Daily News.
00:22:12It says to send it from the 4th.
00:22:16It's a social issue.
00:22:18It's not about politics or sports.
00:22:20What Shioda Yoshiko wants to know is the incident in the northern region.
00:22:24Yes. I think it's an incident.
00:22:27Well...
00:22:29Suspicion of stealing a chestnut from a field.
00:22:33Contact between a bear and a car.
00:22:35Kanazawa Daily News.
00:22:37It's a social issue from the 4th to the 14th of October.
00:22:43Shioda Yoshiko wanted to know the incident.
00:22:49A man and a woman were found dead in a stone flower.
00:22:53This is...
00:22:54Doctor!
00:23:01A man and a woman were found dead in a stone flower.
00:23:04It's a social issue from the 4th to the 14th of October.
00:23:07He doesn't want to read it anymore.
00:23:11Shioda Sakuji, a security guard at a department store in Tokyo,
00:23:16and Umeko Fukuda, a clerk at a department store in Tokyo, were found dead.
00:23:21I think it's this.
00:23:24Sugimoto didn't say a word.
00:23:27There was no other connection between Tokyo and the northern region.
00:23:31Sugimoto had a sharp intuition as a theorist.
00:23:35Judging by the article, Shioda Yoshiko...
00:23:38stopped reading the newspaper.
00:23:41What about the two...
00:23:43dead bodies?
00:23:46Well...
00:23:47It's been about 10 days since the death.
00:23:49The cause of death was found to be a drug.
00:23:52In other words, the bodies were found on the 13th, 10 days before the incident.
00:23:59She said she wanted to read the newspaper from the 4th.
00:24:03That's right.
00:24:05She knew their boss.
00:24:09She was waiting for the article about the bodies to be found in the newspaper.
00:24:17But...
00:24:20I wonder why.
00:24:29Shioda Yoshiko
00:24:35Are you Shioda?
00:24:38Yes, I am.
00:24:40My name is Sugimoto.
00:24:42Sugimoto.
00:24:44I'm the author of Toiki-yoku.
00:24:48Toiki-yoku?
00:24:51Well...
00:24:53The Kanazawa Daily Newspaper you published.
00:24:58Oh.
00:24:59Yes.
00:25:00Thank you.
00:25:02I'll take it.
00:25:09I'm Yoshiko.
00:25:11Nice to meet you.
00:25:17Are you from Kanazawa?
00:25:20No, I'm from Tokyo.
00:25:22I decided to write a newspaper in Kanazawa, so I rented a house.
00:25:27Is your wife with you?
00:25:30No, she's not.
00:25:33I'm sorry.
00:25:35You're alone, aren't you?
00:25:37Yes, I am.
00:25:40So you went from Tokyo to Kanazawa on your own.
00:25:46And you challenged Toiki-yoku, didn't you?
00:25:49Yes, I did.
00:25:51I feel sorry for you.
00:25:56I'm sorry for writing such a sad story in a newspaper.
00:26:03I'm sorry.
00:26:04It was a mistake.
00:26:06I'm sorry.
00:26:07I'm kidding.
00:26:08Here you are.
00:26:09Thank you.
00:26:14Where are you from?
00:26:16I'm from Takaoka.
00:26:17Takaoka?
00:26:18It's near Kanazawa.
00:26:20It's a fishing village in Maeda, isn't it?
00:26:25Yes.
00:26:26My husband used to live in Tokyo.
00:26:30I met him when Honma was running for office.
00:26:38Thank you.
00:26:40You're welcome.
00:26:43I didn't think Mr. Honma was a man of life, so I married him.
00:26:49I was deceived.
00:26:53Is your husband a secretary of Mr. Honma?
00:26:58Yes, he is.
00:27:00He's a senior at the University's post office.
00:27:03He's been with Mr. Honma since he ran for office.
00:27:07He lives in Mr. Honma's house.
00:27:12Are you in Tokyo now?
00:27:16Yes.
00:27:17My husband's mother is sick.
00:27:19I've been taking care of her.
00:27:21I'm sorry to hear that.
00:27:24My mother passed away.
00:27:28I don't want you to think that I'm doing this job because I left my mother alone.
00:27:33I know that.
00:27:34I'm a writer.
00:27:36Yes.
00:27:38My husband and I have lived separately for 15 years.
00:27:45But we've been living together since November.
00:27:49Mr. Honma said he fulfilled his dream because he became a minister.
00:27:53My husband quit his job as a secretary.
00:27:57You'll be happy.
00:28:01Happy?
00:28:07Yes.
00:28:26Let's go home.
00:28:27It was fun.
00:28:28Are you going home?
00:28:30Was I boring?
00:28:32Not at all.
00:28:33I was interested in you.
00:28:36What kind of interest?
00:28:41I'm going to buy the Kanazawa Daily Newspaper in November.
00:28:44I'll read your novel.
00:28:47You don't need to read it anymore.
00:29:07Yoshiko, isn't this the book you were reading?
00:29:11Yes, it is.
00:29:13Thank you, Mom.
00:29:37A photo of Mr. Honma's speech.
00:29:40The writer, Sugimoto's forgotten item.
00:29:43It didn't seem like a coincidence to Yoshiko.
00:29:53I'm home.
00:29:55Oh, you're back.
00:29:57How's the paper?
00:29:59I finally finished half of it.
00:30:01Good luck.
00:30:03Thank you.
00:30:06How was it, Yoshiko?
00:30:09I was nervous.
00:30:11Take me with you next time.
00:30:13I can't.
00:30:16Suspicious.
00:30:19Happy birthday.
00:30:22Mom, here's a cake.
00:30:24Thank you.
00:30:31Mom, how old are you?
00:30:38You're 75 years old.
00:30:43I'm sorry.
00:30:47It's okay.
00:30:49Have a long life.
00:30:54Mom.
00:31:01You.
00:31:04For my care.
00:31:09You gave birth to a baby.
00:31:15I'm sorry.
00:31:18Be happy.
00:31:22Yoshiko.
00:31:29It's Shota.
00:31:31I'm home.
00:31:47I'm home.
00:31:53The writer, Sugimoto's forgotten item.
00:31:59What did he come here for?
00:32:09There's a suspicion.
00:32:11A suspicion?
00:32:13There's a dead body in Shota's murder.
00:32:16Suspicion of murder.
00:32:18Have you heard of Yoshiko Shota?
00:32:22No.
00:32:24I heard her name from Hattori.
00:32:28She's Shota Hayao's wife.
00:32:33I know that.
00:32:38This is Mr. Shota.
00:32:42I heard that Yoshiko Shota came here to hear the speech.
00:32:47I heard it from the committee.
00:32:50Yoshiko Shota came to Hakui station on October 3rd.
00:32:58I didn't see her face in this picture.
00:33:01The picture of Shota and Umehiko Fukuda was taken around 2 p.m.
00:33:07It's strange.
00:33:11They arrived in Kanazawa at 9.54 p.m. on the Hokuriku Shinkansen.
00:33:16This is the investigation report.
00:33:18After that, they visited Myojoji Temple in Hakui.
00:33:22Around 2 p.m., they went to Seki no Hana in Shinjyu.
00:33:26Did they visit Myojoji Temple?
00:33:28Yes.
00:33:29Are they going to see the temple?
00:33:33Yes.
00:33:36A sandwich and a baby with a miscarriage.
00:33:42If they're going to die, they shouldn't eat a sandwich.
00:33:45They should drink tea.
00:33:47The police said that a woman gave a sandwich to a man.
00:33:51She drank tea with a miscarriage.
00:33:54She said that she drank tea after the man died.
00:33:58Yes.
00:33:59But there's no sign of murder yet.
00:34:03Doctor, what do you think?
00:34:06The problem is Shota Yoshiko, isn't it?
00:34:14The Tokyo office of Honma Seijiro, the new prime minister, is located in Chiyoda-ku, Hirakawa.
00:34:33Oh, hello.
00:34:35Did you call me?
00:34:36Are you Ms. Kasaka?
00:34:37Yes.
00:34:38I'm Mr. Sugimoto's assistant.
00:34:39Please come in.
00:34:42This is the first time I've heard that you like Mr. Sugimoto's novel.
00:34:46I've read it, too.
00:34:48It was very interesting.
00:34:49Thank you.
00:34:50Oh, tea!
00:34:52Yes.
00:34:53What can I do for you?
00:34:55I live in Tokyo, so I thought I'd come to say hello.
00:35:00Hello, Ms. Kasaka.
00:35:02I'd like to ask you to have a meal with Honma Seijiro in Kanazawa.
00:35:07Thank you very much.
00:35:09Do you sometimes go to your wife's store?
00:35:13To Rubicon?
00:35:14Yes.
00:35:15Actually, I've never been there.
00:35:17My wife works to relieve stress,
00:35:20so when I go there, my stress increases.
00:35:24That's great. You don't have to worry.
00:35:27My wife's part-time job is long.
00:35:30Before Rubicon, I worked at Angel in Nishiginza for about two years.
00:35:35After that, I changed to Rubicon.
00:35:39There was a speech by the minister in front of Hakui Station on October 3rd.
00:35:43Was your wife there, too?
00:35:45Yes.
00:35:46I promised my wife that I would quit my job if I became a minister,
00:35:50so I came to see her.
00:35:51Are you going to quit your job?
00:35:53Yes.
00:35:54I've lived in Tokyo and Ishikawa for more than 15 years,
00:35:57so I'd like to have a baby soon and live a harmonious life with my wife.
00:36:02You have a phone call.
00:36:03Excuse me.
00:36:04Were you with your wife for three days?
00:36:07No. After the speech, my wife went back to Tokyo.
00:36:11This is what Fujiko wanted to ask Yoshiko's husband.
00:36:16What happened to Yoshiko after the speech?
00:36:20Did she leave her husband and go straight back to Tokyo?
00:36:25If she didn't go back, where did Yoshiko go?
00:36:38He's sleeping.
00:36:43You're here.
00:36:45Did I wake you up?
00:36:47I came to Canada on the Shinkansen in the afternoon.
00:36:50I got an e-mail from Mr. Hattori.
00:36:52He said he'd like to talk to me because I'm a little late.
00:36:55He introduced a beautiful woman from the Department of Social Sciences
00:36:58because he was curious about the Shinju incident,
00:37:00but he's not in a hurry to see her.
00:37:02A beautiful woman?
00:37:03Sir.
00:37:04This is a murder case.
00:37:07Would you like some coffee?
00:37:08Yes.
00:37:10A murder case.
00:37:12I know I'm stupid.
00:37:14Here you are.
00:37:16Thank you.
00:37:18Did Yoshiko Shiota go back to Tokyo after hearing the speech of the students?
00:37:26Yes.
00:37:27That's what my husband said.
00:37:29In other words, she broke up with her husband at Hakui Station.
00:37:32At that time, Sakuji Shoda and Umeko Fukuda came to Hakui
00:37:36and visited Myojoji Temple.
00:37:38Around 2 o'clock, they went to Seki-no-Hana in Shinju.
00:37:41If Yoshiko Shiota hadn't gone straight to Tokyo,
00:37:44but had gone to Seki-no-Hana...
00:37:48In other words, the three of them made a promise to meet there.
00:37:53That's right.
00:37:55Yoshiko gave them a sandwich and offered them tea.
00:37:58After eating the sandwich,
00:38:00they drank the tea that came with the production.
00:38:02The two of them died.
00:38:05When I think about it,
00:38:07I can clearly see why Kanazawa wanted to read the Nikinichi newspaper.
00:38:12Yoshiko wanted to know the outcome of the case.
00:38:16On October 13th, the two bodies were found
00:38:19and published in the newspaper that they had been arrested in Shinju.
00:38:22That's why Yoshiko stopped reading the newspaper.
00:38:27But...
00:38:29It's the relationship between Sakuji Shoda and Umeko Fukuda and Yoshiko, isn't it?
00:38:32That's right. It's the relationship between the three of them.
00:38:34It's the motive for the crime.
00:38:36If I don't know that,
00:38:38I don't know if Yoshiko killed the two of them.
00:38:58Shut up!
00:39:00Shut up!
00:39:06What is it?
00:39:08I'm Sugimoto.
00:39:10I told you on the phone.
00:39:12My husband is dead, so I can't pay the debt.
00:39:14Excuse me.
00:39:16My husband wasn't killed in Shinju.
00:39:18He was killed.
00:39:20I'd like to talk to you.
00:39:22He was killed?
00:39:25My husband?
00:39:31I'm so angry.
00:39:33He was killed in Shinju.
00:39:37I've never paid the debt.
00:39:41You should have paid the debt.
00:39:44I don't even have life insurance.
00:39:48How can I live?
00:39:57Welcome.
00:39:59Sit down.
00:40:01Put your hands together.
00:40:03Your father will be happy.
00:40:05Come on.
00:40:24Is it true that your husband was killed?
00:40:28Yes, he was killed.
00:40:30But...
00:40:32Fukudame and her husband have been in a bad relationship for years.
00:40:35She calls her husband at night and in the morning.
00:40:40She said she wanted to divorce me and get married.
00:40:43My husband said so.
00:40:45I was worried about it, so I rented a car in Shinju.
00:40:50Did your husband have another woman?
00:40:55He had many women.
00:40:58Did he have a specific woman?
00:41:01No.
00:41:03He got a lot of calls and e-mails.
00:41:07He didn't like women.
00:41:11I talked to the police.
00:41:13They said it had nothing to do with the case.
00:41:15That's the police's fault.
00:41:18It was a mistake.
00:41:22Who killed your husband?
00:41:26I can't tell you that yet.
00:41:31I see.
00:41:35Junko Tsutomu is disappointed that her husband abandoned her and died with a woman.
00:41:43But...
00:41:45But it's not like that.
00:41:48He was killed.
00:41:53I'm not happy that he was killed.
00:42:01No, he was killed.
00:42:06Yes.
00:42:10Have you ever seen this man?
00:42:13He's my relative.
00:42:16Your relative?
00:42:18Mr. Shioda's relative?
00:42:20Yes.
00:42:21I stopped by his house once in a while.
00:42:24You stopped by?
00:42:33It's been two years.
00:42:36Two years?
00:42:38Yes.
00:42:39It's been two years since Mr. Shioda's mother died.
00:42:44Sugimoto didn't say anything.
00:42:47Shioda and Yoshiko had an affair.
00:42:50That means Yoshiko had a motive to kill Shioda.
00:43:02Good evening, sir.
00:43:04Good evening.
00:43:09What's the matter?
00:43:13Here.
00:43:15Here you are, sir.
00:43:17It was under the sofa.
00:43:19Oh, I forgot it here.
00:43:21I was wondering where you dropped it.
00:43:24Thank you.
00:43:26What's that?
00:43:29It's a picture from the newspaper.
00:43:32It's a picture of a speech by the Minister of Justice in front of Hakui Station.
00:43:38Oh, I've heard that speech before.
00:43:42Oh, I see.
00:43:46Here you are.
00:43:51There's a face I'm a little curious about in this speech.
00:43:58A face you're curious about?
00:44:01It's a picture of a man who committed suicide in Seki-no-Hana.
00:44:08What?
00:44:14This man.
00:44:17There are two women standing next to him.
00:44:20Two women?
00:44:22If he committed suicide, there should be only one woman.
00:44:25But there's another woman.
00:44:28What do you think?
00:44:30I'd like to see the faces of these two women.
00:44:33The faces of the two women?
00:44:35But they're too small to see.
00:44:42One of them is dead.
00:44:45And the other one is someone else.
00:44:48So I asked Mr. Sugun to extend the cut scene.
00:44:56Excuse me, Mr. Sugun.
00:45:02Here's a present for you.
00:45:05Thank you.
00:45:09It's a flower.
00:45:11Yes.
00:45:13It's my mother's favorite flower.
00:45:16When I die, I don't want any other flowers.
00:45:20So she told me to decorate only the flower.
00:45:24She always told me to be happy.
00:45:35I'll do my best.
00:45:40I'll do my best.
00:45:48What are you going to do?
00:45:51I won't lose to anyone.
00:46:07Fujiko went to the bar in Enzel, where Yoshiko Shiota first worked.
00:46:14Is that true?
00:46:16Did Umeko Fukuda ever come here?
00:46:19I remember her face very well.
00:46:23She came to ask for money from Mr. Yoshiko.
00:46:27Please call Mr. Yoshiko.
00:46:29Please wait a moment.
00:46:33Mr. Yoshiko.
00:46:36Who is it?
00:46:42Hello?
00:46:45Who is it?
00:47:03Mr. Yoshiko.
00:47:06Who are you?
00:47:08Who is that woman?
00:47:14Mr. Yoshiko.
00:47:15Who is that woman?
00:47:17It's okay.
00:47:19I'm fine.
00:47:22She looked like she was possessed.
00:47:39Mr. Yoshiko.
00:47:45Mr. Yoshiko.
00:47:47Mr. Yoshiko.
00:48:09Mr. Yoshiko.
00:48:10Please focus.
00:48:31Shoda and Umeko were threatening Yoshiko Shiota.
00:48:35Just as I thought.
00:48:37It's not a human gun.
00:48:42Are you going to show this picture to Yoshiko?
00:48:45Yes.
00:48:48I want to know how she will react.
00:48:52Yes.
00:48:53There is no evidence that Shiota and Yoshiko killed them here.
00:48:58There are no witnesses who saw the three of them together.
00:49:01The production loan is also unknown.
00:49:04I see.
00:49:06We think we have the production loan.
00:49:10But it's not easy to get the production loan.
00:49:14It's a mystery that it's been destroyed.
00:49:18It's Mr. Hattori.
00:49:20Yes.
00:49:22This is bad.
00:49:24Yoshiko Shiota is here.
00:49:26Yoshiko Shiota is here?
00:49:29Where is she?
00:49:32Mr. Hattori.
00:49:34I'm sorry to bother you all of a sudden.
00:49:39Welcome.
00:49:46Shiota.
00:49:47Take a picture of the woman.
00:49:49Yes.
00:49:51The store is closed today, so I called my husband on the bullet train.
00:49:56He said he was in Seoul.
00:49:58He said he was in Seoul.
00:50:00That's too bad.
00:50:04I wanted to go back to Tokyo.
00:50:07I wanted to see you.
00:50:10Really?
00:50:12Yes.
00:50:13I want to see you.
00:50:16Thank you.
00:50:19Welcome.
00:50:21Thank you for the other day.
00:50:24This is my assistant, Tasaka.
00:50:29Come here.
00:50:30Take your time.
00:50:31What is it?
00:50:33I'm sorry.
00:50:54Sugimoto was cold.
00:50:57Yoshiko Shiota's eyes were entangled.
00:51:00She was entranced.
00:51:05Excuse me.
00:51:09This is the picture of the woman.
00:51:11It's ready.
00:51:12Thank you.
00:51:15This is the report of the case you saw in the newspaper.
00:51:19This is the report of the case you saw in the newspaper.
00:51:24This is the report of the case you saw in the newspaper.
00:51:25She came from Tokyo and committed suicide with tea.
00:51:30She came from Tokyo and committed suicide with tea.
00:51:31She came from Tokyo and committed suicide with tea.
00:51:32She is a murderer.
00:51:36Today is the day of the murder.
00:51:55Today is the day of the murder.
00:52:07Here you are.
00:52:17This is the report of the case you saw in the newspaper.
00:52:22You said there were two women in the picture.
00:52:25You said you would extend the picture.
00:52:27I couldn't.
00:52:28I couldn't understand anything.
00:52:36What is it?
00:52:39You're free, aren't you?
00:52:41You make a picture like this.
00:52:45Myojoji.
00:52:46This is the flower of the stone.
00:52:50Did you find out anything?
00:52:56They were killed.
00:53:05Why?
00:53:10My intuition.
00:53:12The intuition of a novelist?
00:53:14Yes.
00:53:15I wonder if you have a good intuition.
00:53:27I took a picture with a fan.
00:53:31I'm glad.
00:53:32I took a picture with a fan.
00:53:35I'll take a picture.
00:53:38One more, please.
00:53:40That's enough.
00:53:45That's enough.
00:54:15I'm sorry.
00:54:25Hello?
00:54:28Yes.
00:54:32Two people were killed.
00:54:34I took them to the temple.
00:54:37I found something strange.
00:54:40Did you get a reservation at the inn?
00:54:42It's okay.
00:54:43She said she was familiar with this area.
00:54:48She said she was familiar with this area.
00:54:53Yes.
00:54:55Thank you very much.
00:54:58Who is she?
00:55:01There was another woman.
00:55:13Hello?
00:55:24Hello.
00:55:28I was preparing for the award ceremony of the Kaga Literature Award.
00:55:35Come to Yoshibe at the Hokuriku Shinkansen.
00:55:40Yoshibe?
00:55:41Yoshibe is getting a divorce.
00:55:43So I'd like you to talk to her.
00:55:46Oh, you want me to talk to her about the divorce.
00:55:53I'll call you if I can.
00:55:57No, you have to come.
00:56:00Please comfort Yoshibe.
00:56:02See you.
00:56:11Sir.
00:56:12I'm glad you're here.
00:56:15I'm Genko.
00:56:17Nice to meet you.
00:56:19I'd like to show you something.
00:56:24This.
00:56:26It's a postcard.
00:56:30It's an advertisement.
00:56:32Here it is.
00:56:36A fan from Tokyo came to Mr. Ryuji Sugimoto's workplace.
00:56:43It's about the future of the novel.
00:56:45It's about a man and a woman who are deeply interested in Mr. Sugimoto.
00:56:53This woman, Yoshiko Shiota, is the wife of the secretary of Mr. Seijiro Honma.
00:57:03She heard Mr. Honma's speech in front of Hakui Station on October 3rd.
00:57:11It's a mysterious story.
00:57:14Can I see it?
00:57:17Sure.
00:57:24Mr. Honma is going to give a speech.
00:57:28It doesn't say she's suspicious.
00:57:30I can imagine a beautiful woman smiling.
00:57:35This woman is suspicious.
00:57:39Sir.
00:57:40This is Mr. Yamashita, the head of the board of directors.
00:57:43The head of the board of directors?
00:57:45Mr. Yamashita, the head of the board of directors.
00:57:48On October 13th, you were found at the Seki-no-Hana in Hakui.
00:57:54It seems that you were suspected of murder.
00:57:59Do you have any clear evidence of murder?
00:58:05If I have any evidence, I'll contact you.
00:58:08I don't have any evidence of murder.
00:58:16But I don't think the wife of Mr. Honma is involved in the murder.
00:58:26What do you mean?
00:58:29Did Mr. Honma say anything about it in the newspaper?
00:58:33We investigated the case and concluded that it was a murder.
00:58:39Mr. Sugimoto, this is a murder.
00:58:44If you continue to follow Mr. Yoshiko Shiota, you'll be called a stalker.
00:58:55A stalker?
00:58:58Who said that?
00:59:01Did the police say that?
00:59:04No, the police didn't say that.
00:59:07But there will always be rumors.
00:59:15I have a long and interesting memory.
00:59:20Please restrain yourself.
00:59:22A stalker?
00:59:27A stalker?
00:59:30You idiot.
00:59:37Shiota's wife was a nurse for 13 years.
00:59:43She was a good woman.
00:59:46How could a woman like her kill a man?
00:59:53You idiot.
00:59:57How could you call her a stalker?
01:00:01Shiota's wife was a good woman.
01:00:04Yes, a stalker.
01:00:07You're a stalker.
01:00:10Arrest her and interrogate her.
01:00:13Arrest her?
01:00:16I don't think...
01:00:17Please investigate the relationship between Shiota and Yoshiko Shiota.
01:00:23And tell the police that Yoshiko Shiota had nothing to do with the murder.
01:00:29Please.
01:00:31I'm not lying.
01:00:33I'm telling the truth.
01:00:40Mr. Sugimoto, I'm so happy to see you.
01:00:44You came to see me.
01:00:47Why are you so scared?
01:00:50Can't you write?
01:00:53Well, there are many reasons.
01:01:01Can I have this?
01:01:04Of course.
01:01:06A photo with you will be a treasure of my life.
01:01:14I'm getting a divorce.
01:01:18Why?
01:01:21I can't have a baby.
01:01:24I had a baby, but I couldn't give birth.
01:01:28My husband told me that I couldn't take care of my mother.
01:01:33I went to a gynecologist to have a baby while crying.
01:01:38The operation was about to fail and I was about to die.
01:01:43The doctor told me that I couldn't get pregnant anymore.
01:01:50Mr. Sugimoto, can I have this?
01:01:58This is too much.
01:02:05So I decided to kill the doctor.
01:02:08I've been thinking about killing the doctor from morning to night.
01:02:14Production hunting?
01:02:17Production hunting is no good.
01:02:20No good?
01:02:22You can get the poison of pesticides and cockroaches.
01:02:27But production hunting is strictly managed.
01:02:29Yes, production hunting.
01:02:32Yes, production hunting.
01:02:35How did you get it?
01:02:39Even if my husband comes back from Hakui, I think it's too late.
01:02:44No matter how close we are, I can't have a baby anymore.
01:02:48It's a good thing.
01:02:51I don't want to die.
01:02:54I don't want to die.
01:02:56It's a good thing.
01:02:59I don't like my husband anymore.
01:03:02I can't raise a good son-in-law.
01:03:06Mr. Sugimoto, you seem to be a good person.
01:03:10I'm not a good person.
01:03:12I've been separated from him for 15 years, and he's held me in his arms a few times.
01:03:17There must be a woman in Hakui.
01:03:22Doctor, it's an after-effect.
01:03:24You don't have a wife, and I'm getting a divorce.
01:03:29You have to get rid of Yoshie.
01:03:33Get rid of her?
01:03:38That's cute.
01:03:41Where?
01:03:54After-effect
01:04:08What are you thinking about?
01:04:12You're thinking about Shio and Yoshiko, aren't you?
01:04:15No, I'm thinking about the sequence of the novel.
01:04:19You're lying.
01:04:21Doctor, I'm glad I was there.
01:04:24If I had been with that woman, I would have died.
01:04:30Thank you.
01:04:35Yes.
01:04:36Yes.
01:04:54I'm at the post office now.
01:04:57I'm going to send a divorce letter to my husband.
01:05:01Doctor, take me to the hot spring.
01:05:04From Yoshie.
01:05:06You've made up your mind, haven't you?
01:05:10I'm going to invite you to the hot spring.
01:05:13I'm going to kill you.
01:05:19How did you get it?
01:05:26Please write it down.
01:05:30Here you are.
01:05:35It's a pain in the ass.
01:05:40It's a letter from Ishikawa Prefecture.
01:05:44I'm glad to hear that.
01:05:49I found out that Yoshiko Shio was on the bus at Hakui Station on October 3 at 11.8.
01:05:58She was wearing a long beige coat and a red skirt.
01:06:05She got off at Tsurugi-ji, which is ahead of Seki-no-Hana.
01:06:11Ahead?
01:06:13The bus that Yoshiko Shio took was an express bus, so it didn't stop at Tsurugi-ji.
01:06:19I thought she walked back from Tsurugi-ji to Seki-no-Hana.
01:06:23I looked for a witness, but I couldn't.
01:06:27What time did you get off at Tsurugi-ji?
01:06:31It's 12.24.
01:06:34Did you walk from there to Seki-no-Hana?
01:06:37It took about an hour.
01:06:40Did the young man and the woman die after drinking the tea that was in the tea pot?
01:06:44Between 2 p.m. and 3 p.m.
01:06:47In other words, Yoshiko was able to stand at the scene of her death.
01:06:51But there was no witness that Yoshiko was with them.
01:06:57Why did you kill Mr. Saito?
01:07:00Sit down.
01:07:01He was a detective, wasn't he?
01:07:05I got a call from a young man in Myojo-ji.
01:07:09He said that the two men were tired and wanted to go to a hot spring.
01:07:14He said that a woman in this area was doing the work.
01:07:20We thought that another woman was involved, so we looked into it.
01:07:26She was doing her job, wasn't she?
01:07:28As a result, Yoshiko was found dead.
01:07:32There's nothing to prove that she was dead.
01:07:35After 3 p.m.
01:07:38Yoshiko appeared in the dining room of the third bus from Seki-no-Hana.
01:07:44I'd like seafood ramen and katsudon, please.
01:07:48She took a picture of the page of your novel on her smartphone.
01:07:53She was worried that you were doing something strange.
01:07:57I knew it.
01:07:59I read a long memory for the first time at that time.
01:08:02I took a picture of the page of your novel on my smartphone.
01:08:05Seafood ramen and katsudon.
01:08:08She ate both of them.
01:08:11Yes, she ate them all.
01:08:16After killing two people, you can't think normally, can you?
01:08:21A neighbor of Yoshiko showed you a picture of Shoda.
01:08:26He said he had been to Yoshiko's house.
01:08:29We asked him again.
01:08:31This is a big deal, Sake.
01:08:34Take a good look.
01:08:36He said it wasn't Shoda.
01:08:39Why did you follow her?
01:08:44Some people say it's a double act.
01:08:47Yes, it is.
01:08:49A double act?
01:08:51To sell the name Ryuji Sugimoto.
01:08:56Shioda and Yoshiko are white.
01:08:59It's suspicious.
01:09:02Shioda and Yoshiko divorced.
01:09:05What?
01:09:07To protect her husband from you.
01:09:10Yoshiko killed Shoda and Umeko.
01:09:15But a troublesome man like me appeared.
01:09:20He said it was a murder.
01:09:25Yoshiko decided to kill the writer of Kanazawa's local newspaper.
01:09:35Do you understand?
01:09:38So she broke up with her husband.
01:09:41This is...
01:09:44You...
01:09:46No.
01:09:48If we get involved in a double act,
01:09:52if we get close to her...
01:09:54You're trying to kill me?
01:09:57It's dangerous for Shioda and Yoshiko.
01:10:00What's the point?
01:10:03The point?
01:10:05There's no such thing.
01:10:07There's no such thing.
01:10:11I just want to know the truth.
01:10:16Why did Shioda and Yoshiko kill Shoda and Umeko?
01:10:22That's all I want to know.
01:10:27There's nothing I can do.
01:10:30I'm a writer.
01:10:32I'm a writer.
01:10:40Shioda and Yoshiko
01:11:04I'm irritated.
01:11:07Is that so?
01:11:10I'm irritated.
01:11:15I'm late for work.
01:11:18Can't you write?
01:11:20I don't think I have the talent.
01:11:24If you have a pen, you can write.
01:11:29I've been single all my life.
01:11:33I've been single all my life.
01:11:37Have you ever cheated on me?
01:11:41It's a secret.
01:11:43Why don't you try it?
01:11:59What are you doing?
01:12:00What are you doing?
01:12:02Stop it.
01:12:04What are you doing?
01:12:07Stop it.
01:12:09Stop it.
01:12:11Sugimoto took Shioda out.
01:12:14But her husband, who received a divorce notice from Yoshiko, didn't listen to Sugimoto.
01:12:24Sugimoto went back to Kanazawa.
01:12:26Shioda didn't contact Yoshiko.
01:12:33Sir.
01:12:35I have bad news.
01:12:38Sir.
01:12:40Can you write a book about Yoshiko Shioda?
01:12:47I don't want to.
01:12:49The president wants you to write it.
01:12:52The president wants you to write it.
01:12:56The president wants you to write a book about Yoshiko Shioda.
01:13:01But the president is angry.
01:13:04He wants you to write a book about her.
01:13:11Sir, I beg you.
01:13:14I don't want to.
01:13:19Let me write it.
01:13:22It's like a love letter between a husband and his wife.
01:13:27Okay.
01:13:29I don't want to.
01:13:31Sir.
01:13:33Here.
01:13:35A love letter.
01:13:37From the post office.
01:13:45Yoshiko Akiyama?
01:13:49Yoshiko Shioda?
01:13:50Yoshiko?
01:13:52You're divorced, aren't you?
01:13:58Sir.
01:14:05She didn't have to read the letter.
01:14:09It was time.
01:14:11The time had finally come.
01:14:14Yoshiko was trying to kill herself.
01:14:21Yoshiko Akiyama
01:14:24I'm Yoshiko Akiyama.
01:14:26I'm officially divorced.
01:14:29My name is Yoshiko Akiyama.
01:14:32I'm excited to find out
01:14:35if you'll like the new Yoshiko.
01:14:39Come to Hakui Station on the 7th of November.
01:14:44Hakui?
01:14:47I'll see you at the station at 9.
01:14:50I'll take the bus to Kotogahama
01:14:53and go around Seki-no-Hana.
01:14:56I'm sorry for deciding on my own.
01:14:59If you don't want to see me,
01:15:01please work at Kanazawa.
01:15:03I'll travel alone and go home.
01:15:07Please bring Fujiko Tasaka with you.
01:15:12I love Tasaka.
01:15:15Because she loves you.
01:15:19I love you, too.
01:15:23I want to get along with you.
01:15:28It's true.
01:15:30It's a sweet, sweet
01:15:35never-ending beginning.
01:15:38It's the story of Kitamura Taro's never-ending beginning.
01:15:44I hope you and your teacher
01:15:48have a sweet beginning.
01:15:51Yoshibe.
01:16:05I'm scared!
01:16:07The poisonous snake has revealed itself!
01:16:14It's true.
01:16:16It's a sweet, sweet
01:16:19never-ending beginning.
01:16:21She really loves you, doesn't she?
01:16:27My house.
01:16:33I'll be fine on the 7th of November.
01:16:44Sugimoto arrived at his wife's grave in Kanazawa.
01:16:50His nerves were like needles.
01:16:56On the 7th of November,
01:16:59something was about to begin with Yoshiko.
01:17:13He's here.
01:17:19He's here.
01:17:32He made a lunch box.
01:17:35I'm sure there's tea in it.
01:17:36He's here.
01:17:41I'm so happy.
01:17:43You're here, too.
01:17:45I cut your hair. It looks great on you.
01:17:48Really?
01:17:50Thank you.
01:17:52Let's go.
01:18:06It's beautiful.
01:18:18Hey.
01:18:20What?
01:18:22Where are we going to have lunch?
01:18:25Kotogahama.
01:18:27Kotogahama?
01:18:29It's a white beach.
01:18:31You can walk on it and cry.
01:18:33It's a beautiful beach.
01:18:36Are we going to have lunch?
01:18:39I made a lot of norimaki.
01:18:42I see.
01:18:44You don't like norimaki?
01:18:46I like it.
01:18:48That's good.
01:19:07I cried.
01:19:22Hey.
01:19:24Where are we going?
01:19:26The sand is flying.
01:19:28Let's have lunch over there.
01:19:37Miss.
01:19:40I'm hungry.
01:19:44Do you want some?
01:19:46Thank you.
01:19:48Let's eat.
01:19:50I'll have some, too.
01:20:06Thank you.
01:20:37Eat some, Miss.
01:20:39You, too.
01:20:42It looks delicious.
01:20:44Thank you.
01:20:53Stop it.
01:20:56It's in your stomach.
01:20:58It's not in the one you just ate.
01:21:01Stop it.
01:21:03Stop it.
01:21:04It's in your stomach.
01:21:07It's in your stomach, too.
01:21:18You killed two people with your own hands.
01:21:34I'm going to eat them all, so you decide if you want to live or die.
01:21:39If you want to live, you'll die in three or four minutes.
01:21:42You'll suffer from other poisons, too.
01:21:44Leave it alone.
01:21:54You want to live, don't you?
01:22:04You want to live, don't you?
01:22:30How is it?
01:22:32You ate them all, didn't you?
01:22:34You don't want to suffer, do you?
01:22:36Wait there.
01:23:04If you want to live, you'll die in three or four minutes.
01:23:28If you want to live, you'll die in three or four minutes.
01:23:31You'll suffer from other poisons, too.
01:23:34It's nothing.
01:23:36Now you know what your delusion is, don't you?
01:23:40Don't be rude.
01:23:44I'm going home.
01:23:46Goodbye.
01:23:54You didn't have a birthmark, did you?
01:24:04I put a perfume in it.
01:24:06A batomizer?
01:24:08What's in it?
01:24:19Is it a birthmark?
01:24:34Yes.
01:24:51Yes.
01:24:54My perfume.
01:24:58I have a batomizer.
01:25:01There's a batomizer in it.
01:25:08I thought I was going to do something.
01:25:12But I didn't expect it.
01:25:16I didn't expect you to...
01:25:21I need to talk to you. Where are you?
01:25:23I need to talk to you. Where are you?
01:25:29Are you mad at me?
01:25:31I need to know where you are.
01:25:53I need to know where you are.
01:26:02Can we check the video now?
01:26:05Yes, we can.
01:26:07Please move the table about a meter.
01:26:11You too.
01:26:18What are you doing here?
01:26:20I'm here to say goodbye.
01:26:23To you.
01:26:28You said we'd be happy in Tokyo.
01:26:35You're crazy.
01:26:39Let's take a break.
01:26:41We'll take a break.
01:26:45You...
01:26:49It's okay.
01:26:54I hope you'll be happy, Yushiko.
01:27:02I love you, Mom.
01:27:04I love you, too.
01:27:07I couldn't express my love for you.
01:27:15I'm sorry for causing you and your son so much trouble.
01:27:20I'm sorry for causing you and your son so much trouble.
01:27:24I prayed that you and your son would be happy.
01:27:30I couldn't express my love for you and your son.
01:27:38What did I do?
01:27:44He has the baby.
01:27:47So what?
01:27:50So what?
01:27:56Let's sit down.
01:28:01Let's sit down.
01:28:02Let's sit down.
01:28:15I'm a writer.
01:28:17I've been writing your story in my head.
01:28:20It hurts.
01:28:28I'm the one who killed Shota Sakuji and Umeko Fukuda.
01:28:40I was pregnant three years ago.
01:28:45But I couldn't take care of my mother because I had a lot of children.
01:28:54I went to the hospital because I wanted to devote myself to my husband's work until he became a minister.
01:29:10But the surgery was a failure.
01:29:20I couldn't have a child.
01:29:24But I couldn't tell Shota about it.
01:29:33Because I thought he would suffer because of his own fault.
01:29:44But I told my mother.
01:29:52I told her that I couldn't keep it in my heart.
01:29:56I told her that I had a baby.
01:30:04But she said,
01:30:07I'm sorry.
01:30:09She said it was for me.
01:30:13My mother apologized to me.
01:30:27I lost my parents when I was young.
01:30:35I met Shota when my grandmother who raised me died.
01:30:42I wanted to get married and have a happy family.
01:30:48That was my only wish.
01:30:52I treated Shota's mother like my own mother.
01:30:59Shota left everything to me and went to Hakui.
01:31:07I met Shota after my mother died.
01:31:12I met Shota.
01:31:18When I left the department store,
01:31:21I was told that I had a miscarriage.
01:31:24Excuse me.
01:31:31Did you pay for this product?
01:31:35Yes, it's a product of this brand.
01:31:39Miscarriage?
01:31:40I didn't have a miscarriage.
01:31:44Someone put it in my bag.
01:31:47You're saying a lot of bad things.
01:31:51I was in a daze.
01:31:54I was looking at my baby's clothes.
01:31:57I was thinking about my unborn baby.
01:32:05But I didn't have a miscarriage.
01:32:11You were caught by two bad people.
01:32:15They were Gulu.
01:32:18Umeko hid the product in the shopping bag.
01:32:23Shota caught him and made him a criminal.
01:32:27Your husband is the secretary of Honma Daigishi.
01:32:33It has nothing to do with my husband.
01:32:35It doesn't matter.
01:32:36Rumor has it that Honma Daigishi will become a minister.
01:32:40And his wife has a miscarriage.
01:32:43I paid for the product.
01:32:46But you have a miscarriage.
01:32:48It's a scandal for Honma Daigishi and your husband.
01:32:55What do you think will happen if I go to the police and the media?
01:33:07I was weak.
01:33:10I lacked courage.
01:33:13I didn't refuse Shota.
01:33:17Shota asked for money.
01:33:21And then he worked for a bar.
01:33:28He was a cunning man.
01:33:31He wanted to hide his identity.
01:33:34I called him.
01:33:39Umeko is at the entrance.
01:33:48He asked for money again and again.
01:33:53What about the product?
01:33:55Shota brought it.
01:33:58Shota?
01:34:00Hide it.
01:34:03What is it?
01:34:05Product borrowing.
01:34:09A friend of mine who works at the factory had it.
01:34:13It's a thin handkerchief.
01:34:15If you give it to a wrong person, it will fall off.
01:34:22I don't want to.
01:34:24Please.
01:34:25I don't want to.
01:34:27My wife is noisy.
01:34:31She goes around the room when no one is around.
01:34:36I'm scared.
01:34:43It's my husband.
01:34:45Be quiet.
01:34:48Yes.
01:34:49Bang! Bang! Bang!
01:34:53Finally, my wife will be the next minister.
01:34:58I'm going to quit my job.
01:35:01I'm going home.
01:35:06When?
01:35:08When are you coming back?
01:35:10September 29th is the day.
01:35:13I will give a speech in front of the Hakui station.
01:35:17I will be back.
01:35:20I'm happy.
01:35:23See you.
01:35:28What are you doing?
01:35:31If you think about running away,
01:35:34I will tell your husband everything about me.
01:35:40I will follow you forever.
01:35:43Forever.
01:35:50I was at my limit.
01:35:54I thought God gave me that bottle.
01:35:59I decided to kill him.
01:36:03I invited Umeko Fukuda.
01:36:06We got on the Hokuriku Shinkansen.
01:36:09We went to a hot spring in Noto.
01:36:13Shoda was happy with my plan.
01:36:18He is a terrible man.
01:36:22We met at 2 p.m. at Seki no Hana.
01:36:26I wanted to see Shota's face.
01:36:30He pushed Honma Daigishi to the minister.
01:36:35I thought this day would be the beginning of our sweet ending.
01:36:53I got off at Tsurugiji station and walked.
01:36:59I passed by some people.
01:37:01It was strange that they didn't remember me.
01:37:06I thought it was God's grace.
01:37:17I booked a hot spring at Okunoto.
01:37:21It's a wonderful inn where you can see the sea.
01:37:24I'm hungry.
01:37:26I didn't eat anything.
01:37:29I didn't eat anything.
01:37:32Let's eat together.
01:37:34I'm hungry.
01:37:40I'm thirsty.
01:37:58I'm hungry.
01:38:12I wanted Shota.
01:38:24He is my only family.
01:38:29I wanted to be happy.
01:38:36Hello.
01:38:44Hello.
01:38:46This is Kitahakuisho.
01:38:49Let me do it.
01:38:52You take me to the police.
01:38:58You take me to the police.
01:39:23You have to go.
01:39:28You have to go.
01:39:33Do you call him Pekiro?
01:39:35Yes.
01:39:37Shota's children were crying.
01:39:40They didn't think about us.
01:39:43Their father died with a woman.
01:39:48Their children lost hope.
01:39:55But if they were killed,
01:40:00they could love their father.
01:40:03They could forgive their father.
01:40:13Let's go to the police together.
01:40:24I'm sorry.
01:40:37I used to see the sky with my wife.
01:40:48It was beautiful.
01:40:55I thought happiness would last forever.
01:41:21It's coming.
01:41:22It's coming.
01:41:28Why did you kill them?
01:41:31I wanted to be happy.
01:41:40Why?
01:41:52Why?
01:41:56Don't you write about Yoshiko?
01:42:06You're right.
01:42:08Novels make people happy.
01:42:11That's what you think.
01:42:14You have to write your own novel.
01:42:20Yes.
01:42:22I'm going to the convenience store.
01:42:42Don't take so many pictures.
01:42:45I don't like being photographed.
01:42:52I don't like being photographed.
01:43:10Happiness...
01:43:23Happiness...
01:43:26Happiness...
01:43:29Happiness...