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00:00:00I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:00:30I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:01:00Are you okay?
00:01:30I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:00I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:06I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:30I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:35I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:40I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:45I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:50I don't know if I'm going to make it out of here alive, but I'm going to have to try.
00:02:55Hurry up, Maria. She can't breathe.
00:02:57She can't breathe properly. We have to take her to the emergency ward.
00:02:59Tokyo, give me a box number 6.
00:03:00Okay, okay, okay. Kit number 6.
00:03:01Between the chest and the lungs.
00:03:02Hurry up.
00:03:03Found it.
00:03:09We're safe.
00:03:13Take me out of here.
00:03:16I can go to jail alive, but I can't die here.
00:03:20Tokyo, please hand me over to the police.
00:03:24Please, Tokyo.
00:03:26Let's go.
00:03:42After we get Rio out of here, the third part of the plan will begin.
00:03:45Rebellion.
00:03:49No one can get out of the Bank of Spain alive.
00:03:52It's impossible.
00:03:54But I'm going to get you all out.
00:03:55After the third part of the plan begins, there's only one thing that matters.
00:03:59And that's Sona.
00:04:00And there's only one thing we can do.
00:04:01Melt Sona.
00:04:02That's the only thing that can save us.
00:04:03If Sona doesn't come out, we won't be able to come out.
00:04:06The other police will try to do everything they can.
00:04:09But no matter what happens,
00:04:12no matter how hard we try,
00:04:13no matter how hard we try,
00:04:16we have to keep one thing in mind.
00:04:17Control yourself.
00:04:20Otherwise, everyone's life could be in danger.
00:04:24Sona!
00:04:29Did we kill a cop?
00:04:30I don't know, but I've seen one burning in flames.
00:04:32When they come back, they'll bring all kinds of weapons.
00:04:34It'll be hard to face them, Sergio.
00:04:36And Nairobi needs a surgeon.
00:04:38We just took their tank.
00:04:39They won't send a surgeon.
00:04:40There's still a bullet in his lungs.
00:04:41None of us can get him out.
00:04:42You'll have to do something, Sergio.
00:04:44We'll have to contact a surgeon in Pakistan.
00:04:47What's his condition?
00:04:48He's dying.
00:04:49He's got dog liquid on his stomach and clothes to hide in.
00:04:52He's still hiding among the trees.
00:04:53Shoot at any tree.
00:05:05Tell him I'm ready to surrender.
00:05:06I'm almost there.
00:05:09Take him out.
00:05:10Take him out.
00:05:12Take him out.
00:05:16I won't give up.
00:05:23I won't give up.
00:05:42Easy. Easy.
00:05:44Easy.
00:05:46It's okay.
00:05:48Easy. It's okay.
00:05:50Easy.
00:05:52It's okay.
00:05:55Shit.
00:06:22I won't give up.
00:06:24I won't give up.
00:06:26I won't give up.
00:06:28I won't give up.
00:06:30I won't give up.
00:06:32I won't give up.
00:06:34I won't give up.
00:06:36I won't give up.
00:06:38I won't give up.
00:06:40I won't give up.
00:06:42I won't give up.
00:06:44I won't give up.
00:06:46I won't give up.
00:06:48I won't give up.
00:06:49You put a Vigra bullet in your pocket and give yourself courage.
00:06:52You think the law will save you?
00:06:54The law won't support you.
00:06:56I am the law.
00:06:58And I don't give a damn about Vigra bullets.
00:07:00Now we'll work in peace.
00:07:02And listen to me carefully.
00:07:03This should not go any further.
00:07:04Talk to him and negotiate.
00:07:05Negotiate and talk.
00:07:06Do you understand?
00:07:08Yes, very well, boss.
00:07:12Antonio Anzas.
00:07:14Antonio Anzas.
00:07:15Yes, Inspector.
00:07:16You heard that, didn't you?
00:07:17This man is the law.
00:07:18The dark law.
00:07:20I need a surgical ambulance and a surgeon.
00:07:22Now!
00:07:25Let's talk to him and get the wound out.
00:07:31The governor has done three medical courses in the army.
00:07:33He will help us in the operation.
00:07:34But I didn't complete those courses.
00:07:35And I didn't make it my profession.
00:07:36But I still remember some of them.
00:07:38What else do you want? Put on your gloves.
00:07:39I'll get it.
00:07:40Haven't you found a surgeon yet?
00:07:41I've been trying, but I can't get access.
00:07:43Bogota, anesthetic, Nairobi.
00:07:44They're going to make you unconscious.
00:07:45Don't even think about it.
00:07:46Tokyo.
00:07:47Tokyo.
00:07:49This is my life.
00:07:50I'll decide.
00:07:51Please.
00:07:52It's your life.
00:07:53That's why we're trying to save it.
00:07:54So calm down.
00:07:55Please, Tokyo.
00:07:56Please.
00:08:00She'll decide.
00:08:02It's over.
00:08:04Helsinki, make her unconscious.
00:08:05It's my order.
00:08:08You didn't give me the order.
00:08:09I'm not your servant.
00:08:10You let her pick up the phone.
00:08:12You had to protect everyone.
00:08:13If she can make a mistake, then you can make a mistake.
00:08:15Shut up.
00:08:16Or I'll shoot you.
00:08:18Keep your advice to yourself.
00:08:19She's here because she didn't listen to anyone.
00:08:22If Nairobi has to go, I'll let her go.
00:08:25And you, you bastard.
00:08:26Shut your mouth.
00:08:27Because from now on, you're not the boss here.
00:08:29Tokyo, put your gun down.
00:08:31If Nairobi runs away, we'll all die.
00:08:32We'll do Nairobi's operation here.
00:08:35What do you know about the operation, you idiot?
00:08:37Nairobi needs a surgeon.
00:08:38Are you all out of your minds?
00:08:40I swear on my daughter.
00:08:41I won't tell them anything.
00:08:43Nairobi, it's easy to say.
00:08:44You won't be able to bear their torture.
00:08:45Go to hell, all of you.
00:08:47Nairobi will go.
00:08:49I won't let that happen.
00:08:53Do you think this is the right time to point a gun at each other?
00:08:55One of us is dying.
00:08:56Stop this nonsense.
00:08:59To be honest, one of us.
00:09:00One of us?
00:09:04He killed Lisbon half an hour ago.
00:09:08If he wanted, he could have shown his good side.
00:09:10He could have voted and let her go.
00:09:11But she didn't survive.
00:09:12He caught Lisbon and killed her.
00:09:13That too, mercilessly.
00:09:14He brought Nairobi's son.
00:09:15With his teddy bear.
00:09:16So he could attack Nairobi.
00:09:17Do you really think white-dressed saints are waiting for you?
00:09:19Use your brains.
00:09:24Palermo is right.
00:09:26Don't make me unconscious.
00:09:29And don't shoot me.
00:09:32You might have to cut my lungs.
00:09:35But don't let me die.
00:09:37You won't be able to do it.
00:09:39You won't be able to do it.
00:09:40You won't be able to do it.
00:09:42Helsinki.
00:09:44It's not that easy.
00:09:46Helsinki, do something.
00:09:47Take me outside.
00:09:48Please don't kill Nairobi.
00:09:50Please take me outside.
00:09:51Don't worry.
00:09:52Take me outside.
00:09:53Everything will be fine.
00:09:55Everything will be fine.
00:09:58No.
00:09:59No.
00:10:01No.
00:10:02No.
00:10:03No.
00:10:04No.
00:10:05No.
00:10:11Sorry, professor.
00:10:12We had a small argument.
00:10:15I'm going to bed.
00:10:24Do you mind if I sleep with you here?
00:10:28No, it's fine.
00:10:35But you like to stay next to me when I want to sleep,
00:10:38You don't have a problem with that, do you?
00:10:40What do you mean?
00:10:41You and I can help each other out.
00:10:43Let's make the night a little more colourful.
00:10:47You scared me.
00:10:50Does any of you know why Sala Palermo was made our in-charge?
00:10:53Because that was his idea, and he's a genius.
00:10:56He's a genius?
00:10:57The same guy who was giving all this crap about gay sex?
00:10:59Nonsense.
00:11:00Do you know who should have been in-charge of this story?
00:11:03You. Yes, you.
00:11:06I think you're the only one who can put an end to this story.
00:11:10Don't point fingers at me.
00:11:12Please, don't get such ideas in my head.
00:11:14I'm going to bed. Good night, girls.
00:11:21I have to talk to the professor. I'll be right back.
00:11:27Professor, I want to be in-charge of this story.
00:11:29I'm more talented.
00:11:30Tokyo, don't mind, but can we talk about this tomorrow...
00:11:32No, not tomorrow, right now.
00:11:33Why did you make him in-charge?
00:11:34Look, Tokyo, I made him in-charge because the story was planned a long time ago.
00:11:39Palermo has done a lot of work on it, and he understands the plan.
00:11:40So what?
00:11:42I'll understand the plan right now.
00:11:43Professor, I learn very quickly.
00:11:44A cow has two eyes and four legs.
00:11:45It has a tail, it gives us milk, and that's why it calls us mother.
00:11:49Cow's ass. I remember everything.
00:11:51Yes, I know.
00:11:52Tokyo, you're getting in the way of our private moments.
00:11:59What is it?
00:12:00Do you want to have sex?
00:12:01Yes, I do. Is there a problem?
00:12:02I see.
00:12:04You don't look like a horny guy.
00:12:06You're so horny, you can't even think.
00:12:07Oh, man.
00:12:07Oh, wow. Is that right?
00:12:08Hmm.
00:12:09Oh.
00:12:11Should I stop, too?
00:12:12No.
00:12:14Why, Professor?
00:12:14Why are we talking nonsense?
00:12:16Because I'm suggesting a threesome.
00:12:18Palermo, you and me.
00:12:20He'll take care of the numbers and calculations,
00:12:21and you'll handle the strategy.
00:12:23But you won't find a better leader than me anywhere.
00:12:25Because when things get out of hand, I take care of it.
00:12:28And you can't learn that from any book.
00:12:29It's inside you.
00:12:35So, guys, I'll give you the orders now.
00:12:39Let's get started.
00:12:41You'll give orders? You mean, in charge?
00:12:42Our genius and smart partner.
00:12:44The bitch who got us all stuck here.
00:12:45The bitch who could put our lives in danger.
00:12:47Okay, you guys keep playing doctor, doctor.
00:12:49I'll think of my next move.
00:12:59The next half hour was the most difficult for us.
00:13:01In just half an hour,
00:13:02the police were shooting at every tree in Benaro.
00:13:04They had separated us from each other and harassed us.
00:13:06And there, Professor,
00:13:07in a wooden coffin, he was thinking about those 30 minutes.
00:13:10And even if he had put this phone down half an hour earlier,
00:13:12the police would still be alive.
00:13:27Start phase two of the plan, okay, Professor?
00:13:34Okay.
00:13:42Alicia, we need to talk, and we need to come to an agreement.
00:13:47Professor, it's been five minutes since we've been on the run.
00:13:49And you're calling another woman?
00:13:51Naughty boy, you turned out to be a real jerk.
00:13:53Did you give her the order to kill him?
00:13:54I told her to kill him, but she shot herself.
00:13:56Raquel Murillo couldn't bear to be arrested,
00:13:58and she started shooting at the police,
00:13:59just like a cheater.
00:14:00Colonel.
00:14:02The signal's not coming from Madrid.
00:14:08I think they're on the highway, by the boulevard.
00:14:15Angel, they're trying to get away from us.
00:14:16They've gone about 45 kilometers from the location you told us.
00:14:18Do you believe that this is their plan?
00:14:20The information is correct. We're tracing the signal.
00:14:22They're on National Highway 435. Follow them.
00:14:24Okay.
00:14:25Listen to the entire unit. Let's go.
00:14:27The target is getting away from National Highway 435.
00:14:29You guys follow him.
00:14:32Take the doctor to the doctor's room.
00:14:36Listen to me carefully, Ciara.
00:14:38Before we get out of our Bangkok, Spain,
00:14:40I'm going to destroy you.
00:14:42So boring.
00:14:43Do you have any honesty or not?
00:14:45Professor, you fired a rocket at the police
00:14:46and proved that you're Al-Qaeda.
00:14:48Big Bang Boom. What a blast.
00:14:50I'll make up for my mistake.
00:14:51And I'm giving you a chance to make up for it.
00:14:53Nairobi...
00:14:55I'm not sending an undersearcher.
00:14:56I have a better idea.
00:14:58Send Nairobi outside.
00:14:59And for that, the ambulance will be waiting outside.
00:15:00I can't hand Nairobi over to the woman who tried to kill him.
00:15:03You'll have to bear the consequences.
00:15:05I'm getting scared.
00:15:07Okay, let's make a deal.
00:15:09I'll do you a favor.
00:15:10You keep an eye on him for the next 48 hours.
00:15:12See how he's doing.
00:15:14Or leave him to die.
00:15:15Your deal is accepted.
00:15:16But listen to me.
00:15:17I won't let Nairobi die.
00:15:19Whether you help me or not.
00:15:23Oh, yeah.
00:15:25Go get that asshole.
00:16:00Oh, no.
00:16:30He'll come down from the trees and jump like a monkey.
00:16:36Don't you think this hide-and-seek is going to be fun?
00:17:00Come on.
00:17:31Won't you ask me, Angel, why I did all this?
00:17:37No.
00:17:39I know you did it for love.
00:17:42As soon as you get to Madrid, they'll make a deal for your cooperation.
00:17:45Okay.
00:17:47Stealing weapons.
00:17:48Destroying the peace of the country.
00:17:49Opposing the government.
00:17:50Using weapons.
00:17:51Revealing secrets.
00:17:52Supporting the thieves.
00:17:53And kidnapping.
00:17:54Of all the prisoners.
00:17:55And my own daughter.
00:17:57That's why, no matter what the deal is.
00:17:59No matter who the judge is.
00:18:00Or even if the system wants to help.
00:18:02At least 30 years of imprisonment is guaranteed.
00:18:05That means I'm done.
00:18:07Mr. Alok.
00:18:11Keep your instructions clear and point-to-point.
00:18:13Okay?
00:18:14How many blood bottles do we need?
00:18:15We'll need three blood bottles for now.
00:18:17How many do we have now?
00:18:19Three.
00:18:20Okay.
00:18:21Bring more.
00:18:22O-negative and A-negative.
00:18:23Okay?
00:18:24We need as much blood as three operations.
00:18:25Bogota, go downstairs.
00:18:26It's important for us to keep the gold melting.
00:18:27Go.
00:18:32Are you still scared?
00:18:33No one trusts you anymore, Palermo.
00:18:34Do you know how you'll be taken from here
00:18:36if I'm not in charge?
00:18:39You'll be beheaded, handcuffed.
00:18:40And then you'll beg for your life
00:18:41when you'll be encountered.
00:18:43That's why...
00:18:45I'm leaving. Goodbye.
00:18:46Goodbye.
00:18:50Go ahead, Doctor.
00:18:51First, make a 15-centimeter cut.
00:18:52The 6th and 7th.
00:18:53Right in the middle of the muscle.
00:18:54Scalpel.
00:19:25Aspirator.
00:19:26I can't see him.
00:19:27Bring the camera closer.
00:19:28Always keep the wound clean.
00:19:29Do you understand what I'm saying?
00:19:30Good.
00:19:31What do we do now?
00:19:32We'll have to separate the muscles.
00:19:33If necessary,
00:19:34we'll have to remove a part of his lung.
00:19:35Separate the muscles?
00:19:36Is he out of his mind?
00:19:37Bring the lip spreader.
00:19:42This one?
00:19:43Yes, this one.
00:19:44Bring it here.
00:19:49Any of you who has a blood group
00:19:50of O-negative or A-negative,
00:19:51put your hands up.
00:19:55Do you want us
00:19:56to check your medical records?
00:20:00Akita,
00:20:01you're a nurse, aren't you?
00:20:02That's right, sir.
00:20:03And I'm a doctor, too.
00:20:04Okay, follow me.
00:20:05If anyone has made a move,
00:20:06follow me.
00:20:25Professor.
00:20:26Marcellia?
00:20:27It's me.
00:20:28Come on.
00:20:31Get up.
00:20:32The cops are gone.
00:20:33What about the bull?
00:20:34What bull?
00:20:35Give me your hand.
00:20:36I can hear his body.
00:20:42Is this the bull?
00:20:43Yes, this is the bull.
00:20:44Walk slowly.
00:20:45Look into his eyes.
00:20:46Walk slowly,
00:20:47with light steps.
00:20:48Just like that.
00:20:49Doesn't this remind you of anything?
00:20:51The bull?
00:20:52Yes.
00:20:53Sad for me.
00:20:54No, no.
00:20:55Italy.
00:20:56Where we met for the first time.
00:20:57At that wedding.
00:20:58Hurry up.
00:20:59Step back.
00:21:00Wait a minute.
00:21:01This bouquet-throwing act
00:21:02is done by unmarried girls.
00:21:03Martin,
00:21:04do you see unmarried girls here?
00:21:05No, right?
00:21:06That's why you're all here.
00:21:07It's a tradition
00:21:08that the bride throws the bouquet
00:21:09and I'm going to do the same.
00:21:10Step back.
00:21:11Hurry up.
00:21:12Step back.
00:21:13A welder,
00:21:14a girl,
00:21:15a dumbass,
00:21:16and a librarian.
00:21:17Wow,
00:21:18the Italians were great.
00:21:19I'm not dumb.
00:21:20I'm just a little quiet.
00:21:21And me, too.
00:21:22Step back, Haseena.
00:21:23A little more.
00:21:24A little more.
00:21:25Step back.
00:21:26A little more.
00:21:39Ready?
00:21:43Brother!
00:21:44Congratulations, brother!
00:21:45You really are lucky.
00:21:46It's time for Mrs. Fonuyosa
00:21:48to start the wedding.
00:21:49But before that,
00:21:50I have a surprise for you.
00:21:51Oh
00:22:21Oh
00:22:51Oh
00:22:58Hello
00:23:00Janice, I didn't get a table for better. I'll just a small gap
00:23:03Subsidies are really bad. Yeah, what's the biggest of the zoo?
00:23:07Jindali
00:23:09I'll make you a more than one. I think it'll be shoddy cover
00:23:13Morning so early Gina, Kinshore, I
00:23:15Think about it. I don't know. Yeah, I don't do
00:23:21Copy some is done
00:23:23I got a concert. I just took it. That's a
00:23:26Social logo to a public about that. I mean, I'm just actually a
00:23:32Look champion people to cool down. How's Justin came out of it? What was it about? I don't know. I'm an important champion
00:23:38He was a baby
00:23:45Monson, did you know something better?
00:23:59Look you're a professor
00:24:02Up, Joe, don't miss it. Sure. Good. Thank you. I'll keep you to be feelings music. So many come and go music. So many
00:24:16Try we got it
00:24:32Excuse me
00:24:34What do you think of it? I didn't think I'd let it go look over there. They can have a key to create now
00:24:39What I'm gonna do
00:24:45You
00:24:47Never yeah
00:24:50Thanks, dude, thank you. Yeah, I see. Yeah, I had to come Sam Nissa. I'm gonna talk to you
00:24:55My Jonathan home are a bitch. I just have to trust me. What do you mean? Yeah, he's already about a kid. I'm gonna betcha
00:24:59Gopal Rayo. Thank you. Yeah, but I miss a little
00:25:04How do you think
00:25:07They come in so much time. I think shorty. I'm roomy. I'll do best. I'm gonna pass it
00:25:11But it was a good idea for the list
00:25:13I mean you got to be salute him it was to keep it with a lot of insani
00:25:15Do this it's over. Well, it's but she got a little bit of a circus. You're gonna soon Salim water
00:25:19So don't even keep him up. I'm gonna tear it up or get a hooli up
00:25:23You need it. You need it to me Arthur. Oh, you're a positive. Oh, you don't care
00:25:28I'm gonna check me good. I don't think I'll go to the scenario. We can John Vickie
00:25:32I'm sorry. I'm sorry. I'm so guilty. I'm gonna jump which can I get that?
00:25:35Much better. I'm a competition. Yeah, I'm positive. Yeah, I get it. I'm so cool. I got it. I'm sorry. I'll do it
00:25:39Check it out. I shot a little bit of blood group. Yeah, I mean
00:25:51It's gonna be more nice. Okay. Yeah, I got it. Yeah, I'm okay. Okay. I'm sorry
00:26:26I
00:26:56Don't know
00:27:23It's not
00:27:27It's
00:27:30Okay
00:27:32But I need to marry problem
00:27:34Nijanti can't think I got it. I don't need anywhere
00:27:39Or me
00:27:41What's the army? Oh, I'm gonna get it. I'm gonna go to the yard. It's not part of an eye
00:27:47That's a new
00:27:56Oh
00:28:06Good morning. Good morning. You wait up
00:28:08I'll keep up a little kick. I'm gonna shun him. You know, I'm driver could wound up. Yeah, wait a second
00:28:11Yeah, I'm a truck dealer. It's what I'm talking. I think I think I can tell what he had a situation
00:28:14I gave you a guy who's a career. I can't go back. I got up. What's up?
00:28:20Excuse me
00:28:23Hmm
00:28:25Yes, come on
00:28:27I got that way. What's up? What's going on? I don't know. What's up? What's going on?
00:28:33Yeah, I think I'm talking about the hospital. Yeah, I'm gonna go hospital. Yeah, that's a modest. It's gonna be
00:28:38Would you speak we call it a night?
00:28:46Come on
00:28:48Yeah
00:28:50My name is Pamuk
00:28:52When I was in the war, he was with me all the time
00:28:54I can understand how you feel
00:28:56Are you trying to comfort me by comparing your dog to my wife?
00:28:58She was a female dog
00:29:00After the war
00:29:02All my friends were dead
00:29:04And I
00:29:06I used to sit in the bar all the time
00:29:08First one day, then every day
00:29:10Pamuk used to stand outside
00:29:12For me
00:29:14You two loved each other, and she was killed
00:29:16Yeah
00:29:22What happened to Pamuk?
00:29:26The boys in the village liked to fight
00:29:28And then they got bored
00:29:30Because they didn't have any enemies
00:29:32To play
00:29:34Then one day
00:29:36He picked up a stone in his hand
00:29:38He broke the bottle
00:29:40And then he admitted that Pamuk was his enemy
00:29:46I'm sorry
00:29:50She was very loyal
00:29:56Masada, stop the car for a while
00:29:58I have to go to the toilet
00:30:16Pamuk
00:30:18Pamuk
00:30:20Pamuk
00:30:22Pamuk
00:30:24Pamuk
00:30:28Pamuk
00:30:30Pamuk
00:30:32Pamuk
00:30:34Pamuk
00:30:36Pamuk
00:30:38Pamuk
00:30:40Pamuk
00:30:42Pamuk
00:30:44Pamuk
00:30:46Pamuk
00:30:56Do you feel better
00:31:00Sometimes, crying makes you feel better
00:31:08No matter how many challenges we faced
00:31:10One thing we could never forget
00:31:12Our lives were at risk because of the gold that was melting 48 metres below.
00:31:16Our plan was clear.
00:31:18Either bring the gold out, or die inside.
00:31:21No matter what, we have to bring the gold out.
00:31:24No matter what, we have to bring the gold out.
00:31:30Lower the lung. I want to take the initialised knowledge.
00:31:32Okay.
00:31:33Lift the arm.
00:31:36Colonel.
00:31:39The transfer rate of electromagnetic signals from the bank is increasing.
00:31:42Please explain it in simple language.
00:31:43It means he is talking to someone outside.
00:31:48Bring it a little closer.
00:31:50Good.
00:31:50Okay, we have to cut the initialised part of the lung and take it out.
00:31:52Okay. There is a higher risk of infection in this.
00:31:54It can kill you.
00:31:55How can we cut the lung?
00:31:56Do you have an electric scalpel?
00:31:58Yes.
00:31:58It seems like someone is talking on video call.
00:32:00Can we see?
00:32:01The signal is encrypted.
00:32:02I think they are going from the Kazakh satellite.
00:32:05Dark web is being used there.
00:32:06But I can't say for sure.
00:32:09Then cut the signal.
00:32:12Okay, hurry up. We don't have much time.
00:32:13Listen to me carefully and follow my instructions.
00:32:16We have to cut it very easily. Got it?
00:32:17Got it.
00:32:18Colonel, if the signals are coming from a phone company's satellite,
00:32:21we have to contact them to cut it.
00:32:22Don't tell me what I have to do.
00:32:23I told you to cut the signal.
00:32:25After cutting the signal, we will take out the scalpel.
00:32:27And we will stop the coaching force.
00:32:28Got it.
00:32:29We have to cut every signal in that area, sir.
00:32:31Even the internet.
00:32:32And everything that is transferred from the satellite.
00:32:33It happened in Egypt in 2011.
00:32:35Do it.
00:32:36Be careful. Cut it before everyone else.
00:32:38Can you see the lingula?
00:32:38What is lingula?
00:32:39The lung.
00:32:40Hey!
00:32:41What happened?
00:32:42That shouldn't happen.
00:32:43What happened?
00:32:46What happened?
00:32:48We are not getting the signal.
00:32:49What?
00:32:50What do I do?
00:32:52We won't be able to connect with the doctor.
00:32:53He has jammed everything.
00:32:54Rio, do something quickly.
00:32:55What do we do now?
00:32:55His blood pressure is decreasing fast.
00:32:56Maybe we won't be able to save him.
00:32:57No. No. No.
00:32:58No. No. No. No. Stop.
00:33:03Good days always stay in our memories.
00:33:06And the more bad times we witness,
00:33:07the more we miss good days.
00:33:09I remember a day when I was waiting for a miracle
00:33:12and I saw the signals of the Nairobi's heartbeat.
00:33:13A football match at the monastery.
00:33:15Defend well. Just one minute.
00:33:17Come on.
00:33:20I never thought we'd have so much fun
00:33:22before going on this dangerous mission.
00:33:23What's going on?
00:33:24What's going on?
00:33:25What's going on?
00:33:26Stop fighting.
00:33:27Stop fighting.
00:33:28This is just a minute.
00:33:29Stop fighting.
00:33:30This is the problem.
00:33:31I was just defending.
00:33:32Okay, okay.
00:33:33Enough.
00:33:34No one will touch anyone else.
00:33:35Or else you'll get a red card.
00:33:36Come on.
00:33:37Let's start again.
00:33:38Penalty.
00:33:39Stop, stop.
00:33:40It's starting.
00:33:41It's getting hot.
00:33:42Penalty.
00:33:43You get a penalty.
00:33:44Keep going.
00:33:50We won't be able to connect.
00:33:51They've jammed everything.
00:33:52What do we do now?
00:33:53We might not be able to save him.
00:33:54No, no, no, no.
00:33:55Listen.
00:33:56♪
00:34:26Yeah, he just left.
00:34:33♪
00:34:40♪ When the snow always raining
00:34:42♪ Every day is like this
00:34:44Probably it was just my imagination.
00:34:46Because I was remembering those moments without knowing
00:34:48if those moments were actually happy or not.
00:34:50♪ When my mama told me
00:34:52♪ Every day is like this
00:34:56♪ When you don't need to worry
00:34:58♪ Every day is like this
00:35:00♪ When no one's in a hurry
00:35:03♪ Every day is like this
00:35:08♪ Every day is like this
00:35:24♪ Every day is like this
00:35:27♪ When everyone is up for it
00:35:29He was a good captain.
00:35:31But he didn't have a team spirit.
00:35:34♪ Well, that's nobody's business
00:35:36♪ The way that you want to live
00:35:38♪ You just have to remember
00:35:40♪ There'll be days like this
00:35:42♪ When no one steps on my dreams
00:35:44♪ There'll be days like this
00:35:46♪ When people understand what I mean
00:35:48The professor's visit to Madrid was part of the plan.
00:35:51But it didn't quite work out.
00:35:53Because Lisbon wasn't with him.
00:35:55Professor, we have to leave now.
00:35:59♪ La la la la la la la
00:36:01♪ La la la la la la la
00:36:05He crossed the Almanza,
00:36:07riding his motorcycle through forests,
00:36:09and through rocky roads and fields.
00:36:11Now, our boss and his buddy
00:36:13are going to take a dangerous step
00:36:15after the repeated defeats.
00:36:17And everything was going to be destroyed.
00:36:19♪ Every day is like this
00:36:21♪ Every day is like this
00:36:29♪♪
00:36:39♪♪
00:36:49♪♪
00:36:59♪♪
00:37:09♪♪
00:37:20Thank you.
00:37:24Okay.
00:37:25Just a little more.
00:37:26You're very brave.
00:37:28I just did what I had to do.
00:37:29If we don't stand up against them,
00:37:30they'll make our lives hell.
00:37:31Let me know if it hurts.
00:37:32Use as much antiseptic as you want.
00:37:33I can handle it.
00:37:34I'm used to pain.
00:37:35Show me.
00:37:39Don't stop.
00:37:40Nice.
00:37:49♪♪
00:37:59♪♪
00:38:09Your T-shirt is covered in blood.
00:38:11Pretend I'm not here.
00:38:12I can't see anything.
00:38:13Close my eyes.
00:38:19Listen, Amanda.
00:38:20Have you ever had anxiety attacks
00:38:21because of this drug?
00:38:24Well, I can get them.
00:38:25Tell me.
00:38:27Do you know why I can't sleep
00:38:28for more than half an hour?
00:38:29No.
00:38:30Because I feel so heavy here.
00:38:33This is normal in such cases.
00:38:34Because, look, there's a lot of tension here.
00:38:36A lot of tension.
00:38:37Don't worry.
00:38:38I'll give you something to help you
00:38:39because I don't want you to go through
00:38:40post-traumatic stress.
00:38:41Because it's very difficult to forget it.
00:38:43And in some cases,
00:38:44this pain lasts forever.
00:38:46Hey, come here.
00:38:47I'll help you.
00:38:48There's a lot of blood.
00:38:50Don't worry.
00:38:51Because as long as I'm here,
00:38:53I'll take care of you.
00:38:56You're going to be my personal project.
00:38:59We're here on a mission
00:39:00in Bangkok, Spain.
00:39:01Maybe you forgot your way,
00:39:02but I didn't.
00:39:03We've never done this before.
00:39:04Maybe there's something wrong with our brains.
00:39:05And everyone's going crazy.
00:39:06Everyone's going crazy.
00:39:07What are you trying to say?
00:39:08Say it clearly.
00:39:09Maybe we don't have to say anything.
00:39:10You broke up with Tokyo.
00:39:11Who else would break up with Tokyo?
00:39:13There's no one.
00:39:14No one leaves such an item.
00:39:16What do you know about Tokyo?
00:39:18Tokyo is a Mercedes.
00:39:19And everyone knows about Mercedes.
00:39:20And after someone gets a Mercedes,
00:39:21they leave it on the road
00:39:22so that someone else can take it.
00:39:23So, son, it's really his life.
00:39:25You see?
00:39:26Now let me make one thing clear.
00:39:28I know you're upset
00:39:29because those assholes took a lot from you.
00:39:30Yes, maybe the torture there
00:39:31has changed you a lot.
00:39:33But forget the past.
00:39:34That's why you broke up with Tokyo, right?
00:39:36Look, it doesn't matter
00:39:37how many people you have.
00:39:38All you care about is your brain.
00:39:39So just forget it.
00:39:41You can trust me.
00:39:42Just say it once.
00:39:43I'm here to help you.
00:39:44Whatever it is.
00:39:56Ladies and gentlemen.
00:39:58I'm sorry, but it's time to say goodbye.
00:40:00I'm leaving.
00:40:01You guys keep working.
00:40:02You're doing a great job.
00:40:03What the hell are you going to do now?
00:40:04Mathias.
00:40:06I'm leaving.
00:40:08It was fun working with all of you,
00:40:09as always.
00:40:11And I have to say,
00:40:13I love you a lot, Mathias.
00:40:15And I hope all of you
00:40:16didn't have to go through
00:40:17as much as I did.
00:40:18Come on, now you have
00:40:19an exciting story
00:40:20to tell your kids and grandchildren.
00:40:21So, ladies and gentlemen,
00:40:22I'll see you again.
00:40:32Calm down.
00:40:34Calm down.
00:40:35We'll talk.
00:40:37In peace.
00:40:39But you can't go out.
00:40:44You son of a bitch!
00:40:45You took all the control.
00:40:47What do you want from me now?
00:40:48I'm in charge of the military
00:40:49and you're in charge of the technical team.
00:40:50Technical team?
00:40:52Do I look like an engineer
00:40:53to you?
00:40:55I don't know what I'm going to
00:40:56order downstairs.
00:40:58Now melt, now don't melt,
00:40:59now don't go inside,
00:41:00now come out.
00:41:01Immersion, immersion,
00:41:02immersion.
00:41:03What do you think of me,
00:41:04you son of a bitch?
00:41:05I didn't come here
00:41:06for this bullshit.
00:41:07I don't want to argue with you,
00:41:08I'm going.
00:41:09I'm going to activate
00:41:10the manual door.
00:41:11Consider this a favor.
00:41:13Because if I stay here,
00:41:14I'll shoot you
00:41:15and everyone else.
00:41:17I'm not with you anymore.
00:41:24I'm doing you a favor.
00:41:26Because I swear,
00:41:27I feel like breaking your head
00:41:28right now.
00:41:30You can't do that.
00:41:31I can.
00:41:33I can.
00:41:38This is the remote
00:41:39of the landmines.
00:41:40You must have understood
00:41:41by now.
00:41:42The explosion will only
00:41:43be directed at you.
00:41:44It won't come towards you
00:41:45even today.
00:41:46I won't regret killing you
00:41:47at all.
00:41:48So relax.
00:41:49You can't deceive us
00:41:50like this.
00:41:51So much confidence?
00:41:53Malermo!
00:41:54What are you doing?
00:41:56So now even the little bull
00:41:57is here.
00:41:58Like you're here
00:41:59to drop your lover
00:42:00at the station for the last time.
00:42:01At least have some shame,
00:42:03or do you want to get shot
00:42:04in the head
00:42:05by deceiving us?
00:42:06I won't open my mouth.
00:42:07I have the keys to freedom
00:42:08and the state's secrets.
00:42:09I won't deceive you.
00:42:10If you want to run away
00:42:11from treachery,
00:42:12then deceive your friends
00:42:13from treachery.
00:42:14No!
00:42:15I don't want to kill you,
00:42:16fatso.
00:42:17Really?
00:42:18If you can't kill me,
00:42:21I won't let you live.
00:42:23Don't be crazy, Helsinki.
00:42:25If you go outside,
00:42:26Malermo,
00:42:27I swear,
00:42:29I'll...
00:42:30I'll...
00:42:31I'll...
00:42:33I'm telling the truth, Malermo.
00:42:35I'll do it.
00:42:40I'm telling the truth.
00:42:44I'm with you.
00:42:59Will you tell me
00:43:00the truth?
00:43:01What truth?
00:43:02You said he's involved with Locha.
00:43:03Locha?
00:43:04He's crazy.
00:43:05He's involved with Locha.
00:43:06He's involved with Locha?
00:43:07Why?
00:43:08Because he left Tokyo
00:43:09and he's a Mercedes?
00:43:10Wait a minute.
00:43:11Mercedes is a style
00:43:12of talking to boys.
00:43:13Now the question is,
00:43:14after so much torture,
00:43:15something happened to him.
00:43:16Maybe they changed him.
00:43:17What did they do?
00:43:18Do you know that 40 people
00:43:19took him from behind
00:43:20for the destruction?
00:43:21Rio has already been tortured
00:43:22so much,
00:43:23and you're creating more trouble
00:43:24in his head.
00:43:25Dad, I just told the truth.
00:43:26I asked him
00:43:27if he was forced to work with you.
00:43:28Do you know what he did?
00:43:29Do you know?
00:43:30Suddenly, I felt like
00:43:31the bubble of our relationship
00:43:32had burst.
00:43:33What bubble?
00:43:34What bubble?
00:43:35Monica, no, no.
00:43:36I want to know what bubble.
00:43:37What's the matter with the bubble?
00:43:38What bubble?
00:43:40Suddenly, I felt
00:43:41like my eyelids opened.
00:43:42I felt like
00:43:43I didn't know you.
00:43:44I don't understand
00:43:45why we're together.
00:43:46I don't understand
00:43:47who you are.
00:43:48Monica, don't take it too hard.
00:43:49You said Tokyo was a Mercedes,
00:43:50but you didn't say
00:43:51you were a dirty car.
00:43:54Forgive me, Timbal.
00:43:55I can't live with you.
00:43:59Hey.
00:44:09Director.
00:44:10If he comes under any kind
00:44:11of anger and bites you,
00:44:12then you stay quiet.
00:44:13Don't even open your mouth
00:44:14to him.
00:44:15Just because you never knew
00:44:16he's aggressive about you.
00:44:17So I'll be listening?
00:44:19Just keep quiet.
00:44:20You don't know
00:44:21how innocent he can be.
00:44:22Be as innocent
00:44:24as you're lesser than him.
00:44:25That's all.
00:44:26Drop merciful words,
00:44:27dear.
00:44:28I don't want to lie this time.
00:44:29It's not right to tell the truth. Let the storm go away.
00:44:31Try to find out what the storm is about.
00:44:33And when it cools down,
00:44:35you can take a step forward.
00:44:40You get what I'm saying?
00:44:42She's just upset with the monastery.
00:44:43That's what's going on.
00:44:44So?
00:44:45We've got the same thing going on here.
00:44:47And the mess that's going on in this dungeon
00:44:48is driving me crazy.
00:44:50That's what's going on.
00:44:59♪
00:45:02Professor, it's Tokio.
00:45:05♪
00:45:08Tokio, you've taken control.
00:45:09Palermo's gone mad.
00:45:10He was going to blow up the main operation room.
00:45:12But we're all in control.
00:45:13No, no, nothing's in control.
00:45:14You can't control Palermo. He can do anything.
00:45:15We've been watching him for 24 hours.
00:45:17Tokio, this is going to ruin the plan.
00:45:19I'm right here, Professor.
00:45:21What difference does it make if you're not here, Tokio?
00:45:22We can't get out of here without Palermo.
00:45:24Do you have another house?
00:45:25Not Nairobi's, not Lisbon's.
00:45:29♪
00:45:34♪
00:45:39Palermo was running away
00:45:41because he knew that was the only way out.
00:45:43Professor, you've always been an angel to me.
00:45:46Now it's my turn.
00:45:48♪
00:45:50How did it happen?
00:45:52He gave his life for me.
00:45:53I'm so sorry.
00:45:56He was hiding on a tree.
00:45:59There were police and military men everywhere.
00:46:02He was caught in a farm.
00:46:04He was asked about me.
00:46:07I ran, ran, ran, ran.
00:46:09He asked me, where are you, Professor?
00:46:12I said, tell them, Nakaya.
00:46:14Tell them where I am.
00:46:15Tell them I'm ready to surrender.
00:46:17But he said, I don't know where he is.
00:46:22He kept saying, I don't know.
00:46:24I shot him despite being an innocent man.
00:46:29I couldn't get there in time.
00:46:30♪
00:46:38Did you see it with your own eyes?
00:46:39No.
00:46:40So you only heard the voices?
00:46:42Professor.
00:46:43Did you see him take the body?
00:46:44I had to run away from there.
00:46:45Listen to me.
00:46:46My mother called me once and asked me to come home.
00:46:48I'll stay there.
00:46:50There were 20 policemen waiting for me in their kitchen.
00:46:52And in the tent?
00:46:53We didn't let the police hear us run away from the bank.
00:46:56But we're still here.
00:46:57We're just a few things away from the crime scene.
00:47:01Did they publish anything?
00:47:02No.
00:47:05If they had really killed Lisbon,
00:47:08we would've known by now.
00:47:13She's being interrogated.
00:47:16Where are you going, Professor?
00:47:17Back to Spain.
00:47:17No, no, no. That's not a good idea.
00:47:18It's too risky.
00:47:20Thank you for your sympathy.
00:47:20There's only one place in the world
00:47:21where I can find out if my wife is alive or not.
00:47:23Get out of my way.
00:47:24No, no.
00:47:24Professor, I said no.
00:47:25I won't let you sit on the motorcycle.
00:47:3470.
00:47:37You'll be 70 by the time you get out of jail.
00:47:41Paula will be 40.
00:47:42Your mother will be dead by then,
00:47:44and you won't even be able to find her grave.
00:47:45Stop it. I can't do this.
00:47:47The prosecution will decide the sentence, not you.
00:47:49And the judge has the right to decide that.
00:47:52You must know whether you're a prosecutor or a judge.
00:47:55We'll see what I've written in these reports.
00:47:58And I've got these reports.
00:48:01Now it's up to you to decide what you want me to write.
00:48:03So, do you want to fight me?
00:48:04I'm just protecting the plan.
00:48:05I'll decide what happens to the plan.
00:48:06This isn't a plan. It's improvisation.
00:48:08And you always say, no improvisation.
00:48:10I won't let you go.
00:48:12Why don't you get it? I have to go there.
00:48:14I can only get answers to my questions in Bank of Spain.
00:48:18Come on.
00:48:19Do you really want to fight?
00:48:22I don't know where the professor is.
00:48:23And what he's going to do.
00:48:25You don't know anything?
00:48:26Has love blinded you?
00:48:28We change the plan according to the situation.
00:48:30This has nothing to do with our love.
00:48:32Of course it does. Just think about it.
00:48:34All the love in jail goes down the drain.
00:48:36It doesn't take long.
00:48:37You can either put up with it for two months,
00:48:38then suffer for two months,
00:48:38or you can live your whole life.
00:48:41Even if you go to war with him,
00:48:43you'll never understand our love.
00:48:45To save the plan, we have to find out
00:48:46if he's with the police or not.
00:48:48Because if he is, Alicia Sierra,
00:48:49my wife is being interrogated,
00:48:50and this is happening in Bank of Spain.
00:48:52But you can't go.
00:48:53I'll tell you what the secret of your love is.
00:48:56Sometimes he'll stay in one city, sometimes he'll run away.
00:48:58He'll wait to see you once a year, if you're lucky.
00:49:00Because if your lover isn't caught,
00:49:01you'll yearn to see him for the rest of your life.
00:49:03It's your choice.
00:49:04Either this, or you can raise your daughter right now.
00:49:06You can't play with my emotions, Alicia.
00:49:08I'm just telling you the truth.
00:49:10Like I always do.
00:49:12To save the plan, we have to go to Bank of Spain.
00:49:13You'll go inside the tent,
00:49:14while your face is on every news channel.
00:49:17You'll stand there, like a public figure,
00:49:19with a red jumpsuit and a mask.
00:49:20Yes, that's right.
00:49:23She won't cheat on me.
00:49:24Give me your hand.
00:49:27Give me your hand.
00:49:30How many boyfriends have you had
00:49:31that you don't care about them anymore?
00:49:35This is what's going to happen to her, too.
00:49:37And you know it.
00:49:42Anyone can cheat on me.
00:49:44Anyone.
00:49:44This is the most important...
00:49:47Why did you hit me again?
00:49:48The fight was over, wasn't it?
00:49:50What?
00:49:51I didn't know.
00:50:18Thank you.
00:50:19Come on, don't be like that, Alicia.
00:50:20You're being too serious.
00:50:21This marriage is really weird, Andres.
00:50:23What could be worse?
00:50:24I'm sorry for her, because she's young,
00:50:25and she loves you, even though you're close to death.
00:50:27Didn't you hear what Padre said?
00:50:29We'll be together till our last breath.
00:50:31Andres, this might be the last happiness of your life,
00:50:33but her life has just begun, and it's an injustice.
00:50:35Oh, my God.
00:50:36She knows about our illness.
00:50:37Everyone knows about this secret.
00:50:39You're going to ruin her life, Andres.
00:50:41Believe me, she's been with us for the past two or three years,
00:50:43and she'll remember it for the rest of her life.
00:50:45Yes, yes, and after that,
00:50:46maybe she'll be betrayed in some way.
00:50:48And as they say, love is betrayed in nature.
00:50:51Think about it.
00:50:52Look over there, Martin.
00:50:54I'm telling you, our dearest friend.
00:50:56Will he betray us?
00:50:57Hmm?
00:50:58Yes, he will.
00:50:59He just needs a situation like that.
00:51:01Tatiana.
00:51:02Tatiana will do the same.
00:51:03No, you just need love and affection in your life.
00:51:05But you're just a betrayer.
00:51:06No, no, no, no, no.
00:51:07I don't mean to say that.
00:51:08No, I mean, betrayal doesn't depend on
00:51:10how deeply we love each other.
00:51:13It depends on the situation you're going through.
00:51:15Can you betray your lover?
00:51:17Obviously, you won't.
00:51:18But in return, you'll be given the medicine
00:51:20that can save your brother's life.
00:51:22Then we'll see what you do.
00:51:24Oh!
00:51:43Sergio Marquina.
00:51:44He doesn't have emotions.
00:51:45He's a little arrogant.
00:51:46He's not very sociable.
00:51:48He's a little psycho, too.
00:51:50He's a gem.
00:51:51So?
00:51:52Without interrogating him,
00:51:53you stupid dog made a report.
00:51:55The school you're in,
00:51:56he's a professor at that school.
00:51:58Great.
00:51:59I know.
00:52:00Psychologists are great.
00:52:02And this is your profile.
00:52:03Huh?
00:52:04What's in my profile?
00:52:05That you're one of those people
00:52:06who fall in love with scumbags.
00:52:08They think you're an idol.
00:52:09And you slowly become his sidekick.
00:52:12Then they use you and manipulate you.
00:52:14When did you stop listening to your heart, Inspector?
00:52:17Before you became a professor?
00:52:19Because Alberto Toto used to beat you?
00:52:21How does that humiliate you?
00:52:23First you used my mother's Alzheimer's,
00:52:25and now you're talking about domestic violence.
00:52:27Tell me, there's no pattern here.
00:52:28Did you ever think,
00:52:29did you ever think,
00:52:30stay alert,
00:52:31this man could be a big scumbag?
00:52:33Tell me, isn't that true?
00:52:34You know how to break protocols,
00:52:36and so do I.
00:52:37I've already killed you, Raquel.
00:52:38Then I was the fool.
00:52:39Because I thought we were in love.
00:52:40I didn't tell you to come with me.
00:52:41She was lying.
00:52:42She hung up before we could play our game.
00:52:44She bullied you because you were weak.
00:52:46What can this man do for you?
00:52:48Will he go to the island with your mother and daughter?
00:52:50Has he ever followed your plan?
00:52:52How many times in your life has he heard your ideas?
00:52:55Once?
00:52:56Or do you keep running after him?
00:52:58I warned you before,
00:52:59that Alberto is a scumbag.
00:53:01And I'm warning you about him too.
00:53:03I'm asking you a very simple question, Raquel.
00:53:05Do you deserve to spend 30 years in jail
00:53:07just for a masked looter?
00:53:11Colonel.
00:53:13I've looked through the arrest reports.
00:53:15I may have made a mistake,
00:53:16but I didn't find any reports of the Murillo arrest.
00:53:18Why were you looking?
00:53:19I don't want any technical issues.
00:53:21I mean, this is a matter of human rights.
00:53:23What's your problem?
00:53:24Did the volunteers outside the supermarket take you to the NGO?
00:53:26Or did you join Amnesty International?
00:53:27Get lost.
00:53:28I'm just saying, if you go by the law...
00:53:30When do we go by the law?
00:53:31What do you think?
00:53:32Come on, answer me.
00:53:34Well, if you want to...
00:53:35I feel like it.
00:53:36I feel like it when I see some benefit in it.
00:53:38And I don't see any benefit in the arrest reports
00:53:40Are you getting what I'm saying?
00:53:42Yes, yes, yes.
00:53:44Hmm.
00:53:45Okay, so until then...
00:53:47Until then, that damn woman will sit on that chair.
00:53:49Without a thought.
00:53:50Whether she wants to go to hell or somewhere else.
00:53:52Do you have a problem with that?
00:53:53No, no, no.
00:53:54No, sir.
00:53:55Good answer.
00:53:56That's what I was hoping for.
00:53:58Come on.
00:53:59Come on.
00:54:00Come on.
00:54:01Come on.
00:54:02Come on.
00:54:03Come on.
00:54:04Come on.
00:54:05Come on.
00:54:06Come on.
00:54:07Come on.
00:54:08Come on.
00:54:09Come on, listen.
00:54:12The professor thought,
00:54:13if only he had x-ray vision to see Lisbon.
00:54:15But he wasn't Superman.
00:54:17So he had to use Sherlock Holmes as his guide.
00:54:18He'd gone out to the bank to find proof that Lisbon was alive.
00:54:21He saw three signs.
00:54:22That van.
00:54:23Why was the van parked there?
00:54:25And why was there dirt on top of it?
00:54:27A trademark from Navy Channel...
00:54:28That car belonged to the National Police of Uelva,
00:54:30whether that is the case,
00:54:31the same place where Lisbon was next to die.
00:54:36If anyone was following Hamlin's tracks, it was him.
00:54:39When he didn't have anything more important to do,
00:54:41like transporting Lisbon to Madrid.
00:54:43And if anyone was crying over his friend's death,
00:54:45it was Angel.
00:54:49And Alicia Sierra?
00:54:50The deal was done a few hours ago, but she was here.
00:54:52Like a ghost on top of her head.
00:54:54She should have been at home healing her wounds.
00:54:56But maybe she had a plan to interrogate
00:54:58the country's most wanted criminal.
00:55:01Lisbon was alive, but the professor needed proof.
00:55:03And he wanted to get Lisbon to know
00:55:05that he was still with her.
00:55:07We are with you! Long live the professor!
00:55:09We are with you! Long live the professor!
00:55:11We are with you!
00:55:18I found the ambulance you used as a communication center.
00:55:23Do you know who's in charge of it?
00:55:28Alberto. Your ex.
00:55:30He's an expert in this business,
00:55:32but he wants to make your life hell.
00:55:34But there's a way.
00:55:40I can go inside the ambulance.
00:55:42Before him. Or before anyone else.
00:55:44And I can erase all the evidence.
00:55:50You won't find anything there.
00:55:54You're hell, too.
00:55:56You know it.
00:55:58Some things get lost.
00:56:00We'll find something that will take us to your mother and daughter.
00:56:03Quickly now.
00:56:33Get ready to go to the washroom with my men.
00:56:43We're on the same side, Gandhia.
00:56:45I have a question. I'm a little confused.
00:56:47Tell me, do you think we're heroes or villains?
00:56:51I'll put a small clip on your coat,
00:56:53pull it out, rip it open, and shove it in your mouth.
00:56:55Good idea.
00:56:57But you're not a hero.
00:56:59You're a villain.
00:57:01Good idea.
00:57:03But your hands are still tied.
00:57:11You know, there's a very simple way
00:57:13to figure out how to open handcuffs.
00:57:15You don't let the bones of your fingers come out.
00:57:17And very few people know
00:57:19that it's easy to dislocate a joint and pull it out.
00:57:21Is that so?
00:57:23I was just giving you an idea.
00:57:31Ah.
00:57:53It's time to sleep.
00:57:55There will be four corners of my bed.
00:57:57There will be four angels on each corner.
00:57:59So, oh, heavenly angels,
00:58:01when I go to sleep, protect me.
00:58:17What are you doing here?
00:58:19You...
00:58:21You're under arrest.
00:58:25Sit on the corner.
00:58:27I was just trying. That's all.
00:58:29I said, sit on your knees.
00:58:35My wife and daughter are sleeping in the room.
00:58:37Please. Don't worry. They'll be fine.
00:58:39You just have to do as I say
00:58:41and answer my questions correctly.
00:58:43How will I be able to speak
00:58:45if someone puts a gun to my head?
00:58:47You will speak.
00:58:49We have it.
00:58:51First, the ambulance.
00:58:53Noni, noni, noni, noni, noni, noni.
00:58:55Second,
00:58:57this is grandma Sanki.
00:58:59Where am I? Where am I?
00:59:01Oh, my back hurts.
00:59:03Third, the orphan.
00:59:05Mama. Mama.
00:59:07Mama.
00:59:09Fourth,
00:59:13your love professor
00:59:15who lives in your jail
00:59:17will never be able to see you again.
00:59:19And now, this is the final scenario.
00:59:23You're threatening a police officer.
00:59:25Don't you realize you're playing with fire?
00:59:27We made a deal.
00:59:29Sometimes a deal is a necessary part of a war.
00:59:35I... I can't breathe.
00:59:39Control it. Control it.
00:59:41Control it.
00:59:43I'm suffocating.
00:59:45Come here.
00:59:53Come here.
01:00:01Are you okay?
01:00:07No!
01:00:23Two and a half years.
01:00:25You'll spend the rest of your life in jail.
01:00:27Make up your mind.
01:00:29Inspector.
01:00:37People think that love can only be expressed
01:00:39through flowers and candles.
01:00:41But some people light a hammer
01:00:43or a power drill.
01:00:53Kidnapping a police officer can also be an expression of love.
01:00:55And instead of drowning him in flowers,
01:00:57it's a good deed.
01:01:07What's going on?
01:01:09What's going on out there?
01:01:11Don't act.
01:01:13Or I'll break your neck.
01:01:17I'm calling the police.
01:01:19Ma'am, listen. I'm calling the police.
01:01:21Ring, ring.
01:01:25My name is Antony Anzaz.
01:01:27I'm drowning.
01:01:29La, la, la, la, la.
01:01:31It's all over your house.
01:01:33In your car.
01:01:35And in your wife's car.
01:01:37It looks like a C4, but it's not.
01:01:39It's your shield.
01:01:41If you get caught, you're not a criminal.
01:01:43You're just a father who's afraid of dying.
01:01:45People will understand.
01:01:47I'll tell them everything.
01:01:49I'll tell them everything.
01:01:51Boom.
01:01:55Don't get me wrong.
01:01:57I don't want you to do this for money.
01:01:59I know there's a price to everything.
01:02:01One million euros.
01:02:03With that money, you can decide who you want to support.
01:02:05The woman who illegally arrests people and tortures them.
01:02:07The woman who takes advantage of her constitutional rights.
01:02:13Or will you support me?
01:02:15Okay.
01:02:17Now you have to answer a few questions.
01:02:19I'll decide whether to answer or not.
01:02:21Uh, Inspector Murillo.
01:02:23Is she alive?
01:02:25Yeah, she could be.
01:02:27Is she dead?
01:02:29She could be.
01:02:31I just want you to tell her that the professor knows you're alive.
01:02:33She'll never believe you.
01:02:35If I tell her that, she'll think you're caught too.
01:02:37If you wear this car,
01:02:39she'll understand.
01:02:41When it comes to love, my heart beats faster.
01:02:43Like the ticking of a clock.
01:02:45But that's not all there is to love.
01:02:47Time also matters when it comes to love.
01:03:03What's this?
01:03:05A small gift for her.
01:03:07You're not as old as you look.
01:03:09She told me she'd stay ten feet away from me.
01:03:15A little piece of advice.
01:03:19Don't fall in love in the middle of a robbery.
01:03:25It's bad for you.
01:03:27Paula, where are you?
01:03:29Marie, where are you?
01:03:33I have a call for you.
01:03:39Mama?
01:03:41Paula, my child. How are you?
01:03:43What are you doing today?
01:03:45The same thing I do every day.
01:03:47I'm not doing anything special.
01:03:49Do you miss me?
01:03:51What's wrong? Are you watching TV?
01:03:53No, I'm playing with Nani.
01:03:55Give Nani the phone.
01:03:57Okay. Nani Ma.
01:03:59Is my little fairy angry?
01:04:01I don't know.
01:04:03I think she's fine.
01:04:05When you go home for dinner, talk to her.
01:04:07Okay.
01:04:37It's six o'clock in the morning.
01:04:39The ambulance has been sent to the lab.
01:04:41Alberto will be there in a minute.
01:04:43Like a hunting dog.
01:04:45He'll smell his new prey.
01:04:47Your lovely daughter.
01:04:49Do you think I left her address on the fridge?
01:04:51You're an emotional mother.
01:04:53You can't live without her for long.
01:04:55You're a week away from her.
01:04:57You must have called her.
01:04:59And what about being a good daughter?
01:05:01Because your mother...
01:05:03You can't leave her alone, not even for a moment.
01:05:05I can send Alberto there like a hunting dog.
01:05:07But you won't find anything there.
01:05:19What's the wound on your head?
01:05:21I was worried about this dacoit.
01:05:23So I got up early in the morning.
01:05:25I couldn't sleep all night.
01:05:27I was thinking about the professor.
01:05:29As soon as I got up, I hit my head against the window.
01:05:31And I got hurt.
01:05:33You're like me, Anthony Ansys.
01:05:35I couldn't sleep in the middle of this meeting.
01:05:37I was up all night.
01:05:39I was thinking about the professor.
01:05:41I'll go inside and see if Ciara needs me.
01:05:43Murillo can't find anyone else.
01:05:45I'll go and give this coffee to Inspector Ciara.
01:05:49No one can go to Murillo except Ciara.
01:05:51He didn't let her sleep all night.
01:05:53Let him do his job.
01:05:55Come with me. Let's have coffee.
01:05:57If you get caught, you'll be arrested
01:05:59without the police.
01:06:01Your motorhome was empty like a coffin.
01:06:03It was clean.
01:06:05But the ambulance?
01:06:07You ran away as if you were on fire.
01:06:09Every criminal leaves evidence.
01:06:11A small hair on the pillow, or a mosaic.
01:06:13And then there's the CIA.
01:06:15They'll find you with lube and ultraviolet light.
01:06:17Bang! The job's done.
01:06:19My offer is still the same.
01:06:21I'll go there and get rid of the evidence
01:06:23that'll take your mother to your daughter.
01:06:25Or I'll let your ex go.
01:06:27And you're done.
01:06:29You're threatening me
01:06:31that we might find something.
01:06:35Do you know what's going on?
01:06:37Pregnancy increases estrogen.
01:06:39That's why you think you're the boss here.
01:06:41Don't waste your energy.
01:06:43Save it for delivery. You'll need it.
01:06:47What will you do when he's born?
01:06:49Is he a boy or a girl?
01:06:51You don't know.
01:06:53Poor kid.
01:06:59What happened now?
01:07:01He was sitting barefoot.
01:07:03Who was that?
01:07:05Riyo and Stockholm.
01:07:07And?
01:07:09What else?
01:07:11Why would anyone sit barefoot in the middle of a crowd?
01:07:13Something must have happened to him.
01:07:15He was sitting on the sofa with his shoes off.
01:07:17Are you out of your mind?
01:07:21If something had happened to him, it would have.
01:07:23He wouldn't have taken his shoes off.
01:07:25Maybe.
01:07:27What were you making last night?
01:07:31This.
01:07:35You were making this?
01:07:37Yes.
01:07:41First you fought with Arthur.
01:07:43He thought you were stupid.
01:07:45And now you want to give him a little heart of gold.
01:07:47What else can I do?
01:07:49Get better.
01:07:51He thinks
01:07:53you're a bad person
01:07:55and he hates you.
01:07:57How did you fall in love?
01:07:59I shot him in the leg.
01:08:01Listen to me.
01:08:03I shot him in the leg.
01:08:05I don't know why.
01:08:07I showed him my colorful dance.
01:08:09You danced for him?
01:08:11I danced.
01:08:13I told him stories.
01:08:15He laughed a lot.
01:08:17When was the last time you told him a story?
01:08:19When was the last time you laughed?
01:08:21When was the last time you danced for him?
01:08:25First.
01:08:31Rio, can you get me some coffee please?
01:08:33I changed the plan.
01:08:35If you guys are alive today it's because of me.
01:08:37Have some respect.
01:08:39Just shut your mouth and relax for sometime.
01:08:41At least you can make me drink some water.
01:08:43You're not even gonna make me drink some water?
01:08:47Sorry bro.
01:08:49I didn't have time to cook.
01:08:51Thanks.
01:08:53You look tired. Didn't you sleep?
01:08:58Looks like you've woken up at least three or four times last night, huh?
01:09:04Look, Rio, if you have any trouble, you can talk to me openly.
01:09:10Thank you.
01:09:17She's a weakling. She's scared, she's sweating, she's sleepy.
01:09:20She's tired.
01:09:21If you run away from her sight, she won't even be able to shoot you.
01:09:26Why do you think I won't kill you after I get rid of her?
01:09:28Because you broke my eye, and I broke your head in return.
01:09:32So we're even now.
01:09:34So should I believe you, you piece of shit?
01:09:36I'm telling you, there's a compromise between them.
01:09:39They won't shoot you.
01:09:41We're stuck in the middle of the Cold War.
01:09:42You and me, just the two of us.
01:09:43So?
01:09:44So you'll be free and you'll be the storm that this whore needs.
01:09:48Like the villain in the film, Twist.
01:09:52Or like the hero who saves the world.
01:10:16Let's go.
01:10:21Let's go.
01:10:38Think of Professor Raquel and get to the Storm Reservoir.
01:10:41Just like Alberto, get into the ambulance.
01:10:46It's amazing that two different people think of the same person at the same time.
01:10:49How different can they be?
01:10:51They say love can change the world.
01:10:53But hatred can destroy the world.
01:10:58You were right. Lisbon's alive.
01:11:02Where is he?
01:11:02I think he's in the interrogation camp.
01:11:04How long will they keep him there?
01:11:05I don't know.
01:11:06I don't think they'll follow the police custody rules.
01:11:08They'll have to transfer him at some point.
01:11:10Can you save him?
01:11:11One more stupid mistake and it'll be over.
01:11:12We saved you, but now they'll be ready.
01:11:13It'll be suicide.
01:11:14So what are you going to do?
01:11:16Lisbon's in their custody, and she knows the whole plan.
01:11:18She even knows where you are, Professor.
01:11:25Professor?
01:11:27I don't know.
01:11:30I'm tired, Tokyo.
01:11:31I don't want to think about anything.
01:11:34But I'll get out of here. Don't worry.
01:11:37I'm making tea. You need energy.
01:11:42Palermo's still locked up.
01:11:43Yeah.
01:11:44I want you to go to him and tell him.
01:11:45No, no, no. I'm not going to tell him anything.
01:11:47I don't want to talk to this idiot.
01:11:48You have to do this.
01:11:49You just have to tell him.
01:11:50This is Professor's message for you.
01:11:52Lisbon's alive.
01:11:54He's in the tent.
01:11:55And I want you to think about saving him.
01:11:58He won't do that.
01:11:58Listen to me, Tokyo.
01:11:59I just want Palermo to fall in love with this plan again.
01:12:02I want him to be on our side.
01:12:04You talk to him. I'll think of something else.
01:12:06Got it?
01:12:10Okay.
01:12:18Yes.
01:12:19Thank you.
01:12:22I'm going to the bathroom.
01:12:23Would you like to give me company, Sergio?
01:12:26Have you ever had the pleasure of having physical contact with an experienced man?
01:12:36Nobody knows what he's going to do.
01:12:37Sergio, he was offering you a deal.
01:12:38And he was being polite.
01:12:39He doesn't even know that.
01:12:40Do you know what I'm talking about?
01:12:41He's so arrogant. He won't listen to anyone.
01:12:42You'll get half of the respect.
01:12:43He respects half.
01:12:44If he had stolen the dhoti, he'd have given it to me.
01:12:47If he had stolen the dhoti, he'd have given it to me.
01:12:48But it's a matter of days.
01:12:49And during that time, he's going to work even harder.
01:12:51Can we keep him under control?
01:12:52Absolutely not.
01:12:53We're doing it.
01:12:54You can't keep an arrogant person under control.
01:12:56He wants to be the leader of everyone.
01:12:57And there's only one way to do it.
01:12:59If you don't make him the leader, he can fall at any cost for you.
01:13:03He won't have any trouble cheating anyone or killing anyone.
01:13:05He wants leadership. He's arrogant.
01:13:07He trusts himself.
01:13:08But he's a genius like you.
01:13:09If you want common people, he has a lot of them in this room.
01:13:12Don't you think more genius people can ruin the plan?
01:13:14He's dangerous because he can do anything.
01:13:15Listen to me.
01:13:16You're my brother.
01:13:17I can make you the leader of any theft without any doubt.
01:13:21But he...
01:13:22You're wrong.
01:13:23He's more trustworthy than we are.
01:13:26Give me two beers, please.
01:13:31Eat and drink, but at your own pace.
01:13:33Don't let the fat balloon burst.
01:13:35You laugh at our stupidity.
01:13:36That means you laugh at us.
01:13:37So we promise you.
01:13:38You'll remember this day, this evening, for the rest of your life.
01:13:41But you must be thinking, there's nothing to remember.
01:13:43Think about what could happen.
01:13:46Ha!
01:13:54Is there a problem?
01:13:55Not at all.
01:13:59I see fingerprints all around here.
01:14:02And there are plans on the walls.
01:14:03Maps.
01:14:04Diagrams.
01:14:06There's an oven, too.
01:14:07I think they were using it to erase evidence.
01:14:11I'll take him for a checkup.
01:14:16I see pieces of plastic.
01:14:17They look like electronic devices.
01:14:20I'll separate the pieces.
01:14:24I think I found something.
01:14:27What happened?
01:14:28Nothing.
01:14:32So I'm a Mercedes, right?
01:14:33What are you doing?
01:14:34If I tell you, will the news get out?
01:14:36Relax.
01:14:39Let's take a test drive.
01:14:40What are you talking about?
01:14:41It's just a test drive.
01:14:42And then?
01:14:43And then what?
01:14:44What then?
01:14:45Then we'll put the news in a bag
01:14:46and press the flourish button.
01:14:47And things will start all over again,
01:14:48and no one will find out.
01:14:59Monika left me.
01:15:00So I'm free for now.
01:15:01I don't need to flush any evidence.
01:15:03I'll go in a Mercedes and press the accelerator so hard
01:15:04that I'll keep turning it to the point where it doesn't warm up.
01:15:06Anyone can get in between.
01:15:08A dangerous player, eh?
01:15:09Dangerous.
01:15:10This is the type of Mercedes you got to drive yourself.
01:15:11Otherwise you'll have to get yourself changed,
01:15:12We'll have to get it changed again.
01:15:13Don't tell me you're afraid of the police again.
01:15:15I'm afraid.
01:15:27That bastard leaves us false evidence to mislead us.
01:15:31I'm sure he must have done it on purpose.
01:15:32It was glued to the back of the oven.
01:15:34I don't think he could have done it on purpose.
01:15:35Then?
01:15:36The numbers on the plastic chip
01:15:37are recorded for 19 digits to identify the SIM card.
01:15:39It worked when the card was turned on.
01:15:41It stuck to the metallic chip and the numbers melted.
01:15:44We cross-checked the data from phone companies
01:15:46and found 354 cards that match the numbers.
01:15:49One of them was purchased three months ago.
01:15:51We made only one call to it.
01:15:53During the robbery.
01:15:54Bingo!
01:15:55Where did you make the call?
01:15:56Wait.
01:15:57Let's get some suspense.
01:15:58Brrrrrrrr... boom!
01:16:00You'll be in Mindanao, Philippines.
01:16:02Yes, I knew it.
01:16:04We need to talk to Interpol.
01:16:12Hello?
01:16:13Mindanao, Philippines.
01:16:14They found out.
01:16:17How?
01:16:18They found a burned SIM card in the ambulance.
01:16:25Don't think you're free.
01:16:27I want you to go to the office and show him the watch.
01:16:29Tell him I'm with you.
01:16:30Who, me?
01:16:31Do I have to say that?
01:16:32What did you say?
01:16:33That I'm with you.
01:16:34He might get confused.
01:16:35He'll think I'm a cheat or I'm taking advantage of him.
01:16:37I should say, the professor is with you.
01:16:38That would be right.
01:16:39What do you say, Professor?
01:16:40Show him the watch.
01:16:41Okay.
01:16:46Send him out.
01:16:47Stand up and go to the stairs.
01:16:48How are you, In-charge?
01:16:49How's it going?
01:16:50Great.
01:16:53It's your night here.
01:16:54Tell me more.
01:16:55The professor sent a message for you.
01:16:56Rizwan is still alive.
01:16:57He's in the tent.
01:16:58I want you to think about saving him.
01:17:00This is an order.
01:17:01First, you rebelled against me.
01:17:02Now, you're ordering me around.
01:17:03I'd say, this is very dangerous.
01:17:05But I can understand, no doubt.
01:17:07This is called women power.
01:17:11It's in fashion these days.
01:17:12And every trend has an end.
01:17:13What did you say?
01:17:15What happened?
01:17:16Who, me?
01:17:18Are you mad at your mother?
01:17:19Because she didn't give you enough milk?
01:17:22So, you hate women because you crave milk.
01:17:27Anyway, this order isn't mine, it's the professor's.
01:17:31And he has what you have.
01:17:41They're in Mindanao.
01:17:44We'll catch them in 24 hours.
01:17:45You know the job.
01:17:46We'll bring Paula here.
01:17:47You'll be sent to jail for kidnapping your daughter.
01:17:49And then you'll dig her up.
01:17:50And her father will take her.
01:17:55So, you're telling me I'm in trouble.
01:17:57But you told me before.
01:18:02It's not like that.
01:18:03You can call them.
01:18:04Right now.
01:18:05You can send them to a safe place.
01:18:06They'll be gone by the time we get to Mindanao.
01:18:08We're in trouble.
01:18:09I have a bad feeling that Paula will go to Alberto.
01:18:16What could she be doing right now?
01:18:19Close your eyes and imagine.
01:18:21She'll be on the bed.
01:18:22You can feel her hair on the blanket.
01:18:25Close your eyes.
01:18:26Imagine.
01:18:28Come on.
01:18:29Why are you doing this to her?
01:18:31It's only a matter of five years.
01:18:32Then you'll be able to get her back.
01:18:34She'll come running to you, Mom.
01:18:36She'll hug you.
01:18:37She'll hold you tight.
01:18:38Like a little monkey holds its mother.
01:18:40And you'll hug her.
01:18:42You'll touch her head.
01:18:44You'll look at her.
01:18:47But she won't let you go.
01:18:48She'll call out to you again and again.
01:18:49Like a spell that can save her from trouble.
01:18:51Mom, don't go.
01:18:52Mom, don't go.
01:18:53Mom, don't go.
01:18:54Mom, don't go.
01:18:55Mom, don't go.
01:18:57Raquel, you love him.
01:18:58He loves you.
01:18:59And in this difficult time?
01:19:01Imagine what he'll tell you to do.
01:19:03Did I tell you to go to jail for five years?
01:19:06Let's change it to five seconds.
01:19:10My new offer is freedom.
01:19:12Sergio will go to jail.
01:19:13And you'll be free.
01:19:14You weren't officially arrested.
01:19:16You call him.
01:19:17Get to a safe place.
01:19:18And you'll be with your family tomorrow morning.
01:19:20None of us will come after you.
01:19:21It'll all be over.
01:19:27I'm sorry.
01:19:29I'm sorry.
01:19:30I'm sorry.
01:19:31I'm sorry.
01:19:32I'm sorry.
01:19:38I'm sorry.
01:19:42I'm sorry.
01:19:43I'm sorry.
01:19:44I'm sorry.
01:19:45I'm sorry.
01:19:46I'm sorry.
01:19:47I'm sorry.
01:19:48I'm sorry.
01:19:49I'm sorry.
01:19:50I'm sorry.
01:19:51I'm sorry.
01:19:52I'm sorry.
01:19:53I'm sorry.
01:19:54I'm sorry.
01:19:55I'm sorry.
01:19:56I'm sorry.
01:19:57I'm sorry.
01:19:58I'm sorry.
01:19:59I'm sorry.
01:20:00I'm sorry.
01:20:02Are you okay?
01:20:12So did you sleep well?
01:20:14I tried, but I couldn't sleep.
01:20:17The same dream again?
01:20:19I close my eyes and I see the same thing.
01:20:21What happened to your manhood?
01:20:23I thought you were free.
01:20:25What are they talking about?
01:20:27Hello, my love.
01:20:29Do you want to go to my island?
01:20:31But don't party all day.
01:20:33I can't sing and dance all day, you know.
01:20:36If you invite me, I'll show you Monika's youth.
01:20:40I'm sorry.
01:20:42I'm sorry.
01:20:44I'm sorry.
01:20:45I'm sorry.
01:20:47I'm sorry.
01:20:48I'm sorry.
01:20:49I'm sorry.
01:20:51Why didn't you tell us?
01:20:53I couldn't.
01:20:55You need to talk to Rio.
01:20:58He took me out of the cell at night.
01:21:00And forced me to dig my own grave in the desert.
01:21:05I'm a very nice person.
01:21:07That's why I keep smiling all day.
01:21:09Then he got me to put a coffin in the pit.
01:21:13And forced me to go inside.
01:21:16Then he put sand in the pit.
01:21:18And buried me.
01:21:21Then he left.
01:21:24It was very dark.
01:21:26I was barely alive.
01:21:28I couldn't breathe.
01:21:31Calm down.
01:21:33Relax.
01:21:35I'm with you.
01:21:37That's all I was thinking about.
01:21:40What?
01:21:42That the professor should have been in that coffin, not me.
01:21:44I'm sorry.
01:21:46Look at him.
01:21:58Let's go somewhere else.
01:22:11Friends, excuse us.
01:22:13We're going to the restroom.
01:22:19You don't trust me.
01:22:25I'm a proud man.
01:22:28I do what I want.
01:22:31I can do anything to be a leader.
01:22:33And if people don't follow my plan,
01:22:35I can be dangerous.
01:22:40You're right.
01:22:42But there's one thing you don't understand.
01:22:44I don't just love your brother.
01:22:46I love that plan, too.
01:22:48And love is crazy.
01:22:50I can betray you.
01:22:52I can betray the gang, too.
01:22:54But I can never betray our plan.
01:22:56That's the proof of my loyalty.
01:22:58You know how much this plan means to me.
01:23:00This plan isn't perfect right now.
01:23:02I know that.
01:23:04It's an incomplete story.
01:23:06And you're going to complete it.
01:23:12Promise me.
01:23:28You were very brave, Bharat.
01:23:31You're a brave man.
01:23:34I'm impressed.
01:23:42Get out of my way.
01:23:47You have to prove your bravery.
01:23:55Let's see how strong your knees are.
01:23:58Be patient.
01:24:01Be patient.
01:24:03Tell me, what do you want?
01:24:05Death?
01:24:07Or impotence?
01:24:09We have to make some decisions in life.
01:24:10What do you care about that guy who brought us that type of medicine?
01:24:12And how can you live without Link?
01:24:18Didn't you give him enough time?
01:24:20He's fighting in that fat pumpkin's bathroom.
01:24:22I can hear the sound of his beating.
01:24:24Remember, Sergio, the real storm never makes a sound.
01:24:30Palermo had a plan.
01:24:32But he had only one thing on his mind.
01:24:34He had to become an in-charge again for the success of Ducati.
01:24:37And for that, he was going to make a storm that we didn't know about.
01:24:40What you have to do is not what you did that day.
01:24:42You just have to dislocate one joint.
01:24:44A small joint between the wrist and the thumb.
01:24:46With strength and intelligence.
01:24:48Turn the thumb with a snap.
01:24:50Then no handcuffs will be able to stop you.
01:24:52How many times do I have to tell you not to talk to each other?
01:24:56Take the money.
01:24:58You'll feel a little pain.
01:25:00But you can bear so much pain for your freedom.
01:25:03Come on, move on.
01:25:10Come on.
01:25:25Stop!
01:25:29Don't move.
01:25:31Easy, kid. I'm just an ordinary bodyguard.
01:25:33Lay down on the ground.
01:25:35I can't do it.
01:25:37I said lay down on the ground.
01:25:39You're going to shoot an unarmed man?
01:25:41I swear, if he moves, I'll shoot him.
01:25:43You're going to shoot an unarmed father who wants to run for his family?
01:25:47Shoot him.
01:25:52I'm going.
01:25:54Stop! Stop!
01:25:56I said lay down on the ground.
01:25:58You can't shoot.
01:26:00Lay down on the ground.
01:26:02Put the gun down.
01:26:04I'm telling you to stop right there.
01:26:06Or I'll shoot.
01:26:07I'll see you soon, friend.
01:26:37Amadomio
01:26:39When we're together
01:26:41I'm in a dream world
01:26:43Of sweet delight
01:26:47Many times I whisper
01:26:49Amadomio
01:26:51It was just a phrase
01:26:53That I heard and played
01:26:55I was acting a part
01:26:57Now when I whisper
01:26:59Amadomio
01:27:01Can't you tell I care
01:27:03By the feeling there
01:27:05Because it comes from my heart
01:27:07Amadomio
01:27:13Good morning, ma'am.
01:27:15We're here to see Mr. Mario Albanika,
01:27:17the governor of the Bank of Spain.
01:27:19Alfredo Caswell,
01:27:21from the Waiting Trust Operations.
01:27:27Have a seat.
01:27:30You have a very nice smile, ma'am.
01:27:34Amadomio
01:27:37Love me forever
01:27:39And let forever
01:27:41Begin tonight
01:27:52Excuse me, where are you going?
01:27:54What? Who are you?
01:27:56Do we know each other?
01:27:58I'm asking you, where are you going?
01:28:00I have an appointment with our governor.
01:28:02And you were probably going to the bathroom downstairs.
01:28:04It looks like it.
01:28:06I thought I'd go myself.
01:28:08Mr. Caseman.
01:28:09I was waiting for you.
01:28:10Nice to meet you.
01:28:11How are you?
01:28:12I'm fine.
01:28:13The governor will be here soon.
01:28:14Come with me.
01:28:15Yes, let's go.
01:28:16We'll meet again.
01:28:17Let's go together.
01:28:33Take some rest, son.
01:28:36Who are you?
01:28:37I'm the head of intensive care here.
01:28:38Don't worry.
01:28:39I used to be a nurse.
01:28:40I'll go to the bathroom.
01:28:41I'll be back soon.
01:28:42Thank you.
01:28:47Bitch.
01:28:49I told you I'd kill you.
01:28:52Where did he go?
01:28:54Rio, where did he go?
01:28:56Rio, tell me.
01:28:58Where did he go?
01:28:59Upstairs.
01:29:01Stockholm, Denver, you stay here.
01:29:03Don't let anyone near the door.
01:29:05If anyone goes out, we'll be in trouble.
01:29:06Got it?
01:29:07Helsinki, Bogota, come with me.
01:29:08Let's go.
01:29:10Everyone, stand where you are.
01:29:11Now!
01:29:13Open the door.
01:29:14Now!
01:29:15Nairobi, something's wrong.
01:29:16Hurry up.
01:29:17Nairobi, we're here.
01:29:31Nairobi, we're here.
01:29:35Nairobi, we're here.
01:29:41Nairobi, we're here.
01:29:42Nairobi, we're here.
01:29:54He tried to kill him.
01:29:55His pulse is at 105.
01:29:56Nairobi, are you okay?
01:29:57Everything's fine.
01:29:58Breathe.
01:29:59Breathe, Nairobi.
01:30:02Bogota.
01:30:03Bogota.
01:30:05You stay with Nairobi.
01:30:06If he comes back,
01:30:07blow his head off.
01:30:09Helsinki, let's find him.
01:30:11Leave him.
01:30:15Leave him.
01:30:21All the rules have been changed.
01:30:22No one will get up.
01:30:23No one will move.
01:30:24And no one will eat anything
01:30:25until we say something.
01:30:26You've lost, Devers.
01:30:27You can't do anything now.
01:30:28You're still talking nonsense.
01:30:29You're talking too much.
01:30:31You can't win now.
01:30:32Not at all.
01:30:33You're trapped.
01:30:34You're trapped.
01:30:35Shut up, you bastard.
01:30:36Or else...
01:30:37Or else I'll shoot you in the head.
01:30:38Things have changed, Monica.
01:30:40We're here now.
01:30:41And we're the revolution
01:30:42and the real revolution.
01:30:44Come on, Demetrius.
01:30:45Say it.
01:30:46We're the real revolution.
01:30:47We're the real revolution.
01:30:48Say it.
01:30:49We're the real revolution.
01:30:50We're the real revolution.
01:30:51We're the real revolution.
01:30:52We're the real revolution.
01:30:53We're the real revolution.
01:30:54We're the real revolution.
01:30:55We're the real revolution.
01:30:56We're the real revolution.
01:30:57We're the real revolution.
01:30:58We're the real revolution.
01:30:59We're the real revolution.
01:31:00We're the real revolution.
01:31:01We're the real revolution.
01:31:02We're the real revolution.
01:31:04Take everyone to the ground.
01:31:05Right now.
01:31:14It's important to know this, Sergio.
01:31:15How will the guards react
01:31:16when all this happens?
01:31:17What will the guards do?
01:31:18And how long will they keep the governor safe?
01:31:20And what will be their position?
01:31:22It's all in the protocol.
01:31:23That's right.
01:31:24It's in the protocol.
01:31:25But it's a book.
01:31:26We'll have to test what happens in reality.
01:31:28And how will you test it?
01:31:30A small flame will come on the security.
01:31:32And we'll sit inside and see what happens.
01:31:34You're going to the lion's den.
01:31:36And the lion will protect us.
01:31:42So whose identity are you going to steal?
01:31:44Your brother is very smart.
01:31:45I knew it.
01:31:46Risk analyst.
01:31:47Rating Trust Corporation.
01:31:49I used to work for Baker and Baker.
01:31:50And before that, for Standard and Risk.
01:31:52The man I'm talking about
01:31:54is a very smart man.
01:31:56He's from Spain.
01:31:57But he's been living in New York for the past 20 years.
01:31:59Alfredo Kissman.
01:32:00An expert in his field.
01:32:03He has so many ideas for the Spanish economy
01:32:05that the governor praises them all the time.
01:32:15Can we sit?
01:32:16Of course.
01:32:17But you can stand and wait
01:32:18for the governor of the Bank of Spain to arrive.
01:32:20Looks like you're in charge of security here.
01:32:22Yes, I am.
01:32:23Let's go.
01:32:30You and I do the same thing.
01:32:32We suspect people.
01:32:34We're the same.
01:32:35Don't you think so?
01:32:36No.
01:32:37We're completely different.
01:32:38I do my job to save people's lives.
01:32:40And you do it to make money.
01:32:43So we're not the same.
01:32:45We're the same.
01:32:46You're tired of judging people like us.
01:32:53What danger do you see in this room right now?
01:32:55I'm just asking to find out.
01:32:57If I saw any danger here,
01:32:59it wouldn't be in this room.
01:33:01Understood?
01:33:04Mr. Kissman.
01:33:05Good morning. How are you?
01:33:06How are you?
01:33:07I'm fine, thank you.
01:33:08Come, let's sit.
01:33:09What would you like to have, Mr. Kissman?
01:33:10I'd like a cup of hot ginger and cardamom tea.
01:33:12Or black tea would be fine.
01:33:13Thank you.
01:33:14Okay, I'll get it.
01:33:16I lose my mind when I drink coffee.
01:33:19What were you saying?
01:33:20I'm listening.
01:33:24I want to ask you something before I give my statement.
01:33:27I don't know if I should ask you this or not.
01:33:29But it was on my mind, so I thought I'd ask you.
01:33:32Yes, go ahead.
01:33:33How do you feel when you go home?
01:33:34I mean, you go home from work.
01:33:36You torture a child like Rio for I don't know how many days.
01:33:39You make her stand in a smaller place than the cupboard
01:33:41when you leave your urine and urine bag at your house
01:33:43to go to your husband, Haman.
01:33:45How do you feel then?
01:33:46Tell me.
01:33:48Tell me, don't you care when the media calls you a murderer?
01:33:52But Haman?
01:33:54Haman is such a lovely person, isn't he?
01:33:56What does he say?
01:33:57When you go home, does he ask you how was your day?
01:34:00Do you kiss him?
01:34:02Do you hug him?
01:34:03And then, what does he do with you?
01:34:05Does he touch you?
01:34:07I don't think he even comes near you.
01:34:10The truth is, Haman hasn't hugged me in the last two months.
01:34:14He hasn't hugged me, kissed me, or come near me.
01:34:17Not since he was buried, at least.
01:34:20Ever since the hospital kept him in a morgue
01:34:22with his face covered in a white sheet,
01:34:25he hasn't hugged me.
01:34:28What are you saying, Alisa?
01:34:30I'm saying that he's a murderer.
01:34:33He's a murderer.
01:34:35He's a murderer.
01:34:37He's a murderer.
01:34:39Alisa, what are you saying?
01:34:46He's no more.
01:34:54Cancer.
01:34:56In the pancreas.
01:34:59It was the last stage, he only had two months.
01:35:01And it was my second month.
01:35:04I was growing.
01:35:05He was decreasing.
01:35:06I was leaving.
01:35:07He was turning yellow.
01:35:10He couldn't escape.
01:35:12I was alive inside.
01:35:14And he was dead inside.
01:35:17Cancer is like that.
01:35:19Do you know what he said to me when he died?
01:35:21You won't believe it.
01:35:22The last thing he said to me was,
01:35:25turn on the news.
01:35:32I thought he was going to explain everything to me.
01:35:35He was always giving me advice.
01:35:37But that day he said, turn on the news.
01:35:40After so many injections and medicines,
01:35:41maybe that's why he said that.
01:35:43Anyway, that's all.
01:35:54I'm so sorry.
01:35:57Alisa, will you come out for a while?
01:35:58Yes.
01:35:59I'm coming.
01:36:05Okay.
01:36:12Antonia, go and keep an eye on him.
01:36:14Make sure no one goes inside.
01:36:23Don't you think we should have told this to someone?
01:36:26And what would have happened?
01:36:28Would people have pity on me?
01:36:30Alisa.
01:36:32I understand your pain.
01:36:33But I don't think this is the right time for you.
01:37:03No.
01:37:34I'll keep this.
01:37:36You'll need this as well.
01:37:37Easy.
01:37:38This will help you kill less people.
01:37:47Ezekie!
01:37:48Ezekie!
01:37:49Ezekie!
01:37:51Bogota!
01:37:52Bogota!
01:37:53Bogota, are you there?
01:37:54Ezekie, hold on.
01:37:55Hold on.
01:37:56Ezekie, hold on.
01:37:57Bogota!
01:38:01Bogota!
01:38:02Bogota, please!
01:38:03Bogota, please!
01:38:06Help him up!
01:38:07Hurry!
01:38:08You'll be fine.
01:38:09Don't worry, Ezekie.
01:38:10Go!
01:38:11Go!
01:38:12Hurry!
01:38:13You'll be fine.
01:38:14Go!
01:38:15You'll be fine.
01:38:16Be strong!
01:38:17I'm here!
01:38:18Cut him!
01:38:19Cut him!
01:38:20Be strong, Ezekie!
01:38:22Easy.
01:38:29I got him!
01:38:31Shut up!
01:38:33Shut up!
01:38:34He won't say anything.
01:38:35Shut up!
01:38:44Amanda.
01:38:45How are you feeling?
01:38:46I'm fine.
01:38:47I'm feeling better.
01:38:48Good.
01:38:50I think I should go where everyone else is.
01:38:52Don't worry.
01:38:53You need to get better first.
01:38:54Okay.
01:38:55Let me check your pulse.
01:38:57Your pulse is running, Amanda.
01:38:59You'll get sick.
01:39:00Do you have a fever?
01:39:01Do you have a fever in your chest?
01:39:02Yes, a little.
01:39:03That's okay.
01:39:04It happens sometimes.
01:39:05Don't worry.
01:39:07I have something for you.
01:39:09Take this.
01:39:10It's a good medicine.
01:39:11Take three.
01:39:12Will it be too much?
01:39:13No, not at all.
01:39:14It's a low-power medicine.
01:39:15Are you sure?
01:39:16Yes, I'm sure.
01:39:17I just took four.
01:39:18Okay.
01:39:19Take it.
01:39:20One at a time.
01:39:21Thank you.
01:39:22It's really good.
01:39:25Okay, everyone.
01:39:26Listen to me.
01:39:27Listen to me.
01:39:29Okay.
01:39:30A lot of you haven't met my husband.
01:39:33Herman.
01:39:35The colonel thinks I should tell you
01:39:37that he's dead.
01:39:41Tamayo thinks I'm not in a condition to handle this case.
01:39:45But no one can handle this case better than me.
01:39:47No one.
01:39:48No one.
01:39:51Because I don't want to go back to my house.
01:39:53I don't want to open the fridge.
01:39:55I don't want to open the mailbox.
01:39:56Because he's everywhere.
01:39:58And our photos.
01:40:02And that's why I'm a walking machine
01:40:04that keeps thinking of thousands of ways
01:40:06to defeat Professor Dilrath.
01:40:08And right now, I need him.
01:40:10Does anyone have a question for me?
01:40:13Does anyone else have a question?
01:40:15No?
01:40:16Let's get to work.
01:40:17Let's have a blast.
01:40:28Hey, Rio.
01:40:30Why didn't you shoot that idiot?
01:40:32I don't know.
01:40:34I couldn't move.
01:40:37Why can't you move?
01:40:38I can't kill anyone.
01:40:43Who told you to kill someone?
01:40:45I can't sit in peace by shooting someone in the chest.
01:40:47You could've shot his leg.
01:40:48I couldn't do it.
01:40:49Or you could've hit him on the floor.
01:40:50Or you could've smashed his head.
01:40:51I could've done anything to stop him.
01:40:52I couldn't do it.
01:40:53I couldn't do it.
01:40:55He told me he had a family.
01:40:57He was homeless, so I couldn't kill him.
01:41:01Why couldn't you kill him?
01:41:03Tell me, why didn't you kill him?
01:41:06You didn't kill him
01:41:07because you were mad, Eli.
01:41:08And I told you,
01:41:09but you didn't listen to me.
01:41:10And because of you,
01:41:11Helsinki and Nairobi were killed.
01:41:12General, stop it.
01:41:14He said it before.
01:41:15Helsinki and Nairobi are fine now.
01:41:16He's more important.
01:41:17Who's more important than me?
01:41:18Who opened him?
01:41:20You were with him, weren't you?
01:41:21Yeah.
01:41:22Did you handcuff him?
01:41:23Yeah, I did.
01:41:24He did, didn't he?
01:41:25I'm sure he did.
01:41:26I just don't understand one thing.
01:41:27Doesn't your story sound like this?
01:41:28Tokyo, can someone break the handcuffs and run?
01:41:30Nairobi, do you know anything about this?
01:41:32Does anyone know anything about this?
01:41:33What? No, right?
01:41:34Yeah, so?
01:41:35I think someone is fooling us all in this story.
01:41:38What are you trying to say?
01:41:39Did I make him run away?
01:41:40I don't know.
01:41:41You don't know.
01:41:42Hey, say whatever you want to say.
01:41:43This is all our fault.
01:41:45We shouldn't have left him there alone
01:41:46when we knew he wasn't in that condition.
01:41:49Rio didn't do anything.
01:41:50We have a bigger problem than this.
01:41:52Listen to me carefully.
01:41:54We have a threat outside.
01:41:56They can attack us from inside and outside.
01:41:58What do you think, Professor?
01:42:00We have to kill them.
01:42:03Who?
01:42:05The bald guys.
01:42:07We can't kill anyone.
01:42:08Then we'll have to kill ourselves.
01:42:09We'll get rid of all the governor's guards
01:42:10at the start of the heist.
01:42:12We'll take the country's trash bags
01:42:13and get out of the bank.
01:42:15Problem solved.
01:42:16I said get out!
01:42:17They won't get out of the bank in any condition.
01:42:18No one will move.
01:42:19And they won't listen to us.
01:42:24Santiago?
01:42:26Did they get a chance to get out
01:42:27after the heist?
01:42:28No.
01:42:29No one had any doubts.
01:42:30But it was a great heist.
01:42:34We have a new report for you
01:42:35from our agency.
01:42:37But it won't be published
01:42:38until next month.
01:42:40It's still going on,
01:42:41but consider it almost complete.
01:42:43You probably don't like it.
01:42:44It will have a bad effect
01:42:45on your bank's debt rate.
01:42:46Suggest something.
01:42:47Officially,
01:42:48it's about saving all the bank's
01:42:49liquid assets and cash deposits.
01:42:51You know the rest.
01:42:52But your permission
01:42:53is my personal request.
01:42:54Sona.
01:42:57What do you mean?
01:42:58Put Sona in your bank.
01:42:59She's the only one
01:43:00who's worth more money.
01:43:01That's why I brought her here.
01:43:02She's the only way
01:43:03to keep a foothold
01:43:04in this bank's treasury.
01:43:06Otherwise,
01:43:072008 was just the beginning.
01:43:09Mandia isn't far now.
01:43:13You mean
01:43:14I should keep
01:43:15my country's money
01:43:16in the same color?
01:43:17We're saying
01:43:18bet on the winning team.
01:43:20Sona.
01:43:23Gandhia, what's going on?
01:43:25Everything's fine, sir.
01:43:26What's going on?
01:43:27Is there an explosion?
01:43:28Guards, come to the office.
01:43:29XTDR security,
01:43:30this is Gandhia.
01:43:31Activate red alert.
01:43:32Activate red alert.
01:43:33I repeat, activate red alert.
01:43:34Seal the bank's doors.
01:43:35Anything out there?
01:43:36Nothing out there.
01:43:37Where's the explosion?
01:43:38In the basement, sir.
01:43:39But I think it's a gas leak.
01:43:40Okay, don't close the doors.
01:43:41Repeat, don't close the doors.
01:43:42We might have to go outside.
01:43:43Maximum security alert.
01:43:44Everyone put on their vests.
01:43:46Let's go.
01:43:52They have all kinds of weapons.
01:43:53Gandhia must be watching
01:43:54to see when he gets the chance
01:43:55to press the trigger.
01:43:56He was in the U.S. Army.
01:43:57He was in the Army for three years.
01:43:58But before that,
01:43:59he was the Minister of Interior's
01:44:00personal bodyguard.
01:44:01He was sent to Iraq and Lebanon
01:44:02for special missions.
01:44:03And these are things
01:44:04that are on paper.
01:44:05Because in those six years
01:44:06when he was part of
01:44:07the Special Operations Team,
01:44:08there's no information
01:44:09about him on paper.
01:44:10That means
01:44:11Black Ops,
01:44:12secret missions.
01:44:13He's a cunning weapon, sir.
01:44:15He's a weapon.
01:44:19Have you found his weapons?
01:44:20No, not yet.
01:44:21We've searched everywhere,
01:44:22but we haven't found
01:44:23a single weapon.
01:44:24I don't know about the weapons,
01:44:25Professor,
01:44:26but I found the handcuffs
01:44:27in the library.
01:44:28And I don't know how
01:44:29they found him.
01:44:30He's one of the kids
01:44:31who caused the destruction.
01:44:32Either you kill him
01:44:33or he'll kill you.
01:44:34I've seen him too.
01:44:35And there's no doubt
01:44:36that as soon as he gets the chance,
01:44:38he won't hesitate
01:44:39to kill us.
01:44:45When he comes to you,
01:44:46do what you have to do
01:44:47for your own safety.
01:44:49Look him in the eye
01:44:51because he won't think.
01:44:53He's a killer for us.
01:44:55He's a vicious beast.
01:44:56He won't waste a moment
01:44:57in killing you.
01:44:58What are you going to do
01:44:59by then?
01:45:00I'm going to keep everyone
01:45:01busy outside
01:45:02so he doesn't break the deal.
01:45:03And...
01:45:06I'm going to make him believe
01:45:07that we're even more powerful.
01:45:15Okay.
01:45:21Yes, very good.
01:45:22Tell me something
01:45:23you like a lot.
01:45:24The sea.
01:45:25Great.
01:45:26The sea is very peaceful.
01:45:27Close your eyes.
01:45:28Very good.
01:45:29Okay, Amanda.
01:45:30Imagine you're in the middle
01:45:31of the cold of March.
01:45:32You're on a beach.
01:45:33On the shore.
01:45:34Both of your arms
01:45:35are in the water.
01:45:36Can you feel it?
01:45:37Yes, I can.
01:45:38Now we're in the middle
01:45:39of the water,
01:45:40lying in a boat.
01:45:41There's a light sound.
01:45:42And on the shore...
01:45:43You're dancing like a tree.
01:45:44There's a light sun.
01:45:45I'm sleepy.
01:45:46Let the sea take you out.
01:45:48Far, very far.
01:45:51Amanda.
01:45:52Amanda.
01:45:53Amanda.
01:46:13Amanda.
01:46:32If you want to talk,
01:46:33press one button.
01:46:34If you want to lose,
01:46:35press two buttons.
01:46:36If you want to know
01:46:37what I'm wearing,
01:46:38press the pound sign.
01:46:39You're in a good mood today.
01:46:40Yes, today's a good day.
01:46:41I'm glad to hear that.
01:46:43How will you feel
01:46:44when you hear that?
01:46:45To be honest,
01:46:46I've already told the media.
01:46:47You'll get a call
01:46:48to ask for a compromise.
01:46:49I hope you won't be disappointed.
01:46:50What's the reason
01:46:51for this misunderstanding?
01:46:52If it's not done,
01:46:53I'll tell them
01:46:54Lisbon's death is a lie.
01:46:55You've illegally
01:46:56locked her up
01:46:57in a tent
01:46:58and didn't take her to court.
01:46:59Do you think
01:47:00the judge will care?
01:47:01He will,
01:47:02because I have
01:47:03a recording of her false death.
01:47:04I can also tell them
01:47:05how you're threatening
01:47:06her mother and daughter's life.
01:47:07But...
01:47:08So far,
01:47:09this is just
01:47:10between you and me.
01:47:11You're too late
01:47:12to tell the CIA
01:47:13and the Spanish counsel
01:47:14Mr. Leopoldo Gisborne
01:47:15everything.
01:47:16What's the point
01:47:17of wasting money
01:47:18in the bank?
01:47:19Maybe you'll lose your reputation.
01:47:20You like listening to yourself.
01:47:21Why don't you become
01:47:22a radio jockey?
01:47:23Get to the point.
01:47:24Why did you call?
01:47:25For a compromise.
01:47:26My life and death
01:47:27are at stake.
01:47:30But I don't trust you.
01:47:34Admit it to the media.
01:47:36Show the world
01:47:37what you're capable of.
01:47:38Be brave.
01:47:39Get inside those hostages.
01:47:40I have another job for you.
01:47:41I request you.
01:47:51The news of the compromise
01:47:52spread throughout the country.
01:47:55The media got the headlines.
01:47:57And even better photos.
01:48:01The police brought
01:48:02a lot of food.
01:48:03A lot of bread
01:48:04and 800 bottles of wine.
01:48:05It felt like a party.
01:48:07The food smells good.
01:48:11But in the bank
01:48:12it felt like
01:48:13we were mourning.
01:48:19Sometimes what's in front
01:48:20is more important
01:48:21than what's not.
01:48:22And Gandhia?
01:48:23The one who burnt our Lanka?
01:48:24I don't know where he was.
01:48:25Tokyo.
01:48:26Stockholmers are looking
01:48:27for Gandhia everywhere.
01:48:28But he's not there.
01:48:29Maybe he's in the basement.
01:48:30Helsinki to east.
01:48:31Kamakar to Tokyo west.
01:48:41Go, go, go.
01:49:11Tokyo.
01:49:12All the cameras
01:49:13in the bank are off.
01:49:14All of them.
01:49:17Now it's all up to you.
01:49:21Things we can't see
01:49:22often wreak havoc
01:49:23on our lives.
01:49:29Hello, nurse.
01:49:31I'm sorry.
01:49:33I'm sorry.
01:49:35I'm sorry.
01:49:37I'm sorry.
01:49:39I'm sorry.
01:49:41How are you?
01:49:42Let me take a look.
01:49:46I didn't know
01:49:47you could do such a thing.
01:49:50Why?
01:49:51Because you're from
01:49:52the boys' party
01:49:53with Palermo and Bolin.
01:49:55You're like a gangster.
01:49:56Like a thug.
01:49:58He looks like a thug
01:49:59but he's a good man.
01:50:00And he's brave too.
01:50:01Wow.
01:50:02To be honest,
01:50:03he's a good man.
01:50:04I'll give you an injection.
01:50:05You'll feel better.
01:50:06One more?
01:50:07Let him breathe.
01:50:08It's an antibiotic.
01:50:09It's important
01:50:10You're very nice, Pakita.
01:50:12I told you to give me an injection.
01:50:14If you don't mind,
01:50:15what can I say?
01:50:19Remember what I said?
01:50:21I won't even touch you
01:50:22with a picture frame.
01:50:25I was just thinking.
01:50:30Wait a minute.
01:50:31I know what you're trying to say.
01:50:32I know everything.
01:50:33Right, Pakita?
01:50:38Give it to me.
01:50:40I've been yours
01:50:43since you said that.
01:50:45And now I can see
01:50:46that you're coming to me
01:50:47in white clothes
01:50:48and saying
01:50:49I'm willing to marry you.
01:50:50I'm willing.
01:50:51I'm willing.
01:50:52Okay, okay.
01:50:53Wait.
01:50:54There's no need to get so excited
01:50:55because it's not easy
01:50:56to handle a wife like me.
01:51:07The thing that's not visible
01:51:08is the most visible.
01:51:09It's not here.
01:51:10It's like when you start
01:51:11doubting someone
01:51:12it's hard to trust them.
01:51:13Rio.
01:51:15Why don't you have
01:51:16any bruises?
01:51:21And your weight
01:51:22hasn't gone down either.
01:51:25How did he leave, Gandhian?
01:51:29Why are you asking?
01:51:34Because you lied.
01:51:36Because you didn't tell anyone
01:51:37anything about the torture
01:51:39the professor asked you
01:51:40to tell everyone.
01:51:43Why did you only tell me?
01:51:45I want to know.
01:51:46You want to know?
01:51:49Why me?
01:51:51Because I'm so scared
01:51:52that I can't sleep.
01:51:53I don't want to live that again
01:51:54and I don't want your mercy.
01:51:55Because I can't tell
01:51:56how much I was crying
01:51:57to get out of that grave.
01:51:58All I wanted at that time
01:51:59was to go home
01:52:00to my mother.
01:52:01Because if I didn't do that
01:52:02do you know what would've happened?
01:52:03My mother wouldn't have
01:52:04found her son's body
01:52:05to bury him.
01:52:06Because I cried so much
01:52:07that my breath would stop
01:52:08and I was crying.
01:52:09That's enough.
01:52:10That's enough.
01:52:11That's enough.
01:52:14I'm sorry.
01:52:15I'm sorry.
01:52:16I'm sorry.
01:52:18That's enough.
01:52:19Calm down.
01:52:20It's okay.
01:52:21Forgive me.
01:52:25Nothing will happen.
01:52:26I'm sorry, Riyo.
01:52:27I'm scared.
01:52:28I don't know what I'm saying.
01:52:30I'll make you believe.
01:52:33Riyo.
01:52:35What are you going to do?
01:52:38Kill Gandhia.
01:52:41We look for what we can't see.
01:52:42But we forget
01:52:43that we can see
01:52:44what we can't see.
01:52:45And that's where
01:52:46our problems start.
01:53:04Now that's what I'm talking about.
01:53:05Look at the happiness
01:53:06on everyone's faces.
01:53:07They think
01:53:08they're in good health
01:53:09because they're sick.
01:53:10It's a good idea.
01:53:11Who's going to compete
01:53:12after eating this food?
01:53:13The smell of food
01:53:14and the intoxication of alcohol
01:53:15deserve a round of applause.
01:53:16Don't talk nonsense
01:53:17and keep your mouth shut.
01:53:18Get me out of here.
01:53:19You know
01:53:20I broke his head, right?
01:53:21You left me here
01:53:22like a fool.
01:53:23You're responsible for my death.
01:53:24Remember that.
01:53:25Get me out of here.
01:53:26But if you wanted to kill him
01:53:27he wouldn't have killed you
01:53:28before you left.
01:53:29Don't worry.
01:53:30Someone will find him.
01:53:31Yes, great.
01:53:32Now you're looking for him.
01:53:33That's good.
01:53:34Very good.
01:53:35But even better
01:53:36that you left me here
01:53:37like a fool.
01:53:38It's a very good decision.
01:53:39Who made this decision?
01:53:44They sent Rio.
01:53:46That poor kid
01:53:47who was playing games
01:53:48on the computer
01:53:49won't be able to kill
01:53:50that killer
01:53:51the biggest killer
01:53:52in Spain.
01:53:53Poor Rio.
01:53:54With a gun in his hand
01:53:55he couldn't even
01:53:56shoot that kid.
01:53:57He's making your wife
01:53:58a shoulder
01:53:59and shedding tears
01:54:00in the Spanish bank.
01:54:01That's great.
01:54:02He's going to kill
01:54:03all of you.
01:54:04You still don't get it
01:54:05that this is a matter
01:54:06of interest.
01:54:07It's not just
01:54:08about Nairobi.
01:54:09It's about all of us.
01:54:10Come here.
01:54:11Listen to me.
01:54:12What is it?
01:54:13What do you want?
01:54:14Look,
01:54:15I know you love Tokyo.
01:54:16You've supported
01:54:17each other a lot.
01:54:19But tell me the truth.
01:54:20Do you really think
01:54:21this is the right time?
01:54:22Put your hand on your heart
01:54:23and tell me.
01:54:26Is Tokyo trustworthy?
01:54:27You have to free me, friend.
01:54:28It's important
01:54:29that you leave.
01:54:30You have to let me go up.
01:54:31You have to get me out of here.
01:54:32Hurry up.
01:54:33Denver.
01:54:34I said shut up!
01:54:35Stay out of this!
01:54:40That's all I have left.
01:54:41Rio!
01:54:42Rio!
01:54:43Rio, where are you going?
01:54:44No matter what happens
01:54:45I won't let that bastard go.
01:54:46Rio!
01:54:47Rio, stop!
01:54:48Rio, listen to me!
01:54:51Rio!
01:54:52Rio!
01:54:53Rio!
01:54:54Rio!
01:54:55Rio!
01:54:56Rio!
01:54:58Whatever I said was for him.
01:55:00I'm sorry.
01:55:01I don't know what happened.
01:55:02I needed to know
01:55:03that you were with us.
01:55:04I know you will never betray us.
01:55:09Let's go meet that bastard
01:55:10and find out who the real boss is.
01:55:11Okay, let's go.
01:55:26Let's go.
01:55:56Hello?
01:56:10National Police.
01:56:11What can I do for you?
01:56:12Listen carefully.
01:56:13I'm Gandhia.
01:56:14I'm the head of security
01:56:15at the Bank of Spain.
01:56:16I'm calling from the
01:56:17Ministry of Interior
01:56:18security line.
01:56:19Can you check and confirm?
01:56:20Yes.
01:56:21The link is coming from
01:56:22the Bank of Spain.
01:56:23Exactly.
01:56:24Connect me to the
01:56:25Bank of Spain.
01:56:26Hello?
01:56:27Listen carefully.
01:56:28I'm Gandhia.
01:56:29Gandhia, the head
01:56:30of security at the
01:56:31Bank of Spain.
01:56:32I need to talk to
01:56:33Colonel Tamayo.
01:56:34Yes, one moment.
01:56:35Colonel?
01:56:36The head of security
01:56:37at the Bank of Spain.
01:56:38Okay, get everyone out.
01:56:39Everyone, please get
01:56:40out.
01:56:41Colonel Tamayo speaking.
01:56:42Colonel, I'm out of
01:56:43their custody.
01:56:44Gandhia speaking.
01:56:45Gandhia, where are you
01:56:46speaking from?
01:56:47I'm speaking from
01:56:48the panic room.
01:56:49I'm keeping an eye
01:56:50on their every move
01:56:51with the help
01:56:52of the security
01:56:53and the CCTV.
01:56:55Yes, sir.
01:56:56Yes, sir.
01:56:57Yes, sir.
01:56:58Yes, sir.
01:56:59Yes, sir.
01:57:00Yes, sir.
01:57:01Yes, sir.
01:57:02Yes, sir.
01:57:03Yes, sir.
01:57:04Yes, sir.
01:57:05Yes, sir.
01:57:06Yes, sir.
01:57:07Yes, sir.
01:57:08Yes, sir.
01:57:09Yes, sir.
01:57:10Yes, sir.
01:57:11Yes, sir.
01:57:12Yes, sir.
01:57:13Yes, sir.
01:57:14Yes, sir.
01:57:15Yes, sir.
01:57:16Yes, sir.
01:57:17Yes, sir.
01:57:18Yes, sir.
01:57:19Yes, sir.
01:57:20Yes, sir.
01:57:21Yes, sir.
01:57:22Yes, sir.
01:57:23Yes, sir.
01:57:24Yes, sir.
01:57:25Yes, sir.
01:57:26Yes, sir.
01:57:27Yes, sir.
01:57:28Yes, sir.
01:57:29Yes, sir.
01:57:30Yes, sir.
01:57:31Yes, sir.
01:57:32Yes, sir.
01:57:33Yes, sir.
01:57:34Yes, sir.
01:57:35Yes, sir.
01:57:36Yes, sir.
01:57:37Yes, sir.
01:57:38Yes, sir.
01:57:39Yes, sir.
01:57:40Yes, sir.
01:57:41Yes, sir.
01:57:42Yes, sir.
01:57:43Yes, sir.
01:57:44Yes, sir.
01:57:45Yes, sir.
01:57:46Yes, sir.
01:57:47Yes, sir.
01:57:48Yes, sir.
01:57:49Yes, sir.
01:57:50Yes, sir.
01:57:51Yes, sir.
01:57:52Yes, sir.
01:57:53What's going on?
01:57:55You wouldn't even be surprised if I told you
01:57:57that when we landed in Indanav, your mother and daughter were gone.
01:58:02Congratulations.
01:58:03But you know what, I won't celebrate because Ryo has already told me
01:58:09all your names before entering the bank.
01:58:16And this is not what he told the professor.
01:58:18I am all ears, you know.
01:58:23What do you think, how long will it take for him to open his mouth, where are your mother and daughter?
01:58:44Professor, tell him what happened.
01:58:46I don't know how to say it, I shouldn't say it, but...
01:58:49But what?
01:58:53I don't know how to say it, I shouldn't say it, but...
01:58:59Colonel Tamayo has given orders to kill everyone inside.
01:59:01Why didn't you tell me?
01:59:02Tell me the whole thing, Benito.
01:59:03Gandhia, the bank's security chief, he called, he's in the panic room right now, where all the weapons are.
01:59:06Where is the panic room? Tell me quickly.
01:59:08I don't know. Gandhia is sitting in the panic room, he can see everyone.
01:59:19Tokyo.
01:59:21Tokyo.
01:59:22Listen to me, Gandhia is in the panic room with the weapons.
01:59:25What?
01:59:26There's a panic room there, he can see you, he can see you at every step, you all have to stay together.
01:59:32Tokyo.
01:59:40Tokyo.
01:59:42Tokyo.
01:59:43Tokyo.