Al Fondo Hay Sitio 11 Capitulo 60 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 60 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 62 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 60 Completo HD Online
Category
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Short filmTranscript
00:00āŖ Piano music
00:14Grr
00:15Grr
00:16Grr
00:17Grr
00:18Grr
00:19Oh!
00:20What kind of nonsense is this?
00:21Grr
00:22Grr
00:23No, Frank!
00:24It's not what you think!
00:25No!
00:26Yes, it's not what I'm thinking!
00:27Why not?
00:28What am I thinking?
00:30You already know how it is.
00:32Until I throw it.
00:33I mean, you inflate my bill.
00:35Ah!
00:36Ah, yes!
00:37Yes, of course, of course.
00:38Who doubles the price.
00:40You already know.
00:41Dad pays.
00:42Oh!
00:43Nose to nose!
00:47Am I interrupting something?
00:48Maripaz!
00:50I'm sorry, I thought I had already told you about...
00:53It's Maggie!
00:54Maggie, yes, yes, yes.
00:55Well, my name is Marge, but they call me Maggie.
00:58Oh!
00:59Oh!
01:00Oh!
01:01I still don't get used to having Mrs. Nelia in the house.
01:03Me neither, much less in the living room.
01:07I'll take the painting to the warehouse.
01:10No, Peter, I promised Teresa.
01:12We'll find the right place.
01:14She grabbed me by the arm in front of Francesca.
01:16Oh my God!
01:17She's crazy about me, I don't know what to do.
01:19Oh, dad, please don't break Mrs. Nelia's heart.
01:22I already prevented her from selling the chip to Francesca.
01:24She already lost a million soles.
01:25What else can I do?
01:26Hold on a little longer.
01:27She's very sensitive.
01:29My love!
01:32A photo shoot?
01:34Have you thought of something?
01:36Inside a cake?
01:39Well, yes, I think it's a good idea.
01:41Semi-naked or...
01:43Total.
01:44Perfect.
01:45Embarradita with cream.
01:47Perfect, I understand.
01:48Yes.
01:49We could do something artistic there.
01:52Yes, dear, very artistic.
01:53Maripaz!
01:54Are we going?
01:55Yes.
01:56Can they go up too?
01:58Yes, of course.
01:59Oh, I don't think we're going in.
02:01Rather, you just go.
02:03I'm going with them.
02:04No, don't leave me, Valentino.
02:06It's just that they're in love.
02:08Love, just go.
02:09You'll see that they're going to be good friends.
02:11Let's go, daddy.
02:12Bye, girls, bye.
02:13Please, she doesn't deserve such a big disappointment.
02:15Yes, thank you.
02:16In the long run.
02:17In the long run, how easy, right?
02:18My love!
02:21What if we go to a more private place?
02:23More private?
02:24Yes, let's go.
02:25Chum, who made you ride?
02:26Let's go.
02:27Chum, chum, chum.
02:36Nurse Yuli, to work.
02:39What was that supposed to be?
02:41My imitation of the lady.
02:43You don't get anything.
02:45This is a hospital, not a nursery.
02:49So less play and more work.
02:53We're working, ma'am.
02:55Well, it doesn't look like it.
02:57In my days, they punished the lazy with the dungeon.
03:00The break is over.
03:02That's what I'm saying.
03:06Do you like your job, Mr. Jackson?
03:08Sorry, ma'am, I won't do it again.
03:10I asked you a question.
03:11Yes, ma'am, I like it a lot.
03:13Excellent.
03:15They're just asking me for a physiotherapist
03:17for the Chayapalca Penalty.
03:19At 4,600 meters.
03:22Chayapalca?
03:24Don't worry, I haven't decided yet.
03:27Keep working.
03:31The break is over.
03:35I was warning you.
03:36I thought you were playing me.
03:38No, you don't get anything.
03:39No, no, no, no.
03:40Stop, stop, stop.
03:41Don't bother me.
03:50Hi, honey.
03:51Hi, honey.
03:52How are you?
03:53Hi, Alicia.
03:54Hi.
03:55Come, I'm going to introduce you to my whole family.
03:57Go, go, sit at home.
04:00And you?
04:02What?
04:05Come in.
04:06Olinda, Olinda.
04:10Look, she's Maggie, she's my new friend.
04:12Hi.
04:13How pretty.
04:16Are you going to stay for lunch?
04:17Is it enough?
04:18Yes.
04:19Your friend looks so small and thin.
04:21I'm sure she eats like a bird.
04:23Well, I like to watch the line.
04:27Wow, who do we have here?
04:30She's my new friend.
04:31Her name is Maggie.
04:37Oh, don't do it.
04:38Do you think I didn't notice
04:39how your eyes go with the girl?
04:41Who is she?
04:42Please, my love.
04:43She's a friend of Maripaz.
04:44How are you going to say that?
04:45Look, she might be cool,
04:46but she has a great future.
04:47Be careful, okay?
04:48Don't let her find out
04:49that you're giving her math classes.
04:52Oh, my love.
04:53I have eyes for you.
04:56Can you give me a kiss, please?
04:58Yes, of course.
04:59Is she yours?
05:00No, my love.
05:01The goal is not to make her mine.
05:02It's to turn her into the great competition
05:04that Francesca Maldini and Laia Sanz
05:05never expected.
05:06How ambitious.
05:08And a lot of revenge, too.
05:10The only thing that worries me
05:11is my father's relationship
05:12with Mrs. Ali.
05:14Relationship?
05:15What was it?
05:16Yes, I'll tell you later.
05:17Come on, it's going to be late.
05:32Maripaz, what a surprise.
05:33Have you seen how nice it is
05:34that she's already bringing her friends?
05:36They already feel like family, man.
05:37Of course.
05:38Ah, yes, look.
05:39This is Tito.
05:40He's my...
05:41His dad.
05:42Ah, yes.
05:43That's it.
05:44You could have said it yourself.
05:45No, no.
05:46Not yet.
05:47Maripaz,
05:48don't you want to tell us
05:49something about
05:50your new...
05:51little friend?
05:53Ah...
05:54Yes.
05:55We just met
05:56and she's dating Valentino.
05:57Ah!
05:59That's it.
06:00That's it, that's it.
06:01Hey, Juan, what's wrong with you?
06:02My daughter doesn't want anything
06:03with that vagabond,
06:04right, little girl?
06:05No, only as a friend.
06:07Hey, Ali,
06:08but why don't you go out with him?
06:09If Valentino is a very hot guy
06:11and he's good.
06:12What?
06:13How is that?
06:14Are you saying that
06:15Fale is in love?
06:16No, no.
06:17Not exactly.
06:18But the thing is that
06:19I'm going on a trip
06:20next week.
06:22And why don't you go out?
06:24I want you to stay
06:25with a good girl.
06:27Ay, ay, ay.
06:28This youth is very modern
06:29nowadays, isn't it?
06:31Centenarians,
06:32what do you call them?
06:33Centenials.
06:34Son Gil,
06:35you are a centenarian.
06:38Friend,
06:39tell us,
06:40are you and Valentino
06:41very close?
06:42Ah,
06:43I have to go.
06:44Bye.
06:45No, friend,
06:46why do you have to go?
06:48Oh, it's just that...
06:50Well, it's just that
06:51I'm in my days.
06:54Ah, gentleman.
06:55He's with the girls.
06:56Poor thing,
06:57don't let him go.
06:58Ah,
06:59so you're in your days.
07:08Can you believe it?
07:09Diego used the same trick
07:10he did with me
07:11with Mrs. Ali.
07:13Oh, please.
07:14But how could I fall in love
07:15with that lady?
07:16And what do you want that chifa for?
07:18I don't understand, madam.
07:19To compete with me.
07:22Ah!
07:23What is that painting here?
07:25Didn't you bring it?
07:26Of course not.
07:28Why do I want the painting
07:29of the male ethnic here?
07:30Call Claudio, please.
07:31Of course.
07:33Claudio.
07:34Ay, ay, ay.
07:35Oh, sorry, sorry.
07:36I was just going to knock on the door.
07:38Claudio,
07:39how dare you
07:40hang the painting
07:41of the male ethnic
07:42in my office?
07:43I didn't do it, Mrs. Francesca.
07:44Besides,
07:45I never enter without permission.
07:48How strange.
07:49Someone is playing a joke on us.
07:52Oh,
07:53what if it's her?
07:54Don't say nonsense, do you want?
07:56He died years ago.
07:58Maybe now
07:59she can go through
08:00doors and walls.
08:01Don't say nonsense.
08:02Enough already.
08:03Take that painting.
08:04Let's go.
08:05Immediately.
08:06Okay.
08:07Should I take it to the living room?
08:08Take it wherever,
08:09but not here.
08:10Okay.
08:12Ay.
08:13Ay, ay, ay.
08:14Ay, ay, ay.
08:15Ay, ay, ay.
08:17Sorry, sorry.
08:18Ay.
08:19Ay.
08:20Ay, what a fear.
08:21Ay.
08:23Ay.
08:25Did you hear that, Peter?
08:28As if Nelly
08:29hadn't bothered me
08:30enough in life.
08:32Now she comes to embarrass me at home.
08:34Do you think she will rest in peace?
08:36I assure you
08:37that Mrs. Nelly
08:38was not a good person.
08:40She is not in heaven.
08:42Oh
09:12The boy
09:25I've ever done a nanny. No, sir. I am. Okay. See ya
09:30See me cargo
09:33Yo, no, he's a nada. He just a movie. Oh, yeah, senorita Teresa, por favor. Give me a zoom. I'm a su casa
09:39Yeah, no, kid. Is that a key?
09:40They have to be superstitious on a cloud. Oh, yes. I see you come on. It's because I'm going to stand passando a lugar de abladurĆas
09:48Busca, las cƔmaras de seguridad puedes hacerlo. EstƔ bien. Voy para allƔ
09:55We're gonna play my mama in solo un cuadro Teresa
09:59Bueno, mi papĆ” siempre habla con el cuadro de mi mamĆ” y dice que ella le responde
10:04Oh
10:34Conde area
10:39Que clase de flaco eres a
10:41Chato ya te he dicho que no somos flaco compare estamos fluyendo y a saque dejate de vainas ya le hablaste a maripaz
10:46Ya le dijiste lo maravilloso que soy
10:51Pero hagan cosas de chica pechado asĆ entras en confianza y le hablas bien de mĆ
10:56cosas de chicas claro p pintarse las uƱas el pelito guerra de alma ya tĆŗ sabes esa vaina que le botan a las mujeres
11:05Es lo Ćŗltimo que hago y me voy a
11:08Magui estĆ” bien
11:23Un pata dices
11:26Que hablas o linda que va a ser un pata si es una amiguita de mi hijita
11:32Que opas que son
11:34No se dan cuenta que es un chico disfrazado
11:36Un chico?
11:38Por favor, al ego se nota que es una chica
11:40Claro, no, se estƔ medio chancadita nomƔs pero
11:42EstĆ” con sus rulos
11:44Claro, bien dicho
11:46Es una previa irrefutable que es una mujer
11:48Porque esa vaina no nos da a los hombres
11:50AdemĆ”s, Āæpor quĆ© un hombre se harĆa pasar por mujer?
11:52Para darme celos a mĆ, es un plan tonto de Valentino
11:54ĀæY para quĆ© te va a dar celos?
11:56Si ya estĆ” con flape Valentino
11:58Si, ya fuiste, ya olvĆdalo, olvĆdalo
12:00Lo siento por la herida hijita pero
12:02CrƩeme que es mejor, vas a estar mejor sin Ʃl
12:04Chicos
12:06No se dan cuenta
12:08No se dan cuenta de nada
12:10Pero para Ćŗltimo lo ponemos a votaciĆ³n
12:123 a 2, ya estĆ”, es una chica
12:14Y si hay dudas
12:16Despertamos al abuelo, 4 a 2, ya estĆ”
12:18SĆ, sĆ
12:20Te falta sorina
12:22Olvida la lengua
12:24Estos son unos ciegos
12:26Unos ciegos y unos opas
12:30Por supuesto que sĆ, Claudio
12:32Mi empresa de seguridad tiene de todo
12:34ĀæQuĆ© necesitas, dime?
12:36CƔmaras de seguridad
12:38Ay, no, por favor, FĆ©lix
12:40Me tienes que sacar de este apuro, no me digas que no tienes
12:42No, tranquilo, Claudio
12:44Yo te voy a conseguir unas cƔmaras bien bacanes
12:46De vuelta, pulentĆsimas
12:48ĀæCuĆ”ntas necesitas?
12:50Como para toda la mansiĆ³n
12:52Ya sabĆa que no ibas a tener
12:54Mira, mejor voy a ver quĆ© consigo en otro lado, Āæya?
12:56No, no, tĆŗ tranquilo, por favor
12:58Yo te voy a conseguir 12 cƔmaras de seguridad
13:00Eso es lo que necesita esta mansiĆ³n
13:02ConfĆa en mĆ
13:04Ay, por favor, FĆ©lix, no me vayas a fallar, Āæah?
13:06No, Āæacaso no sabes el mal de mi empresa?
13:08Seguridad y confianza
13:10Y mƔs seguridad, y mƔs confianza
13:12Y mƔs seguridad, y mƔs confianza
13:14Ya, ya, estĆ” bien, estĆ” bien, confĆo en ti, chausito
13:16Chausito, cuĆdate mucho
13:18Y no te preocupes que yo te voy a conseguir
13:20Unas cĆ”maras de vigilancia de Ćŗltima generaciĆ³n, ya vuelta
13:24ĀæDe dĆ³nde voy a sacar yo cĆ”maras de vigilancia
13:26De Ćŗltima generaciĆ³n
13:30Una mƔs
13:32Joel, Āæy tu millonaria no volviĆ³?
13:34La madre no es millonaria, joel
13:36Ya dije ya, su viejo le paga todo
13:38Bueno, Āæpa' quĆ© pague tanto por arreglar el carro?
13:40Tiene su billete, Āæno?
13:42Bueno, pudiente, pudiente sĆ es, yo te dirĆa que te abroches ahĆ, joel
13:44O quƩ feo, tampoco me voy a amarrar por el billete
13:46Pero quƩ feo
13:48Ya, ya, pero mira, has estado fregĆ”ndolo un montĆ³n
13:50Con puras misias, ahora es que tiene plata
13:52Sigue fregando nomƔs
13:54AdemƔs el billete le da un brillo especial
13:56No se piensa, Āæno?
13:58Uy, eh, eh, eh
14:00ĀæQuĆ©?
14:02Ā”AlĆ³, FĆ©lix!
14:04SĆ, sĆ, dime, ĀæquĆ©?
14:06ĀæCĆ”maras de seguridad?
14:08SĆ, sĆ, sĆ, tengo, tengo
14:10ĀæQuĆ©, quĆ©, quĆ©? EstĆ”n nuevas
14:12Seminuevas, viejas
14:14Usadas que parezcan nuevas
14:16ĀæQuĆ©? Ah, ya, ya, ya
14:18SĆ, tengo, tengo, tengo con todo, con, sĆ
14:20Wi-Fi, inteligencia artificial
14:22Todo tienen, hasta con caja, te la dejo
14:24Tengo unas chinas ahĆ que parecen alemanas, que son
14:26Y asĆ, no, manual no, eso sĆ lo descargas
14:28De internet y lo imprimes tĆŗ
14:30Ya, dƩjame hacer una llamada a un amigo
14:32Importador informal que tengo y te aviso
14:34Listo, chao, chao
14:36Bueno, muchachos
14:38Me encantarĆa quedarme aquĆ discutiendo
14:40El futuro pudiente de joel, pero me ha salido
14:42Una chambita
14:44Cuida tu cƔmara, joel, no se la vayan a vender a FƩlix
14:46Oye, oye, oye, no seas mal pensado
14:48Son para doƱa Francesca
14:50Permiso
14:55Oye
14:57QuĆ© raro que la Noni no tenga cĆ”maras en su casa, Āæno?
14:59SĆ, Āæno?
15:01O sea, Āæla habrĆ”n robado?
15:05Muchas gracias por prestarme la casa, de verdad, Laia
15:07No te hubieras molestado
15:09Quieres, de verdad, que poco sabes de marketing, Āæeh?
15:11TĆŗ tienes que mostrarte como un
15:13FotĆ³grafo exitoso, Āæeh?
15:15Con estudio y todo
15:17AhĆ estoy de acuerdo contigo
15:20Ya te lo he dicho, que juntos vamos hacia arriba
15:22Pero si trabajamos juntos en la Francesca
15:24Si yo soy mozo del restaurante
15:26SĆ, pero bueno, reciĆ©n estamos
15:28Y yo, la verdad, que
15:30No te quiero de mozo toda la vida
15:35ĀæAlĆ³?
15:37SĆ, ya estĆ” todo listo en la direcciĆ³n que te pase
15:39SĆ, perfecto
15:41La torta, sĆ
15:43Yo me encargo, yo me encargo, no se preocupe
15:45SĆ, aquĆ nos vemos en una hora
15:47ĀæQuĆ© pasĆ³?
15:49ĀæTodo bien con la modelito?
15:51Me olvidĆ© de la torta, Āæy ahora dĆ³nde puedo conseguir una torta?
15:53QuƩ poca confianza tienes
15:55Yo la puedo pedir en Francesca si que me la traigan al toque
15:57ĀæDe verdad harĆas eso por mĆ?
15:59Por supuesto
16:01Yo por ti hago todo
16:03Excelente, no puede ser muy grande
16:05Y tiene que tener mucha crema, porque es para...
16:07Embarrar a la modelo, lo sƩ
16:09Eso es, y tiene que ser rosada
16:11Claro que sĆ, rosada
16:13Para la modelo
16:15No quiero sentirme sin ti
16:21Te quiero aquĆ, te quiero aquĆ
16:29El relleno no importa, pero la crema tiene que ser de rocoto
16:31SĆ, de rocoto
16:33Porque quiero que sea bien rosadita
16:35No, no, no, no le pongas poco
16:37Ponle mucho, mucha cantidad de rocoto
16:39ĀæQuiĆ©n es la chef?
16:41ĀæTĆŗ o yo?
16:43Y cuando la tengas, me la traes a casa, corriendo
16:45ĀæEh?
16:47Gracias
16:49Vamos a ver si a esa modelito le quedan ganas de posar desnuda
16:51ĀæQuĆ© es esto?
16:53Esto es lo que ha pedido doƱa Francesca, ni mƔs ni menos
16:55CĆ”maras de vigilancia de Ćŗltima generaciĆ³n
16:57Con Wi-Fi, GPS, CTS, AFWP
16:59E inteligencia artificial de vuelta
17:01ĀæEsa basura tiene inteligencia artificial?
17:03Oye Claudio, no hables asĆ
17:05Te escucha, te entiende
17:07No me entiende
17:09No me entiende
17:11No hables asĆ
17:13Te escucha, te entiende
17:15No me interesa si sabes sumar o restar
17:17Yo solo quiero que graben bien
17:19Y descubran quiƩn estƔ detrƔs de la broma del cuadro
17:21ĀæY sabes si graba fantasmas?
17:23Por supuesto, solamente le programas acĆ”
17:25ĀæFantasmas dijiste?
17:27AquĆ no hay fantasmas
17:29Por favor, instale este equipo de vigilancia
17:31ĀæInstalar esto?
17:33Mira, FĆ©lix
17:35SegĆŗn tu folleto, dice
17:37SuscripciĆ³n, instalaciĆ³n, seguimiento y mantenimiento
17:39ĀæSuscripciĆ³n?
17:41SĆ, por una mĆ³dica suma mensual
17:43Le vigilamos toda la mansiĆ³n, doƱa
17:45No me interesa
17:47Solo quiero que grabe bien
17:49Y descubramos de una vez
17:51QuiƩn estƔ detrƔs de la broma del cuadro
17:55ĀæDoƱa Nelly le estĆ” molestando, seƱora Francesca?
17:59Ā”SĆ!
18:01Nelly Camacho muriĆ³ hace aƱos, Claudio
18:03Por favor
18:05Ā”Ay, doƱa Francesca!
18:07Ā”Estamos en paz!
18:11Si en vida era como el tunche, ĀæcĆ³mo serĆ” de nuevo?
18:15Por favor, instala de una vez ese equipo
18:17Descubramos la verdad de una buena vez
18:29SĆ, sĆ, en la nariz
18:33Amics, Āæcrees que ya puedo verme en el espejo?
18:35No, no, todavĆa, estĆ”s quedando linda, confĆa en mĆ
18:37ĀæMe dices que ella es la novia de Valentino?
18:39Estamos fluyendo
18:41No hables, no hables, a veces asĆ
18:43CĆ³mulas, cĆ³mulas
18:45Mami, mami, un ratito, ahorita sigo contigo
18:47Ćl no es
18:49No me digas que son esos planes tontos
18:53Son tal para cual, entonces
18:55Ay, sĆ, ahĆ estĆ”s quedando linda
18:57ĀæYa puedo verme linda?
18:59No, no seas impaciente, mami
19:01ĀæNo me dijiste que querĆas hacer cosas de chicas?
19:03Ah, pero para hablarte de lo maravilloso que es Valentino
19:05Bueno, maravilloso, maravilloso, no
19:07Solamente es buena gente, ya
19:09A lo mejor lo ves asĆ porque estĆ”s enamorada
19:11Pero que eres churrĆsimo
19:13Si te gusta, yo te lo dejo
19:15No, solamente somos amigos
19:17No, pero te amo, Ana
19:21A ver, yo lo llamo
19:29Chicas, pero miren quiĆ©n llegĆ³
19:31ĀæPor quĆ© estĆ”s maquillando a tu flaquita?
19:33Ay, por Dios
19:35ĀæNo se ve linda?
19:37Eh, vƔmonos
19:39Uy, estĆ” desesperada
19:41Porque te la lleves a otro sitio
19:43Ay, es que no me quiero perder ese encuentro
19:45Quiero vernos bien
19:47Te felicito, chivolo
19:49Te has conseguido una linda flaquita
19:51Gracias, seƱor, pero estamos fluyendo todavĆa
19:53De mis flacas
19:55Ay, pero Āæpor quĆ© no oficializan?
19:57ApĆŗrate, porque si no, se te va a ir
19:59A ver, denle caso a la Yuli
20:01ĀæPor quĆ© mejor no chapan delante de todos y formalizan de una vez?
20:05ĀæQuĆ© van a dar?
20:07Un besito de adolescente, quƩ bonito
20:09No, no, no, ahora no
20:11En otro momento mejor
20:13Ah, no, a menos que todo esto sea un engaƱo
20:15ĀæUn engaƱo?
20:17ĀæCĆ³mo que engaƱo?
20:19AcĆ” mi sobrina cree que tu flaca es un pata disfrazado
20:21ImagĆnate, Āæno?
20:23O sea, si fuera verdad, serĆa motivo suficiente
20:25Para sacarle la mugre
20:27QuĆ© vacilaciĆ³n fue
20:29Si ya les dije
20:31Es una chica linda
20:33Es igualita, igualita
20:35La Nellycita cuando era jovencita
20:37Entonces no habrĆ” problema
20:39De un besito, Āæno es cierto?
20:41SĆ
20:43ĀæY si no?
20:45Ā”De cabeza te sabe!
20:57Ā”Eh! Ā”Vivan los novios!
20:59Ā”Bravo!
21:01Ā”VĆ”monos, compadre!
21:03Ā”VĆ”monos, Maggie!
21:05Ā”Oh, quĆ© rico!
21:07Ā”Vaya, vaya, que vive el amor!
21:09Ā”Eso, quĆ© buen chape, ah!
21:11Ya ven que era chica
21:13Ā”SĆ, seƱor!
21:15Ā”SĆ, les vi tan enamorado!
21:17Ā”SĆ, sĆ, sĆ!
21:19Ā”SĆ, sĆ, sĆ!
21:21Ā”SĆ, sĆ, sĆ!
21:23Ā”SĆ, sĆ, sĆ!
21:25Ā”SĆ, sĆ, sĆ!
21:27Ā”SĆ, sĆ, sĆ!
21:29Ā”SĆ, sĆ, sĆ!
21:51QuedĆ³ perfecta
21:53You see? I want you to be a famous, successful photographer.
21:57Even if you're surrounded by girls.
21:59Because I'm not a jealous girl anymore.
22:02Yes, what a difference.
22:05Oh, your model is here.
22:07Oh, yes, just in time. Are you staying?
22:09Of course, yes. I can be your assistant.
22:12Thank you.
22:14I won't leave you with that naked girl.
22:16Oh, yes, covered in cream.
22:18What a surprise you're going to get.
22:21Hi, Alicia.
22:23How are you?
22:24Come in, please.
22:26Alicia.
22:29She's Laia, my assistant.
22:31And this is our model.
22:33Do you have the cake?
22:34Because I was also thinking inside a lettuce or something.
22:37Oh, what a good idea.
22:38Yes, in fact, I was thinking ...
22:40Is that baby the model?
22:43Yes, she is.
22:44I'm doing a session of newborn photos.
22:51Compadre, now I'm clean.
22:55Brother-in-law, what are you doing?
22:57Today is not your day.
22:59What else can happen to me today?
23:04Get Picasso.
23:05Pica, pica, pica, pica, pica, pica, pica.
23:16Your assistant threw the cake out the window.
23:19What?
23:20Laia, why did you do that?
23:23Because it was ugly.
23:25Ugly?
23:26I could fix it in editing.
23:29Laia is a very perfectionist chef, yes.
23:32Yes, but don't worry,
23:33because right now I'm making a cream with egg whites
23:36and while you take that picture of the lettuce.
23:40Thank you very much.
23:44Yes, they are a couple, look.
23:45Look how he takes care of her.
23:47They fall in love.
23:48Yes, how much love.
23:50So cute.
23:52Calm down, calm down, calm down.
23:54I'll clean it, I'll clean it.
23:55But it keeps stinging me, compadre.
23:56I don't know what's wrong.
23:57Wait, wait.
23:58I have to rinse.
23:59Wait, the fence is open.
24:00Your house is in the pool.
24:01Let's go, let's go, let's go.
24:06It stings, it stings.
24:09Hold on, hold on, hold on, hold on.
24:11Hose, hose, hose.
24:12Faster, so it doesn't move, so it doesn't move.
24:18There.
24:32Felix, please don't take too long.
24:33We want to sleep.
24:35Don't worry, Teresita.
24:36I'm analyzing the configuration of the white wine.
24:39Leave it as it is.
24:40You finish tomorrow.
24:41Please, Felix, put it on so I can record all night.
24:45There it is, there it is recording.
24:47Bye, Felix.
24:48Thank you.
24:50Well, see you later, Mrs. Francesca, Teresita, Junior, Claudio.
24:53Don't worry, I'll keep the ladder.
24:54Don't worry.
24:55I'll walk you to the door.
24:57Let's go.
24:58Thank you, see you later.
25:04Would you like anything else, Mrs. Francesca?
25:05No, thank you, Claudio.
25:06You can go.
25:07Well, don't worry.
25:09I'll leave this here and everything will be fine.
25:12What is that?
25:14Mrs. Francesca, it's for protection.
25:17Protection?
25:18Just in case.
25:19Just in case what?
25:20Oh, you know, some bad spirits.
25:22Are you talking about my mom?
25:24Oh, but please, by the way, tell her to stay in the underworld.
25:27My grandmother Nelly is a vampire?
25:29Of course not, Junior.
25:30Take that thing away from here.
25:32Well, okay, but I also brought a little bit of rue to make sure that the bad spirits go away.
25:37Shoo, shoo, shoo.
25:38May Mariel go well.
25:39May Mariel go well.
25:40For God's sake, Claudio, you're going to scare my child.
25:41Grandma Nelly doesn't scare me.
25:43She's going to come.
25:44She rests in peace, Junior.
25:47Take that away from here, now.
25:48Well, okay, I'll leave it to you just in case.
25:50No, take it away.
25:51Well, better.
25:52For the exit.
25:53May Mariel go well.
25:54May Mariel go well.
25:56I'm tired of so much talk.
25:57Oh.
26:28Holy water.
26:29Holy water.
26:30That's it.
26:31Holy water.
26:32Holy water.
26:33Come on, come on.
26:34May Mariel go well.
26:35Out.
26:36Out.
26:37Out, dwarf.
26:38Out, dwarf.
26:39Out of here.
26:40Out of here.
26:41A little bit just in case.
26:42To bless the inside.
26:44There.
26:45Now, yes.
26:46Now, yes, with this.
26:47Yes.
26:48With that.
26:49No evil spirit is going to come.
26:51Yes.
26:52May Mariel go well.
26:53May Mariel go well.
26:55Oh.
26:57Out.
26:58Out.
26:59Don't come.
27:00Don't come.
27:01Let me sleep.
27:02Out.
27:03Out.
27:04Out.
27:05Out.
27:06Beware of the devil.
27:07Don't come.
27:08Oh.
27:11Pepa.
27:18Pepa.
27:21What was that?
27:23It's so cold.
27:28I'm imagining things.
27:40John, honey.
27:41What are you doing up?
27:44Are you awake?
27:46Do you have something?
27:48His name was Charlie.
27:50No, no, no.
27:51That's not funny, kid.
27:57Oh, my God.
28:00Where is my Santiago?
28:02What is this?
28:04A guard?
28:07He's bitten.
28:20John.
28:27Mrs. Nelly's coupon.
28:30John.
28:31Mom.
28:32Nelly never went up to my room.
28:34Me neither, son.
28:42His name was Charlie.
28:45He found her lying on the street and cried with a hungry heart.
28:51Charlie.
29:15With me in the head, Chifa John will go to the top.
29:34Up.
29:46Hello, mom.
29:48Breakfast so early?
29:49Taking advantage of the fact that the protƩgƩs of Francesca are coming down.
29:52It's true.
29:53We can't share this table without it becoming a battlefield.
29:56I'm going to the corporation and I'll stay there all day.
29:58Oh, a lot of work.
29:59What work?
30:00It's the only place where I can't find that crazy Chinese.
30:03Oh, dad.
30:04Forgive me, really.
30:05Sorry to get you in this situation.
30:07It's just that we didn't have the money to counteract Francesca's offer.
30:10You see?
30:11Love worked.
30:13Yeah, sorry.
30:14I didn't think Mrs. Lee was going to look at you with eyes of love.
30:16I sold myself to the yellow giant.
30:18You asked me for time to clear things up with that lady.
30:22Your heart.
30:23Your heart.
30:24Don't talk to me about that.
30:25I have it all day.
30:26She's in love.
30:27It's the same.
30:28It's all day.
30:29Yeah, dad.
30:30We shouldn't take advantage of what Mrs. Lee feels for you.
30:32I feel very bad about this.
30:33Oh, you feel bad.
30:34And what about me?
30:35I'm the one who has it all day.
30:36The one who squeezes me, squeezes me, grabs me, kisses me.
30:40Thank you.
30:42Okay, goodbye.
30:44Goodbye.
30:47The end justifies the means, right?
30:50Oh, now I know why Francesca saw me as her successor.
30:57Good morning, my little turtle.
30:59Good morning, my little Gilgirito.
31:01Look, do me a favor.
31:03Can you let me pass first?
31:05I download the production of the night and I leave.
31:07Yes, just pass.
31:09Emergency! Emergency!
31:10The lamp is broken!
31:14Oh, my little Gilgirito, you got ahead.
31:16Now how long will Tito take to get out?
31:19Not even half a minute.
31:20My compadre is a bullet with what he gets out.
31:22Ready, compadre.
31:23Shall we go?
31:24I'm not telling you.
31:25I'd rather take a shower.
31:26Oh, what?
31:27Hey, don't you dare!
31:28Calm down, Gil.
31:29My compadre showers to the touch.
31:30How is he going to shower to the touch?
31:31He is showering.
31:32Ready, tell him.
31:34Do you shower so fast?
31:36Yes, complete.
31:37With engine oil and everything.
31:38Now what, Mico?
31:40Grandma, a little kiss.
31:41No, no.
31:42Slowly, slowly.
31:43Oh.
31:46Are you both doing pichita?
31:48Is that possible?
31:49Of course.
31:50We are brothers.
31:51Yes, of course.
31:52Everything has its trick, Pe.
31:53It is rehearsed.
31:54Well, now.
31:55Pass here.
31:56Don't forget to brush my teeth.
31:57Uh-huh.
31:58That's it, Tito.
31:59It was my turn.
32:00Ready, I finished.
32:02Well, compadre.
32:03You didn't take five seconds.
32:05How do you do it?
32:06What happened, cutie?
32:07Why the surprise?
32:08Without my mother or aunt, the bathroom is faster, Pe.
32:10Of course.
32:11But we men don't get distracted in there.
32:13In front of the grain.
32:14Just touch it.
32:15That's what I see.
32:16He didn't even form a tail.
32:17No, no.
32:18It's just that with pure man, the tail is a thing of the past.
32:20That's right.
32:21Long live the men.
32:22Let's go to the maximum.
32:23Of course, of course.
32:24Very good.
32:25They had their good side.
32:26Yes.
32:29Now yes.
32:31Come in, my little turtle.
32:34You will be alone.
32:35Like a queen.
32:37Thank you.
32:38Excuse me.
32:40It's true that they are more practical and they don't take long at all.
32:45Oh no.
32:51I want to cry.
32:54Do you have anything else, Mrs. Francesca?
32:56No, thank you, Claudio.
32:57You can retire.
32:58And you, Pito?
33:00All right.
33:01And how did you spend the night?
33:03Well, without setbacks.
33:05And you, Mrs. Francesca?
33:07I slept in a hurry.
33:08And did something strange happen to you?
33:10Don't start with your superstitions, please, Claudio.
33:13Oh, Mrs. Francesca.
33:14They are not superstitions.
33:15I swear I heard steps as if a cuckoo was moving around the house.
33:22Please stop bothering me.
33:24Go to work.
33:25Oh, that's fine, Pito.
33:26But don't yell at me.
33:31Peter, it's her.
33:33She is not feeling sorry in this house.
33:36She came back from hell itself to bother us.
33:39She is a tormented soul.
33:41She does not rest in peace.
33:42Not even the devil loves her.
33:44I didn't want to believe it, but look what I found next to my bed.
33:52An egg.
33:54Nelly loved it.
33:56She even bit you for her.
33:57Yes.
33:59And I found her coupon on my nightstand.
34:03No doubt, Peter.
34:05Nelly is feeling sorry in this house.
34:07Yes.
34:08We shouldn't have accepted that painting.
34:11What if we return it to the family?
34:13No, no, no.
34:14It's not that easy.
34:16When a spirit leaves a house, it is very difficult to have it.
34:22That twisted dwarf enjoyed the misfortune of others.
34:25What do we do, Peter?
34:27Yes.
34:28Not even the dead leave us alone.
34:30I knew it.
34:31I knew it.
34:32I knew it.
34:33Mrs. Nelly is suffering.
34:36Shut up, Claudio.
34:37Enough.
34:38Don't make a scene.
34:39What if we bless the house?
34:40What if we bring an exorcist?
34:42Stop saying nonsense.
34:44What if we give the painting to her husband to take it?
34:47No.
35:01I think it's time to change the design of these menus.
35:04What? Does Mrs. Lee let you make all those changes without consulting her?
35:07No, but I'm taking advantage of the fact that she has her head elsewhere.
35:10In your dad?
35:11Uh-huh.
35:12Poor thing.
35:13Hurry up, honey.
35:14Because if the fool breaks it, he's going to vote for you.
35:17But why do you think he's going to break his heart?
35:19Because he's your dad.
35:20Yes, I don't think he'll last long.
35:22And what are you going to do when everything explodes?
35:24Nothing, I don't know.
35:25I hope to be able to show Mrs. Lee that if Chifa and I are the first in Lima, it's thanks to me.
35:29That's it?
35:30Yes.
35:31I'm going to patent my dishes at Indecopy.
35:33Oh, honey, I don't think it's that bad.
35:37It's a good idea.
35:38Of course, honey.
35:40Honey, like this.
35:41If you leave, the dishes are already yours and you can take them to your Chifa whenever you want.
35:45But how smart this boy is, huh?
35:48Give me a kiss.
35:50Very good.
35:57Ready?
36:00Now yes.
36:05To rest.
36:08Here I am safe.
36:18Documents for Diego Montalban?
36:21Leave it on my desk, Arnoldo.
36:23Just like that, without a kiss?
36:25Arnoldo, what's going on?
36:27Ta-da! We have it, finally!
36:34Are you happy?
36:35Yes!
36:36Give me a kiss!
36:39What a surprise!
36:41Do you recognize this?
36:45Of course, it's a Guarguero.
36:50Holy Cross of Quinoa.
36:54It's his bite.
36:56Incredible.
36:58Just by looking at it, you recognize his bite.
37:01It's just that my Nelicita loved the Guarguero.
37:05How can I not recognize it?
37:08Tell me, where did you find it?
37:11How many years ago do you have this?
37:14Mala found it in her room last night.
37:18It can't be!
37:20Yes, my friend.
37:22Your wife is mourning in the mansion.
37:26How?
37:27I've spoken to her so many times,
37:30and she hasn't said a word to me.
37:33Well, now.
37:35She talks like a parrot.
37:37I want to see her.
37:38She doesn't know what she's saying, Silberto.
37:41She's a tormented soul.
37:45I don't understand why she doesn't rest in peace.
37:50So good that she should be enjoying paradise.
37:57Well, we have different opinions.
38:04Take me there.
38:06No, we want you to take her.
38:10She must have gotten upset because I fell in love again.
38:13Silberto, my friend.
38:15Talk to your wife and tell her not to bother us anymore.
38:20I'll do what I can.
38:27Mrs. Francesca, here are the recordings you asked for.
38:30Are you ready to see them? Now leave.
38:32Oh, don't be mean. I want to see them too.
38:35Stay. But without making comments.
38:37And above all, you're not allowed to get scared.
38:39And why would I get scared if nothing is supposed to happen?
38:42It's true.
38:43Well, put the cameras in my room.
38:48There's her bedroom.
38:49And nothing happens until three o'clock when Junior wakes up.
38:52He didn't wake up.
38:53That boy is a sleepwalker.
38:57He's a sleepwalker.
38:58He's a sleepwalker.
38:59He's a sleepwalker.
39:00He's a sleepwalker.
39:01He's a sleepwalker.
39:02He's a sleepwalker.
39:03He's a sleepwalker.
39:04He's a sleepwalker.
39:05He's a sleepwalker.
39:06He's a sleepwalker.
39:07He's a sleepwalker.
39:08He's a sleepwalker.
39:09He's a sleepwalker.
39:10He's a sleepwalker.
39:11He's a sleepwalker.
39:12He's a sleepwalker.
39:13He's a sleepwalker.
39:14He's a sleepwalker.
39:15He's a sleepwalker.
39:16He's a sleepwalker.
39:17He's a sleepwalker.
39:18He's a sleepwalker.
39:19He's a sleepwalker.
39:20He's a sleepwalker.
39:21He's a sleepwalker.
39:22He's a sleepwalker.
39:23He's a sleepwalker.
39:24Hay que miedo parece poseĆdo.
39:38A ver pon la camara.
39:48Oh
40:18Oh
40:48Oh
40:59See queremos a cerro la batalla francesca's debemos cambiar la estrategia en la cocina tenemos que contratar
41:06mƔs personal
41:08alicia sola no se va a dar abasto si mi amor si queremos mejorar nuestra productividad
41:13Necesito por lo menos a un asistente mĆ”s de cocina y para mejorar la tensiĆ³n aquĆ en el salĆ³n necesitamos a un mozo que haga
41:19bien su trabajo
41:23Pero la casa decir a mi papĆ” que sĆ pero es que este es mi amor y escucharlo de tu boca es otra cosa no
41:29No, no menos personal mƔs ganancia menos personal mƔs ganancia
41:32ChulĆn cita entiendo tu punto pero tambiĆ©n hay que considerar que a mayor productividad se puede generar mayor ganancia
41:40debemos contratar personal
41:42Especializado capacitado y experto en el rubro de acuerdo
41:46No tenga mente a dos personas que nos ayudarĆan muchĆsimo en el restaurante
41:50Bueno tienes que negociar con ellos de una vez para que empiecen a trabajar lo mƔs pronto posible
41:55Trabajar en eso ahorita mismo yo me voy a la corporaciĆ³n cualquier cosa estamos en comunicaciĆ³n
41:59Oh
42:11Espero que todo esto sirva para algo
42:30Y
42:32Tenemos que hablar muy seriamente palomita
42:37Que es eso de aparecerte al pit y a mĆ ni pula me das
42:45Tanto tiempo sin verte y nada
42:50Pero te vas un par de dĆas a la mansiĆ³n y te pones a coterrear como loca con con doƱa francesca
43:00y
43:02AsĆ no son las cosas
43:11La verdad es que no puedo molestarme contigo no sƩ a quiƩn engaƱo
43:19TĆŗ eres lo mejor que me ha pasado en la vida contigo conocĆ el amor verdadero
43:29Y
43:34Han sido verte mucho palomita
43:41Pero de verdad estĆ” yendo al frente
43:52Y extraƱo tanto
43:59Y
44:04Ay ay ay que camionka
44:07Estamos a crecimiento
44:11Quien serĆ”
44:15Ay ay ay
44:17Manetadito me
44:21Hola bien
44:23Ya se te extraƱaba por acƔ
44:25SeƱor GonzƔlez
44:27Le gusta mi nueva camioneta
44:29Es tu nueva camioneta?
44:31EstĆ” hermosa
44:33Si se puede o no
44:35Claro pruebala
44:37PruƩbala
44:39PruƩbala
44:53Ay ay ay estĆ” increĆble
44:56Te gusta?
44:58Hermosa
45:00Es para ti
45:13Gilberto
45:15Gilberto
45:19PerdĆ³n
45:21Gilberto estƔs bien
45:23Te veo extraƱo
45:25Te veo extraƱo Ćŗltimamente
45:27ExtraƱo
45:29No para nada
45:31Estoy perfectamente bien
45:33Dime la verdad
45:35No puedes olvidar a tu difunta mujer verdad
45:38ĀæQuĆ© pasĆ³?
45:40ĀæPor quĆ© dejaste a Francescas?
45:42La chef Laya me despidiĆ³
45:44DespuƩs que le enviƩ la foto del beso
45:46Y Cristobal me gritĆ³ muy feo
45:48Bombillo
45:50ĀæNo te gustarĆa volver a trabajar conmigo?
45:52ĀæDe nuevo?
45:54ĀæSi?
45:56ĀæSi?
45:58ĀæSi?
46:00ĀæSi?
46:02ĀæSi?
46:04ĀæSi?
46:07ĀæSi?
46:09ĀæDe verdad?
46:19QuƩ suerte tienen los que no se vayan
46:21Creo que voy a poner eso en prƔctica en mi vida
46:23A ver si me la cambia
46:25Oye pero esa tal Marjorie
46:27Me parece conocida de algĆŗn lado
46:29Solo me falta
46:31Contratar a una persona demasiado
46:33Importante para que el chifa guillĆ³n
46:35Me convierta en una planadora
46:37ĀæQuiĆ©n?
46:39Ā”TĆŗ!
46:41Dime, te necesito a mi lado
46:43Ven conmigo y crezcamos juntos
46:51Felicidad
46:53PerdĆ³n, perdĆ³n
46:55No regresƩ