Because of experiencing awkward situations, a man is several times mistaken for other people, more often than not the famous ones. Now he must explain himself to a judge as he is arrested for impersonation.
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00:00Your Honor, I realized that I don't have talent in anything except for getting carried away.
00:11Nice, nice! Nice, nice! Nice, nice! Nice, nice!
00:20In my opinion, your poem goes smoothly down the stream of time and finds its way in the rocky way of literature, right?
00:28Bravo!
00:29It seems that the social context of your poems originates from the geographical position of your natural environment.
00:38Is it not true that your natural environment is somehow hidden in your poems?
00:44I'm sorry, but what exactly is your question?
00:47What's the relevance of passive forces of the universe in the consensus credence of the human being to contemporary poetry master?
00:56Was that a yes or no question?
00:58Hello, sir. This is Captain Etemadi. I'm calling to check if the name that I gave you had left the country.
01:04Yes, Sepe Jandaki.
01:07What do you mean he left the country?
01:10Fifteen years? I meant in the last couple of months!
01:14Yes. Yes, okay. Oh, okay, thank you. Thank you.
01:18So what did he say?
01:20He's been out of the country for fifteen years now.
01:23How can that be possible, Captain?
01:25I have no idea.
01:27Mr. Khazrat, would you do us this favor?
01:29What?
01:30Could you let us enjoy our singing until Jinyous arrives? Please?
01:34I'm not in the mood to sing right now, really. Come on, I just, I don't feel like it right now.
01:38Please, master, we're bored. Please sing for us.
01:42Please, please.
01:43We enjoy listening to you.
01:45That's good. Bravo, bravo.
01:46Can I sing some other time, maybe? I really can't right now.
01:49Master, please start singing in honor of freedom.
01:52Bravo, bravo. Nice, nice, nice.
01:55Please, go ahead.
01:56Sure, sure, since you insist so much.
02:13Master, would you please recite your poem for me?
02:16Yes, I'd love to hear it again.
02:19Ten pairs of handcuffs.
02:21We need to pay the gas bill and also the water bill.
02:26Interrogation room needs repair.
02:31Here's the magazine, here's the magazine.
02:37What a good poem.
02:38Please, give me one. Thank you, thank you so much. Have a seat.
02:42Excuse me?
02:44It just got distributed and I bought eight of them. That'll be one for each of us.
02:50Just a quick question. Does that mean that eight of them are sold already?
02:54Yes.
02:55This is the magazine's highest sales record of all time.
02:58That's right, that's right.
02:59I mean, I'd wager to say that we would sell almost six volumes in the first hour.
03:04It means that the sales were increased by 15% in the first hour.
03:08Yes, yes, but please, you must all remember it was because of my interview with Master Tufan in this volume.
03:16Yes, and also Master Tufan's poem.
03:18Is this my poem?
03:20Yes.
03:23Look at your picture, Master. Your picture.
03:26Where is it?
03:27Look at it.
03:28Here, look.
03:29That's me. That's me.
03:32Nice, nice, nice, nice.
03:34Your poem is such an uproar.
03:38Starting tomorrow, everyone rushes to interview you.
03:42We must plan a poetry night.
03:44No, no, no, no, no. We must plan a lecture first.
03:47Let's postpone the poetry night to after the birth of my own poem.
03:51Yes, yes.
03:52Master, you are getting famous. Very famous.
03:56Nice, nice, nice, nice.
04:04He looks like Einstein.
04:08He's like a fossil.
04:13He's outdated.
04:18Listen, one of these days, he'll get buried with his poems.
04:27Nice, nice, nice, nice.
04:38Nice, nice, nice, nice.
04:44Improvise a verse for us.
04:46He can't. He can't.
04:48Improvise a verse for us.
04:50Don't embarrass me.
04:51It has nothing to do with embarrassment.
04:53You can't improvise a verse for us.
04:56Improvise half a verse.
05:01Push. Yes.
05:04Be careful.
05:07Be careful.
05:13I can't.
05:14Art is basically an inherited instinct.
05:20It exists or it doesn't.
05:26It isn't advantageous that you can take it away from someone.
05:31It exists or it doesn't.
05:36That's the main point.
05:37For example, in my family,
05:41my father loves poetry and literature like his own father.
05:52Nice, nice.
05:53They love poetry and literature.
05:56He reads Hafiz's poems.
05:58So one person works in the registration office and the other is like that.
06:04So art is basically an inherited instinct.
06:08Like, I mean, the atmosphere in my family is acoustic,
06:13which means it's in a way that leads to poetry, as it says.
06:24We pay the gas bill, also the water bill.
06:28How do you think it's related?
06:30That's why it's inherited.
06:33That's why it's not at all advantageous.
06:38It exists.
06:41So it either exists or it doesn't.
06:48It exists or it doesn't.
06:53Nice, nice.
06:54Nice.
06:59Master, how did you come up with such a beautiful poem?
07:02Please stop asking clichéd questions.
07:05Are you married, Master?
07:07That's a good question. No.
07:09Would you please look straight at my camera for a minute?
07:14Then the post-structuralists ask,
07:17why do you have nominalistic thoughts?
07:20Well, that's why they're called cultural Frankenstein.
07:26Well, this is magical realism.
07:30This is the amitriptyline that Foucault mentioned.
07:35In my poem, it's the gas and water bill.
07:40Would you all smile for my camera?
07:47Now please point it to the distance.
07:50Now please point it to the distance.
08:20Now please point it to the distance.
08:26Nice, nice.
08:45In this guy's fake show, my chakras got damaged.
08:48So you're saying that the accused performed energy therapy on you?
08:52Yes, he had such a negative energy that my halo and chakras got tangled.
08:56It's been a while now that my nerves are erect.
08:59Her nerves have been erect since the beginning.
09:03Did you pretend to be an energy therapist too?
09:06Yes, I was full of energy. I still have some extra energy.
09:10My palms are really hot.
09:14Do you want to touch them?
09:16What is it, Karimi? I'm so busy.
09:18I'm sorry, sir, but Madani is really insistent that he wants to talk to you right now.
09:23I don't want to hear his voice.
09:25I'm sorry, but we just calculated that he's done 37 extra months serving time.
09:29It's his own fault.
09:30Well, sir, now that he wants to help us, won't you give him a chance?
09:33What kind of help, Karimi?
09:35Well, it seems that he went to the bank with Colonel Ghaffari.
09:38I mean the fake Colonel Ghaffari.
09:40He'd won a car which was a bank prize.
09:42He said that if we went to the bank, we might find a clue.
09:45Why didn't you tell me earlier?
09:47Well, sir, I've only just told you now because he only remembered today.
09:49Okay, we'll go get him out of jail. We have to go.
09:52Where?
09:53Bank!
09:54How can I help you?
09:55Hello, sir.
09:56Hello, sir.
09:57How are you?
09:58How are you?
09:59Was that this room?
10:00Captain, it was exactly this room.
10:01Was this guy here too?
10:02No, not him. It was someone else.
10:04Look at him carefully.
10:05I'm sure it wasn't him. I'm sure, Captain.
10:07Excuse me, would you be able to please give me the list of all the winners of this bank?
10:12Sure.
10:16Here you go.
10:20Is that all?
10:21That's all.
10:22Would you please show me the picture of the one who won the grand prize?
10:25Yes, Shepherd Jandaki.
10:26When was he here?
10:27Seven or eight days ago.
10:29That's him.
10:30When is he supposed to come again?
10:31I wasn't here that day. Please go to the end of the hallway. There's the manager's office. You can ask him.
10:35Thank you.
10:36Thank you for your cooperation. Please go ahead, Captain.
10:38Good luck. Good luck. Bye.
10:41We'll get him soon, Mardini.
10:43Ah, thank God.
10:44Do you think we can arrest him?
10:45We'll give his information to the manager and he'll call us when he's back here.
10:48Bravo, bravo.
10:49Let's go.
10:50The spirit of my aunt who was in my dreams three nights ago.
10:59To flying, to singing.
11:04Oh, my heart. Oh, my body.
11:09Oh, my aunt who was in my dreams three nights ago.
11:13Nice, nice.
11:18The spirit of my aunt who three nights ago, nights ago, to flying, to singing.
11:30Excuse me, sir.
11:31The spirit of my aunt three nights ago and nothing else.
11:38Nothing.
11:40Yes.
11:41Excuse me, sir. I'm sorry.
11:42Go on.
11:43Is this the Office of the Poetry and Literature magazine?
11:45Yes, of course, sir.
11:46What's this piece of crap that you've published in your magazine under Master Tufan's name?
11:50I'm Master Tufan.
11:52Would you please stop the nonsense, sir?
11:55The spirit of my aunt.
11:58Sir, I'm sorry. I'm sorry.
11:59Who three nights ago.
12:00Excuse me. I'm really sorry.
12:01It seems that you didn't understand.
12:03I'm talking about this piece of crap written under the name of Master Tufan.
12:08I'm Master Tufan.
12:09Chair, you go on. You talk to him. I'm tired.
12:11Water bill and also gas bill.
12:14Poem, yeah?
12:15Yes.
12:16Ten handcuffs and nothing else.
12:18It's whose?
12:19I don't know that, but I'm Master Tufan.
12:22Would you please stop, sir?
12:23Come on.
12:25To flying.
12:27Excuse me.
12:28My aunt.
12:29I'm sorry. I'm sorry.
12:30I'm sorry. I'm sorry.
12:31Look, but listen.
12:32This is nonsense.
12:34Under the name of Master Tufan?
12:36How could you say that?
12:37Why are you doing this?
12:40Are you Master Tufan?
12:41Yes, sir. That's what I'm trying to explain.
12:43How dare you?
12:44What?
12:45Come say that to my face.
12:46This is a marvelous poem.
12:48I've spent years crafting this.
12:50How dare you walk in here and say it's nonsense.
12:53Come here. Let me show you something.
12:55I'm trying to tell you.
12:57Let me go.
12:58No, stop.
12:59I want to give him a piece of my mind.
13:00Stop, please.
13:10Master Tufan?
13:12This is Seppa Jandaki.
13:14That's him.
13:21Poetry Night?
13:24Hello, Karimi?
13:25Hello, Karimi?
13:26Yes, write down this address.
13:28Niki Cafe Gallery.
13:29I found him.
13:30I found him.
13:31He has a poetry night at five o'clock.
13:33I found him.
13:34I found him.
13:35I found him.
13:36I found him.
13:37He has a poetry night at five o'clock.
13:40Okay, call the closest station to go there,
13:42and you arrest him until we get there.
13:44He's faking Master Tufan this time.
13:46You get ready too. Hurry up!
14:00No, listen.
14:01You've got to understand that the things you say are hurtful.
14:05I'm Master Tufan.
14:06I've spent a long time crafting this piece of work.
14:09Just for you to come in and tell me that I'm nonsense,
14:13say that to my face.
14:15Please.
14:16Where's Master Tufan?
14:18I'm Master Tufan.
14:36I'm Master Tufan.