MHN ARIZEIS TH MOURMOURA | S11 - EPS. 51 HD | ΜΗΝ ΑΡΧΙΖΕΙΣ ΤΗ ΜΟΥΡΜΟΥΡΑ | Σ11 - ΕΠΣ. 51 HD
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00:00🎵 Mourmoura 🎵
00:30🎵 Mourmoura 🎵
01:01Hm. Hm.
01:02Okay, listen up. I'll say it once, I'll say it twice.
01:05This thing right here, I don't want it in here.
01:09This thing is from the Ming Dynasty.
01:12Come on, grandpa, you know about the Ming Dynasty.
01:14It's Antiquated, I'm telling you.
01:15It's Kitsaria.
01:16You're so bad.
01:17And you're so bad, you're carrying a broom in here.
01:19Broom? You're a good one.
01:21If aunt Emelia heard you, she'd kick you out of the house.
01:23Which aunt Emelia? The one with Ania?
01:24She doesn't have Ania.
01:25She doesn't have Ania at all.
01:26Ania is a good woman.
01:27And that's a great asset.
01:29If it's a great asset, why did you give it to us and not her?
01:33Because she's brave, you know.
01:34And she didn't give it to us.
01:35She gave it to Sofoula because she opened the office.
01:37Why did you give it to her then?
01:38Because Sofoula didn't like it.
01:39Of course she didn't like it.
01:40The kid liked it, unlike you.
01:41She didn't like it.
01:42The kid is ungrateful, you know?
01:43Aunt Emelia gave it to her and she doesn't want it.
01:45Aunt Emelia didn't give it to her.
01:46She wants you to get rid of this old hag.
01:48What's gotten into you, Sofoula, that you don't want it?
01:50This broom is made of historical materials.
01:53This broom is made of historical materials, Bobby.
01:56Uncle Antonis gave it to her as a gift.
01:58Uncle Antonis didn't die.
01:59Yes, he did.
02:00But he didn't bring it from the underworld.
02:01He didn't bring it from the underworld.
02:02When he was alive and we were on the ship, he brought it.
02:05He made many trips back then.
02:06And on every trip, he gave her a gift.
02:08From China, he gave her this.
02:09And he found this thing and brought it from all over China.
02:12Oh, my God.
02:13My dear, look at this.
02:14Yes, I'm looking at it and I don't want to.
02:15Look at it.
02:16Listen to this.
02:17It's porcelain from Spain.
02:19It's porcelain from the empire of Ming.
02:21Ming, the same person?
02:22Yes, he had many porcelains and he was a brilliant man.
02:24Let it go.
02:25Yes, and on top of that, they put a hat.
02:27Something from Antoinette.
02:28Something from her clothes.
02:29Something, I don't know, from her nightgown, her dress, her scarf.
02:32It's her scarf.
02:33This is Antoinette's scarf.
02:35Excuse me, is this all Antoinette's scarf?
02:37You see how poor Antoinette was.
02:39While Ming...
02:40That's what his name says, by the way.
02:41Do you know what Ming means?
02:42What does it mean?
02:43In Chinese, it means chilevithra.
02:48Wow, it's still closed.
02:50Yes, but let my mother do it.
02:52Are you sure you're not worried?
02:54Not at all.
02:57Yes, but allow me to say...
02:58You didn't even go down to the people's house today.
03:00Tula, leave the people's house and focus here.
03:03Right.
03:05What if something happens to the woman?
03:07If something happens to my mother, everyone will find out.
03:09And then we'll find out too, okay?
03:11Calm down.
03:14I'm sorry, but you're the one who's worried.
03:16The woman is old, she's on her own.
03:18She never stays alone.
03:20And how do you know?
03:22Didn't Petraki tell you?
03:24What?
03:25Romanos showed up again.
03:26It's a good thing he didn't break up with him.
03:28Now, with this poor guy, if he broke up,
03:30or my mother didn't break up...
03:34Let's go, my child.
03:35Let's go for a moment.
03:36Let's go to Bulgaria for a moment.
03:38To make sure he's okay, and to calm down, okay?
03:40Do you really think
03:42that if we continue this,
03:44I'll be able to give up?
03:47My love, you're right.
03:48I'm sorry.
03:49I'm sorry.
03:50Wait.
03:52There.
03:54It worked.
03:57Really?
03:59I'm sorry.
04:00I'm tired too.
04:01What am I going to do?
04:02What do you want?
04:03Do you want me to feed you a rabbit?
04:05It wasn't bad, was it?
04:07Stop it.
04:08Oh, a rabbit.
04:09A rabbit.
04:10Come on, man.
04:12Come on, man.
04:13Come on, please.
04:14Calm down.
04:15Calm down.
04:16It's too late.
04:17I can't lift it.
04:18Calm down.
04:19I'm not in a good mood.
04:20Calm down, please.
04:22Come on, man.
04:23Tell me what you want.
04:24I'll do something,
04:25but he won't let me do it.
04:26Calm down.
04:27Yes.
04:33Yes, okay.
04:34I'll close it.
04:35I'll see what I'll do.
04:36Close it.
04:37Close it, man.
04:38Close it.
04:39What happened?
04:40Romanos took my mother
04:41and took her to the mountains
04:42for hiking.
04:44Thank God.
04:45I thought I lost you.
04:46I thought I lost you.
04:47And you?
04:48Why don't you like it
04:49when a woman is having a good time?
04:52He took her to the mountains
04:53and went to a hut
04:54and hit her head.
04:57What?
05:04So,
05:05where are you going
05:06in the middle of the night?
05:07To work.
05:10What job?
05:11A night guard?
05:12Yes.
05:13Do you have a problem with that?
05:14No, it's okay.
05:15It's a nice job.
05:17And let me tell you,
05:18will you be paid well?
05:20Oh,
05:21we laughed so much.
05:23But it's time
05:25for a woman
05:26to go out on her own.
05:28I don't know
05:29what age you are,
05:30but we've been here
05:31since 2024.
05:33And you didn't tell me
05:34where you were going.
05:35For a walk.
05:37A walk?
05:38A walk.
05:39Yes, we'll repeat it
05:40many times
05:41and we'll improve.
05:43Alone?
05:44With a friend of mine.
05:45A friend of yours?
05:46You don't know her?
05:48Okay, I don't know her.
05:49She doesn't have a name.
05:50And if I tell you,
05:51what will happen?
05:52And why don't you tell me?
05:53Do you have something to hide?
05:55Yes,
05:56my years.
05:57And because they pass like water,
05:58I'm thinking
05:59to live them
06:00a little more
06:01intensely.
06:02More intensely
06:03than you live them
06:04when you don't have
06:05peace all day?
06:07Slowly,
06:08slowly,
06:09my child,
06:10because at night
06:11you can't drink it
06:12with so much aroma.
06:13Oh, leave me alone,
06:14I'll be late.
06:16And your friends
06:17will be waiting,
06:18right?
06:19Yes.
06:20Who don't have a name.
06:21Evangelia,
06:22are you satisfied?
06:25Good night.
06:26Wait, wait,
06:27don't tell me
06:28you'll be late?
06:29Yes.
06:30You sleep.
06:33I understand.
06:35Greetings to Evangelia.
06:41She's definitely Evangelia.
06:55We had a saint.
06:57It was a dream.
07:00Put the remote down.
07:02But it has ads.
07:03But now the kids
07:04will start crying.
07:05Oh,
07:06is it necessary
07:07to watch it all together?
07:08But you promised.
07:09Tonight
07:10we'll live together
07:11the forbidden passion
07:12of the Turkish
07:13lover of Elinkopoulos
07:14during the revolution.
07:16Oh, really?
07:17I can't believe
07:18I haven't watched it
07:19for so long.
07:20Well, only I,
07:21all of Greece
07:22is waiting for
07:23Cunefe
07:24to make love
07:25to Javelina.
07:26Basically,
07:27half of the world
07:28because the other half
07:29sees
07:30my love,
07:31Athens,
07:32to catch it.
07:33We'll catch it.
07:34I see.
07:35Nice TV series,
07:36huh?
07:37I'm sorry,
07:38Javelina is sleeping.
07:39She's waiting for the bridge.
07:40They meet there
07:41every day,
07:42secretly.
07:43What do you mean,
07:44secretly?
07:45Didn't anyone tell them
07:46about the bridge?
07:47Come on,
07:48he's impressing you.
07:49Shut up.
07:50Cunefe is here.
07:52How long,
07:53Cunefe?
07:54How long
07:55are we going to be
07:56on this bridge?
07:57Until you become
07:58mine, Javelina.
07:59Otherwise,
08:00I'll fall
08:01on this bridge
08:02to kill myself.
08:04What nonsense.
08:06Guys,
08:07I'm sure it's sweet,
08:08right?
08:09Of course.
08:10But you're Turkish,
08:11like gas.
08:12And I'm Greek.
08:13And what do you want me to do,
08:14Javelina?
08:15To put chestnuts,
08:16gas, stuff?
08:17She wants it a lot.
08:21What's going on?
08:23I want you, Javelina.
08:24I want you.
08:26You're like Chocio.
08:28I know I'm like Chocio,
08:29but...
08:31What's going on?
08:32Are they going to fall on the bridge?
08:37Don't do this, Professor.
08:44No.
08:45No!
08:46Did something happen
08:47that I didn't understand?
08:48No!
08:50Ilia, are you okay?
08:52Are you okay?
08:54No!
08:55Ilia!
08:58What happened?
08:59I don't know,
09:00but it's better.
09:01At least,
09:02he's not back yet.
09:04Come on, Papi,
09:05you're going to be late.
09:07Oh!
09:09What are you doing?
09:10I'm looking for the seal.
09:11There must be a seal
09:12that says it's from the Ming Dynasty.
09:14You won't find a seal
09:15that says it's from the Ming Dynasty.
09:17I was just talking to your aunt.
09:18What did she say?
09:19She asked me how we're going to go
09:20to Germany.
09:21What does that have to do with Lampater?
09:22It has nothing to do with your aunt.
09:23Come on, she got confused.
09:24She still thinks we're in Germany.
09:26And you took us to the station
09:27to take us to Germany?
09:28Do you want to say that Lampater is crazy?
09:29That's exactly what I wanted,
09:30that Lampater is crazy.
09:31I think it's very good.
09:32Yes, because you're very experienced,
09:33and you know about these things.
09:37So, what are we doing over there?
09:39I'm putting Lampater in his place.
09:40When you say you're putting him in his place,
09:41you mean you're going to leave him?
09:42Yes.
09:43What's wrong with you?
09:44I'm going to see this idiot in front of me.
09:45Slowly, slowly, you'll get used to it.
09:47No, no, no, no, no,
09:48I'm not going to get used to it.
09:49Why don't you get used to it, my love?
09:50Is this the first thing I'm going to see
09:51when I wake up and the last thing
09:52when I go to sleep?
09:53You're looking the other way.
09:54I'm going to fall asleep, that's all.
09:55But it's Ming.
09:56Slowly, slowly, it's Ming,
09:57it's not Ming.
09:58Porcelain told me
09:59that one of the Ming emperors
10:00took his name and they've put
10:01Antonietta's seal on it.
10:02They've even put Antonietta's
10:03middleman's seal on it.
10:04It's a rare item,
10:05it's of great value.
10:06How do you know
10:07that it's a rare item?
10:08Did you live during Ming's time?
10:09No.
10:10Were you there when Antonietta
10:11took out the seal and gave it to him?
10:12No.
10:13Are you a fortune teller?
10:14No.
10:15So?
10:16So, I know.
10:17And I know.
10:18It's your curse,
10:19from some laywoman.
10:20Health Center,
10:21Elassonas.
10:22Hello, hello.
10:23My name is Ilias Karamis
10:24and I'm passing by the temple
10:25to find out about my mother.
10:26If she's...
10:27Here she is.
10:28I know that you've
10:29stopped working.
10:30They've told me again.
10:33Aren't you a doctor?
10:35What are you?
10:36A pensioner
10:37waiting for the doctor?
10:38And why, ma'am,
10:39do you pick up the phone
10:40at the health center?
10:42The health center
10:43and you pick up the phone
10:44at the health center?
10:45It's okay.
10:46They have a very good
10:47health center in Elassonas.
10:48They have a health center.
10:49They don't have a personal one.
10:50And if they're on strike,
10:51what am I supposed to do?
10:52Okay.
10:53Do you have her friend's number?
10:56Urmanou,
10:57let's be serious.
10:58Only he knows
10:59what's going on.
11:00If something happens to my mother,
11:01she'll look for a hole
11:02to hide in.
11:03Did you pick up your mother again?
11:04I did, but she's on strike.
11:06It's the first time
11:07I've heard that word.
11:09Where are you going now?
11:10Shh!
11:16Health Center, Elassonas.
11:17Hello.
11:18My name is Ilias Karamis
11:19and I'm passing by
11:20the temple
11:21to find out about my mother.
11:22I know that you've
11:23stopped working.
11:24Who are you, ma'am?
11:25I'm a nurse.
11:26Oh, a nurse.
11:27Listen, listen.
11:28Elpiniki Harami.
11:29What's her name?
11:31Yes, yes.
11:32She's a nurse
11:33in Tsitsita.
11:34Yes.
11:35What does she have?
11:37Her health insurance.
11:39Oh, and I'm on strike.
11:42Yes, you told me.
11:43You've stopped working.
11:44Listen, hold my phone.
11:46And in case...
11:47I'm hanging up.
11:49Oh, man.
11:50Package.
11:51Health insurance.
11:52My uncle has health insurance.
11:53He was sick.
11:54He was sick?
11:56He's from Gaida.
11:57We fell from Olympus.
11:58We're the best.
12:00I don't have anyone up there.
12:01I need help.
12:02You go to so many conferences.
12:03So many farmers.
12:04You've gathered so many.
12:05Elassonas and from there
12:06all the farmers together.
12:07You don't know anyone.
12:08We're not going up
12:09for public relations.
12:11Wait, because I...
12:13I know...
12:14I have a friend in Thessaloniki.
12:16His wife is...
12:18Xenia.
12:19Xenia.
12:20Xenia is from
12:21Elassonas.
12:23But how did I miss her?
12:25I can't remember now.
12:26What's her last name?
12:27Is it Rigopoulou?
12:30No, it's not that.
12:31How is it?
12:33I can't remember.
12:34Wait.
12:35Oh, maybe I've missed it.
12:36Gineka Pondiou-Baugdzi?
12:39That's not it either.
12:41I can't find it.
12:42It's okay, honey.
12:43You'll find it.
12:44Calm down.
12:45Leave the coffee.
12:52Moula!
12:54Tsa!
12:55Good morning!
12:58Did you become an angel?
13:00Slowly I became
13:01an exalted woman.
13:02It's a transfiguration.
13:03We have a party
13:04on the subject of paradise.
13:05Ah!
13:06Your uncle Ernesto
13:07was dressed as St. Peter.
13:09Classic.
13:10Nice.
13:11So, let's move on.
13:12Tell me.
13:13What to say?
13:14You drank a lot last night.
13:16I didn't understand.
13:17What do you mean?
13:18I'm talking about the dream
13:19with Zouzou.
13:20How do you know
13:21what dream I saw?
13:22I know everything.
13:23Haven't you understood it yet?
13:24I know everything.
13:25Now,
13:26one more thing.
13:27What can I tell you?
13:28With triphosphine
13:29you break bones.
13:30Thank you very much.
13:31The power.
13:33Are you telling me
13:34you made it?
13:35What?
13:36To see this dream.
13:37And what am I?
13:38A projector
13:39of dreams?
13:41So,
13:42how do you know
13:43what dream I saw?
13:44Look,
13:45sometimes when I pass by
13:46and you sleep,
13:47I read your dreams.
13:48Don't ask me
13:49how it happens.
13:50I don't know.
13:51Do you come here
13:52even when we sleep?
13:53Yes, my love.
13:54I don't send you carols,
13:55but sometimes.
13:56Oh, dear.
13:57Oh, no, no.
13:58What no?
13:59Forget it.
14:00Focus on our topic.
14:03What is our topic?
14:04The dream.
14:05The dream.
14:07We dream
14:08what we're afraid of
14:09or what we want.
14:11I don't think
14:12you want
14:13to start
14:14getting rid of Zouzou
14:15with someone else.
14:16Of course not.
14:17Okay,
14:18I mean…
14:19Okay,
14:20you don't have to hide from me.
14:21Just
14:22make your way.
14:23I don't understand.
14:24What's my way?
14:25Where is Zouzou
14:26at this hour?
14:27Why isn't she here now?
14:28She doesn't sleep
14:29here every day.
14:30She's at home, girl.
14:31Bad!
14:32You shouldn't stay in the village.
14:34Why?
14:35Why, my love?
14:36Why?
14:37Why?
14:38Why?
14:40Voulas,
14:41where are you going?
14:42Come back!
14:43Voulas,
14:44why did you say that?
14:45Voulas!
14:46Where are you?
14:47How did this happen,
14:48Giorgaki?
14:49How did this happen?
14:50How could I
14:51do this on my own?
14:52What are you saying?
14:53What are you saying?
14:54How can I live
14:55in here
14:56now that I'm in love
14:57with the girl
14:58of my
14:59fifth best friend?
15:01You're the third, Giorgo.
15:02Good morning.
15:05Who are you talking to?
15:06Me?
15:07To Giorgaki.
15:08Giorgaki.
15:09About his love affairs.
15:10Because I don't have love affairs.
15:11How can I have?
15:12I don't have.
15:13What's this?
15:14I'm making breakfast.
15:15I'll eat next to you.
15:17Milk with lemon?
15:18Protein boost.
15:19Good.
15:20Do you want me to make it for you?
15:21No, you, you,
15:22you, no,
15:23you, no.
15:24Why?
15:25I bought avocados and asparagus
15:26to make you
15:27the weird things you want.
15:28I'm not hungry.
15:29But you didn't say
15:30you were making breakfast.
15:31Yes,
15:32I was making greens.
15:33It's not going to work.
15:34I found a nice recipe
15:35but I want to go
15:36and get it tonight.
15:37Don't go.
15:38I'll eat outside.
15:39Toulis invited me.
15:40Elias,
15:41are you crazy?
15:42You've been telling me
15:43to make you breakfast for so long.
15:44Now I'm telling you
15:45to make you breakfast.
15:46What did I tell you?
15:47I want it.
15:48I don't want it.
15:49Do you understand?
15:50It's not allowed.
15:51I don't want it.
15:52You want breakfast?
15:53Why?
15:54Oh my God.
15:55Oh my God.
15:56What's wrong with you?
15:57Don't, don't,
15:58don't touch me.
15:59Good morning.
16:00No,
16:01no,
16:02no,
16:03that's not what you think.
16:04What do I think?
16:05Foti, Foti,
16:06it wasn't supposed to be like this.
16:07Foti, it's not my fault.
16:08I get it.
16:09You used my avocado again.
16:10I'm fighting inside.
16:11Find your own,
16:12Elias.
16:13What do I want?
16:14What do I love?
16:15Where is my pocket?
16:16Where do I put this?
16:17Elias, what's wrong?
16:18I have nothing.
16:21Toulis asked me.
16:27You have to fix this again,
16:29throw a pan.
16:35Hey, hey, hey, hey, hey, hey, hey
16:38Where are you going?
16:39I have a job.
16:40Hey, hey, hey, hey, hey, hey, hey
16:42Don't you want to eat?
16:43No, I'm not hungry.
16:44What about that thing you have behind your back?
16:47What?
16:47That thing you have behind your back.
16:50Ah, the lamp.
16:52Yes, the lamp you've been asking for like crazy. Where are you taking it?
16:55What? You're worried about the lamp? You don't want it? You didn't even ask for it.
16:58I don't want it, I don't want it. But where are you going to give it to me?
17:00To an investor. Socrates has a friend who's an investor and he told me to go and see him.
17:06You're going to show this lamp to an investor?
17:08Yes, I'm going to show him. He's going to tell me how much it costs and I'm going to sell it to him.
17:11Ok, then I wish you all the best from the bottom of my heart.
17:13You're crazy, you're crazy. But if this is the lamp, then I'm going to see you.
17:17Then I'm going to see you. Then you'll understand how much money I'm going to make.
17:20The only money you're going to make is from your pocket to pay the investor.
17:22Please.
17:24Babis, we're going to be famous all over Thessaloniki.
17:26Please.
17:27Give it to your mother. You're going to put it on the wall next to the TV.
17:30I mean, she's going to be happy. She doesn't like it.
17:32You're going to see my aunt there and she's going to be confused? No way.
17:35Because you think she'll remember?
17:36Of course she'll remember. Of course.
17:41Thank you.
17:52Oh, mom.
17:56Boulis?
17:58I'm here.
18:02Ok, Boulis, I heard. The health center is closed.
18:05I talked to my friend in Thessaloniki, Hadji Ioannou, she said.
18:09I talked to her father, did you understand?
18:11And I talked to her. I also talked to the doctor.
18:14And what did he say?
18:15What can he say? He's gone crazy.
18:17Is it possible for an old woman to run up the mountains?
18:20Ok, Boulis, but is she ok?
18:22What do you mean? She needs intervention.
18:24Are you kidding me?
18:25She's lost her mind.
18:26Come on, Boulis. She's doing drugs at this age. It's very dangerous.
18:29It's less dangerous to run up the mountains with a Romanian.
18:32Ok, Boulis, but you also get into accidents in the sea.
18:34When will she do it?
18:35I don't know. As soon as possible.
18:37But I can't see it.
18:38Why?
18:39Because she's afraid of surgery.
18:40Do you know what she did last year?
18:42A prosthetic breast.
18:43Fortunately, she was afraid of cancer and didn't do it.
18:46And she has to do it for sure?
18:48For sure, there's no other way.
18:49That's why I'm packing some clothes she left here.
18:52I'm going to take her.
18:53To Elassona?
18:54To Elassona, my love. What can we do in Elassona?
18:57It's a long way there. I'm going.
18:59What can I do? I can't leave her alone with the Romanian.
19:01We all have a right to love.
19:03She should go find a partner then.
19:05She should spend some time with her pensioner and have a good time.
19:08She can't run up the mountains with a Romanian.
19:11Romanian? He doesn't even have a name.
19:13No, he doesn't. I'm not talking to him.
19:15I'm going. Bye, my baby.
19:16What are you saying? I want to come with you.
19:18No, my love. You're tired.
19:20There's no need for you to go. I'll come with you.
19:24My love. My baby. Thank you.
19:27Let's go.
19:35Sousou! How are you?
19:40I'm fine.
19:42What do you mean?
19:44You're here. You're setting up the table.
19:48Is this the first time you see me setting up a table?
19:51No, my child. It's just that...
19:56Just that?
19:58I missed you.
20:00Since yesterday?
20:02Yes, since yesterday.
20:04Tell me.
20:06It's been a long time.
20:08You didn't stay here yesterday.
20:11Why didn't you stay?
20:14I told you. I had a lot of work in the morning.
20:17Very close to my house.
20:19You don't know how happy I am that I missed you.
20:22What are you doing?
20:24I brought Mamba Ildi.
20:27You remembered.
20:29Not me. I brought it from the tavern.
20:32Wash your hands and let's eat.
20:34I'm going.
20:35Where's Vagelis?
20:36He won't come. He sent a message. He'll stay at Mitso's.
20:39I'm going.
20:43I missed him.
20:45I missed him!
20:49You, whom I know so little.
20:52You, whom I love so much.
20:56Will they ever talk about love in the movie?
20:59Patience plays a big role in Hamagkoutsi's movies.
21:02Yes. It's heavy for lunch.
21:04It's okay. We'll get rid of the pain.
21:08Where are you?
21:10Where are you?
21:12What's up?
21:14We're watching a movie.
21:16If you're hungry, there's pasta.
21:18Perfect.
21:20Please. Sleep.
21:22No.
21:24Then why are you wearing a sleep mask?
21:26Because Giorgos said that if I don't see her, my passion may pass.
21:28Photophobia.
21:30The doctor told me not to see light at all.
21:33Deep meaning light.
21:35But it's not a problem.
21:37I'll be fine.
21:39Here.
21:41What do we see?
21:45It's crazy.
21:47It's a drama, Hamagkoutsi.
21:49Where are you looking?
21:51Hamagkoutsi is a great actor.
21:53Hamagkoutsi doesn't play.
21:55They fired him.
21:57Let's see something else.
21:59My leg.
22:01No!
22:03What happened?
22:05Nothing.
22:07He told you about photophobia?
22:09Yes.
22:11Tell me.
22:13How's your personal?
22:15He's fine.
22:17Sit down.
22:19What happened?
22:21Nothing.
22:23Let me stretch a little.
22:26What happened?
22:28I don't know.
22:30It's me.
22:32No!
22:36I'll bring the pan.
22:38Wait.
22:40He'll talk.
22:42Here it is.
22:44Agiro.
22:46I'm sorry.
22:50Welcome, guys.
22:56We didn't start well.
22:58What did she say?
23:00Did she see it?
23:02She saw it.
23:04She took pictures.
23:06She kept notes.
23:08She'll study it and tell us.
23:10With a very sharp eye,
23:12the piece looks very good.
23:14Very good?
23:16How good?
23:18We paid 400 euros for the lamp.
23:20We're talking about money.
23:22A lot of money.
23:24She didn't ask for me.
23:26She asked for herself.
23:28Don't get up yet.
23:30Wait for the result.
23:32Do you have a bandage?
23:34Where?
23:36I don't see any.
23:38You can't see it with the naked eye.
23:40He put a bandage on you.
23:42Let me see.
23:44Put your finger here.
23:46Here.
23:48Like this.
23:50There's the bandage.
23:52It's an invisible bandage.
23:54She didn't see it.
23:56She'll study it.
23:58She'll tell us.
24:00There's one thing for sure.
24:02The lamp isn't fake.
24:04Someone has to be fake.
24:06First, she says it's fake.
24:08Then she says it's fake.
24:10Now she says it's fake.
24:12I don't trust Socrates.
24:14Socrates is fake.
24:16Where are you going?
24:18I'm going to the office.
24:20Shut your eyes.
24:26Calm down.
24:28We brought her here.
24:30Unacceptable.
24:32I'm going to operate on her.
24:34They call it a file.
24:36They don't call it a file.
24:38The surgery is paid for.
24:40Your mother agreed to do the operation.
24:42With whom?
24:44With Sklithra, the best.
24:46I'm going to ask her about Sklithra.
24:49You should see her knees.
24:51You should cry.
24:53She'll hear you.
24:55I don't care about your knees.
24:57Don't ask for money.
24:59My cousin Rofa will pay for it.
25:01Your mother doesn't care about the money.
25:03Poor Leonid.
25:05He's been through a lot.
25:07Who?
25:09Your mother's friend.
25:11She was injured.
25:13She fell in the ditch.
25:15He threw her in the ditch.
25:17Why don't you throw her in the ditch too?
25:19Your mother cares about him a lot.
25:21Let's tell him.
25:23He'll have a good time.
25:25Leonid?
25:27Yes, Leonid.
25:29If he can't, we'll beat him up.
25:33Come in, Erom.
25:35Come here, my girl.
25:37Do you have a gun?
25:39A plastic one?
25:41No.
25:43Sklithra is here.
25:45A plastic gun?
25:47Close the door, my girl.
25:49We're coming.
25:51We have to go.
25:53Your mother wants...
25:55Don't say it.
25:57I heard it.
26:01What are you thinking about?
26:03Nothing.
26:07Now you're lying to me.
26:09What are you thinking about?
26:11Look...
26:13In the morning...
26:15What in the morning?
26:19I saw Tivoula.
26:21Again?
26:23How was she?
26:25She was beautiful, as always.
26:27What was her name this time?
26:29Angelos.
26:31Did she become an angel?
26:33No, she became a Bosnian.
26:35She was...
26:38She became a Bosnian again.
26:40That's what transgenders have.
26:42Yes, and then they're afraid of dying.
26:44Yes.
26:46You know,
26:48everyone can go to their own paradise.
26:50Yes.
26:52If that's the case,
26:54then they'll go to their own hell.
26:56Yes, maybe.
26:58When Tivoula comes,
27:00we see her very happy.
27:02And because she was a good person,
27:04now she can go to her own paradise.
27:06Yes, of course.
27:08Tivoula's paradise was
27:10her friends,
27:12her talents, her money.
27:14And now she's at
27:16an incomplete party.
27:18It doesn't matter.
27:20She's made a lot of people
27:22go crazy.
27:24Oh, how I wish I could see her again.
27:26I imagine
27:28she won't be late to show up again.
27:30Should I bring some food to cool down?
27:32No.
27:34You bring it, so you don't get tired.
27:36Come on, I'm getting tired.
27:38Why? You're straight from hell.
27:40I'll bring it.
27:42With appetizers?
27:44Of course. I'll have some paksimadi, cheese, olives.
27:46I'll be right back.
27:54He's not here.
27:56He's not here either.
27:58Maybe he went to the square with Toulis.
28:00What are you talking about?
28:02He's not here. He didn't come to eat.
28:04He cancelled the appointment.
28:06He's not here.
28:08Something's wrong.
28:10How are we going to find out?
28:12Where are you?
28:14Where are you? We've been looking for you.
28:16I was next door.
28:18What are you talking about?
28:20I was in the walk-in closet.
28:22You don't have a walk-in closet in your apartment.
28:24There's a hidden door behind the bar.
28:26It opens with a face ID.
28:28I want to talk to you.
28:31What's all this?
28:33Fotis, Zeta.
28:35I'm leaving.
28:37I've put my pajamas in the suitcases.
28:39The rest will come when the ambulance arrives.
28:41What are you talking about? Where are you going?
28:43Somewhere far away. Maybe to Monemvasia.
28:45Why?
28:47I want to leave the country.
28:49I just want to let you know that Monemvasia is not...
28:51Forget it.
28:53Liakos, tell me now what's going on.
28:55I'll take care of it.
28:57Leave it, my friend. Everything is fine.
28:59No, it's not fine.
29:01You've been acting very strange since yesterday.
29:03More than usual.
29:05Maybe I ate too much.
29:07Maybe I slept on the floor.
29:09Maybe it's the moon.
29:11Liakos, get out of here.
29:13You come here with your eyes closed.
29:15You bring 22 suitcases.
29:17It's nothing. I have a lot of pajamas.
29:19Tell me.
29:21Tell me now what's going on.
29:23No.
29:25Tell me.
29:27Tell me.
29:29I'm in love with Zeta.
29:31What?
29:35Come on.
29:43No.
29:45No, it's a lie.
29:47It's a lie.
29:49It's a lie.
29:51No, no, no.
29:53No, no, no.
29:55No, no, no.
29:57What are you doing?
29:59Don't tell me.
30:01Leave me alone.
30:03I'll go away.
30:05Leave me alone.
30:07Leave me alone.
30:09I have good news for you.
30:11What is it?
30:13The accountant called me
30:15to tell me how much Lambater makes.
30:17How much?
30:19Guess.
30:21I like it.
30:23How much?
30:2510,000 euros.
30:27Really?
30:2910,000 euros.
30:31Theodore loves us.
30:3310,000 euros.
30:35So you have Miminda's fortune.
30:37No, it's not from there.
30:39It's from somewhere else.
30:41I don't remember where.
30:43But it's very good.
30:45I asked aunt Boa how much Lambater makes.
30:47She didn't remember giving it to me.
30:49So she's right.
30:52But then I explained it to her and she remembered.
30:54So now I have to give her the money.
30:56No, no.
30:58You don't have to give the money.
31:00Aunt Boa makes it as a gift.
31:02But it's not right. I can't take the money.
31:04Let her take the money.
31:06What are you talking about?
31:08When she gave us the money,
31:10Aunt Boa didn't know she was making 10,000 euros.
31:12So it's not right for me to take all the money.
31:14So she won't be happy.
31:16No, no.
31:18We have to share the money.
31:20I won't take anything.
31:22No, it's not right for me to take all the money.
31:24Come on, aunt Boa won't take anything.
31:26Why?
31:28I want you to be calm
31:30and remember that I love you.
31:32What happened?
31:34I want you to make a change.
31:36Slowly.
31:38No.
31:40No.
31:42Take your time.
31:44I can't.
31:46You'll do it.
31:48I'll do it.
31:56I'm sorry.
31:58Why?
32:00I'm sorry.
32:02Why did you break it?
32:04I didn't want to.
32:06Why didn't you do it?
32:08I couldn't find it.
32:10I did it.
32:12You found it today.
32:14I'm sorry.
32:16What are we going to do now?
32:18Aunt Boa is waiting for the money.
32:20It's okay.
32:22She won't remember anything.
32:32We made it.
32:34Thank God.
32:36He didn't want a double surgery.
32:38I wish he was a good man.
32:40He wouldn't do a double surgery.
32:42Oh, Christ.
32:45The doctor said he'll get better.
32:47I wish.
32:49I wish.
32:51We'll be so jealous.
32:53What do you mean?
32:55It's the first and last time
32:57he wants a double surgery.
32:59Have you seen many women
33:01eating yoghurt in bed
33:03and having 90D?
33:05Your mother feels so young.
33:07It's because of Roman.
33:09Where was he?
33:11Leonid.
33:13He won't leave her alone.
33:15He's afraid she'll get old.
33:17He took her as a normal woman
33:19and turned her into a Sigma.
33:21Are you really interested in her?
33:23I wouldn't even think about it.
33:25Your mother is alone in the village.
33:27She needs a company.
33:29You've been alone for so long
33:31and you've found other solutions.
33:33We're the same.
33:35She went to Mitika.
33:37You went to see her the last time.
33:39What?
33:41She's not old.
33:43Your mother is a human being.
33:45Aretoula.
33:47You care about everyone.
33:49My beautiful love.
33:51She got upset.
33:53She said she loves you
33:55and that she cares about you.
33:57She said that?
33:59Yes.
34:01She's happy that I'm taking care of you.
34:03How can she not be happy?
34:05She's so sweet.
34:07You need to run for everyone.
34:09That's what I'm going to do.
34:11I'm going to make a room
34:13and I'm going to bring my mother here.
34:15Why?
34:17My wife had an operation
34:19so I'm going to run for her.
34:21You're right.
34:23I haven't done anything for my mother.
34:25I told you to go for a walk.
34:27We'll go for a walk
34:29but I need to take care
34:31of my mother.
34:33She'll be fine here.
34:35She needs physical therapy
34:37and I need to tell you
34:39something.
34:41She's right.
34:43I see her as my daughter.
34:45She's exaggerating.
34:47No, she's serious.
34:49She sees me as her daughter.
34:51She'll be fine here.
34:53Where?
34:55I have one mother.
34:57I love her.
34:59She'll be happy.
35:01She'll have company.
35:03Mina.
35:05Don't you want me to go anywhere?
35:07No.
35:09Aren't you going to sleep here tonight?
35:11I don't want to, but I can't.
35:13I have work tomorrow
35:15which is very close to my house.
35:17What can I do?
35:19Don't let her down.
35:21Mom?
35:23Nothing.
35:25Why don't you live with her?
35:27She'll tell you everything.
35:29Where?
35:31Her house in Heraklion.
35:33No, not you.
35:35The other one.
35:37Shurukleme.
35:39The other one?
35:41She's here!
35:43How sweet she is!
35:45Did she see me?
35:47Yes, she saw you
35:49and she said hello to you.
35:51I have to go.
35:53Why don't you exaggerate?
35:55What should I do?
35:57I didn't ask you to do anything.
35:59No.
36:01Ok, I'll let you talk.
36:03I have to go.
36:05Bye!
36:07Move!
36:09Excuse me for a moment.
36:11What do you want?
36:13I was wondering
36:15if you don't mind
36:17if I could
36:19come and sleep
36:21in your house.
36:23Seriously?
36:25Why not?
36:27It's close to your office.
36:29Perfect!
36:31How did you come up with that?
36:33Someone did it.
36:35I'm going to get my pajamas
36:37and clothes for tomorrow.
36:39See you later!
36:41He's good enough
36:43to sleep with him.
36:45Anyway, we did something.
36:47Thank you so much!
36:51You're a real angel!
36:53I love you!
36:55Don't you understand?
36:57I love you too!
36:59No way!
37:01Really!
37:03Johnny is going to pick me up
37:05with the helicopter.
37:07We're going to stop at his feet.
37:09Where are you going to put the suitcases?
37:11Don't look at me!
37:13Sit down!
37:15We need to talk.
37:17What are we going to do?
37:19Johnny is going to have an affair.
37:21When did you fall in love?
37:23I've never been in love.
37:25Am I that bad?
37:27No, you're just a doll.
37:29What happened?
37:33I can't tell you.
37:35You're going to tell me
37:37because I think
37:39you're stupid.
37:41I'm not going to tell you.
37:43I'm not going to tell you.
37:45What are you doing?
37:47I'm going to hurt him.
37:49Don't mess with him.
37:51You're going to make him mad.
37:53He's the one who fell in love.
37:55How did you make him mad?
37:57I saw her.
37:59I saw her.
38:01Me and Neffe.
38:03And our love.
38:05That's why we met.
38:07He's starting to make sense.
38:09Really?
38:11Yes.
38:13We're going to see it on the web.
38:15Wait.
38:17You'll never be a hero.
38:19Neffe.
38:21Neffe.
38:23I miss you so much.
38:31Zoe.
38:33Say something.
38:35Are you okay?
38:37Say something.
38:39You'll never be a hero.
38:41I miss you so much.
38:43Do you feel anything?
38:45Nothing.
38:47How can I feel anything?
38:49Neffe is not a name.
38:51I think it's something sweet.
38:53It's nothing.
38:55She's a celebrity.
38:57You're not in love with Zoe.
38:59You're in love with her.
39:01Finally.
39:03I can be with my best friend again.
39:07Yes.
39:09Give it to me.
39:11Come on.
39:13Let's see what will happen.
39:15What happened?
39:17I solved the problem.
39:19You'll thank me later.
39:21I'm glad you don't like me at all.
39:23I love you.
39:25That's why I'll fall from the bridge.
39:27No.
39:29Don't kill yourself.
39:31It's a shame.
39:33My love will kill you.
39:35Oh my God.
39:39What?
39:41No.
39:43What happened?
39:45I found it.
39:47Neffe is a Turkish dessert.
39:49Where did she go?