In 1925, Nacib (Marcello Mastroianni) is the owner of a bar in a small Brazilian coastal town runs by the local colonels. He meets Gabriela (Sonia Braga) and hires her on as a cook. They soon enter a passionate relationship, fueled by his strong attraction to her sensual nature. However, he soon grows annoyed by the attention she receives. Under his best friend Tonico's (Cantafora) advice, he proposes to her, thinking it will stop the attention. After they're married, he warns her to dress and behave more modestly so they will be seen as more respectable, but she can't help but stray and he is forced to annul their marriage when he finds her in bed with none other than Tonico. Later, as both Nacib and the town begin to undergo a transformation, Nacib and Gabriela resume their relationship. The town's political ways modernize slightly and Gabriela returns as Nacib's mistress.
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00:00:00You
00:00:30You
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00:02:00You
00:02:30You
00:02:32You
00:03:02You
00:03:32You
00:04:02You
00:04:33No bon dia colonel Mento.
00:04:34Dr. Rosario, you came to hire tenants in a slave market?
00:04:38Who am I?
00:04:40No, I want a cook.
00:04:42The old woman left, she was crazy.
00:04:44There at the bar I can only offer a drink, but nothing to drink.
00:04:48What decadence there, guys.
00:04:50Look, it's a strange place.
00:04:53If someone is looking for a man to kill another, he meets ten.
00:04:56But not a cook.
00:05:02Don't you like to smoke, Moreno?
00:05:24I don't despise you, sir. You'd better learn how to handle a gun.
00:05:42Thank you, my dear.
00:05:43You're welcome, my dear.
00:05:44Hey, is that your grandmother?
00:05:46No, sir.
00:05:48And you, what do you know how to do?
00:05:50A little bit of everything, sir.
00:05:52Do you know how to wash?
00:05:54For those who don't know, all you need is soap and water.
00:05:56And how do you cook?
00:05:58I even cook for the rich.
00:06:05Our handsome...
00:06:10Are you sure you know how to cook?
00:06:12You take me and you'll see.
00:06:14And how much do you want to earn?
00:06:16Whatever you want to pay.
00:06:22The World is in Conversation, binoculars.
00:06:34The ship has sinked.
00:06:36Damn it! They called the coachman.
00:06:38The ship has sinked.
00:06:40I ask for calm among the passengers.
00:06:42A man on the bow to launch the anchor.
00:06:44And another one in the conversation, waiting for instructions.
00:06:46And the other one on the port, waiting for instructions.
00:06:48What did you do?
00:06:50...waiting for instructions.
00:06:53A worthy falcon, promoter of progress.
00:06:58Imprisoned in the sands that hinder our development.
00:07:20...waiting for instructions.
00:07:50...waiting for instructions.
00:08:20...waiting for instructions.
00:08:38Dona Erminda!
00:08:39Dona Erminda!
00:08:41I'm here!
00:08:44Dona Erminda!
00:08:46Dona Erminda, come home for a moment. I need your help.
00:09:06Dona Erminda, this is my new cook.
00:09:16Yalla, yalla!
00:09:19I have to explain everything to her, because she doesn't know anything.
00:09:22Now, I have to go.
00:09:23But what's the hurry, Mr. Nasib?
00:09:25Colonel Jesuíno Mendoza killed Dona Sinazinha and Dr. Osmundo.
00:09:28But why?
00:09:29But what do you mean, why? He found them in bed.
00:09:31What...
00:09:32What could be the other reason?
00:09:34Because he was buried.
00:09:36Dona Sinazinha and Dr. Osmundo?
00:09:38Yes, yes, yes.
00:09:39My late husband told me so in the spiritual section.
00:09:42Dona Erminda, now I don't have time to listen to stories.
00:09:45With this weather, the bar will be full of people.
00:09:47And I'm going to have a maid.
00:09:49Explain everything to her.
00:09:50And you go and wash, because you're disgusting.
00:09:52See you later, Dona Erminda.
00:09:58Hey, girl.
00:09:59Where did you get so much dust?
00:10:01I was running away from the drought.
00:10:03It was for more than 40 days of travel.
00:10:05Welcome, my daughter.
00:10:13Good morning.
00:10:14Good morning.
00:10:19I have a message for you, Mr. Nasib.
00:10:21Colonel Ramiro sent me to tell you...
00:10:23...to take the bottle of the best Portuguese cognac to his house.
00:10:25I told you to take it.
00:10:27That was all I needed.
00:10:28The bottle!
00:10:32Maybe they want a city representative there.
00:10:34One who is not Colonel de Cacau.
00:10:36And why?
00:10:37To toast the murderer.
00:10:39Hello.
00:10:40I'll be right there, Nasib.
00:10:42Today this bar is going to do justice to the name.
00:10:44Yes, yes, it will, it will.
00:10:55Colonel Ramiro.
00:10:59Colonel.
00:11:04Colonel.
00:11:06Colonel.
00:11:09Thank you.
00:11:15Hey, man.
00:11:21He is a great man who washed his dirty hands with blood.
00:11:25And as a friend, as a father, as an understander...
00:11:28...he is the political leader of Jehovah's Witnesses.
00:11:30Go to your farm.
00:11:32Rest for a week or more if you want to...
00:11:34...because I know how much you are suffering.
00:11:36Then come back and introduce yourself to the judge.
00:11:38Don't worry, Dr. Maurício Carlos will defend you.
00:11:41And have my word committed...
00:11:43...in front of all the colonels here in the region...
00:11:46...that nothing will happen to you while I'm alive.
00:11:48Drink to your health, Colonel Jesus de Mendoza.
00:11:58They say she was naked, totally naked.
00:12:02Totally.
00:12:03All of her.
00:12:04The only thing she wore were black socks.
00:12:06Black?
00:12:07Black socks.
00:12:09Very thin.
00:12:11French!
00:12:12Have you ever thought what that is?
00:12:14It's the other side of the world.
00:12:16Go to work, easy.
00:12:17I heard that everything started in jail.
00:12:20In jail?
00:12:21Yes.
00:12:22It's impossible to have an office, a house.
00:12:24It's very promiscuous.
00:12:26For bed, it's a step.
00:12:28Manifest.
00:12:29A false step.
00:12:31Well, they were wrapped up.
00:12:33When Jesus didn't come in, they didn't hear anything.
00:12:36Yeah.
00:12:37At this time, you don't hear anything.
00:12:39Well done.
00:12:40The colonel did justice.
00:12:42He did what any of us would do in a case like this.
00:12:45He worked as a good man.
00:12:47He wasn't born to be a bastard.
00:12:49And there's only one way to pull out the horns.
00:12:51At night, he forgets his morals...
00:12:54...to chase black girls under 14 years old.
00:12:57Mrs. Cinhazinha, who would have thought?
00:13:00She wouldn't leave the church.
00:13:01This business of frequenting the church...
00:13:03...is a problem.
00:13:04Yeah.
00:13:05A woman who lives tied up in a priest's skirt...
00:13:07...isn't a good sight.
00:13:09Especially in a priest's skirt.
00:13:11Look who's coming.
00:13:13Tonico Bastos.
00:13:15Look how serious he is...
00:13:17...with his elephant.
00:13:19Anyone who sees him like this...
00:13:21...can't imagine what he's like.
00:13:23He conquers the whole city.
00:13:25Mrs. Alves, if you catch him in bed with another...
00:13:28...he's capable of doing the same as colonel Gesino.
00:13:30Two bullets in each one.
00:13:32She's a good man for that.
00:13:33The only thing missing is a moustache.
00:13:39New banking agencies...
00:13:41...businesses...
00:13:43...newspapers...
00:13:44...the beach avenue...
00:13:46...new cocoa technicians...
00:13:48...even a new dancer you brought.
00:13:52But I'll tell you one thing.
00:13:54The most important thing...
00:13:56...is the arrival of the engineer.
00:13:58If he comes...
00:14:00...our candidacy is synonymous with victory.
00:14:03And who knows what he'll come up with.
00:14:05For me, this is a personal matter.
00:14:07And then they'll turn the tables...
00:14:09...and clean up the mess.
00:14:11In Rio, I got in touch...
00:14:12...with a Swedish shipping company.
00:14:14They're willing to establish a direct line to Ilhéus...
00:14:16...as soon as the mess gives way...
00:14:18...to a ship from a certain Calado.
00:14:20And when the first Swedish ship arrives...
00:14:23...it'll be the end of the coronel's power...
00:14:25...of the cold-blooded murderers.
00:14:27The money for the export will stay here...
00:14:29...and not with the port of Bahia anymore.
00:14:31Listen to what I tell you, Captain.
00:14:33Progress will come by the sea.
00:14:35And when that day comes...
00:14:37...it'll be the end of Ramiro Bastos in power.
00:14:40And the certainty that we won't have...
00:14:42...the reign of your son Tunico...
00:14:44...the beloved son.
00:14:47What a shame.
00:14:49What a shame.
00:14:51Last month, the whole city...
00:14:53...was after Dona Cinezinha...
00:14:55...asking the rain to stop the cocoa.
00:14:57Everyone walking barefoot.
00:15:03And now, look...
00:15:05...no visit, no flower...
00:15:07...no decent coffin.
00:15:09A bunch of losers.
00:15:14This girl is crazy.
00:15:16Look at her.
00:15:17She's different.
00:15:19If her father finds out, he'll be the devil.
00:15:22My colonel is not here.
00:15:24He went to his farm.
00:15:26I met him at the market...
00:15:49...and he told me...
00:15:51...that I was a fool...
00:15:53...and that I was a fool...
00:15:55...and that I was a fool...
00:15:57...and that I was a fool...
00:15:59...and that I was a fool...
00:16:01...and that I was a fool...
00:16:03...and that I was a fool...
00:16:05...and that I was a fool...
00:16:07...and that I was a fool...
00:16:09...and that I was a fool...
00:16:11...and that I was a fool...
00:16:13...and that I was a fool...
00:16:15...and that I was a fool...
00:16:18It's good.
00:16:31I think I'm much better.
00:16:33Give me a kiss.
00:16:36A little one.
00:16:47One more.
00:17:17The World Falcon.
00:17:34The World Falcon.
00:17:36Beyond progress, it brings fun.
00:17:38This ballerina here at the bar...
00:17:40...is a fabulous thing.
00:17:42Ah, doctor.
00:17:44Fun is also culture.
00:17:46Yes, doctor.
00:18:16Come on.
00:18:18Come on.
00:18:44What are you doing here?
00:18:46Why didn't you go to bed?
00:18:48The man didn't say anything.
00:18:51What man?
00:18:54You didn't say you wanted to go tomorrow.
00:19:00All right, now go to your room and sleep.
00:19:02We'll talk about it tomorrow, okay?
00:19:06Good night, sir.
00:19:11Wait a minute. What's your name?
00:19:14Gabriela.
00:19:29Today I want to be more beautiful than ever.
00:19:32All caprice is little.
00:19:37I've never seen you so worried.
00:19:40The two of them will have to go through here.
00:19:43Big things.
00:19:45There won't be anyone to accompany them.
00:19:47Yes, but all the men will be at the bar to watch.
00:19:50They'll be admiring me.
00:19:54None of them talks to me, Gertrude.
00:19:57But the way they look at me...
00:20:00I know.
00:20:02I know that all beings want me.
00:20:06I like this.
00:20:09It's the thing I like the most in this world.
00:20:12It's the thing I like the most in this world.
00:20:33Whiskey, quick, come on!
00:20:36The bar is full of people and there's nothing to eat.
00:20:39It looks good.
00:20:41Cod roe.
00:20:46Good.
00:20:48This girl knows how to cook.
00:20:50And she's beautiful.
00:20:52When she laughs, she makes us laugh.
00:20:54This Gabriela.
00:21:05Look at Professor Josué.
00:21:07He's so dressed up.
00:21:09So dressed up that it looks like he's already got it.
00:21:12Didn't you read the poem he published today in the newspaper?
00:21:15Look here.
00:21:17Our love is eternal as eternity itself.
00:21:20More immortal than immortals.
00:21:22What a story.
00:21:24A zombie of love.
00:21:26A zombie of eternity.
00:21:28For me, this story of eternal love is just a woman's fault.
00:21:31I don't understand why no poet writes a poem about love.
00:21:35Such a beautiful thing.
00:21:39Hey, Mauricio, look here.
00:22:01As if even after death they would meet again.
00:22:05It's the blood of the oppressed, without a doubt.
00:22:09The blood of the oppressed.
00:22:35Dona Ciarzinha was related to the Zaca.
00:22:38She must have given the destiny of Ophelisa, her vocation for misfortune.
00:22:42But who is Ophelisa?
00:22:44An ancestor of mine.
00:22:46A fatal beauty who fell in love with D. Pedro II.
00:22:49She died of disgust for not having gone with him.
00:22:51To where?
00:22:52To bed, where she should be.
00:22:54To court.
00:22:56She didn't care if she was his lover.
00:22:58Let's lose sight of our glory.
00:23:00Colonel, your owner has arrived.
00:23:02Let's go.
00:23:08I don't excuse a married woman who forgets her duties,
00:23:11but it's also her husband's fault.
00:23:14Glory, dressed in that luxury, having the best and the best.
00:23:18Does Colonel Corellano spend like this with his wife?
00:23:21In my father's land, yes.
00:23:23A woman without shame ends up with a knife,
00:23:26slowly cut into pieces.
00:23:30What is this?
00:23:32Like this, in pieces?
00:23:34Yes, in pieces, starting from the tip of the fingers.
00:23:37What a horror!
00:23:38No, it's not a horror, Doctor.
00:23:40A woman who betrays her husband is a tramp, a whore.
00:23:44She doesn't deserve anything else.
00:23:46If I were married and my wife cheated on me,
00:23:49I'd chop her up.
00:23:51What about the lover?
00:23:53The one who despises the other is grabbed by strong men,
00:23:56those from the mountains.
00:23:58They open their legs, and like a sharp knife...
00:24:03Don't tell me that...
00:24:05Yes, castrated, but with a lot of art.
00:24:07Strange custom in Seville.
00:24:09Anyway, each people with their own use.
00:24:11It's the devil.
00:24:13Fiery as the Turks are, he must be very capricious.
00:24:18No, women don't show off like our friend here,
00:24:22who puts her tits on the window.
00:24:24A woman lives with her head down, her feet up.
00:24:54FOOTSTEPS
00:25:25FOOTSTEPS
00:25:45I... I came to bring this.
00:25:48It's not very important.
00:25:52I just got it.
00:26:09Beautiful.
00:26:15I stayed up waiting for the boy to say what he wanted for tomorrow.
00:26:20It's late, I came to sleep.
00:26:23It's because I worked so hard.
00:26:28Aren't you tired?
00:26:50MUSIC PLAYS
00:27:21BREATHING HEAVILY
00:27:27WOMAN SINGS
00:27:50MUSIC CONTINUES
00:28:20WOMAN SINGS
00:28:29MUSIC CONTINUES
00:28:50MUSIC CONTINUES
00:28:59WOMAN SINGS
00:29:01MUSIC STOPS
00:29:03Yeah.
00:29:05This newspaper needs to be more careful with words.
00:29:09Threats don't intimidate us.
00:29:12And they can't change the truth.
00:29:15The abandonment of the bar is a scandalous case.
00:29:18We've never done anything against the sand that obstructed our progress,
00:29:23that made the capital lose our profits, our blood.
00:29:26What's that, folks? Easy, easy.
00:29:29Turku, Turku.
00:29:31Has anyone marked the cross on the stone today?
00:29:34No, no, I don't think so.
00:29:36It looks more like a cemetery.
00:29:3845 days and nothing happened.
00:29:40Mundinho would do better sending us another dancer.
00:29:43Then we'd all be happy.
00:29:45Mundinho, when he promises, he keeps his word.
00:29:47Clóvis, you just have to be careful not to promise too much.
00:29:52And be even more careful with the words of that journalist he bought.
00:29:56Clóvis Costa has his own opinions.
00:29:58He's not a journalist like me.
00:30:00It's good that he pays attention to what he publishes.
00:30:02If not, Mundinho will have to buy a dog.
00:30:04What's that, folks? Easy, easy.
00:30:17Are you going to beat the girl, Araby?
00:30:28What are you doing here?
00:30:34I came to bring the boy's food.
00:30:38I think Moleza got sick and that's why he didn't show up.
00:30:41Did the boy get angry?
00:30:44No, no, no.
00:31:14Aren't you going to watch a movie with Dona Amanda?
00:31:34The house is ready.
00:31:35You still have time to come back for dinner.
00:31:38Yes, of course I'm going to the movies.
00:31:43Why don't you go to Dona Amanda's?
00:31:47You were born to be a good boy.
00:32:13My little baby, Gabriela.
00:32:21Tasty, Gabriela, isn't it?
00:32:42You're so beautiful.
00:33:03Do you think you're going to be beautiful all your life, Gabriela?
00:33:06If you don't enjoy it now, my daughter, later it's late.
00:33:09If you don't ask for anything, you're born, aren't you?
00:33:12Go to the movies with the lady, what else can I ask for?
00:33:14Anything, girl, anything you want, he'll give you.
00:33:17Look, if you know how to do it, do things the right way.
00:33:21Giving, denying.
00:33:24He just married you.
00:33:28Good afternoon, good afternoon.
00:33:33Good afternoon, Mr. Colonel.
00:33:35Do you think it's a shame for a woman like you to be a cook?
00:33:38Why?
00:33:40It spoils your hands.
00:33:42It's up to you to let go of the pot.
00:33:44If you want, I can take care of everything.
00:33:46A decent house, a maid, when it's open in the store.
00:33:50I liked the girl's print.
00:33:53I really enjoyed you, woman.
00:33:56So, what do you say to my proposal?
00:33:58I don't want it, Mr. Colonel.
00:34:00I don't miss anything here.
00:34:18Hey!
00:34:20Hey!
00:34:22Hey!
00:34:24Hey!
00:34:32Hey!
00:34:36Hey!
00:34:38Hey!
00:34:42Hey, hey, hey!
00:34:44Hey!
00:34:46Hey!
00:34:54I'll see you later.
00:35:09Oh, Gabriel.
00:35:14Mrs. Gabriela, how are you?
00:35:19Where were you?
00:35:21How are you, Mr. Nasib? Mr. Tonico?
00:35:23Gabriela?
00:35:24Go, go, go. You're going to help. Come on.
00:35:27Who's going to love me with Gabriela here?
00:35:29Come on, come on. You too.
00:35:37Ha! Queen of Kittuti!
00:35:39You'll still be mine.
00:35:41How?
00:35:42Cooking.
00:35:52What are you laughing at?
00:35:54Your worried face.
00:35:56You're in love, aren't you, son?
00:35:58Look, the only solution, you know what it is?
00:36:01Marriage. Marry her, sir.
00:36:04What you're saying is absurd.
00:36:08Marriage is done with a good girl,
00:36:11and a well-known, educated family.
00:36:13Conduct ready and urgent, above all.
00:36:16You, when you married Olga...
00:36:18I married Olga because she owned thousands of feet of cocoa.
00:36:22And property is an old passion of the Bastros family, that's why.
00:36:30Enough of this nonsense. It's absurd.
00:36:41Gabriela.
00:36:42Tocantins.
00:36:48Thank you.
00:37:06Oh, how cute.
00:37:08It's for you. He'll go with you.
00:37:11How nice. Two gifts at once. The girl is so good.
00:37:15Why two?
00:37:17I'd like the boy to bring it.
00:37:19He only comes home late at night.
00:37:30Bié, I want to tell you something.
00:37:33Tell me.
00:37:35Something that...
00:37:37doesn't please me, that worries me.
00:37:41Is the food bad? Is the clothes badly washed?
00:37:44No, no, that's not it.
00:37:49I don't want you to come to the bar.
00:37:51I'm only going to help, so the food doesn't get cold.
00:37:55I know that, but the French don't know.
00:37:58It's nice to be a cook in a bar, isn't it?
00:38:01Yes, that's right.
00:38:03Some say nothing, others complain.
00:38:07All right.
00:38:09Starting tomorrow, I'll come in through the back...
00:38:12just to take the boy's food.
00:38:15You like to come to the bar, don't you?
00:38:21All right, you can come.
00:38:23But you won't serve anymore, you'll stay behind the counter.
00:38:26Now you have to go.
00:38:28So early?
00:38:30Yes, yes. I couldn't even come.
00:38:33Come here.
00:38:37Come, come.
00:38:42Look, you love me, don't you?
00:38:46You're a handsome man, I like you very much.
00:38:50You know, it's not them who don't want you to go to the bar.
00:38:54It's me, because I'm jealous...
00:38:57that everyone talks to you, touches you.
00:39:00All they need is to hold you in front of me.
00:39:03It doesn't matter, I don't say anything.
00:39:05It's true, it's true that it doesn't matter.
00:39:09It's all right.
00:39:11It's all right.
00:39:35Wait for me.
00:39:38Wait for me.
00:39:41The engineer has arrived.
00:39:44The engineer has arrived.
00:39:47The engineer has arrived.
00:39:50The engineer has arrived.
00:40:05Welcome to Ilesa, engineer Romulo.
00:40:07Thank you very much.
00:40:09Do you know the captain?
00:40:11Your arrival is a historic milestone for our city.
00:40:23A toast to our engineer, Romulo Vieira.
00:40:27Cheers!
00:40:39Cheers!
00:41:09Cheers!
00:41:39I'm sorry.
00:41:51What? No answer?
00:41:54It's impossible.
00:41:56No explanation?
00:41:58It doesn't make any sense.
00:42:00When did I go wrong?
00:42:02Don't fight like that.
00:42:04There must be a reason.
00:42:06I don't know. She read it and told me to return it.
00:42:08You did very well.
00:42:10Thank you.
00:42:27Crazy.
00:42:29Insensitive.
00:42:31Who does she think she is?
00:42:33She's nothing but a whore.
00:42:35The daughter of a colonel.
00:42:37She doesn't respect others.
00:42:41She causes suffering like those who peel a banana.
00:42:48If I only knew how much I like him.
00:42:51This tired chest of mine is worth it.
00:42:56Perfect Alexandrines.
00:43:08THE END
00:43:19I'm worried.
00:43:21Maybe I'll score a point with the arrival of the engineer.
00:43:25Why don't you think about your life?
00:43:28You should be worried.
00:43:30About what?
00:43:32The judge has rented a beautiful house in Beco das Patas, Borboletas.
00:43:36For whom?
00:43:38Think about it.
00:43:40Where are the cakes?
00:43:42I don't know.
00:43:44Dona Gabriela wasn't at home.
00:43:50Tamiko.
00:43:52When you talk about marriage, are you serious?
00:43:55Of course I am.
00:43:57If it were me...
00:43:59I've thought about it.
00:44:01Have you made up your mind?
00:44:04She doesn't have any documents.
00:44:06She doesn't know when she was born.
00:44:08She doesn't know her mother's father's name.
00:44:10She doesn't know how old she is.
00:44:12I'm your friend.
00:44:14I'm also the owner of the banknotes.
00:44:16I'll give you fake documents.
00:44:18But it's not dangerous.
00:44:20It's not dangerous.
00:44:22The whole island was built on fake documents.
00:44:24Certificates of ownership.
00:44:26Hundreds and thousands of hectares.
00:44:28But there's one condition.
00:44:30What?
00:44:32You're already invited.
00:44:34Tamiko.
00:44:36You're my best friend.
00:44:45I came here just to tell you that...
00:44:48Well...
00:44:50I've made up my mind.
00:44:52I want to marry you.
00:44:54You don't have to be born.
00:44:56What do you mean?
00:44:59If you say yes, I'll say yes.
00:45:01But you don't have to.
00:45:03Then I'll say yes.
00:45:05I'll hire employees.
00:45:07I'll buy dresses.
00:45:09I want to have elegance.
00:45:11A new life.
00:45:13From now on, you'll sleep in Mrs. Linda's house.
00:45:16Why?
00:45:18Because now we're engaged.
00:45:20It's not good to sleep in the same house.
00:45:22The city talks, you know.
00:45:28I love you, Tamiko.
00:45:58Gabriela...
00:46:00Gabriela...
00:46:29Bravo!
00:46:31Thank you.
00:46:33Congratulations.
00:46:35Congratulations.
00:46:37Thank you.
00:46:39Thank you.
00:46:41Congratulations.
00:46:59Yes!
00:47:01Silence!
00:47:03Silence!
00:47:05Finally, Hels was executed.
00:47:07The Emperor's love for Ophelia...
00:47:09is revived by Gabriela Inácio.
00:47:19Look at your mouth in my mouth
00:47:24Look at your mouth in my mouth
00:47:29But who am I in this crazy life
00:47:35But a clown in your carnival
00:47:54But a clown in your carnival
00:48:24What's written there, Mr. Nasim?
00:48:50Speak softly, or I'll see that you don't know how to read.
00:48:53And don't call me Mr. Nasim.
00:48:55I'm your husband, and you're my wife, not my maid.
00:48:58Don't be angry, Mr. Nasim.
00:49:00But what was written there?
00:49:02I don't know, I don't remember.
00:49:04And don't talk with your mouth full.
00:49:19Thank you.
00:49:25Thank you.
00:49:28Thank you.
00:49:40Thank you.
00:49:49Good afternoon, Professor.
00:49:54What happened? So many people running from one side to the other.
00:49:59They set fire to the newspaper's edition.
00:50:02Bastos people.
00:50:04All because of that engineer Palermo.
00:50:06Which one? That one over there?
00:50:08The one who's talking to your girlfriend?
00:50:10My girlfriend?
00:50:12You're mistaken. Simple knowledge.
00:50:15Here in Ilhéus there's only one woman who makes me dream.
00:50:18Really? Can you tell me who she is?
00:50:21Can I tell you?
00:50:23Don't be shy.
00:50:33Let's go home!
00:50:44I heard you finished your studies at Barra.
00:50:47You sent a telegram asking to continue with your work.
00:50:51If it weren't for you, I wouldn't do that.
00:50:54You sent a telegram asking for a replacement.
00:50:57I didn't expect it to arrive.
00:51:00Do you know there's a plane in the morning?
00:51:09In the morning. That's the deadline.
00:51:17Tonico, do you know about the last one?
00:51:19Malvina, Colonel Melchi's daughter, ran away from the ship in the middle of the night.
00:51:23They say she went to meet with engineer Romulo.
00:51:25She didn't leave a letter, she didn't say goodbye to anyone, she left everything.
00:51:28Colonel Melchi was furious, he yelled at us all.
00:51:31Poor thing, he was devastated.
00:51:33Salve, Nassimi.
00:51:35Get me a cognac.
00:51:37Certainly, Colonel.
00:51:48Look at that, Turk.
00:51:50I hope this cognac is Portuguese, not the mixed one you serve.
00:51:54The cognac is good, Colonel.
00:51:56You can drink it without fear.
00:51:58I'm not a Turk, I'm Italian.
00:52:01From Bahia Arabi, Edimã and Neapolitan.
00:52:04I thought it was the same thing.
00:52:06No, it's not the same thing.
00:52:13Professor, another one.
00:52:15No, thank you, Nassimi.
00:52:45Thank you.
00:53:16Oh, I'm going to make my movie.
00:53:19I forgot, the evil girl.
00:53:21I already forgot.
00:53:23Did you like your glory?
00:53:25I loved it.
00:53:27I loved it.
00:53:29Look,
00:53:31a house like this,
00:53:33with luxury,
00:53:35I can't offer it to you.
00:53:37I'm a modest teacher, with a winning streak.
00:53:41But love,
00:53:43love I can.
00:53:45The two of us,
00:53:47walking arm in arm on the street,
00:53:50facing this hypocritical society,
00:53:53living in my little room over the cinema,
00:53:56poor, but full of love.
00:53:59Oh, no, no, no, my son.
00:54:01It can't be like that.
00:54:03I want love and comfort.
00:54:05My man and my colonel.
00:54:07I already know enough misery.
00:54:10I don't like her, not even a little.
00:54:12If you want, it will have to be like this,
00:54:15hidden,
00:54:17and very well hidden.
00:54:19If the old man finds out, I'm lost.
00:54:22All care is little.
00:54:42I wanted to give you something.
00:54:44Something you'd wear to remember me every day.
00:54:47But I can't buy it, and I don't trust you.
00:54:50Buy me a pair of shoes.
00:54:52Don't say no.
00:54:54I'm asking you.
00:55:00Buy me a pair of shoes.
00:55:02Don't say no.
00:55:04I'm asking you.
00:55:06Buy me a pair of shoes.
00:55:08As soon as you walk,
00:55:10you think you're stepping on me.
00:55:13As soon as you walk,
00:55:15you think you're stepping on me.
00:55:35Well, colonel, with your support, the election is decided.
00:55:38The votes of Itabuna end the political career of colonel Ramiro Bastos.
00:55:41It's a shame.
00:55:43Colonel Ramiro is a great man,
00:55:45but his time has passed and he doesn't want to see it.
00:55:47It's true.
00:55:49Please.
00:55:52Good evening, colonel.
00:55:54Good evening.
00:55:56There is a curiosity.
00:55:58What exactly made you decide to support my candidacy?
00:56:01I always knew the right time to change.
00:56:11I'm sorry.
00:56:33The bastard is here.
00:56:35Let's find him and I'll take care of it.
00:56:42The bastard is here.
00:56:45Let's find him and I'll take care of it.
00:56:48Let's go.
00:57:11Let's go.
00:57:41What are you doing here?
00:57:45You're bleeding.
00:57:47I shot a man.
00:57:49It was the colonel.
00:57:51Why did you shoot him? What did he do to you?
00:57:53He did nothing to me. It was colonel Melk and the other major.
00:57:56Gabriela, you need to help me.
00:57:58Look for colonel Melk. He must be at the other major's house.
00:58:01Colonel Ramiro?
00:58:03Yes.
00:58:05He says I'm sorry, but I need your help.
00:58:07Go now.
00:58:09Go.
00:58:26What are you looking for?
00:58:28I want to talk to colonel Melk.
00:58:30He went home.
00:58:31I want to talk to colonel Ramiro.
00:58:33It's Fagundes. He's hiding at home.
00:58:35Wait here.
00:58:39Wait here.
00:58:48Gabriela.
00:58:50Mr. Tonico.
00:58:52It's Fagundes. He's hiding at home.
00:58:54He's wounded. He needs help.
00:58:56He'll be fine, Gabriela.
00:58:58Let's go in. Does Nassib know?
00:59:00No, he doesn't. He was sleeping.
00:59:02Great. We won't tell him anything.
00:59:04It's best if he doesn't know.
00:59:06Let's go in, please.
00:59:10You didn't know.
00:59:12You saved the city from a big fire.
00:59:14That's even better.
00:59:18Colonel, I have to go.
00:59:20Don't worry.
00:59:22Tonico, you and Olga will take Gabriela to the police station.
00:59:24But it's late, father. Olga is sleeping.
00:59:26Then wake her up.
00:59:28And call my comrade Melk and comrade Amancio.
00:59:30I want them both dealing with this.
00:59:32And this time, no mistakes.
00:59:34Gabriela.
00:59:36My gratitude.
00:59:39Excuse me, father.
00:59:41Be right back, Colonel.
00:59:43Let's go.
01:00:05Ineus is taken by the Jebusites of Tabuna.
01:00:07And Colonel of the Jaguars is wounded.
01:00:09If they find out who shot Colonel of the Jaguars...
01:00:11and make him talk...
01:00:13Colonel Ramiro will put his men in the salt...
01:00:15and it will be the war of cocoa.
01:00:17No, don't worry.
01:00:19This never leads to anything.
01:00:21I don't know.
01:00:23Colonel Ramiro is just a brave, tough man.
01:00:25Who's going to shoot him?
01:00:39Let's go.
01:00:41Let's go.
01:01:07Has Senasibi arrived?
01:01:09One day, full of confusion.
01:01:13Tonight we'll sleep in a barrel full of gunpowder.
01:01:17Is it really Senasibi?
01:01:19No, don't worry.
01:01:33Come.
01:01:35Come closer.
01:01:39No, no.
01:01:43But if Senasibi wants it, I want it too.
01:01:45I always want it.
01:01:51You don't even care.
01:01:53What do I care, Senasibi?
01:01:55I arrive and it's as if I didn't arrive.
01:01:59Do you need anything?
01:02:01Do you need to eat? Do you want a mango juice?
01:02:03What juice?
01:02:05The affection is over.
01:02:07Before, you were the one who loved me.
01:02:09Senasibi always gets tired.
01:02:11I don't know if he wants me.
01:02:13I can't help it.
01:02:15What are you saying?
01:02:17I can get tired, but for certain things I'm always ready.
01:02:19I'm not an old man.
01:02:21When Senasibi calls me with his finger,
01:02:23I'm always close.
01:02:25When he wants me...
01:02:27It's something else.
01:02:29Before, you were a burning fire,
01:02:31a furious wind.
01:02:33Now you're a breeze.
01:02:37Senasibi doesn't like my taste anymore.
01:02:41Are you sick of me?
01:02:43No, I like you very much.
01:02:45And without you, I can't live.
01:03:07I love you.
01:03:17I love you.
01:03:29I love you.
01:03:37Come here!
01:03:39Come here, Gabriela!
01:03:57Gabriela, enough!
01:03:59Let's get out of here!
01:04:01Stop it!
01:04:03Oh, my God!
01:04:07Oh, my God!
01:04:21Senasibi,
01:04:23there's something you won't believe.
01:04:25Twisca is an artist now.
01:04:31He's an artist.
01:04:33He's going to work in the circus.
01:04:35He's really going to be an artist.
01:04:47Senasibi, are you sick?
01:04:51Yes, I'm dead tired.
01:04:53And you're sleepy.
01:04:55A lot of people stayed at the bar until now.
01:04:57The captain, the doctor.
01:05:01Senasibi, come here!
01:05:03Senasibi, come with me.
01:05:05We're going to see Twisca at the circus.
01:05:07No, not Thursday.
01:05:09Thursday we're going to a conference.
01:05:11A what, Senasibi?
01:05:13A conference.
01:05:15There's a poet, a doctor,
01:05:17who says some poems that you should see.
01:05:19Magnificent.
01:05:21I have a conference on Thursday in the city hall.
01:05:23I bought two tickets.
01:05:25For me and for you.
01:05:27What's a conference like?
01:05:29It's a fine thing.
01:05:31It's for children.
01:05:33What's there, Senasibi?
01:05:35Dance, music?
01:05:39You have to learn a lot, Bia.
01:05:43I'll explain everything.
01:05:45Pay attention.
01:05:47There's a man, a doctor, a poet.
01:05:49He says something.
01:05:51What does he say?
01:05:53Anything.
01:05:55He talks about tears,
01:05:57about nostalgia.
01:05:59He talks,
01:06:01and we listen.
01:06:03He talks, and we listen.
01:06:05Yes.
01:06:07And then?
01:06:09And then, when he's done, we clap.
01:06:11He talks about beautiful things,
01:06:13very important,
01:06:15and even difficult to understand.
01:06:19Senasibi, the doctor talks, we listen and understand.
01:06:21And you say it's more beautiful
01:06:23than the cinema, than the circus.
01:06:25You're going to excuse me, Senasibi.
01:06:27Senasibi, you're an educated man.
01:06:29It can't be better than the circus.
01:06:31Bia, you have to understand.
01:06:33I've told you a thousand times.
01:06:35You're no longer a maid.
01:06:37You're Mrs. Sard.
01:06:39You see?
01:06:41The best society in the world goes to the conference.
01:06:43We can't miss this opportunity
01:06:45to go to a vulgar thing like the circus.
01:06:49If Senasibi can't go to the circus, why?
01:06:51Why not?
01:06:53I don't understand.
01:06:55If he can't go, fine.
01:06:57You say I'll be sad.
01:06:59I even promised him I'd cry.
01:07:01But if he can't,
01:07:03I'll clap for myself and Senasibi.
01:07:05No, you clap for the poet.
01:07:13Senasibi,
01:07:15let me go to the circus.
01:07:17I'll go to the conference hall.
01:07:19There's no conference every day.
01:07:21Not even in the circus.
01:07:23It's worse for the circus.
01:07:25It's worse for the circus.
01:07:39She's going to the hall.
01:07:47Look at Berthold.
01:07:49He's like a kid out there.
01:07:51And suddenly
01:07:53he has to go to a conference.
01:07:57Tonight will be in Leo's history.
01:08:01One moment.
01:08:05Dad.
01:08:17Mrs. Gabriela, what a surprise.
01:08:23What a surprise.
01:08:39Such a sweet and sincere figure
01:08:41suffered in the deafening dawn
01:08:45and on the other side of the balcony
01:08:47the emperor's black beards.
01:08:49Gracious in the reclined window
01:08:51the phoenix,
01:08:53when it shone
01:08:55to the cries
01:08:57to the cries
01:08:59to the cries,
01:09:01Dr. Agileu.
01:09:03Excuse me.
01:09:05Gracious in the reclined window
01:09:07the phoenix,
01:09:09when it shone
01:09:11to the cries
01:09:13to the cries,
01:09:15impoverished,
01:09:17waiting,
01:09:19resigned,
01:09:21for that which the heart
01:09:23did not give it.
01:09:25O phoenix,
01:09:27O sweet figure,
01:09:29if it were late,
01:09:31if it were night,
01:09:33if it were raining,
01:09:35if it were sunning,
01:09:37if it were singing,
01:09:39this love so full of pain.
01:09:41O phoenix,
01:09:43and Leo pays homage
01:09:45if it were time to return.
01:09:47It was I who would love you.
01:09:55You were the most beautiful of the night.
01:09:59Now I have to go to the bar.
01:10:45O phoenix,
01:10:47O phoenix,
01:10:49O phoenix,
01:10:51O phoenix,
01:10:53O phoenix,
01:10:55O phoenix,
01:10:57O phoenix.
01:11:15O phoenix,
01:11:17O phoenix,
01:11:19O phoenix,
01:11:21O phoenix,
01:11:23O phoenix.
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01:23:03Do you want to watch a movie?
01:23:05Wait a minute.
01:23:07I have to go to the bathroom.
01:23:33I'll be right back.
01:24:03I'll be right back.
01:24:33Gabriela
01:24:35Gabriela
01:24:37Gabriela
01:24:39Gabriela
01:24:41Gabriela
01:24:43Gabriela
01:24:45Gabriela
01:24:47Gabriela
01:24:49Gabriela
01:24:51Gabriela
01:24:53Gabriela
01:24:55Gabriela
01:24:57Gabriela
01:24:59Gabriela
01:25:01Gabriela
01:25:03Gabriela
01:25:05Gabriela
01:25:07Gabriela
01:25:09Gabriela
01:25:11Gabriela
01:25:13Gabriela
01:25:15Gabriela
01:25:17Gabriela
01:25:19Gabriela
01:25:21Gabriela
01:25:23Gabriela
01:25:25Gabriela
01:25:27Gabriela
01:25:29Gabriela
01:25:31Gabriela
01:25:33Gabriela
01:25:35Gabriela
01:25:37Gabriela
01:25:39Gabriela
01:25:41Gabriela
01:25:43Gabriela
01:25:45Gabriela
01:25:47Gabriela
01:25:49Gabriela
01:25:51Gabriela
01:25:53Gabriela
01:25:55Gabriela
01:25:57Gabriela
01:26:27Gabriela
01:26:29Gabriela
01:26:31Gabriela
01:26:33Gabriela
01:26:35Gabriela
01:26:37Gabriela
01:26:39Gabriela
01:26:41Gabriela
01:26:43Gabriela
01:26:45Gabriela
01:26:47Gabriela
01:26:49Gabriela
01:26:51Gabriela
01:26:53Gabriela
01:26:55Gabriela
01:26:57Gabriela
01:26:59Gabriela
01:27:01Gabriela
01:27:03Gabriela
01:27:05Gabriela
01:27:07Gabriela
01:27:09Gabriela
01:27:11Gabriela
01:27:13Gabriela
01:27:15Gabriela
01:27:17Gabriela
01:27:19Gabriela
01:27:21Gabriela
01:27:23Gabriela
01:27:25Gabriela
01:27:27Gabriela
01:27:29Gabriela
01:27:31Gabriela
01:27:33Gabriela
01:27:35Gabriela
01:27:37Gabriela
01:27:39Gabriela
01:27:41Gabriela
01:27:43Gabriela
01:27:45Gabriela
01:27:47Gabriela
01:27:49Gabriela
01:27:51Gabriela
01:27:53Gabriela
01:28:05Gabriela
01:28:07Gabriela
01:28:09Didn't I tell you in this very room that I'd open the bar with a Swedish waiter?
01:28:12You did and you kept your word.
01:28:14And the excuse, doctor? Do we have it ready?
01:28:17Great.
01:28:18We've waited several decades for this day.
01:28:22Today is the beginning of a new era.
01:28:25The new replaces the old.
01:28:26The promise of reaching a forgotten place.
01:28:29Captain.
01:28:30Communicate with the ship immediately.
01:28:32Tell them to tighten the entrance.
01:28:33Yes, sir.
01:28:34This ship can't pass the bar today at all.
01:28:39Yes, sir.
01:29:09May our Lord Jesus Christ, Father of Mercy,
01:29:13and God of all consolation,
01:29:16console us in all our moments.
01:29:19Amen.
01:29:40May our Lord Jesus Christ, Father of Mercy,
01:29:43and God of all consolation,
01:29:47console us in all our moments.
01:29:51Amen.
01:29:58Mr. Nassim! Mr. Nassim!
01:30:00It's over!
01:30:03It's over!
01:30:04What's over?
01:30:05The trial.
01:30:06Mr. Nassim and Mrs. Mendoza were sentenced, Mr. Nassim.
01:30:09Sentenced for the love of Mrs. Senhazinha.
01:30:36Finally!
01:30:38With your new and modern port,
01:30:41the city of São Jorge de Ilhéus is now linked to the world.
01:30:45Mr. Mundinho.
01:30:46And why don't you say
01:30:48to the most modern and important people in Brazil
01:30:51that I'm a cyborg,
01:30:53that I already had a chosen man,
01:30:55and I just got out of prison?
01:30:57I never understood much of these political things.
01:31:00Me and Father Ramiro Batis killed,
01:31:02escaped from prison,
01:31:04and we died many times together.
01:31:07And a friend like that, I don't take for nothing.
01:31:10But now it's all over.
01:31:12He's dead.
01:31:13You can only count on my support.
01:31:15Thank you, Colonel Amâncio.
01:31:17And they won't be the first, by any chance,
01:31:19these Nordics, these Normands.
01:31:22Or for a round of poker in the bar, Mr. Nassim.
01:31:29Yeah, it looks like things won't change much,
01:31:32but everything will be the same as before.
01:31:34The same, but different.
01:33:32Oh, my God.
01:34:03Mmm.
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