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00:02:00Get up!
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00:02:41All right, Zelda, out the back!
00:02:48I hope you stay out of solitary this time, Zelda.
00:02:51Wash up, you got two minutes.
00:03:11She picks up.
00:03:25Hey.
00:03:28Sorry?
00:03:29I didn't see you there.
00:03:32Get that broom away from me before I stick it down your throat.
00:03:40Get your fucking hands...
00:04:11Hi, Sarah.
00:04:14What are you reading, dear?
00:04:16It's called a book, and it doesn't have any pictures in it,
00:04:18so you wouldn't be interested.
00:04:21There's something I want to talk to you about.
00:04:23I'm not interested.
00:04:25Oh? I think you will be.
00:04:29Where is he?
00:04:30I think you will be.
00:04:32Where is he?
00:04:43Man, all this tea!
00:04:45Come on, it's the beginning!
00:04:47Come on!
00:04:48♪♪♪
00:04:58♪♪♪
00:05:07Hey!
00:05:24Tell me where...
00:05:26Mom?
00:05:27Mom!
00:05:43Shit.
00:05:57Break it up!
00:05:58Break it up!
00:05:59Break it up!
00:06:00Break it up!
00:06:01Stop it!
00:06:02That's enough!
00:06:03Break it up!
00:06:04Break it up!
00:06:05Break it up!
00:06:06That's enough!
00:06:08That's enough!
00:06:09Break it up!
00:06:10Where's Zelda?
00:06:11I haven't seen her.
00:06:13Shit.
00:06:14All right, that's it.
00:06:19Get her, Todd!
00:06:22Get her!
00:06:24My girls...
00:06:25Break it up!
00:06:26Break it up!
00:06:31All right, who started it?
00:06:32She did it.
00:06:33Bitch started hitting on me for no reason.
00:06:35I did not!
00:06:36Shut up!
00:06:37Get that crazy bitch away from me!
00:06:38Shut up!
00:06:39Sarah, who started it?
00:06:40I don't care.
00:06:41Put them all in solitary.
00:06:44Good idea.
00:06:45Let's go.
00:06:46Move it!
00:06:48Come on, move it.
00:06:49There.
00:06:52You, there.
00:06:56Get over there.
00:07:01Move it, Dot.
00:07:06Quit fooling around and get in the cell.
00:07:08You, there.
00:07:09I hate you.
00:07:10Shut up.
00:07:11I hate you.
00:07:12I hate you.
00:07:13I hate you.
00:07:14I hate you.
00:07:15I hate you.
00:07:16Shut up, Zelda.
00:07:18Bitch.
00:07:19Get in the cell, Peters.
00:07:20Look, they were trying to kill Sarah.
00:07:21Yeah, I heard it before.
00:07:22Get in the cell.
00:07:24They had a knife.
00:07:25Look, Peters.
00:07:27I don't like troublemakers.
00:07:28I'm not!
00:07:29Shut up and sit down.
00:07:31And if you're a real good girl,
00:07:32I might let you out in a week or two.
00:07:43You're a bitch.
00:07:46You're a bitch.
00:07:55Sarah?
00:07:58You okay?
00:08:03What happened out there?
00:08:05Nothing.
00:08:16I don't know.
00:08:47Cell 17.
00:09:00What?
00:09:17Cell 17.
00:09:26What?
00:09:27Message for you.
00:09:46Okay.
00:10:17The warden says you got yourself a new roommate.
00:10:22Peters.
00:10:24I don't know why,
00:10:25but the warden thinks you're something special.
00:10:27Well, I don't,
00:10:28and while you're on my cell block,
00:10:29you do exactly as I say.
00:10:30You got that?
00:10:32Yeah.
00:10:36Good luck.
00:10:47They weren't going to kill me.
00:10:48Oh, yeah?
00:10:49What makes you so sure?
00:10:51All they wanted was...
00:10:54Forget it.
00:11:08If...
00:11:09If it makes you feel any better,
00:11:11thanks.
00:11:13Go to sleep.
00:11:24Fuck!
00:11:36Are you okay?
00:11:43I thought I warned you.
00:11:44No more illegal searches.
00:11:46Look, Tina.
00:11:47Drugs are getting in here,
00:11:48but not on my shift.
00:11:49That's bullshit!
00:11:50I am sick of you
00:11:51and your disgusting little searches.
00:11:54Screw you.
00:11:55Get out of my way.
00:11:58My arm.
00:11:59You're breaking my arm.
00:12:00If I wanted to break it,
00:12:01you'd have heard it snap already.
00:12:03Now lay off the prisoners,
00:12:05especially Sarah.
00:12:06I don't care.
00:12:07I don't care.
00:12:08I don't care.
00:12:09I don't care.
00:12:10I don't care.
00:12:11Especially Sarah.
00:12:12You got that?
00:12:14And if I don't?
00:12:16All right.
00:12:17All right, understood.
00:12:18Just let me go.
00:12:22Are we clear now?
00:12:23Everything's got to be
00:12:24by the book with you,
00:12:25lamb, doesn't it?
00:12:26That's right.
00:12:27That way nobody gets hurt.
00:12:42Come on.
00:13:04Hi, Nicholas.
00:13:06This your first conjugal visit?
00:13:07Um, yes.
00:13:09Well, these are the rules.
00:13:10The people you're visiting are confined to the room at all times.
00:13:14There are guards stationed outside, so don't try anything stupid.
00:13:18If you have an emergency of any kind, just call out.
00:13:21If you wish to leave, call out.
00:13:23If we hear anything suspicious, we will come in for inspection.
00:13:27If we hear any fighting, violence, or anything out of the ordinary,
00:13:31again, we will come in for inspection. Is this understood?
00:13:35Yeah.
00:13:41Your wife will be here in a minute.
00:13:58Hi. Hi.
00:14:00So, what do you think, huh?
00:14:03General. General.
00:14:05What are you doing?
00:14:07Take off your clothes.
00:14:09What?
00:14:10Take off your clothes.
00:14:12Why?
00:14:13Take off your clothes. Get under the covers.
00:14:15If they were looking in on us, you've got to make this look good for me.
00:14:18Are you telling me they're going to be watching us?
00:14:20They might be watching us right now. Come on.
00:14:23Just enjoy. I've been in this...
00:14:26What's wrong? What did I do?
00:14:29What did you do? It takes you so long to come here to visit me.
00:14:32I mean, six months. You could come two months ago.
00:14:40Come on.
00:14:49Good morning. Good morning.
00:14:56All right. How was it?
00:14:59What do you think?
00:15:01I guess you married her for a reason.
00:15:04Do you want to know a little secret?
00:15:06Yeah, sure.
00:15:09He's not really my husband.
00:15:12Get out of here.
00:15:14The prison thinks that you're married?
00:15:16Yeah.
00:15:17My husband is a forger.
00:15:20I mean, he does, like, credit cards, I.D.s, screen cards, wedding certificates, you name it.
00:15:25Boy, we used to pull some strings.
00:15:28I mean, we used to get married.
00:15:32Boy, we used to pull some scams together.
00:15:36I mean, just small-time stuff, but still.
00:15:39It's what landed me in here, so...
00:15:42I don't know. Lucky bastard. He's still out there free, though.
00:15:45I just...
00:15:47I just hope he's not, you know, like, scamming on me with another dame on the side or...
00:15:51Anyway.
00:15:55So how about you? I mean, you mentioned that you had a boyfriend the other day.
00:15:58What's up with you and him?
00:16:00You don't know who I am, do you?
00:16:03Just another little cutie doll in here, I guess.
00:16:06My boyfriend was Carlos Vega.
00:16:11He's a drug dealer. Big time.
00:16:16You?
00:16:18Shacked up with a drug dealer?
00:16:20What's so funny about that?
00:16:22I don't know. I mean...
00:16:24I just expected you to be, like, living with your...
00:16:27Poetry teacher or something.
00:16:31I guess I'm not the typical drug dealer's whore.
00:16:34No.
00:16:36Bet you're not.
00:16:38Well...
00:16:40You know how it goes sometimes.
00:16:43When I was 16, I ran away from home, and...
00:16:46Like a lot of other girls.
00:16:48By the time I realized it was a mistake, I couldn't go back, and...
00:16:52Then I met Carlos at this party.
00:16:55I needed some money and a place to stay, and he offered me both.
00:16:59I knew how he made his money, but I took it.
00:17:05So then what happened?
00:17:07I finally came to my senses, and I left.
00:17:10Believe me, it wasn't easy.
00:17:13Then how did you end up in here?
00:17:18I shot a man. He tried to rape me.
00:17:22I was hiding out from Carlos, and there was this man.
00:17:25I don't know who he was, but I think Carlos sent him.
00:17:29So is Carlos trying to kill you?
00:17:32Not exactly. I have something he wants back really bad.
00:17:36Why don't you just give it back to him, and maybe he'd leave you alone?
00:17:40It's my insurance. Without it, he'd have already killed me.
00:17:45I'm really beginning to wonder about you, Peters.
00:17:48You did it again.
00:17:50Looks like you're going to have some company when we transfer you tomorrow, Sarah.
00:17:55Danielle, you're coming with me?
00:17:58Good behavior. I don't belong in this joint anyway.
00:18:03I can tell it's going to be a real cozy ride tomorrow.
00:18:07Get your stuff ready. We leave in the morning. Early!
00:18:11What is her problem?
00:18:21What are you doing? Where are you taking me?
00:18:24I'm being transferred tomorrow. It's already been approved.
00:18:27Not quite. I'm not so sure that you're fit for a transfer at this time.
00:18:32I'm not sure I'm fit for a transfer.
00:18:35I'm not sure I'm fit for a transfer.
00:18:38But you're fit for a transfer at this time.
00:18:41What are you talking about? You don't have the authority to keep me here.
00:18:45The doctor does.
00:18:48You got something you want to tell me, maybe?
00:18:53You are a stubborn little bitch, aren't you?
00:18:57We'll just see what the doctor has to say.
00:19:01Doctor, this is the prisoner who needs evaluation for transfer.
00:19:05As I told you, she was in a fight the other day and was hurt and hasn't been well.
00:19:09She was beaten badly by another prisoner.
00:19:12She's unfit for transfer, in my opinion.
00:19:17Sarah Sands? Is that right?
00:19:23Sarah, your past medical history looks good.
00:19:27Sarah, your past medical history looks good.
00:19:30But you understand, Sarah, we can't transfer you without being certain about your condition.
00:19:35It's something the state stipulates for its own protection.
00:19:39I feel fine, doctor. I wasn't injured in the fight. I'm fine.
00:19:45All right, Sarah, go ahead. Get undressed, please.
00:19:49All right. Get the hell out of here.
00:20:19Hold it. Okay, come on forward.
00:20:26Stay on the yellow line.
00:20:31Come on, Peters. Don't hold it up.
00:20:36Name and number.
00:20:38Sarah Sands, 54776.
00:20:44Name and number. Name and number!
00:20:48Danielle Peters, 12513.
00:20:57Name and number.
00:20:59Margaret Murphy, 02215.
00:21:18Name and number.
00:21:20Margaret Murphy, 12521.
00:21:23Name and number.
00:21:25Margaret Murphy, 12521.
00:21:28Margaret Murphy, 12521.
00:21:31Margaret Murphy, 12521.
00:21:34Margaret Murphy, 12521.
00:21:37Margaret Murphy, 12521.
00:21:40Margaret Murphy, 12521.
00:21:43Margaret Murphy, 12521.
00:21:46Margaret Murphy, 12521.
00:22:17Hey.
00:22:19So what the hell is this thing that Carlos wants back from you so bad?
00:22:27Oh, come on. I mean, it's been bugging me ever since you mentioned it yesterday.
00:22:33What the hell is it?
00:22:35It's a little black book filled with numbers and codes, that's all.
00:22:39It's something that could put an end to Carlos's underworld dealings.
00:22:43Oh. So that's why he wants it back so bad.
00:22:46That's why, as long as I have it somewhere, he won't dare kill me.
00:22:50Without it, I'd be dead already.
00:22:52What makes you so sure?
00:22:54I'm still here, aren't I?
00:22:56Well, that's true.
00:22:58Well, why don't you just go to the police with it?
00:23:02Are you crazy? They can't protect me from Carlos.
00:23:06Well, I hope you got that thing well hidden, girl.
00:23:10I do.
00:23:12And I have a really good memory.
00:23:28Hey, chauffeur. Come on, aren't we there yet?
00:23:33Cool it, Maggie. You're on the second stop anyway.
00:23:37Cool it, Maggie. You're on the second stop anyway.
00:24:08Hey! Hey! Stop! Stop!
00:24:12Stop! Stop!
00:24:15Come on. I've been in a car accident. My brain's all hurt. Come on.
00:24:18No, come on. Please come on. We've been in a car accident.
00:24:21Hang on. Hang on. I'll check it out.
00:24:24Why don't you call in our position?
00:24:26Okay.
00:24:28I'll check it out.
00:24:30I'll check it out.
00:24:32I'll check it out.
00:24:34Hang on. I'll check it out.
00:24:36Why don't you call in our position?
00:24:38And better call an ambulance, too.
00:24:40Look, I don't want to hear a peep out of any of you.
00:24:49This is Department of Corrections vehicle number 00941.
00:24:52Hey, this one's got a pulse. She's alive.
00:24:55Come in. Come in.
00:25:01Get down.
00:25:03Hey!
00:25:12Oh, my God. Get down.
00:25:14Roach, you all right? Yeah.
00:25:16Don't you dare get near that engine, bitch.
00:25:18I'll just waste all of you in there, and I mean it.
00:25:20And you wouldn't want that, would you?
00:25:22Come on, lady. You're a sitting duck here.
00:25:24Just give us Sarah, and we'll be all right.
00:25:26Come on. Let's be friends. Let's talk about it, okay?
00:25:29Hey, you wasted my best gal.
00:25:32Now, I am willing to forgive and forget.
00:25:34Right.
00:25:36Give us Sarah, and you can go on your merry way.
00:25:38Hey, man, I ain't got nothing to do with it, all right?
00:25:41She's right here. She's right here, and I will help you.
00:25:47Oh, man, I'm sorry about that.
00:25:49I just couldn't resist. I hate loudmouths.
00:25:52Hope we can still be friends, huh?
00:25:54Quit fucking around and give us Sarah. I mean it.
00:25:58I can't do that.
00:26:00Why can't you do it? Are you afraid you're gonna lose your job?
00:26:10You guys are late!
00:26:15Sorry, Slash. We had some problems.
00:26:22Listen, lady, I got party guests here, and you're in a whole heap of trouble.
00:26:26Go!
00:26:30Dammit!
00:26:33Come on! Let's go get them!
00:26:35Come on!
00:27:00That bitch hit my tire!
00:27:02Stand there! Go get some help, you idiot!
00:27:07Come on. Jesus, won't this thing go any faster?
00:27:09I'm trying! I'm trying!
00:27:13Something's wrong.
00:27:15Oh, shit.
00:27:17We're gonna have to go on foot.
00:27:19Come on!
00:27:20Come on, Sarah. Let's go.
00:27:22Sarah?
00:27:24No!
00:27:26She's dead.
00:27:28Come on, Pierce. Come on!
00:27:30We gotta leave her!
00:27:32Let me out!
00:27:37Come on.
00:27:39Quick, down here.
00:27:45Hold it!
00:27:47Give me the gun.
00:27:48What are you talking about?
00:27:50I don't know who you are, Peters. I'm not taking any chances now.
00:27:53Tina, I'm a federal agent.
00:27:55Special agent Danielle Peters with the FBI.
00:27:57Oh, FBI my ass. Give me the gun.
00:27:59Unless you want your little prince back there to catch up to us.
00:28:02Here.
00:28:08Jesus Christ!
00:28:10Why don't you just try using the kids?
00:28:12Because I don't have the kids back in the van.
00:28:14Now start running. You have French. Move it!
00:28:22God, this is bullshit.
00:28:24Fucking bullshit.
00:28:26Hey, Slash, you better see this.
00:28:28What is it?
00:28:29It's Sarah. She's dead.
00:28:31Oh, you stupid bitch!
00:28:33God damn it!
00:28:43Halt.
00:28:45Turn around.
00:28:47Slowly.
00:28:50Hold out your arms.
00:28:59Now cuff yourself to my wrist.
00:29:02Just to make sure you don't try anything funny.
00:29:05Tina, this is not necessary.
00:29:09That was the key.
00:29:10So if you're thinking of going anywhere without me, don't.
00:29:13Tina, I am not a convict.
00:29:15I am a federal agent working undercover, all right?
00:29:18Right.
00:29:19I was assigned to keep an eye on Sarah to find out what she knows and to protect her.
00:29:23Well, it doesn't look like you did such a great job then, does it?
00:29:26No, it doesn't look like you did either, did you?
00:29:29You are my prisoner, Peters, so start walking.
00:29:32Move it.
00:29:33Fine.
00:29:38Hello?
00:29:40Can anybody hear me?
00:29:42Tina, we are in the middle of a deserted road.
00:29:45Do you really think anybody's going to hear you?
00:29:47Just step it, Peters. This way.
00:29:52Come on.
00:29:53Hang on. I got an itch.
00:29:55Are you finished?
00:29:56Yes, I'm finished.
00:29:57I had to handcuff myself to the biggest mouth in the prison.
00:30:02Hey, look. There's a telephone. Let me make a call.
00:30:04Ah!
00:30:06Why would I let you do that?
00:30:08I'll call the bureau.
00:30:09They'll send a car out and it'll be the proof that you're an aid, okay?
00:30:12You just don't give up, do you, Peters?
00:30:14Tina, this is a federal investigation.
00:30:17And you know what?
00:30:18If you don't let me make a call,
00:30:20I'll see to it that you're sharing a cell with Zelda by tonight
00:30:23for interfering in a federal investigation.
00:30:25You got that?
00:30:29Okay, one call, but I'm watching you, Peters.
00:30:32Come on.
00:30:33Slow down. Speed up.
00:30:41God, I don't know if I can just remember my calling card number.
00:30:46Damn. Do you have a quarter?
00:30:48Do I look like a bank to you?
00:30:50No.
00:30:51Fine.
00:30:52What are you doing?
00:30:54I'm getting some change.
00:30:56You are not breaking into that phone booth while you are handcuffed to me, Peters.
00:30:59Fine. You're right. What have I sung?
00:31:02I'm sorry.
00:31:05I told you not to do that.
00:31:07Change.
00:31:22Carlos, what do you think?
00:31:26Turn around.
00:31:31Roberto, venga aca.
00:31:33Give me some stills right away.
00:31:35That's beautiful, baby. Beautiful.
00:31:37Exactly what I want.
00:31:39We'll have dinner tonight.
00:31:40Thank you.
00:31:41Thank you.
00:31:42Thank you.
00:31:43Thank you.
00:31:44Thank you.
00:31:45Thank you.
00:31:46Thank you.
00:31:47Thank you.
00:31:48Thank you.
00:31:49Thank you.
00:31:50We'll have dinner tonight.
00:31:51Thank you, Carlos.
00:31:52God damn it. Be careful with that fabric.
00:31:54Oh, I'm sorry, Mr. Vega.
00:31:57I apologize. I shouldn't yell at you like that.
00:31:59That fabric is for my show this weekend.
00:32:01Please, be careful with it.
00:32:11Carlos.
00:32:13It didn't happen with the slashes in the back.
00:32:15God damn it.
00:32:21God damn it.
00:32:32Idiot.
00:32:34God damn it.
00:32:50God damn it.
00:33:11What the fuck is this?
00:33:13Did I tell you to use these colors?
00:33:15Huh?
00:33:16Did I tell you to use these colors?
00:33:17No, Mr. Vega, no.
00:33:19It's a mess.
00:33:23Slash.
00:33:32I heard about the ambush.
00:33:35Very messy, Slash.
00:33:38Very messy.
00:33:41Oh, man, Carlos, I did everything just the way you said.
00:33:43I went in there. I was...
00:33:44It was so clean, man. I'm sorry.
00:33:47Sarah's dead.
00:33:49Well, then.
00:33:50I hope you found out where she hid the code book.
00:33:52See, that's the thing...
00:33:54Feds are closing in on me,
00:33:56and you come in here with that kind of fucking news?
00:33:59I'm very disappointed in you, Slash.
00:34:02Very disappointed.
00:34:04Oh, Carlos, man, I did everything right.
00:34:06Everything just the way you said.
00:34:08It wasn't me. It was this girl.
00:34:09She came out of nowhere. She started shooting.
00:34:11She ain't no regular prisoner, Carlos.
00:34:13She ain't no regular prisoner.
00:34:15She ain't no regular prisoner.
00:34:17Just give me one more shot, man.
00:34:19I know I can get her. I know I can.
00:34:21You know, Slash,
00:34:24I've always loved this country.
00:34:26My work.
00:34:27My women.
00:34:29But if this bitch turns out to be a Fed,
00:34:32I'm gonna have to leave.
00:34:34I'm sorry, man. Just give me one more shot.
00:34:36I can do it.
00:34:37I'll make it real clean.
00:34:41Wait for me outside, Slash.
00:34:43Oh, come on. I'll just go in. Just a couple of...
00:34:45Outside.
00:34:47Yeah, man. Let's go.
00:34:58Radio. Phone.
00:35:01Hello?
00:35:03Yeah. It's me.
00:35:05Si, senor.
00:35:06I want you to find out about a woman.
00:35:09Where she lives, who she lives with, everything.
00:35:13I don't care what it costs, what you gotta do.
00:35:16Just do it.
00:35:18Do it now. Right now.
00:35:20Yesterday.
00:35:22Right now.
00:35:24Right now.
00:35:26Right now.
00:35:28Right now. Yesterday.
00:35:30Si, senor.
00:35:31Comprende?
00:35:32Si.
00:35:34Let's do it.
00:35:35Hey, there's the car. Come on. Let's go.
00:35:40Ow!
00:35:43FBI. Don't shoot.
00:35:45All right. Get out of the car.
00:35:48Slowly.
00:35:53Keep your hands where I can see them.
00:35:56Let me see some I.D.
00:36:02There. Are you satisfied now?
00:36:07Maybe.
00:36:09Oh, God. Come on.
00:36:11I'll go along with it for now.
00:36:13Shut up and get in.
00:36:18Let's go.
00:36:27Can we go get some ice cream?
00:36:30No, Jessica. You know we can't because it's getting late
00:36:33and you're going to have dinner soon.
00:36:35And besides, your mom wouldn't like it.
00:36:38Aah!
00:36:40Aah!
00:36:42Aah!
00:36:44Aah!
00:37:15Come in.
00:37:20Tina, this is my field supervisor, Jerry.
00:37:23Glad to meet you, Tina.
00:37:25Nice to meet you.
00:37:27Have a seat. Both of you.
00:37:33Thanks, John.
00:37:36I've got some bad news, Danielle.
00:37:39A few hours ago, someone kidnapped your daughter.
00:37:45They were two men. We don't know who they were.
00:37:48But we think they may have been hired by Carlos Vega.
00:37:52But why? I mean...
00:37:54I don't know.
00:37:56I don't know.
00:37:58I don't know.
00:38:00I don't know.
00:38:02But why? I mean...
00:38:06If it was Vega,
00:38:08he probably thinks you found out where Sarah hid that code book.
00:38:11In which case, he's probably using Jessica
00:38:14to try to negotiate his freedom.
00:38:18I'm really sorry, Danielle.
00:38:20We're doing absolutely everything that we can.
00:38:23What about Mary? I mean, is she okay?
00:38:27Yeah, she's fine. She just got roughed up a little bit.
00:38:33If that son of a bitch hurts Jessica, I'll kill him.
00:38:36Listen, Dani. You can't be irresponsible right now.
00:38:39At present, we don't even know who was Vega that took Jessica.
00:38:43Sit down. Put yourself together.
00:38:46Listen, you're okay.
00:38:48I've got to ask you a couple questions.
00:38:53We've been busy since the time you called in.
00:38:56We covered the prison van, along with Sarah's body.
00:38:59We analyzed everything she's possessed that we know of,
00:39:02both in and outside the prison.
00:39:04Her clothes, her books, everything.
00:39:06But we came up empty.
00:39:08We've got no clue right now where she hid that damn code book.
00:39:12We're right back at square one.
00:39:14We've got nothing on Carlos Vega.
00:39:16So I've got to ask you, is there anything you can tell us
00:39:20that can give us a lead on that damn code book?
00:39:23She just told me that in addition to hiding it,
00:39:27that she memorized it, but...
00:39:30That doesn't do us any good right now, does it?
00:39:33Excuse me. I mean, if you don't mind my asking,
00:39:36what is this code book?
00:39:43Vega is, um...
00:39:45Vega's a drug dealer that we've been after,
00:39:48and Sarah was his girlfriend.
00:39:51And when she felt that our life was in danger,
00:39:55she stole the code book.
00:39:57And it has all of his money laundering
00:40:00and his drug contacts in it.
00:40:03So that's what you were after then?
00:40:06Yeah.
00:40:08Listen, um, why don't you go on home?
00:40:11Try to get some rest.
00:40:13I'll keep you informed if anything develops.
00:40:18Wait a minute. You're taking me off the case?
00:40:22I'm sorry, Danielle. You know the rules.
00:40:25I can't have an agent be personally involved.
00:40:28We're talking about my daughter here.
00:40:31She is kidnapped because of me.
00:40:33And you expect me to just go home
00:40:36and sit and wait while you keep me informed?
00:40:39I'm sorry, Jerry. I can't do that.
00:40:44Let's not have somebody drive you home.
00:40:46I'll go. Don't bother!
00:40:48I've got my own car here.
00:40:52Tina, um, you haven't been properly debriefed.
00:40:56I'm going to have to trust you
00:40:58not to repeat anything you've heard here.
00:41:00Not a word. Not to anyone.
00:41:03It's what I like about the government.
00:41:05All those little secrets.
00:41:08Yeah.
00:41:22Oh, God.
00:41:24I really love your car.
00:41:26How fast does this thing go, anyway?
00:41:28It does okay.
00:41:29Just don't try pegging the needles.
00:41:31I just paid it off.
00:41:32Don't worry.
00:41:33You sure you don't want to come in for some coffee?
00:41:35No. It's been a long day.
00:41:37I have a friend who lives close by.
00:41:39She'll let me crash there.
00:41:41All right. Just bring it back in the morning.
00:41:43Okay. Don't worry.
00:41:45You sure you're going to be all right?
00:41:49Well, nothing that a hot shower won't kill for the time being.
00:41:54Night.
00:42:18Good night.
00:42:48I'm sorry, Jess.
00:43:18Good night.
00:43:49I'm sorry.
00:43:51So, at last we meet.
00:44:18Up close and personal.
00:44:20What do you want from this federal agent?
00:44:23What do you want?
00:44:27Such a silly question.
00:44:30But to the point, I guess.
00:44:33Carlos wanted me to tell you...
00:44:37Oh, yeah.
00:44:39He's got your little girl.
00:44:42See?
00:44:44Temper, temper.
00:44:45You don't want to lose your head over this now, do you?
00:44:47Leave your little girl an orphan?
00:44:49I don't think so.
00:44:51If he hurts Jessica, he can bet I will personally see him dead.
00:44:55Relax.
00:44:57Your kid's going to be okay.
00:44:59For as long as you cooperate.
00:45:02Well, if he's worried about his precious little code book.
00:45:06Just tell him he needn't be.
00:45:08Sarah didn't tell me anything before you so stupidly killed her.
00:45:13So, we got a problem there because...
00:45:16No matter what you tell us...
00:45:19How are we going to believe you?
00:45:22So, here's the deal.
00:45:25If you or your federal agents come anywhere near Carlos...
00:45:29You just might find that little kid of yours just kind of floating upside down in a swimming pool.
00:45:34So, I would convince your friends just to lay off Carlos for a little while.
00:45:39Give him two weeks so he can get out of the country.
00:45:42And when he feels good and safe...
00:45:45You'll get your kid back.
00:45:48Yeah. And how can I be sure he'll do what he says, huh?
00:45:53You got his word.
00:45:55See? We're holding all the cards.
00:45:58Carlos wanted me to make sure that you knew that the only reason...
00:46:03That you and your little girl are alive...
00:46:06Is because you're going to cooperate with us.
00:46:08Never!
00:46:13You know...
00:46:15Personally, I would love to see you dead.
00:46:18I would love to kill you.
00:46:20But Carlos...
00:46:22He kind of wants you and Freddy here to kind of get to know each other a little better.
00:46:37That's enough!
00:46:43Oh, God!
00:46:49What do we do with the body?
00:46:51I'll call a friend. He'll take care of it.
00:46:53Oh, God. I look terrible.
00:46:55Go ahead and sit. You got an antiseptic in here?
00:46:57Yeah.
00:46:59So, how'd you learn to fight like that?
00:47:02To protect myself from prisoners like you.
00:47:05I'm really glad you came back.
00:47:07Yeah. I didn't think you should be alone tonight.
00:47:10This is my community. It's not too bad.
00:47:13Tina, I'm going after Carlos Vega, and I need your help.
00:47:16Uh-uh. You heard your boss. You're off the case.
00:47:19He's got my daughter. What am I supposed to do?
00:47:22The Bureau is never going to get Carlos home.
00:47:24He'll be out of the country before they even figure out what they can pin him on.
00:47:27Danielle, I'm just a prison guard.
00:47:29I'm not trained for this kind of stuff.
00:47:31Well, what about Jesse, huh?
00:47:34I'm sorry. I really don't think that Carlos Vega is taking Jessica out for ice cream in the park.
00:47:39The FBI is going to handle it.
00:47:41The FBI? They're all tied up in their procedures and rules.
00:47:45They're never going to be able to act fast enough.
00:47:48Look, Danielle, come on. I'd really like to help you, but...
00:47:52I mean, just the two of us?
00:47:54It's crazy. First, okay, we'd have to break every law in the book to get to Carlos.
00:47:58And second, minor detail here, we'll get killed.
00:48:02And if we don't get killed, we'll get walked up, at the very least.
00:48:05Look, Carlos Vega is a cold-blooded killer.
00:48:08A ruthless convict, and the man has to be stopped.
00:48:11Hello?
00:48:13Hasn't what has happened in the last 24 hours convinced you of that?
00:48:18Dan, I've got to get Jesse back.
00:48:25I can at least have a shower first.
00:48:36Okay, so just take a second.
00:48:39I've got to bypass this logon password so they don't find it in the file.
00:48:42I don't know. I'm so not so sure we should be doing this.
00:48:46Tina, just trust me. Hurry up.
00:48:50There. I'm in.
00:48:53That's Carlos Vega?
00:48:55Why does he look familiar?
00:48:57You know, Carlos Vega, the fashion designer.
00:49:00You're kidding me. You mean THE Vega?
00:49:02God, he does some great stuff.
00:49:04Wish I could afford it.
00:49:05Yeah, me too.
00:49:07He used this business as a front.
00:49:09As far as we can tell, the business is totally legit.
00:49:12Which makes it a great cover for all his drug dealings.
00:49:14Wait, wait.
00:49:17Looks like Jerry's investigation has narrowed it down to two locations
00:49:20that they think Carlos is holding Jesse.
00:49:23One's his mansion, and the other is this warehouse he's got under an assumed name.
00:49:28Hmm. His mansion's like a fortress.
00:49:31Heaven knows he'd be guarding it more heavily now.
00:49:33Yeah.
00:49:34What about this warehouse, though?
00:49:38You think Jesse might be in there?
00:49:41Could be.
00:49:59Okay.
00:50:01Well, that's the warehouse.
00:50:03We should probably go in on foot from here.
00:50:06Looks quiet.
00:50:08Yeah, it does.
00:50:10You know what to do, right?
00:50:12Yeah.
00:50:14God damn it.
00:50:32You know what to do, right?
00:50:35Yeah.
00:50:41You okay?
00:50:42Look, this is going to be real easy.
00:50:44All we're going to do is go in, take a look around.
00:50:46I'll take the lead, but you can't want me to cover me
00:50:48now if the shit starts flying.
00:50:49Oh, that's comforting.
00:50:51Come on.
00:50:53Come on.
00:51:13I doubt if he'd just leave the door open for us.
00:51:15Do you think he was trying to hide something?
00:51:18Maybe that's exactly what he wants us to think, then.
00:51:20Come on, let's go.
00:51:23Come on.
00:51:48Come on.
00:51:50Jeez.
00:51:53It's almost too quiet.
00:51:56I know.
00:51:58Come on, let's go.
00:52:20All right, you stay here.
00:52:22I'm going to go inside and check it out.
00:52:23Be careful.
00:52:53Come on.
00:53:05I can't believe there's nothing.
00:53:07I guess that means we're breaking and entering his mansion next.
00:53:09You bet your sweet ass.
00:53:10Drop your guns.
00:53:11Put your hands in the air.
00:53:14Come on, do it now.
00:53:22Maybe we can work something out, huh?
00:53:24I'm serious, you guys.
00:53:26Look, we do something for you, you do something for us.
00:53:30You know what, Tina?
00:53:31I'm sorry, look at these guys.
00:53:32They don't look like the kind of guys that that's going to work with.
00:53:34Shut up.
00:53:35I'm trying to work something out here.
00:53:53Come on.
00:54:03Hold it right there.
00:54:04Nobody move.
00:54:10This time you're over the line.
00:54:11You almost killed two of my men.
00:54:13Well, they should have identified themselves.
00:54:15Don't you open your mouth.
00:54:16I'm not finished.
00:54:18You completely ignored the fact that I've taken you off this case.
00:54:21Not to mention Tina, who you've now got investigating in a top-level federal investigation
00:54:25with no security clearance of any kind.
00:54:28Did you even think of the danger you're putting her in?
00:54:30Hey, it was my choice.
00:54:31I was acting on my own.
00:54:32Oh, were you?
00:54:33Well, you're not an agent.
00:54:34You don't act on your own in a federal case.
00:54:37Well, I do.
00:54:39When it comes to my daughter's life,
00:54:40not you or the Bureau or anybody else is going to stand in the way of that.
00:54:44Really?
00:54:45Were you thinking of your daughter's safety?
00:54:46Or were you just thinking about your own guilt?
00:54:48Don't fuck up this case just because you feel guilty about putting Jesse in danger.
00:54:52It's not your fault.
00:54:55Now sit down.
00:55:01Despite what you think, we have been doing all we can.
00:55:05We've been surveying Carlos' mansion and the warehouse.
00:55:09You could have really screwed things up at the warehouse,
00:55:11but I don't think his men saw what happened.
00:55:16I can't help but think that you have some information you're withholding from me.
00:55:20Has Carlos contacted you?
00:55:23Has he threatened to hurt Jessica?
00:55:28No.
00:55:32If you have any proof that he's holding her,
00:55:34I can get a search warrant in two hours.
00:55:37Oh, come on, Jerry.
00:55:38You know as well as I do that Carlos Vega would know about a search warrant
00:55:41before the ink even had a chance to dry.
00:55:44Do you have any better ideas?
00:55:49Listen, Danielle, I've been after Carlos Vega for a long time.
00:55:53I want him bad.
00:55:55Now with Jessica being kidnapped, I...
00:55:58But I can't just bust in there.
00:56:00We have to do this right or we're never going to hold him.
00:56:04I know, Jerry.
00:56:06Do you have any proof that he's got her?
00:56:11No.
00:56:16I have no choice but to suspend you.
00:56:18No! What?
00:56:20And, Tina, this is not your business.
00:56:21I suggest you go home.
00:56:38Hey, you mind?
00:56:39Oh, no, go ahead.
00:56:40I'm starving.
00:56:43Shabbat's always such a fun guy.
00:56:46You know, as much as I hate to admit it,
00:56:48he was right about one thing.
00:56:51I was totally out of line asking for your help on this.
00:56:54Don't be ridiculous, Danielle.
00:56:56No, I'm serious.
00:56:57I had no right to get you involved.
00:56:59Will you give me a little credit?
00:57:01It was my decision.
00:57:04Thanks.
00:57:05You're welcome.
00:57:10You are still going after her, aren't you?
00:57:13I don't think I have much choice now, do I?
00:57:15Mm-mm.
00:57:16So, count me in.
00:57:19No.
00:57:21I cannot ask you for your help on this.
00:57:23It'll be too dangerous.
00:57:24Well, you're not asking me, are you?
00:57:25I'm telling you.
00:57:26You need me.
00:57:27And I'm telling you no.
00:57:29It'll be too dangerous.
00:57:30Will you give me a little credit?
00:57:32I'm a prison guard.
00:57:33I can handle myself.
00:57:35Besides, I think I sort of have a knack for this job, don't you?
00:57:44All right.
00:57:47Pardner.
00:57:48Partner.
00:57:49Excuse me.
00:58:03Jennifer, you have a phone call.
00:58:05Thank you.
00:58:07Hello?
00:58:08Jennifer.
00:58:09Hi.
00:58:10Danielle Peters.
00:58:12Oh, Danielle.
00:58:13Hi.
00:58:14Listen, I'm in a bit of a bind.
00:58:18I kind of need to see you.
00:58:20Yeah.
00:58:21Yeah, I'll be there.
00:58:22All right.
00:58:23I'll see you then.
00:58:24Okay.
00:58:25Bye-bye.
00:58:28Thank you.
00:58:29You're welcome.
00:58:36Hi, Jennifer.
00:58:37Come on in.
00:58:39Tina?
00:58:41May I introduce to you Jennifer Springer,
00:58:43probably one of the most sought-after Paris models.
00:58:46I know.
00:58:47Hi, I'm Tina Lamb.
00:58:48Hi, Tina.
00:58:49I'm glad you even put her in person.
00:58:50I hate you.
00:58:51Stop.
00:58:52You know, I'm really sorry I had to drag you into all this, Jen.
00:58:55No problem.
00:58:56Trust me.
00:58:57I want to do all I can to help you, Danielle.
00:58:59Jennifer's not only a high-fashion model,
00:59:01but she also works for several European secret service agencies on occasion.
00:59:05Really?
00:59:06I guess it was, what, a couple of years ago we worked together on a case.
00:59:09Right, yeah.
00:59:10And at one point it got pretty hairy.
00:59:12And basically she saved my ass.
00:59:14Jeez.
00:59:16I don't know that it was nearly exciting or half as heroic as she makes it out to be.
00:59:21Hey, it was a close call.
00:59:24So here I am.
00:59:26Let's get down to business.
00:59:27What's the plan, boss?
00:59:29Well, I'm positive that Carlos has got Jesse somewhere in his mansion.
00:59:33Mm-hmm.
00:59:34He's got a fashion show coming up on Sunday.
00:59:36That's in two days, so we don't have much time.
00:59:39My guess is as soon as that fashion show's over,
00:59:42he's going to try and leave the country and take Jess with him.
00:59:44All right, so we have to do something before then.
00:59:46We're planning tomorrow night.
00:59:48Oh, his mansion's a really weird place.
00:59:51I mean, for his safety, he's built his own fashion business,
00:59:54including his garment factory in his backyard.
00:59:57Security's really tight around there, though, but he's real quirky about it,
01:00:00in that he relies more on armed guards and less on electronic surveillance.
01:00:06We may be able to use that to our advantage, then.
01:00:08Bingo.
01:00:09I do know a little bit about his habits.
01:00:12We know that he always prepares for his shows at his mansion.
01:00:15That means the models always go there first for the rehearsals and preparations.
01:00:19Then he wraps up and ships out to the show.
01:00:22Exactly.
01:00:23So Saturday night, the place should be teeming with models.
01:00:25Mm-hmm.
01:00:26And that's our opportunity to get in.
01:00:27Right.
01:00:28And that's where we need you, Jen.
01:00:30Wait a second.
01:00:31What about the FBI?
01:00:34Good old Jer is probably going to have his men covering the mansion, won't he?
01:00:37Well, we'll just have to hope that we find Jessica or they find us.
01:00:42Right.
01:00:44Let's give it a shot.
01:01:11Good evening, ladies.
01:01:12Hi, guys.
01:01:13How's it going?
01:01:14Fine, thank you.
01:01:15Uh, listen, we had a little bit of a problem with a bomb scare earlier,
01:01:18so we're having to check everybody in.
01:01:20I know it's a hassle, but I hope you don't mind.
01:01:24Well, we're very late already, so I hope it doesn't take long.
01:01:27No, it should just take a minute.
01:01:29Would you ladies step out of the car, please?
01:01:32Uh...
01:01:37A chance to get in the car?
01:01:40Sorry about this.
01:01:42Really.
01:01:49All right, I'll need your names.
01:01:52Jennifer Springer.
01:01:54Oh, yeah.
01:01:55I've seen your work.
01:01:57Oh, have you?
01:01:58That's great.
01:02:02Oh, this is Laurie.
01:02:03She does my hair and makeup.
01:02:05Hi.
01:02:06Hi.
01:02:08Oh, it's just makeup and stuff.
01:02:11It's okay.
01:02:12It seems we have a problem here.
01:02:15Your names aren't on the list.
01:02:17You've got to be kidding me.
01:02:18No.
01:02:19I cannot believe this.
01:02:20My agent just called me a few hours ago and told me to drop everything.
01:02:23I got here as soon as I could, and now this?
01:02:26Jen, do you mean to tell me that we came all the way over here for nothing?
01:02:29Look, I can call in.
01:02:30We can clear this up.
01:02:31Look, I'm sure they just didn't get a chance to put my name on the list yet.
01:02:34I mean, can't you just let us through?
01:02:36I am.
01:02:38No.
01:02:39Are you girls trying to keep me from calling this in?
01:02:41No.
01:02:42We're late for rehearsal already, all right?
01:02:44You know how Carlos is about this.
01:02:55Way to go, Rambo.
01:02:56Hey.
01:02:57You guys were in trouble.
01:02:58I had to do something.
01:02:59Well, I know, but what about the plan?
01:03:00You think they're not going to realize these two guys are missing?
01:03:02Yeah, and the feds would spot what's happened if they haven't already.
01:03:05Did we abort?
01:03:06No.
01:03:07We're not going to get another chance.
01:03:09Think, Danny.
01:03:11Jennifer, you go in with me.
01:03:13Go around back.
01:03:14Okay.
01:03:15Hey, you could say thank you.
01:03:17Thanks.
01:03:35Mm-hmm.
01:03:45Jennifer.
01:03:46Yeah?
01:03:48Talk about money.
01:03:50God, this place is huge.
01:03:51Yeah, I know.
01:03:52I told you.
01:03:55Hmm.
01:03:58Tina's going to go check out the warehouse.
01:03:59We should see what the garment factory is like.
01:04:01Oh, all right.
01:04:03Come on.
01:04:04You go first.
01:04:05Okay.
01:04:32This place is really huge.
01:04:33It's got a lot of ground to cover, kiddo.
01:04:34Yeah.
01:04:37You think Jessica's over there?
01:04:40I don't know.
01:04:41Check it out.
01:04:42Yeah, right.
01:05:03Hi.
01:05:04Hi.
01:05:12Hi.
01:05:17So now what do we do?
01:05:19Um, I think I'm going to go take a look around, okay?
01:05:22Okay.
01:05:33Okay.
01:06:03Okay.
01:06:34This is the dress and shoes that you'll be wearing this evening
01:06:36if you'd like to go and slip those on.
01:06:38Thank you.
01:06:39Thank you.
01:07:03Okay.
01:07:34Nothing.
01:07:35So now what do we do?
01:07:38I don't know.
01:07:39I guess we just keep looking.
01:07:56So.
01:07:59We meet again pretty late.
01:08:04Mr. Baker, we did the turquoise soy-cut evening gown.
01:08:08That's fine, fine.
01:08:09Terrific.
01:08:19That dress.
01:08:20It's just beautiful, beautiful on you.
01:08:22Well, of course, Carlos.
01:08:24It's one of your creations.
01:08:26Have we met?
01:08:27You look awfully familiar.
01:08:28Uh, yes.
01:08:29We were introduced a couple of years ago at another show.
01:08:31Um, Jennifer Springer.
01:08:33Ah, Jennifer Springer.
01:08:34Of course, I know the name.
01:08:35Glad to have you.
01:08:39Now that we've been introduced, who might this be?
01:08:43This is my, uh, personal makeup and hair stylist, Lori.
01:08:47Well, don't let me keep you then.
01:08:51Yes, Carlos.
01:09:01Excuse me.
01:09:22Excuse me, ladies.
01:09:25I was just wondering if I might ask your opinion on something.
01:09:28Well, actually, it's more of a question rather than an opinion.
01:09:32You see, I was just wondering whether or not you've had any luck finding your kid.
01:09:40I'm sorry, son of a bitch.
01:09:43I'm waiting for an answer.
01:09:48Where is she?
01:09:49Where is she?
01:09:57I can do it by myself.
01:10:12So, what did you do with Tina?
01:10:14Okay?
01:10:15Tina!
01:10:16Ah, your pesky little friend?
01:10:19Not to worry. We're gonna visit with her right now.
01:10:28They need you upstairs to approve the dresses.
01:10:31I don't give a fuck about no damn dresses right now.
01:10:34Can't you see the feds are closing in on me?
01:10:36You just get Roberto Carangelo on the phone.
01:10:39Tell him to transfer my money to the Swiss accounts.
01:10:42And tell him I said every last cent or I'll have Rosario blow his head off.
01:10:44Go ahead.
01:10:45Yes, Carlos.
01:10:47Ladies, your friend is waiting.
01:10:55It's party time. Sit, bitch.
01:10:57Sit, bitch.
01:11:12Did you ladies actually think you could come into my house,
01:11:17La Casa de Carlo Vega,
01:11:20and fuck with me?
01:11:24I thought we had an understanding, you and me.
01:11:27You know, I'm okay.
01:11:30Your kid's okay.
01:11:33So, with that in mind,
01:11:36tell me,
01:11:38why did the feds send you in here?
01:11:41I mean, what is it they're up to?
01:11:45They're not up to anything.
01:11:48We came in here on our own.
01:11:51Look, I want my daughter back.
01:11:53If you just give me my daughter and let my friends go,
01:11:57you can do whatever you want with me.
01:12:01And then what?
01:12:03The feds are gonna let me just waltz out of here?
01:12:06Is that what you're telling me?
01:12:08Sarah never told me anything about your stupid little code book.
01:12:13The feds don't have anything on you.
01:12:15Oh.
01:12:17So then I should let you all go?
01:12:21Mm-hmm.
01:12:22Well,
01:12:24I don't think that's such a good idea.
01:12:27Slash?
01:12:29What do you think?
01:12:30I don't know.
01:12:31Little Miss Federal Agent hasn't been too nice to me.
01:12:35I wouldn't trust her.
01:12:36Si.
01:12:37Si.
01:12:40Dorario.
01:12:42Go play.
01:12:45T.K.!
01:12:46Hey!
01:12:47Let her go!
01:12:48Si.
01:12:49Just let her go!
01:12:50Look, why are you doing this, huh?
01:12:52What do you want from us?
01:12:54Why don't you just tell us what the feds are up to outside, okay?
01:12:57We came in here on our own.
01:12:59They've taken me off the case.
01:13:01Yeah, well, why don't you tell us what you do know?
01:13:04I mean, just think of what you're doing to that poor friend of yours.
01:13:07Not to mention what you're doing to that poor little daughter of yours.
01:13:12Jesus Christ.
01:13:14I don't know anything.
01:13:17Just listen to her.
01:13:18She's telling you the truth.
01:13:20They don't have your code book, and I don't know what they're planning.
01:13:23All right?
01:13:24Okay, ladies.
01:13:25Let's cut the fucking bullshit.
01:13:27Slash?
01:13:28Yeah?
01:13:29Let's take them for a little walk.
01:13:34Come on, princess.
01:13:37Come on.
01:13:48Would you turn around and change your shoes?
01:13:50She's told me to change them.
01:13:52Follow me.
01:13:53Smile.
01:13:54All the party guests, come with me.
01:13:55Smile.
01:13:56Smile.
01:13:57Look at all the party guests.
01:13:58Come on, little lady.
01:13:59Smile.
01:14:00Come on.
01:14:01Smile.
01:14:02Look at all them.
01:14:03They're models, hon.
01:14:04You could be pretty, too, but you ain't going to be, not after I'm done with you.
01:14:08You haven't seen my knife tricks, have you?
01:14:11Too bad, babe.
01:14:12It's my specialty.
01:14:14I thought your specialty was being Carlos' pet bulldog.
01:14:19Bitch.
01:14:23Get out of here!
01:14:24Get down!
01:14:25Get down!
01:14:30This is the FBI!
01:14:31Put down your weapon!
01:14:32I repeat, this is the FBI!
01:14:34You are surrounded!
01:14:45Come on!
01:14:54Come on, bitch.
01:14:55Come on.
01:14:56Come here.
01:14:57You think you got it?
01:14:58You come to me, bitch.
01:15:14How's about this? Take them off right now.
01:15:24No! No!
01:15:44FBI! Drop your weapons! Drop them!
01:16:02Freeze you ingrate fuck! Drop your piece! Drop it!
01:16:15Bring me a casualty report right away.
01:16:23Let her go! Let her go! Let her go!
01:16:27Mommy! Mommy!
01:16:28Congratulations Miss FBI. You made it to the bonus round.
01:16:32Now how do they say it? I can kill her now or I can kill her later. You decide.
01:16:38Ow!
01:16:39Come on Jeff!
01:16:45Ow!
01:16:50You know what? You picked the wrong kid to kidnap.
01:16:58Danny!
01:17:02It's not worth it.
01:17:05Come on.
01:17:08Back off Danny.
01:17:10Come on.
01:17:11Get this dirt out of here. Nobody until I say so.
01:17:18You're okay.
01:17:21Jesse!
01:17:24Jesse you're okay.
01:17:28Jennifer.
01:17:31Jennifer.
01:17:32You saved your buddy all that?
01:17:35Oh Jen.
01:17:40Oh Jerry. Thanks for coming in after us.
01:17:44You didn't leave me much choice did you? After the way you all busted into this place.
01:17:48Hey I'm just glad Jessica's okay.
01:17:52I'm just sorry you didn't get Carlos.
01:17:54I don't think we have any problem holding him.
01:17:58The code book?
01:17:59That's it.
01:18:00Oh my god. But I mean how did you get it?
01:18:03Sarah.
01:18:04You know she had a tattoo of a small black rose on her thigh.
01:18:07First I didn't think anything about it because most inmates have tattoos of some kind.
01:18:11But it kept bugging me. So I did some rechecking.
01:18:14Turns out she has an aunt who lives in Texas.
01:18:17She's the only member of her family that Sarah stayed in touch with after she ran away from home.
01:18:21This aunt began growing black roses some years ago.
01:18:25She's actually quite well known for them.
01:18:27There's no such thing as a true black rose so anything that even comes close is considered very rare.
01:18:32And this aunt sent Sarah black roses on her birthday telling her how rare she was.
01:18:37And we found out that's where she sent the code book in case anything happened to her.
01:18:40Wow. She was definitely a rare breed.
01:18:44Looks like she told you what you wanted to know after all.
01:18:48Yeah.
01:18:49I also did some checking on you Tina.
01:18:51What?
01:18:52I had to make sure you weren't a plant by Vega.
01:18:54Jerry. Give me a break.
01:18:57Well I found out that you've applied to the bureau a couple of times.
01:19:00You know about that?
01:19:02Yeah. You may not know this but I can make sure appointments go through for specially qualified applicants.
01:19:08I told you I had a knack for this stuff.
01:19:12Yeah and I need all the help I can get keeping an eye on a particular agent.
01:19:16I know what you mean.
01:19:17Hey.
01:19:18Danielle do you have any idea the kind of trouble an agent that was on say Suspended Order had?
01:19:24Do you have any idea the kind of trouble an agent that was on say Suspension would be in
01:19:29if they were involved in the kind of activity going on here tonight?
01:19:32Fortunately your suspension is going to begin after you come back to the office and do all the paperwork on this case.
01:19:39I think two weeks with Jessica should be about enough.
01:19:45Come on Jess.
01:19:48Oh Jerry. Can it be three?
01:19:50Don't push it. Don't push it Peters.
01:19:53Come on let's get out of here.
01:19:55Oh I was wrong. You are a fun guy.
01:19:58Oh shut up.
01:20:00Come on sweetie.
01:20:01Let's let the lab guys have this place.