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00:00First, we have a note.
00:19And we have a tune.
00:27Then we have a melody.
00:34Beethoven wrote this when he first discovered he was going deaf.
00:38All that rage and fury, out of which something beautiful.
00:48Am I boring you, Henry?
00:49It's just a bit stuffy.
00:50Can't you play something more exciting, sir?
00:54There is one thing you might like.
00:56It's called the Devil's Chord.
00:57Tell me more, sir.
00:58It was banned by the church in medieval times, in case it allows the devil to enter the room.
01:04Makes you shiver, doesn't it?
01:11Technically it's known as a tritone, but, uh, put it in context, and, uh...
01:18Oh, gosh!
01:21Oh, goodness me!
01:26What?
01:28Is someone playing a game?
01:40Henry, get away from him.
01:53Them.
01:54What?
01:55Me.
01:56What?
01:57I'm them.
01:58You're who?
01:59You're who.
02:00Nice to see you again, kiddo.
02:03You know each other?
02:04That's my daddy.
02:05Don't be ridiculous.
02:06You didn't look up my name, sir.
02:07Of course I did.
02:08It's Henry...
02:09What was it?
02:10Henry...
02:11Henry Harbinger, that's it.
02:12Harbinger!
02:13Think of him as my prelude.
02:14And now his song is sung.
02:15Who are you?
02:16My notation is...
02:17My son.
02:18My son.
02:19My son.
02:20My son.
02:21My son.
02:22My son.
02:23My son.
02:24My son.
02:25My son.
02:26My son.
02:27My son.
02:28My son.
02:29My son.
02:30My son.
02:31My son.
02:32My son.
02:33My son.
02:34My son.
02:35My best fellow singer.
02:36A great composer.
02:37M-maestro.
02:38But what are you?
02:39I...
02:40A-a-am...
02:41Music.
02:47And you, Mr. Timothy Drake!
02:50You're a genius.
02:52Don't be ridiculous.
02:54You're the greatest composer who ever lived.
03:00Clever enough to find the lost chord...
03:02But it's so sad, Tickety.
03:07You never had the luck.
03:10You never got that break.
03:14I did not. You're right.
03:16Nobody ever understood me.
03:18All those melodies stifled and strangled inside you.
03:26All those songs you never sang.
03:31They sit there still, wrapped around your heart.
03:38Still beating.
03:41Wrapped so tight.
03:50Would you like me to set them free?
03:53I would love that. Yes. Yes.
03:57Music, maestro, please.
04:01Yes, sir.
04:04Ha-ha-ha!
04:07Ha-ha-ha!
04:10Ha-ha-ha!
04:13Ha-ha-ha!
04:16Ha-ha-ha!
04:19Ha-ha-ha!
04:22Oh!
04:25Oh!
04:28Oh!
04:31Oh!
04:34Oh!
04:37Oh!
04:42Now.
04:46electronic music plays
04:51electronic music plays
04:57electric guitar plays
05:04electric guitar plays
05:08♪♪
05:18♪♪
05:28♪♪
05:33I want to see the Beatles recording their very first album.
05:44Seriously?
05:45Well, you asked.
05:46If I could go anywhere in time and space, that's where I'd go,
05:49because my mum, she had a girlfriend, Claire,
05:51and she loved Claire, and she was dead into buying up.
05:53She had all the Beatles albums,
05:55so I used to play them every day after school.
05:57Ten years old I was.
05:58We had Revolver, the White Albums,
06:00so, yeah, if I could go anywhere, then that's where I'd go.
06:06That is...
06:09amazing!
06:11Oh, wait, seriously?
06:12Oh!
06:13People always say the Titanic, or Mars, or Bethlehem.
06:16But the Beatles!
06:19Why have I never done that before?
06:21Come on!
06:22Oh!
06:24Whoa!
06:26February 11th, 1963.
06:28No way, really?
06:30Ah!
06:31Ooh!
06:32Oh, wait, wait, wait, wait, wait.
06:34If we're in the 60s, what about my clothes?
06:39Good thinking.
06:41Oh!
06:42Oh, my God!
06:43I like it!
06:44I like it!
06:45Come on!
06:46I want to be high!
06:48I've got wings galore!
06:50♪♪
06:51♪ Like a sound you hear that lingers in your ear ♪
06:54♪ But you can't forget from sundown to sunset, na-na ♪
07:01♪ It's all in the air, you hear it everywhere ♪
07:04♪ No matter what you do, it's gonna unravel, hold on here ♪
07:10♪ California soul, yeah! ♪
07:151963?!
07:18Heh-heh-heh!
07:20Oh, no way!
07:22It's like the album cover!
07:24Oh, I'm having the best time!
07:26Oh, look at the cars!
07:27Oh, come on!
07:29Ha-ha-ha-ha!
07:31Oh!
07:32Da-da-da-da-da!
07:33Da-da-da-da-da-da!
07:35Da-da-da-da-da-da!
07:37Oh!
07:38Abbey Road Studios!
07:40Not called Abbey Road yet.
07:42Right now, in 63, they are...
07:45the EMI Recording Studios.
07:48Ha!
07:49Ha-ha-ha!
07:52And how do we get in?
07:54What, they ask who we are?
07:56Hmm.
07:57Oh, oh, oh, oh, oh!
07:59Hi! Janet said we could take over,
08:01so you can have ten minutes off.
08:03Oh, right! Thank you.
08:05Very kind.
08:06Oh, yep, there's always a Janet.
08:09And everyone wants a cuppa.
08:11Brilliant!
08:12Ha-ha-ha-ha!
08:18Good morning!
08:19Cup of tea?
08:21Er, yeah, make it a strong one.
08:23Two sugars.
08:24Er...
08:25Boys, do you want anything?
08:27I'm all right for now.
08:28Maybe something stronger later on.
08:30What do you think, John?
08:31Now you're talking, Paul lad.
08:32I just want a good night's sleep.
08:34You keep playing like that, we'll all have a good kip.
08:36All right, all right, let's take it from the top.
08:38I thought the chorus, don't slide in the harmonies,
08:40just hit it.
08:41Whatever you say, boss.
08:42Hurry up, then, George.
08:43We're not getting paid.
08:44Seven quid a day.
08:46Er, good luck.
08:47Thanks.
08:49Roll to record.
08:51And three, two, one.
08:53I've got a dog, he's called Fred
08:57My dog is alive, he's not dead
09:00I love my dog, he loves me too
09:03I haven't got a cat, only a dog
09:06My dog, my dog, my dog, my dog
09:09I've got a dog, I love my dog
09:12He's my dog, he's not your dog
09:15I've got a dog, it's you, I've got a dog, it's your dog
09:28Don't mind us.
09:29Just a cup of tea.
09:30OK.
09:31Going from the second chorus,
09:33playing in the last four bars of the verse.
09:35Good luck, Cilla.
09:37It's one of his answers.
09:38And a three, two, one.
09:40I love you, you love me
09:43We are two, we are not three
09:47Cause you love me and I love you
09:52We're quite happy, I think, perhaps
09:58Oh, Cilla.
10:03Don't mind us.
10:05And roll to record, please.
10:14Look at them.
10:17Everything's gone dull.
10:19No one hums, no one whistles,
10:22no one taps their feet.
10:24I don't get it, though.
10:26Music isn't...
10:28Like, you can't lose it, or steal it, or kill it.
10:31It's just natural.
10:32You get music when the wind blows,
10:34and the wind blows, and the wind blows,
10:36and the wind blows, and the wind blows,
10:38and the wind blows, and the wind blows,
10:40It's just natural.
10:41You get music when the wind blows through the trees.
10:44It's called aeolian tones.
10:46But music, music is the highest form of thought.
10:50If you take that away,
10:52Finland, that never happened.
10:57If music is gone, that means everything is changing.
11:00The whole human race is taking a different path.
11:03Okay, so what do we do?
11:04You take John Lennon, I'll take Paul McCartney,
11:06find out what happened and when it happened.
11:10Two cups of tea, my darlings.
11:12That's half a crown ta, very much.
11:14How much?
11:15That is outrageous.
11:17Take it or leave it, sweetheart.
11:19That is daylight robbery.
11:21Oh, that's me.
11:23Margaret Lockwood in The Wicked Lady.
11:26Now there was a walk.
11:28Statuesque.
11:29Uh, excuse me, hold on, Paul.
11:31Um, could I just have a word?
11:33I've got a cup of tea for you.
11:34Mr. Epstein sent me.
11:37Okay, um...
11:39You are writing songs for the band, yeah?
11:42They're not very good, are they?
11:44Oh, uh...
11:47Well, no, no.
11:49Great.
11:50That's great, lad, that's how it should be.
11:53It's not like the old days
11:54when we had waltzes and fandangos and all that.
11:56But waltzes used to exist.
11:58When did they start becoming wrong?
12:00Dunno, way back.
12:02Twenties, thirties.
12:04Why, what happened?
12:07We started seeing sense.
12:09What we're doing here today is the last gasp.
12:12If I can make a bit of money out of cheap old rhymes,
12:15then I can settle down and get a proper job.
12:17It's embarrassing.
12:19Singing.
12:20Just want to finish the album,
12:22get back to Liverpool and forget it.
12:24Well, you can't do that.
12:26We need you.
12:28What for?
12:29I'm no good at anything.
12:32But, Paul, see, when it's just you on your own,
12:36don't you think that there must be better songs?
12:41You know, songs that lift you
12:44and devastate you and make you sore?
12:48Songs that are tucked away
12:51somewhere in secret in the back of your mind.
12:58How do you know that?
13:02I just want to go home.
13:06Forget this life.
13:09Just have my tea and go to bed with a woman and me home, you know?
13:13That's all I want.
13:21Then why do I wake up crying?
13:24It's like sometimes it makes it like I get distraught.
13:28Like, it's so far away.
13:31It's a note.
13:33A single note.
13:36And then a second and a third and fourth and fifth.
13:41And you put them together
13:44and it feels like the most holy thing on this earth.
13:48Like a G and an E.
13:54And a G maybe twice.
13:57And then C.
14:02And if you put words to it, words right from your heart...
14:08I love you so much.
14:27Mm-mm!
14:37SIGHS
14:45SCREAMS
14:47Don't waste me time.
14:51Do you know what you are with your ideas, pal?
14:53Disgusting. You are disgusting.
15:03What the hell was that?
15:06Yeah, that's it. Vinny, nice and safe.
15:08I want that installed on the rooftop like it is precious china.
15:11Easy, boys. Don't hit the wall.
15:14Right. Let's head on up.
15:17Thing is, without music, dance must be gone.
15:21No-one dances anymore.
15:23I mean, can you dance without music?
15:25I mean, you can, but do you want to?
15:27Think about it, Ruby. Love songs.
15:29There are no more love songs anymore.
15:31Oh, my God! There's no more love songs in the whole wide world?
15:34DOOR SLAMS
15:36Oh!
15:37How London ten!
15:39Oh, is that smoke? I thought they got rid of that in the 50s.
15:41We had really bad smoke in December 62,
15:44but this, it's more like a darkening.
15:48The world is darkening.
15:50I live over there.
15:52You do what? I live over there.
15:54What do you mean? Shortage. I'm there right now.
15:57OK, you're going to have to start again.
15:59In the past, right now, I live in a place called Totters Lane.
16:021963, I parked the TARDIS in a junkyard
16:05and I live there with my granddaughter, Susan.
16:07Oh! Ha-ha!
16:09OK? You're what?
16:11My granddaughter. Susan?
16:13We could go and have a look, but, you know, timelines...
16:16Well, you've got children!
16:18I did have. I will have.
16:20Time lords get a bit complicated.
16:22Yeah, but you've got a granddaughter.
16:24Like now, like today, fucking our time, my time.
16:26Ah! Where is she? I don't know.
16:30How do you not know?
16:32Time lords were murdered.
16:34Genocide rolled across time and space like a great big cellular explosion.
16:37Maybe it killed her too.
16:39Doctor? God!
16:44There we go, Doc.
16:46Hey, Willy!
16:48Thank you very much.
16:50Come on. Bit of luck.
16:52I'll have you whistling by sundown.
16:54I can't bear whistling, Doc.
16:56All those horrible tunes.
16:58No thanks. All right.
17:02Oh!
17:07It's all yours, honey.
17:09Oh, no, no, no.
17:12Oh, no, no, no, no, no.
17:14I'm... I'm not that good.
17:16Ah, you are, sweet. I've seen you.
17:18December 23, King's Arms.
17:20You opened with one more sleep.
17:25What? What have you there?
17:27Well, it comes back to Christmas with you, doesn't it?
17:29I need you to play again.
17:33But what for?
17:35At this moment in time, Ruby Sunder, you are the only music in the world.
17:37Let's see what happens if you bring music back.
17:41Well, that was just...
17:43No pressure.
17:46OK.
17:48I wrote this for my friend, Trudy,
17:51when a girl broke her heart.
17:57PIANO PLAYS
18:11PIANO CONTINUES
18:41PIANO CONTINUES
19:12PIANO CONTINUES
19:25GIGGLES
19:41PIANO CONTINUES
20:01SCREAMS
20:04No!
20:07No!
20:11EXPLOSION
20:14EXPLOSION
20:16GIGGLES
20:19SCREAMS
20:22GIGGLES
20:25EXPLOSION
20:27EXPLOSION
20:29GIGGLES
20:33You called.
20:37How was the giggle?
20:42Hide! You what?
20:44We've got to hide! You never hide!
20:48I can't fight this thing.
20:59I heard music!
21:03MUSIC CONTINUES
21:08MUSIC CONTINUES
21:16BELL RINGS
21:21MUSIC CONTINUES
21:24MUSIC CONTINUES
21:27MUSIC CONTINUES
21:29Who was playing that piano?
21:34The chorus of ancient songs calls me...
21:41..Maestro.
21:44And who...
21:46BELL RINGS
21:48..are you?
21:50Because...
21:52I heard music!
21:54LAUGHTER
21:58And music...
22:00BELL RINGS
22:02..is mine!
22:14BELL RINGS
22:27MUSIC CONTINUES
22:57MUSIC CONTINUES
23:10BUBBLING
23:22Sound and vision.
23:27MUSIC CONTINUES
23:43Music.
23:48MUSIC CONTINUES
23:58EXPLOSION
24:01LAUGHTER
24:10SCREAMING
24:12But who was that? Were they inside the piano?
24:14How can they be inside the piano? The piano wouldn't work.
24:17OK, OK, OK, OK.
24:22You're scaring me now.
24:24Nothing.
24:26Must be part of the pantheon.
24:32Oh, Ruby, there are...
24:37..vast powers beyond the universe.
24:42I told you, when we first met, I said the Toymaker.
24:45And defeating him took everything.
24:48It ripped me in half.
24:50But you survived. It literally tore my soul in half.
24:54I can't survive that again.
25:09The Toymaker...
25:10The Toymaker said...
25:12He said...
25:14He warned me, he said,
25:16my legions are coming.
25:19My legions are coming, he said.
25:21You did that silence with the sonic, that worked, didn't it?
25:24Yeah, one trick, once. That's all you get with the gods.
25:27OK, so what do we do? I don't know.
25:29I don't know, Ruby, that's just the point. I don't know.
25:32But you always know. I don't.
25:35The last time I got lucky, catch.
25:38One trick, once.
25:40But this thing is stealing music.
25:43I mean, how...
25:45What the hell?
25:48I'm sorry.
25:52But the power of these creatures is so vast,
25:55the whole world could slide into the pit.
26:00Doctor?
26:03I know you're clever.
26:05I know that.
26:07But I've got news for you.
26:09The world did not end in 1963.
26:14Right.
26:15No, but it didn't.
26:17OK, I'm living proof.
26:19I was born in 2004, and all my life I've heard Beyoncé,
26:22and Sam Fender, and Strictly, and tap dancing, and Braves,
26:26and, oh, my mum sings Danny Boy at Christmas
26:29when she's drunk to my gran.
26:31Don't you see, Doctor?
26:34Music exists.
26:41Come with me.
26:46So when is it for you back home? What time are you?
26:49June 2024?
26:51Er, it's hard to keep track, but, yeah, I think so.
26:54June, July...
27:02What, have we done it? Are we back?
27:042024. Brought you home.
27:15DOOR KNOCKS
27:25GASPS
27:42SNIFFLES
27:46GASPS
27:51This is what we're trying to stop.
27:57But this isn't...real.
28:00This is...it's just like a parallel universe.
28:03This is your time.
28:06This is your home if Maestro isn't stopped.
28:12GASPS
28:15Where's my mum?
28:24I think without music, the human race goes sour.
28:29Without any way of expressing a broken heart,
28:31they go to war without even knowing why.
28:38Then how am I still alive?
28:41Why don't I fade away?
28:43Because of me.
28:59Boo!
29:01LAUGHTER
29:04LAUGHTER
29:18Maestro.
29:20The Doctor.
29:22That was you in 63, wasn't it?
29:25Sweet cheeks.
29:28You stepped from one time to another
29:32like the Lord Kemperl
29:35who trapped my father
29:38and bound him in salt.
29:40Yes?
29:41Child of the Toymaker.
29:43C'est moi, mon cher.
29:45LAUGHTER
29:47I should thank you, Doctor.
29:50Daddy was so bad to me.
29:57Daddy was so mean.
29:59Daddy was so tough.
30:01Daddy, Daddy, me.
30:03And that was fine enough.
30:05If he was the living game,
30:07you are the essence of music itself.
30:11But what's the point?
30:13You've destroyed the world.
30:15Music is gone.
30:17How is that a win?
30:19Not gone, darling.
30:22Hush!
30:32The sound of a nuclear winter.
30:38The purest music of all.
30:41Aeolian tones.
30:43Music without the need of people.
30:46And every song that goes unsung feeds me.
30:52I get stronger and stronger
30:55until I can reach out
30:58and steal the music of the spheres.
31:03Then the universe will stop turning.
31:07It'll keen in a minor key.
31:12Aeolian tones across the whole of creation.
31:16And that lament will be my symphony supreme.
31:21With all of life extinguished.
31:24I'm going solo.
31:26How did you enter this world?
31:28Oh!
31:30That would be telling, babe.
31:32No!
31:33Babes, your father established the rules of fair play.
31:36One thing that he would never do is cheat.
31:40So I have a right to know.
31:43A genius.
31:45A single silly man
31:48who found the lost chord.
31:51Which means a different combination of notes would banish you.
31:55I said genius!
31:59And you might be bright and hot
32:04and...
32:06timey-wimey.
32:08But genius?
32:10Oh, honey, I don't think so.
32:14We did everything.
32:16Resonates, Doctor, dear.
32:18Every atom hums.
32:20And anything that plays a tune is mine!
32:25Sing along, Doctor.
32:28Everybody!
32:34What is it? What's happening?
32:36My trove!
32:38Controlling the TARDIS!
32:40Controlling the TARDIS!
32:43I say never!
32:45Never!
32:47Really?
32:51Are we flying?
32:52Rolling, Josh.
32:55The only thing I can do is take us back to 1963!
33:05Where's my trove?
33:08Composing.
33:10And the next tune might be deadly.
33:13I'm sorry.
33:15I'm sorry, I'm sorry.
33:23Okay, come on.
33:24Come on, come on, come on, come on, come on, come on, come on, come on.
33:27Okay?
33:33Strange.
33:35Did you break it?
33:37No.
33:39No, no, no, no, that's something else.
33:43Hariyama!
33:44Right.
33:57Okay, if we can record the right tune on the sonic, we can use this as a weapon.
34:02Right.
34:03Yeah, no, no, no, no, no, no, no.
34:04Oh, oh, okay.
34:05No, it's a banishment.
34:07Oh, John Lennon's guitar.
34:10It's got to be a good start.
34:12Okay, we don't need to be a genius.
34:15No, just, no offence, just a musical genius.
34:18Sometimes genius is just hard work.
34:20Yeah?
34:21If I can find my way to the waltz.
34:25Wait a minute.
34:28Not 66 billion trillion different tunes out there, but...
34:32No, but just wait.
34:34Can you hear that?
34:36That music?
34:43Doctor!
34:45I thought that was an endangered egg.
34:46No, no, no, stop!
34:51Doctor!
34:52No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no!
34:59No!
35:01Doctor!
35:04Doctor!
35:17Put her down!
35:21No.
35:31Can't trick me twice, honey!
35:34Then bite me!
35:36Leave her alone!
35:38But she's the only human left!
35:41With music in her heart!
35:46Playing lovesick songs for heartbroken lesbians.
35:52And that just makes me hungry.
35:57For all those delicious songs.
36:00Let me go!
36:05That's right, pretty girl!
36:07Sing!
36:10Maestro.
36:12Maestro, I am asking you, just...
36:16What?
36:22That's wrong.
36:24What do you mean?
36:26There's a hidden song deep inside her soul!
36:30What is it?
36:33Really?
36:39What is this?
36:42Christmas.
36:44The music that was playing the night that she was born.
36:50How could a song have so much power?
36:54And power that's so powerful?
36:58How could a song have so much power?
37:01And power like him?
37:03Like who?
37:04The oldest one?
37:05On the night of her birth.
37:07He can't have been there.
37:09What for?
37:11What for?
37:13Who was there?
37:19Enough.
37:21Whoa!
37:25Okay?
37:26I've got you.
37:28What was it?
37:29It's okay, it's okay.
37:31It's okay.
37:33This creature is very wrong.
37:36And this, this is very, very, very right.
37:44Do you know what this is?
37:47This is the famous Abbey Road Piano.
37:51They call it the Mrs. Mills Piano.
37:55Oh, she was a girl.
37:57We had some adventures, me and Mrs. Mills.
38:00But this, this is the piano that the Beatles would play on their greatest hits.
38:04Penny Lane, Lady Madonna, all from this.
38:09So I know that this piano is rattling with all the potential to send you back to hell.
38:16Music battle.
38:46Music battle.
39:16Music battle.
39:46Music battle.
39:53Ah!
40:11Go on, then.
40:14Do it!
40:17Can you find it?
40:20The lost chord.
40:24Are you enough of a genius?
40:26Oh, I would never call myself that, maestro.
40:29But I have lived.
40:31And I have loved.
40:34And I can only smile like this because I have lost so much.
40:39I've experienced everything.
40:41Every single thing.
40:44And if that's where music comes from...
40:53I can find the chord to banish you.
41:11Ah!
41:34One more.
41:37Just one more.
41:41One more.
41:52Oh, no!
41:59Maestro!
42:06No!
42:21Some time.
42:37Ruby, get the piano!
42:42Sorry to keep harping on!
43:06No!
43:11No!
43:14You ain't no genius!
43:19No!
43:30I just want to go home.
43:32Well, you can't do that.
43:34We need you.
43:36What for? I'm no good at anything.
43:50Breathe!
44:05And then a second.
44:07And a third.
44:09And fourth.
44:10And fifth.
44:11And you put them together and it feels like the most holy thing on this earth.
44:21No!
44:27Oh, no!
44:35Ah!
44:48The one who waits is almost here!
45:05Listen, listen, listen, listen, listen, listen.
45:08Here it comes.
45:10Everywhere!
45:12Music!
45:22We're making music.
45:24The whole city, the whole world.
45:27Yes, yes, yes.
45:29But there is one thing that I should warn you about, Ruby.
45:33And this is really very serious.
45:36With all my adventures throughout time and space,
45:40I have to tell you, there's always a twist at the end.
46:04Yes, there's always a twist at the end.
46:09We've got the bop and the rock and the leapy hop.
46:12We've got the tag behind and the stayin' alive.
46:15We've got the conga and the salsa and the mighty big bopper.
46:18The one, two, three, four.
46:22There's always a twist, there's always a twist, there's always a twist at the end.
46:27There's always a twist, there's always a twist, there's always a twist at the end.
46:32Pretend, descend, land, zimmy, do it well.
46:35Cause there's always, there's always, yes, there's always a twist at the end.
46:40There's always a twist at the end.
46:43There's always a twist at the end.
46:45We ain't no fools from Liverpool.
46:48Cause there's always a twist at the end.
46:51I always say, better enter the twist.
46:54That's one good thing that can't be missed.
46:56Have a smashing little dance since we know what's best.
46:59Cause we're the smart girls from the north.
47:02There's always a twist, there's always a twist, there's always a twist.
47:15Sing along if you've got the twist.
47:18Sing along if you can't stand this.
47:20There's a special little dance show round the wrist.
47:23There's always a twist at the end.
47:27There's always a twist at the end.
47:38Cause there's always a twist at the end.
47:41I say there's always a twist at the end.
47:44What you intend, I can't defend.
47:47I think this song will never end.
47:50There's always, always, always a twist at the end.
48:51Where are we?
48:52In the middle of a war.
48:53One wrong move and boom.
49:03Ah!
49:04Got you!
49:20Ah!
49:21Got you!
49:22Ah!
49:23Got you!
49:24Ah!
49:25Got you!
49:26Ah!
49:27Got you!
49:28Ah!
49:29Got you!
49:30Ah!
49:31Got you!
49:32Ah!
49:33Got you!
49:34Ah!
49:35Got you!
49:36Ah!
49:37Got you!
49:38Ah!
49:39Got you!
49:40Ah!
49:41Got you!
49:42Ah!
49:43Got you!
49:44Ah!
49:45Got you!
49:46Ah!
49:47Got you!
49:48Ah!
49:49Got you!
49:50Ah!
49:51Got you!
49:52Ah!
49:53Got you!
49:54Ah!
49:55Got you!
49:56Ah!
49:57Got you!
49:58Ah!
49:59Got you!
50:00Ah!
50:01Got you!
50:02Ah!
50:03Got you!
50:04Ah!
50:05Got you!
50:06Ah!
50:07Got you!
50:08Ah!
50:09Got you!
50:10Ah!
50:11Got you!
50:12Ah!
50:13Got you!
50:14Ah!
50:15Got you!
50:16Ah!
50:17Got you!