Salón de té La Moderna - Ep 190
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00:00A few hours later
00:17Excuse me
00:30You've been very brave
00:38When will my uncle come? He told me he had called him
00:46Don Fermín! Inés! Inés!
00:51I've come as fast as I could. Are you okay?
00:55No, I'm not okay
00:56What a fright! But nothing compared to what you've been through
01:01My God! How could there have been a shooting here in Madrid?
01:06I don't know
01:08At the entrance I came across the dead bodies. There were two bodies. Who were they?
01:14Apparently they were two gunmen
01:16Two gunmen?
01:19What were you doing here?
01:20I wanted to talk to César and suddenly some men came in and...
01:27And what did they want?
01:30They wanted to kill César but they couldn't
01:34When the police arrived, César was no longer there
01:37They've been looking for him everywhere and in fact they're still looking for him
01:43But judging by the bloodstain, César must be seriously injured
01:48Another possibility is that those two gunmen were with other people and took César against his will
01:56Inés, I'd like to know why those men wanted to kill César
02:01And why did César have a gun? And what was the relationship between them?
02:06Uncle, César asked me to go out through the back door and I called the police
02:13But the important thing is that César saved my life
02:15No, Inés, the important thing is that he put you in danger again
02:19Mr. Fermi, the police have interrogated him
02:24I'm sorry, darling, I'm sorry
02:28Can you hug me, please?
02:38Come on, Clarita, when you finish the milk, we'll go to bed and if you want, we'll read together
02:45I have a book in my room called Great Hopes, by Charles Dickens
02:50I'm not sleepy yet
02:53Besides, I'm not going to sleep until Íñigo arrives
02:58Why did he run away?
03:01They called him from Madrid Cabaret because there was a fire
03:05But nothing serious, he just had to go and put some order
03:09Go to bed and as soon as he comes back, I'll let you know
03:11Okay, but if I fall asleep, you wake me up
03:15Yes
03:17Hey, Clarita, I thought that maybe you don't have to go to class tomorrow
03:22We'll both stay here and I'll give you the lesson
03:25It's because of what's in the newspapers, because of what they say about Íñigo
03:29Yes
03:31Has any of your classmates messed with me?
03:34Yes, but only one or two
03:37And what did they tell you?
03:38My sister's husband has killed a woman
03:42He's a bad man and you have to be careful with him
03:46I'll talk to them tomorrow, well, better with their parents
03:50Yes? And when did it happen? What did you do? Did you talk to the teacher?
03:54Why? So that they accuse me of being a whore?
03:58I ran away and hid until I got over it
04:02But I didn't get over it
04:04Let's do something, Clarita
04:05You're going to stay a couple of days without going to class
04:08You're going to stay here, I'm going to get my homework
04:11And we'll do it together in the morning
04:13And in the afternoon, if you want, you can go to Susana's friend's house
04:16What do you say?
04:18Matilde, I don't like to hide
04:20Not in school, not here
04:24Could it be Íñigo?
04:26No, Íñigo has keys
04:35Let's go
04:57I'm sorry, it's late
04:59What's wrong? Are you okay?
05:01No, no, I'm fine, don't worry
05:05I'll get them
05:08I'm glad to see you too, Clarita
05:11How are you? I'm sorry to disappoint you, it's very difficult to compete with Íñigo
05:15I just came to be with him
05:18I guess the fire in Madrid-Cabaret wasn't very serious, right?
05:24No, nothing, a spark that jumped from the electrical installation, but nothing important
05:28In fact, Íñigo must be about to arrive
05:32Well, Matilde, remember your promise
05:35If I fall asleep, you wake me up
05:38And let me know when Íñigo arrives
05:40Yes
05:43Good night, Jacob
05:45Good night, Clarita
05:53One shot, uncle, and two dead
05:55Cesar?
05:57No trace of the manager, everything seems to indicate that he was injured
06:01What is clear is that he was involved in some mess
06:05But Matilde, calm down, because the police are convinced that Íñigo has nothing to do with this
06:10They won't need Jacob
06:12I'm sure someone took advantage of what happened to continue tarnishing his reputation
06:17And we both know who he is
06:36Rutilante Madrid-Cabaret, owned by Mr. Íñigo Peñalver, suspected of a recent murder, still under investigation, has become the scene of an alleged account adjustment
06:48Can you repeat it? The first part
06:53Rutilante Madrid-Cabaret, owned by Mr. Íñigo Peñalver, suspected of a recent murder, still...
06:58No, they are completely wrong
07:02They should say, it is owned by the murderer, Mr. Íñigo Peñalver
07:09Keep reading
07:11In fact, the police consider the possibility of an account adjustment between organizations
07:18Look, honestly, I don't know what Íñigo has to do with all this
07:21And what does that matter?
07:23This is his place, where his own manager has killed two people
07:29Fabio, don't you realize? The scandal is served
07:34Yeah, the silver platter
07:37And from now on, no one will be able to doubt the reality in which he belongs
07:43Much less that he is my daughter's murderer
07:45No, of course, the prosecutor will take it into account
07:49I hope so, because the public opinion would not understand that he spends one more minute in freedom
07:55What are they waiting for to arrest him? What else does he have to do? Set the city on fire?
08:00No, we trust that Inspector Jiménez will do his job
08:05That is precisely what worries me the most
08:09Yesterday, I had to fire him
08:11Did you talk to him? And you haven't told me anything? What happened?
08:16We had a heated discussion, at least for my part
08:21I insisted that there was too much evidence to arrest Íñigo
08:25However, I didn't see it that way
08:28And his arguments to defend his position seemed insulting to me
08:33Especially for Carla's memory
08:35But Bárbara, don't you think it's a good idea to put us against the police in charge of the investigation?
08:41On the contrary, it's time to do what needs to be done
08:45Make them feel our pressure, force them to do their duty
08:50And make them do justice, once and for all
08:54And what can I do?
08:56Get this shooting to stop
08:58Make them do justice, once and for all
09:02And what can I do?
09:04Get this shooting, which has come to us like a ring on the finger, to be the icing on the cake
09:10Talk to whoever you have to talk to
09:13Get them to link Íñigo with that gang of criminals
09:25Dear God
09:28What?
09:35Did you hear about the Madrid-Cabaret?
09:38A shooting and two dead
09:40And the worst thing is that Inés, Don Fermín's niece, was there too
09:43Of course, everyone talks about the same thing
09:46Thank God we weren't there, I haven't stopped thinking about it
09:49I thought these things only happened in the movies, Miguel
09:52By the way, how are the sales going?
09:54Well, about the mail section, it has been the balsam of Fierabrás
09:59I already have 12 orders, and the best thing is that once it's on sale, I don't have to worry about anything
10:04Well, Virgen Santa, Miguel, it seems that this time you have hit the nail on the head
10:09Yes, well, the Bibles, the truth is that they are to fix the soul, but it seems that people prefer to fix their bodies
10:15Well seen
10:17In addition, Madame Lafajete is not only a leader in fajas and corsets, but also in service
10:21The orders are made with due discretion
10:25If your right hand buys a faja, let your left hand not know
10:28I'm glad for you and for your clients, whoever they are
10:33Well, Miguel
10:35Elias, is something wrong?
10:37Since you came in, I notice you are tense, it even seems that it is difficult for you to breathe and you walk like a duck
10:42Let's see, the truth is that I will deny it for the rest of my life, Miguel, even if they torture me to death
10:48But yes, indeed, I am wearing a faja of Madame Lafajete, but of a gentleman, obviously
10:56As you say, have you bought it from another merchant?
10:58Of course not, man, what I have done has been the order under another name, yes, under the name of the husband of the owner of the mansion
11:05If your right hand buys a faja, let your left hand not know
11:10I will be a grave, and are you happy with the acquisition?
11:14I would not be surprised if they confused you with a movie star
11:15I regret that if I have decided to buy the faja, it is only to hold my kidneys well
11:21You know that I stand for many hours, Miguel, I do not need to stylize my figure because I have a natural gift that is ...
11:30Excuse me, excuse me
11:34La Goleda de las Letras, tell me
11:36Ah, Don Salvador, yes, right now I was with a client but I can talk
11:41Yes, yes
11:42Yes
11:44Hello
11:48My mother, if I do not believe it, because what Matilde was missing
11:53And that the newspaper relates Ñigo with the incident, even if it is veiled, seems temerary to me
11:59I was talking to him and he was as embarrassed as me
12:02And how is your niece? I understand that she was present when those armed men entered
12:08Inés?
12:09Yes
12:10I did not know
12:12Well, as they say, they were in the wrong place at the wrong time
12:16And also with the wrong person
12:19Are you referring to Cesar, the manager of the salon who was involved in the shooting?
12:23Yes, yes, yes, to Cesar, but well, fortunately he escaped safe and sound, although he is still impressed with what he has lived
12:30Imagine in the middle of a shooting
12:35Is something wrong with you, Mrs. Lazara?
12:38Excuse me, I do not feel very well, my stomach has been upset
12:42The truth is that just to put me in his niece's place, I ...
12:46Well, thank God, everything ended well, although it could have been much worse, of course
12:53Well, yes, because the place could have been open to the public
12:56Yes
12:57Mrs. Lazara, if you like, we finish dispatching the issues of the day
13:01And so we forget that unpleasant topic, even if it is only for a moment
13:05Teresa, if you excuse us
13:07No, wait a minute, Teresa, I'm the one who's leaving
13:12Mrs. Lazara
13:13Please, I would prefer that Teresa dispatched with you
13:17After all, there are only a few orders left to close
13:22Yes, yes, of course, if you need to take a break or not, of course
13:26Thank you very much, it is very considerate of you
13:29If you excuse me
13:35Do you understand?
13:37No, no, I don't think it should be a problem ...
13:41Of course
13:43Of course
13:45Good morning, Don Salvador
13:51I'm lost, Elias
13:53Don't tell me that Don Salvador has realized that you are a double agent
13:57That you work double-time, I mean, double-time
14:00What are you talking about?
14:01I'm talking about the demonstration the other day
14:04To see if it was too risky, for example
14:06And if Teresa has called Don Salvador to tell him
14:09No, Teresa would never do something like that
14:10Besides, it has nothing to do with that, but with something much worse
14:14Don Salvador wants to incorporate an assistant
14:16So that he can start working tomorrow in the bookshop
14:18Well, much better, so you have more time to betray him
14:22I mean, for the money
14:23No, quite the opposite, because I'm going to have to be on top of that assistant
14:26And I'm afraid that he ...
14:27No, quite the opposite, because I'm going to have to be on top of that assistant
14:30And I'm afraid that he ...
14:31On top of me
14:32And do you know why?
14:33No
14:34Because it's about Salvita, Don Salvador's son
14:36Damn!
14:37No, and wait, now comes the good part
14:38He wants me to teach him the trade
14:41Well, he has entrusted you to his son, right?
14:44You should be a little proud
14:45Proud? But you don't realize the trick
14:47As soon as I have taught him, Salvita will be in charge
14:49And I will go to the street
14:51Ah, well, you're right
14:52Because I would do exactly the same as Don Salvador
14:54You would teach Salvita and then to the street, continuing with the saga
14:58Have you seen how beautiful?
14:59Precisely now I can not afford to lose this job
15:02But why not?
15:03But if so, you would have ...
15:04Think about it, Miguel
15:05You would have all the time to dedicate yourself exclusively to the trades
15:08Huh?
15:09Also, if you are a single man, huh?
15:11That has no shortage to feed
15:13You will have no problem getting ahead well
15:16What I don't understand is why you need two jobs
15:18Let's see if you're going to get anxious and you're going to end up having a telele
15:21You're right
15:23Yes, yes, yes, there is no harm in not coming
15:25Adaptation period, you say, right?
15:28What?
15:52Why are you walking like you're straining?
16:06Because you confuse elegance with straining
16:12And a duck with a swan
16:13Let's see, why did you ask me to leave?
16:15Because every detective has to have an assistant to tell him everything he is discovering
16:22And I'm going to unmask the thief of the bottle of cognac
16:26But then you're sure it wasn't Marta?
16:29Man, as sure as you're straining
16:31Let's go
16:35Look
16:40What do you see there?
16:42Well, let's see, I don't want to get my fingers caught either
16:45But everything points to that it is an oil stain
16:48Of course, just like the one we saw in the reservoir, okay?
16:53And who can leave a stain of grease here?
16:57Well, the dirty people
16:58No man, the vans that park right here
17:03Oh, it's that no one beats me to the list
17:05Well, you're already a little loose, you're already a piece
17:08Because since yesterday he has handbooks walking around the whole place
17:11What? Have you discovered something new?
17:13Can I see your notes?
17:14No, no, no, no, calm down
17:16No, man
17:17How?
17:18Hey, and you don't fool me, huh? Something's wrong with you
17:21Apart from walking like a duck, you're squeamish
17:25Well, because of the constipation I have lost weight
17:28Well, no one wants to bite
17:30You must have bought yourself a girdle, madam, the girdles, right?
17:33What are you saying? But what things do you have, woman?
17:36I don't know what you're talking about, you have to see
17:39One thing is to discover a stain, but another very different
17:43It is to discover that a gentleman wears a girdle
17:45Open the vest, lift the shirt
17:47What vest or what shirt?
17:49Someone like me, with the body I have, that nature has given me
17:52I'm going to need to wear one of those things
17:55Besides, you ignore that I have been a model for the students of Villasartes
18:01I have brought you your favorite pastas
18:06Ines, your sister told me that you didn't have dinner yesterday and that you haven't had breakfast today either
18:10You can't continue with the empty stomach
18:12Uncle, I'm not hungry
18:15Honey, look, yesterday I didn't want to harass you with questions because I knew you had to rest
18:22I know, uncle, I know
18:24I am aware of the seriousness of the facts
18:27So?
18:29Well, I can't get rid of the image of those men shooting
18:33As far as I know, since you had the fatal accident, you didn't work there anymore
18:40So what were you doing at the Madrid Cavalé?
18:42But uncle, I already told you
18:44I had met with César, we had a pending conversation
18:48And you didn't know what he was up to?
18:50It doesn't matter, it doesn't matter
18:53Fortunately, that man will not cause you any more harm
18:57Harm?
18:59But uncle, César saved my life
19:02Yes, but before he also put you in danger
19:05But it doesn't matter, it doesn't matter
19:07The police will find out what you don't want to tell me
19:09And it's César's relationship with those gunmen
19:13And that's the only thing that matters to him
19:15No, Inés, no
19:17The only thing that matters to me is you
19:19But it doesn't seem casual to me that a week ago you almost died poisoned
19:22And yesterday in a shooting, in a place where you shouldn't be
19:25Uncle, I already told you, please
19:27I'm sorry, I'm sorry, I'm sorry
19:29César, you need to rest, I'm sorry
19:31No, I need you to stop pressuring me
19:34And please leave me alone
19:37Inés
19:39Uncle, please, I need to be alone
19:43Inés
19:57And can you share your hypothesis with me?
20:01I'm wetting the spot
20:05As soon as Mrs. Lázara comes out, her hair falls off
20:07Esperanza, if you want, I've finished at the lab, I'm going to clean up
20:10Later
20:12I'm going to interrupt you now, teacher, because you're about to solve the case
20:15What case?
20:16But, well, what world do you live in?
20:18Well, the case of the theft of the bottle of cognac
20:20And also the one to blame Marta
20:22But it's not possible
20:24That she's always the suspect of everything bad
20:27Yes, exactly, Pietro
20:29Because this is like when someone kills a mother-in-law
20:31And she's called mother-in-law for the rest of her life
20:33I understand you, but I don't think it's the best example
20:38What's wrong with your mouth?
20:40Oh, nothing, it's just that I open my mouth and my big toe hurts
20:45But it's nothing serious
20:49Esperanza, tell me, what have you found out so far?
20:52Silence
21:00I'm going to interrupt you now, teacher
21:03Because you see things that we don't
21:07What?
21:11I know who spilled the bottle of cognac
21:16Or a driver of the van
21:19Or a dump guy
21:30Uncle, I didn't know you were here
21:33How is Inés?
21:35Bad, very bad, it's my fault
21:38I've pressured her with too many questions
21:40And the only thing I've got is that she doesn't want to talk to me
21:45But I don't know, César
21:47How did we not see how dangerous that man is?
21:51Well, it doesn't matter
21:53Please tell her to forgive me
21:55I love her very much
21:57Don't worry, Inés knows enough
22:01By the way, Laurita
22:03I was talking to Agustín Comas
22:05And I made sure that what happened between you
22:07Wasn't more than a misunderstanding
22:09No, no, it doesn't matter
22:11Thank you for being interested
22:13Wait, I was also talking to someone
22:16With Antonia
22:18She's very sorry for having to leave the modern
22:20And I am too
22:22Wait a minute
22:24Don't take it the wrong way
22:26But it's so difficult to eliminate that norm
22:28And don't come to me again with
22:30That it's an aggravation for the old employees
22:32That's exactly what it is
22:34An aggravation, in addition to an injustice
22:36Yeah, man, but
22:38I can break your theory in a jiffy
22:40Why don't you ask any of the old employees
22:42If she would feel upset
22:44Because Antonia could continue working in the modern
22:46After getting married
22:48Matilde herself
22:50She doesn't realize that with that absurd norm
22:52What she's going to achieve is losing the people she cares about
22:54Do you really think she'll find someone better than Pietro
22:56Or that Antonia to work in the modern?
22:58You always say that we are a family
23:00Do you really want to break it?
23:03How easy it is to ask all those questions
23:05No, no, it's easier to answer them
23:12Will you be aware of your sister?
23:14Yes, I've taken the afternoon off
23:16Okay, give me a kiss
23:20Goodbye, darling
23:32Bye
23:38Ouch
23:40I almost messed it up
23:46You were right
23:48It's time for me to quit
23:52Are you sure?
23:54You know what I think
23:56But you didn't look very convinced
23:58I'm not
24:02Was I giving you another push?
24:04No
24:06I was thinking
24:10The decision has been made
24:12I'm going to leave the modern
24:14I can't say I don't regret your decision
24:16But it's the best thing you could do
24:18You can't keep hiding your pregnancy
24:20Or your marriage
24:22That couldn't end well
24:24I guess
24:26But I don't know, when I imagine it
24:28Everything seems so easy
24:30I enter Mr. Fermin's office
24:32I tell him right away
24:34But when I get in
24:38I don't know
24:40I don't know if I'll be able to
24:42What's the worst that could happen to you?
24:44That he fires you because you lied to him?
24:46What's worse?
24:48If you're the one who wants to leave
24:50It seems so easy
24:52But I don't know
24:54I'm ashamed
24:56I'm afraid
24:58Mr. Fermin doesn't deserve
25:00That I lied to him
25:02Neither he nor you
25:04I'm afraid because
25:06I've never left a job
25:08And this place
25:10Is my home
25:12My home
25:14And you
25:16Are my family
25:18I don't know
25:20I'm pregnant and I get sentimental
25:22Don't be silly
25:24That you're not here
25:26I want to take care of you
25:28Do you want me to go with you to the office?
25:30No, I want you to leave me alone for a while
25:32I'm going to do it today
25:34Before the day is over
25:50The manager surprised me today with a maneuver
25:52That I didn't understand
25:54Did Mrs. Lázara do it this time?
25:56Well, not me
25:58Mr. Fermin did it
26:00Since he arrived he hasn't stopped
26:02And now suddenly he has stopped
26:06What do you mean by that?
26:08Because he has distanced himself
26:10Or that's what I think
26:12And that worries you?
26:14A few days ago you were here
26:16Because they had gone together to the sales
26:18Teresa, can't something bother you?
26:20And also the opposite
26:22Oh
26:24Yeah, that's true
26:26Maybe I'm the problem
26:28Or the thing is that there is no problem
26:30Why don't you forget about it?
26:32Oh, Cañete, because I can't
26:34Because this situation is unsustainable
26:36I have to make a decision and I have to make it
26:38Now
26:40Decision? What decision?
26:42Aren't you thinking about going and leaving Moderna?
26:44Well
26:52Well
26:54At least you were able to eat something
26:56The guy was worried
27:00Wait, I'll help you
27:02And he keeps telling me about that guy
27:04Well, that
27:06That instead of the cashier he was the owner of the pub
27:08And instead of apologizing
27:10He decided to keep feeding the confusion
27:12I don't know, maybe he thought it was funny to laugh at me
27:14But I didn't find it funny
27:16Neither did he
27:18Well, let's not waste time with someone like that
27:20Do you want me to make you an infusion?
27:22The doctor said it would be good for you
27:24No, I don't feel like it
27:26But I appreciate you staying with me
27:28You're the best sister I can have right now
27:30And the only one, right?
27:32You're always when I need you
27:34And you don't ask me uncomfortable questions
27:36Like our uncle
27:38Inés, if I don't ask you questions
27:40It's so I don't insist
27:42But I keep my desire
27:44What happened is very serious
27:46And if the uncle asks you
27:48It's because he feels responsible
27:50For not protecting you
27:52Yeah, but I don't need his protection
27:54Besides, he would never understand
27:56What César did for me
27:58All he cares about is that I had a gun
28:02Are you okay?
28:06Do you want to go to the doctor?
28:08No
28:10Inés, everything will be fine
28:12You'll recover and you'll be able to sing
28:14The truth is
28:16I'm very worried about César
28:18The police said
28:20That he could be
28:22Dead or kidnapped
28:26I'll go
28:36Hello
28:38Thank you very much
28:44Inés
28:46It's for you
28:48From César
28:54But this date is three days ago
29:04Don't force your voice, I read it
29:10Dear Inés
29:12I wrote these letters to tell you
29:14What I'm going to do next
29:16Something I'm doing for me
29:18But especially for you
29:20For us
29:22Through the embassy
29:24I've contacted the French Gendarmerie
29:26And I'm going to give them all the evidence
29:28I have against Marcel
29:30And the clan he works for
29:32The Marseillais clan
29:34To do this, I just ask
29:36That they free me from jail
29:38And so I can finally go to America
29:40And I won't bother you again
29:42Even if you're what I love the most in this world
29:46I grabbed the cap
29:48I went back to the alley
29:50And there I found the bottle
29:52Empty, inside a bucket
29:54I just had to ask
29:56Our night watchman
29:58And he did?
30:00Yes
30:02What did he say?
30:04That the truck driver
30:06Had asked permission to go to the bathroom
30:08There I realized
30:10That all the mess I had followed
30:12Had all the reason in the world
30:14Yes, yes, yes
30:16Of course he had all the reason in the world
30:18But there's something I don't understand
30:20Exactly how did he do it?
30:22Let's see, he snuck into the reserve
30:24He broke the bottle
30:26He didn't know it was worth a pot
30:28He took it and drank it with his partner
30:30Of course, he thought
30:32That we weren't going to realize
30:34That a bottle was missing
30:36That's word for word
30:38What your boss told you
30:40By the way, he just called me
30:42To apologize
30:44Just that?
30:46Besides two checks
30:48One to pay for the import of the bottle
30:50And another for damages and damages
30:52That's better
30:54You know what I'm telling you Esperanza?
30:56That the police force
30:58Has lost a great detective
31:00With you
31:02Although for that they should accept women
31:04There are so many rules
31:06That don't make sense
31:08I see
31:10Well, I just wanted to clear the name of Marta
31:12As head of my department
31:14Irresponsible
31:16I couldn't tolerate
31:18That you questioned her
31:20Yes?
31:22Did you want to see me Mr. Fermin?
31:24Yes, come in Marta
31:26Sit down, please
31:30Well Mr. Fermin
31:32You see Marta
31:34You don't have to justify anything
31:36Because thanks to the
31:38Esperanza's investigation
31:40We have discovered the real culprit
31:42So I deeply regret
31:44That the shadow of doubt
31:46Has engulfed you
31:48And I hope you accept
31:50My most sincere apologies
31:52There would be more, Mr. Fermin
31:54One can't erase their past
31:56With a pen, right?
31:58The only thing that
32:00I'm sorry
32:02I understand and I'm sorry
32:04You're absolutely right
32:06But well, let's keep in touch
32:08Esperanza
32:10Congratulations again
32:16Alleged murderer
32:18Owner of a place in Madrid
32:20Where there is a shooting
32:22And two people die
32:26Don't tell me you don't like it
32:30Hello
32:32Where have you been?
32:34I've just left Clarita at her friend's
32:36Sit down
32:38Yes, some colleagues got involved
32:40Accusing Íñigo
32:42You can imagine
32:44It's not the first time
32:46Well, anything new?
32:48No, nothing
32:50They insist on relating me to the facts
32:52How is it possible that whatever we do
32:54They'll never give us a break?
32:56When are they going to leave us alone?
32:58I don't think
33:00Mrs. Bárbara has anything to do
33:02With the Marseillais
33:04I don't suppose so
33:06But I wouldn't be surprised if she was
33:08Pressuring the newspapers through Fabio
33:10It's the second time your name appears
33:12In the newspapers in two weeks
33:14That's true, yes
33:16So true that in a few weeks
33:18Another piece of news will come out
33:20That they have to sell
33:22And everything about the Madrid-Cabaret
33:24Will be history
33:27Ah!
33:29Jacob
33:31We'd like to tell you something
33:33What is it?
33:35It's about the local from Seville
33:37What's wrong with the local?
33:39We think he shouldn't delay his trip
33:41We're worried he might get lost
33:47Do you really think
33:49I'm going to leave you alone right now?
33:51Seriously?
33:53Because if that's the case
33:55They won't know anything
33:57Precisely because we know you
33:59We think it's best for you
34:01And you're right
34:03You have nothing against Iñigo
34:05And the newspapers will end up forgetting us
34:07But what we have to do is
34:09Well, protect Clarita
34:11And put up with the weather
34:13And unfortunately we have experience in that
34:15So please
34:17Listen to us
34:19Go to Semilla, look at the place
34:21And if you like it, offer it to the seller
34:23And in a few days
34:25He'll find us like he found us
34:27We won't take no for an answer
34:33The truth is that when they agree
34:35It's very difficult to take the opposite
34:39Okay, yes, yes
34:41I'll go to Seville
34:43As soon as I get there, I'll be back
34:45But please
34:47I'm asking both of you
34:49If anything happens, let me know
34:51Take care
34:57Do you think going to the police has helped?
34:59But why do you say that?
35:01They've read the letter
35:03They've listened to us
35:05And they've assured us that they'll do everything
35:07In their power to clarify this matter
35:09Everything in their power
35:11Yes, even contact the gendarmerie
35:13So they can help
35:15Do you think the French will admit
35:17That the leak of the pact
35:19That César had made has come out of them?
35:23It's better not to get your hopes up
35:25That gang of criminals
35:27Has a lot of power, even the police
35:29Well, Inés, but they've assured us
35:31That they're looking for him
35:33Yeah, but I don't know if that's good or bad
35:35Why do you say that?
35:39Because if they find him
35:41Maybe they'll give him to the Marseillais
35:43If the French police have an infiltrator
35:45Well, ours could also have him, right?
35:47No, but why do you get so upset?
35:51Because I have a feeling
35:53That I'll never see César again
35:57I didn't know I loved him so much, Laurita
35:59Come
36:07Don Fermín
36:09I want to tell you
36:13I want to tell you
36:17That you have a wonderful mustache
36:19And that you look like an archiduke
36:21Archiduke?
36:45Calm down, please, calm down
36:47Don Fermín
36:49Don Fermín
36:51Hello
36:53I want to tell you that
36:57That I've been working here for many years
37:01The best of my life, I would say
37:03And that this
37:05This has become
37:07My home
37:11My home
37:13And that you are
37:15Like my family
37:17And that
37:19I feel
37:21Very, very, very, very grateful
37:25You can't cry, Trini, please
37:27Hold on
37:39Don Fermín
37:41I
37:43I have an allergy to the subway
37:47And
37:49I found a chocolate shop
37:51Where
37:53I could work
37:55And it's very close to my house
37:57So I could go to work
37:59Walking
38:01And that's it
38:03I wanted to tell you
38:05How can I tell you?
38:17Don Fermín
38:19I don't have any allergy
38:21And there's no
38:23Chocolate shop near my house
38:25It doesn't exist, he made it up
38:27And I just wanted to tell you
38:29That
38:31What?
38:33Ah
38:35Yes, of course
38:37Of course
38:39He's not believing
38:41My explanations
38:43Yes, he thinks
38:45I'm hiding something from him
38:47I don't know what it could be
38:49Because I'm sure it's not
38:51That I'm married
38:53Or that I'm pregnant
38:55And that I'm going to be a mother
39:03Yes
39:05Are you sure
39:07That you don't want to do the meeting here?
39:09No, I'd rather we go out
39:11Just for a moment
39:13So they won't feel intimidated
39:15Finally
39:17You've solved your dilemma
39:19What dilemma are you talking about?
39:21Well, that you don't want to ignore
39:23Antonia or Pietro
39:25But you don't want to give up
39:27And break the rule
39:29Well, now you'll know
39:33Here you are, Mr. Fermin
39:37And Trini?
39:39She's in the toilet
39:41She's not feeling well
39:43I'll be brief
39:45And concise
39:49I have in front of me
39:51My most veteran employees
39:53All those who have accompanied me
39:55In this adventure since it began
39:57My most faithful waiters
39:59And my most loyal waitresses
40:01And your cleaners boss
40:03True
40:05And of course
40:07The best pastry chef
40:09With whom one could dream
40:11Whatever
40:13Thanks to my niece
40:15I've realized that times are changing
40:17And it's ridiculous
40:19To look the other way
40:21So I've made a decision
40:23That will fully affect
40:25The squad
40:27Don't tell me you've thought about retiring, Mr. Fermin
40:29Or to transfer the business
40:31Well, he'll be with us inside, right?
40:33Well, if we let him speak
40:35Maybe he'll tell us
40:37Thank you, Teresa
40:39A little respect, please
40:41Go ahead, Mr. Fermin
40:43I wish I were a wise man, but I'm not
40:45And even so
40:47I'll allow myself to rectify
40:49Antonia, Pietro
40:53This is your house
40:55And you'll keep doing it
40:59The rule by which the modern waitresses
41:01Couldn't be married
41:03Remains
41:05Oh
41:09He just said what I think he just said
41:13So, can we keep working being married?
41:15You can and you must
41:19I congratulate you for this decision, Mr. Fermin
41:21I congratulate you too
41:23Although I don't know
41:25How it benefits me
41:27How wouldn't you know? You know it perfectly
41:29Without Pietro and Antonia
41:31Who would you fuck?
41:35And now, if you'll excuse me
41:49Yes
41:51I thank you
41:53I'll stop by as soon as I can
41:57Take care
41:59Goodbye
42:03I was watching
42:05Jacob leave in a taxi
42:07I'm glad we convinced him
42:09Who were you talking to?
42:11With a waitress from Madrid Cabaret
42:13In the absence of Cesar
42:15Well, now they have to take care of the place
42:17By the way, love
42:19I've been thinking
42:21About going back to work
42:23Would you agree?
42:25Well, my love, that's great news
42:27Yes
42:29But
42:31I thought that in the modern world
42:33Married women can't work
42:35Yes, but I have a proposal
42:37For Mr. Fermin
42:39It would be, for example
42:41Organize some kind of events in the upper part of the hall
42:43Like the photographic exhibition
42:45That Laurita and Celia did
42:47Do you remember? Of course I remember
42:49Even the writer Luisa Carnes went to visit her
42:51It was a success
42:53I still don't know, I have some ideas
42:55But I would like you to help me shape them
42:59Of course I'll help you
43:01I'm very glad to see you like this
43:03So excited
43:07Hey, but that of being busy
43:09It won't be
43:11Because you get bored with me, right?
43:13Bored with you?
43:15Or a person who appears in the newspapers?
43:17Impossible
43:19No
43:23When all this is over
43:25We will start our life
43:27Do you know why?
43:31Because no one will be able to be with us
43:33Never
43:35Never
43:47I never would have imagined
43:49That removing that prohibition
43:51Was going to cause so much joy
43:53It is clear that the rules
43:55Must arise from the common sense, right?
43:59Is something wrong with you, Mrs. Lazara?
44:01She's not very talkative
44:03Let's say
44:05Excuse me, I was finishing
44:07Writing down the flour order
44:09By the way
44:11Mr. Fermin
44:13I forgot to tell you
44:15That I have to take care of a personal matter
44:17I would have to leave a little earlier
44:19It would be necessary
44:21Thank you
44:23I hope that personal matter
44:25Is not serious
44:27No, it is not
44:31Wait a moment, Mrs. Lazara
44:35If you are not in a hurry
44:37I would like to ask you something
44:45The afternoon we spent together
44:47When we went to the inauguration
44:49Of the bullring of the sales
44:51I found it
44:53Very unpleasant
44:55And I think
44:57That for you
44:59It was also
45:03And yet, since then
45:05I have noticed
45:07That you avoid me more and more
45:09Tell me if I'm wrong
45:11Avoid you?
45:13Yes
45:15What do you mean?
45:17That if you have a problem with me
45:19Or I have said or done something
45:21That could have bothered you
45:23I would like to know
45:25No, there is nothing to know
45:27I think I'm the same as always
45:29No
45:31No, it is not
45:33No
45:37But well
45:39I thought that our degree of trust
45:41Would allow me to ask
45:43But I see that it is not so
45:45Sorry for the interruption
45:47You can go
45:53Don Fermin
45:55Excuse me
45:57But you are right
45:59Since the day we went to the sales
46:03I am not the same person
46:05I have tried
46:07I have tried
46:09That you do not notice the weight
46:11That I carry inside
46:13But it seems that I have not achieved it
46:17What do you mean?
46:21You can tell me if you want
46:25It is that I am not very convinced
46:27That this is a good idea
46:29Since
46:31Since it has to do with you
46:35With me?
46:39It will be better if I go
46:41No, no, no
46:47Please
46:49Continue
46:51You have said
46:53It has to do with me
46:57What is going on?
47:03Well, it's very simple, Don Fermin
47:09I am in love with you
47:19No
47:23No
47:25No, no, no
47:27I do not know what to say
47:29You have nothing to say
47:31I have no right to declare my feelings
47:33And I apologize
47:35I understand that you do not feel the same as me
47:43Don Fermin
47:45I need to talk to you
47:47I need to tell you something urgently
47:49Something that if I do not tell you now
47:51And in the end
47:57I'm leaving La Moderna
48:21La Moderna
48:51La Moderna
49:21Mother
49:33Mother
49:35Daughter
49:37Everything is going as we planned
49:41Well, even better
49:45The encirclement against the enemy is expanding
49:47And against me too, mother
49:51When will I get out of here?
49:56Have a little patience. I assure you that the sacrifice will be worth it.
50:07And I'm not going to hide. I'm going to face it.
50:10And for that I'm going to organize a party to celebrate the reopening of Madrid Cabaret.
50:14The press is helping us corner Íñigo.
50:17I want to finish with Íñigo and especially with Matilde as soon as possible.
50:21Of course. We'll do it.
50:25But we can't speed up or lose the cold blood.
50:29Otherwise, everything will go to hell.
50:30It's just that when Antonia and Pietro see each other on the altar,
50:33the most normal thing is that they go to live together.
50:36Antonia considers you like a daughter. She will surely take you to live with them.
50:40Why don't you ask her?
50:41No, no, no, no, no. I wouldn't ask her or allow her.
50:44Maybe it's time for me to go on my own.
50:47Don Fermín is waiting for her in his office. He has been looking for her.
50:50When he found her, he asked me to pass the message to her.
50:52Why didn't he tell me before?
50:53Because he didn't let me.
50:55What a shame, Trini, that you lost it.
50:57Lose what?
50:59Don Fermín has broken the rule that it was forbidden for the dependents to get married.
51:05But...
51:06When I asked you if your intention was to leave La Moderna, you mutilated the forum.
51:10Have you already made a decision?
51:12My son Salvita not only needs to learn a trade.
51:15He needs to learn about the life of a man made and right like you.
51:19But wasn't he studying to be a lawyer?
51:21That's a lot to assume.
51:23Since he hasn't even passed a miserable high school.
51:27It's all him.
51:28Are you sure Pietro doesn't mind that you wear the same dress as at the wedding with Ramón?
51:33I haven't told him yet.
51:35But, well, so many things have happened to us that I'm going to tell him.
51:38Nobody wants to do business with a supposed murderer.
51:41Yes, it is completely unfair but understandable that certain people have their reticences.
51:47Well, that's why I want to reopen.
51:49And now you want me to talk to my own supplier?
51:52Don Fermín, I just need to be covered for the party.
51:54After that night, everything will return to normal.
51:59Unless you also doubt me.
52:02My heart broke when I heard at the police station that I was accused of the two homicides of the Madrid-Cabret and that I belonged to a criminal organization.
52:11I am the link of the police with the French gendarmerie.
52:14And they have commissioned me to look for César Morel in Spain.
52:18I know very well who you are and the relationship I had with him.
52:21Covering up a criminal is not going to bring him any benefit but quite the opposite.
52:27Don Salvador has asked me to put him on duty and instruct him about the business.
52:30And you know what that means.
52:32That as soon as you teach him everything, he kicks you.
52:35No, Miguel, we already have something.
52:37The truth is that you are wonderful at getting into trouble.
52:40Since when?
52:41Since I feel attracted to you.
52:45From the beginning.
52:47I'm not going to leave here, not until Íñigo and Matilde receive their punishment.
52:52But daughter ...
52:53Nothing or nobody is going to make me change my mind.
52:55I want to see them dead, mother.
52:57Do you understand?
52:58Dead.