• 4 months ago
Igra sudbine, Epizoda 1124,Igra sudbine 1124 ,Igra sudbine 1125,Igra sudbine Epizoda 1124, Igra sudbine Epizoda 1125,Epizoda 1124 Igra sudbine ,Epizoda 1125 Igra sudbine

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00:00A few days later
00:05Okay.
00:07Tell me, where did you get that from?
00:10What? You think I shouldn't?
00:13No, no. I mean, I don't know.
00:17But how did you come up with it all of a sudden?
00:21Okay, not all of a sudden.
00:24Andrija, I feel useless here.
00:27Somehow, I have nothing to do here,
00:30and then all sorts of stupid things come to my mind,
00:33and I think the job would solve that.
00:37Why is it so strange to you now?
00:39No, no. It's not strange at all.
00:43Look, if it bothers you that you don't earn money,
00:47that's not a problem for me.
00:49But if that's the motive, to think about the job...
00:52No, no, no, that's not the motive.
00:54I just have to use my brain.
00:58Okay, then.
01:00Find... I don't know.
01:03Find a hobby.
01:04Andrija, what hobby? A hobby is not enough for me.
01:12What do you think about going back to the company?
01:16Of course.
01:17I mean, if...
01:19If that makes you happy.
01:21It will.
01:22Yes.
01:23Really?
01:24Yes.
01:25That's great.
01:27The old PR is back to work, right?
01:34Okay.
01:35I didn't mean the old PR.
01:39I meant...
01:42Cannes Capital.
01:53First time.
02:04Hey, where are you going?
02:06Am I bothering you?
02:07You're bothering me, I'm just asking.
02:09I don't know, I didn't expect you, so...
02:11I didn't know I had to apologize.
02:13You don't have to apologize, you have to miss it.
02:15Really?
02:16Yes, they're on the handcuffs like this,
02:18and it says Ruka Kanački.
02:19And then you have a complete...
02:21Pass.
02:23Where can I get that?
02:24It's downstairs, the lady will make it for you,
02:26and then you can order whatever you want.
02:28You can order something to drink, to eat...
02:30Maybe wine?
02:31Maybe, maybe wine.
02:32For example, maybe wine.
02:34Tell me, are you...
02:37Did you come just like that, or do you need something?
02:39I came to thank you.
02:40For your great gesture.
02:42Come on, how can I thank you?
02:44I'm begging you, you gave me half the money,
02:46you spent more than fair.
02:47No, we just understood what is right to do,
02:49and then we did it.
02:52I assume that spending was your idea.
02:55Of course, whose idea is more important?
02:57Why didn't you have to do it for me?
03:01We did it for the Dobrobit project.
03:03Everyone would do that.
03:05Okay, I get it.
03:07I don't want to rush who made a mistake,
03:09that now I'm accusing someone,
03:11that I'm dealing with these things.
03:13If we want to succeed,
03:15we have to watch out for each other.
03:17And that's how it is.
03:19You have a good business mind.
03:23But I still hoped that you made that decision
03:26for me.
03:30Well, maybe I did.
03:34Come on, cheers.
03:35Cheers.
03:42Excuse me, I have to go.
03:44Come on, come on.
03:47Cheers.
03:58Look at him, look at him.
04:00Why are you looking at me like that?
04:02Why are you looking at me like that?
04:04Come on, I haven't asked you anything yet.
04:06I know, boss, but...
04:07What?
04:08I assume what's going on, and honestly...
04:10You will never hit her, never.
04:13I have a lot of complications with Leposa.
04:16I hope she's not involved.
04:18She's not involved, let me go, Leposa.
04:20Everyone is crazy about her, like a crazy old woman,
04:22she just poops and never stops.
04:27She's involved with Gala.
04:31Really?
04:32I want to find her, alone, you know?
04:34But I need your help.
04:36To secure privacy and all that.
04:39Yes, see how you're camping,
04:41there's something underneath that bar.
04:43Do you want to help me?
04:45Of course I want to help you, boss.
04:47Okay, okay, but listen to me now,
04:49don't let that snake Pechila tell anyone.
04:51Me, you, and the black earth, is that clear?
04:55Give me your hand.
04:56That's right, don't fall over, don't be afraid.
04:59That's right.
05:00That's a man.
05:03Thank you, boss.
05:09I don't care if you work for Cannes Capital.
05:12Leposa works for me even more.
05:15You know that, don't you?
05:17Don't you?
05:19What kind of an argument is that?
05:20Why are you forbidding me to work?
05:22I'm forbidding you,
05:23but that guy, how would I be a man
05:25if I forbade you to work?
05:26What's wrong with that?
05:29Find somewhere else.
05:31But why?
05:34You worked for Starbillard, right?
05:37Yes.
05:38You covered for the director.
05:42That's a nice job.
05:44Yes.
05:45But isn't Cannes Capital also in need of a PR director?
05:48That's not the point.
05:51What are you going to do where all the women are snakes?
05:57So that's where we are.
06:00Where are we?
06:01What did you conclude
06:02based on what I said?
06:04Everything.
06:05Everything?
06:06Hey,
06:08I just want you to feel comfortable.
06:12Why would I come to a place where there's a party,
06:15where there's such an atmosphere?
06:17Well, I would say that you don't look comfortable to me,
06:21but to you.
06:39Do you want another one?
06:40No.
06:41We have to work.
06:44That's right.
06:45This was a test and you passed.
06:50Hey, I have to tell you something else.
06:52Tell me.
06:54This mistake about the purchase of space
06:57is personally mine.
06:58Okay.
06:59What does it matter?
07:00It doesn't matter anymore.
07:01It doesn't matter to me.
07:02I want everything to be clean.
07:03Everything is clean.
07:04The mistake is corrected.
07:05Which means that it doesn't matter anymore.
07:08And that it doesn't happen again.
07:09And that it doesn't happen again.
07:10But okay, you're a smart girl.
07:12I believe that you won't make the same mistake twice.
07:15I know, but I shouldn't have judged myself
07:17about the price of space.
07:19Now I'm just confused.
07:21What do you care?
07:22It has nothing to do with that.
07:23Trust me.
07:24It has nothing to do with that.
07:25You didn't do anything wrong.
07:26Tell me.
07:27Is this going to go like this
07:28or should I tuck it in?
07:30I think it's good like that.
07:33So there's no need to worry.
07:36I don't know.
07:37Something strange is happening with that space.
07:39What is strange?
07:41The owner of the company that sold it to us
07:44is hiding it in the papers.
07:48Tell me, how did you find out about that space?
07:51I talked to the executive director
07:53of a neighborhood in Serbia.
07:55But the owner of the company is hiding it in the papers.
07:59Okay.
08:00Let's not waste time.
08:02I'll figure it out.
08:04You don't have to worry about anything.
08:05You can do that.
08:07Okay.
08:08There you go.
08:10Do you want to go to the studio?
08:12Let's go.
08:13Please.
08:26Actually, you don't care that I work with you, right?
08:30I do.
08:32It bothers me.
08:33I think it's not smart.
08:35Especially on a professional level.
08:38Or on a personal level.
08:40Time is equal.
08:44Let me ask you something.
08:46You don't care about Jovana, right?
08:48I do, but I'm trying to be professional.
08:52So it doesn't affect me.
08:54And I know I can't do anything about it.
08:56But you can.
08:58I'm trying to prevent harm in advance.
09:04You think I wouldn't be professional, right?
09:08I think that all the professionalism in the world
09:12couldn't change anything in Common Capital
09:15or change the atmosphere.
09:17Okay, but if you don't give me a chance,
09:19you can't know if it's right or wrong.
09:21It can't be better than it is now.
09:23What do you mean?
09:26I would have to protect you all the time.
09:29I would be vulnerable.
09:34Okay, don't exaggerate.
09:36Besides, I believe in you.
09:38I would lose a lot of energy doing that.
09:41Believe me.
09:43Andrija, please.
09:44Let's not talk nonsense.
09:47You're surrounded by all those strong women out there.
09:50Would it bother you to have a wife?
09:55So?
09:58Did I get a job?
10:00Or...
10:03No.
10:06I have to finish something here.
10:10And let me think, okay?
10:13Okay.
10:21Get some rest.
10:25Okay.
10:39Here you go.
10:40Wait, Gala.
10:41Come on.
10:42Thank you.
10:43It's low in calories.
10:44No, no.
10:45It won't.
10:46Oh, God.
10:47Wait.
10:48I think you need to eat something.
10:50Take it easy.
10:51What is it?
10:52They look nice.
10:53They are nice and ripe.
10:55Beautiful.
10:56Come on.
10:57Great.
10:58Can I eat now?
10:59I'm offering you now.
11:01Oh, God.
11:02What's wrong with you?
11:04Do you know that I really feel like I'm on vacation now?
11:07There you go.
11:08Because you're really on vacation.
11:13And I'm bored.
11:15Do you know why you're bored?
11:17Because you're actually starting to rest.
11:19You know that, right?
11:20Not because I like to lie somewhere in a closed space
11:24and read some good literature.
11:26Here you go, people.
11:27These are real peanuts.
11:29Now they're ripe.
11:30There's no more vitamin C that's pulling on the diarrhea.
11:33Mila, it's better for you to eat this.
11:35You won't be bored at all.
11:36He says, it's better for you to eat this.
11:38And I eat this.
11:39Eat more.
11:40What do you want me to eat?
11:41Come on, stop it.
11:42Eat.
11:43You talk so much.
11:44You don't say anything.
11:45And you miss the point.
11:47Eat these peanuts.
11:48Eat these peanuts.
11:49I brought them for you.
11:50Fill your mouth.
11:51You're nervous.
11:53Me?
11:54I'm used to it.
11:55People!
11:56Look what I found.
11:57What is it?
11:58Is that a potato?
12:00What's that?
12:01It's nothing but a potato.
12:02It's extremely expensive.
12:03No, no, no.
12:04You can't eat it.
12:05You can't eat it.
12:06It's around the apartment.
12:07So if anyone wants to do a search, they can come with me.
12:10Wait, you want to say that it's expensive?
12:12I can go if we find it.
12:14Extremely expensive.
12:15No, he wants to say that it's cheap.
12:18Of course, it's expensive.
12:19It's more expensive than gold.
12:21You can't eat it.
12:22You can't eat it.
12:23It's like platinum.
12:24Wait, wait, wait, people.
12:26You want to take us to search and find it?
12:29I want to.
12:30Let me see, let me see.
12:31No, no, I have to keep it.
12:32No, no.
12:33I'll give you coordinates, people.
12:34I'll give you coordinates.
12:35Come on, give us coordinates.
12:36Where are we?
12:37Come on.
12:38What do you want to tell me?
12:39Come on, let's go.
12:40What?
12:41Come on, let's go.
12:42You're Bosnians.
12:43You don't know anything about potatoes.
12:44Come on, come on.
12:45Come on.
12:46Come on, let's go.
12:47Let's go get rich.
12:48Let's go.
12:49Let's collect potatoes.
12:50Come on.
12:51Gala.
12:52Are you coming with us?
12:53No.
12:54What?
12:55I can't do that for you.
12:56It's not for me.
12:57Now I'm rolling in some mud.
12:58I can't wait.
12:59You're a great lady, Gala.
13:00Here you go, then.
13:01Take this trash.
13:02Come on.
13:03We're going to get rich.
13:04Do you hear?
13:05Potatoes.
13:06I didn't even know.
13:07Come on, come on.
13:08Come on.
13:10What's going on?
13:15What?
13:16Don't ask me stupid questions.
13:17What's going on with the guests?
13:18They got mixed up.
13:19Didn't the water run out again?
13:20No, but I found the potatoes, so I'm sending them to the search.
13:21To find them.
13:22What a fool you are.
13:23What did I do wrong now?
13:24How dare you announce this to the guests?
13:25You should have told me.
13:26I'm not a fool.
13:27I'm a fool.
13:28I'm a fool.
13:29I'm a fool.
13:30I'm a fool.
13:31I'm a fool.
13:32I'm a fool.
13:33I'm a fool.
13:34I'm a fool.
13:35I'm a fool.
13:36I'm a fool.
13:37I'm a fool.
13:38I'm a fool.
13:39I'm a fool.
13:40I'm a fool.
13:41I'm a fool.
13:42I'm a fool.
13:43I'm a fool.
13:44I'm a fool.
13:45A fool.
13:46A fool.
13:47I'm a fool.
13:48I'm a fool.
13:49I'm a fool.
13:50A fool.
13:51It is well known for centuries that a woman with a hidden value mentally adds insult
13:58to injury.
13:59That's right, Emanuela Gualdi.
14:03Where's the turtle?
14:04It's coming! Hurry up!
14:06Here it is!
14:07And you, and you, and you with it!
14:09Hurry up!
14:10Okay.
14:11Hurry up!
14:15Pretty girl!
14:17You're shaking like you're sitting on a hot ring!
14:21What happened?
14:24Don't worry about me, get ready!
14:27Where are we going?
14:28We're going to the turtle.
14:30I'm going to the turtle?
14:32I'm so pretty, how can I go to the turtle?
14:34I don't have a dress for the turtle!
14:36I'm going to the turtle!
14:38I'm so pretty, turtles don't grow on a branch!
14:41You're driving me crazy!
14:43You went last year!
14:45Last year?
14:46I'm pretty for last year!
14:48I don't want to go this year!
14:50You know what?
14:51I don't want to argue with you!
14:53You're acting like you inherited the National Bank!
14:56Really?
14:57God forbid!
14:59You'll die five minutes before me,
15:01and I'll be happy for five minutes!
15:29I'm so pretty!
15:30I'm so pretty!
15:31I'm so pretty!
15:32I'm so pretty!
15:33I'm so pretty!
15:34I'm so pretty!
15:35I'm so pretty!
15:36I'm so pretty!
15:37I'm so pretty!
15:38I'm so pretty!
15:39I'm so pretty!
15:40I'm so pretty!
15:41I'm so pretty!
15:42I'm so pretty!
15:43I'm so pretty!
15:44I'm so pretty!
15:45I'm so pretty!
15:46I'm so pretty!
15:47I'm so pretty!
15:48I'm so pretty!
15:49I'm so pretty!
15:50I'm so pretty!
15:51I'm so pretty!
15:52I'm so pretty!
15:53I'm so pretty!
15:54I'm so pretty!
15:55I'm so pretty!
15:56I'm so pretty!
15:57I'm so pretty!
15:59Seriously
16:23So kids,
16:25I want you to understand one thing.
16:30This is a situation that has happened to us once in a lifetime.
16:36And you have to understand me and the situation seriously.
16:40Is it clear?
16:41Yes, it is clear to me.
16:43I didn't understand you. What's going on?
16:45Is it clear?
16:46Yes, it is clear.
16:47Please.
16:48Where is Dobrit?
16:49Dobrit is in the apartment. She is applying sunscreen.
16:52She will join us.
16:53She will apologize to us later.
16:55She will come with us, right?
16:56She will come with us, 100%.
16:57Ok.
16:58So, children.
17:00What is happening now is a mutual search.
17:04And we have to set some rules.
17:08Ok.
17:09So that everything is fair and concrete.
17:13Is it clear?
17:14Yes, it is clear.
17:15I can't say that I don't believe you.
17:18But I can't even express myself as if I believe you.
17:22I repeat.
17:23It is a mutual search.
17:25And what does it mean?
17:26What does it mean?
17:27All the truffles.
17:28Did I say it right?
17:29Yes, truffles.
17:30The truffles that we find.
17:32We put them on the camera.
17:34Ok.
17:35Then we sell them.
17:36And we divide them equally.
17:39Is it clear?
17:40Yes, it is clear.
17:41I didn't hear you.
17:42Yes, it is clear.
17:43Ok.
17:45If someone accidentally takes a truffle for himself,
17:51he will pay a heavy penalty.
17:54Not an ordinary one, but a heavy one.
17:57Is it clear?
17:58Well, I don't really care about the heavy penalty.
18:01What does it mean?
18:02What is a heavy penalty?
18:03I mean...
18:04Am I allowed to ask?
18:06No, you can't.
18:08A penalty is a penalty.
18:10Rules are rules.
18:12I'm asking you to respect me,
18:14so that Beljko doesn't end up like you.
18:17Children.
18:18Children.
18:21We're going to the woods,
18:23to roll on the mud,
18:25like poor people.
18:27And we're coming back
18:29like truffles.
18:32Is it clear?
18:33Yes, it is clear.
18:34Come with me.
18:36Grab your tools and let's go.
18:38Come on.
18:39To the truffles.
18:40Come on.
18:41To the truffles.
18:42That's what I said.
18:43Follow me.
18:44Let's go.
18:45To the left.
18:46Let's go.
18:47To the left.
18:48To the left.
18:49Let's go.
18:50Let's go.
18:51Let's go.
18:52Is there a song?
18:53Maybe.
19:12Hey.
19:13Boss.
19:15Is everything okay?
19:17I don't know.
19:19I don't know yet.
19:22Sit down.
19:28You haven't been to the truffles these days.
19:32To the truffles?
19:33No, no, God forbid.
19:35Not since you banned us.
19:37It wouldn't come to our heads.
19:42I don't know.
19:43I just wanted to check.
19:45Because...
19:46I received a package.
19:49Right from there.
19:52From Kosmaj.
19:54Ask him again.
19:56From Kosmaj?
19:59Yes.
20:00From Kosmaj.
20:01It's from Mida Pjanovic.
20:03See?
20:04She's writing.
20:07What's inside?
20:10That's what I'm asking.
20:13You didn't hide anything there, did you?
20:17No.
20:18Far from it.
20:19When we said we wouldn't, we won't.
20:21We won't betray you.
20:23We won't.
20:25Okay.
20:27Trivanovic.
20:31Then it's best if...
20:34You open the box.
20:37Me?
20:38Yes.
20:41I can, boss.
20:43No problem.
20:44Thank you.
20:45You're welcome.
20:46For showing me around.
20:47But I think a colleague is needed.
20:49Because I need something.
20:51I have an angina.
20:53A gift.
20:54How do you call it?
20:55Oh, my God.
20:56It hurts.
20:57It's all over the place.
20:59Sometimes I feel like...
21:01I can't tie the truffles.
21:03All of them.
21:04How do you tie truffles?
21:06With a bow.
21:08Like this.
21:12Guys.
21:13You didn't hide anything, did you?
21:17Don't you think there's a bomb inside?
21:24A bomb?
21:26Boss.
21:28Why would we think there's a bomb inside?
21:31Is there a reason for a bomb?
21:34Boss.
21:35If there's a bomb, I'll open the box for you.
21:41You want to open it?
21:42Yes.
21:43Great.
21:44Come on.
21:45Come on.
21:46I didn't mean...
21:47Come on, Trvanović.
21:49You said you'd open it.
21:50No, I meant...
21:51No, no.
21:52I'll do it.
21:53If there's a bomb...
21:54No, no.
21:55You open the box now.
21:59Come on.
22:02Okay.
22:03Okay.
22:04I'll open the box, but...
22:08There's no truffle, boss.
22:16There's truffle, boss.
22:22Come on.
22:34Here.
22:44And where are your promised truffles?
22:48Smršić's 200 kilos.
22:50Be patient, girls.
22:52They've always been here.
22:53We'll find them somewhere.
22:55We can't let other people find more than us.
22:59We have a lot more than us.
23:01That means one.
23:02If someone finds one, it means he won,
23:05because we didn't find anything.
23:08Just dig, darling, and don't worry, you won't finish.
23:21Come on, my falcon.
23:23Open it.
23:24There's nothing to be afraid of if your conscience is clear.
23:28Come on, colleague.
23:29You can do it.
23:30You can do it.
23:31There, there.
23:32Now I'll just...
23:36Maybe we know what could be inside.
23:41We'll find out when you open it.
23:44Come on.
23:46Great.
23:48Great.
23:53Great.
24:01I'll call you.
24:04Boss, I just remembered.
24:06Yes?
24:07All those guys with scalpels and surgeries,
24:10I had a back surgery, so I saw them wash their hands.
24:13Maybe I can just wash my hands first.
24:16I just remembered, if I could,
24:18I'd like to go to the office for a short while, just...
24:22What?
24:23So we can explode, right?
24:25To explode what?
24:26I don't give a shit.
24:27No one's getting out of here.
24:29Great.
24:30Come on, Trivarovic.
24:31Open it.
24:32There, there, boss.
24:33Just...
24:34Come on.
24:35I'm trying to figure out how to make the first cut.
24:38Okay.
24:40Okay, okay, okay, okay.
24:51Plitko!
24:56Oh, my mother.
25:00Mmm...
25:08Huh?
25:10What could that be?
25:14Huh?
25:16Whiskey?
25:20Whiskey, boss!
25:22We're alive, boss!
25:24We're alive!
25:25Whiskey!
25:27Boss is alive!
25:29Wait, wait, wait.
25:30Shh.
25:31How do I open it?
25:32How do I open it?
25:34Oh-ho.
25:35Huh?
25:36How do I open the packages, man?
25:38To a friend in Nebojša Tambor,
25:40as a token of gratitude for saving my daughter.
25:44Oh!
25:45Heartfelt, Mido Pianović.
25:47Hey, bravo, Mido, bravo.
25:49Huh?
25:50Look at Mido, look at Mido.
25:51No, no, no.
25:52He needs some help.
25:54No, no, thank you.
25:55You can go to Sokić now.
25:57No, I volunteer.
25:58We'll have a break for Sokić.
26:00Easy.
26:01Come on.
26:02Come on.
26:03Now!
26:04This is not for kids.
26:05Come on.
26:06Now.
26:07Now!
26:08Come on, come on, come on.
26:09What are we going to do?
26:10No, no, no, no, no, no, no, no.
26:11You're touching it, it's dangerous.
26:12Come on.
26:13Come on.
26:14Ha-ha.
26:15Thank you.
26:16Thank you for everything.
26:17Great.
26:18Enjoy your life.
26:19Come on.
26:21Hey.
26:26Mido, Mido.
26:28Oh, mister, man.
26:31Is it tasty?
26:33Huh?
26:41Oh, my God, Mido.
26:43What is it?
26:44You're dangerous, dangerous.
26:46Me?
26:47You, you.
26:48No, please.
26:49I'm not a mother.
26:50It just seems to me.
26:51How not?
26:52I'm a gentle, huge, you know?
26:53Is that so?
26:54God help me.
26:55What did you mean?
26:56What?
26:57Tartuffe.
26:58On Cosmo.
26:59So, I don't remember when I heard something so creative or how.
27:00That's right.
27:01Do you like my Mido-clicker?
27:02I'm not for throwing, you know?
27:03Come on, you lived for me for a hundred years.
27:04For you.
27:05For you.
27:06For you.
27:07For you.
27:08For you.
27:09For you.
27:10For you.
27:11For you.
27:12For you.
27:13For you.
27:14For you.
27:15For you.
27:16For you.
27:17For you.
27:18For you.
27:19For you.
27:20For you.
27:21You live for me for a hundred years.
27:22And you for me, Vaso.
27:23I have to tell you something.
27:24Tell me.
27:25I'm sort of glad that I got the chance to be a little alone.
27:27I agree.
27:28But I'm sorry that you only have these apartments.
27:33We have to play these games, you know?
27:38That's a little too much for me.
27:44What do you mean, what?
27:46I mean, I told you that I love travelling.
27:50Me too.
27:52But we always dream about exotic places, islands.
27:58Although I am aware that for something like that,
28:02you need a lot more than an apartment.
28:05I am aware of that.
28:07Listen to me, apartments.
28:09Apartments are not important.
28:13I have money as much as you want.
28:17Do you have money in your life?
28:19I have a lot of money.
28:21You have?
28:22And I have you.
28:24Thank you.
28:26You are so lucky.
28:27Don't lie to me.
28:28Just don't lie to me.
28:30Me?
28:32Why would I lie to you?
28:34I don't lie to you.
28:35When I have a lot of money...
28:38Well, Vanja.
28:41I am glad that you came to me.
28:44There is a lot for the rest of the job.
28:48Here, I sent you a table
28:50where all the reports should be.
28:53Ok.
28:55And where are all the reports?
29:01Here they are.
29:04Is something wrong?
29:06No, everything is fine.
29:21You know what I am interested in?
29:23What fool sent us five kilometers away from home
29:27to look for a truffle?
29:29It wasn't me.
29:30I called her.
29:31You wanted to go.
29:32And I was forced to come here.
29:34It's not my fault.
29:36You just need a little recreation.
29:39Why are you complaining?
29:41I don't need recreation.
29:56Let's go.
29:58I'll take you to the water.
30:00Ok.
30:01Let's go.
30:02To the fireplace.
30:03To the fireplace?
30:04To the piano.
30:05To the piano?
30:06Wait a minute.
30:07Tell me, did you go to the forest,
30:08did you make a hole like this,
30:09and you buried the money?
30:10Come on, tell me.
30:11You know what you look like to me?
30:13That I dig a hole and hide the money,
30:15so I don't get caught.
30:18Tell me.
30:19What do you want me to tell you?
30:20What do you want me to tell you?
30:22What do you want to tell me?
30:32When you wanted my job so much,
30:34this is a perfect opportunity for you to prove yourself.
30:38I doubt anyone can prove themselves
30:40by putting numbers in tables.
30:42But it's ok.
30:44And when you finish it,
30:46the tables from last year should be put together.
30:51For which there is probably no need anymore.
31:01Let's go.
31:12Here you go.
31:13Let's see what you have prepared.
31:15This is for me.
31:16Oops.
31:17Sorry.
31:19I didn't know if you like beans.
31:24I didn't want to overdo it.
31:29Great.
31:30Do you like it?
31:31Yes.
31:32Please, take it.
31:33Let's eat together.
31:34Great.
31:35I'm glad you like it.
31:51Wait.
31:52Which materials are we talking about?
31:54I'll tell you right now.
31:56It's somewhere...
31:58I have to go now.
32:00Bye.
32:01I found out who the owner of the space is.
32:17Can I ask you to take Vanja to the office with me?
32:21No.
32:23Please.
32:25Maybe Vanja needs me now.
32:28Maybe you need her.
32:30And if she goes with me for a short time,
32:32the company will collapse.
32:34It's a matter of principle.
32:52Here I am.
32:56I'll put your necklace tomorrow.
33:18Where is he?
33:20Who?
33:21Don't be crazy.
33:22Where is Mido?
33:24Ma'am, I really don't know
33:26why I would need that information.
33:30We invite you to the next episode.